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This is the first book that comprehensively examines Indigenous filmmaking in North
America, as it analyzes in detail a variety of representative films by Canadian and US-American
Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and
four dramatic films. The book explores how members of colonized groups use the medium of
Amsterdam/New York, NY film as a means for cultural and political expression and thus enter the dominant colonial film
2009 discourse and create an answering discourse. The theoretical framework is developed as an
XXIII, 494 pp. + 201 color ill. interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As
ISBN: 978-90-420-2543-1 Indigenous people are gradually taking control over the imagemaking process in the area of film
Bound € 112,-/US$ 146,- and video, they cease being studied and described objects and become subjects who create
self-controlled images of Indigenous cultures. The book explores the translatability of Indigenous
oral tradition into film, touching upon the changes the cultural knowledge is subject to in this
process, including statements of Indigenous filmmakers on this issue. It also asks whether or not
there is a definite Indigenous film practice and whether filmmakers tend to dissociate their
work from dominant classical filmmaking, adapt to it, or create new film forms and styles
through converging classical film conventions and their conscious violation. This approach
presupposes that Indigenous filmmakers are constantly in some state of reaction to Western
ethnographic filmmaking and to classical narrative filmmaking and its epitome, the Hollywood
narrative cinema. The films analyzed are The Road Allowance People by Maria Campbell, Itam
Hakim, Hopiit by Victor Masayesva, Talker by Lloyd Martell, Tenacity and Smoke Signals by
Chris Eyre, Overweight With Crooked Teeth and Honey Moccasin by Shelley Niro, Big Bear
by Gil Cardinal, and Atanarjuat: The Fast Runner by Zacharias Kunuk.
(Dialogue 4)
Presenting the first full-length collection of essays on Eudora Welty’s novel, Delta
Wedding (1946), this volume is the fourth book in Rodopi Press’s Dialogue Series.
Within these pages, emerging and experienced literary critics engage in an exciting dialogue
about Welty’s noted novel, presenting a wide range of scholarship that focuses on feminist
concerns, pays tribute to the rhetoric of exclusion and empowerment, examines the role of
outsider and boundaries, explores meaning-making, and highlights the novel’s humor and
Amsterdam/New York, NY musicality. This volume will no doubt be of interest to Welty aficianados as well as southern
2008 studies and feminist scholars and to those who are interested in the craft of writing fiction
XXII, 193 pp.
ISBN: 978-90-420-2435-9
Bound € 43,-/US$ 56,-
ISBN: 978-90-420-2436-6
Textbook € 18,-/US$ 23,-
Minimum order 10 copies
Reading Jack Kerouac’s classic On the Road through Virginia Woolf ’s canonical A
Room of One’s Own, the author of this book examines a genre in North American
Amsterdam/New York, NY literature which, despite its popularity, has received little attention in literary and cultural
2009 criticism: women’s road narratives. The study shows how women’s literature has inscribed itself
339 pp. into the American discourse of the Whitmanesque “open road”, or, more generally, the
ISBN: 978-90-420-2552-3 “freedom of the road”. Women writers have participated in this powerful American myth, yet
Bound € 68,-/US$ 88,- at the same time also have rejected that myth as fundamentally based on gendered and
racial/ethnic hierarchies and power structures, and modified it in the process of writing back to
it. The book analyzes stories about female runaways, outlaws, questers, adventurers,
kidnappees, biker chicks, travelling saleswomen, and picaras and makes theoretical observations
on the debates regarding discourses of spatiality and mobility—debates which have defined the
so-called spatial turn in the humanities.
The analytical concept of transdifference is introduced to theorize the dissonant plurality of
social and cultural affiliations as well as the narrative tensions produced by such pluralities in
order to better understand the textual worlds of women’s multiple belongings as they are present
in these writings. Roads of Her Own is thus not only situated in the broader context of
a constructivist cultural studies, but also, by discussing narrative mobility under the sign of
gender, combines insights from social theory and philosophy, feminist cultural geography, and
literary studies.
Key names and concepts: Doreen Massey – Rosi Braidotti – Literary Studies – Spatial Turn –
Gendered Space and Mobility – Nomadism – Road writing – Transdifference – American
Culture – Popular Culture – Women’s Literature after the Second Wave – Quest – Picara.
(Costerus NS 179)
(Dialogue 5)
Alice Walker’s Pulitzer Prize winning novel The Color Purple is a tale of personal
empowerment which opens with a protagonist Celie who is at the bottom of America’s social
caste. A poor, black, ugly and uneducated female in the America’s Jim Crow South in the first
half of the 20th century, she is the victim of constant rape, violence and misogynistic verbal
abuse. Celie cannot conceive of an escape from her present condition, and so she learns to be
passive and unemotional. But The Color Purple eventually demonstrates how Celie
Amsterdam/New York, NY learns to fight back and how she discovers her true sexuality and her unique voice. By the end
2009 of the novel, Celie is an empowered, financially-independent entrepreneur/landowner, one who
XXV, 320 pp. speaks her mind and realizes the desirability of black femaleness while creating a safe space for
ISBN: 978-90-420-2544-8 herself and those she loves. Through a journey of literary criticism, “Dialogue: Alice Walker’s
Paper € 69,-/US$ 90,- The Color Purple” follows Celie’s transformation from victim to hero. Each scholarly
ISBN: 978-90-420-2560-8 essay becomes a step of the journey that paves the way for the development of self and sexual
Textbook €30,-/US$39,- awareness, the beginnings of religious transformation and the creation of nurturing places like
Minimum order 10 copies home and community.
Gothic to Multicultural
Idioms of Imagining in American Literary Fiction
A. Robert Lee
(Costerus NS 178)
This study explores the ways in which the desert, as topographical space and cultural presence,
shaped and reshaped concepts and images of America. Once a territory outside the geopolitical
and cultural borders of the United States, the deserts of the West and Southwest have since
emerged as canonical American landscapes. Drawing on the critical concepts of American
Amsterdam/New York, NY studies and on questions and problems raised in recent debates on ecocriticism, The Poetics
2009 and Politics of the Desert investigates the spatial rhetoric of America as it developed in
355 pp., V ill. included. view of arid landscapes since the mid-nineteenth century. Gersdorf argues that the integration
ISBN: 978-90-420-2496-0 of the desert into America catered to the entire spectrum of ideological and political responses
Bound € 72,-/US$ 94,-
to the history and culture of the US, maintaining that the Americanization of this landscape
was and continues to be staged within the idiomatic parameters and in reaction to the
discursive authority of four spatial metaphors: garden, wilderness, Orient, and heterotopia.
(European Studies - An Interdisciplinary Series in European Culture, History and Politics 26)
This book is a selection of the scholarly works presented at the 2nd International Redefining
Europe Conference in Prague, 2005 as a part of the Ashburn Institute’s analogous
initiative, the goal of which is to advance people’s understanding of the future of European
civilisation, and to explore the varying dynamics of transatlantic relations. This volume is a 2nd
Amsterdam/New York, NY publication in the Redefining Europe Conference Series. The third manuscript will
2008 appear in print following the Renewing the Transatlantic Relationship: Prospects for Europe
XI, 167 pp. and the United States in an Emerging Multipolar World Conference held in
ISBN: 978-90-420-2482-3 Norman, OK in November 2008. This book is targeted at scholars and students in political
Paper € 36,-/US$ 47,- science and related disciplines.
Translation Practices
Through Language to Culture
Edited by Ashley Chantler and Carla Dente
This cutting-edge collection, born of a belief in the value of approaching ‘translation’ in a wide
range of ways, contains essays of interest to students and scholars of translation, literary and
textual studies. It provides insights into the relations of translation to comparative literature,
cultural studies, literature and other arts, contrastive linguistics.
Amsterdam/New York, NY Subjects and authors discussed include: the translator as ‘go-between’; the textual editor as
2009 translator; Ghirri’s photography and Celati’s fiction; the European lending library; La Bible
279 pp. d’Amiens; the coining of Italian phraseological units; Michèle Roberts’s Impossible
ISBN: 978-90-420-2533-2 Saints; the impact of modern translations for stage on perceptions of ancient Greek drama;
Paper € 50,-/US$ 65,- and the translation of slang, intensifiers, characterisation, desire, the self, and America in 1990s
Italian fiction.
The collection closes with David Platzer’s discussion of translating Dacia Maraini’s poetry into
English and with his new translations of ‘Ho Sognato una Stazione’ (‘I Dreamed of a Station’)
and ‘Le Tue Bugie’ (‘Your Lies’).
This innovative interdisciplinary study compares the uses of painting in literary texts and films.
In developing a framework of four types of ekphrasis, the author argues for the expansion of the
concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the
visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and
Amsterdam/New York, NY their ekphrastic treatment in various texts and films, this book examines how the medium of
2008 ekphrasis affects the representation of the visual arts in order to show what the differences
243 pp. imply about issues such as gender roles and the function of art for the construction of a personal
ISBN: 978-90-420-2457-1 or social identity. Because of its highly cross-disciplinary nature, this book is of interest not
Paper € 49,-/US$ 64,- only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an
innovative approach to discussing non-documentary films about artists, the author shows that
ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film.
