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LANGUAGE
in the Intermediate Phase
© PSP 2007
WHOLE
LANGUAGE
in the Intermediate Phase
Introduction 1
Conclusion 44
Introduction
Whole Language
encourages learners
to use all aspects of
language.
This booklet is based on the PSP Whole Language
workshops offered for Intermediate Phase teachers
in 2006. Each term we focused on just one of three
inexpensive resources, easily accessible to teachers:
Newspapers, Pictures, and Songs and Music. We
have suggested ways that Intermediate Phase teachers
can use these resources to get their learners using
language in a meaningful and purposeful way.
1
This approach to language learning and
teaching arose out of a concern that many
children struggle with written language when
they meet it at school. This is true, even when
the learners have learned to speak, listen and
think quite successfully.
Learners may be
focusing on an
aspect of Social
Sciences, or Life
Orientation.
But in order to
do so, they will
be thinking,
speaking,
listening, reading
and writing.
2
You will find that the activities and
experiences suggested in this booklet,
require learners to use all aspects of
language. In some cases the learners
will be learning additional things.
They may be focusing on an aspect of
Social Sciences, or Life Orientation.
But in order to do so, they will be
thinking, speaking, listening,
reading and writing. When your
learners carry out these activities
they will be engaged in Whole
Language work.
3
1 Using Newspapers for
Whole Language
All the activities in this section involve using newspapers or parts of
newspapers. We are aware that most Intermediate Phase learners prob-
ably do not read newspapers, but they do know that newspapers exist.
And free community newspapers are delivered weekly to households
throughout the province.
At the workshops
on using newspa-
pers, we found
that the struc-
ture and layout of
The Cape Times
was clearer than
the structure and
layout of The
Argus. We also used
Vukani, The
Plainsman, and
Athlone News. The
good thing about
these papers is that the news items are about the
communities that they are delivered to.
4
1
Beetle Drive
This is a wonderful activity for teaching your
learners the reading skills of skimming and
scanning. They will need these skills later in
their school careers, as well as in their lives.
must just look for the words or picture that answers the question.
5
1
Supporting your learners
Encourage your learners to work together
quickly. Tell them that when they have found all
the answers, they must put their newspaper
tidily on their table, and put up their hands. Give
your learners a reasonable time to find the
answers. But don’t wait until everybody has
their hand up. When you feel that most of the
children have managed to find the answers, stop
them. Give each table a chance to answer a ques-
tion. Encourage some of the less confident
learners to share an answer.
6
1
What’s in the paper?
We suggest that you allow enough time for this
activity to extend over several days, or even a
week. You will probably need to model what you
want your learners to do when you introduce
the activity. Then as your learners become
more familiar with the newspaper you are
using, they will be able to work more inde-
pendently. If you teach Grade 4s, you may
feel that you need to provide support
throughout this activity.
Questions
What’s on the Front Page?
Why do you think that story was chosen for the
front page?
Who wrote the story?
What does the photograph show?
Who took the photograph?
What other information is on the Front Page?
Which article do you think is the most inter-
esting?
Why does this article interest you?
7
1
If you are working with Grade 4s, you may
feel it’s necessary to work in the same way
with the Back Page. Grade 6s and Grade 7s
will probably be able to continue inde-
pendently with the next part of the
activity. Make sure that each group has
several copies of the questions that refer
to the back page.
Back Page
Questions
What news is on the Back Page?
Which article looks the most inter-
esting to you? Why?
Is the Sports news South African,
or International?
Which Sports person(s) are
featured in the main photograph?
Is there any other Sports news in
the paper?
What page is it on? Why do you
think it was placed on a different
page?
Second Session
Another day, focus on the international
and national news in the paper. There
are usually several pages devoted to
local (national) news, as well as interna-
tional news. So you may even find that
you need more than one day to focus on
the news on these pages.
World News
Is there any World news in the news-
paper you’re looking at?
How many pages are devoted to Inter-
national news?
Which pages have World news?
Which article do you think is the most
interesting? Why?
8
1
South African News
How many pages deal with news from all
over South Africa?
How many pages deal with local news?
What do you notice about the headlines?
