!"#$%&'(#)*+,--*.//0)! 1! !

Drumgenius Jazz Loops

(C) = loop includes an alternate version with clave

Name

Description
Afro 6/8 feel in 5/4.

Style
Odd Times / Latin

Bpm
dotted quarter 124 dotted quarter 125

15/8 (C)

Example: Billy Kilson on "bring it on", Overtime (D. Holland big band - Dare2 Records). Afro 6/8 feel in 7/4 (4+3).

21/8 (C)

Example: Billy Kilson on "looking up", Prime directive (D. Holland quintet - ECM).

Odd Times / Latin

2* !

!"#$%&'(#)*+,--*.//0)! Snare accents are based on Afro-Cuban 6/8 clave. Example: Tony Williams on "la fiesta", Captain Marvel (S. Getz - Sbme Special Mkts.). 5/4 Afro-Cuban style. Example: Billy Kilson on "seeking spirit", Prime directive (D. Holland quintet - ECM). Brushes. Swing 8ths with funky feel. Example: Max Roach on "nommo", Drums unlimited (M. Roach - Rhino/Wea UK). Basic pattern 1: cymbal plays traditional Afro 6/8 bell pattern. Odd Times / Latin 3/4 / Latin 230

3/4 Spanish feel

5/4 Afro-Cuban (C)

169

7/4 (swing 8ths)

Odd Times / Brushes

146

Afro 6/8 1.

Latin

dotted quarter 108

Afro 6/8 2.

Basic pattern 2.

Latin

dotted quarter 124

Ride cymbal plays eighth notes. Afro 6/8 3. Example: Louis Hayes on seor blues, Six pieces of Silver (H. Silver Blue Note). Latin

dotted quarter 100

!"#$%&'(#)*+,--*.//0)! 3! ! Afro 6/8 with juxtaposition of binary and ternary rhythm. Afro 6/8 4. Example: Art Blakey on "caravan", Caravan (The Jazz Messengers Riverside Records). Basic Ride pattern with tom-tom and bass drum variations. Afro 6/8 5. Example: Joe Chambers on "man from Tanganyika", Tender Moments (McCoy Tyner Blue Note). Afro 6/8 6. Backdoor shuffle 1. Backdoor shuffle 2. Example: Mel Lewis on "a night in Tunisia", Legacy (J. Faddis - Concord). Basic pattern. Backdoor shuffle is also known as "upbeat shuffle". Basic pattern with accents. Ala Al Foster. Very slow ballad: basic pattern. Ballad 1. Example: Ed Thigpen on "time and again", We get requests (O. Peterson trio Universal Japan). Ballad 2. (C) Very slow ballad: basic pattern without hi-hat. Latin Latin Latin dotted quarter 150 dotted quarter 142 dotted quarter 138 Shuffle 160

Shuffle

182

Ballad / Brushes Ballad / Brushes

42

33

4* !

!"#$%&'(#)*+,--*.//0)! Ballad / Brushes Ballad / Brushes Ballad / Brushes

Ballad 3.

Walkin! ballad: basic pattern.

65

Ballad 4. (C)

Walkin! ballad: basic pattern without hi-hat. Classic sixteenth note pattern.

74

Ballad 5.

Example: Elvin Jones on "you don!t know what love is", Ballads (J. Coltrane - Impulse). Basic pattern with accents on 2nd and 4th beat.

64

Ballad 6.

Example: Ben Riley on DVD "The Art of Playing with Brushes" (Various artists Hudson Music).

Ballad / Brushes Ballad / Brushes Ballad /

58

Ballad 7.

Basic variations based on triplets.

46

Ballad 8.

Basic variations based on straight eighths.

Brushes / Straight 8ths

61

Ballad on cymbals: straight eighths with double time feel. Ballad 9. (C) Example: Jack DeJohnette on "body and soul", Cure (K. Jarrett Trio - ECM). Ballad 12/8 1. Basic ride pattern with backbeat.

Ballad / Straight 8ths Ballad

55

70

!"#$%&'(#)*+,--*.//0)! 5! ! Basic hi-hat pattern and variations with backbeat. Ballad 12/8 2. Example: Louis Bellson on "night time is the right time", The Bosses (C. Basie, Big Joe Turner OJC). Brushes. Ballad 12/8 3. Example: Louis Bellson on "the honeydripper", The Bosses (C. Basie, Big Joe Turner OJC). Bolero 1. Basic pattern 1. Ballad / Brushes Latin / Brushes Latin / Brushes Latin / Brushes Ballad 65

70

69

Bolero 2.

