Paul Stewart

Equipment Analysis
-
- vlntage Slngle Coll Plckups
- Maple v-shape neck 7.25" Padlus
- 3-way plckup selector.
- vlntage Prets
- Select Alder body
-
- Seymour Duncan Antlqulty | Plckups
- Posewood Thlck C Shape Neck 7.25" Padlus
- vlntage frets.
- Alder body
- 5-way plckup selector.
Fender Road Worn 60s Stratocaster (Tobacco Burst)
1957 Fender Stratocaster Reissue (Sunburst)
1962 Fender Stratocaster Reissue (Fiesta Red)
Guitars
These three stratocasters were lnsplred by the three maln three stratocasters of 1ohn Prusclante. The 60's Poad worn ls prlmarlly used for
cleaner stratocaster tones whlle the Plesta Ped ls prlmarlly used for more dlstorted tones and wah pedal use. The l957 stratocaster ls used to
achleve a more Hendrlx tone vla the unlque tone of the maple neck.
Paul Stewart
Page 1
-
- Seymour Duncan Antlqulty || Plckups
- Posewood Thln C Shape Neck. 7.25" Padlus
- 6l05 Prets
- 5-way plckup selector.
- Alder 8ody
-
- Pralln S Serles Scooped Mld-Pange plckups
- Posewood Thlck C Shape Neck 9" radlus
- 6l05 Prets
- 5-way plckup selector.
- Alder 8ody
-
- Thlck C Shape Maple neck 7.5 radlus
- vlntage Telecaster plckups
Fender John Mayer Signature Stratocaster (White)
Fender John Mayer Signature Stratocaster (The Black One)
Fender Road Worn 50s Telecaster (Sunburst)
Guitars
The whlte 1ohn Mayer strat ls kept ln standard tunlng whlle "The 8lack One" ls kept ln late Hendrlx tunlng - All notes down l/2 step. The
telecaster ls often used ln con[unctlon wlth the 8oss DS-2 Turbo Dlstortlon and the Marshall ampllers to achleve the Prusclante Slane Castle
solo tone.
Paul Stewart
Page 2
-
- 8lg Dlpper Scooped Mld-Pange plckups
- Posewood Thlck C Shape Neck. 9" radlus.
- 6l05 Prets
- 5-way plckup selector.
- Alder 8ody
-
- Mahogany body wlth three-plece maple cap
- Lbony fretboard l2 radlus
- Two Humbucklng plckups
- 3-way plckup selector
- Pretless wonder
- Kahler tremolo system
-
- Posewood bound fretboard l2 radlus
- Medlum 1umbo Prets
- Sllm Taper neck
- Two humbucklng plckups
- 3-way plckup selector
- Trlnl Lopez Spllt Dlamond |nlay
- 400 total produced
Fender Classic Player Jazzmaster (Sunburst)
1981 Gibson Les Paul Custom (Ferrari Red)
1992 Gibson Jimi Hendrix Flying V Signature
Paul Stewart
Page 3
-
- Posewood C Shape Neck 9.5" radlus
- Medlum 1umbo Prets
- Speclal Deslgn Hot 1azzmaster Plckups
- Medlum-[umbo vlntage frets.
- Alder 8ody
- Ad[usto-Matlc" 8rldge wlth vlntage Style "Ploatlng" Tremolo Tallplece
Guitars
The 1azzmaster ls used for more experlmental playlng, both harmonlcally and sonlcally. The Les Paul Custom and Hendrlx v are used to
achleve dlstlnct vlntage humbucklng sounds.
-
- Grand audltorlum body
- Sltka Sprlce top
- Hard rock maple neck
- l5 radlus ebony fretboard
- Gloss nlsh
- venetlan cutaway
- |nternal mlcrophone (electrlc/acoustlc)
Taylor 615ce
Fender Road Worn 50s Precision Bass (Fiesta Red)
Guitars
Paul Stewart
Page 4
-
- Seymour Duncan Antlqulty Plckups
- C-Shape Maple Neck 7.25" radlus
- vlntage frets
- Master volume/Master Tone Control
- Two dynamlc l2AU7 tubes
- 27 Ampller Models
- ZNP Nolse reductlon
- 6-8and Lquallzer
- MOD/LPX2
- Delay module
- Peverb module
- l3 Acoustlc gultar models
- Compressor/Llmltor module
- Low LQ / Hlgh LQ module
- ZNP Nolse reductlon
- MOD/SPX module
- Delay/Peverb module
Zoom G9.2tt (Guitar)
Zoom B9.1ut (Bass)
Zoom A2 (Acoustic)
Amplifer Simulators
These ampller slmulators all use dynamlcally changlng tube technology to model the tone of varlous ampllers. The tubes are dlvlded lnto
two stages, the energlzer (pre) and accelerator (post). The proportlon of solld state sound to tube sound ls ad[ustable ln both stages. Lach
module also lncludes a varlety of onboard enects and a compressor.