This study also addresses art historians as it deals with the reception of major artists in
European literature and film throughout the 20th century.
Investigating Identities
Questions of Identity in Contemporary
International Crime Fiction
Edited by Marieke Krajenbrink and Kate M. Quinn
The papers collected in this volume are expanded from papers given at the 6th Global
Conference on Evil and Human Wickedness, which took place in March 2005. The chapters
here represent the diversity and interdisciplinary nature of the conference itself covering topics
such as historical and theological concepts of evil, media representations of evil, contemporary
Amsterdam/New York, NY debates surrounding the Bosnia war and woman perpetrators in Birkenau, and the construction
2009 of the Other as evil in the face of the continuing hysteria over AIDS. The range of the papers
VII, 212 pp. collected here makes this book essential reading for students of all humanities disciplines.
ISBN: 978-90-420-2550-9
Paper € 44,-/US$ 57,-
“I would regard myself as a feminist writer, because I’m a feminist in everything else and one
can’t compartmentalise these things in one’s life.” (Angela Carter)
“When I became a feminist in 1968, I felt that I’d come home: the first home I ever had that
was feminine. And it was very wild and theatrical and erotic, the early feminism.” (Michèle
Amsterdam/New York, NY Roberts)
2009
XI, 345 pp. Angela Carter and Michèle Roberts share a keen interest in gender and sexual identity, but many
ISBN: 978-90-420-2531-8 of their topics seem to mark them as opposites: Roberts’s fascination with the impact of
Paper € 72,-/US$ 94,- religion, motherhood and autobiography on female identity covers areas that Carter shuns in
her writings. In reading these two authors parallel and in contrast to each other, this monograph
follows a triple objective: it provides a comprehensive critical introduction to the works of
Roberts, explores aspects of Carter’s work that have not yet been analyzed sufficiently (religion,
motherhood, and masculinity), and uses both authors to explore motifs and strategies of
feminist writing. The analyses of both authors’ works are supplemented by close readings of a
wide range of theoretical perspectives (especially French feminism and psychoanalysis) and
concise theoretical outlines of the topics covered (radical feminism, religion, motherhood and
fatherhood, masculinity, fairy tales, romances and chick lit, and history and auto/biography).
Women Writing Greece explores images of modern Greece by women who experienced
the country as travellers, writers, and scholars, or who journeyed there through the
imagination. The essays assembled here consider women’s travel narratives, memoirs and novels,
ranging from the eighteenth to the late twentieth century, focusing on the role of gender in
Amsterdam/New York, NY travel and cross-cultural mediation and challenging stereotypical views of ‘the Greek journey’,
2008 traditionally seen as an antiquarian or Byronic pursuit. This collection aims to cast new light on
IV, 257 pp. women’s participation in the discourses of Hellenism and Orientalism, examining their
ISBN: 978-90-420-2481-6 ideological rendering of Greece as at once a luminous land and a site crossed by contradictory
Paper € 52,-/US$ 68,- cultural memories. Arranged chronologically, the essays discuss encounters with Greece by,
among others, Lady Elizabeth Craven, Lady Hester Stanhope, Lady Montagu, Lady Morgan,
Mary Shelley, Felicia Skene, Emily Pfeiffer, Eva Palmer, Jane Ellen Harrison, Virginia Woolf,
Ethel Smyth, Christa Wolf, Penelope Storace and Gillian Bouras, and analyse them through a
variety of critical, historical, contextual and theoretical frames.
Migratory Settings
With the expansion of the EU and calls for a European constitution, the question of a
common European identity has become increasingly pressing in recent times. However, in the
Amsterdam/New York, NY face of diverse national and regional traditions – and the absence of an obvious European
2009 cultural imaginary – the forging of a strong sense of European identity proves problematic. This
231 pp. volume brings together case studies of national and regional images from across Europe, which
ISBN: 978-90-420-2571-4 together suggest emerging patterns of identification within contemporary Europe – patterns
Paper € 46,-/US$ 60,- which may not necessarily amount to a European ‘identity’, but rather to a European ‘mode’ of
identification. The chronological structure of the volume demonstrates the increasingly
problematic nature of national collective memories and past imaginaries in light of emergent
marginal voices and images, and suggests that it is both from beyond and within the national
paradigm that new challenges are now reshaping the cultural imaginary of European
communities.
Focusing on cultural images within film, literature, national narratives and myths, museum
exhibitions and architecture, this volume is of interest to a wide variety of disciplines in the
humanities, and presents an interdisciplinary approach to questions of cultural memory and
identity formation.
The past thirty years saw a growing academic interest in the phenomenon of boredom. If
initially the analyses were mostly a-historical, now the historicity of boredom is widely
recognised, though often it is taken as evidence of its permanence as a constant “quality” of the
human condition, expression of a metaphysical malady inherent to the fact of being human.
New trends in the literature focus on the peculiar relationship between boredom and modernity
and attempt to embrace the new social, cultural and political factors which provoked the
epochal change of modernity and relate them to a change in the parameters of human
Amsterdam/New York, NY
2009 experience and the crisis of subjectivity. The very changes that characterise modernity are the
IV, 227 pp. same that led to the “democratisation” of boredom: modernity and boredom are shown to be
ISBN: 978-90-420-2566-0 inextricably connected and inseparable.
Bound € 46,-/US$ 60,-
This volume aims at contributing to the growing body of literature on boredom with a number
of essays which reflect on the connection of boredom and modernity and focus on particular
texts, authors, or aspects of the phenomenon. The approach is multidisciplinary, in keeping
with the pervasiveness of the phenomenon in our culture and societies, with essays reflecting on
philosophy, literature, film, media and psychology.
On the grounds of the interpretation of Rainer Maria Rilke’s poetry and Paul Cézanne’s
paintings the book attempts to approach the work of art as a thing. This lets to overcome a
one-sided aesthetical interpretation of the origin of the work of art and to indicate its place in
the cosmos of uncreated, i.e. not hominized things. So, the second fundamental issue raised is
Amsterdam/New York, NY a try to point out a metaphysical difference between a hominized and not hominized (natural)
2009 thing. Such a non-aesthetical point of view is called ontotopy by the author and is opposed to
XI, 155 pp. traditional ontology and the philosophy of art.
ISBN: 978-90-420-2564-6
Paper € 34,-/US$ 44,- Translated from Lithuanian by Robertas Beinartas. Introduced by Leonidas Donskis.
Ambiguous Subjects
Dissolution and Metamorphosis in the Postmodern Sublime
Jennifer Wawrzinek
In the history of ideas, the aesthetic categories of the sublime and the grotesque have exerted a
powerful force over the cultural imagination. Ambiguous Subjects is one of the first
studies to examine the relationship between these concepts. Tracing the history of the sublime
from the eighteenth century through Burke and Kant, Wawrzinek illustrates the ways in which
Amsterdam/New York, NY the sublime has traditionally been privileged as an inherently masculine and imperialist mode of
2008 experience that polices and abjects the grotesque to the margins of acceptable discourse, and
156 pp. the way in which twentieth-century reconfigurations of the sublime increasingly enable the
ISBN: 978-90-420-2548-6 productive situating of these concepts within a dialogic relation as a means of instating an
Paper € 31,-/US$ 40,- ethical relation to others.
This book examines the articulations of both the sublime and the grotesque in three
postmodern texts. Looking at novels by Nicole Brossard and Morgan Yasbincek, and the
performance work of The Women’s Circus, Wawrzinek illuminates the ways in which these
writers and performers restructure the spatial and temporal parameters of the sublime in order
to allow various forms of highly contingent transcendence that always necessarily remain in
relation to the grotesque body. Ambiguous Subjects illustrates how the sublime and the
grotesque can co-exist in a manner where each depends on and is inflected through the other,
thus enabling a notion of individuality and of community as contingent, but nevertheless very
real, moments in time.
10
Paul Newland’s illuminating study explores the ways in which London’s East End has been
constituted in a wide variety of texts – films, novels, poetry, television shows, newspapers and
Amsterdam/New York, NY journals. Newland argues that an idea or image of the East End, which developed during the
2008 late nineteenth century, continues to function in the twenty-first century as an imaginative
II, 321 pp. space in which continuing anxieties continue to be worked through concerning material
ISBN: 978-90-420-2454-0 progress and modernity, rationality and irrationality, ethnicity and ‘Otherness’, class and its
Paper € 65,-/US$ 85,- related systems of behaviour.
The Cultural Construction of London’s East End offers detailed examinations of the
ways in which the East End has been constructed in a range of texts including BBC Television’s
EastEnders, Monica Ali’s Brick Lane, Walter Besant’s All Sorts and
Conditions of Men, Thomas Burke’s Limehouse Nights, Peter Ackroyd’s
Hawksmoor, films such as Piccadilly, Sparrows Can’t Sing, The Long Good Friday,
From Hell, The Elephant Man, and Spider, and in the work of Iain Sinclair.