What other things are on the pages
dealing with South African news?
Are there cartoons in the newspaper?
Who do you think reads cartoons?
Are there any cartoons based on any of
the South African news stories? If so,
which?
Third Session
On another day, focus on some of the
other aspects of the newspaper. Again,
you may find that you need more than
one day for these sections. There is
often a lot of information in the Clas-
sified Section of the paper. And you
may want to include some of the advertisements in
the paper.
Weather Information
What information is given about the weather?
Who might need this information?
On what date is Full Moon this month?
9
1
Arts and Entertainment
What is included on the Entertain-
ment page(s)?
Are the screening times of the movies
also on this page? If not, where are they?
What articles are there in the paper
about the Arts and Entertainment?
Where are the times of the TV
programmes printed?
Is there any information about Radio
programmes? Where is it?
10
1
Writing stories to fit Newspaper Photos
Using plastic bags
There are several ways that you can use photos from newspapers with
Plastic bags with self-
your learners. In this section we have two suggestions.
sealing capacity, are
Newspaper Photos great. They are
expensive, but will also
You will need a lot of newspaper photos for this activity. You will need last longer.
at least 5 photos for each pair or small group to work with. Make sure
that you cut off the captions. But keep the captions and make sure that
you put them in the envelope (or plastic bag) together with the photos.
We suggest that you write instructions on the outside even if you feel
that your learners won’t be able to read them. This is part of creating a
rich print environment – writing everywhere! If you use plastic bags,
write the instructions in koki.
For example:
Look at the photos and read the captions carefully.
Match the captions to the photos.
Choose one photo and the matching caption.
Discuss the photo and its caption.
Then write a different caption that fits what
you think is happening in the photo.
11
1
Newspaper Photos and Stories
You will need a lot of newspaper photos for this activity. You will need
at least 5 photos so that each pair or small group can work with one.
Make sure that you have cut off the captions. You will not need them
for this activity. Put each set of photos in an envelope or plastic bag.
We suggest that you write instructions on the outside even if you feel
that your learners won’t be able to read them. This is part of creating a
rich print environment – writing everywhere!
For example:
Look at the photos with your partner.
Choose one photo together.
Talk about what is happening in the photo. What do you think
happened before the photo was taken?
What do you think will happen next?
Together write a story or a dialogue to go with the photo you chose.
12
1
Working with Headlines
The headlines are an important aspect of newspapers. Headlines sum
up the essence of a story. Headlines have to catch the attention of
readers. Spend some time with your learners exploring and thinking
about headlines. You will find 2 possible activities below.
Split Headlines
Go through some newspapers and look for headlines that you think are
appropriate for the learners you are teaching. Cut out the headlines
carefully. You will need to have enough for each pair or small group of
learners to have at least 5 headlines each. And you will need an enve-
lope or plastic bag for each set of headlines.
Cut each set of headlines in half. Put the pieces in an envelope. Make
sure that you do this for each set of headlines. You will need to write
instructions on each envelope or plastic bag for the learners to read.
For example:
Take the parts of the headlines out of the envelope.
Work with a partner and look at all the parts of the headlines.
Read the parts.
Match the parts to make a good headline.
Flawless
Talk with your partner about the story that goes with this headline.
Be prepared to share your headline with the rest of the class.
Farouk
Be prepared to tell your story to the rest of the class.
Race to
r e s o f d ark days o
Th e a d v e n tu f
oppressio
Bokke speel n r e d u p
fi
t a l w a r t r e c a l ls
Struggle s e u i t
Ouer skrywers hulle hart
Nationwide b e r
blackouts i t y c l i m
save C
met vars g
on the cards
edagtes
13
1
Later, you could discuss all the stories with the class. Ask your learners
to choose the 3 or 4 that they most enjoyed. Either use these stories for
a Shared Writing activity, or get your learners to write the stories.
