E L L E C T

INT S
BO O K talogue
009 Ca
A utumn 2
 FILM STUDIES
05 Futures of Chinese Cinema
06 Cinema and Landscape
07 New Irish Storytellers
08 The Musical Comedy Films
of Grigorii Aleksandrov
09 Phenomenology’s Material Presence

PERFORMING ARTS
11 Performing Violence
12 Applied Theatre
13 Serbian & Greek Art Music
14 Directors & Designers
15 Walking, Writing and Performance

VISUAL ARTS
17 Aesthetic Journalism
19 Artist-Teacher
20 Context Providers
21 Searching for Art’s New Publics

CULTURAL & MEDIA

STUDIES
23 Media, Markets & Public Spheres
24 Developing Dialogues
25 Digital Radio in Europe
2 26 Three Myths of Internet Governance
27 Visual Cultures
28 TV Formats Worldwide
 Since 1986, Intellect has established a diverse and innovative
publishing portfolio, presenting scholarly work at the intersection of
arts, media and creative practice. Our primary commitment is to the
author, and we champion original, ground-breaking thought and debate.
Intellect also strives to facilitate a platform for creative artists to
critically reflect on their work, promoting a blend of artistic creativity
and academic critique.
Intellect strives to remain as fresh and contemporary as the valuable
work we publish: all our books are also produced as e-books; we recently
launched a new, interactive website and continue to engage with social
media platforms; and we persist in seeking original, exciting ways to
represent our authors and editors. We have also recently revamped
our subject categories to film studies, performing arts, visual arts and
cultural media studies. These host Intellect’s expanding sub-areas of
enquiry, as demonstrated by this diverse seasonal list, ranging from
explorations of Chinese cinema, Russian drama, and Serbian and Greek
art music to studies in curation, community-broadcasting and visual
3 culture.

*We ensure that all prices and bibliographic information in the catalogue is
correct. However they may be subject to alteration without notice.
 FILM
STUDIES
Film Studies

4
 FUTURES OF CHINESE CINEMA
Technologies and Temporalities in Chinese
Screen Cultures
Edited by Olivia Khoo and Sean Metzger

ISBN 9781841502748
PB | £19.95 | $35

In recent years, Chinese film has garnered worldwide RELATED

attention, and this interdisciplinary collection investigates TITLES
how new technologies, changing production constraints
and shifting viewing practices have shaped perceptions of
Chinese screen cultures.
After the devastation of the economic crisis, the
uncertainty of the Hong Kong handover and the events at
Tiananmen Square in 1989, the late twentieth century and
beyond has seen the emergence of a number of innovative BOOK
new works from the region’s film-makers. For the first HONG KONG NEW
time, scholars from film studies, media studies, history WAVE CINEMA
and sociology have been brought together to focus on the ISBN 9781841501482
concepts of technology and temporality in Chinese cinema.
Futures of Chinese Cinema represents a fresh contribution
to film and cultural studies.
Olivia Khoo is a Targeted Research Fellow at Curtin University
of Technology in Australia. Sean Metzger is Assistant Professor
of English and Theatre Studies at Duke University, USA.

JOURNAL
JOURNAL OF
Film Studies

CHINESE CINEMAS
ISSN 1750-8061

5
 CINEMA AND LANDSCAPE
Film, Nation and Cultural Geography
Edited by Graeme Harper and Jonathan Rayner

ISBN 9781841503097
PB | £14.95 | $25

While the consideration of landscape in film has been RELATED

growing in currency over the past four to five years, as TITLES
yet no single publication has attempted to embrace the
multitude of nationalities, cinematic examples and critical
approaches that Cinema and Landscape encompasses.
The notion of landscape is a complex one, but is central
to the artistry of the cinema. After all, what is the French
New Wave without Paris? What are the films of Woody
Allen, Martin Scorsese and Spike Lee, without New BOOK
York? Cinema and Landscape frames up contemporary ALTERNATIVE WORLDS
film landscapes across the world, in a concentrated IN HOLLYWOOD CINEMA
examination and interrogation of screen aesthetics and ISBN 9781841502021
national ideology, film form and cultural geography,
cinematic representation and the human environment.
Graeme Harper is Professor of Creative Writing and Director
of Research at the University of Wales, Bangor. Jonathan
Rayner is Senior Lecturer in English and Film at the
University Of Sheffield.