This interdisciplinary volume seeks to examine and explore the various issues surrounding image
construction, identity making and representations of the North, as well as the
interconnectedness between those issues. The aim is to elucidate the multiple aspects of the
idea of the North, both as a mythological space and a discursive system created and shaped by
Amsterdam/New York, NY cultures outside the North as well as from within.
2009 The objective of the research project Iceland and Images of the North is to elucidate
292 pp. Ill. several aspects of images of the North and to explore their functions in the present, focusing
ISBN: 978-90-420-2528-8 especially on Iceland. What effect have Iceland and its people had on images of the North, and
Paper € 58,-/US$ 75,- how do those images influence the Icelanders and other nations? The project will be a
cooperative, interdisciplinary undertaking by researchers in the humanities and social sciences.
11
Hosting the Monster responds to the call of the monstrous with, not rejection, but
invitation. Positing the monster as that which defies classification, the essays in this collection
are an ongoing engagement with that which lies outside of established boundaries. With
chapters ranging from the monstrous mother or the deformed child to subjectivity in transition,
this volume is not only of interest to film and gender scholars and literary and cultural theorists
but also students of popular culture or horror. Its wide appeal stems from its invitation both to
Amsterdam/New York, NY entertain the monster and to widen the call to and the listening for the monsters that have not
2008 yet, and perhaps must not yet, come calling back. This sense of hospitality and non-hostility is
X, 260 pp. one guiding principle of this collection, suggesting that the ability to survey and research the
ISBN: 978-90-420-2486-1 otherwise may reveal more about the subjectivity of the self through the wisdom of the other,
Paper € 54,-/US$ 70,- however monstrous the manifestation.
Space in Theory
Kristeva, Foucault, Deleuze
Russell West-Pavlov
Space in Theory: Kristeva, Foucault, Deleuze seeks to give a detailed but succinct
overview of the role of spatial reflection in three of the most influential French critical thinkers
of recent decades. It proposes a step-by-step analysis of the changing place of space in their
theories, focussing on the common problematic all three critics address, but highlighting the
Amsterdam/New York, NY significant differences between them. It aims to rectify an unaccountable absence of detailed
2009 analysis to the significance of space in their work up until now.
275 pp. Space in Theory argues that Kristeva, Foucault and Deleuze address the question: How
ISBN: 978-90-420-2545-5 are meaning and knowledge produced in contemporary society? What makes it possible to
Paper € 55,-/US$ 72,- speak and think in ways we take for granted? The answer which all three thinkers provide is:
space. This space takes various forms: psychic, subjective space in Kristeva,
power-knowledge-space in Foucault, and the spaces of life as multiple flows of becoming in
Deleuze.
This book alternates between analyses of these thinkers’ theoretical texts, and brief digressions
into literary texts by Barrico, de Beauvoir, Beckett, Bodrožic or Bonnefoy, via Borges, Forster,
Gide, Gilbert, Glissant, Hall, to Kafka, Ondaatje, Perec, Proust, Sartre, Warner and Woolf.
These detours through literature aim to render more concrete and accessible the highly complex
conceptulization of contemporary spatial theory.
This volume is aimed at students, postgraduates and researchers interested in the areas of French
poststructuralist theory, spatial reflection, or more generally contemporary cultural theory and
cultural studies.
12
Nick Enright (1950-2003) was one of Australia’s most significant and successful playwrights. As
a writer, director, actor and teacher he influenced theatre in Australia for thirty years. Enright
wrote more than fifty plays for the stage, film, television and radio, translated and adapted
more, and taught acting to students in varied settings, both in Australia and the United States.
Amsterdam/New York, NY His writing repertoire included comedy, social realism, farce, fantasy and the musical. In
2008 addition to his prodigious contribution to all of these genres, he was a passionate advocate for
224 pp. + 6 ill. the actor and the theatre in contemporary society.
ISBN: 978-90-420-2460-1 In this volume Anne Pender and Susan Lever present a set of essays and recollections about
Paper € 46,-/US$ 60,- Nick Enright’s work for students, teachers and scholars. The book offers a comprehensive study
of Enright’s writing for theatre, film and television. Scholars, acting teachers and theatre
directors have contributed to this work each illuminating an aspect of Enright’s remarkable
career. The discussions cover interpretations of Enright’s scripts and productions, detailed
analysis of his directing style, substantial background and analysis of his writing for musicals, as
well as accounts of his specific approach to acting and to adaptation across genres. The essays
and recollections included in this book will inspire theatre practitioners as well as scholars. Most
importantly, this book will inform and enlighten students and teachers both at high school and
university about an exceptional career in the theatre.
13
This study analyzes representations of music in fiction, drama and poetry as well as normative
texts in order to contribute to a gendered cultural history of domestic performance. From the
Tudors to the First World War, playing the harpsichord or piano was an indispensable asset of
any potential bride, and education manuals as well as courtship plots and love poems pay
Amsterdam/New York, NY homage to this social function of music. The Gaze of the Listener charts the fundamental
2008 tension which determines all these texts: while music is warmly recommended in conduct
XI, 249 pp. books and provides standard metaphors like concord and harmonyfor virtuous love, a
ISBN: 978-90-420-2489-2 profound anxiety about its sensuous inarticulateness and implicit femininity unsettles all
Paper € 52,-/US$ 68,- descriptions of actual music-making. Along with repressive plot lines, the privileging of visual
perception over musical appreciation is the most telling indicator of this problem. The Gaze of
the Listener is the first coherent account of this discourse and its historical continuity from the
Elizabethan to the Edwardian period and provides a significant background for more narrowly
focused research. Its uniquely wide database contextualizes numerous minor works with
classics without limiting itself to the fringe phenomenon of musician novels. Including a fresh
account of the novels of Jane Austen in their contemporary (rather than Victorian) context, the
book is of interest to scholars and students in gender studies, English literature, cultural studies
and musicology.
This collection of essays focuses on one of Harold Pinter’s most popular and challenging plays, The
Dumb Waiter, while addressing also a range of significant issues current in Pinter studies and which
are applicable beyond this play. The interesting and provocative dialogues between established and
emerging scholars featured here provide close readings of The Dumb Waiter, within relevant cultural
and historical contexts and from a range of theoretical perspectives. The essays range over issues
of autobiography and theater, genre studies, and the impact of Pinter’s political activism on his
dramatic production, among others. The collection is also concerned with the meaning of the play
Amsterdam/New York, NY when assessed against other example’s of Pinter’s work, both dramatic and non-dramatic writing.
2009
Each contributor shows a gift for presenting a complex argument in an accessible style, making
XIV, 269 pp.
this book an important resource for a wide range of readers, from undergraduates to postgraduates
ISBN: 978-90-420-2556-1
and specialist researchers. The collection offers essays that approach The Dumb Waiter, from an
Paper € 57,-/US$ 74,-
interdisciplinary perspective and as both a literary and dramatic text. Thus, the book should be of
ISBN: 978-90-420-2557-8
Textbook € 25,-/US$ 33,- equal significance to those encountering Pinter within the context of English Studies, drama, and
Minimum order 10 copies performance.
14
(Conrad Studies 3)
Conrad’s Victory
The Play and Reviews
Edited by Richard J. Hand
(Conrad Studies 4)
15
The time for new approaches to White’s work is overdue. Central to the present study are
Edward Said’s ideas about the role of the intellectual (and the writer) – of speaking “truth to
power,” and also the importance of tracing the “affiliations” of a text and its embeddedness in
the world. This approach is not incompatible with Jung’s theory of the ‘great’ artist and his
Amsterdam/New York, NY capacity to answer the deep-seated psychic needs of his people. White’s work has contributed
2009 in many different ways to the writing of the nation. The spiritual needs of a young nation such
XXXVI, 207 pp. as Australia must also comprehend its continual urge towards self-definition. Explored here is
ISBN: 978-90-420-2516-5 one important aspect of that challenge: white Australia’s dealings with the indigenous people of
Bound € 50,-/US$ 65,- the land, tracing the significance of the Aboriginal presence in three texts selected from the
oeuvre of Patrick White: Voss (1957), Riders in the Chariot (1961), and A Fringe of Leaves (1976).
Each of these texts interrogates European culture’s denigration of the non-European Other as
embedded in the discourse of orientalism. One central merit of White’s commanding perspective
is the constant close attention he pays to European hubris andto the paramount autonomy of
indigenous culture. There is evidence even of a project which can be articulated as a search for the
possibility of white indigeneity, the potential for the whitesettler’s belonging within the land as does
the indigene.
Authority Matters
Rethinking the Theory and Practice of Authorship
Edited by Stephen Donovan, Danuta Fjellestad and Rolf Lundén
In this wide ranging collection of essays, eleven literary scholars and creative writers examine
authorship and authority in relation to the production and reception of cultural texts. Ranging
in time from the Renaissance to the era of digital publishing, the essays invite us to reconsider
the influential theories of Roland Barthes, Michel Foucault, and Pierre Bourdieu for our
Amsterdam/New York, NY understanding of writers such as Philip Sidney, Thomas Hardy, Laura Riding, W.B. Yeats,
2008 Gertrude Stein, and J.M. Coetzee. Shedding new light on authority’s complex role in the
VI, 302 pp. generation of cultural meaning, the essays will be of interest to students and teachers of literary
ISBN: 978-90-420-2483-0 history and critical theory alike.
