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The last scope (after the Histogram and the Waveform and RGB Parade) that is new to kdenlive 0.7.8 is the Vectorscope. This is actually the most interesting scope because it is quite different from the other ones and, secondly, is really useful for Color Grading.
Well nothing? Close. There is a little pixel in the middle of the scope. And that is the whole image. That looks a little disappointing now, but actually it is great. All greys (plus black and white) are exactly in the middle. Everything that is not in the middle has some color information (and the further away it is from the middle, the higher its saturation aka. chrominance). This will come in very handy when it comes to white balance.
Juggling balls are more interesting, especially when they are colored. The ones above are. Ive switched on a Y UV background (with fixed Luma) which helps identifying the colors of pixel heaps on the scope. Two things can be noticed: There are six areas with high black density on the scope (which means that many pixels share this hue): 1. 2. 3. 4. 5. One that points towards blue (bottom right), A big one around yellow, Two big ones around red, A smaller one between red and yellow, And the last one which you might have missed (I nearly did so as well), between red and blue.
These are exactly the balls colors! Blue comes from the two balls on the left, yellow from the yellow ball, the left red area is the pink part of the left ball, the right part in red is the red ball on the right. The part between red and yellow, which is actually orange, is the background of the whole scene, and the last one between red and blue is the violet part of the right red ball. The orange background seems to connect all other areas. This is something really amazing. Like magic. It will help doing white balance. The neutral area will almost always seem to connect the other ones. As the shot above is actually correctly white balanced, I will not maltreat it here. But you should actually try! Download the sample below, add a SOP/Sat effect and change the Offset parameters for the RGB values. (Dont forget to enable auto-refresh.) Now perhaps you wonder how I could assign those spots to colors with surety. Is it really the upper spot caused by the red ball? To find out (I didnt want to write wrong things here) I have masked the red ball out (with a Title Clip Ive drawn a white rectangle on). The spot then indeed disappeared.
The violet spot has disappeared as well, and also big parts of the yellow spot because the white rectangle covers the yellow ball as well.
Again, two things worth pointing out for this clip. This shot of a Swiss Musical Box mainly consists of orange tones, all points on the vectorscope lie between neutral (center) and orange. Not too saturated orange tones as they come from the bronze/messing parts. (I guess that is what they are.) The white balance seems to be correct. The Vectorscope indicates that there are neutral pixels (i.e. greys), and they seem to be the origin for the other colors. But when increasing the gain of the Vectorscope to 5 we see that the scope image actually stops right before neutral.
If you open this clip and take a look at the Waveform you will notice that it shows the same: Blue is too low, red is too high. To correct this minor color cast we can use the SOP/Sat effect again, adjusting the Offset values. By doing that the points on the Vectorscoped will be shifted around. A positive red offset will make the points shift towards red at the top, a negative offset shifts them towards the opposite direction (that is, towards the complementary color of red, cyan).
I adjusted the blue and red values such that there is some padding around the neutral center. It is usually not enough to just let the first pixel hit the neutral point because several factors like the material of the neutral object itself, chromatic abberation (there is also a more
accurate article about chromatic aberration) in lenses, artifacts in the recorded video file. So usually neutral areas will not share one single pixel in the vectorscope but have a certain diameter. Therefore the padding. Because this is a suitable clip for hue:
Now what happened here? The hue has changed, and the points on the scope look like rotated by 30 degrees. And indeed they did rotate. The Hueshift effect changes the hue of all colors by a certain (configurable ;)) amount. In the Vectorscope this becomes visible as a rotation around the center of the scope. Similarly, when changing the saturation/chroma, the dots on the vectorscope will move closer to the center or further away from it.
Mostly different content and therefore different colors as said: random. One point of Color Grading is to give single clips a connection. This is not limited to white balance only. White balancing a clip is about removing color casts (which is a good thing because it gives you a neutral starting point). But we can also add new colors.
These clips look much more like if they belonged together. This is the result of Primary Color Correction (Primary means that it affects the whole image; Secondary Color Correction would only affect parts of it, e.g. by using masks, chosing color ranges, etc.): White balance (plus in some cases reduction of saturation) followed by a SOP/Sat effect. The latter SOP/Sat effect does something similar as the Blockbuster Effect; Here the blacks become blueish, the mids and the whites tend towards yellow. See also this page for some hints about Looks and the Vectorscope.
Vectorscope options
In kdenlive 0.7.8 you can adjust the Vectorscope as follows by right-clicking it: Export Background Exports a color plane of the desired color space. This is a goodie for interested people like me ;) It allows to export RGB, Y UV and Y CbCr planes (like the ones you see when visiting the Wikipedia articles about this color spaces). 75% Box Marks the position where color saturation reaches 75% of its maximum value. This may be interesting if you work for broadcast. Colors exceeding this box were not regarded as broadcast safe but before changing the saturation to a max of 75% better consult your broadcast company ;) Draw axis Draws the U/Pb (horizontal) and V/Cr (vertical) axis. YUV and YPbPr Switches between the two color spaces Y UV and Y PbPr.
Clip Sources
raclette-greyscale.avi (720/24p, 12 MB) juggling-balls.avi (720/24p, 11 MB) Musical-box.avi (720/24p, 23 MB. Video from Nikon D90, Audio from Zoom H4n.)
Summary
The Vectorscope shows the hue and saturation distribution in a way we can understand without problems. This is useful for quickly recognizing color casts, but also helps judging the color distribution of a clip and match it to others. All scopes together fulfil another important task: They help matching video from different light situations and different input sources (like a second camera) regarding brightness and color. This is what you need Test Charts as e.g. seen here for. Different cameras might have a different dynamic range and different colors. So when combining these shots you first shoot a test chart and then match exposure and color. This is also widely covered in the book Color Correction for Video by Steve Hullfish and Jamie Fowler. So have fun with the scopes! May they guide you through your color grading. Thanks for reading! Please drop your comments below. Simon A. Eugster (Granjow)
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