Basic pattern 2. Basic pattern with quintuplet.

81

Bolero 3.

Example: Ignacio Berroa on tres palabras, Nocturne (C. Haden UMVD Labels).

75

Boogaloo 1.

Example: Idris Muhammad on "alligator boogaloo", Alligator Boogaloo (L. Donaldson Blue Note). Accents are based on 2-3 brazilian clave.

Latin

122

Boogaloo 2.

Example: Roger Humphries on "the Jody Grind", The Jody Grind (H. Silver Blue Note).

Latin

143

6* !

!"#$%&'(#)*+,--*.//0)! Example: Billy Higgins on "watermelon man", Takin! off (H. Hancock Blue Note). Example: Tony Williams on Cantaloupe Island, Empyrean Isle (H. Hancock - Blue Note). Swing Boogaloo, New Orleans style, based on brazilian 2-3 clave. Boogaloo 5. Example: listen to Billy Higgins on "sidewinder", The Sidewinder (L. Morgan Blue Note). Boogaloo 6. (C) Boogaloo with strong swing feel, based on 2-3 clave. Example: Billy Higgins on "keystone", Mirror Mirror (J. Henderson - Polygram). Example: Tony Williams on "500 miles high", Captain Marvel (S. Getz - Sbme Special Mkts.). Ala Al Foster. Swing bossa: 2-3 brazilian clave. Example: Art Blakey on "pensativa", Free for all (The Jazz Messengers Blue Note). Swing bossa: 3-2 brazilian clave. Example: Ed Thigpen on "the girl from Ipanema", We get requests (O. Peterson Trio Universal Japan). Latin / Brushes Latin 160 Latin / Straight 8ths Latin 138 147 Latin 183 Latin 160

Boogaloo 3.

Latin

131

Boogaloo 4.

Latin

112

Boogaloo 7. Boogaloo 8. Bossa (swing 8ths) 1.

Bossa (swing 8ths) 2.

180

!"#$%&'(#)*+,--*.//0)! 7! ! Bossa 1. Basic rim-click pattern on 3-2 brazilian clave. Basic rim-click pattern on 2-3 brazilian clave. Bossa 2. Example: Roger Humphries on "song for my father", Song for my father (H. Silver Blue Note). Bossa 3. One-bar phrase: basic rim-click pattern. Bossa alternating one bar phrase and 3-2 clave pattern. Bossa 4. Example: Roger Humphries on song for my father, Song for my father (H. Silver Blue Note). Bossa 5. One-bar phrase, R&B feel. Ala Mickey Roker. Bossa with brushes: 3-2 brazilian clave. Bossa 6. Example: Adam Nussbaum on DVD "The Art of Playing with Brushes" (Various artists Hudson Music). Bossa with brushes: one-bar phrase. Bossa 7. Example: Adam Nussbaum on DVD "The Art of Playing with Brushes" (Various artists Hudson Music). Calypso 1. Hi-hat: basic pattern and variations. Latin 162 Latin 120 Latin 131 Latin 120 Latin 138

Latin / Brushes

121

Latin / Brushes Latin

129

205

8* !

!"#$%&'(#)*+,--*.//0)! Example: Max Roach on St. Thomas, Saxophone colossus (S. Rollins - Prestige). Example: Gregory Hutchinson on St. Thomas, Mr. Bow-tie (R. Carter Blue Note). Example: Andy Watson on calypso Joe, Dialogues (J. Hall - Telarc). Example: Al Foster on funji mama, The thing to do (B. Mitchell Blue Note). Conga beat pattern.

Calypso 2.

Latin

216

Calypso 3.

Latin

218

Calypso 4.

Latin

209

Calypso 5.

Latin

218

Conga beat 1.

Example: Ed Thigpen on the touch of your lips, Ben Webster meets the Oscar Peterson trio (Verve Records).

Medium

120

Conga beat 2.

Conga beat pattern. Traditional jungle style. Inspired to the distinguished floor tom pattern

Medium up

169

Jungle 1.

played by Gene Krupa on sing sing sing, Sing sing sing (B. Goodman - RCA).

