Wonder Woman: The Movie (Draft)

Wonder Woman
Written by Phil Marchie

Based on the DC Comics Character
(c) 2014 Phil Marchie philmarchie@gmail.com
1 EXT. BEACH - NIGHT.
We see the various parts of Wonder Womans costume lying in
the sand, rain pouring over them, as well as glimpses of
Wonder Woman, Cheetah and Jinx, as the Opening Credits roll.
2 INT. RICHS APARTMENT - DAY.
Priscilla Richs face, immersed in the glow from the window
beside her, has her eyes closed and breathing slowly.
PRISCILLA:
(V.O.)
I never wanted to feel this way. To
feel helpless. All the wealth that
I have isnt enough to help me find
my place in this world.
3 EXT. SKY - DAY.
Wonder Woman flies past us towards the Earth.
PRISCILLA:
(V.O.)
But Diana... She knows what its
like to have power. She fits in
better than I ever could.
4 INT. RICHS OFFICE - DAY.
Priscillas office is at the top of the building. As she
types on the computer she notices her bin beside her desk is
filled with rubbish. She gets up, ties up the bin bag
holding the rubbish, and exits her office.
PRISCILLA:
(V.O.)
But now I feel that its my turn to
leave a mark. Goodness knows how
that will ever be achieved.
5 EXT. CITY - DAY.
The city is busy and fast moving.
PRISCILLA:
(V.O.)
The people that are close to me are
better than me.
2.
6 EXT. SKY - DAY.
Priscilla peacefully falls past us towards the Earth.
PRISCILLA:
(V.O.)
And I just want to make up for
being a rich nobody.
7 INT. RICHS APARTMENT - DAY.
We return to Priscillas face.
PRISCILLA:
(V.O.)
Is that too much to ask?
She slowly opens her eyes and sees a horror in the mirror
before her.
In the mirror, she has the look of an anthropomorphic
Cheetah.
We close in on Priscillas as the reflection of the Cheetah
smiles at her.
PRISCILLA:
Horrors.
8 EXT. SUBURBAN HOUSE - NIGHT.
Midnight. Only the living room light is on.
9 INT. LOUNGE. SUBURBAN HOUSE - NIGHT.
A middle aged couple, Sam and Erika, are watching television
on the sofa.
10 EXT. SKYLARS BEDROOM. SUBURBAN HOUSE - NIGHT.
Skylar, 15, is asleep in her bed. A shadow slowly goes past
her open door.
3.
The shadow moves towards the lounge and stops before the
entrance.
The shadow watches Sam and Erika.
RAKER:
Hello, bastards.
Sam and Erika react.
RAKER:
Shouldnt have given Skylar a black
eye today. I saw it. Oh I hated it.
A pretty daughter like that doesnt
deserve such hideous parents.
Pause.
Raker moves forward to reveal her as a woman dressed in jet
black, and she carries two axes in her hands.
RAKER:
How long has the abuse gone on for?
Another pause.
RAKER:
Wrong answer.
Raker throws the axe at Erika first, but Sam catches it.
SAM:
Youre a poor judge of character.
Raker launches herself at Sam.
Raker punches Erika on the way and Erika lands on the couch.
Raker and Sam engage in a furious axe to axe and hand to
hand combat.
Erika takes out a gun from under the couch pillow, cocks it
and and slowly aims at Raker in the right.
Raker kicks the gun just as Erika fires and it misses,
hitting a photo of the family.
4.
12 INT. SKYLARS BEDROOM. SUBURBAN HOUSE - NIGHT.
The gun shot wakes up a scared Skylar. We see her black eye.
The fight continues between the three.
Raker disarms Erika of the gun.
Erika takes the axe from Raker. Sam and Erika use the axes
and attacks her with them without success.
Raker disarms the two of their axes and the three continue
to fight without weapons.
14 INT. SKYLARS BEDROOM. SUBURBAN HOUSE - NIGHT.
Skylar scrambles through her clothes to her mobile, finds
it, but it has run out of battery.
SKYLAR:
Shit the bed.
Raker breaks Sams and Erikas legs and they fall to the
floor, but not before Sam and Erika deliver a blow to Raker.
They all fall to the floor.
Sam and Erika try to crawl away.
Raker slowly but eventually gets up.
Raker picks up the gun.
16 INT. HALLWAY. SUBURBAN HOUSE - NIGHT.
Skylar very slowly and carefully approaches the hallway
phone.
Two gun shots are fired and Skylar screams.
5.
Forensics operatives begin setting up an investigation.
18 INT. HALLWAY. SUBURBAN HOUSE - DAY.
Mars and Ross are outside the bathroom door with other
officers.
ROSS:
Shes in there, right?
OFFICER 1:
Saw movement through the bathroom
window.
MARS:
Skylar Krentis? Im Detective Mars
of the MPD. Emphasis on the MPD
part.
Pause. Mars slides his badge under the door.
MARS:
Do you see it? Badges dont get
more real than that.
ROSS:
(Knocks on door)
Were coming in, kid.
Mars gets out of the way. Ross kicks open the door.
19 INT. BATHROOM. SUBURBAN HOUSE - DAY.
Mars and Ross enter. Ross opens the bathroom curtains and
finds Skylar, awake, in the bathtub still wearing her night
clothes.
Ross signals the other officers to go. Mars kneels beside
the bathtub.
MARS:
You didnt have to go through what
you went through. Her names Raker,
and shes ape shit crazy.
Silence.
(CONTINUED)
CONTINUED: 6.
SKYLAR:
Its my fault theyre dead. She
spoke to me yesterday. Said she
wanted to help me. Said she knew
what its like. I never should have
gone back to my own home after
wards.
MARS:
Im sorry. We dont know why shes
targeting abusive parents. We dont
even know what she looks like.
SKYLAR:
Perhaps she is just ape shit
2crazy.
Mars, Ross and the police Sheriff Lard is out of the way of
the forensics officers.
KARD:
Her blood is all over the place.
Find her. Throw her into a fucking
cell.
Ross notices all the forensics officers going in and out of
the building.
Mars sees Wonder Woman beside a window staring at Mars.
Silence.
Suddenly, a gigantic robot hand pummels through the window
and grabs Wonder Woman.
21 INT. BEDROOM. MARS APARTMENT - NIGHT.
Mars wakes up.
22 INT. BEDROOM. DIANAS APARTMENT - NIGHT.
The phone beside Dianas bed rings and she answers.
MARS:
(O.S.)
I had a dream about you. You were
at a crime scene then you were
killed. Youre connected to Raker
(MORE)
(CONTINUED)
CONTINUED: 7.
MARS: (contd)
Rich and her killings somehow. Just
a feeling.
DIANA:
I dont know Raker. Do you want me
to help you, Mars?
MARS:
(O.S.)
No. I can handle it. We dont need
each other anymore, remember? Just
giving you a heads up. You never
know.
DIANA:
Alright. Good luck with the case.
MARS:
(O.S.)
Good luck with your interview
tomorrow.
Mars hangs up. Wonder Woman puts the phone down and looks at
a newspaper - she has been reading an article about past
murders by Raker.
23 EXT. FIRE ESCAPE - DUSK.
Diana is on the fire escape watching the sun rise.
24 INT. KITCHEN. DIANAS APARTMENT - NIGHT.
Diana, dressed in a suit, walks along the kitchen drinking
her coffee, and puts an empty cereal box into a recycling
bin.
She grabs her bag, checks herself in the mirror, and exits.
25 INT. TV STUDIO.
A camera crew films Diana and interviewer Evelyn in an
interview.
EVELYN:
I read in your book that there a
lot of complexities of good versus
evil, of which youve experienced
first hand.
(CONTINUED)
CONTINUED: 8.
DIANA:
I wish it more simple. But I always
see evil as something that must
disappear quickly unless we want to
see another war on our hands.
EVELYN:
And will that be the same for your
powers? A report was published last
week revealing your activity has
lessened over the past six months
suggesting your powers are
unfortunately leaving you. Are they
going to someone else?
Pause.
26 EXT. BUILDING - DAY.
Diana exits and sees Mars waiting for her.
MARS:
Should have worn a mask. Then you
wouldnt get so much heat.
DIANA:
What? And hide this masterpiece?
Im kidding. Im a different story
under all this makeup.
27 EXT. STREET - DAY.
Mars and Diana walk along the street.
DIANA:
They never wanted me to hide. Just
dress up in a silly costume and
spread peace. Hell of a duty.
MARS:
And you have a lot to be thankful
for. Hell I wish I got some high
profile credit for the things I do
daily. Can you believe me and Ross
have to babysit the kid whos
parents were killed? Ross wants to
set a trap, we need the kid and
hes going to rent a safe house
because he thinks one of the masked
forensics officers was Raker, whos
going to target us to keep us out
(MORE)
(CONTINUED)
CONTINUED: 9.
MARS: (contd)
of her hair. Yet another barrel of
fun.
DIANA:
Id ask if I could help keep her
safe but youll be like: "Back.
Back, I say. We broke up so we
could get on with our lives and
careers". I understand, Mars. Im
sure shell be safe with you. After
all, you kept me happy for a year
and half.
MARS:
Just doing what I do best. Cant
say the same for you much longer.
They stop.
DIANA:
I dont like whats happening to
me.
MARS:
And I dont want anymore freaks
with super powers roaming the
world. Sort it.
DIANA:
Excuse me?
MARS:
Sorry. Can you please sort it?
DIANA:
Thats better. You cant tell me
what to do, Mars. And no. I cant
sort it. Im getting older. The
older you get, the more powers you
lose. I cant change that.
Pause.
28 INT. BUS - NIGHT.
Priscilla is on the bus next to Jinx.
PRISCILLA:
Its just my dream. This complex I
have... I dont want it to take
over the only life I have.
(CONTINUED)
CONTINUED: 10.
JINX:
I sympathize.
VOICE:
Faces. Shut them.
A masked terrorist points a gun at the two. Three other
terrorists are at the front. The leader is t the front.
LEADER:
Dont get your balls in a twist.
The Leader puts a phone to his ear.
LEADER:
Wheres my million?
NEGOTIATOR:
(O.S.)
The suitcase is in my hand. Im
walking towards the bus.
The leader watches the distant Negotiator go towards the bus
through the window.
LEADER:
Stop.
29 EXT. BUS - NIGHT.
Priscilla is pushed out of the bus. The police have
surrounded the coach but do not looked armed.
LEADER:
Go.
(to the police)
Ill kill one person in this bus
for every fake note in that case.
Priscilla sees the negotiator holding the suitcase and
starts walking towards her. As she walks past the bus, we
see Wonder Woman standing on the bus observing.
Priscilla reaches the negotiator.
NEGOTIATOR:
You might want to fasten your seat
belt when you get back in there.
PRISCILLA:
Whatever.
(CONTINUED)
CONTINUED: 11.
The Negotiator gives Wonder Woman a quick look. Suddenly,
Negotiator is shot in the shoulder and falls to the ground.
The police react but they are unable to do anything.
SERGEANT:
Hold back. Do nothing.
The Leader was holding the pistol. The Negotiator was a
robot.
LEADER:
Hurry up.
Jinx watches Priscilla through the window.
30 EXT. MOTORWAY - NIGHT.
The bus travels along the motorway.
Leader holds a gun to the driver as he drives.
Terrorist 2, at the front of the bus, has the case open on
the floor looking through the money as the leader watches.
All the passengers are gone except for Jinx and Priscilla,
who have their seat belts on. Terrorist 3 and 4 have guns
pointed at the two.
TERRORIST 2:
Not a single fake. Thats not
suspicious at all. And I really
dont think letting all passengers
go but those two was such a great
idea. You know what the news people
are like. As soon as they find out
our only two hostages were pretty,
well be on every fucking network
by supper.
LEADER:
Gives the police less incentive to
bother with us.
JINX:
Youre not pretty enough for me,
boy.
(CONTINUED)
CONTINUED: 12.
LEADER:
Wow. Youre one hilarious bitch.
You should check into the comedy
club sometime.
TERRORIST 2:
(giving Jinx the finger)
Im married.
LEADER:
Try to ignore orders to shut up in
hell.
Leader points his pistol at Jinx. But then he notices the
driver brace himself.
Through the wind shield, Wonder Woman crashes in feet first.
She knocks Leader to the floor.
She then kicks Terrorist 2 and he flies into Terrorist 3 and
4. As Terrorist 3 discharges his weapon, making it fire into
the ceiling and upsetting the lights. Priscilla screams.
Wonder Womans lasso reaches and grabs the machine gun. She
pulls, bringing the gun away from Terrorist 3 and making it
fly out the windshield behind her.
Leader gets up and tries to shoot Wonder Woman and but
Wonder Woman movies his arm out the way, and the shot misses
but nearly hits the driver. Leader gets out a knife with his
other hand and tries to stab Wonder Woman, but she blocks
his other shot. He drops the fired gun and pulls a very
small can from his sleeve. He sprays Wonder Woman with
pepper spray and kicks her.
She back flips to stop her going out the window.
She lifts her head to reveal her red eyes.
LEADER:
Shoot.
Terrorist 1 and 2 aim their guns at the passengers.
Wonder Woman puts her hands on the roof and her feet hover.
13.
The front of the bus lifts off the ground quickly.
The bus quickly reaches 40 degrees.
The open suitcase slides and hits a pole, making the money
inside fly out all over the bus.
Pris and Jinx hold onto the seats in front of them.
Terrorists 1 and 3, the closest to the end, lose their grip
and roll towards the back of the bus.
Terrorist 2 manages to grab a chair handle.
Terrorists 1 and 3 reach the end of the bus and hit the back
window.
Terrorists 1 and 3 crash out of the window and onto the
motorway.
The flying 40 degree bus goes past a number of occupied
cars.
Wonder Woman goes upside down so her legs are holding up the
bus and her arms are free. She and Leader exchange looks.
WONDER WOMAN:
Surrender.
Leader aims his pistol and fires at Wonder Woman. She blocks
the shot with her bracelet and the bullet reflects into the
handle Leader is holding which breaks it.
Leader flies backward but manages to grab a pole, but lets
go of his pistol in the process.
Terrorist 2 catches the gun and points it at Priscilla next
to him.
TERRORIST 2:
You first.
(CONTINUED)
CONTINUED: 14.
Suddenly, an hand covered in sorcery goes through Terrorist
2s torso, spouting blood everywhere and making him drop the
gun.
Wonder Woman and Leader are caught off guard.
36 EXT. MOTORWAY BRIDGE - DUSK.
The bus steadily falls back onto the motorway, bursting the
front tires.
It grinds to a halt.
37 INT. BUS - DUSK.
Wonder Woman and Leader, who is now on the floor, observe.
Terrorist 2 is on his knees. Jinx pulls her arm out of him
and he falls to the floor.
Jinx looks at Priscilla, who is in shock.
Jinx sits down next to her.
JINX:
I will help you.
Jinx notices Wonder Woman and Leader staring at her.
38 EXT. MOTORWAY BRIDGE - DUSK.
The police have closed off the area and take care of the
driver and the criminals.
Wonder Woman approaches Jinx, who is sat on the barrier at
the side.
WONDER WOMAN:
Dont kill anymore people, yeah?
Jinx gets up.
JINX:
I wouldnt class what I did as
murder.
Priscilla appears.
(CONTINUED)
CONTINUED: 15.
PRISCILLA:
Hey.
WONDER WOMAN:
Just a second, Pris. You should
have helped me a little more back
there.
JINX:
Why should I? Im not a hero.
Pause.
PRISCILLA:
Thanks for your help, Diana. You
too, Jinx. Im all in one piece.
JINX:
My pleasure.
39 INT. LANDING. SAFE HOUSE - DAY.
Mars, Ross and Skylar enter and look around. They stop in
the middle.
SKYLAR:
So, whos going to teach my how to
use a gun?
MARS:
You dont know how to use a gun?
Everyone knows how to use a gun.
SKYLAR:
My parents never showed me because
they thought Id use on them after
wards.
MARS:
Have you ever seen Unbreakable?
ROSS:
Mars. Private talk. Go read a book,
kid.
40 INT. KITCHEN. SAFE HOUSE - DAY.
Mars and Ross enter and Ross closes the door.
(CONTINUED)
CONTINUED: 16.
ROSS:
Dont let her become your weakness.
We cant let Raker have an
advantage over us, or shell get to
us through her and were dead.