Then display the stories in your classroom.
us e se ve re fl oo ds in Eastern Cape
H ea vy ra in s ca
14
1
Following a story Different languages
You will need to look for stories that are reported on more than You could include a report written
once. Sometimes you can find the same story reported in in another language. For example,
if the learners in your class speak
different papers. At other times, a story stays in the news for a
different languages at home, you
week or even longer. Collect at least 3 reports of each story you could include reports on the same
choose. You will need at least 3 reports (or newspaper clippings) story written in different
to make a set of reports for each small group. Put each set of languages. This would give your
reports in an envelope or plastic bag. learners a real reason to discuss
the different reports.
Write some instructions on the
outside of the envelope or plastic
bag.
For example:
Read the three reports carefully.
Talk about this news story with the other
people in your group.
Do you know anything about this story?
Where did you hear this? (TV, people talking)
Why do you think some stories get a lot of
coverage? Could it be because it is the most
interesting story?
Plan how you can act this story for the rest of
the class.
15
1
Stories on one Topic
You will need to look for
several stories about each topic
that you choose. Try to think of
topics in the newspaper that
will be relevant and of interest
to your learners. We collected
lots of stories about fires that
occur throughout Cape Town.
Look carefully at
the pictures and
stories in the
envelope. How did
these fires start?
What could the
people have done
to prevent the
fires?
What do you think
the City Council
can do?
When do you think
we have the most
fires in Cape
Town? Why do
you think this is
so?
16
1
Interviews
(An activity for pairs)
17
1
Weather Information
You will need to look for weather information
for this activity. We found that the information
given in the free local community newspapers
is very simple and straightforward. These
newspapers give the expected maximum
temperature for 3 or 4 days. They use symbols
to show what kind of weather is expected on
those days. The direction of the wind is
included. And the times of high tide and low
tide are given.
For example:
Compare the two sets of weather
information. One paper is a morning
paper. The other paper is an evening
paper.
What tells you
the other report
comes from a
morning paper?
How do you
know?
Why do you
think the
other report is
from an
evening
paper?
In what
ways are
these two
sets of infor-
mation the same?
In what ways are they different?
19
1
TV Information
Another source of information that is provided in both The Sunday
Times and the daily newspapers is the TV Programme Guide. We have
found that when children are interested in something they will enjoy
talking, reading and writing about it.
20
1
You could extend Grade 6s and Grade 7s by including a deeper probing
question:
What can you tell from carefully reading what is shown on each
channel? Do channels have special focuses? Do they target the same
audience? What do you think about this?
Horoscopes
The Cape Times usually has a page
called, Your Day. This page has the TV
Programme guide, the cartoons, horo-
scopes and other entertainment. In The
Cape Times the horoscopes are enti-
tled, Your Luck Today. In The Argus
you will find the ‘Star Guide’ on the
back of the Classifieds supplement.
For example:
Read your Horoscopes for the day.
What has the Astrologer predicted
for you both for the day?
Make a list of the names of all your
friends.
Ask your friends when their birth-
days are. Write their birthdays
down next to their names.
Then read your friends’ Horoscopes.
In what ways are the Horoscopes different?
In what ways are they similar?
Now make up and write a Horoscope for the next day for each ‘star’
or sign of the Zodiac.
Newspaper ads
Alternatively you could collect and cut out the horoscopes from If you want to work with
different daily newspapers. Then you can give each pair the horoscope newspaper advertise-
from the morning and the evening papers of the same day. The children ments, you will find
suggestions for ways
could then compare the two to see what is similar, and what is
you can do this on page
different. Do they think the horoscopes are written by the same 41 and 42.
person? Why?
21
2 Using Pictures for Whole
Language
Pictures are a wonderful resource for
Intermediate Phase
teachers right across the
curriculum. Somebody said,
“A picture is worth a thou-
sand words” and we think
that’s very true. As primary
school teachers, we urge you
to collect pictures. You will
find pictures in newspapers,
magazines, and elsewhere.
The Early Learning
Resource Unit in Lansdowne
has 5 packs of pictures, with
10 different pictures in each
pack. Each pack has a theme.
Ikhaya Likhaya (houses)
Malapa (families)
Vroom Vroom (transport)
Work (jobs)
Speel Speel (play)
22
2
Raising Questions
So often as teachers we ask all the
questions. And our learners have to
answer the questions. This Whole
Language activity gives learners a
chance to think of and write down
their own questions. The activity
works well whether you and your
learners are working in their first
(or home) language, or in an addi-
tional language.