Traditional

214

!"#$%&'(#)*+,--*.//0)! 9! ! Contemporary jungle style. Jungle 2. Example: Magnus strm on behind the yashmak, Strange place for snow (E.S.T. - Sbme Special Mkts.). Shuffle beat called Lame duck (read also A Manual for the Modern Drummer - Berklee Series by Alan Dawson). Basic pattern 1. Lame duck. Basic pattern 2. Jazz Mambo-ish groove. Example: Grady Tate on summertime, Gershwin brothers (Z. Sims - Pablo). Ride bell pattern is played on floor tom shell. Mambo 1. Example: Art Blakey on a night in Tunisia, A night in Tunisia (The Jazz Messengers Blue Note). Mambo 2. Meter modulation Example: Art Blakey on a night in Tunisia, A night in Tunisia (The Jazz Messengers Blue Note). Meter modulation on triplets. Four bars cyclical basic pattern. Latin 242 Latin 242 Latin 177 Brushes 162

Lame duck 1.

Shuffle

83

Lame duck 2. Mambo (swing 8ths)

Shuffle

119

Clave

80

1:* !

!"#$%&'(#)*+,--*.//0)! Swing, two feel, mozambique-ish beat. Example: Elvin Jones on night & day, Stan Getz and Bill Evans (Polygram). Example: Elvin Jones on ojos de rojo, Something for Lester (R. Brown - OJC). Example: Dennis Mackler on green dolphin street, Favors (H. Jones - Polygram). Example: Mikey Roker on caravan, The Very tall band (M. Jackson, O. Peterson, R. Brown Telarc). Early New Orleans style, combining European military march Latin 247 Latin 210

Mozambique (swing 8ths)

Mozambique 1.

Mozambique 2.

Latin

210

Mozambique 3.

Latin

251

New Orleans 1.

and distinctive bass drum accent on fourth beat. Example: Herlin Riley on tutorial DVD New Orleans drumming (Various artists Warner Brothers). New Orleans Gospel style. Basic two feel pattern.

Traditional / New Orleans

108

New Orleans 2.

Example: Herlin Riley on tutorial DVD New Orleans drumming (Various artists Warner Brothers).

Traditional / New Orleans

194

!"#$%&'(#)*+,--*.//0)! 11! ! New Orleans, Gospel style. Basic four fourth pattern. New Orleans 3. Example: Herlin Riley on tutorial DVD New Orleans drumming (Various artists Warner Brothers).

Traditional / New Orleans

194

Traditional New Orleans beat. Basic two-bar phrase New Orleans 4. with distinctive accents on the second bar. Example: Baby Dodds on see see rider (Bunk Johnson!s band - Hallmark). Traditional New Orleans beat. Two-bar phrase with variations. New Orleans 5. Example: Herlin Riley on tutorial DVD New Orleans drumming (Various Artists Warner Brothers) Classic patterns on wood-blocks. New Orleans 6. Example: Baby Dodds on shim-me-sha-wabble (Papa Mutt Carey and his New Yorkers Upbeat Jazz). New Orleans 7. Classic patterns with traditional off-beat at the end. Second line on 2-3 brazilian clave. Second line style is also called street beat or parade beat. Traditional / New Orleans Traditional / New Orleans 109

198

Traditional / New Orleans Traditional / New Orleans Traditional / New Orleans

217

217

New Orleans 8.

182

12* !

!"#$%&'(#)*+,--*.//0)! Second line on 3-2 son clave. Funky feel.

New Orleans 9.

Example: Johnny Vidacovich on tutorial DVD New Orleans drumming (Various Artists Warner Brothers).

New Orleans

229

New Orleans 10. New Orleans 11.

Second line, 3-2 clave with variations. Modern style. Ala Peter Erskine. Second line, modern style. 2-3 clave. Example: Idris Muhammad on peculiar, Groove elation (J. Scofield Blue Note). Second line, modern style. Variation on 3-2 clave. Example: Idris Muhammad on kool, Groove elation (J. Scofield Blue Note) Second line on 2-3 brazilian clave. Example: Smokey Johnson on it ain!t my fault, It ain!t my fault (S. Johnson - Night Train Int'l). Poinciana style.

New Orleans

193

New Orleans

222

New Orleans 12.

New Orleans

210

New Orleans 13.

Brushes / New Orleans

176

New Orleans 14.

Example: Vernel Fournier on Poinciana, Complete live at Pershing Lounge (A. Jamal Gambit Spain).