JOURNAL
Film Studies

FILM INTERNATIONAL
ISSN 1651-6826

6
NEW IRISH STORYTELLERS
Narrative Strategies in Film
By Díóg O’Connell
ISBN 9781841503127
PB | £14.95 | $25

New Irish Storytellers examines storytelling techniques RELATED

and narrative strategies in contemporary Irish film and TITLES
illuminates the craft, skill and creative decisions of Irish
film-makers since the 1990s.
Revealing defining patterns, styles and tendencies within
recent Irish cinema, this book explores connections
between Irish cinematic storytellers and their British
and American colleagues. The period under scrutiny
stretches back to 1993, the year the Irish Film Board BOOK
was re-activated, facilitating a phase of prolonged film FILM, DRAMA AND THE
production after a hiatus of seven years. Reflecting on this BREAK-UP OF BRITAIN
key and distinctive era in Irish cinema, this book explores ISBN 9781841501505
how film gave expression to tensions and fissures in the
new Ireland.
Díóg O’Connell is a lecturer in the School of Business and
Humanities at Dun Laoghaire Institute of Art Design and
Technology, Ireland.

JOURNAL
Film Studies

TRANSNATIONAL
CINEMAS
ISSN 2040-3526

7
 THE MUSICAL COMEDY FILMS OF
GRIGORII ALEKSANDROV
Laughing Matters
By Rimgaila Salys
ISBN 9781841502823
PB | £19.95 | $35

Grigorii Aleksandrov’s musical comedy films, created RELATED

with composer Isaak Dunaevskii, were among the most TITLES
popular of Russian cinema in the 1930s and ’40s.
This book presents the untold history of the films,
situating them in the Stalin era, and suggesting new
interpretations.
Salys approaches the films from the standpoint of
western criticism, arguing that although Socialist
Realism attempted to suppress genre, Aleksandrov’s BOOK
films consistently preserved the archetypes of MUSICALS – HOLLYWOOD
American musical, including its comedic tradition. AND BEYOND
This book asks why these films are considered classics ISBN 9781841500034
both in Russia and the West, and how Aleksandrov
became a cultural icon, indelibly influencing modern
Russian cinema.
Rimgaila Salys is Professor of Russian Studies at the
University of Colorado at Boulder and a specialist in twentieth
century Russian literature, film and culture.

JOURNAL
STUDIES IN MUSICAL
Film Studies

THEATRE
ISSN 1750-3159

8
PHENOMENOLOGY’S MATERIAL
PRESENCE
Video, Vision and Experience
By Gabrielle A. Hezekiah
ISBN 9781841503103
HB | £19.95 | $35

Phenomenology’s Material Presence: Video, Vision and RELATED

Experience is an exploration of phenomenology and the TITLES
aesthetics of the moving image. Drawing on the insights of
Edmund Husserl, Martin Heidegger and Maurice Merleau-
Ponty, this seminal work addresses key questions related
to the notion of encounter in cinematic viewing. How does
video make visible the act of looking and the act of being
seen? How does it intimate the presence of that which
cannot be seen? What is the role of video’s material body in
facilitating this process? BOOK
TRUTH OR DARE
Using a poetic essay style, and three videos by Trinidadian
ISBN 9781841501758
film-maker Robert Yao Ramesar, this book suggests that
video performs its own act of phenomenological inquiry.
Phenomenology’s Material Presence invites the reader to
explore the role of consciousness in our experience of the
visual and brings continental philosophy and postcolonial
cinema into conversation.

Gabrielle A. Hezekiah is an independent scholar who has

written widely on cinema.