Bound € 62,-/US$ 81,-
16
Other Tongues: Rethinking the Language Debates in India explores the implications of
the energetic and, at times, acrimonious public debate among Indian authors and academics
over the hegemonic role of Indian writing in English. From the 1960s the debate in India has
centered on the role of the English language in perpetuating and maintaining the cultural and
Amsterdam/New York, NY ideological aspects of imperialism. The debate received renewed attention following
2009 controversial claims by Salman Rushdie and V.S. Naipaul on the inferior status of
XXXVII, 208 pp. contemporary Indian-language literatures.
ISBN: 978-90-420-2519-6
Bound € 49,-/US$ 64,- This volume
— offers nuanced analysis of the language, audience and canon debate;
— provides a multivocal debate in which academics, writers and publishers are brought
together in a multi-genre format (academic essay, interview, personal essay);
— explores how translation mediates this debate and the complex choices that translation must
entail.
Other Tongues is the first collective study by to bring together voices from differing
national, linguistic and professional contexts in an examination of the nuances of this debate
over language. By creating dialogue between different stakeholders – seven scholars, three
writers, and three publishers from India – the volume brings to the forefront underrepresented
aspects of Indian literary culture.
Offspring Fictions
Salman Rushdie’s Family Novels
Matt Kimmich
(Costerus NS 177)
Offspring Fictions: Salman Rushdie’s Family Novels is the first book-length study that
examines families and especially the parent-child relationship in Rushdie’s core works. It argues
that Sigmund Freud’s concept of the family and the author’s variations thereon are central to a
full understanding of the four novels Midnight’s Children, Shame, the controversial The Satanic
Amsterdam/New York, NY Verses and The Moor’s Last Sigh, a quasi-sequel to Rushdie’s first success. Through close readings that
2008 make use of a variety of critical approaches, Offspring Fictions provides a sustained examination
XI, 265 pp of how the parents and children that people Rushdie’s fictions reflect the larger issues his work is
ISBN: 978-90-420-2490-8 concerned with: nationalism, religion, history and authorship. Aimed primarily at academics and
Paper € 56,-/US$ 73,- students, but also of interest to the general reader, Offspring Fictions provides a clear and insightful
analysis of Rushdie’s family tetralogy.
17
Genres of Modernity maps the conjunctures of critical theory and literary production in
contemporary India. The volume situates a sample of representative novels in the discursive
environment of the ongoing critical debate on modernity in India, and offers for the first time
a rigorous attempt to hold together the stimulating impulses of postcolonial theory, subaltern
Amsterdam/New York, NY studies and the boom of Indian fiction in English. In opposition to the entrenched narrative of
2008 modernity as a single, universally valid formation originating in the West, the theoretical and
X, 334 pp. literary texts under discussion engage in a shared project of refiguring the present as a site of
ISBN: 978-90-420-2493-9 heterogeneous genres of modernity. The book traces these figurative efforts with particular
Paper € 69,-/US$ 90,- attention to the treatment of two privileged metonymies of modernity: the issues of
time and home in Indian fiction. Combining close readings of literary texts from Salman Rushdie
to Kiran Nagarkar with a wide range of philosophical, sociological and historiographic reflections,
Genres of Modernity is of interest not only for students of postcolonial literatures but for academics in
the fields of Cultural Studies at large.
Bella Caledonia
Woman, Nation, Text
Kirsten Stirling
Bella Caledonia: Woman, Nation, Text looks at the widespread tradition of using a
female figure to represent the nation, focusing on twentieth-century Scottish literature. The
woman-as-nation figure emerged in Scotland in the twentieth century, but as a literary figure
rather than an institutional icon like Britannia or France’s Marianne. Scottish writers make use
Amsterdam/New York, NY of familiar aspects of the trope such as the protective mother nation and the woman as fertile
2008 land, which are obviously problematic from a feminist perspective. But darker implications,
136 pp. buried in the long history of the figure, rise to the surface in Scotland, such as woman/nation
ISBN: 978-90-420-2510-3 as victim, and woman/nation as deformed or monstrous. As a result of Scotland’s unusual status
Paper € 28,-/US$ 36,- as a nation within the larger entity of Great Britain, the literary figures under consideration
here are never simply incarnations of a confident and complete nation nurturing her warrior
sons. Rather, they reflect a more modern anxiety about the concept of the nation, and embody
a troubled and divided national identity. Kirsten Stirling traces the development of the
twentieth-century Scotland-as-woman figure through readings of poetry and fiction by male and
female writers including Hugh MacDiarmid, Naomi Mitchison, Neil Gunn, Lewis Grassic
Gibbon, Willa Muir, Alasdair Gray, A.L. Kennedy, Ellen Galford and Janice Galloway.
18
This collection brings together essays written over a thirty-five year period. They reflect James
Gibbs’s position vis-à-vis the Ghanaian theatre as sometimes a remote onlooker, sometimes an
enthusiastic participant observer, deeply involved in issues of perception and influence in a
society moving through colonialism to nationalism, independence and beyond. The main body
Amsterdam/New York, NY of the book is divided into four sections. The first, “Outsiders and Activists,” looks at theatre
2009 for community development during the late 1940s, some connections between drama and film,
XXV, 238 pp. and the astonishing involvement in Ghanaian performance culture of the Haitian poet and
ISBN: 978-90-420-2517-2 playwright Felix Morisseau–Leroy. The second section, “Intercultural Encounters,” examines
Bound € 53,-/US$ 69,- ways in which classic Greek drama has been used by producers and writers in West Africa, with
special reference to Victor Yankah, Kobina Sekyi (Ghana’s first published playwright), and the
Nigerian Femi Osofisan. Section Three, “Plays and Playwrights,” concentrates on Efua
Sutherland, Ama Ata Aidoo, and Joe de Graft. This section uncovers issues of documentation
and achievement that draw attention to the need for investment in organising resources for
writing Ghana’s theatre history. The volume draws to a close with personal accounts of touring
student productions in the 1960s (with due attention to the influence of Bertolt Brecht) and of
involvement in a British film production on location. The book closes with an updated
complete bibliography of Ghana’s chief dramatist, Efua Sutherland.
Sébastien Japrisot
The Art of Crime
Edited by Martin Hurcombe and Simon Kemp
Influential author of highly unconventional crime fiction, screenwriter, and occasional film
director, Sébastien Japrisot was one of those rare contemporary writers in France able to
establish an international reputation for himself. Although Japrisot’s novels in particular
continue to be read and studied across the world, this volume is the first ever academic study of
Amsterdam/New York, NY Japrisot’s work in the fields of both literature and cinema. Through a combination of
2009 thematic and text-specific studies, this volume takes in, and examines the legacy of, Japrisot’s
190 pp. work from his youthful writings under his real name, Jean-Baptiste Rossi, to his crime fiction
ISBN: 978-90-420-2534-9 and screen writings of the 1960s and 1970s, concluding with his final novel Un long
Paper € 38,-/US$ 49,- dimanche de fiançailles (A Very Long Engagement). It is both an essential
introduction to Japrisot and a valuable academic assessment of his work’s importance in the
field of contemporary French literature and film.
19
Histoires de la Terre
Earth Sciences and French Culture 1740-1940
Edited by Louise Lyle and David McCallam
20
Mirrors are mesmerizing. The rhetorical figure that represents a mirror is called a
chiasmus, a pattern derived from the Greek letter X (Chi). This pattern applies to
sentences such as “one does not live to eat; one eats to live.” It is found in myths, plays,
poems, biblical songs, short stories, novels, epics. Numerous studies have dealt with repetition,
Amsterdam/New York, NY difference, and Narcissism in the fields of literature, music, and art. But mirror structures,
2008 per se, have not received systematic notice. This book analyses mirror imagery, scenes, and
XI, 228 pp. characters in French prose texts, in chronological order, from the 17th to the 20th centuries.
ISBN: 978-90-420-2495-3 It does so in light of literal, metaphoric, and rhetorical structures. Works analysed in the traditional
Paper € 48,-/US$ 62,- French canon, written by such writers as Laclos, Lafayette, and Balzac, are extended by studies
of texts composed by Barbey d’Aurevilly, Georges Rodenbach, Jean Lorrain, and Pieyre de
Mandiargues. This work appeals to readers interested in linguistics, French history, psychology,
art, and material culture. It invites analyses of historical and ideological contexts, rhetorical
strategies, symmetry and asymmetry. Ovid’s Narcissus and Alice in Wonderland are paradigms for
the study of micro and macro-structures. Analyses of mirrors as cultural artefacts are significant
to Lowrie’s sight seeing.