Cut out the pictures carefully, and if you want to be able to use them
again and again, laminate them to protect them and make them last.
Show the children one of the pictures, and give them time to look at it
carefully. Then put the picture on the chalkboard. Get your learners to
talk about what they see. You want them to talk about what is going on
in the picture. When they have commented about what they can see
and what they think about the picture, ask the learners what they
would like to know about the picture. Encourage them to think of inter-
esting questions to which they do not know the answer. Ask them what
they think the people in the picture are thinking or saying. Ask, What
would you like to ask (that person)? What would you like to know?
Although this will take time at first, once the children begin to under-
stand what you are expecting them to do, they will think of questions.
23
2
And the more questions they ask, the more
they will think of. One question will make
somebody else think of another question.
Working in pairs or
small groups
Now let your learners do
this in small groups. Make
sure you have enough
pictures so that you can
give each group 3 or 4
pictures to choose from.
They will have to reach
consensus about which
picture they will work
with. Give them only a
limited amount of time to
choose just one picture.
Then hand out a large
sheet of paper, a wax
crayon, and some prestik.
Get your learners Tell the children that you want them to think of all the questions that
to think of possible they would like to ask about the picture that they have chosen.
answers to their Encourage them to think of interesting questions to which they do not
know the answer. (For example, you don’t want them to write down
questions. Encourage questions like, How many people are in the picture? because they can
them to give reasons see how many – unless it’s a huge crowd! Or, What is the colour of the
for the answers that car? when everybody can see that the car is red.) You want the children
to think of questions that they could think about and discuss later, and
they suggest.
then think of possible answers.
24
2
Extending the Activity You will find that this activity requires learners to read (pictures), think,
When your learners have expe- speak and listen, think some more, write, read what they’ve written, think
rienced this activity several some more, re-write bits, read again, think some more, and so on. It’s a
long process. And it involves all aspects of language!
times, you could extend the
activity by asking the pairs or
small groups to swap pictures
and questions. Then a pair or
group will have to answer the
questions another group have
thought of. This is quite chal-
lenging. And it is a good way
for learners to see how
important it is to think about
their questions carefully.
Have they worded them so
that whoever reads the
questions will understand
them? Could they make
their questions simpler?
Cropped Pictures
What you will need
You will need to find some good photographs
that are relevant to your learners’ lives and
experiences. Black and white photographs are
fine. You will need to choose the pictures
carefully. And you will need to find at least
20. Each learner will work on her/ his own
picture. And you need to make sure that not
more than 2 or 3 learners have the same
picture to work with.
25
2
Introducing the activity
We have found it works well if
you first show your learners
what you want them to do. You
will need a large picture that
you have not made a copy of. Put
the picture on the board, and
gather your learners around
you. Discuss the picture with
your learners. Ask them to tell
you what they can see
happening in the picture. What
are the people doing? Where are
they? Get your learners to
describe as much as possible.
But don’t take too long. This is
only the introduction to the
activity!!
26
2
Drawing
You will need to give your class time to look at
their pictures carefully, before they start to draw.
Their drawings will provide evidence of their
careful observation. While they work you can move
from group to group observing how your learners
work. When you see that a number of children
have finished drawing, encourage the rest of the
class to finish off their drawings.
27
2
Speech and Thinking Bubbles
What you will need
You will need a lot of pictures for this activity. You can use black-and-
white or full-colour pictures. Make sure that you have enough pictures
to give each pair or small group one picture.
28
2
Introducing the activity
Begin by showing your children what you want them to do.
Don’t just rely on spoken instructions. Take a large picture
that you will not be giving to any of the
children in your class. If at all possible,
gather your learners around you and
discuss the picture with them. Ask
them to tell you what they think the
main people in the picture might be
thinking or saying.
While the children are talking move around your class and
give each pair or small group several speech and thinking
bubbles. Tell your learners to write in the speech bubbles
what they think the people in their picture might be saying.
If they don’t think the people are speaking, then tell them to
write in the thinking bubbles what they think the people in
their picture are thinking.