Shes a witness who were using as
bait. Nothing more. "Lets watch a
movie together". "Teach me how to
shoot people". This is risky enough
as it is.
MARS:
I hate this. We shouldnt be using
her like this.
ROSS:
I hate it too. I just want Raker in
prison asap. What her targets are
doing is wrong, but taking away
parents permanently is million
times worse. My parents were killed
when I was three. Thats why I took
the case.
Pause.
MARS:
Alright. What do we do?
ROSS:
We hire a couple of actors slash
professional bodyguards posing as
her new foster parents, and make it
look like theyve been abusing her.
Raker wont be able to resist
coming back for seconds. Then we
get her. Well be more ready than
Skylars parents were.
MARS:
Jesus...
ROSS:
I know, I know. Wrong and risky. We
have to do this. Get it over with
quickly. Ill tell the kid. See
what she thinks.
Ross exits. Mars pauses. Then exits as well.
17.
41 INT. LOUNGE. SAFE HOUSE - DAY.
Ross and Skylar are seated. Mars is outside around the
corner listening in.
Skylar doesnt like what shes hearing.
42 INT. RICHS APARTMENT - NIGHT.
We look around Richs apartment. It turns out to be a luxury
apartment, and she has a lot of treasures and
accomplishments.
We find her sat on a chair quietly. She holds a gun in her
lap. She stares at it.
PRISCILLA:
I was useless today.
Suddenly, a sack goes over her and she is pulled back off
the chair and onto the floor. Three agents dressed in black
put her into the sack and try to tie the end.
Priscilla struggles.
Then, a cheetah claw launches out of bag. She grabs one
agent be the arm and throws him far across the room and out
of the window.
Another claw exits the bag and the bag is torn open to
reveal Priscilla in her Cheetah form.
The agents already have their tazer guns out and they both
fire.
Cheetah dodges one shot, strikes the other then launches
herself at the agents at rapid speed.
She scratches one with her claws. Whilst he is in agony she
launches the other agent into the air then punches him,
making him land hard into the glass table below. With the
other agent, she jumps and kicks him hard sending him into
the air. She lands. A few moments later the other agent does
the same, only he hits the ground hard creating a large
cloud of dust.
Cheetah feels something then looks behind her. She only sees
a blurred image of a figure and a dart in her back side. She
rips out the dart and looks to the figure.
(CONTINUED)
CONTINUED: 18.
CHEETAH:
When I wake up, and then find you,
Ill tear you a new ass.
Cheetah looks to the mirror beside her and sees the
reflection of a cheetah. She then falls to the floor
unconscious.
The figure is Jinx.
43 INT. CELL.
The cell is white with only a bed, toilet and sink.
Priscilla is on the bed asleep. She slowly opens her eyes to
see the light.
Priscilla slowly gets up and looks around her.
44 INT. HALLWAY. BALLESTEROS RESEARCH CENTER. NIGHT.
Jinx and Ballesteros are outside of Priscillas cell door.
JINX:
Shes awake, I hear. You were
right. She is fighter.
BALLESTEROS:
Get in there. Convince her, and
make me prouder.
JINX:
Anything.
45 INT. CELL. BALLESTEROS RESEARCH CENTER. NIGHT.
The door beside Priscilla unlocks and opens to reveal Jinx.
She enters and closes the door behind her.
JINX:
Hey.
PRISCILLA:
You know what? Im not even going
to ask.
Jinx sits beside Priscilla.
(CONTINUED)
CONTINUED: 19.
PRISCILLA:
I just had the best dream ever,
Jinx. I walked down the street to
work as usual, but this time, for
once, I felt like a somebody. I
could really feel it. I looked to
the lesser ones and I didnt feel
like I was below their level. I
looked to the better ones but I
didnt give a shit. I felt like I
was a somebody who truly lived up
to the standards of society, and
that felt so good. This cell? I
belong in here because in real life
I dont belong anywhere. Im just a
nobody. A nobody with no point.
Priscilla cries. Jinx sheds a tear as well.
JINX:
I was lost too. Bad men beat me and
threw me into a lake knowing I
could not swim. But the water was
contaminated with radiation. Gave
me these abilities. Thats the
earliest memory I have. I dont
know if I have a living family. I
dont even know my real name. For
years I tried to find my place in
this world unfamiliar with sorcery
with soul destroying amounts of
failure. Then my employer
discovered me. Gave me and my
powers a role to fulfill. A
bodyguard. A loyal protector. Ive
never said thank you to him,
because those two words will never
be enough.
PRISCILLA:
You know how lucky you are. I like
that. Maybe I wont tear you a new
ass after all. You saw me. Im an
freak.
JINX:
Not really. Your complex has driven
you to try and over compensate your
so called inferiority, and the way
your mind has done that is to
create a second, more powerful,
personality.
20.
46 INT. RICHS APARTMENT - NIGHT.
We return to when Cheetah was shot with the dart.
She throws it to one side and looks to Jinx.
From Jinxs point of view, Priscilla is a human who simply
moves like a Cheetah.
PRISCILLA:
When I wake up, and then find you,
Ill tear you a new ass.
She looks to the mirror beside her then falls to the floor.
47 INT. CELL. BALLESTEROS RESEARCH CENTER. NIGHT. (CONT.)
Priscilla pauses.
JINX:
I dont recommend using your tail
when in your Cheetah form. You
dont actually have one.
PRISCILLA:
So Im useless and insane.
Another pause.
JINX:
Pris, something gave you this
feeling of inferiority, but you
cant relieve that feeling because
you feel so inferior in the first
place. Youre trapped in a catch
twenty two. You know how to get out
of a catch twenty two?
PRISCILLA:
Yeah. Something ridiculously
bullshit has to happen.
JINX:
My employer created an alien
technology which is successfully
manifesting Wonder Womans powers.
The idea is that the sets of powers
can be cloned and sold to fund my
employers research into finding a
cure for his disease. You wouldnt
believe the insane money some will
pay to have the powers of the gods.
(MORE)
(CONTINUED)
CONTINUED: 21.
JINX: (contd)
But it needs to be tested on
someone first. I personally seeked
out one hundred potential
candidates, but youre the only one
who is truly guaranteed to use the
powers to its fullest potential,
and give a good reference to our
potential clients. Wonder Woman has
a great place in society, now you
can have hers for free. All you
have to say is "lets do this
shit".
Pause.
48 INT. LABORATORY. BALLESTEROS RESEARCH CENTER. NIGHT.
Jinx and Priscilla enter the room. It is a busy room with
multiple scientists working. They head towards a glowing and
beating heart shaped organ enclosed inside a metal cage.
PRISCILLA:
What the hell is that?
JINX:
Thats the question you finally
ask? Dont you have doubts about
how big a crime has been committed
in stealing someones powers...?
PRISCILLA:
Youre the criminal, Jinx. Im just
a guinea pig. But Ill be a lot
more when this is over.
Pause.
JINX:
We stole Dianas DNA and forced it
to multiply rapidly into an energy
form. Its finally stabilized. We
predict the process will take five
days from the moment you enter it.
Because of your apparent physical
durability and the fact that itll
give you a healing factor, you can
survive it.
Priscilla stares into the organ.
(CONTINUED)
CONTINUED: 22.
PRISCILLA:
All this god damned time I envied
and hated Diana for having what I
should have had. But now the tables
turn and I find my place the world.
Priscilla turns into Cheetah.
PRISCILLA:
(cont.)
No holding back.
49 INT. CAFE. NIGHT.
Ross, Mars and Skylar are sat around a table with coffees
each. Mars is completing a Soduko challenge in a newspaper.
Skylar just stares at her coffee whilst the others are
nearly finished.
ROSS:
The tax payer pays for that whilst
youre under police protection, you
know?
SKYLAR:
I know. Im not an idiot.
ROSS:
Of course youre not an idiot,
Skylar.
Pause.
SKYLAR:
And I wouldnt exactly call this
protection. Its your asses on the
line not mine. I find what youre
doing very questionable, and Im
not drinking your pathetic bribes.
ROSS:
Do you prefer being called brat
over kid? Calm the fuck down. Me
and Mars are trying to think of a
way around this but were kind of
stuck here, kid.
SKYLAR:
I dont like it when people get
hurt. I was hurt over and over
again for the last two years and it
frankly sucked. On TV, detectives
(MORE)
(CONTINUED)
CONTINUED: 23.
SKYLAR: (contd)
trap the murderer then the murderer
throws up his or her hands and says
"You got me, bitches". But Raker
isnt going to do that. When you
two catch her in the act, shes
going to pull out her axes and send
you both to hell.
ROSS:
Oh yeah. I really want my two
daughters to end up parent less.
Pause.
ROSS:
Weve thought this through, Skylar.
Have a little faith.
SKYLAR:
Well see. Right now my faith is
being tested.
Another pause.
ROSS:
Ill get you a refill, Mars.
Ross takes Mars cup and leaves.
SKYLAR:
Daughters? And he still wants to
trap a parent killer?
MARS:
He has to provide for them somehow,
as well as give them a hero to look
up to.
SKYLAR:
You have nothing to lose, Mars.
Youre a fourth wheel going down a
hill.
MARS:
Doesnt mean I dont want to have
kids and provide for them someday.
I used to have a girlfriend, but
cops and superheroes dont mix so
went our separate ways. Our goals
are the same but our ways were too
different.
(CONTINUED)
CONTINUED: 24.
SKYLAR:
You dated Diana? Shit.
MARS:
Ill teach you to use a gun when
you drink your fucking coffee.
Pause. Skylar drinks her coffee.
50 EXT. PLAYGROUND - DAY.
A montage of Diana in a playground interacting with us.
She uses the various playground equipment, and enjoys
herself.
She walks along the top of a wall and jumps off.
She, with her back to a fence, looks to the camera and
smiles.
51 INT. TRAIN STATION - NIGHT.
Priscilla wakes up.
A station guard is in front of her and a few members of the
public are behind him staring at her.
STATION:
Closing time, maam.
Priscilla gets up and notices that she is wearing a Wonder
Woman costume, which is significantly darker than the
original.
52 EXT. STREET - DUSK.
Priscilla in her costume walks along the street. She looks
up to see Wonder Woman flying in the sky above her. Other
members of the public look up to see it as well.
She is holding a masked robber. She is interrogating him and
the robber is not co operating. We cannot hear what they are
saying.
Priscilla observes, looks at her hands. She runs down a dark
alley.
25.
53 EXT. ALLEY - DUSK.
Priscilla checks that no one is around.
She then takes off the bracelet on her arm and throws it to
one side.
Priscillas other hand turns into a Cheetah claw. She
scratches her other arm hard creating three bloody scratches
on her forearm. She doesnt feel any pain.
She stares at the wounds.
She waits.
And waits.
And waits.
The wounds still exist unhealed.
Disappointed, she cries.
WONDER WOMAN:
Are you okay?
Priscilla turns around and sees Wonder Woman looking at her.
PRISCILLA:
Get lost, please.
WONDER WOMAN:
Nice costume.
PRISCILLA:
Woke up in it.
Wonder Woman goes over to Priscilla and grabs her clawed
arm. Wonder Woman spits into her other hand. Wonder Woman
rubs the spit into Pris wounds and they begin to heal.
WONDER WOMAN:
I wont be available for much
longer to save you from being
permanently scarred, Pris.
54 INT. INDUSTRIAL PARK - DAY.
Wonder Woman and Priscilla, both in costume, walk along the
road surrounded by factories.
(CONTINUED)
CONTINUED: 26.
PRISCILLA:
Dont you ever feel weird wearing a
that?
WONDER WOMAN:
All the time. Its even more
inconvenient that it takes a lot of
working out to look in it.
PRISCILLA:
Its not like they have a reason to
look at me, though.
WONDER WOMAN:
Are you that insane? Im living in
your shadow. Youre prettier,
smarter and richer than me, Pris.
Its always been that way.
PRISCILLA:
Yep. Just a shame I cant even heal
myself quickly and have to rely on
you spitting on me.
WONDER WOMAN:
What is your fucking problem, Pris?
Pause.
WONDER WOMAN:
You have so much but you still get
mad at people who have the little
things you dont. Including me.
Thats why I can never ask you to
be my friend even when I really
want to. Youd just get more and
more envious and eventually hate me
and turn against me. I dont fuck
around when I deal with enemies,
and I seriously dont want us to
become ones. Promise me you wont
hate me for what I am.
PRISCILLA:
Well see.
WONDER WOMAN:
Not good enough.
PRISCILLA:
Diana, well see.
Priscilla walks away quickly.
(CONTINUED)
CONTINUED: 27.
WONDER WOMAN:
Pris, wait. I didnt mean...
She stops and watches Priscilla walk away.
55 EXT. FIRE ESCAPE - DAY.
Wonder Woman flies through the air and onto the fire escape.
56 INT. DIANAS APARTMENT - DAY.
She opens the window and climbs in. She closes it behind
her.
WONDER WOMAN:
It sure sucks not having friends.
Wonder Womans instincts kick in. She turns around and
launches her lasso. Just before the lasso end grabs its
target it is caught by a hand covered in a purple flame.
Diana sees that Jinx has caught the end of the whip, and has
stopped it before reaching Sebastian.
SEBASTIAN:
Come now, Miss Prince. I only wish
for a little chat.
Jinx throws the end of the lasso to one side.
WONDER WOMAN:
Trespassing, Jinx? I expected
better from someone with powers.
They exchange looks.
SEBASTIAN:
My name is Sebastian Ballesteros.
Im a scientist. I have powers as
well, and they are powers I wish to
be rid of but am currently unable
to afford the research to make the
removal possible.
WONDER WOMAN:
You look and sound like a normal
person. Id say youre doing a lot
better than some freaks I know.
SEBASTIAN:
On the contrary, my appearance
changes before I can use my powers
(MORE)
(CONTINUED)
CONTINUED: 28.
SEBASTIAN: (contd)
and I cannot control when the
appearance change happens. My ex
wife does not want a dangerous me
near our child. Its an
inconvenience and my current
business venture will solve my
problems. But I require your help.
WONDER WOMAN:
After you break into my apartment?
I wouldnt hold your freak breath.
57 INT. HALLWAY. OUTSIDE RICHS APARTMENT - DAY.
Mars skateboards along the hallway and reaches Priscillas
door. He gets off his board, knocks and waits. No response.
MARS:
Would you respond quicker if I told
you it was the police?
Still no response. He sees a slight corner of a paper
sticking out of the bottom of the door. It has the word "Hi"
written on the sticking out corner.
Mars pulls the corner to reveal the full letter and he reads
what it says.
Mars drops the letter and bolts for the elevator.
The letter reads: "If I die from this fall, at least I
tried".
Mars reaches the elevator but it has reached the 100Th floor
and he is on the 90th.
He dashes for the stairs.
58 EXT. ROOF. RICHS APARTMENT - DAY.
Priscilla stands on the edge of the roof. She stares at her
cuts that are nearly fully healed, then to the huge drop
before her. She puts the bracelet over the cut arm.
29.
59 INT. DIANAS APARTMENT - DAY. (CONT.)
SEBASTIAN:
Double your efforts to bring down
the crime of this city.
WONDER WOMAN:
My powers are leaving me. I can
only use what I have left when I
have no other choice.
SEBASTIAN:
I know. We all lose strength as we
get older, Miss Prince. Nature
isnt always so kind. But I can
give you your powers back when
theyre gone.
Pause.
WONDER WOMAN:
What?
60 INT. STAIRCASE - DAY.
Mars races up the stairs as fast as he can.
61 EXT. ROOF. RICHS APARTMENT - DAY. (CONT.)
Priscilla closes her eyes.
WONDER WOMAN:
Who are your potential buyers?
SEBASTIAN:
Its confidential.
WONDER WOMAN:
Confidential, my ass. I dont want
my powers falling into the wrong
hands.
SEBASTIAN:
Isnt gaining your powers more
important? If they use their new
powers for bad, you stop them with
your new ones. As soon as I become
one hundred percent human again,
(MORE)
(CONTINUED)
CONTINUED: 30.
SEBASTIAN: (contd)
all copies of your powers will be
destroyed. Everyone wins.
WONDER WOMAN:
Not if these buyers are crazy and
dont tell me theyre not.
SEBASTIAN:
You can meet them before you start
boosting their hype with more
demonstrations to seal the deals.