Paul Stewart
Page 5
-
- Two dynamlc l2AX7 tubes
- 44 Ampller Models
- ZNP Nolse reductlon
- 6-8and Lquallzer
- MOD/LPX2
- Delay module
- Peverb module
Moog MuRF
Digitech Wham-
my
Keeley Compres-
sor
Morley ABC Selec-
tor
Radial Bigshot AB
Selector
Keeley Katana
Paul Stewart
Page 6
Electro-Harmonix
Big Muf
Electro-Harmonix
English Mufn
Boss DS-2 Turbo
Distortion
Ibanez WH-10
Wah Pedal
Efects
- l
- Galn l0/l0
-
- volume 4/l0
- Tone 8/l0
- Sustaln l0/l0
- Output 6/l0
- |nput 8/l0
- Hlgh 6/l0
- Mld 4/l0
- Low 7.5/l0
- Tone 8/l0
- Level l0/l0
- Dlstortlon 8/l0
- Mode ||
-
- Gultar mode
- Sweep l0/l0
Boss Blues
Driver (Keeley)
Electro-Harmonix
Holy Grail Reverb
Line 6 M13
Multi-Efects
Clyde McCoy
RMC8 Wah
Ibanez Tubes-
creamer (Keeley)
-
- Level 4/l0
- Tone 6/l0
- Galn 6/l0
-
- Sprlng Mode
- Mlx 5/l0
- Chorus
- vlbrato
- Unlvlbe
- Delay
- Peverb
- Modulatlon
- Lquallzer ad[usted to
accentuate the treble
frequencles
- Level 4/l0
- Tone 5/l0
- Drlve 6/l0/l0
- Sustaln 4/l0
- Level 7/l0
- Attack 7/l0
Hendrix Fuzz
Face
Paul Stewart
Page 7
Zvex Fuzz Factory Shure PGX1 Wire-
less Transmitter
Shure PGX 4

Efects
- Galn 7/l0
- Level 4/l0
-
- volume 4/l0
- Tone l0/l0
- Sustaln l0/l0
Boss RC-50 Loop Station
Ipad
- Phythm Gulde
- Tempo Control
- US8 audlo sync
- 48 mlnute record (mono)
- 24 mlnute record (stereo)
- 3 Phrase playback
- |mmedlate/Phrase end swltch
- Overdub
- Auxlllary lnput
- l/4 lnstrument lnput
- DlglDrummer
- MlnlDrum Pro
- 3D Drum Klt
- DrumTrack HD
- Drum Melster
- Molten
- lLlectrlbe
- Amplltube
- Gultar ToolKlt
- Tab Toolklt
- Garage8and
- studlo.HD
- StudloMlnlXL
- l8oneXL
- M3000 HD
- Planlst Pro
- lMS - 20
- Moog Plltatron
- NLog Pro
- StudloMlnlXL
- l8oneXL
- Phythm Gulde
- Tempo Control
- US8 audlo sync
- 48 mlnute record (mono)
- 24 mlnute record (stereo)
Strings Picks

Daddario XL .10 Ernie Ball Power Slinky .11 .60mm Dunlop Tortex 1.14mm Dunlop Unltex
- Dynamlc mlcrophone
- Used for all studlo recordlngs
- Posltloned "a couple lnches" from the axls
- |mpedance of l50 ohms
- Undlrectlonal (cardlold)
- Potatlonally symmetrlcal
- 40 to l5,000 hertz frequency response
Shure SM-58 Dynamic Microphones (Vocal)
- Dynamlc mlcrophone
- Used for all studlo recordlngs
- Posltloned "a couple lnches" from the axls
- |mpedance of l50 ohms
- Undlrectlonal (cardlold)
- Potatlonally symmetrlcal
- 40 to l5,000 hertz frequency response
Shure SM-57 Dynamic Microphones (Guitar)
Guitars
The prlmary cholce of strlngs used for more rhythmlcfunk-based muslc are the D'addarlo XL's whlle the Lrnle 8all Power Sllnky's are prlmarlly
used for playlng more emotlonal blues-based muslc. The .60mm Tortex ls the prlmary plck of cholce. The Dunlop Ultex ls used speclcally for
the 1azzmaster, whlch ls setup wlth GHS 8oomers (.l2) (not plctured)
Paul Stewart
Page 8
-
- Pour LL3411 power tubes
- LCC83 drlver
- Sllver vlnyl
- Chrome sllver panels