Sharing work
When the children have completed writing what they think
the people are thinking and saying, get each pair or small
group to tell the rest of the class about their picture, and
what they think the people are thinking or saying. In this
way, your learners will be thinking, speaking and listening,
and writing and reading. They will be involved in a Whole
Language learning event.
29
2
Marlene told us that a Grade 4 teacher she worked with this year took
a cartoon story with 2 characters (a Mom and a young boy) and cut out
the strips. Over a few days her learners created a story about the mom
and boy and wrote in the conversation between them. The teacher
didn’t worry about the story line. She allowed her learners to write in
what they thought the two people were saying. In this way the teacher
allowed her class to create their own texts. Many Sunday newspapers
now have comic supplements. These could be a wonderful resource for
Intermediate Phase teachers.
Writing Captions
What you will need
You will need quite a lot of pictures without captions for this activity.
You will need at least one picture for each small group. Make sure that
there are at least 2 or 3 people in the picture. You will need to find
pictures that will make your learners think and talk. Make sure that
the pictures are ones that your learners will find interesting, and that
are appropriate and relevant to their interests and experiences.
Take one of the pictures you have collected. Either hold up the picture,
or put it on the board. Ask your learners to look at the picture care-
fully. Encourage them to talk about it. Ask them,
What is happening in the picture?
What are the people doing?
What do you think happened before the picture was taken?
What do you think will happen next?
When you feel that the children have covered most of what is visible in
the picture, tell them that sometimes pictures have captions under
them. A caption sums up what the picture is all about. Ask your
learners to think what you should write as a caption for this picture.
Write each suggestion on a strip of paper. As you write the caption,
repeat the words the child has suggested. When you put it up near the
picture, read it.
When you have several different captions, read them all. Encourage
your learners to read the captions with you. You could ask your
learners to think about the different captions, and to choose the one
they think fits the picture best.
30
2
Now let the children write captions without you
When your class are familiar with what they need to do to write a
caption, they can work more independently. Give each small group
a picture. Ask your learners to look at their
pictures carefully and
to talk together about
them. Then ask them
to write down their
ideas for appropriate
captions quickly.
You don’t want them to
worry about their hand-
writing and spelling and
grammar. You just want
them to write. They could
write either on recycled
paper or in a rough work-
book.
t is happening?
ha
W
doing?
at are they
Wh
?
ha ppen next
to
oing
g
is
t
ha
W
31
2
Rumour Clinic
What you will need
For this activity you will need several pictures that you have not used
with your learners before. You need pictures with which they are not
familiar. And all the pictures need to be about the same topic.
32
2
1. Tell your learners you are going to play a game. Ask up to 6 children The game shows us
to volunteer to leave the room. Then tell the rest of the class that clearly how careful
you are going to look at a picture together very carefully. You can we need to be when
either choose one of the pictures yourself, or you can let your
we hear something.
learners choose. But you want to work with just one picture.
We need to be wary
2. Get your learners to talk about the picture. Explain that you are
of rumours. Look how
going to put the picture away. Then tell the class that you will soon
much changes in the
invite one of the children outside the classroom to come back in. The
children inside the classroom will help you describe the picture that re-telling!
they have chosen.
3. Invite one of the children back into the classroom. Let your class
describe the picture they have chosen. The child must listen care-
fully to the class as they describe the picture. Do not show this child
the picture.
4. Then invite another child back into the class. Ask the first child who
returned to tell the second child what s / he has been told. Then
invite the third child back into the room. Ask the second child who
returned to repeat what s / he has been told. Continue in this way
until all the children outside the class have heard what was
described in the picture.
5. When the last child of the group that was outside the classroom has
heard the description, or clues, put out all the pictures that you
have on this topic. Ask this last child to choose the picture s/he
thinks is the one that was chosen and described.
Make sure that you reassure this learner, and all the learners that went
outside of the classroom. Don’t let them feel uncomfortable or inade-
quate. Explain that it is very hard to choose the right picture because
messages get distorted (changed). Tell them that it’s difficult to
describe a picture you have seen. But it’s even more difficult to
describe a picture you haven’t seen!