JOURNAL
Film Studies

NEW CINEMAS
ISSN 1474-2756

9
 PERFORMING
ARTS
Performing Arts

10
 PERFORMING VIOLENCE
Literary and Theatrical Experiments of New
Russian Drama
By Birgit Beumers and Mark Lipovetsky
ISBN 9781841502694
PB | £14.95 | $25

New Russian drama began its rise at the end of the RELATED
twentieth century, following a decline in dramatic writing TITLES
in Russia that stemmed back to the 1980s. Authors
Beumers and Lipovetsky examine the representation of
violence in these new dramatic works penned by young
Russian playwrights.
Performing Violence is the first English-language study
of the consequent boom in drama and explores why this BOOK
new breed of authors were writing fierce plays, whilst
PRIDE & PANIC:
previous generations had preferred poetry and prose.
RUSSIAN IMAGINATION
New Russian drama is one of a few artistic and cultural OF THE WEST IN POST-
phenomena shaped entirely in the post-Soviet period. This SOVIET RUSSIA
book investigates the portrayal of the identity crisis of a
generation as represented by theatre. Performing Violence ISBN 9781841501567
seeks a vantage point for the analysis of brutality in
post-Soviet culture. It is a key text for students of theatre,
drama, Russian studies, culture and literature.

Birgit Beumers is Reader in Russian at the University of

Bristol. Mark Lipovetsky is Associate Professor of Russian
Studies at the University of Colorado at Boulder.
JOURNAL
Performing Arts

STUDIES IN RUSSIAN &

SOVIET CINEMA
ISSN 1750-3132

11
APPLIED THEATRE
International Case Studies and Challenges
for Practice
Edited by Monica Prendergast and Juliana Saxton
ISBN 9781841502816
PB | £19.95 | $35

Theatre practice and applied theatre are areas of growing RELATED

international interest. Applied Theatre is the first study TITLES
to assist practitioners and students to develop critical
frameworks for planning and implementing their own
theatrical projects.
The collection gathers together essential readings from
many different sources to provide a comprehensive
international survey of the field. Compiled across five
continents, the case studies cover a wide range of BOOK
disciplines from theatre studies to education, medicine MODES OF SPECTATING
and law. With their background in drama education
ISBN 9781841502397
and pedagogy, the authors offer clear developmental
approaches that transfer directly into practice and a
critical model of audience education, applicable to both
mainstream and applied theatre contexts.
Monica Prendergast is Assistant Professor at the Graduate
School of Arts and Social Sciences, Division of Creative Arts
in Learning at Lesley University. Juliana Saxton is Professor
Emeritus in the Faculty of Fine Arts Department of Theatre,
University of Victoria.
JOURNAL
Performing Arts

JOURNAL OF APPLIED
ARTS & HEALTH
ISSN 2040-2457
12
 SERBIAN & GREEK ART MUSIC
A Patch to Western Music History
Edited by Katy Romanou
ISBN 9781841502786
HB | £24.95 | $45

Serbian & Greek Art Music is the first ever book in the RELATED
English language to examine the assimilation and TITLES
development of western art music in Serbia and Greece
during the nineteenth and twentieth centuries.
Music education, music life and the creation of the two
neighbouring nations since they gained freedom from
the Ottomans in the nineteenth century, are themes
that reverberate through the volume. Written by seven
renowned musicologists, chapters propose new paths of BOOK
study to scholars of Balkan studies and the music of the POP FICTION
Balkan people, their culture and Orthodox Christianity,
ISBN 9781841500782
and facilitate a more comprehensive perception of the
area. The book stresses the interaction between music and
politics, and how these ‘opposite’ terms have been altered
by the political upheavals that divided and dislocated the
countries’ populations with catastrophic force and high
frequency, impeding cultural evolution.

Katy Romanou is a Musicologist teaching in the Music Faculty of

the School of Philosophy, University of Athens.
JOURNAL
INTERNATIONAL JOURNAL
OF COMMUNITY MUSIC
Performing Arts

ISSN 1752-6299

13
DIRECTORS & DESIGNERS
Edited by Christine White
ISBN 9781841502892
PB | £19.95 | $35

Directors and Designers explores the practice of RELATED

scenography – the creation of perspective in the design TITLES
and painting of stage scenery – and offers new insights
into the working relationships of the people responsible for
these theatrical transformations.
With contributions from leading practitioners and
theorists, editor Christine White describes the way in
which the roles of director and designer have developed
over time. Featuring chapters on theatre and site-specific BOOK
performance, theatrical communication and aesthetics, THE POTENTIALS OF
and the cognitive reception of design by the audience, SPACES
this volume provides a valuable resource on current ISBN 9781841501376
approaches to scenography for professionals and students.
Dr Christine White is Head of Narrative and Interactive Arts
at Nottingham Trent University.