New Orleans

185

!"#$%&'(#)*+,--*.//0)! 13! ! New Orleans 15. Rhumba 1. Poinciana style ala Idris Muhammad. Basic jazz rhumba pattern on brushes. Rhumba (with h), also called ballroom rumba. Variations around basic rhumba pattern. Rhumba 2. Example: Shelly Manne on little rhumba, Poll winners three (B. Kessel, R. Brown, S. Manne - OJC). Samba (swing 8ths) Swing samba. Rim-click plays a cyclical three on four pattern. Example: Elvin Jones on once I loved, Trident (McCoy Tyner Trio - OJC Milestone). Samba pattern on snare. Samba 1. Example: Bob Rosengarden on I!ll remember april, The trio (Hank Jones Chiaroscuro Records). Samba feel with brushes. Samba 2. Example: Shelly Manne on green dolphin street, The trio 1979 (H. Jones - Indies Japan/Zoom). Latin / Brushes Latin 275 Latin 196 New Orleans Latin / Brushes Latin / Brushes 189

167

188

188

14* !

!"#$%&'(#)*+,--*.//0)! Fast samba. Samba 3. Example: Bobby Durham on samba de orpheu, Live at Montreaux jazz festival !77 (All stars Jam - Pablo). Samba 4. Example: Tony Williams on times lie, Captain Marvel (S. Getz - Sbme Special Mkts). Samba, heavy feel, on hi-hat. Samba 5. Example: Tony Williams on captain marvel, Captain Marvel (S. Getz - Sbme Special Mkts). Fast Jazz samba. Samba 6. Example: Lenny White on used to be a cha cha, Jaco Pastorius (J. Pastorius Sony). Samba 7. Shuffle 1. Shuffle 2. Medium Jazz Samba with backbeat. Ala Steve Gadd. Classic Shuffle pattern with backbeat. Shuffle. Basic variation. Latin / Brushes Shuffle Shuffle 214 83 120 Latin 268 Latin 252 Latin 256 Latin 265

!"#$%&'(#)*+,--*.//0)! 15! ! Very tight, military shuffle. Shuffle 3. Ride, bass drum and hi-hat play quarter notes. Example: Art Blakey on blues march, Moanin! (The jazz messengers Blue Note). Shuffle 4. Basic shuffle pattern, boogie feel. Brushes / Shuffle Brushes / Shuffle 120 Shuffle 122

Shuffle 5.

Basic shuffle pattern, heavy boogie feel. Light march feel. Example: Jon Christensen on yellow fields, Yellow fields (E. Weber - ECM). Double time feel with a rock-ish backbeat. Example: Jon Christensen on yellow fields, Yellow fields (E. Weber - ECM). Four-bar loop. Latin feel. Example: Jon Christensen on "questar", My song (K. Jarrett - ECM). Example: Bob Moses on midwestern nights dream, Bright size life (P. Metheny - ECM).

146

Straight 8ths 1. (C)

Straight 8ths

96

Straight 8ths 2. (C)

Straight 8ths

90

Straight 8ths 3. (C) Straight 8ths 4. (C)

Straight 8ths

149

Straight 8ths

104

16* !

!"#$%&'(#)*+,--*.//0)! Straight 8ths / Brushes Straight 8ths / Brushes 3/4 / Straight 8ths Odd Times / Straight 8ths Odd Times / Straight 8ths Odd Times / Straight 8ths Odd Times / Straight 8ths Odd Times / Straight 8ths Odd Times / Straight 8ths

Straight 8ths 5. (C) Straight 8ths 6. (C) Straight 8ths 3/4 (C) Straight 8ths 5/4 (C) Straight 8ths 7/4 (C) Straight 8ths 9/8 (C) Straight 8ths 10/8 (C) Straight 8ths 11/4 (C) Straight 8ths 14/8 (C)

Straight eighths: light funky feel.

78

Straight eighths based on 3-2 rumba clave accents. Example: Roy Haynes on change of heart, Question & answer (P. Metheny Geffen Records). 3+2.

132

150

173

4+3

240

3+2+2+2

220

2+3+2+3

183

4+3+4

228

2+2+3+2+2+3

196

!"#$%&'(#)*+,--*.//0)! 17! ! Swing medium up 1. (C) Swing medium up 2. Example: Max Roach on chi chi, Charlie Parker (C. Parker - Polygram). Classic backbeat. Example: Louis Bellson on blues around the clock, The Bosses (C. Basie, Big Joe Turner OJC). Classic swing with hi- hat and four on the floor. Example: Jo Jones on tutorial CD The drums by Jo Jones (J. Jones - PID). Classic swing with hi-hat, four on the floor and backbeat. Example: Jo Jones on tutorial CD The drums by Jo Jones (J. Jones - PID). Traditional beat on hi-hat. Example: Big Sid Catlett on esquire bounce, Esquire Jazz Concert at Metropolitan Opera House (Various artists Giants of Jazz/Ita). Example: Paul Motian on so in love, On Broadway vol.1 (P. Motian Winter & Winter). Traditional / Medium up 208 Medium up 244 Medium up 244 Medium up 169

Medium up

187

Swing medium up 3.