Think about it. You can have heirs
when youre gone.
Pause.
WONDER WOMAN:
Who have you tested it on?
63 EXT. ROOF. RICHS APARTMENT - DAY. (CONT.)
Mars enters through the door and looks around.
He eventually sees Priscilla, far away, standing on the
edge.
MARS:
Miss Rich. Please dont jump.
Priscilla leans forward and falls off the building.
MARS:
Damn it.
Mars runs towards the edge of the building. He looks down
and sees Priscilla falling.
Priscilla keeps her eyes closed and a calm look when she
falls.
WONDER WOMAN:
Pris doesnt have my powers. She
wounded herself and she didnt heal
as fast as I can.
SEBASTIAN:
Thats because her mind didnt
believe in her new powers enough.
(MORE)
(CONTINUED)
CONTINUED: 31.
SEBASTIAN: (contd)
Its like running a mile when you
think that you cant. If she has
something to spark off a strong
motivation to be powerful, then she
can spark off her powers. Such
as...
WONDER WOMAN:
...Envy.
We see Priscillas face. She is still. She opens her eyes.
Priscilla is inches above the ground... Floating perfectly
still.
Priscillas eyes are wild with excitement and she sheds a
tear.
PRISCILLA:
Sweet mother of God.
Ross and Skylar are beside her looking at her floating body.
ROSS:
Maam, Id like to ask you a few
questions.
SEBASTIAN:
Ive met them. Theyre good people.
The mobile phone rings. Diana sees it is Mars and she
answers.
WONDER WOMAN:
Im busy.
Sebastian and Jinx can hear Mars voice.
Mars is on his mobile and behind him is Ross leading
Priscilla into the back of the car.
(CONTINUED)
CONTINUED: 32.
MARS:
Er... Youre friend Pris kind of
has super powers.
Pause.
WONDER WOMAN:
Shes not my friend.
She hangs up.
SEBASTIAN:
Success.
Wonder Woman exchanges looks with Sebastian.
WONDER WOMAN:
Ill believe these people are good
it when I see it with my own two
eyes.
69 INT. HALLWAY. OUTSIDE DIANAS APARTMENT - DAY.
Jinx and Sebastian walk down the hallway towards the
elevator.
JINX:
It worked. I cant believe it
worked.
SEBASTIAN:
You doubted me, Jinx?
JINX:
I just doubted the possibilities of
the project. Not you, boss.
She gives him a fake smile.
SEBASTIAN:
Dont to that. Well be back to
being normal before you know it.
Were not trying to be gods, Jinx.
Were just trying to fit into this
crumbling world.
They enter the elevator. It closes. And it goes down.
33.
70 INT. ROSSS CAR - DAY.
An undercover police car. Mars and Priscilla are in the
back, and Ross and Skylar are in the front - Priscilla is
behind Ross.
MARS:
This is me on an insane hunch. Your
last name is Rich, Rakers last
name is Rich. Youre the only Rich
in the the area. Do you know Raker?
Shes killed a lot of abusive
parents. This kid lost hers
recently.
PRISCILLA:
I dont know Raker.
Priscilla looks at the back of Skylars head.
PRISCILLA:
Turn.
Skylar looks to Ross.
ROSS:
What are you waiting for, Sky?
Minimum wage?
Skylar turns around and faces Priscilla through the wire
mesh. Pause.
PRISCILLA:
You look familiar. Ive seen you
somewhere before. Itll come back
to me.
Skylar gives a confused look to Ross. Priscilla continues to
stare at Skylar. Thinking.
Diana is sat on her bed. She looks at her hands. She closes
her eyes.
72 EXT. BALLESTEROS RESEARCH CENTER - DAY.
The center looks like a factory warehouse. Diana enters the
research center.
34.
73 INT. HALLWAY. FLOOR 2. BALLESTEROS RESEARCH CENTER - DAY.
Around the corner walks Diana and Jinx along the empty
corridor.
JINX:
Sorry to invite you on a Sunday.
The buyers are busy people and this
is the only day they are free.
DIANA:
Rich people, huh? They have
everything in the world yet they
want to lift trucks and fly. Thats
sad.
JINX:
Please give them a chance. I
wouldnt be too angry if the
successors to my powers were rich.
They want to have the power to show
the world that they are not
monsters. But, I would be just as
happy to have no powers and return
to being human, get a human job,
find human love, have human
children.
DIANA:
I wish you the best of luck.
Pause.
JINX:
I apologize for breaking in into
your apartment, Miss Prince. You
would have shut the door in our
face if you answered, and we talked
about what you know now.
DIANA:
Dont worry about it, Jinx.
74 INT. MEETING ROOM. BALLESTEROS RESEARCH CENTER - DAY.
A small and private room. The meeting is under way. Three
middle aged people in suits - Garcia and Rio, males, and
Rain, a female, - are sat opposite Sebastian, Diana and
Jinx.
Diana is reading through three curriculum vitae.
(CONTINUED)
CONTINUED: 35.
RAIN:
We only want whats best for the
world, Miss Prince. A world without
crime. Just like you, if I may be
so bold.
DIANA:
Spare me the speeches. I can only
guess what youd do with my powers,
and the only way to determine
exactly what you would do with them
is by actually giving them to you.
Words could be lies. My judgment is
based is on character judgment.
Pause.
SEBASTIAN:
Im sure she means it in the nicest
possible way. Miss Prince wants the
best for the world too.
DIANA:
Damn strait.
RIO:
So, what are your thoughts on your
character judgment?
Diana puts down the papers.
DIANA:
You all started off as cops then
all went onto starting social
enterprises.
GARCIA:
We met each other because we have
similarities.
DIANA:
Its a small world. I think that
you three are telling the truth
when you want to and can drop the
crime rate, and I believe that you
are responsible. What I dont see
is that you three are capable of
working as team. You three have
never completed any business
project of any size as a trio, when
you clearly could have because of
your "similarities", which puts a
alarm bell in my head. Improving
(MORE)
(CONTINUED)
CONTINUED: 36.
DIANA: (contd)
the world can only go so far before
gods start fighting each other and
using the Earth as a battlefield,
and innocent people as soldiers.
SEBASTIAN:
Diana, are you out of your box?
These are good people.
Jinx notices the water in her cup is rippling.
DIANA:
Good people that dont care about
each other. Which reminds me. I
still have to find Priscilla and
make sure she doesnt use my powers
to harm me. She hates me, by the
way. Im sorry, but right now I
cant give any permission to give
these people my powers. Its too
dangerous.
JINX:
Boss, somethings wrong.
Rain jitters slightly like a broken hologram once mid
sentence.
RAIN:
Youre right, Mr Ballesteros. We
did tell you that we are good
people. But please accept our
apologies, as unfortunately, we
lied.
Suddenly, Jinx, Sebastian and Diana are throat lifted by an
invisible force and held in the air.
Rain, Rio and Garcia are controlling the force with their
hands and they stand simultaneously.
They jitter more violently this time and eventually turn
into large anthropomorphic lizards wearing soldier outfits.
SEBASTIAN:
Bugger.
RAIN:
The powers must be added to our
own, so that we may be the ultimate
rulers of the Earth.
(CONTINUED)
CONTINUED: 37.
DIANA:
Not today.
Diana punches the light just above her, pulls out as
many wires as she can, and the room is swallowed in
darkness.
The red backup lights turn on, revealing the three crouched
surrounded by a protective blue psychic energy. They get up
and see figures dash out of the door.
75 INT. HALLWAY. BALLESTEROS RESEARCH CENTER - DAY.
Diana, Sebastian and Jinx just make it out of the door when
a huge surge of energy blasts through the door behind them.
They jump clear of it and land on the floor.
They quickly get up.
JINX:
Stairs.
DIANA:
Separate.
Jinx and Sebastian enter the stairs door and Diana runs into
a door.
The three lizards enter the hallway and notice the empty
hallway.
Three guards run behind them aim their guns at them and
fire.
Rain turns around, stops the bullets in mid air with a force
field, then deflects them back at the guards.
The bullets hit them and the three Rojeks also breaks their
necks with their powers.
The lights flicker and they teleport.
76 INT. LABORATORY. FLOOR 2. BALLESTEROS RESEARCH CENTER.
NIGHT.
Diana walks through, presses a button on her belt, and her
clothes turn into her Wonder Woman costume.
38.
77 INT. HALLWAY. GROUND FLOOR. BALLESTEROS RESEARCH CENTER.
NIGHT.
Jinx and Sebastian exit the stair case and run along the
hallway.
SEBASTIAN:
Giant psychic lizards. Explain.
JINX:
Theyre called Rojeks. Aliens that
hide on the Earth when things get
too hot on their own planet.
The lights flicker.
JINX:
Get behind me.
The Rojeks teleport in front of them and Sebastian and Jinx
stop.
SEBASTIAN:
Oh fuck me.
Jinx creates a large energy form with her hands and forces
it towards the Rojeks. They stop the barrage of Jinxs
energy with their own psychic energy.
JINX:
Now would be a good time to use
your own powers, boss.
SEBASTIAN:
I dont know how to turn them on,
Jinx. Im sorry.
The Rojeks teleport away from Jinxs energy and appear
behind them. Jinx and Sebastian are throat lifted by the
Rojeks psychic power and their arms are held as well this
time.
GARCIA:
Its over. You will show us to the
power source and give us what we
came for. I knew doing this deal
the hard way was a very bad idea.
SEBASTIAN:
Ill give you what you want as soon
as youre done kissing my ass.
(CONTINUED)
CONTINUED: 39.
RIO:
You just lost yourself thirty
million dollars.
SEBASTIAN:
Wait.
Pause. He and Jinx exchange looks.
SEBASTIAN:
We dont need Dianas permission.
What she said was pure shit. You
three seem like reasonable people.
Give me my money, and you can have
keys to the world.
Silence.
CHEETAH:
(O.S.)
Well, well, well.
Priscilla in her "Cheetah" form is behind Sebastian and
Jinx, and they are unable to turn around.
JINX:
Pris?
CHEETAH:
I prefer Cheetah.
She walks in between the Rojeks and Jinx and Sebastian.
CHEETAH:
You think I sat on that bus next to
you by accident, Jinx? One hundred
potential candidates, Jinx? Im so
glad they didnt spark any
suspicion within you. They were all
Rojeks, and Im starting to find it
pathetic how weak you are to their
psychic powers. They are like me.
Heavily isolated on the Earth,
desperately seeking a place in
society, and realizing the only way
to do so is through having power
beyond the imagination. Why
disrespect someone who is powerful
enough to permanently take away
your life without hesitation?
Becoming gods is the only way for
redemption in a society that
doesnt care about us. We agreed
(MORE)
(CONTINUED)
CONTINUED: 40.
CHEETAH: (contd)
that who ever was the first to gain
Wonder Womans powers through this
little science project, would
become the leader to take them down
the same path. I was fortunate
enough to be chosen, and the
success must now be passed on.
SEBASTIAN:
One hundred and one gods walking
the Earth is a path to disaster.
The project was only intended to
accommodate a few people, Pris.
CHEETAH:
Many sufferers are not my concern.
When there are one hundred Rojeks
here seeking a better life, finding
out about what you were offering
was inevitable. They let me on it
when I gave the same tearjerker I
gave to Jinx. I cant thank you
enough, Sebastian. Youve given me
and them a way out. Ill bet
Dianas pissed she left so many of
her hairs all over the place.
Cheetah begins to float in the air until she is at the same
elevated level as Sebastian. She slowly puts one under his
chin and one on top of his head ready to break his neck.
CHEETAH:
We dont want anymore power sources
lying around for just anyone to
make use of, now do we?
JINX:
Pris. Dont kill him, you crazy
bitch.
CHEETAH:
Everything works, Sebastian. I
dont need you anymore. See you in
hell.
Wonder Woman is stood behind the Rojeks.
She punches Rain hard and she hurls towards Cheetah. Cheetah
turns and deflects Rain and she crashes into a wall.
Wonder Woman jumps and kicks Garcia and Rio simultaneously.
Jinx and Sebastian fall to the floor.
(CONTINUED)
CONTINUED: 41.
Jinx puts her hand on the floor and large purple energy
spikes launch from the floor of which Cheetah evades with
her incredible speed.
Rio and Gracia fire psychic energy at Wonder Woman and she
dodges both shots and rolls across the ground. She pulls out
two handguns in the dodging and finishes in a crouch. She
shoots Rio and Garcia dead using all the bullets.
Jinx and Cheetah fight, then break away. They walk towards
each other.
CHEETAH:
Now now, Jinx. Just because your
powers are stronger than your
smarts.
JINX:
Ooh. Ouch. Call the fucking
ambulance.
Jinx tries to hit Cheetah with energy from her hands and
feet but misses every time. Cheetah finally punches Jinx and
Jinx flies across the hallway and causes damage to the floor
as she slides across it hard.
SEBASTIAN:
Jinx.
Wonder Woman reaches Cheetah and punches her. Cheetah spins
around from the momentum of the punch and scratches Wonder
Woman across the face and knees her in the chin, throwing
Wonder Woman into the roof. She crashes down onto the floor.
Cheetah kneels beside her and spits on the cuts on her face.
CHEETAH:
Im your god now, Diana.
Wonder Woman gives her a look. Jinx, slightly bloody, gets
up and gives Cheetah a look.
Suddenly, a cheetah claw punches Cheetah and she flies
across the room.
Cheetah lands on her feet and recovers quickly. Sebastian
has turned into a real anthropomorphic Cheetah.
SEBASTIAN THE CHEETAH:
I made you. I can destroy you.
We briefly see Priscilla through the eyes of Sebastian, as a
human.
(CONTINUED)
CONTINUED: 42.
PRISCILLA:
Ooh. Ouch. Call the fucking
exorcist. Youll be stuck like that
for a very long time. Thanks for
the powers, Sebastian. Shame you
cant live your dream.
Suddenly, a bullet passes through Cheetahs stomach. Rain
cashes through the wall and grabs Cheetah. They teleport out
of the hallway. The lights stop flickering.
Mars is behind them holding the silenced pistol.
He exchanges looks with Wonder Woman.
We return to the laboratory. A few scientists are dead on
the floor and the organ has disappeared.
79 EXT. BALLESTEROS RESEARCH CENTER - DAY.
Mars walks along the side of the center alone. Diana catches
up with him and grabs him.
DIANA:
Hey. You have a very short memory,
Mars.
MARS:
The security alarm got tripped. I
was the closest in the area. Just
doing my job, maam.
Pause.
DIANA:
I wasnt kidding when I said I
dont want you back in my life.
Loving you was the best thing that
ever happened to me. But love
weakens you and distracts you and
thats too big a problem when you
have a responsibility like mine.
Pris is my problem, Raker is yours.
Back off, yeah? I wont be so nice
next time.
MARS:
Youre welcome.
Pause. Mars walks off.
43.
80 INT. OFFICE. BALLESTEROS RESEARCH CENTER - DAY.
Jinx and Sebastian are sat in the office. Diana enters. The
scratches on her are not yet fully healed. Pause. She and
Jinx exchange looks but Sebastian looks to the floor.
SEBASTIAN:
My dreams are have found early
graves.
Diana sits down with them.
DIANA:
I dont know what its like to be
normal, and no offense, you two are
making it seem like a heaven and I
dont want to end up craving it
too. Look at me. Im here wanting
to recover a stolen apocalypse
machine from an insane animal, and
prepared to give half my savings
for my powers back.
JINX:
Your money, plus our savings, will
only be enough to change one of us.
The potion we seek is rare, and the
fastest way to get it is through
purchasing it.
DIANA:
Youre adults. You can make
decisions.
Pause.
DIANA:
Normally, I would recognize that
you two are powerful freaks like me
and you can two handle this on your
own. But this is my fault. Ive
known Pris for a long time and
frankly I enjoyed her being jealous
of me. It felt fucking great to
know I was better than that
beautiful rich smart ass. I should
have done more to help her, instead
of pushing her more and more to
insanity like I already have done.
Shes only doing this to get rid of
the pain that I caused her. I will
sort this out. Ill get the organ
out of her hands.
44.
Diana leaves.
81 INT. ROSSS CAR - DAY.
Ross and Skylar wait in the car. Skylar is in the backseat
and Ross is in the passenger seat. Both are separated by the
steel mesh.
Mars enters the car and drives the car away.