JOURNAL
Performing Arts

STUDIES IN THEATRE
& PERFORMANCE
ISSN 1468-2761

14
 WALKING, WRITING AND
PERFORMANCE
Autobiographical Texts by Deirdre Heddon,
Carl Lavery and Phil Smith
Edited by Roberta Mock
ISBN 9781841501550
PB | £19.95 | $35

This collection charts three projects by performance- RELATED

makers who generate autobiographical writing by taking TITLES
walks. It includes performance texts and photographs,
as well as essays by the artists that discuss processes of
development, writing and performance.
The Crab Walks and Crab Steps Aside are performances
made by Phil Smith based on an initial exploratory
walking of an area of South Devon where he was taken
for childhood holidays. Mourning Walk is a performance BOOK
that relates to a walk Carl Lavery made to mark the STREET SCENES
anniversary of his father’s death. In Tree, the result of a BRECHT, BENJAMIN AND
multi-disciplinary collaborative process, Deirdre Heddon BERLIN
occupies a single square foot of soil, and discovers that by ISBN 9781841501147
reflecting she can travel across continents and centuries.
The work of all three artists, taken together and separately,
raises important issues about memory, ritual, life writing,
textuality, subjectivity, and site in performance.

Roberta Mock is Associate Dean (Graduate Affairs) for

the Faculty of Arts, University of Plymouth, where she also
teaches Theatre and Performance. JOURNAL
Performing Arts

JOURNAL OF WRITING IN
CREATIVE PRACTICE
ISSN 1753-5190

15
 R T S
I S U AL A
V
Visual Arts

16
 AESTHETIC JOURNALISM
How to Inform Without Informing
By Alfredo Cramerotti
ISBN 9781841502687
PB | £19.95 | $35

Addressing a growing area of focus in contemporary art, RELATED

Aesthetic Journalism investigates why contemporary art TITLES
exhibitions often consist of interviews, documentaries and
reportage.
Art theorist and curator Alfredo Cramerotti traces the
shift in the production of truth from the domain of the
news media to that of art and aestheticism – a change
that questions the very foundations of journalism and the
nature of art. The book probes the current merge of art BOOK
with the sphere of investigative journalism and explores ISSUES IN CURATING
how this new mode of information is grasping more and CONTEMPORARY ART
more space in modern culture. Aesthetic Journalism AND PERFORMANCE
suggests future developments for this new relationship ISBN 9781841501628
between art and documentary journalism, offering itself
as a useful tool to audiences, scholars, producers and
critics alike.

Alfredo Cramerotti is curator at QUAD in Derby, UK,

and Fellow of Art Theory and Criticism at Künstlerhaus
Büchsenhausen, Austria.

JOURNAL
Visual Arts

JOURNAL OF VISUAL
ART PRACTICE
ISSN 1470-2029
17
18
Visual Arts
 ARTIST-TEACHER
A Philosophy for Creating and Teaching
By G. James Daichendt
ISBN 9781841503134
HB | £29.95 | $50

The philosophy of the artist-teacher is not a new RELATED

phenomenon. In fact, many artists working within the TITLES
Bauhaus, nineteenth century ‘schools of design’, and
the ‘basic design movement’ all applied this method of
thinking to their teaching. Artist-Teacher explores the
many facets of this methodology, and the various ways
art has been taught over the centuries, using several
important artist-teachers (George Wallis, Walter Gropius,
Richard Hamilton, Hans Hoffman) to illustrate the rich
BOOK
and deep ways artists are able to facilitate learning.
RESEARCH IN ART &
Artist-Teacher will serve as a foundational text for those DESIGN EDUCATION
entering the teaching profession at all levels, in addition ISBN 9781841501994
to inspiring experienced art teachers in all disciplines.
G. James Daichendt is an Associate Professor of Art History
and Exhibitions Director at Azusa Pacific University, Southern
California.