Swing medium up 4.

Swing medium up 5. (C) Swing medium up 6. (C)

Medium up

204

18* !

!"#$%&'(#)*+,--*.//0)! Swing New Orleans/Boogaloo-ish flavour. Example: Billy Higgins on tears inside, Rejoicing (P. Metheny - ECM). Example: Jack DeJohnette on all the things you are, (Cedar Walton Ron Carter Jack DeJohnette - Timeless). Medium up 183

medium up 7. (C) Swing medium up 8. (C) Swing medium up 9. (C) Swing medium up 10. (C) Swing medium up 11. (C) Swing very fast 1. (C)

Medium up

173

Ala Bill Stewart.

Medium up

222

Example: Jack DeJohnette on take the Coltrane, Triplicate (D. Holland ECM).

Medium up

225

Ala Louis Hayes

Medium up

198

Brushes. Example: Jeff Tain Watts on cherokee, Standard time vol.1 (W. Marsalis - Sony). Fast / Brushes 308

!"#$%&'(#)*+,--*.//0)! 19! ! Swing very fast 2. Swing + alt. 2-3 clave Swing + alt. 3-2 clave Swing + 2-3 braz. clave Swing + 2-3 rumba clave Swing + 2-3 son clave Swing + 3-2 braz. clave Swing + 3-2 rumba clave Brushes. Basic pattern. Basic ride pattern + alternate 2-3 clave (Freddie freeloader clave) Example: W. Kelly piano comping on Freddie freeloader, Kind of blue (M. Davis Sony). Basic ride pattern + alternate 3-2 clave (reverse Freddie freeloader clave). This clave is frequently played in New Orleans second line style. Basic ride pattern + 2-3 brazilian clave Fast / Brushes 356

Clave / Medium Clave / Medium Clave / Medium Clave / Medium Clave / Medium Clave / Medium Clave / Medium

129

129

129

Basic ride pattern + 2-3 rumba clave

129

Basic ride pattern + 2-3 son clave.

129

Basic ride pattern + 3-2 brazilian clave.

129

Basic ride pattern + 3-2 rumba clave.

129

2:* !

!"#$%&'(#)*+,--*.//0)! Swing + 3-2 son clave Clave / Medium Clave / Medium Clave / Medium up Clave / Medium Clave / Medium

Basic ride pattern + 3-2 son clave.

129

Swing + 6/8 1.

Basic ride pattern + Afro 6/8 bell pattern.

129

Swing + 6/8 2. Swing + Charleston beat Swing + triplet

Basic ride pattern + Afro 6/8 bell pattern + clap.

189

Basic ride pattern + Charleston beat.

129

Basic ride pattern + quarter triplets. 11/4 is played as 3 + 2 + 3 + 3.

129

Swing 11/4 (C)

Example: Joe Morello on eleven four, Dave Brubeck: original album classics (D. Brubeck Sony Masterworks). Accents are based on one-bar phrase.

Odd Times

197

Swing 3/4 1.

Example: Jimmy Cobb on all blues, Kind of blue (M. Davis - Columbia).

3/4

133

!"#$%&'(#)*+,--*.//0)! 21! ! Swing 3/4 2. (C) Accents are based on two- bar phrase. Example: Elvin Jones on my favorite things, My favorite things (J. Coltrane - Atlantic Records/ATG). The time feel alternates swing and straight eighths. Example: Roy Haynes on windows, Now he sings, now he sobs (C. Corea Blue Note). Hi-hat plays quarter notes. Example: Tony Williams on la fiesta, Captain Marvel (S. Getz - Sbme Special Mkts.). Example: Louis Hayes on where do we go from here, Great connection (O. Peterson - MPS). 3/4 / Brushes / Medium slow 3/4 / Brushes 180 3/4 / Medium up 3/4 174 3/4 153

Swing 3/4 3. (C)

Swing 3/4 4. (C)

230

Swing 3/4 5. Swing 3/4 medium slow 1. Swing 3/4 medium slow 2.