- Llmlted edltlon 50th annlversary serles
Marshall Jimi Hendrix SL100
Marshall Silver Jubilee 50/100
Amplifers
Marshall Hendrlx SLl00- 8ass l0/l0 Mlddle 6/l0 Treble 4/l0 Presence 6/l0 Loudness One 4/l0 Loudness Two 6/l0
Marshall Sllver 1ubllee- 8ass l0/l0 Mlddle 6/l0 Treble 6/l0 Presence 6/l0 Output 6/l0 Lead 9/l0 Galn l0/l0
Paul Stewart
Page 9
-
- l00 watt
- l of 600 Models
- Hand wlred
- Lxact repllca of rst Marshall Hendrlx
- KT 66 power tubes
- 1lm Marshall autograph
- Two Channels (Hlgh, Low)
These ampllers are generally run ln parallel to produce a speclc tone wlth a gradlent galn structure.
The Marshsall Hendrlx ampller has a maxlmum bass response and also ls a very naturally clean sound-
lng amp wlth a punchy mldrange. The Marshall Sllver 1ubllee produces a phenomenal "crunch" tone and
has a sllght boost ln treble frequencles as opposed to the Hendrlx amp. Thls results ln very clean and
punchy bass notes whlle the upper range has a sllght ovedrlven scream.
-
- 75-watt Self Powered
- 5-lnch yellow woofer
- l-lnch tweeter
- woven glass/aramld compotlste constructlon
- Custom drlvers
-
- A /8 Channel Speakers
- Pocus / Global / 8ypass modes
- Callbratlon swltch
- Poom Correctlon Prequencles 20hz-500hz
- 400MHz Analog Devlces 8lankn DSP processor
- |nternal Sample Pates 44.l kHz, 48 kHz, 88.2 kHz, 96 kHz
KRK RP8 Studio Monitors
KRK RP 5 Studio Monitors
KRK ERGO Acoustic Room Analysis
Speakers
The KPK Lrgo Acoustlc Poom Analyzer ls set to one saved locatlon and can be speclcally mapped out to a new atmosphere wlthln 40 mln-
utes. Pocus locatlons can also be stored to ad[ust for speclc llstenlng from one locatlon. The Use of four studlo monltors ls to cross-pro[ect
two dlstanct ampller tones lnto one.
Paul Stewart
Page 10
-
-
- l40-watt Self Powered
- 8-lnch yellow woofer
- l-lnch tweeter
- woven glass/aramld compotlste constructlon
- Custom drlvers
TC-Helicon VoiceLive II Processor
Vocals
The TC-Hellcon volceLlve || Processor ls generally used for lts reverb and delay modules. The typlcal reverb ls set to a
short plate sound whlle the typlcal delay ls slte to a sllght slapback (1ohn Lennon). The Modlfer ls elther set to a "Thlcken"
preset, whlch acts slmllar to Chorus, or a "wlden" preset whlch pans the vocal far left and far rlght.
Paul Stewart
Page 11
-
- Modlcatlons (thlcken, wlden)
- Delay (slapback, tap tempo)
- Peverb (short plate, long plate)
- PX (transducer)
- Double
- Harmony
A
A
B
B
-
- Llectrlc Drlnk Mlxer
- Sprlng
- Lgg whlsk
- Glass Sllde
- Alumlnum Sllde
1992 Toy MegaMouth
Utensils
Tricks
These use of these ltems was lnsplred by Nels Cllne. These ltems produced dlstlnct tones when used on the strlngs and plckups ln uncon-
ventlonal ways.
Paul Stewart
Page 12
-
- Allows vocals through gultar plckups
- Prequency transmlsslon produced lnterferes wlth magnetlc eld
- works much llke a vocoder
- varlous preset enect nolses
Books
DVDs
Page 13