JOURNAL
ART, DESIGN &
Visual Arts

COMMUNICATION IN
HIGHER EDUCATION
ISSN 1474-273X
19
CONTEXT PROVIDERS
Conditions of Meaning in Media Arts
Edited by Margot Lovejoy, Christiane Paul
and Victoria Vesna
ISBN 9781841503080
PB | £19.95 | $35

Blurring boundaries between many disciplines, Context RELATED

Providers supplies a context and a rationale for discussing TITLES
how technological change has affected the function of art,
the role of the artist, and the way artistic productions are
disseminated.
The book explores how technologically networked
environments increase the need for flexible information
filters as a framework for establishing meaning. Moreover,
Context Providers considers the work of media artists who BOOK
are directly engaging the scientific community through EDUCATING ARTISTS FOR
collaboration and active dialogue. Context Providers will THE FUTURE
appeal to art historians, theorists and curators, as well ISBN 99781841501918
as art administrators, grant providers and those studying
both practice and theory in media arts.
Margot Lovejoy is Professor Emerita of Visual Arts at SUNY
Purchase. Christiane Paul is the Adjunct Curator of New Media
Arts at the Whitney Museum of American Art, New York. Victoria
Vesna is an artist, professor and Chair of the Department of
Design/Media Arts at the UCLA School of Arts.

JOURNAL
TECHNOETIC ARTS
Visual Arts

ISSN 1477-965X

20
 SEARCHING FOR ART’S NEW
PUBLICS
Edited by Jeni Walwin
ISBN 9781841503110
PB | £19.95 | $35

Drawing on contributions from practicing artists, writers, RELATED

curators and academics, Searching for Art’s New Publics TITLES
explores the ways in which artists seek to involve, create
and engage with new and diverse audiences: from
passers-by encountering and participating in the work
unexpectedly, to professionals from other disciplines and
members of particular communities.
Bridging the gap between practice and theory, this
exciting book touches on issues of relational aesthetics, BOOK
but also offers an illustrated artist-based approach. ART, COMMUNITY AND
Searching for Art’s New Publics will appeal to students ENVIRONMENT
studying fine art (especially those with an interest in ISBN 9781841502571
cross-disciplinary work and public art) and those studying
curating.
Jeni Walwin is an independent curator and writer.

JOURNAL
Visual Arts

CREATIVE INDUSTRIES
JOURNAL
ISSN 1751-0694
21
 CULTURAL &
Cultural & Media Studies

MEDIA STUDIES
22
 MEDIA, MARKETS &
PUBLIC SPHERES
European Media at a Crossroads
Edited by Jostein Gripsrud and Lennart Weibull
ISBN 9781841503059
PB | £19.95 | $35

Part of the Changing Media

Changing Europe Series

Using a sample of so-called popular and ‘quality’ RELATED

European newspapers and their TV listings as a stepping TITLES
stone, Media, Markets and Public Spheres presents an
overview of changes in the European public spheres
over the last fifty years as well as in-depth analyses of
structural changes in press and broadcasting, changing
relations between media, changes in media policies and
media history as record of cultural change. With a rare
comparative perspective, this book explores how and why BOOK
the media decisively influence most social areas, from the EUROPEAN MEDIA
socialization of children to the workings of the economy. GOVERNANCE: NATIONAL
AND REGIONAL
Compiled by a team of leading media researchers from ten DIMENSIONS
countries, Media, Markets and Public Spheres will be useful ISBN 9781841502915
to students in media and communication studies, and
European studies, as well as for those studying sociology
and political science.
Jostein Gripsrud is Professor at the Department of
Information Science and Media Studies, University of Bergen,
Cultural & Media Studies

Norway. Lennart Weibull is Professor of Media Research at

the Department of Journalism and Mass Communication,
JOURNAL
University of Gothenburg.
INTERACTIONS: STUDIES
IN COMMUNICATION &
CULTURE
ISSN 1757-2681
23
 DEVELOPING DIALOGUES
Indigenous and Ethnic Community
Broadcasting in Australia
By Michael Meadows, Susan Forde and
Kerrie Foxwell
ISBN 9781841502755
PB | £19.95 | $35