Brushes: basic pattern a)

116

Brushes: basic pattern b)

3/4 / Brushes / Medium slow

116

22* !

!"#$%&'(#)*+,--*.//0)! Swing 3/4

medium slow 3. Swing 3on4 1. Swing 3on4 2. Swing 3on4 3. Swing 3on4 4. Swing 3on4 5. Swing 5/4 1. (C)

Brushes: basic pattern c)

3/4 / Brushes / Medium slow

116

Basic swing pattern + 3 on 4 pattern. To develop swing feel it is useful to practice with both binary and ternary meter, at the same time. This kind of practice is inspired to African Hemiola. Basic swing pattern + 3 on 4 pattern.

Clave / Medium Clave / Medium Clave / Medium up Clave / Fast Clave / Very Fast

129

159

Basic swing pattern + 3 on 4 pattern.

195

Basic swing pattern + 3 on 4 pattern.

284

Basic swing pattern + 3 on 4 pattern. Classic Jazz 5/4. Example: Joe Morello on take five, Time Out (D. Brubeck - Msi Music/Super D).

305

Odd Times

161

!"#$%&'(#)*+,--*.//0)! 23! ! Swing 5/4 2. (C) Example: Herlin Riley on magnolia triangle, Pattern 1. Tutorial DVD New Orleans drumming (Various Artists Warner Brothers). Example: Herlin Riley on magnolia triangle, Pattern 2. Swing 5/4 3. Tutorial DVD New Orleans drumming (Various Artists Warner Brothers). Odd Times 183 Odd Times 183

Swing fast 1. (C) Swing fast 2. (C) Swing fast 3. (C) Swing fast 4. (C)

Snare accents are based on implicit reverse conga beat clave. Example: Art Taylor on countdown (alt. take), Giant steps (J. Coltrane Rhino Atlantic). Ala Brian Blade. Example: Roy Haynes on matrix, Now he sings, now he sobs (C. Corea Blue Note). Contemporary Funky/Afro-Cuban flavour. Example: Julio Barreto on woody!n you, Diz (G. Rubalcaba Blue Note) Fast 273 Fast 292 Fast 292

Fast

276

24* !

!"#$%&'(#)*+,--*.//0)! Half-time feel. Example: Lance Philips on Omnifenix (New Zealand Symphony orchestra, Featuring J. Redman). Fast 278

Swing fast 5. Swing fast 6. (C) Swing fast 7. (C) Swing fast 8.

Ala Shelly Manne

Fast

292

Fast swing with samba flavour. Example: listen to T. Williams with V.S.O.P. Example: Philly Joe Jones on oleo, Relaxin! with the Miles Davis quintet (M. Davis - Prestige). Classic rim-click on fourth beat.

Fast

258

Fast

259

Swing medium 1.

This pattern is also called Philly Joe Jones! pattern. Example: Jimmy Cobb on Freddie freeloader, Kind of blue (M. Davis - Sony).

Medium

132

Swing medium 2. (C)

Example: Jimmy Cobb on Freddie freeloader, Kind of blue (M. Davis - Sony).

Medium

130

!"#$%&'(#)*+,--*.//0)! 25! ! Swing medium 3. (C) Example: Philly Joe Jones on bye bye blackbird, "Round about midnight (M. Davis - Sony). Example: Mickey Roker on blues for the stone, Quadrant (J. Pass, M. Jackson, R. Brown, M. Roker - Pablo). Medium 142 Medium 122

Swing medium 4. (C) Swing medium 5. (C) Swing medium 6. Swing medium 7. Swing medium 8. Swing medium 9. (C)

Example: Art Blakey on along came Betty, Moanin! (The Jazz messengers Blue Note). Basic ride pattern a)

Medium

109

Medium

129

Basic ride pattern b) Hi- hat plays all quarters. Example: Tony Williams on dolphin dance, Maiden voyage (H. Hancock Blue Note).

Medium

129

Medium

117

Ala Adam Nussbaum

Medium

144

26* !

!"#$%&'(#)*+,--*.//0)! Brushes / Medium Brushes / Medium Brushes / Medium Brushes / Medium Brushes / Medium Medium

Swing medium (br.) 1. Swing medium (br.) 2. Swing medium (br.) 3. (C) Swing medium (br.) 4. (C) Swing medium (br.) 5. Swing medium slow 1. (C) Swing medium slow 2. Swing medium slow 3.