From Sade at one end of the nineteenth century to Freud at the other, via many French
novelists and poets, pleasure and pain become ever more closely entwined. Whereas the
inseparability of these themes has hitherto been studied from isolated perspectives, such as
psychoanalysis, sadism and sado-masochism, melancholy, or post-structuralist textual
Amsterdam/New York, NY jouissance, the originality of this collaborative volume lies in its exploration of how
2008 pleasure and pain function across a broader range of contexts. The essays collected here
286 pp. demonstrate how the complex relationship between pleasure and pain plays a vital role in
ISBN: 978-90-420-2502-8 structuring nineteenth-century thinking in prose fiction (Balzac, Flaubert, Musset, Maupassant,
Paper € 57,-/US$ 74,- Zola), verse and the memoir as well as socio-cultural studies, medical discourses, aesthetic
theory and the visual arts. Featuring an international selection of contributors representing the
full range of approaches to scholarship in nineteenth-century French studies – historical, literary,
cultural, art historical, philosophical, and sociopolitical – the volume attests to the vitality,
coherence and interdisciplinarity of nineteenth-century French studies and will be of interest to
a wide cross-section of scholars and students of French literature, society and culture.
21
22
This book considers the post-68 French city as a prism through which to understand the
contemporary world and France’s specificity within it. The reader is invited to join in a series of
exploratory strolls through texts, buildings, and neighborhoods, and thereby share in a process of
discovery. Zeroing in on international architectural debates, a range of key Parisian exhibitions,
Amsterdam/New York, NY and major urban design decisions in Paris, Montpellier, and Lille, Yaari unravels an often-acerbic
2008 French critique of both modern and postmodern positions on culture, technology, and the city. This
XXXIII, 491 pp. critique—stemming from the competing claims of national identity, the ethics of architecture and
ISBN: 978-90-420-2500-4 display, and an anthropologically informed revision of prevailing views on the city—has sparked
Bound € 105,-/US$ 137,- in France a passionate search for a third path, which the author proposes to term après-moderne.
Breaking new ground in the field of French Studies through cultural analysis of the contemporary
city, this study brings new insight to scholars and professionals in architecture and urbanism, and
will interest all others for whom France and cities in general hold special appeal.
Ecrasez l’infâme! Voltaire’s rallying cry against fanaticism resonates with new force
today. Nothing suggests the complex legacy of the Enlightenment more than the struggle of
Amsterdam/New York, NY superstition, prejudice, and intolerance advocated by most of the Enlightenment philosophers,
2009 regardless of their ideological differences. The aim of this book is to undertake a
308 pp. reconsideration of the controversies surrounding the questions of religion, toleration, and
ISBN: 978-90-420-2505-9 fanaticism in the eighteenth century through an examination of Rousseau’s dialogue with
Paper € 62,-/US$ 81,- Voltaire. What come to light from this confrontation are two leading and at times competing
world views and conceptions of the place of the engaged writer in society.
23
Paul Claes
Cette étude propose une interprétation inédite ainsi qu’un commentaire détaillé des
Illuminations, texte qui défie depuis plus d’un siècle l’ingéniosité des spécialistes de
Rimbaud. À l’encontre du parti pris des exégètes actuels qui préconisent une approche
fragmentaire ou polyphonique, cette nouvelle lecture soutient que l’hermétisme rimbaldien se
prête à une lecture systématique et univoque.
L’obscurité du recueil résulte d’un codage à la fois textuel et intertextuel. Les transformations
Amsterdam/New York, NY textuelles se modèlent sur les tropes de la rhétorique classique (métaphores, métonymies,
2008 périphrases). Le décryptage des énigmes réservera bien des surprises aux lecteurs, en révélant, par
359 pp. exemple, que les « chalets de cristal et de bois qui se meuvent sur des rails et des poulies
ISBN: 978-90-420-2501-1
invisibles » ne sont autres que des nuages bicolores mus par le vent.
Paper € 72,-/US$ 94,-
Loin d’être un jeu d’association surréaliste, l’hermétisme des Illuminations ne dérive pas
du rejet mais du recyclage de la tradition littéraire. Aussi le commentaire signale-t-il toutes les
formes d’intertextualité exploitées par le poète : lieux communs, citations, allusions et pastiches.
Cette étude qui n’esquive aucune difficulté du texte ne s’adresse pas seulement aux connaisseurs,
mais saura captiver aussi les nombreux admirateurs d’une œuvre dont le poète n’est désormais
plus le seul à avoir la clef.
Genèses flaubertiennes
Éric Le Calvez
24
Some eighteen film directors from France to the United States, Germany to India, have applied
themselves to the task of adapting Madame Bovary to the screen. Why has Flaubert’s
1857 classic novel been so popular with filmmakers? What challenges have they had to meet?
What ideologies do their adaptations serve? Madame Bovary at the Movies seeks to
Amsterdam/New York, NY answer these questions, avoiding value judgments based on the notion of fidelity to the novel.
2009 In-depth analyses are reserved for the studio films of Renoir, Minnelli and Chabrol and the
218 pp. small-screen adaptation of Fywell. As the first book-length examination of the Madame Bovary
ISBN: 978-90-420-2504-2 adaptations, this volume, in addition to its pedagogical applications, will be a useful reference
Paper € 44,-/US$ 57,- for scholars of literature and film and for those interested in the burgeoning field of adaptation
studies.
“Proust tel qu’il a été relu et retravaillé par un certain nombre d’auteurs contemporains
représentatifs de la littérature actuelle : Julien Gracq ; Claude Simon ; Nathalie Sarraute ;
Renaud Camus ; Gérard Wacjman ; Marguerite Yourcenar ; Jacques Roubaud ; Roland
Barthes ; Anne-Marie Garat ; Jean Rouaud.`
Amsterdam/New York, NY
2008
274 pp.
ISBN: 978-90-420-2468-7
Paper € 55,-/US$ 72,-
ISBN: 978-90-420-2509-7
Textbook € 25,-/US$ 33,-
Minimum order 10 copies
25
Encore plus peut-être qu’un Michel Houellebecq (que l’on voit rarement à la télévision),
Frédéric Beigbeder est le symbole d’une nouvelle génération de romanciers qui agace
l’intelligentsia. Ainsi, la constatation initiale qui se trouve à l’origine de ce volume est qu’à cause
de sa personnalité et de ses activités multiples, Beigbeder existe uniquement pour ses
innombrables fidèles à travers le monde qui se satisfont de la lecture de ses romans. Pour les
autres dans leur grande majorité - les critiques, les universitaires, les intellectuels – il ne mérite
Amsterdam/New York, NY aucune attention sérieuse, ses œuvres n’existent pas. Or, en ce qui nous concerne, l’équation
2008 n’est pas si simple. D’où les pages qui suivent. Ce premier volume entièrement consacré à
208 pp. Beigebder réunit donc des romanciers, des journalistes et des universitaires des deux côtés de
ISBN: 978-90-420-2472-4 l’Atlantique. Il contient également un entretien et une correspondance inédits de Beigbeder.
Paper € 42,-/US$ 55,- Avec un entretien et une correspondance inédits de l’écrivain.
Raczymow, Wajsbrot, Lecadet, Wajcman, Orner, Aaron, Cormann, Modiano… Oler, Cohen,
Perec, Federman, Kofman, Burko-Falcman, Meschonnic, Vargaftig, Goscinny… Qu’ont en
Amsterdam/New York, NY commun ces deux ensembles d’auteurs juifs-français, qui diffèrent tant par le genre et le style de
2008 leurs œuvres ? Les premiers, nés après la Libération, enfants ou petits-enfants des survivants de la
269 pp. Shoah, n’étaient pas là, c’est pourquoi ils ne peuvent témoigner de ce qui pourtant a déterminé
ISBN: 978-90-420-2512-7 tout leur être. Les seconds, nés peu avant ou pendant l’Occupation, appartiennent à la
Paper € 54,-/US$ 70,- minorité d’enfants qui survécurent miraculeusement aux persécutions, cachés dans des
institutions ou chez des familles. Etaient-ils là, eux qui étaient généralement trop jeunes pour
vivre consciemment ce qui leur arrivait ? Enfants de survivants ou survivants-enfants, leur
expérience commune serait alors d’appartenir à l’après, de témoigner de l’après-Auschwitz, de la
difficile transmission et élaboration de la Shoah, dans l’univers d’aujourd’hui. « Témoins
absents » ou par procuration, ces auteurs sont à la fois le témoin de leurs aînés et, de plus en
plus, témoins d’eux-mêmes, de leur propre expérience de l’après. Par des textes inédits des
auteurs en question, des essais théoriques et des études critiques, le présent recueil espère mieux
faire connaître la vaste et riche panoplie de leurs œuvres.