If you do this activity fairly regularly, your children will be quite comfortable
with it. And they won’t lose confidence about their listening and speaking
abilities. The activity requires the speakers to be very clear and specific. It
also requires the listeners to listen very carefully. And the all children will
have to really think.
You could point out to your learners that the title of this game, Rumour
Clinic, is important. The game shows us clearly how careful we need to be
when we hear something. We need to be wary of rumours. Look how much
changes in the re-telling!
33
3 Using Songs and Music
for Whole Language
Music in our Lives
Music plays a big part in our lives. There is music on the radio, music
on the television. When we go to supermarkets and shops, music is
playing in the background. Adverts have music. Music is a big industry.
We sing to express our emotions, our joy, and our sorrow, to celebrate,
to protest. We make music to dance to. From the earliest times our
ancestors also made music to express their feelings and to entertain
themselves, just as we continue to do today.
34
3
For example:
What songs / music do you listen to? Why?
Who are your favourite artists?
Why do you like them?
How does their music make you feel?
Which songs do you like best?
What songs do you like to sing?
What about adverts? Which adverts have good
tunes or songs? Do you know the words?
35
3
Listening to the Music
Then gather your learners around you, if possible,
either on the carpet or get them to bring their chairs
to the front of the class near the chalkboard. Tell
your learners you are going to play some music for
them to listen to. Tell them that you want them to
be very quiet and to listen very carefully. If you
think it will help, tell them to close their eyes. Then
play the music for them to listen to.
Displaying work
Make sure that you display some of this work to
celebrate your learners’ ideas and work. If
possible, try to display work of children who
rarely achieve their potential. This will have an
affirming effect on them and on their attitude to
learning and school experiences.
36
3
Writing a Story to go with Music
What you will need
You will need to find some music or a song to share with your learners.
Choose music that you think will be a good starting point for writing a
story. You will also need some flip-chart paper and some kokis.
Getting started
If at all possible, get your learners to bring
their chairs to the front of the class near the
chalkboard and gather them around you. Tell
your learners you are going to play some music
for them to listen to. Tell them that you want
them to be very quiet and to listen very care-
fully. If you think it will help, tell them to close
their eyes. Then play the music for them to
listen to.
37
3
First draft
Tell your learners to write a
rough draft of their story
first. When they have done
this, they could swap stories
with another group and
comment on the other
group’s story. They can
point out where they do not
quite understand some-
thing. They can make
suggestions about spelling
and the order of the story. If
they have any questions
about the story, they can
write these questions on the
back page.
Second draft
When the groups get their original stories back, they
can edit (improve on) them. Then each group can
write out their story neatly and even illustrate it.
You could then compile all the stories and illustra-
tions into a book to put into the book corner of your
class.
38
3
Acting out the Story – for an audience Outside school,
You can extend this activity, and bring in more thinking, speaking and
many primary
listening if you get your learners to act the story. First ask your
school learners
learners to discuss in their groups the story they have co-created. Ask
them to think who could take the different parts or roles. Then get have quite serious
them to think about how they should dramatise the story. responsibilities.
Many of them are
You will need to give them time to do this. But set a limit on the time
capable of much
that your learners have to prepare. If the weather is good, the groups
more than we
could work outside. Because they have to be responsible for producing
their own short plays, you can use this time to observe how they work realise.
together. If a group is not on task, you can
spend time helping them to focus and
explaining that this is work, too. When a
group needs some support, you will be avail-
able to give that support. Your learners will
probably need a whole period to prepare to
act out their stories.
The Performance
When the preparation time is up, arrange a
special time when each group can act out
their story for the rest of the class. Make a
small space for a ‘stage’ in your classroom.
Insist that the other groups make a
respectful audience and listen carefully. Tell
your class that you want them to assess
each other’s plays, and offer suggestions for
improvement.
39
3
Songs, raps and spontaneous praise
poetry
What you will need
The first time you try this activity with your learners, choose a song
that you know is popular with your learners. You will need to play the
song several times so that your class can catch the words.
You will need to give your learners a reasonable amount of time for
this. While they are busy working at this task, they will be speaking
and listening, writing and reading. And of course, they’ll be thinking!