Brushes: classic feel, basic a)

146

Brushes: classic feel, basic b)

146

Brushes: inspired to Elvin Jones style. Brushes. Example: Ben Riley on laverne walk, Piccolo (R. Carter Milestones) Brushes: inspired to Elvin Jones style. Example: Victor Lewis on come rain or come shine, Cruisin! the bird (B. Hutcherson - Landmark). Brushes: smooth feel. Example: Billy Higgins on scared to be alone, Generation (D. Gordon - OJC). Basic ride pattern a)

166

126

126

108

Brushes / Medium

116

Medium slow

99

!"#$%&'(#)*+,--*.//0)! 27! ! Swing medium slow 4. Swing medium slow 5. (C) Swing medium slow (br.) Swing slow (br.) 1. Swing slow (br.) 2. Swing slow 1. Swing slow 2. Swing slow 3. (C) Brushes. Basic pattern. Brushes: basic pattern. Brushes / Medium slow Brushes / Slow Brushes / Slow Slow Slow Ala Pete La Roca Medium slow 115 Basic ride pattern b) Medium slow 99

116

60

Brushes. Basic pattern with bass drum. Hypnotic, loose two-bar loop, based on implicit charleston beat. Example: Philly Joe Jones on blues for Dracula, Blues for Dracula (P. J. Jones - Fantasy). Example: Tony Williams on Pinocchio (alt. take), Nefertiti (M. Davis Columbia/Legacy).

60 94 80

Slow

80

28* !

!"#$%&'(#)*+,--*.//0)! Basic ride pattern a) Basic ride pattern b) Example: Elvin Jones on a jazz tune I hope, A jazz tune I hope (A. Mangelsdorff - MPS). Meter is divided 3+3+2. Slow Slow Slow 56 56 75

Swing slow 4. Swing slow 5. Swing slow 6.

Swing slow 7.

Example: Elvin Jones on equinox, Coltrane!s sound (J. Coltrane Atlantic). The original groove is played with mallets.

Slow

100

Swing slow 8. Trad. press roll

Swing very slow, basic pattern with backbeat. Traditional swingin! press roll. Example: Jo Jones on tutorial CD The Drums by Jo Jones (J. Jones PID) Loop inspired to Sonny Greer!s classic beat

Slow Medium up / Traditional

56

208

Trad. beat ala S. Greer 1.

with Duke Ellington orchestra. Listen also to Jo Jones on tutorial CD The drums by Jo Jones (J. Jones - PID).

Traditional

228

Trad. beat ala S. Greer 2.

Loop inspired to Sonny Greer!s classic beat with Duke Ellington orchestra. Slower version.

Traditional

178

!"#$%&'(#)*+,--*.//0)! 29! ! Trad. Off Beat Two feel medium 1. Two feel medium 2. Two feel medium 3. Two feel medium 4. Two feel medium 5. Two feel medium 6. Traditional off beat played with bass drum and choke cymbal. Example: Jack DeJohnette on rubber man, (Cedar Walton Ron Carter Jack DeJohnette (Timeless Records) Classic two feel on ride. Medium / Traditional Medium / Two feel Medium / Two feel Medium / Two feel Medium / Two feel Medium / Two feel Medium / Two feel 162

146

126

Two feel/Double time on ride.

126

Two feel basic pattern, closed hi-hat. a)

144

Two feel basic pattern: closed hi-hat. b)

144

Two feel basic pattern: open hi-hat. Basic hi-hat intro inspired to Papa Jo Jones.

144

Two feel medium 7.

Example: Jo Jones on when your lover has gone, Vamp till ready 2 on 1 (Jo Jones Trio Jazz Anthology).

Medium

116

3:* !

!"#$%&'(#)*+,--*.//0)! Hi-hat, two feel. Example: Philly Joe Jones on it could happen to you, Relaxin! with Miles (M. Davis - Prestige). Medium up / Two feel 188

Two feel medium up 1. (C) Two feel medium up 2. (C) Two feel medium up 3. (C)

Hi-hat, two feel. Example: Billy Higgins on tears inside, Rejoicing (P. Metheny - ECM). Example: Jack DeJohnette on take the Coltrane, Triplicate (D. Holland ECM). Drumgenius by Mauro Battisti - Projazz Lab (2012)!

Medium up / Two feel

183

Medium up / Two feel

225

! !