26
Travel narratives were the principal source of knowledge about the lands of the Near East and
the Indian Ocean Basin in 17th-century France. Claiming the authority of first-hand
Amsterdam/New York, NY observation, they paradoxically rely for their legitimization on the tropes of an established
2008 literary tradition. The status of these texts remained ambiguous, not least because of their
299 pp. anecdotal depictions of great riches, brutality or sexual promise. Drawing on the insights of
ISBN: 978-90-420-2476-2 post-colonial scholarship, this study tackles a question given scant attention in previous work
Paper € 60,-/US$ 78,- and suggests that beyond the hazy representation of the Orient, an opposition emerges between
the threatening Near East and the indolent East Indies. Distinguishing recognizable
representations from those generated by new encounters, this book questions the feasibility of
cultural representation through travel, exploring a large corpus of original sources written by
French ecclesiastics, gentlemen-travellers, ambassadors and adventurers. Linguistic, religious,
cultural or geographical barriers meant most travellers remained distanced from the peoples
about whom they would simultaneously become authoritative. The encounter was further
transformed in narratives that were intended to entertain and to satisfy the criterion of
curiosité. The ‘Oriental’ that emerges is a supremely variable entity, alternately naked or
veiled, barbaric or civilized, menacing or attractive.
Die Einsicht in die Polyvalenz poetischer Texte zähmt die noch jeder Form diskursiver Analyse
von Kunstwerken eigene Tendenz, Sinn und Bedeutung festzuschreiben. Im Spannungsfeld
zwischen der anarchischen “Lust am Text“ (Roland Barthes) und der “Wut des Verstehens“
(Jochen Hörisch) behaupten sich die ‘Lektüren’, die als Verstehensangebote der Vieldeutigkeit
Amsterdam/New York, NY literarischer Werke durch Analysen von Form und Inhalt zur Sichtbarkeit verhelfen wollen, ohne
2009 ihnen den Atem abzuschnüren. Ihr Ziel ist es nicht, das “Rätsel“ (Adorno) literarischer
392 pp. Kunstwerke zu lösen, sondern es als “Rätsel“ in seinen vielfältigen Bedeutungsdimensionen
ISBN: 978-90-420-2524-0 erfahrbar zu machen. Von hier aus versammelt der vorliegende Band ’neue’ Lektüren als
Bound € 80,-/US$ 104,- Angebot zum Gespräch und Herausforderung, Texte als Mittel intensiver Blicköffnungen zu
begreifen, was nichts anderes heißt als: immer wieder aufs Neue zu lesen.
Der Band enthält Studien zu Medea-Bildern (Anna Chiarloni), Marie von Ebner-Eschenbachs
Das Schädliche (Erika Tunner), der Figur des Juden in romantischen Märchen (Martha
B. Helfer), der Reitergeschichte Hugo von Hofmannsthals (Heinz-Peter Preußer), der
frühen Romantikerinnenrezeption (Anke Gilleir), Franz Kafkas Das Urteil (Gerhard P.
Knapp), Robert Walsers Tobold II (Jaak De Vos), Lion Feuchtwangers Moskau
1937 (Anne Hartmann), der Exilerfahrung im Werk Franz Werfels (Hans Wagener), Erich
Frieds Nachdichtung von Dylan Thomas’ Under Milk Wood (Jörg Thunecke), der
Raumkonzeption in Erzähltexten Volker Brauns (Hans-Christian Stillmark), Eli Amirs Roman
27
Exiles Traveling
Exploring Displacement, Crossing Boundaries in German
Exile Arts and Writings 1933-1945
Edited by Johannes F. Evelein
This volume presents for the first time a study of the interface between exile and travel within
the context of exile from Nazi Germany. The nineteen essays share the overarching aim to
Amsterdam/New York, NY compare the tropes of travel and exile as generators of a critical discourse and as central
2009 categories within German exile, in particular literature, music and film. The essays are guided
391 pp. by powerful questions: How does travel compare to exile, and how much overlap is there
ISBN: 978-90-420-2540-0 between these two categories? How do exiles travel, as practitioners of displacement? Or rather,
Bound € 78,-/US$ 101,- to what extent does the concept of travel apply to the exilic predicament? Do the terms “exile”
and “travel” still have validity in our postmodern era of cosmopolitanism, ever increasing
mobility, the embrace of otherness, and tourism? How does exile literature in which travel is
thematized compare to the tradition(s) of travel writing? And how are the critical moments of
leavetaking, re-membering home, and return imagined and narrated? The essays feature
numerous German and Austrian authors, musicians, and filmmakers and lend fresh insights into
German Exile and the field of Exile Studies at large.
The domestic theme has a tremendous anthropological, literary and cultural significance. The
purpose of this book is to analyse and interpret the most important realisations and tendencies
of this thematic complex in the history of Russian literature. It is the first systematic
book-length exploration of the meaning and development of the House theme in Russian
Amsterdam/New York, NY literature of the past 200 years. It studies the ideological, psychological and moral meanings
2009 which Russian cultural and literary tradition have invested in the house or projected on it in
525 pp. literary texts. Central to this study’s approach is the concept of the House Myth, consisting of a
ISBN: 978-90-420-2549-3 set of basic fabular elements and a set of general types of House images. This House Myth
Bound € 102,-/US$ 133,- provides the general point of reference from which the literary works were analyzed and
compared. With the help of this analytical procedure characteristics of individual authors could
be described as well as recurrent patterns and features discerned in the way Russian literature
dealt with the House and its thematics, thus reflecting characteristics of Russian literary world
pictures, Russian mentalities and Russian attitudes towards life. This book is of interest for
students of Russian literature as well as for those interested in the House as a cultural and
literary topic, in the semiotics of literature, and in relations between culture, anthropology and
literature.
28
At the end of the nineteenth and the beginning of the twentieth century, a large and varied
group of the Russian intelligentsia became fascinated by Friedrich Nietzsche, whose provocative
Amsterdam/New York, NY ideas inspired many of them to overcome obsolete traditions and to create new values.
2008 Paradoxically, the German philosopher, who vigorously challenged the established Christian
X, 282 pp. worldview, invigorated the rich ferment of religious philosophy in the Russian Silver Age: his
ISBN: 978-90-420-2480-9 ideas served as a fruitful source of inspiration for the philosophers of the Russian religious
Paper € 60,-/US$ 78,- renaissance, the so-called God-seekers, in their quest for a new religious consciousness.
Especially Nietzsche’s anthropology of the Übermensch was instrumental in their
reformulation of Christianity. This book explores how three pivotal figures in the Russian
religious reception of Nietzsche, i.e. Vladimir Solov’ëv, Dmitrii Merezhkovskii and Nikolai
Berdiaev, engaged in a vacillating yet highly prolific debate with Nietzsche and how each of
them appropriated his anthropology of the Übermensch in their religious philosophy. In
order to explain Merezhkovskii’s and Berdiaev’s assessment of Nietzsche, the author highlights
the significance of Dostoevskii: only by reading Nietzsche through the prism of Dostoevskii
could both God-seekers pin down the religious ramifications of Nietzsche’s thought.
This book will be of interest to anyone fascinated by Nietzsche, Dostoevskii, Russian religious
philosophy, Russian history of ideas and reception studies.
In this volume of SSLP the contributions of Dutch scholars working in the field of Slavic
literature and culture to the 14th International Congress of Slavists (Ohrid, Macedonia,
Amsterdam/New York, NY September 10–16, 2008) are brought together. All of them except one (on the Polish poet
2008 Cyprian Norwid’s story Stigma), deal with Russian literature from the end of the 18th
IV, 260 pp. century up to recent years. A variety of topics is treated, such as the feminization of Russian
ISBN: 978-90-420-2487-8 literature, the reflection of poetry in prose, anthropological and religious dimensions of
Paper € 53,-/US$ 69,- literature, the specifics of theme and of plot, Russian modernism and postmodernism, and the
status of language, from different methodological angles: gender studies, structural analysis,
philosophical-contextual, postcolonial. Works of such Russian authors as Ippolit Bogdanovich,
Ivan Turgenev, Pavel Mel’nikov-Pecherskii, Ignatii Potapenko, Iurii Trifonov, Timur Kibirov
and Viktor Pelevin are discussed in detail. This volume is of interest for a scholarly audience
interested in Russian literature of the last 250 years.
29
Janet G. Tucker
30
31
De libro en libro, a lo largo de una producción poética de medio siglo, el poeta argentino Juan
Gelman (1930-), ganador del Premio Cervantes 2007 y uno de los mayores poetas
hispanoamericanos vivos, explora nuevas vías formales para dar cuenta de su experiencia personal
e histórica, de su recreación incesante de la tradición literaria y cultural. Más
Amsterdam/New York, NY fundamentalmente aún, su poesía « desueña lo perdido y la muerte/canta en los alrededores del
2008 amor » (Incompletamente). Pero ¿de qué pérdida se hace eco el poema? ¿Puede el poema
329 pp. mismo convertirse en un espacio de acogida de « aquello amado ido » (ibid.)? Este
ISBN: 978-90-420-2474-8 libro enfrenta estas preguntas y otras más a lo largo de una lectura crítica de la extensa obra
Paper € 66,-/US$ 86,- poética del autor argentino. El análisis de más de veinte poemarios se enfoca desde la
problemática central del duelo, en su doble acepción de lucha y luto. Más allá de las trágicas
peripecias vitales del propio Gelman, este ensayo pone al descubierto una poética presente desde
Violín y otras cuestiones (1956) hasta, por lo menos, País que fue será (2004), y
que hace de la conciencia vital de la muerte el núcleo de la escritura.