82 EXT. ABANDONED AIRPORT - DAY.
An empty and new looking airport.
83 INT. LUGGAGE AREA. ABANDONED AIRPORT - DAY.
Priscilla in her costume and Rain in human form walk along a
bridge. They stop in the middle over looking over ninety
nine Rojeks working with the organ in the middle of the
room.
PRISCILLA:
Dont doubt her. Dont even
consider it. She knew you wouldnt
count on her using handguns and now
Rio and Garcia are dead. No wonder
you guys need more powers.
RAIN:
We feel the pain of their loss, but
less Rojeks means less time spent
on making the organ powerful enough
for all of us.
PRISCILLA:
She could wipe us all out in five
minutes if we let our guard down.
Ive seen her do the impossible
before and she wont hesitate to do
it again. When she loses her powers
Ill destroy her. Then we can get
on with our new society.
Pause.
RAIN:
Do you respect her, Pris?
(CONTINUED)
CONTINUED: 45.
PRISCILLA:
Of course I do. Why wouldnt I? But
Ive lived in her shadow for too
long, Rain. Its time for her to
live in mine.
Pause.
RAIN:
Thank you for leading us.
PRISCILLA:
I dont give a shit about you and
your army, Rain. Im only doing
this to so that I will be on top
when we become gods.
RAIN:
Nevertheless, youve gotten us
further than we ever hoped. Thank
you.
Pause.
PRISCILLA:
Dont mention it.
Priscilla walks away.
84 EXT. BUILDING SIDE - DAY.
In the reflection of the windows we see Woman Woman floating
still and overlooking the city.
85 INT. SUPERMARKET - NIGHT.
Mars and Ross are shopping.
A couple, Rose and Marcus passes by.
ROSE:
Excuse me.
MARS:
Oh. Im sorry.
Mars moves out the way so that Rose can reach the cereal.
MARCUS:
Our daughter likes the top shelf
stuff.
(CONTINUED)
CONTINUED: 46.
MARS:
Keep her happy. Keep her protected.
Then youll be rewarded.
ROSE:
Sounds like a deal.
Mars smiles at them.
86 INT. LOUNGE. SAFE HOUSE - NIGHT.
Skylar is sat on the sofa in front of Rose and Marcus. Mars
is with them and Ross keeps his distance.
MARS:
Meet your new you know whats.
ROSE:
Hey, Skylar. Im Rose and this is
Marcus.
MARCUS:
Pleased to meet you. What do you
prefer? Skylar or Sky?
Skylar is silent.
ROSS:
Show them around the house, Mars.
Mars, Rose and Marcus exit and go upstairs.
Ross sits beside Skylar who starts to cry.
SKYLAR:
Theyre dead. Theyre dead. My
parents are fucking dead. I never
ratted them out because I loved
them so much. I just wanted them to
be outside of jail so I could make
the most of them. But those chances
never came and theres no chances
anymore.
Pause.
ROSS:
My parents are dead too, Sky. I
dont know if I truly made the most
of them. I never got to ask them.
Its not like I can get revenge on
God or something like that. The way
(MORE)
(CONTINUED)
CONTINUED: 47.
ROSS: (contd)
I see it if this plan is
successful, you can have vengeance.
A kind of redemption, I guess.
SKYLAR:
Thats the only reason Im still
here. I want to live the rest of my
life knowing that shes rotting in
a bathroom.
Pause.
ROSS:
Were going to run through the plan
later then myself and Mars are
going to leave you with Rose and
Marcus. Well stay close during the
day, and closer during the night.
SKYLAR:
Lets can this bitch.
Another pause.
ROSS:
Stay positive, Sky.
SKYLAR:
Okay.
87 EXT. HIGH SCHOOL - DAY.
A car with Rose, Marcus and Skylar pulls up to the side of
the school.
Skylar exits the car and looks to the others inside the car.
Rose lowers the window.
ROSE:
Have a nice time in school, honey.
SKYLAR:
Have a nice time at work.
Skylar heads off into school.
48.
88 INT. PARK - DAY.
Skylar, Rose and Marcus walk in the park and seem to be
having a good time. The perfect family.
89 INT. BATHROOM - DAY.
Rose applies make up to Skylar, giving her a fake black eye.
ROSE:
What do you want to be when youre
older, Sky?
SKYLAR:
A bodyguard. Just like you.
ROSE:
Nice one.
90 INT. CLASS ROOM - DAY.
The school children and the teacher stare into Skylars
black eye. Skylar is at the front of the class next to Rose
and Marcus.
SKYLAR:
These are my new foster parents.
Theyre professional bodyguards. I
want to be a bodyguard just like
them. Rose and Marcus, everybody.
Skylar begins clapping as she returns to her seat. Some of
class clap unenthusiastically.
MARCUS:
Morning everyone. Weve been
independently working for clients
such as the FBI and the police for
the last five years.
Skylar, Rose and Marcus are on the couch watching
television. We see that the two are packing.
49.
92 INT. SUBURBAN STREET - DAY.
Skylar, Rose and Marcus walk down the street. They are
significantly less happier than before. There is a plaster
on the side of Skylars cheek, and multiple bruises on her
arm.
93 EXT. SAFE HOUSE 2 - NIGHT.
We hear an argument coming from the house.
Rose, Marcus, and Skylar are present. Skylar is sat on the
couch and Rose and Marcus are standing.
MARCUS:
Its been two fucking weeks and no
action.
ROSE:
Were following the plan.
MARCUS:
Fuck the plan. The target isnt an
idiot. She knows the injuries on
Sky are fake.
ROSE:
Perhaps the alternative is not such
a good idea to use now.
SKYLAR:
What alternative?
ROSE:
Shut up, Sky.
MARCUS:
Really, Rose? Its not a good idea.
We dont get paid until the bitch
is caught.
ROSE:
God damn it.
Pause.
ROSE:
Sky, can you come over here, honey?
Skylar pauses.
(CONTINUED)
CONTINUED: 50.
SKYLAR:
Why?
ROSE:
Dont, Sky. Dont make this harder
than it actually is.
Skylar sees the guns they are packing. She slowly goes
towards them and stops.
MARCUS:
Hands behind your back.
SKYLAR:
No...
MARCUS:
Do it.
Silence. Skylar puts her hands behind her back. She starts
to shake and closes her eyes.
Rose gets ready to punch her in the face.
And she does.
Skylar stands with her head faced to the side. She begins to
wobble then falls to the floor.
Rose and Marcus pick her up and throws her onto the couch.
They dont notice the door handle on the lounge door move.
Skylar comes to.
SKYLAR:
Help. Someone help me.
Marcus puts his hand over her mouth to stop her.
MARCUS:
This is for your own good. You want
Raker, dont you? Now shell have
to face us. Were seriously going
to get paid this time.
Raker walks behind Marcus and Rose quietly. She exchanges
looks with Skylar.
Raker raises both axes.
Raker axes Rose in the back. She screams in agony. Marcus
reacts and sees Rose in pain.
(CONTINUED)
CONTINUED: 51.
MARCUS:
Mother fucker.
Marcus tackles the now axe less Raker and they fall to the
ground. Rose falls to the couch next to Skylar dead.
Marcus gets on top of Raker and punches her. She blocks his
second punch and punches him back harder, making him fall
away from Raker.
The two get up. Marcus pulls his gun but Raker dodges the
shot. Raker pulls her gun and shoots Marcus in the gut three
times. She kicks him and he falls to the ground.
She looks to the door where Mars stands with a tazer. He
fires but Raker pulls the axe from Roses back and blocks
the tazer.
Raker spins, pulls out her gun again, shoots Mars in the arm
as he pulls out his gun, and he falls to the ground making
him lose his gun.
Ross jumps out of the back door and flies through the air.
He shoots Raker in the leg in the process.
Skylar takes out Roses gun and shoots Raker in the arm.
This causes her to go crash through the window to the side
of her.
ROSS:
Damn it.
Ross gets up and runs to the window, but Raker outside
shoots at the window forcing Ross to back away from it.
He runs to the hallway.
95 INT. HALLWAY. SAFE HOUSE - NIGHT.
Ross exist the lounge, exits the house through the open door
and goes towards the side of the house.
Skylar crawls along the floor to Mars, who remains on the
ground.
SKYLAR:
Mars. Youll be okay, right?
(CONTINUED)
CONTINUED: 52.
MARS:
Ill be fine. Call an ambulance.
Mars notices the real bruise on Skylars face. He touches it
and Skylar reacts. Mars looks to Marcus on the floor who is
still alive but bleeding heavily.
MARCUS:
She fell down the stairs, Mars.
MARS:
Gun.
Skylar passes to Mars Roses gun, and Mars aims at Marcus.
Marcus dies and Mars pauses.
97 EXT. SIDE ALLEY. SAFE HOUSE - NIGHT.
He searches with a flashlight through the side alley near
the smashed window.
He sees the open manhole cover and looks down it.
A car passes behind him.
98 EXT. CAR PARK - NIGHT.
A multi storey car park sits beside a bank.
Suddenly, two sports cars break through the gate of the car
park and speeds off down the road.
A man wearing a smiling alien mask has his head and body
outside of Escort Car 1s sun roof holding a lot of paper
cash crying out in excitement.
MASKED MAN:
I love robbing banks.
Wonder Woman flies down in front of the smashed gate and
watches the cars.
Wonder Woman looks into the car park.
53.
99 INT. LEVEL -1. CAR PARK - NIGHT.
The security camera has been destroyed.
A number of people wearing alien masks are stood around 5
open suitcases on the floor filled with money. A few are on
the floor counting the money.
A person with the brightest alien mask, the leader, is next
to another.
LEADER:
What weve done is wrong. But then
again the world is wrong.
The masked person next to the leader taps his shoulder and
points up. He looks up to see Wonder Woman upside down
crouching on the ceiling. She has her hand on her lasso
ready.
She and the leader exchange looks. The leader then looks to
his assistant.
Suddenly, his assistant creates and launches a large arrow
shape of purple energy at Wonder Woman.
This hits her and forces her through the ceiling.
100 INT. LEVEL 0. CAR PARK - NIGHT.
Wonder Woman bursts through the floor and lands.
The assistant jumps through the hold and lands in front of
Wonder Woman.
She takes off her mask and cape to reveal her as Jinx.
101 INT. LEVEL -1. CAR PARK - NIGHT. (CONT.)
The people pack up the suitcases with money and move them
into vehicles; A large class A RV and two cars.
LEADER:
Haul ass.
54.
102 INT. LEVEL 0. CAR PARK - NIGHT. (CONT.)
Wonder Woman wipes blood from her mouth.
WONDER WOMAN:
Bitch.
JINX:
Walk away, Diana.
Wonder Woman gets up.
WONDER WOMAN:
What are you doing?
JINX:
Building a new organ. More money,
faster progress...
WONDER WOMAN:
... On a fucking war machine. You
know the last one is about to cause
hell, now you want to put the world
at risk even more?
JINX:
Even good people need to play bad
for success sometimes, Diana. Dont
tell me you havent done the same.
WONDER WOMAN:
Ive never endangered humanity.
JINX:
I only want to become human again.
You want to pay is for a reboot. In
letting this happen, we both win.
Humanity doesnt play a part.
Pause.
WONDER WOMAN:
In my book, it does.
They hear a crash.
The RV and two cars crash through the remainder of the gate.
55.
104 INT. LEVEL 0. CAR PARK - NIGHT. (CONT.)
Woman Woman runs for the exit but Jinx picks Wonder Woman up
with an energy blanket and throws her into the ceiling.
On her way down Wonder Woman she throws a part of the
ceiling at Jinx.
She blocks it with a punch covered in purple energy. She
looks down and sees Wonder Womans lasso around her arm.
Wonder Woman pulls the other end and Jinx is pulled hard
into Wonder Womans fist.
Jinx is hit and she falls to the floor.
She recovers, powers up, and launches herself at Wonder
Woman with her energy lit fists.
Wonder Woman tries to grab Jinx with her lasso again but
Jinx dodges each attack.
Jinx tries to punch Wonder Woman but she blocks it and
punches Jinx in the face which makes her turn around.
Jinx then kicks at Wonder Woman but Wonder Woman dodges it
by landing on her back on the floor.
She kicks Jinx and Jinx land on the floor.
Wonder Woman flips up and stamps onto Jinx, forcing her
through the floor.
105 INT. LEVEL -1. CAR PARK - NIGHT.
Jinx is forced through the ceiling and she lands on the
floor hard.
Wonder Woman also lands on the floor on her feet. Pause. She
walks to the exit.
WONDER WOMAN:
Next time Ill be wearing high
heels.
Jinx is slightly conscious lying with the rubble.
56.
Wonder Woman exits the car park and flies into the air.
107 EXT. SKY - NIGHT.
Wonder Woman, high above the streets looks around the
ground.
She sees the RV and the two cars either side of it racing
down the street.
108 INT. ESCORT CAR 1. STREET - NIGHT.
Two henchmen occupy this car in the front. One of them in
the passenger seat, Henchman 1, sees Wonder Woman flying
towards them through the sunroof.
He takes out a machine gun, leans out the car, then fires at
Wonder Woman.
109 EXT. STREET - NIGHT.
Some pedestrians are frightened by the gun fire.
Wonder Woman blocks a few of the bullets with her bracelets.
The bullet fire is too rapid and she flies to the class A
RV.
110 INT. CLASS A RV - NIGHT.
Sebastian is sat on a chair waiting.
Inside the henchmen have heard the gunfire and are ready.
Henchmen 2, standing by the window, sees Wonder Woman going
towards him.
HENCHMAN 2:
Shit the bed.
Wonder Woman crashes through the window and pushes Henchmen
2 out the window on the other side of the RV.
57.
Henchmen 2 crashes out of the RV and hits Escort car 2.
This causes the car to violently flip sideways onto the side
of the road, putting it out of action.
112 INT. CLASS A RV - NIGHT. (CONT.)
Wonder Woman fights four henchmen in front of her.
She blocks all of their fast attempts to hit her except one.
The touch electrocutes her and she responds by jumping and
kicking the four henchmens heads in one move, literally
knocking all of their heads off. It is revealed that they
are robots. The four all fall to the floor dead.
Escort car 1, still beside the RV, fires more machine gun
fire at Wonder Woman in the RV.
She dodges the shots by somersaulting forward towards the
front of the RV, and the bullets damage a lot of the inside.
The machine gun runs out of bullets. Henchman 4 exits out of
a cupboard behind Wonder Woman.
The curtain separating the cockpit and the RV body is opened
to reveal another henchman, Henchman 3. Henchmen 3 has a
shotgun aimed at Wonder Woman and he fires. Wonder Woman
blocks the shot with both bracelets and deflects the shot
back at Henchman 3, which cuts him in half.
Wonder Woman is touched by a hand from behind her and is
electrocuted once more by Henchman 4. She turns, rips out
his arm, and shoves the arm through his torso.
She kicks him, sending him out of the beside window, where
he hits Escort Car 1, sending it into a violent crash into a
bollard. The surrounding pedestrians are shocked.
Wonder Woman and Sebastian are alone. They exchange looks.
SEBASTIAN:
Keep driving or Ill break your
thumb.
DRIVER:
Whatever.
Pause.
(CONTINUED)
CONTINUED: 58.
WONDER WOMAN:
Stop.
SEBASTIAN:
Me, Jinx and Priscilla are the only
people on the planet who knows how
to make the organ work. Im the
only one whos willing to tell you
that information, and thats how it
will stay until I get at least one
organ back in my hands.
WONDER WOMAN:
You didnt give me a chance to get
back the first one. How fair of
you.
SEBASTIAN:
Me and Jinx discussed it already.
Like hell Priscillas going to give
it up. Shes going to use it again
when she starts losing her powers
like you are. And honestly, I think
youre too weak to get it back.
Youre what - two thousand years
old? Youve been on Earth for what
- fifty years? Face it Diana,
youre getting older and youre
losing the strength you have. You
cant stay young forever. I just
want to be alive with my family
while I can be. Thats all I care
about. Choosing help from someone
whos losing it isnt going to make
my situation better. Stealing will.
Pause. Wonder Woman un-clenches her fist.
WONDER WOMAN:
Im in a losing battle, huh? I
guess I should I quit while Im
ahead, right?
Wonder Woman turns around and heads for the open window. She
stops mid way.