And you will be able to move from group to group supporting your
learners.
40
3
Performance Time
When they have completed their raps and / or poems, make a
special time for each group to perform their piece. (You could
do this the next day.) Make a space for a ‘stage’. Encourage
your learners to listen respectfully and to assess each group’s
rap or poem.
When you have done this activity several times, you could invite your
learners to bring in songs they like to listen to and to work with in
class. You may well find that your learners want to perform their rap
or poem to other classes. If so, you could negotiate this with either a
teacher who teaches another class in the same grade, or with a teacher
you have a good relationship with.
Sharing Findings
Then plan a time when you can discuss this with your learners. Start
by asking your learners to work in small groups of 4 to share the
41
3
adverts they heard and liked. Why did they
like the adverts? What product was the advert
promoting? How did the advert make them
feel? Ask your learners to think about the
words that were used in the adverts. Then
conduct a whole class discussion with your
learners. Ask your learners what they found
out when they conducted their research into
advertisements. What songs did they hear?
What were the words? Was the song an old one
that had been adapted? If so, what were the
adaptations? What did they think of the
advert? How did it make them feel?
42
3
How did music begin?
Why did people make music?
How did they come to make music? What
caused them to make music?
When did they make music – at what times
of day?
Where did they sing and make music?
What did people first do to accompany
themselves when they sang?
What do your learners think were the first
musical instruments?
What was the earliest music like?
Why is the music of different countries different?
In what ways is the music of different countries similar?
What is the same today as it was when the first songs were sung?
This might take your learners some time if they are thinking carefully about
what they are writing. When they have completed the first drafts of their
stories, get the groups to swap and comment on each other’s work. Give
them time to edit their work, and to take note of the comments of their
peers. Then get your learners to write a neat final draft and make a drawing
to illustrate their story. You could collect these stories and drawings and
make a class book of your learners’ work. You could give the book the title,
How We Think Music Started and put it in your book corner.
43
Conclusion
“ . . . Invite pupils to
We hope you find the ideas in this booklet inspiring. And we would
use language. Get really like to hear about your experiences as you carry out these activi-
them to talk about ties with your learners. When we ran the workshops at the PSP we
things they need to were so excited by the stories the teachers told us of their experiences
understand. Show trialling the activities. And going into schools to take photographs for
this booklet, we’ve been excited by the teachers’ enthusiasm as well as
them it’s all right to
the evidence of learners using all aspects of language in these activi-
ask questions and ties.
listen to the answers,
and then to react or We would like to conclude this booklet with some words from Kenneth
Goodman about using a Whole Language approach.
ask more questions.
“ . . . Invite pupils to use language. Get them to talk about things
they need to understand. Show them it’s all right to ask questions
and listen to the answers, and then to react or ask more questions.
Suggest that they write about what happens to them, so they can
come to grips with their experiences and share them with others.
Encourage them to read for information, to cope with the print that
surrounds them everywhere, to enjoy a good story.
This way, teachers can work with children in the natural direction of
their growth. Language learning then becomes as easy in school as
out. And it’s more interesting, more stimulating, and more fun for
the kids and their teachers. What happens in school supports and
expands what happens outside of school. Whole language programs
get it all together: the language, the culture, the community, the
Kenneth Goodman learner, and the teacher.
44
It’s easy when: It’s hard when:
It’s real and natural. It’s artificial.
It’s whole. It’s broken into bits and pieces.
It’s sensible. It’s nonsense.
It’s interesting. It’s dull and uninteresting.
It’s relevant. It’s irrelevant to the learner.
It belongs to the learner. It belongs to somebody else.
It’s part of a real event. It’s out of context.
It has social utility. It has no social value.
It has purpose for the learner. It has no discernible purpose.
The learner chooses to use it. It’s imposed by someone else.
It’s accessible to the learner. It’s inaccessible.
The learner has power to use it. The learner is powerless.
These lists show that a whole language program is more pleasant and
more fun for both pupils and teachers. Is it also more effective? Yes,
it is. With the language they’ve already learned, children bring to
school their natural tendency to want to make sense of the world.