Zulema Moret
32
Human suffering and illness as well as health and healing are topics of ongoing actuality. In a
world of growing complexity and interrelatedness a broader perspective on these topics is
needed. The global conference project on “Making Sense of: Health, Illness and Disease” is a
forum for scholars from various countries who are interested in deepening the interdisciplinary
discourse on the subject. This book is the outcome of the 5th conference held at Mansfield
College, Oxford, in July 2006. It combines essays that transgress traditional disciplinary
Amsterdam/New York, NY boundaries in the field of health care delivery and medicine. It thus will be of interest to
2009 students in the medical humanities, researchers as well as health care providers who wish to gain
VII, 191 pp. insight into the various perspectives through which health, illness and disease can be
ISBN: 978-90-420-2515-8 understood.
Paper € 40,-/US$ 52,-
Against a backdrop of contemporary social and sexual concerns, and potent fears surrounding
the moral and physical ‘degeneration’ of late nineteenth and early twentieth-century society,
‘The Cruel Madness of Love’ explores a critical period in the developing relationship
between syphilis and insanity.
Amsterdam/New York, NY General paralysis of the insane (GPI), the most commonly diagnosed of the neurosyphilitic
2008 disorders, has been devastating both in terms of its severity and incidence. Using the rich
V, 285 pp. laboratory and asylum records of lowland Scotland as a case study, Gayle Davis examines the
ISBN: 978-90-420-2463-2 evolution of GPI as a disease category from a variety of perspectives: social, medical, and
Bound € 58,-/US$ 75,- pathological.
Through exploring case notes and the impact of new diagnostic techniques and therapies, such
as the Wassermann Test and Malarial Therapy, the reader gains a unique insight into both
patients and practitioners. Significant insights are gained into the socio–sexual background and
medical experience of patients, as well as the clinical ideas and judgmental behaviour of the
practitioners confronting this disease.
‘The Cruel Madness of Love’ will be of interest to anyone wishing to explore the
historical relationship between sexuality, morality and disease.
33
From a synchronic point of view, the various accentuation systems found in the Baltic and
Slavic languages differ considerably from each other. We find languages with free accent and
languages with fixed accent, languages with and without syllabic tones, and languages with and
without a distinction between short and long vowels. Yet despite the apparent diversity in the
Amsterdam/New York, NY attested Baltic and Slavic languages, the sources from which these languages have developed –
2009 the reconstructed languages referred to as Proto-Baltic and Proto-Slavic respectively – seem to
VII, 192 pp. have had very similar accentuation systems.
ISBN: 978-90-420-2555-4 The prehistory and development of the Baltic and Slavic accentuation systems is the main topic
Bound € 40,-/US$ 52,- of this book, which contains sixteen articles on Baltic and Slavic accentology written by some
of the world’s leading specialists in this field.
Contents
Amsterdam/New York, Ny The editors: Preface
2008
List of Publications by Frederik Kortlandt
Ix, 616 Pp.
ISBN: 978-90-420-2470-0
Contributions by
Bound € 125,-/US$ 163,-
Adrie Barentsen, Robert S.P. Beekes, Uwe Bläsing, Václav Blažek, Johnny Cheung, Bardhyl Demiraj,
Set Volume(1+2) Rick Derksen, George E. Dunkel, José L. García Ramón, Eric P. Hamp, Andries van Helden, Tette
ISBN: 978-90-420-2469-4 Hofstra, Georg Holzer, Wim Honselaar, László Honti, Peter Houtzagers, Petri Kallio, Janneke Kalsbeek,
Jared S. Klein, Jorma Koivulehto, Leonid Kulikov, Winfred P. Lehmann, Alexander Lubotsky, Ranko
Matasović, H. Craig Melchert, Cecilia Odé, Norbert Oettinger, Harry Perridon, Georges-Jean Pinault,
Adriana Pols, Arend Quak, Jos Schaeken, Rüdiger Schmitt, Patrick Sims-Williams, Han Steenwijk,
Michiel De Vaan, William R. Veder, Theo Vennemann gen. Nierfeld, Willem Vermeer, Jos J.S.
Weitenberg.
34
Contents
Amsterdam/New York, Ny
The editors: Preface
2008
List of Publications By Frederik Kortlandt
Vi, 428 Pp.
ISBN: 978-90-420-2471-7
Bound € 85,-/US$ 111,- Contributions by
Willem Adelaar, Elisabeth de Boer, V.A. Chirikba, Katia Chirkova, Karen Steffen Chung, George
Set Volume(1+2) van Driem, Roger Finch, Stefan Georg, Ekaterina Gruzdeva, C. Hoede, Henning Klöter, Maarten
ISBN: 978-90-420-2469-4 Kossmann, Riikka Länsisalmi, Elena Maslova, Roy Andrew Miller, Marc Hideo Miyake, Maarten
Mous, Irina Nikolaeva, Martine Robbeets, Elena Skribnik, Harry Stroomer, Arie Verhagen, Jeroen
Wiedenhof
Peter Collins
Modals and Quasi-modals in English reports the findings of a corpus-based study of the
modals and a set of semantically-related ‘quasi-modals’ in English. The study is the largest and
most comprehensive to date in this area, and is informed by recent developments in the study
of modality, including grammaticalization and recent diachronic change. The selection of the
parallel corpora used, representing British, American and Australian English, was designed to
facilitate the exploration of both regional and stylistic variation.
Amsterdam/New York, NY
2009
IX, 193 pp.
ISBN: 978-90-420-2532-5
Bound € 41,-/US$ 53,-
35
Inhalt
In memoriam
Leonhard G. RICHTER: Traueransprache für Wiebke Schrader. Freitag, 14. Dezember 2007
Martina SCHERBEL: Der Mensch in seiner Mitte. Zum philosophischen Werk Wiebke Schraders
Metapher und Wahrheit
Georges GOEDERT: Das Tragische als lebensbejahende Metapher – Zu Nietzsches metaphysischer
Amsterdam/New York, NY Ästhetik der Geburt der Tragödie
2008 Christian FERNANDES: Vergeltung als Metapher für Irrtum und Wahrheit im Buch Ijob
387 pp. Edgar FRÜCHTEL: Nichts als die nackte Wahrheit? Überlegungen zu einer Metaphorologie des
ISBN: 978-90-420-2511-0 Unbegrifflichen
Paper € 75,-/US$ 98,- Kurt MAGER: Kunst, Dichtung, Schönheit. Zur Ästhetik der Geschichtsschreibung
Kant – Aneignung und Kritik
Harald SEUBERT: Der ‚sensus communis‘ in Kants Theorie der Urteilskraft. Zu einem Problem am
Rande der Kantischen Kritik und seinen Implikationen
Andree HAHMANN: „Das Innere und das Äußere“: Kant als kritischer Erbe der dogmatischen
Schulphilosophie
Jürgen-Eckardt PLEINES: Die Dike ist die Tochter der Aidos. Scham als ethischer Grundbegriff
Metaphysik im Gegenlicht
Artur R. BOELDERL: „… das meiste nämlich / vermag die Geburt“. Über die Räumlichkeit des
Daseins oder: Phänomenologie als Natologie
Christian GRAF: Sein, Erscheinung und Existenz. Ontologiekritik als Problem bei Martin
Heidegger, Emmanuel Levinas und Heinrich Barth
Paul JANSSEN: Das menschliche Un-Tier zwischen Wissen und Sinn
Buchbesprechungen
Bibliographie
Wiebke SCHRADER: Philosophische Publikationen
This book is an apologia for the rooted intellectual against the disdainful condescension
of the cosmopolitan intellectual—an apology in the Socratic sense of the word. It reflects the
author’s Texas rootedness unapologetically and offers a polemical but thoughtful indictment of
the intellectual prejudice against rootedness; but it is ultimately about the universal human
Amsterdam/New York, NY struggle with origins.
2008
XVII, 187 pp. Illustrated.
ISBN: 978-90-420-2498-4
Paper € 20,-/US$ 26,-
36
Global security cannot be achieved until people view the world as a global community. Until
such time, differences will continue to be perceived as threatening. These perceived “threats”
are the primary threat to global security. This volume proposes methods for minimizing the “us
versus them” mentality so that we can build a sense of global community.
Amsterdam/New York, NY
2008
XVI, 342 pp.