WONDER WOMAN:
I came here for something else too.
Im concerned about Jinx. Shes not
a monster, but youre turning her
into one.
(CONTINUED)
CONTINUED: 59.
SEBASTIAN:
Shes a bodyguard.
WONDER WOMAN:
Shes a wanderer. I dont think you
seriously want her to be welcomed
to the human world with it seeing
her as a scumbag. Her confidence in
joining society again would be
shattered and shed be back to
square one. Just keep her as a
bodyguard, and nothing more.
Sebastian gets up.
SEBASTIAN:
Shes mine.
WONDER WOMAN:
Do the right thing in the end. You
have a really bad past, Sebastian.
Dont bring all that hell onto her.
Just get me my powers back. Dont
forget Im the only one willing to
pay up when all this is over.
113 EXT. SIDE ALLEY - NIGHT.
Jinx races through. She reaches the street just as the RV
passes.
114 INT. CLASS A RV - NIGHT. (CONT.)
Suddenly, Jinx crashes through the side of the RV.
Wonder Woman and Sebastian exchange looks.
Jinx reaches Wonder Woman and kicks her hard, making her fly
out of the side of the RV.
Wonder Woman flies out of the RV and crashes into some bins.
60.
116 EXT. CLASS A RV - NIGHT. (CONT.)
An exhausted Jinx enters and lands in front of Sebastian.
SEBASTIAN:
Is the road still busy?
DRIVER:
Its dry.
SEBASTIAN:
Turn off the lights.
The RV moves into a motorway. The headlights and lights in
the RV turn off, making it nearly invisible in the night.
118 EXT. CLASS A RV - NIGHT. (CONT.)
The RV is now dark, but is lit by the passing motorway
lights.
JINX:
Youre welcome.
Jinx goes over to a seat and sits down. Sebastian watches
her gather her breath.
He pauses.
Sebastian sits next to Jinx.
SEBASTIAN:
Are you okay?
JINX:
You dont need to ask me that.
SEBASTIAN:
Maybe now is not the best time.
Sebastian gets up and begins to walk away.
JINX:
Im not a pussy around you.
Sebastian stops, then return to his seat.
(CONTINUED)
CONTINUED: 61.
SEBASTIAN:
Ill rob the banks. You take a
holiday.
JINX:
Wow. How long has it been since you
told your last joke? Four years.
Nice to see you brighten up. Im
laughing on the inside.
SEBASTIAN:
Im letting you go, Jinx.
Pause.
JINX:
What? Fuck you. You need me, boss.
You cant control your powers but I
can control mine. I did my job
today, boss. Dont treat me like
Im useless. Please.
They both get up.
SEBASTIAN:
I cant change my mind, and I
wont. Im not going to let you put
your face into most wanted lists,
Jinx. Dianas right. Its a stupid
idea to turn you into a monster.
JINX:
Im just doing my job. I wont hate
you if you turn me into a monster.
Im not exactly human, if you
havent noticed. And I need this
job. I need a purpose in life.
Please dont take that from me,
Sebastian.
SEBASTIAN:
I care about you Jinx. Youve stuck
by me through the worst of times.
But I cant forgive myself if you
entered the human world as a hated
criminal like I am, because of me.
Please, for this last stage, leave
me alone.
Pause.
(CONTINUED)
CONTINUED: 62.
JINX:
No. You need me. Ill prove to you
that you need me.
SEBASTIAN:
Im sorry, Jinx. You know where the
safe house is. Ill call you.
Sebastian pushes Jinx out of the side of the RV into the
road.
Jinx launches sorcery from her hands and creates a blanket
to comfort her fall.
The RV rolls away and quickly disappears into the night.
She looks at the ground as the shock hits her.
120 INT. PRIVATE ROOM. HOSPITAL - NIGHT.
Mars is in the bed awake.
Wonder Woman is on a chair near him.
MARS:
Rough night?
WONDER WOMAN:
I have a lot of regrets when it
comes to my work. Ive lied,
cheated and killed. But theres
probably no going back now. My
powers are leaving me and theres
nothing I can do.
Pause.
MARS:
Skylar is having the same problem
of over thinking and disillusioning
yourself. Loss can be a positive.
WONDER WOMAN:
I wish I was in that situation
where my next generation wasnt
crazy animal about to destroy the
world. As the past generation, I
feel like Ive failed her.
Another pause.
(CONTINUED)
CONTINUED: 63.
MARS:
You know what I would say if I was
allowed to cross into your world
again?
WONDER WOMAN:
Go ahead.
MARS:
Become the teacher. Priscilla is a
difficult student. Turn her around.
WONDER WOMAN:
You know what I would say if I was
allowed to cross into your world
again?
MARS:
Say it.
WONDER WOMAN:
If you going to Raker isnt
working, enter her world. Go
underground.
MARS:
Ill give it a shot. I would feel
so much better if we could be in
each others world permanently.
WONDER WOMAN:
And get in each others way
permanently? No way.
A knock at the door.
She walks over to the door. She presses her bracelet and her
costume turns into her casual clothes.
121 INT. HALLWAY. HOSPITAL - NIGHT.
She opens it and sees Ross.
ROSS:
Miss Prince.
DIANA:
Morning Ross. Hes awake.
ROSS:
Sound. You havent met our
protectee Skylar.
(CONTINUED)
CONTINUED: 64.
Diana looks down to see a frozen Skylar holding flowers.
Diana recognizes Skylar.
DIANA:
Sky?
Silence.
Ross notices the two staring at each other.
Pause. Ross takes Skylars flowers and goes into the room,
leaving Skylar and Diana in the hallway.
DIANA:
Take a seat, Sky.
Skylar and Diana walk over to some chairs and sit.
DIANA:
How long have you been back here?
SKYLAR:
Three months. My parents figured on
moving me closer to the city to
improve my chances of getting a
good job someday. So what?
DIANA:
I really didnt want to see you
again after what you did. I thought
I made that clear.
SKYLAR:
Boy am I glad I have the ability to
forget the past. Unlike some
people.
DIANA:
Tell Mars and Ross what you did.
SKYLAR:
Why? So more people will hate me?
DIANA:
Its the right thing to do. They
have to know who theyre
protecting.
SKYLAR:
I killed the school bully. I dont
feel good about it, even if she did
have it coming. I got my
(MORE)
(CONTINUED)
CONTINUED: 65.
SKYLAR: (contd)
punishment. Now Im trying to put
it under my rug, but the problem
here is that you dont understand
me enough to forgive me.
DIANA:
I might not understand you
perfectly but at least I understood
my approach to you. There was me, a
woman and her only friend is a
twelve year old who hangs out in
the same coffee shop as me. I
thought you were the perfect friend
until I found out what you did.
Ive never been so disappointing in
my life. Now Im a friendless freak
once more, soon to be just
friendless.
Silence.
SKYLAR:
Im not going to apologize for a
millionth time. We didnt deserve
each other. Big deal. Must be a
fate thing. Youre lucky, though.
When youre powers go youll still
have a good reputation that people
will remember you for. I cant say
the same for me. I have "killer"
tattooed on my soul.
Pause.
DIANA:
Dont try to cry your way out of
this. I still want you away from
Metropolis strait after Raker is
caught.
SKYLAR:
Fine. I hate this place anyway. No
wonder you work here. Theres scum
everywhere.
Jinx turns a corner and begins walking towards Diana and
Skylar from behind Skylar.
DIANA:
My job is one hundred percent trash
collection. I dont just throw
criminals into toilets. I sold my
(MORE)
(CONTINUED)
CONTINUED: 66.
DIANA: (contd)
old mod club for a seven figure sum
wrote a book, you know. Just trying
to do something meaningful.
Something I hope you turn around
and do too one day.
SKYLAR:
Remember how the government used to
pay you the same salary as a cop to
fight crime?
DIANA:
That ruined it for me.
SKYLAR:
What?
JINX:
Diana...
DIANA:
Not now, Jinx. Moneys is paper.
There are greater rewards.
Jinx grabs Diana by the throat and pins her to the wall.
Skylar gets up.
JINX:
Youre not going to fuck me this
time.
DIANA:
What are you doing?
JINX:
Sebastian fired me because of
youre idiotic concern for me.
Thanks for the flattery. Shame it
cost me my job.
Jinxs free hand turns into a fist covered in purple sorcery
and tries to punch Diana.
Diana spits in Jinxs face, blocks her punch and the fist
goes through the wall.
67.
122 INT. PRIVATE ROOM. HOSPITAL - NIGHT.
Ross and Mars see the fist through the wall. The fist is
pulled from the wall.
123 INT. HALLWAY. HOSPITAL - NIGHT.
As Jinx pulls her fist from the wall she faces to Diana and
Skylar who have distanced themselves from her.
DIANA:
Get back, Sky.
JINX:
Protecting a innocent, I see. I
could have been able to relate to
that role right now, bitch.
DIANA:
He wasnt supposed to fire you.
JINX:
All could have been avoided if you
kept silent. You know what, I think
Ill make that dream a reality
right now.
Jinx starts walking towards Diana. She presses her watch and
her Wonder Woman costume appears on her. Skylar gets back.
Jinx punches Wonder Woman but she blocks it with he bracelet
and Jinxs fist bounces off to side quickly. Wonder Woman
trips Jinxs foot, Jinx falls forward but she rolls on the
floor to avoid injury. Jinx gets up and turns around into
Wonder Womans fist.
The punch send Jinx to the floor. She fires sorcery from her
hands at Wonder Woman but Wonder Woman blocks the shots with
her bracelets as she walks towards Jinx.
Jinx gets up and launches herself at Wonder Woman.
The two engage in hand to hand combat, with Jinx trying to
hit Wonder Woman with her sorcery hands and Wonder Woman
blocking and dodging the shots.
Wonder Woman manages to kick Jinx in the stomach sending her
into the floor again. Wonder Woman crouches and punches Jinx
in the face hard.
(CONTINUED)
CONTINUED: 68.
WOMAN WOMAN:
Back off.
JINX:
Not until I prove myself.
Jinx tries to punch Wonder Woman in the head but she
headbutts the fist with her tiara deflecting the hit. Wonder
Woman grabs Jinxs throat and is about to punch her again.
SKYLAR:
Diana.
Wonder Woman stops.
SKYLAR:
Come on. Really?
Pause. Wonder Woman and Jinx exchange looks.
WONDER WOMAN:
Get up.
Jinx and Wonder Woman get up from the floor with Wonder
Woman still holding onto Jinxs throat.
WONDER WOMAN:
I dont like it when people attack
me. I wanted to help you but you
just spat in my face. When I get
that organ back, I hope its
Sebastian that returns to being
normal. Not you.
Suddenly Jinx grabs Wonder Womans wrist holding her neck
and applies force to a pressure point stop her from
squeezing her neck. Then Jinx uses her other sorcery hand to
grab the elbow of Wonder Womans strangling arm.
Wonder Woman grabs Jinxs other wrist to try to stop the
sorcery hand touching her elbow. Jinx is stronger than
Wonder Woman and Jinxs hand slowly edges towards her elbow
despite Wonder Womans efforts to pull her wrist away or
strangle Jinx.
JINX:
Time is up. Call it a career.
Jinxs sorcery hand reaches and grabs Wonder Womans elbow.
Jinx squeezes and breaks Wonder Womans arm. This shocks
Wonder Woman and Jinx kicks Wonder Woman sending her away.
(CONTINUED)
CONTINUED: 69.
Then, Jinx is shot in the shoulder. She looks to the side to
see Ross holding a gun. She fires sorcery from her hand at
Ross but Wonder Woman tackles her.
They go through the window behind them. The sorcery fire
just misses Ross and hits the wall behind him.
124 EXT. HOSPITAL - NIGHT.
Jinx and Wonder Woman fall from the 20th floor window.
125 INT. RECEPTION. HOSPITAL - NIGHT.
Connecting the main hospital building and other buildings is
a corridor with a reception with a glass roof.
Wonder Woman and Jinx crash through it and land on the
floor. The few people within the reception react.
Wonder Woman who is trying hard to get up but Jinx recovers
a lot faster.
She gets up and takes out the bullet from her shoulder. Then
she heals up the wound with sorcery from her hand.
Jinx makes her way to Wonder Woman and punches her.
She flies across the room towards the window.
126 EXT. HIGH STREET - NIGHT.
Wonder Woman crashes out the window and lands on the floor
in front of an incoming petrol truck.
Wonder Woman strikes the side of the truck, which pushes the
head to the side and making the tanker slide across the
ground.
There is a car in front of the truck parked on the side. A
teenager in the back sees the sliding tank about to crash
into the car.
Suddenly the tank stops just before it hits the car.
Pause.
A figure flies from behind the tanker to on top of the
tanker.
It is Priscilla, dressed in the dark Wonder Woman costume.
(CONTINUED)
CONTINUED: 70.
She starts walking to the front of the truck on top of the
tanker.
PRISCILLA:
Looks like this place needs a real
hero.
A small crowd of pedestrians and car users observe the
wreck.
Priscilla reaches the head of the truck which is also on
its side. She rips off the door to reveal the driver
unconscious and still in his seat thanks to the seat belt.
Wonder Woman is in front of the upside down truck also
slightly conscious but barely able to move.
Priscilla takes off her tiara and cuts the seat belt,
releasing the driver whom she grabs in her arms. She takes
him out of the truck, floats down, and rests him on the
ground.
Priscilla stands before Wonder Woman.
PRISCILLA:
You know, Diana, its a real shame
that youre losing your powers. By
the time you use up whats left to
heal yourself from all this, youll
have nothing left. Welcome to the
normal world.
Priscilla sees Jinx stood in the middle of the road at a
distance and the two exchange looks.
Priscilla senses something.
She turns around and sees two men walking down the street in
the distance casually.
PRISCILLA:
Ahem. Where do you two think you
are going wearing all that
jewelery? I can hear all of it
jangling around.
Robber 1 turns around.
ROBBER 1:
Im going to none of your fucking
business town, bitch. You heard
nothing.
Pause.
(CONTINUED)
CONTINUED: 71.
Priscilla starts walking towards them.
Silence.
Robber 1 pulls out a pistol and points it at Priscilla.
ROBBER 1:
This is loaded. Ill send you
strait to hell.
ROBBER 2:
Just kill her, man.
Robber 1 starts firing at her.
The bullets start hitting Priscilla like they would at
normal flesh but Priscilla continues to walk as if they do
not exist.
Robber 2 takes the gun from Robber 1.
ROBBER 1:
Shit the bed.
ROBBER 2:
Damn it man, give me that.
He empties the shots at the petrol tank next to Priscilla
and it starts spewing petrol onto the ground.
He takes out a lighter and throws it at the spillage,
inflaming the petrol while holding up his middle finger as
Priscilla.
The crowd makes a run for it.
The two robbers run for it down an alley.
As the spillage become a flame headed for the tank,
Priscilla grabs the bottom of the tank.
Will all her strength, she hurls the truck up into the air.
As it flies up, it explodes.
The explosion is gigantic and many windows on buildings and
cars are smashed.
The exploded remains land back onto the ground.
72.
127 EXT. STRIP - NIGHT.
The robbers reach a more crowded part of the street.
Priscilla races after the robbers.
ROBBER 1:
Grab a woman.
The two grab a member of the public each and both hold a gun
to their heads. Priscilla stops in front of them.
ROBBER 1:
I knew women were weak but so
didnt think theyd be so stubborn.
ROBBER 2:
You made us do this. You should be
ashamed, doll.
PRISCILLA:
You boys are so smart...
Suddenly two pistols teleport into her hands and she fires
at the two robbers. The bullets hit the robbers guns and
they fly out of their hands. Priscillas guns teleport away
and she runs towards them.
When she reaches the robbers, she knocks them out cold using
martial arts moves.
PRISCILLA:
... But its the simple tricks that
get you.
One of the hostages looks at Priscilla.
HOSTAGE 1:
Hey. Thank you. Shit I nearly died.
Wheres Wonder Woman?
PRISCILLA:
Shes been replaced.
128 EXT. HIGH STREET - NIGHT.
Wonder Woman, badly injured, slightly opens her eyes to see
members of the public gather around her.
73.
129 INT. PRIVATE ROOM 2. HOSPITAL - DAY.
Diana rests in her bed.
She wakes up.
She feels her face and her bruises are gone much to her joy.
But then she looks to her arm. It is still broken.