When schools break language into bits and pieces, sense becomes
nonsense. Each abstract bit and piece that is learned is soon
forgotten as kids go on to further fractured fragments. In the end,
they begin to think of school as a place where nothing ever seems to
make sense.
That’s why learning language in the real world is easy, and learning
language in school should be easy, but is often hard.”
45
Teachers who attended the Whole
Language Workshops in 2006
ACJ Pakade Luzuko St Louis
Mr Luthando Mbete Mr Nkosinathi Mafuta Ms Nombulelo Dlova
Mr Isaac Mcinziba Ms Innocentia Monethi
Mr Sindisa Tobi
Mr Xolile Plaatjies Sakumlandela
Manenberg
Bonga Ms Ntsiki Daniel
Ms A Africa
Ms Lulama Booi Sigcawu
Ms Gladys VD Heyde
Mr Thomas Mdevulana Ms Shirley Da Grass
Ms Fuldila Jacobs
Bongolethu Ms Christina Leite Ms Noluntu Tonise
Ms Vuyiswa Obose Ms Rosemary Piedt V Van Wyk
Ms Lumka Pepeta Silukhanyo
Mfuleni
Darul Islam Ms Lizeka Dyani
Ms Buyiswa Booi
Aisha Abrahams BJ Rubushe
Ms Zukiswa Manyisane
Eisleben HM Siwundla
Ms Regina Sampson Mr Tobela Mbenenge
Siyazakha
Ms Elon Van Schalkwyk Ms Thandiswa Mfobo Ms Nozikhumbuzo Gqeza
Ms Deseree Voges Ms Barbara Mhlambiso Sosebenza
Fairview Ms Nozipho September TV Tikilili
Ms Sabrina Sasman Ms Vuyiswa Stevens TV Nofemele
Hlengisa Nal’kamva Ms WM Hamza
Ms Peliswa Mlindi J Mayongo
Mr Vuyani Jako
Ikhusi Talfalah
Mr Siyabubela Mbokotho
Ms Ntombizakothi Dziba S Habib
Mr Vukile Mntambo
Impendulo Mr Samir Daniels
Ms Monica Mpepho
Mr Linley Tshoki Vuselela
Mr Zibele Nyiko Ms Pheleza Ngculu
Intshinga
Ms Bushy Tybosch Nkazimlo Watsonia
Ms Ntombizonke Nkosi Mr Mncedisi Jacob Ms Norma Williams
Ms Nomonde Mlozana Ms Mary-Joan Swartz
Isikhokelo
Mr Mzingisi Ntshwanti
Ms Doreen Donkrag Zimasa
Ms Carol Guqa Parkfields N Magodla
T Mjaleni Ms Diane Williams
Ms Nolitha Puta Philippi K
W Batala
Kwa-Faku Special thanks to Fuldila
BC Nohayi
Mr Sizwe Matomela Jacobs and Gladys vd Heyde of
Portavue Manenberg Primary, and Tobela
Liwa
Ms Noorbanu Dhansay-El Mbenenge of Mfuleni Primary
Ms Noluthando Banzana for their time and help trialling
Feky
Moshe Lechoo activities.
46
WESTERN CAPE
PRIMARY SCIENCE PROGRAMME
TRUST (PSP)
The PSP has been operating since 1984 and has built up good relationships with
over 200 primary schools from all the township areas, including the Boland and
West Coast rural areas. More than 1 050 teachers from grades 4 to 7 and 126 000
children benefit from the work of the PSP.
The PSP works in an environment where most teachers and learners have to
operate in a 2nd or 3rd additional language. We therefore also work on developing
learners’ communication skills while focusing on science related learning areas and
environment.
CONTACT DETAILS
Western Cape Primary Science Programme (PSP)
Edith Stephens Wetland Park ; Lansdowne Road ;
Philippi ; Cape Flats ; 7785
P.O. Box 24158; Lansdowne; 7779 ; South Africa
Tel: (021) 6919039 ; Fax: (021) 6916350
e-mail: info@psp.org.za ; website: www.psp.org.za
NPO: 015-822
Registration Number: IT2806/99