ISBN: 978-90-420-2492-2
Bound € 72,-/US$ 94,-
ISBN: 978-90-420-2508-0
Textbook € 30,-/US$ 39,-
Minimum order 10 copies
(Fichte-Studien-Supplementa 22)
Die vorgelegte Summe des Hochidealismus ersetzt – der neuen Forschungs- und Quellenlage
entsprechend – die alte Konstruktion vom Dreischritt, der von Fichtes Jenaer
Wissenschaftslehre ausgeht, in die Naturphilosophie Schellings übergeht und in Hegels System
vollendet aufgeht, durch die Gegenthese: Der Deutsche Idealismus ist die Begründung der
Amsterdam/New York, NY Vernunftwissenschaft im Widerstreit von drei Vollendungsansprüchen, erhoben im
2009 Identitätssystem und der positiven Philosophie Schellings, in Hegels Onto-Theo-Logik und der
X, 374 pp. ungeschriebenen Lehre Fichtes, d. i. den mündlichen Vortragszyklen nach 1800. Die
ISBN: 978-90-420-2503-5 eingehende Ausarbeitung dieses dreiseitigen Widerstreites hebt einen Vorrang heraus. Fichtes
Bound € 77,-/US$ 100,- ungeschriebene Lehre ist die einzige der drei Vollendungsgestalten, die im Begreifen des
Wahrheits- und Systemgrundes, des Absoluten, transzendentale Besinnung in absoluter Reflexion
bewahrt und daher auch vorzüglich in der Lage ist, unser Zeitalter der Nichtbesinnung
herauszufordern.
37
This special volume of Grazer Philosophische Studien features twelve original essays on
the relationship between knowledge and questions, a topic of utmost importance to
epistemology, philosophical logic, and the philosophy of language. It raises a great deal of issues
in each of these fields and at their intersection, bearing, inter alia, on the theory of rational
deliberation and inquiry, pragmatism and virtue epistemology, the problems of scepticism and
epistemic justification, the theory of assertion, the possibility of deductive knowledge, the
Amsterdam/New York, NY semantics and pragmatics of knowledge ascriptions, the factivity of knowledge, the analysis of
2008 concealed questions and embedded interrogative clauses, propositional attitudes and
XXIV, 339 pp. two-dimensional semantics, contextualism and contrastivism, the distinction between
ISBN: 978-90-420-2475-5 knowledge-that and knowledge-how, the nature of philosophical knowledge, and the problem
Paper € 73,-/US$ 95,- of epistemic value. Addressing these as well as many other importantly related issues, the papers
in the volume jointly contribute to giving an overview of the current state of the debates on the
topic, and a sense of the directions in which philosophical research on knowledge and
questions is currently heading.
This book is a first attempt to examine the thought of key contemporary Jewish thinkers on
the meaning of tradition in the context of two models. The classic model assumes that
tradition reflects lack of dynamism and reflectiveness, and the present’s unqualified submission
Amsterdam/New York, NY to the past. This view, however, is an image that the modernist ethos has ascribed to the
2008 tradition so as to remove it from modern existence. In the alternative model, a living tradition
IX, 219 pp. emerges as open and dynamic, developing through an ongoing dialogue between present and
ISBN: 978-90-420-2478-6 past.
Paper € 46,-/US$ 60,- The Jewish philosophers discussed in this work—Joseph B. Soloveitchik, Yeshayahu
Leibowitz, David Hartman, and Eliezer Goldman—ascribe compelling canonic status to the
tradition, and the analysis of their thought discloses the tension between these two models. The
book carefully traces the course they have plotted along the various interpretations of tradition
through their approach to Scripture and to Halakhah.
38
This book discovers areas and themes, especially in philosophical psychology, for novel
observations and investigations, the diversity of which is systematically unified within the frame
of the author’s original metaphysics, panenmentalism. The book demonstrates how by means
of truthful fictions we may detect meaningful possibilities as well as their necessary relationships
Amsterdam/New York, NY that otherwise could not be discovered.
2009
XIII, 326 pp.
ISBN: 978-90-420-2541-7
Bound € 68,-/US$ 88,-
“Mark Letteri’s Heidegger and the Question of Psychology introduces psychologists and
psychotherapists to a number of key ideas proposed by Martin Heidegger—the most influential
and controversial philosopher of the 20th century. Letteri’s book is at once engaging and
informative. Its scope of argument provides readers with a clear and accessible grounding for
Amsterdam/New York, NY Heidegger’s concerns and their implications for the ways they might think about—and “do”
2009 —psychology. Revealing a depth of scholarly knowledge and acumen, Letteri challenges readers
XV, 109 pp. to consider Heidegger’s greatest challenge to psychology: to re-construe its dualist and reductive
ISBN: 978-90-420-2522-6 image of the human being. This is a book I unreservedly recommend to all professionals and
Paper € 25,-/US$ 33,- trainees who view psychology as something more than a technological tool.”
—Professor Ernesto Spinelli, PhD; Director, ES Associates
In Heidegger and the Question of Psychology: Zollikon and Beyond, Mark Letteri
acquaints a broad readership (such as psychotherapists and counselors, not just professional
philosophers) with Martin Heidegger’s connections to psychology and related concerns, and
offers specialists one of the few monographic treatments of the topic. He provides an accessible
and relatively non-technical treatment. Keenly aware of the standard difficulties with Heidegger
(whether real or perceived), Letteri endeavors to render the most relevant points in a clear and
succinct way. The book serves as a companion to Heidegger’s Zollikon Seminars and
Being and Time as it concerns psychological and associated matters.
40
This book addresses “containment” as it relates to interlocking discourses around the “War on
Terror” as a global effort and its link to race and sexuality within the United States. The
project emerged from the recognition that the events of 11 September 2001, prompted new
efforts at containment with both domestic and international implications.
Amsterdam/New York, NY
2009
XII, 205 pp.
ISBN: 978-90-420-2523-3
Paper € 44,-/US$ 57,-
Touching Surfaces
Photographic Aesthetics, Temporality, Aging
Anca Cristofovici
Who isn’t seduced by the idea of an affinity between aging and aesthetics? Yet, when does
aging truly begin? What attributes does the aesthetic embrace? Looking into startling
photographic art of the past three decades, this book is prompted by such questions and turns
them into a meditation on how aesthetics mediates our relation to time.
Amsterdam/New York, NY The photographic approach of the corporeal is at the center of the book. Within a
2009 phenomenological framework, Cristofovici brings into focus the physical and the psychic body
XV, 213 pp. to read aging as a process of change and becoming over time. Her understanding of aging sees
ISBN: 978-90-420-2513-4 beyond difference into larger patterns of perceptions that we share.
Paper € 46,-/US$ 60,-
Offering valuable insights into aging as a process of subject construction, this book will be of
interest to students and scholars of visual culture, photography, art history, age studies, and
theories of knowledge. This cross-disciplinary study that puts theory to the test of life’s and art’s
paradoxes in an evocative style will also appeal to a wider readership interested in how
photography and aging illuminate each other.
41
Hyper narrative interactive cinema refers to the possibility for users or “interactors” to shift at
different points in an evolving film narrative to other film narrative trajectories. Such works
have resulted so far in interactor distraction rather than sustained engagement. Contrary to
post-modern textual and cognitive presumptions, film immersion and computer game theories,
Amsterdam/New York, NY this study uses dual coding theory, cognitive load theory, and constructivist narrative film theory
2008 to claim that interactive hyper-narrative distraction results from cognitive and behavioral
95 pp. multi-tasking, which lead to split attention problems that cannot be cognitively handled. Focus
ISBN: 978-90-420-2461-8 is upon split attention resulting from the non-critical use of de-centered and non-cohering
Paper € 20,-/US$ 26,- hyper-narrative and audio-visual formations, and from interaction. For hyper-narrative
interactive cinema to sustain deep engagement, multi-tasking split attention problems inhering
in such computer-based works have to be managed, and – most importantly - made to enhance
rather than reduce engagement. This book outlines some viable solutions to construct deep
cognitive-emotional engagement of interactors with hyper-narrative interactive cinema
42
In the extension of digital media from optional means to central site of activity, the domains of
language, art, learning, play, film, and politics have been subject to radical reconfigurations as
mediating structures. This book examines how this changed relationship has in each case
shaped a new form of discourse between self and culture and illustrates explicitly the character
of mediated agency beyond the formal separateness from lived experience that was once
conveniently termed the virtual and which has come to influence common assumptions about
Amsterdam/New York, NY creative expression itself.
2009
VII, 312 pp. Illustrated.
ISBN: 978-90-420-2518-9
Paper € 64,-/US$ 83,-
ISBN: 978-90-420-2551-6
Textbook €28,-/US$36,-
Minimum order 10 copies
This volume positions itself on the cutting edge of two fields in psychology that enjoy rapidly
increasing attention: both the study of human lives and some core domains of such lives as
religion and spirituality are high on the agenda of current research and teaching. Biographies
and autobiographies are being approached in new ways and have become central to the study of
Amsterdam/New York, NY human lives as an object of research and a preferred method for obtaining unique data about
2008 subjective human experiences. Ever since the beginning of the psychology of religion,
388 pp. autobiographies have also been pointed out as an important source of information about
ISBN: 978-90-420-2568-4 psychic processes involved in religiosity. In this volume, a number of leading theoreticians and
Bound € 79,-/US$ 103,- researchers from Europe and the USA try to bring them back to this field by drawing on new
insights and latest developments in psychological theory.
43
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