She realizes her powers are gone.
Silence.
130 INT. LOUNGE. BALLESTEROS HOUSEHOLD - DAY.
Sebastian and Jinx are stood in front of each other.
SEBASTIAN:
Youre confident that her powers
are gone?
JINX:
I also beat her up pretty bad. That
qualifies me to regain my post. If
I can defeat her...
SEBASTIAN:
Is that a threat?
JINX:
Not exactly. Just proving the point
that there should have been no
question as to who should be your
bodyguard. Contract.
Sebastian takes out a four page contract from his pocket and
gives it to Jinx.
SEBASTIAN:
Theres no amendments.
JINX:
Ill decide on that.
She begins to read quickly.
Pause.
SEBASTIAN:
Look, Jinx. This was never a
question about whether you were
(MORE)
(CONTINUED)
CONTINUED: 74.
SEBASTIAN: (contd)
wrong or right for the job. Youve
done a great job. Seriously. But I
cant turn you into a monster like
me.
Jinx takes the pen from Sebastians pocket, signs the
contract then throws it to one side.
JINX:
Im already a monster. You gave my
a purpose in my life when no one
else would. For that I cannot thank
you enough. I am morally obliged to
work for you. You might see me as
your worker, but I see you as a
friend. My only friend. Its a
shame the only way to make that
happen is through ink on paper it
seems. But I dont mind, and I
never will.
SEBASTIAN:
When the time comes to choose who
becomes normal, we flip a coin.
Deal?
JINX:
Deal.
Jinx puts out her hand. Sebastian shakes it.
131 EXT. NEWS STAND. STREET - DAY.
A busy news stand in the street. The customers seem to
wanting copies of the newspapers, most of which have covered
the Priscillas heroic antics from the night before in a
positive way.
132 INT. PRIVATE ROOM 2. HOSPITAL - DAY.
Mars sits beside Dianas bed. Diana stares into space.
75.
133 INT. STUDIO - DAY.
The interviewer who interviewed Diana previously is now
interviewing Priscilla. The interview is going very well.
134 INT. BANK - DAY.
Priscilla holds one robber by the throat and kicks the
second robber behind her, while hostages on the floor watch.
135 INT. KITCHEN. RESTAURANT - DAY.
A gang surrounds a table with bags of drugs on them. They
plan what to do with it. They eventually notice Priscilla
running towards them. They all pull guns on her by Priscilla
shoots them with her pistols in the leg.
A car is being chased by police. The criminal inside leans
out the window with a machine gun and fires at the police.
He finishes the round then gets back inside to reload.
Suddenly, Priscillas hand smashes through the sunroof and
pulls the criminal out of the car through the roof.
137 INT. GUN SHOP - NIGHT.
Diana looks at the numerous guns across the wall.
The other customers stare at her.
Priscilla finishes signing a postcard for a young child.
Priscilla walks down the street to work.
As she walks, the members of public notice her and smile at
her.
Priscilla notices people wanting to buy newspapers with her
on the front cover.
She then looks to the side to see posters advertising
Cheetah merchandise.
Priscilla walks down the street very, very happy.
76.
We fade to Diana, with her arm in a cast still, walking down
the same street some time later.
She too sees the newsstand and the posters.
None of the members of public take notice of her.
Diana is unhappy.
140 EXT. CAR DEALERSHIP - DAY.
Diana, with a healed arm, walks along the outside of a car
dealership.
She stops and looks at one of the cars.
141 INT. BASEMENT. BALLESTEROS HOUSEHOLD - DAY.
Jinx, Sebastian and some other henchmen are counting the
large amount of money they have stolen.
The organ grows in power as the Rojeks surrounding it
continue to test it by giving it electric shocks and
recording its stability.
Diana drives her new car down the slightly less busy
motorway.
144 INT. DIANAS CAR - NIGHT.
Although at first Diana seems calm, she eventually starts to
cry and is unable to stop herself.
The shock of losing her powers has hit her.
145 INT. KARDS OFFICE. POLICE HEADQUARTERS - DAY.
Ross and Mars sit opposite Lard.
(CONTINUED)
CONTINUED: 77.
KARD:
The only reason Im not busting
your asses is because those two
guards you hired were crooks and
they were to blame for the failed
operation not you two. However, I
feel that your method of attracting
a killer with a child as bait for a
second time is complete bullshit.
You are the cops. You are assigned
to the case, not the kid. Shes not
someone you can just use, even if
the plan did almost did work. Im
assigning her to witness protection
and Im giving you two one more
chance. Any more bright ideas,
gentlemen?
Pause.
MARS:
Raker now knows were after her. We
have to disappear from all radars
so she cant track our every move.
She knows were in this office.
Shes probably recording this
conversation either through
planting a bug or more possibly lip
reading.
KARD:
Jesus.
Lard gets up and shuts all the blinds. Mars takes out an
envelope and puts it onto Kards desk. Lard sits down.
MARS:
It tells you our plans and how to
contact us. We just need your
permission to go dark.
KARD:
How long will it take to catch
Raker?
MARS:
We have to be extremely careful.
Two years.
KARD:
Double Jesus. You expect the
taxpayer to two pay detective level
salaries with there being no proof
(MORE)
(CONTINUED)
CONTINUED: 78.
KARD: (contd)
of progress unless you catch Raker
or get taken to the morgue?
ROSS:
As soon as we annoy her, she will
kill us. Its the only way.
Pause.
KARD:
Im docking you two one salary,
with a damn big bonus when you
bring me Raker back alive and ready
for trial. Use the special exit on
the way out.
146 INT. SEWER - DAY.
Mars and Ross walk along the sewer. Thankfully the water is
shallow.
MARS:
Wasnt he nice.
ROSS:
Hes been through what every cop
has gone through.
MARS:
Next left. Outside the third
manhole is the new car. Im sorry
your bait plan didnt work out.
Ross stops.
ROSS:
Didnt work out? Im pissed that it
didnt work out. And Im sorry you
got injured. Next time Ill take
the bullet, and next time I will
get my redemption.
Ross walks off. Mars pauses. He continues after him.
MARS:
No worries, man. You know I got
shot once in the shin. It was hell.
A lot worst than getting shot in
the shoulder.
(CONTINUED)
CONTINUED: 79.
ROSS:
I was once shot in the right hand.
The real pain was teaching my left
hand how to write police reports
for the month my other was KIA. Now
I can write with both hands.
147 INT. HOTEL ROOM. HOTEL - NIGHT.
Ross and Mars are inside the two bed hotel room. The
curtains are closed.
They are preparing their weapons including knives, pistols,
shotguns and machine guns.
Suddenly, there is a knock at the door.
Silence.
Mars takes out his pistol and heads to the side of the door.
Ross stands back and aims his shotgun at the door. Mars
turns off the light.
Mars holds the pistol to the door and opens it slowly with
his other.
Diana is on the other side.
DIANA:
Its just me.
MARS:
Get in.
Mars lets Diana in, closes the door and holds the gun to
Dianas neck.
MARS:
Hold still. Im just going to check
you for any bugs or identity
changers.
DIANA:
Youre kidding me.
Mars takes out a scanner and scans Diana head to toe. Mars
gives the signal and the two put their guns away.
MARS:
Youre clean. Were you followed?
(CONTINUED)
CONTINUED: 80.
DIANA:
I used every trick in the book. I
wasnt followed.
MARS:
You should not have come here,
Diana.
DIANA:
I just wanted to talk to someone.
Theres no one else who understands
what Im going through right now.
Pause.
ROSS:
Time to catch up on some reading.
Ross grabs a book and goes into the bathroom and closes the
door. Mars and Diana go to the bed and sit down.
MARS:
How did you find me?
DIANA:
I know you, Mars. I havent heard
from you for months. I assumed you
went undercover again. I knew this
is your least favorite hotel, and I
knew what your unlucky number is.
My memories and the strength to
lift a bar a soap is all I have
left. I never thought losing my
powers would be easy, but now I
dont have much to live for. Im
just a shell with nothing inside.
Pause.
MARS:
If you want to loathe yourself, go
loathe yourself. Let go of
everything you worked so hard for.
DIANA:
Ive got nothing left, Mars.
MARS:
Your powers were just powers. You
seem to be forgetting why I loved
you, and why you accepted me. I was
the only one who saw you as a good
human, not a super strong flying
(MORE)
(CONTINUED)
CONTINUED: 81.
MARS: (contd)
freak. Even though I dont love you
anymore, you never were useless in
my eyes and youre still not. It
pisses me off that you would even
think the things youre thinking.
Pause.
DIANA:
Ill adapt.
She sees the guns.
DIANA:
Now that Ive lost my job, can I re
enter your life?
MARS:
Sure. Were only hidden so that we
can get closer to Raker without
spooking her. In fact its good if
youre with us. She wont suspect
three of us are "Mars and Ross",
and you still know how to use a gun
and self defense techniques.
Jackpot. Tomorrow were going to
the south side of the city where
shes been most recently killing
and question some people. Shes
still targeting abusive parents.
Diana grabs an identity changer device and gives it to Mars.
DIANA:
Show me what she looks like.
Mars stands up and presses a button on the changer and he
turns into Raker as she looked the last time he saw her.
Diana stares into Rakers eyes.
Diana stands.
DIANA:
I recognize her. Shes not a
killer, shes small time. A
henchman Ive seen working for
professional robbers, using her
looks to get by in a shallow
underworld. I usually leave
henchmen to the police and just go
after the heads. If she hasnt
(MORE)
(CONTINUED)
CONTINUED: 82.
DIANA: (contd)
turned up on any criminal records,
the real Raker must be dead.
Raker turns back into Mars.
MARS:
So shes an likeness. We already
proved that she has high
durability. Still cant believe she
survived getting shot twice.
DIANA:
You were right in wanting to be
careful. Something seriously isnt
right here.
148 EXT. CITY OUTSKIRTS - DAY.
A small car drives towards the outskirts of the city.
149 EXT. CABIN. WOODS - DAY.
The car pulls up to a wooden cabin in the woods.
Ross, Mars and Diana exit and walk towards it.
MARS:
Hes an investigator we hired to
keep on eye on things on this side
of the city. Covering all corners,
you know. We asked him to gain
evidence from each place Raker
killed whenever he had the chance,
and tell us when he got something
interesting. Yesterday he did.
ROSS:
Todays the day.
150 INT. BASEMENT. CABIN - DAY.
Ross, Mars and Diana are accompanied by Bill. They enter.
BILL:
Every house is filled with
paperwork. The police collected the
paperwork from all the houses Raker
(MORE)
(CONTINUED)
CONTINUED: 83.
BILL: (contd)
entered, and some of the papers
were very suspicious.
Ross and Mars exchange looks. Ross nods to Mars.
MARS:
Well send you an extra check by
midnight.
ROSS:
Thank you going through with this,
Bill.
BILL:
Its always a pleasure to make the
world a better place.
Diana reacts.
Bill takes out a suitcase and puts it on a table.
He opens it to reveal many papers.
BILL:
Theyre all in Spanish, and they
all have the same signature.
Mars and Ross look at the papers, and notice the signatures
on them. The two realize.
151 INT. BASEMENT. CABIN - DAY. (LATER)
The three begin to walk towards the stairs.
BILL:
May I ask for something, Miss
Prince.
They stop and turn. Bill takes out a photo of Wonder Woman
and a marker pen.
BILL:
Youve saved me and my familys
asses multiple times. Powers or no
powers I still believe that youre
a hero. I never got to thank you
before, so thank you. Can I have
your autograph?
Pause. Diana signs the photograph, and looks at the photo of
her as Wonder Woman.
84.
152 INT. SMALL CAR - DAY.
The car drives through the countryside. Mars and Ross are in
the front with Ross driving, and Mars asleep. Diana stares
out of the window.
Silence.
ROSS:
Im sorry that you lost your
powers. How are you finding things?
DIANA:
Honestly, its sad. I just exist. I
dont have meaning. Strangely
though, Im finding it really easy
to accept that.
Pause.
ROSS:
Like I tell my daughters, brains
and brawn comes second to having a
good heart.
Another pause. Diana looks out of the window again. She sees
the abandoned airport, and feels a presence.
153 EXT. ABANDONED AIRPORT - DAY.
Diana walks along the airport exterior, still feeling the
presence.
Diana walks through it armed with a shotgun. The area is
empty.
She follows the presence.
She finally reaches the source of the presence.
Pause.
Diana takes out an Identity Changer.
Her clothes turn into her Wonder Woman costume as she walks
towards the Organ.
When she reaches it, Wonder Woman stares into it and smiles.
Priscilla appears behind her.
(CONTINUED)
CONTINUED: 85.
PRISCILLA:
Jealous, Diana?
WONDER WOMAN:
This was destined for better things
than starting wars, Pris.
PRISCILLA:
Im doing what I have to do. Im a
woman of honor just like you. I
finally got what I want and my life
is finally worth living. Its
worked out better than I expected.
Im truly a somebody and no longer
below the rest. Now its time to
give the Rojeks what they want.
WONDER WOMAN:
So thats what it all comes down
to? You feel inferior to millions
now you want get those millions
killed. Youve gotten yourself into
something too deep to ever get out
of. If I were you, Id stop and
run.
PRISCILLA:
Id rather stay and play god. I
dont mind if millions die. None of
them are my friends. Ive been
waiting for this moment for too
long and I dont want to go back to
wanting to kill myself.
Pause.
WONDER WOMAN:
Youre about to turn into a monster
and Im going to tell you what I
say to every person about to become
permanently lost. If I cant save
you, Ill kill you.
PRISCILLA:
Ooh Im molting. I cant wait to
see you try. In the meantime, we
have to get this baby into the air
whilst the Rojeks scatter across
the Earth. When it detonates, the
power will be released into the
air. We coded the power to the
Rojeks DNA so it will only improve
them. Theyll use their new powers
(MORE)
(CONTINUED)
CONTINUED: 86.
PRISCILLA: (contd)
to take over their respective
locations, and youll see the most
efficient planet takeover ever.
Ill be on the plane personally, so
dont try to board, unless you want
me to make you feel even more
useless.
Wonder Woman slaps Priscilla across the face. Priscilla
punches Wonder Woman in the stomach, heavily winding her,
making her fall to the floor and drop her shotgun.
PRISCILLA:
The reason I havent killed you is
because I finally accept you now
that youre below me you and can
feel what I felt living in your
shadow. I want you to be alive to
feel the tables turning. I
sincerely hope that sunk in deep.
Goodbye, Diana.
Two Rojeks appear and take Wonder Woman away. Rose appears
beside Priscilla.
ROSE:
Well be ready in two days.
PRISCILLA:
Good. You did a very good job in
taking care of things when I was
busy.
Priscilla picks up the shotgun and holds it loosely to
inspect it.
ROSE:
Thank you, Miss Rich.
Priscilla "accidentally" shoots Rose in the head and she
dies.
PRISCILLA:
Shame theres only room for one
leader.
87.
155 INT. HOTEL ROOM. HOTEL - NIGHT.
Mars and Ross are alone in the room. They sit on their
respective beds facing different ways. Silence.
MARS:
Now what do we do?
ROSS:
What we should have done the moment
we knew who Raker actually was. If
we acted sooner we could have been
heroes, but thats not what this
jobs about.
Mars gets up. His mobile phone starts vibrating.
Pause.
Mars picks it up and answers.
MARS:
Hello?
SKYLAR:
(OS)
Mars. Help me.
MARS:
Skylar?
SKYLAR:
(OS)
Its Raker. She in the safe house.
Shes killed all the witness
protection officers. Shes after
me, Mars.
MARS:
Where are you in the house?
SKYLAR:
Master bedroom.
MARS:
Flush the phone down the en suite.
Dont call the police, or Raker
will kill you.
88.
156 EXT. GARDEN. SAFE HOUSE 2 - NIGHT.
This safe house is more larger then the previous one.
The small car crashes through the fence and heads for the
back door of the house.
157 INT. SMALL CAR - NIGHT.
Mars is driving. Ross in the passenger seat.
MARS:
Fuck being hidden.
158 INT. LOUNGE. SAFE HOUSE 2 - NIGHT.
The car crashes through the glass patio door.
159 INT. BEDROOM. SAFE HOUSE 2 - NIGHT.
Skylar is tied and gagged to a chair. Raker is in front of
her. They hear the crash.
RAKER:
Here come the knights in
bulletproof vests.
160 INT. LOUNGE. SAFE HOUSE 2 - NIGHT. (CONT.)
Mars and Ross have two pistols each. They head to the door.
MARS:
Hey, Raker. Why dont you come
downstairs? We have presents.
Suddenly the door is blown off. A reload. A shotgun is
pointed through the door and fired again.
Ross and Mars find cover. Ross fires at the door, but Raker
is around the corner and the wall protects her.
Mars races to the serving hatch and jumps through it.
89.
161 INT. KITCHEN. SAFE HOUSE 2 - NIGHT.
He lands on the kitchen floor and sees Raker on the other
side of the kitchen beside the door.
Mars gets up and aims at Raker. She turns around and sees
him.
MARS:
Dodge this.
He fires and Raker dodges the shot.
Raker fires back and runs to the counter. The shot misses as
mars rolls across the counter firing at Raker then ducks
behind the other side.
They both find cover at either end of the counter in the
center of the kitchen.
Raker sneaks beside the counter towards where Mars is
hiding.
Ross appears at the door with a mini shotgun. He starts to
fire at Raker continuously and Raker runs.
Mars gets up to shoot her but Raker parkours across the
table quickly and reaches him. She disarms him and grabs
him. With Rakers arm around Mars throat and herself behind
him Ross stops shooting, but she shoots at Ross.
Ross runs out the door as Rakers bullets fly past him.
Mars uses his arms to grab Rakers arm holding the pistol,
making her fire upwards and shooting out the light.
Mars headbutts Rakers head behind his and elbows her in the
stomach.
Mars then pushes hard on the counter in front of him with
his legs, sending him and Raker backwards.
They crash through the glass doors behind them.
162 INT. DINING ROOM. SAFE HOUSE 2 - NIGHT.
Mars and Raker land on the floor, Raker loses her gun, and
the shattered glass spreads around them.
Mars is on top of Raker. He elbows Raker in the stomach
again, then Raker wraps her legs around him and puts her
arms her around his throat choking him.
(CONTINUED)
CONTINUED: 90.
Mars gets out his pocket knife.
Mars cuts Rakers arm making her leg go of his throat. Raker
punches Mars in the face. Mars cuts her leg.
Raker unwraps her legs and pushes Mars away from her with
them.
Mars lands on the floor, gets up and faces Raker. Raker
flips up and faces Mars. They get ready to fight. Mars has
his knife ready.
They launch themselves at each other. Raker disarms Mars
from his knife and punches him. Mars grabs a vase and throws
it at Raker. It smashes as the blocks it with her arms. She
punches Mars in the stomach then forward flips, kicking Mars
into the ground.
A shotgun cocks behind the door and Raker hears it.
She runs to her gun and picks it up.
Ross kicks the door open and aims his shotgun at Raker.
Raker jumps onto a side table then somersaults off it to
avoid Rosss shot. She fires at Ross mid air.
The shot hits Rosss gun which knocks it out of his hand.
Raker lands on her feet and just as she is about to aim her
pistol at Ross he disarms her and elbows her in the face.
Raker punches him in the face. He blocks her kick, then
punches her. On the second attempted punch, Raker catches
his fist then throws Ross across the floor.
Ross takes out another pistol and fires at Raker whilst he
slides, but the shots miss Raker as she rolls into the dark
hallway.
Silence.
Ross and Mars stay close to the ground, with Ross pointing
his gun to the door. He signs to Mars to go upstairs. Mars
nods.
Ross sneaks to the kitchen.
Mars walks to the door.
He picks up Rosss shotgun, cocks it, the aims the gun and
he exits.
91.
163 INT. HALLWAY. SAFE HOUSE 2 - NIGHT.
Mars is at the door and he takes out his pistol. He looks
into the dark hallway and hears nothing. He only sees the
dead bodies of the witness protection agents.
Skylar is waiting patiently.
The door opens to reveal Mars.
He closes and locks the door behind him and checks the
bathroom.
He then goes to Skylar. He removes her gag and starts to cut
her ropes with his pocket knife.
SKYLAR:
Hi.
MARS:
Hi. How are you?
SKYLAR:
Dry.
MARS:
You can drink all the water you
want when we get out of this. You
know why shes kidnapped you?
SKYLAR:
Because we survived her attack.
MARS:
Yep. We cant prove that she killed
your parents yet but we can still
prove that she shot me. Shes just
using you to lure the final two
witnesses.
Pause.
SKYLAR:
Thank you for trying to save me.
MARS:
No worries.
He finishing cuts the ropes.
They head to the balcony and open the doors.
92.
165 EXT. BALCONY. SAFE HOUSE 2 - NIGHT.
Mars climbs over the bars and jumps down. He rolls onto the
ground to ease the fall.
He gets ready to catch Skylar.
Skylar climbs onto the other side of the bars.
MARS:
Its not that high.
SKYLAR:
Height and gravity dont mix.
Suddenly the glass shatters from behind her and Raker fires
two pistols at the balcony.
Skylar jumps down and Mars catches her.
Ross exits the front door.
ROSS:
My, what fun were having. Start
running. Into the darkness.
Rakers pistols are now empty and she throws the pistols
away.
Raker is about to reach the balcony when she smells
something and turns around.
167 INT. KITCHEN. SAFE HOUSE 2 - NIGHT.
The gas from the gas cooker is leaking heavily.
168 EXT. FRONT GARDEN. SAFE HOUSE 2 - NIGHT.
Ross, Mars and Skylar run from the house.
They stop.
Mars takes out his mobile phone, turns around and presses a
button.
MARS:
Dodge this.
93.
169 INT. SAFE HOUSE - NIGHT.
The car in the lounge explodes.
The kitchen gas leak ignites.
170 EXT. SAFE HOUSE 2 - NIGHT.
Theres a flash from the house.
Ross is hit in the chest with a sniper shot and Skylar
screams.
Mars turns to face Ross as he falls.
The house blows up.
Skylar cries in Mars arms. Mars stares at the dead Ross.
The house burns away.
171 INT. HALLWAY. SAFE HOUSE 3 - DAY.
A much smaller house.
Skylar has her back to the wall with her arms crossed. Mars
is in front of her. They exchange looks. They are both
dressed in funeral clothes.
Silence.
SKYLAR:
I want to move country. Unless you
want me to end up in a grave too?
Pause.
MARS:
Start packing.
Skylar goes upstairs.
Another pause.
Mars phone rings. He looks at it and its Diana. He
answers.
MARS:
Hey.
94.
172 INT. KITCHEN. DIANAS APARTMENT / HALLWAY. SAFE HOUSE - DAY.
(CONT.)
Diana is in the kitchen.
DIANA:
Im sorry, Mars.
MARS:
His funeral was the works. His
friends were there. His daughters
put on brave faces.
DIANA:
Im sorry I dont have my powers.
If I did then maybe I guess...
MARS:
Stop. Dont. This has nothing to do
with you.
Pause.
DIANA:
Can I come over?
MARS:
No. No one can be seen entering
here. Me and Skylar had to use a
tunnel linked to the basement to
get in. Im sending her away.
DIANA:
Let me talk to her.
MARS:
Alright. Skylar, can you come down
here please?
Silence.
MARS:
Sky?
Still silence.
DIANA:
Is everything okay, Mars?
Mars takes out his pistol.
(CONTINUED)
CONTINUED: 95.
MARS:
Everythings fine.
He hangs up.
Diana pauses.
173 INT. HALLWAY. SAFE HOUSE 3 - DAY. (CONT.)
Mars slowly and cautiously moves to the bottom of the stairs
and looks to the top. No sound.
He starts going up the stairs.
174 INT. UPSTAIRS HALLWAY. SAFE HOUSE 3 - DAY.
Mars enters and looks to Skylars room. The door is slightly
open.
He approaches the door.
He opens the door.
Inside the bedroom is Skylar, who is lying on the floor
unconscious with Raker behind her.
Mars enters.
He and Raker exchange looks.
Mars aims his gun at Raker but she aims her pistol at Skylar
and they both stop.
RAKER:
One down...
Mars looks at Skylar, and drops his gun. Raker lowers her
gun.
RAKER:
Im the wrong person to chase. Who
told you about a safe house with a
tunnel? Bill Hanes, right? Hes
dead now, among the others that
have helped him. The police assigns
detectives to tackle a murder case,
but what if the murderer doesnt
like it when fucking noses are
(MORE)
(CONTINUED)
CONTINUED: 96.
RAKER: (contd)
sticking in my business? It makes
me mad.
MARS:
You shouldnt have killed anybody.
You can shoot me a million times
but eventually youll go to hell.
RAKER:
Are you blind? We live in hell. My
parents were always jobless so they
turned to crime to feed me. The
more money I cost them the more
they hated and abused me, so I got
rid of them. I dont want any other
child to have parents like that so
I kill parents like that. Dont
talk to me about hell. Hell is all
round us. You just cant see it
because youre lucky.
MARS:
I dont have it any fucking easier.
I deal with scum like you every
fucking day. Oh its real heaven
for me. Im staring at a crazy
bitch who just pointed a gun at a
kid.
Pause.
RAKER:
Theres no way out of this. Time
for you to join your pal.
Suddenly, Raker is shot in the chest twice from below. Mars
looks down to see Skylar awake and holding a small smoking
pistol.
Skylar gets up and looks at Rakers dead body. She drops the
pistol.
She looks at Raker.
SKYLAR:
You think Im stupid enough to
breath in chloroform vapors. Enjoy
a new kind of hell.
She runs into the en suite bathroom and vomits into the
toilet.
Mars approaches Rakers dead body.
(CONTINUED)
CONTINUED: 97.
He then looks to Skylar with suspicion.
MARS:
Its just adrenaline. Try to calm
down.
176 INT. HALLWAY. BALLESTEROS RESEARCH CENTER. NIGHT.
Sebastian and Jinx walk down the hallway. Jinx is quiet and
Sebastian notices.
SEBASTIAN:
Lighten up, Jinx.
They enter the lab only to see Diana in front of the now
finished organ.
Sebastian and Jinx keep a distance as they stop.
Jinx tries to move forward but Sebastian stops her.
DIANA:
That was quick.
SEBASTIAN:
You did stop Pris from taking away
the years of research in here (my
head). Since its only for one
person now, I didnt need to make
it so huge.
Diana holds up a check.
Sebastian goes to her and takes the check.
SEBASTIAN:
Superheroes are rich, huh.
DIANA:
Its just gifts I never saw the
point in using. I never became
Wonder Woman for the money.
SEBASTIAN:
Thank you for this. It would have
taken an extra twelve months to get
this kind of money, and neither of
us could wait that long.
(CONTINUED)
CONTINUED: 98.
Sebastian starts pressing buttons on the control panel of
the organ.
Diana watches what Sebastian presses.
When he finishes, Diana turns around and sees Jinx giving
her a look.
SEBASTIAN:
Because of what you said to me, I
didnt let her accompany me to any
more robberies. So, when you get
your powers back, you go after me
not her.
DIANA:
Okay. Ill give you one week to
roam free. Thats all.
SEBASTIAN:
Thank you for being so generous.
DIANA:
What if Jinx gets changed back
instead of you?
SEBASTIAN:
Then at least I can rot in prison
knowing I tried.
Pause.
SEBASTIAN:
Its ready.
DIANA:
How long will it take?
SEBASTIAN:
With Pris it took five days.
DIANA:
The world ends in two, probably
endangering your family, if you
dont make it faster.
SEBASTIAN:
Ill increase the power this time.
Since this was grown out of your
own hair it should recognize your
DNA and empower you more quickly.
(CONTINUED)
CONTINUED: 99.
DIANA:
Good enough. Thank you, Sebastian.
You dont know how much this means
to me.
SEBASTIAN:
Im not even doing this for you,
but youre welcome. When youre
ready.
Sebastian walks away. Jinx reluctantly follows.
Diana takes off her clothes and walks into the organ.
Jinx looks back to see Diana enter the organ. It begins to
glow wildly with power.
178 INT. ORGAN. LABORATORY. BALLESTEROS RESEARCH CENTER. NIGHT.
We see Diana in a fetal position floating within the center
of the organ.
As energy begins to enter her, she spreads out.
HIPPOLYTA:
(VO)
Born from clay, raised with
amazons, given beauty from
Aphrodite, wisdom from Athena,
strength from Hercules, and
swiftness from Hermes. I,
Hippolyta, bless you Princess Diana
of Themyscira.
WONDER WOMAN:
(OS)
Yes, Mother. Ill never neglect
these powers. I promise.
Diana slowly opens her eyes.
179 EXT. AIRPORT - NIGHT.
On the runway sits a Boeing plane.
The organ is inside a glass box which has flashing devices
on each wall.
Four Rojeks slide the box on a wheeled platform and move it
into the luggage area of the plane.
(CONTINUED)
CONTINUED: 100.
Priscilla, dressed in her Wonder Woman costume, oversees the
move and a Rojek, Crystal, is beside her. They walk beside
it towards the plane.
CRYSTAL:
Every Rojek has reached their
destination on the planet.
PRISCILLA:
Good. You and them get to the
center of the city.
CRYSTAL:
Yes, Maam. And please take care of
the plane. Thats what we used to
get on this planet in the first
place.
They stop walking.
PRISCILLA:
You wont need it. Youll never
need it again.
Priscilla hovers off the ground and closer to the plane
door.
The luggage entrance closes.
The five Rojeks gather and watch as the Boeing door closes.
PRISCILLA:
You might want to set the robots
loose. As soon as Diana sees this
plane on this date in the sky,
shell try to take it down powers
or no powers.
CRYSTAL:
We will.
180 INT. COCKPIT. BOEING - NIGHT.
Priscilla climbs into the dark cockpit.
She sits silently for a moment.
She looks to the window where she sees the skyline of the
city.
Pause.
(CONTINUED)
CONTINUED: 101.
Priscilla presses some buttons on the plane then pushes in
co ordinates.
The plane starts to move and Priscilla exits the cockpit.
181 INT. DIANAS CAR - NIGHT.
Diana is asleep in the back seat.
She slowly opens her eyes, only to see the bright lights
from buildings passing her by, upside down from her point of
view.
She sits up. Her headache hits her.
DIANA:
Ow. Damn it.
Mars is driving.
MARS:
You okay?
DIANA:
So this is what it feels like to
get more intelligence back. Date
and time.
MARS:
Friday. Thirty minutes to midnight.
DIANA:
Oh great. Stress.
The car turns a corner only to see a crowd of people running
away on the road.
Mars stops the car.
He leans forward to see a giant robot, the size of a very
tall building, half hidden by the surrounding buildings. It
is very still. Diana sees it too.
MARS:
Typical?
DIANA:
Dont get out the car.
Diana puts her hands onto the roof.
102.
The car slowly but steadily lifts off the ground. Some
civilians running by notice the car but they keep on
running.
It is now in the line of sight of Giant Robot 1. It turns
its head to see the car rising. Pause.
Suddenly, it darts to the side and crashes into the office
building next to it.
183 INT. FLOOR 15. OFFICE - NIGHT.
She sees the identity changer in front of her and she picks
it up. She sits up and presses it.
Diana gets out of the car to reveal her in her Wonder Woman
costume.
Wonder Woman looks to the side to see Giant Robot 1 looking
at her.
Wonder Woman starts to run forward through the office. Giant
Robot 1 fires a thick green beam from its eyes and it
penetrates the office and destroys everything in its path.
Wonder Woman runs from the beam as it follows her.
Just as it nearly catches her, she jumps up and goes through
the ceiling as the beam passes under her.
184 INT. FLOOR 16. OFFICE - NIGHT.
Wonder Woman smashes though the floor and turns to see Giant
Robot 1, who stops blasting the beam, and looks up to Wonder
Woman.
She runs forward.
Giant Robot 1 fires the beam again.
Wonder Woman runs forward but strafes to the right so as she
runs towards the robot but dodges the beam at the same time.
The beam tears the office apart, but Wonder Woman manages to
keep just enough distance from it as she jumps over desks
trying to avoid the beam.
Wonder Woman finally reaches the window and jumps through
it.
103.
185 EXT. CITY - NIGHT.
Wonder Woman flies through the air. Giant Robot 1 begins to
re charge and is about to fire again. She sees a second
Giant robot and Wonder Woman flies between them.
Giant Robot 1 sees Giant Robot 2 behind Wonder Woman and he
stops re charging. They cannot fire beams at Wonder Woman as
they would hit each other.
The two robots begin to make their way towards Wonder Woman.
Wonder Woman sees them and gets ready.
She looks down to see an abandoned petrol tanker below on
the ground.
Wonder Woman darts down and flies towards the tanker.
The two robots fire their beams at Wonder Woman but she out
flies them.
She reaches the tanker and launches her lasso at it. The
lasso catches the tanker. She flies to the side and drags
the taker along with her, as she ascends into the air again.
Wonder Woman stops in the air and lets go of the lasso,
making it and the tanker fly into the air from the momentum.
Suddenly, the beam from Giant Robot 2 hits Wonder Woman is
she is pushed into the ground.
Wonder Woman is being pushed along the ground by the beam.
Her heels dig into the ground as she pushes against the beam
with her bracelets in front of her, but the strong beam
still pushes her along.
Giant Robot 1 arrives and places its hand on the ground
where in the path Diana is being pushes. Large pink spikes
come out of it and Wonder Woman edges closer to the spikes.
The tanker which was thrown into the air finally comes back
down and hits Giant Robot 2 on the head.
The beam its firing from its head ignites the tanker,
making a huge explosion, and destroying the top of Giant
Robot 2.
Giant Robot 1 fires the spikes from its hand at Wonder
Woman. The beam stops and Wonder Woman flies off into the
air, and the spikes miss. Abandoned cars get spiked instead,
and they explode.
(CONTINUED)
CONTINUED: 104.
Giant Robot 2, whats left of it anyway, falls to the
ground.
Wonder Woman is now closer to Giant Robot 1. It begins to
charge its laser beam as it sees Wonder Woman flying
towards it.
Wonder Woman grabs the arm at the hand and pulls hard,
ripping the arm off. Wonder Woman holds onto the the arm and
swings it around at Giant Robot 1, hitting it across the
head making it look up. It fires the beam strait up.
Wonder Woman flies towards its head and wraps her legs
around its neck. She gives an almighty squeeze and crushes
the robots head between her thighs.
Giant Robot 1 stops working. Wonder Woman lets go of its
crushed head.
WONDER WOMAN:
You messed with the wrong bitch,
bitch.
It falls onto its knees, then falls flat on its face.
Wonder Woman catches her breath.
Silence.
She flies down to the ground where Giant Robot 2 and the
blown up tanker lies. Already there are some civilians at
the scene.
Wonder Woman finds her lasso and picks it up. She exchanges
looks with the civilians.
She then looks up and searches the sky. She can hear a
Boeing engine in her ears.
Wonder Woman flies through the air. The Boeing engine gets
louder and louder.
Suddenly, she crashes through an invisible cockpit window
and she lands inside the Boeing cockpit.
105.
188 INT. COCKPIT. BOEING - NIGHT.
She stands up to find the cockpit empty.
She notices the computer hooked up to the controls driving
the plane.
She moves the mouse but the computer demands a password.
189 INT. 1ST CLASS SEATING AREA. BOEING - NIGHT.
Wonder Woman enters cautiously.
WONDER WOMAN:
Pris?
Pause.
Pris enters and keeps a distance from Wonder Woman.
PRISCILLA:
I figured this is what a god would
wear.
WONDER WOMAN:
Forgetting who you are Pris? What
kind of god does that?
PRISCILLA:
Fuck off to your own home, Diana.
Let this one burn so I can finally
be happy.
WONDER WOMAN:
Those people down there never asked
to be a part of your world. They
never asked to be slaves to a bunch
of selfish monsters. What youre
doing is wrong, and its my duty to
protect them.
PRISCILLA:
Why? Why, Diana? You have zero
friends down there.
Pause.
WONDER WOMAN:
I know. But you have none too,
Pris. We could have been friends.
(CONTINUED)
CONTINUED: 106.
PRISCILLA:
Too late.
Pause.
WONDER WOMAN:
(mumbling)
Its my fault.
PRISCILLA:
What?
WONDER WOMAN:
I said its my fault. Im the one
to blame for you becoming a
monster. Your inferiority complex
has a catalyst and that catalyst is
me. I should have been there for
you Pris. But I wasnt. As soon I
found out about your jealousy, I
never should have made it worse by
rubbing it into your face that I
was more powerful and I was more
loved. I want you to forgive me,
Pris. Im sorry and I mean it. Im
sorry. Tell me the deactivation
code and give me a second chance.
Pause.
PRISCILLA:
Just because I got a second chance,
doesnt mean youre going to get
one too.
Another pause.
WONDER WOMAN:
Fine. Im done with trying to be
nice to you. Ill destroy the organ
myself.
Priscilla turns into her Cheetah form, and quickly reaches
Wonder Woman.
Cheetah punches Wonder Woman and she falls to the floor. She
looks at Cheetah, wipes the blood from her mouth.
CHEETAH:
Im sorry, what was that?
Wonder Woman gets up. She gets out her lasso.
(CONTINUED)
CONTINUED: 107.
WONDER WOMAN:
Bring it.
Cheetah manages to punch Wonder Woman first but Wonder Woman
dodges the rest of her shots.
Wonder Woman managed to get her lasso around Cheetahs
wrist, giving Wonder Woman a chance to punch and kick
Cheetah.
Cheetah grabs the other end of the lasso and tries to bite
Wonder Womans hand. Wonder Woman lets go of the lasso and
Cheetah bits the lasso instead. She spits it out and throws
the lasso to the side.
Wonder Woman punches Cheetah, she flies through the air but
lands on her feet.
Cheetah and Wonder Woman launch themselves at each other.
When they reach each other, Wonder Woman bends over to dodge
Cheetahs punch and sting kicks her in the face.
This time she lands on her back but jumps up quickly, only
to be punched in the face by Wonder Woman. Cheetah punches
Wonder Woman in the face as well.
Cheetah also punches Wonder Woman in the stomach, and when
she bends down, Cheetah knees her in the face. Cheetah
punches her across the face then jump spin kicks Wonder
Woman. This makes Wonder Woman twist through the air then
land on the floor hard.
Cheetah makes her way to her.
CHEETAH:
Im faster than you, Diana.
Cheetah raises her leg and her foot comes crashing down.
Wonder Woman evades, as Cheetah foot breaks the floor where
Wonder Woman was. Wonder Woman gets up.
Cheetah smiles at Wonder Woman. She raises her claws.
CHEETAH:
Im going to chop you up good.
Wonder Woman launches herself at Cheetah. Wonder Woman
manages to get a few hits at Cheetah, but Cheetah scratches
Wonder Womans arm and kicks her hard, sending her crashing
out of the side of the plane into the sky.
Wonder Woman crashes in from the other side of the plane and
catches Cheetah off guard.
(CONTINUED)
CONTINUED: 108.
Wonder Woman tackles Cheetah and they land on the floor.
Wonder Woman knees Cheetah and Cheetah elbows Wonder Woman.
Cheetah gets on top of Wonder Woman and begins to strangle
her.
CHEETAH:
Shame youre not immortal.
Wonder Woman begins to punch Cheetah in the face constantly
until Cheetah feels slightly dazed. Wonder Woman opens
Cheetahs hands with her own and headbutts Cheetah in the
face, making her fall away.
Wonder Woman rolls forward to Cheetah on the floor and
punches her very hard in the face.
The punch is so hard that the floor beneath them breaks and
they fall through into the luggage compartment below.
190 INT. LUGGAGE COMPARTMENT. BOEING - NIGHT.
They fall into the compartment next to the Organ box.
Cheetah is now unconscious.
Wonder Woman recovers as best as she can. She looks at
Cheetah. She looks at the Organ box. The charges are about
to blow in two minutes.
Pause.
The lasso hangs from the hole in the ceiling. It drops into
the compartment and into Wonder Womans hand.
Silence.
Wonder Woman wraps Cheetah up in her lasso.
Then, Wonder Woman rips open the box to reveal the organ.
Wonder Woman punches in codes into the control box.
CHEETAH:
What are you doing, Diana?
A weakened Cheetah struggles to talk.
WONDER WOMAN:
Sebastian showed me how to control
the organ. Im making its
explosion smaller so that it blows
up only the plane, and none of the
energy touches the earth.
(CONTINUED)
CONTINUED: 109.
CHEETAH:
Youre going to kill me, Diana?
Pause.
WONDER WOMAN:
Why would I let you live? Youve
threatened millions of innocent
people, and you hate being alive.
Ive seen it all before, Pris. Your
kind of hate and evil can only be
destroyed by one thing, and thats
death. This organ created you and
it will destroy you. As soon as the
energy touches you a second time,
youll be so overloaded with the
second dose of extreme power, that
youll die and finally be at peace.
I cant let monsters who will never
change live, Pris. Not in my world.
Not in this world.
Pause. Cheetah turns back into Priscilla.
PRISCILLA:
Wow the lasso does feels like a
truth serum. I know. You want
whats best for me. But I can never
forgive you for what you did to me,
nor can I forgive anyone else.
Diana, dont ever become like me.
WOMAN WOMAN:
I wont.
They exchange looks. Wonder Woman picks up a charge and
throws it into the organ.
Wonder Woman rises up out of the luggage compartment.
191 INT. 1ST CLASS SEATING AREA. BOEING - NIGHT.
Wonder Woman runs to the opening in the wall and flies out
and away.
192 INT. LUGGAGE COMPARTMENT. BOEING - NIGHT.
The Organ explodes and consumes Priscilla.
110.
Wonder Woman flies away from the invisible Boeing as it
explodes which is visible. We can see the energy move away
from the explosion but it quickly fades.
194 EXT. FIELD - NIGHT.
Crystal and the four fellow Rojeks watch the explosion.
They to human form and walk away in separate ways.
195 EXT. PARK - NIGHT.
Wonder Woman sits on a bench crying.
196 INT. SKYLARS BEDROOM. SAFE HOUSE 3 - DAY.
Skylar wakes up.
197 INT. BATHROOM. SAFE HOUSE 3 - DAY.
Skylar brushes her teeth.
198 INT. HALLWAY. SAFE HOUSE 3 - DAY.
Skylar goes down stairs.
SKYLAR:
Mars?
199 INT. KITCHEN. SAFE HOUSE 3 - DAY.
Skylar enters the kitchen. Mars stands on the other side.
Skylar sees multiple contracts covering the table.
MARS:
You recognize those?
SKYLAR:
Nope. Theyre just pieces of paper.
Pause.
MARS:
Theyre contracts for multiple hit
men to kill certain people in
return for money.
(CONTINUED)
CONTINUED: 111.
SKYLAR:
Really? This is not the place to
keep those, Mars. Especially after
what happened here.
MARS:
Sky, the Raker case isnt closed.
SKYLAR:
Are you kidding me? Did you somehow
go unconscious when I shot that
bitch dead?
MARS:
Have you ever wondered why me and
Ross chose you to be the bait?
SKYLAR:
Doesnt take much thought. Raker
killed the parent less children at
first, but I was the first to
survive. I got lucky. You wanted
the case over with asap. Some other
children survived Rakers future
killings according to the news.
MARS:
But you were the first, and
considering you suffered abuse for
much longer than the other kids
have been then why wouldnt Raker
kill you, and not have you live the
rest of your life with very painful
memories?
SKYLAR:
How would I know? Raker is dead.
MARS:
But the person who hired her is
still alive.
Pause.
MARS:
Me and Ross have been suspicious of
you from the moment we met you,
Sky. The first to survive Raker,
after it was so clear that Raker
doesnt hesitate to kill anyone.
You didnt put up as much
resistance to not being bait as I
anticipated. My theory is that you
(MORE)
(CONTINUED)
CONTINUED: 112.
MARS: (contd)
wanted your parents killed, and you
set up multiple similar murders to
get you off the hook.
Another pause.
SKYLAR:
I wish I just recorded that so I
could play it back to you over and
over again. Thats a sick thing to
say, Mars.
MARS:
But I think its true. You wanted
your parents to pay for abusing you
so you wanted to get rid of them.
You hired different killers to kill
parents of evidently abused
children, and they used identity
changers to take the form of a
hench woman that they all knew from
working for crooks she also worked
for. That avatar is most likely
someone who has no records and can
get away with anything, but wont
register as dead which she probably
is. Thats why Priscilla Rich
recognized you. She constantly has
to get criminals off her big
companys back, and on one visit to
them she must have seen you talking
to one of them.
SKYLAR:
How would I have been able to pay
multiple hit men?
MARS:
You didnt have to. Thats the
beauty of your plan. Organizing
multiple similar killings to cover
your ass, means the killers can get
cops off their ass, by confusing
them with seemingly out of place
killings. You wouldnt have to pay
them so much if they knew they
would get freedom.
SKYLAR:
So what are the contracts for?
(CONTINUED)
CONTINUED: 113.
MARS:
Assurance that you would continue
your plan until it finally worked,
or they would charge you a bomb or
kill you. You had no choice but to
kill who ever was playing Raker in
front of me, and when you did, that
was the final piece of evidence I
needed. Before you went upstairs
Diana rung me as me and her
planned, and I intentionally
mentioned you were here to ruin
your plan to have me killed in the
house. She became a witness who
could testify you were in the house
at the time of my shooting, making
you a suspect. Your plan was to get
rid of the detectives on the Raker
case without making yourself
suspicious. Shame that only half
worked out in the end. Im still
here.
SKYLAR:
Killing contracts would have been
destroyed or at least inked out.
MARS:
You dont know that much about
criminal psychology. You thought
that you could spread out the heat
until it became non existent, but
the killers knew that its much
quicker to put all the heat onto
just one person. The ink used to
scratch out the signatures on those
contracts was actually erasable,
and it matches the one you used on
official papers when you went under
witness protection.
Pause.
MARS:
You made that signature thinking
you were safe to do so. That killer
you shot only looks like Raker as
he or she cant change back. Raker
never existed, but the person who
created her does. That person is
you. How can those signatures on
those contracts post witness
protection be faked, when you made
(MORE)
(CONTINUED)
CONTINUED: 114.
MARS: (contd)
your "first" officially documented
one after Rakers fifteenth kill?
Fifteen of those were officially
signed by you. The hit men may have
gotten away because of your plan,
but you havent. Shame on you, Sky.
Silence.
SKYLAR:
I like you, Mars. I really do.
200 INT. DIANAS APARTMENT - DAY.
Diana walks to her front door, unlocks it, and opens it.
Jinx stands at the door holding the lasso of truth.
JINX:
Found it in the plane wreckage on
the beach. Im sorry I got so angry
at you. I dont have the longest of
tempers.
Jinx holds the lasso up to Diana. Diana sees her holding it.
DIANA:
Have you ever thought of being a
superhero, Jinx?
JINX:
Here and there. I never liked the
idea. I dont know what I am. But
that will soon change. Me and
Sebastian decide who becomes normal
when I return.
Diana takes the lasso.
DIANA:
Good luck, Jinx. Do you want to
hang out sometime? I know a few
good places.
Pause.
JINX:
Well see.
(CONTINUED)
CONTINUED: 115.
DIANA:
Im glad you didnt decide to
become a monster.
JINX:
Im glad you never wanted me to
become one.
Jinx walks away down the hallway.
Jinx enters and finds Sebastian. The small shot of potion is
in front of him.
Sebastian takes out the coin and shows both sides.
SEBASTIAN:
Heads.
He flips the coin.
202 EXT. GRAVEYARD - DAY.
Mars stands in front of Rosss grave.
Once again Diana is lying on her bed facing up to the sky.
She closes her eyes.
204 INT. PRISCILLAS OFFICE - DAY.
In a dream sequence, Diana and Priscilla sit opposite each
other.
DIANA:
I want my powers back.
PRISCILLA:
Now why would I do that? Im a
better Wonder Woman than you ever
were.
Pause.
(CONTINUED)
CONTINUED: 116.
DIANA:
I just want a second chance to be a
better person to you. I dont want
us to be enemies. Enemies are
always unhappy, even when one dies
and the other lives.
PRISCILLA:
If I give you your powers back, can
you give meaning to my life?
DIANA:
I dont know if I can. But Ill
try.
Wonder Woman stands in the middle of the empty road. She
looks to the sky, then floats into it.
ENDING CREDITS.

Wonder Woman: The Movie (Draft)

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Wonder Woman

Written by Phil Marchie

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