The audience-producer boundary has collapsed in RELATED

indigenous and ethnic community broadcasting, and this TITLES
is the first comprehensive study globally to chart the rise
of its new relationship. The authors argue that community
radio and television worldwide represents an essential
service for indigenous and ethnic audiences, empowering
them at various levels, fostering ‘active citizenry’ and
enhancing the processes of democracy.
The authors draw on two decades of primary research BOOK
material taken from face-to-face interviews and focus- BROADCASTERS AND
group discussions with audiences in the most remote CITIZENS IN EUROPE
regions of the Central Desert. Consequently, Developing ISBN 9781841501604
Dialogues offers international researchers a new social,
cultural and historical perspective on the emergence of
the unique Australian community broadcasting sector
within the context of other global trends.

Michael Meadows is Associate Professor of Journalism.

Cultural & Media Studies

Dr Susan Forde is Senior Lecturer in Journalism. Kerrie

Foxwell is Associate Lecturer in Media, Communication and
Youth Studies. All authors are based at Griffith University,
Brisbane, Australia. JOURNAL
JOURNAL OF MEDIA
PRACTICE
ISSN 1468-2753
24
 DIGITAL RADIO IN EUROPE
Technologies, Industries and Cultures
Edited by Brian O’Neill, Per Jauert, Marko Ala-Fossi,
Stephen Lax, Lars Nyre and Helen Shaw
ISBN 9781841502793
HB | £24.95 | $45

Radio, the oldest form of electronic broadcasting, has RELATED

been described as the last medium to go digital. Yet TITLES
developments have been underway for over twenty years
to create new technologies and digital platforms for the
transmission of radio in digital form.
Drawing upon extensive cross-national research conducted
by the ‘Digital Radio Cultures in Europe’ research group,
this volume offers the first comprehensive review of the
complex environment in which European digital radio now BOOK
operates. The title describes the technologies, policies SWITCHING TO DIGITAL
and different strategies utilized to bring radio into the TELEVISION
digital era. Digital Radio in Europe provides an accessible ISBN 9781841501727
introduction for the student, researcher and practitioner
to the technologies and policies for digital radio
broadcasting in both a European and global context.
Brian O’Neill is Head of Research and Graduate Studies,
Faculty of Applied Arts at the Dublin Institute of Technology.
Cultural & Media Studies

JOURNAL
THE RADIO JOURNAL
ISSN 1476-4504

25
 THREE MYTHS OF INTERNET
GOVERNANCE
Making Sense of Networks, Governance and
Regulation
By Richard Collins
ISBN 9781841502335
PB | £19.95 | $35

The Internet is a global medium that defies and replaces RELATED

established media, yet our understanding and ideas TITLES
surrounding it are largely derived from Internet usage
in the USA. This book draws on European and African
examples to challenge three established myths about the
Internet: that the market can decide; that the Internet is
different to ‘legacy’ media; and that national governance
is unimportant.
The study engages with and challenges established BOOK
Internet policy, extending the range of topics in media PRESS FREEDOM AND
studies by analyzing mediums other than newspapers, PLURALISM IN EUROPE
broadcasting and cinema. Collins examines the Internet’s ISBN 9781841502434
impact on established media of communication and
on established regulatory orders at national and global
levels. He then digs deeper into the socio-ethical norms of
freedom of expression, fairness and equality and collective
cultural identity in relation to the Internet.
Richard Collins is Professor of Media Studies at the Open
Cultural & Media Studies

University, UK.
JOURNAL
INTERNATIONAL JOURNAL
OF MEDIA & CULTURAL
POLITICS
ISSN 1740-8296
26
 VISUAL CULTURES
By James Elkins
ISBN 9781841503073
PB | £17.95 | $25

Visual Cultures is the first study of the place of visuality RELATED

and literacy in specific nations around the world, and TITLES
includes authoritative, insightful essays on the value
accorded to the visual and the verbal in Japan, Poland,
China, Russia, Ireland, and Slovenia. The content is not
only analytic, but also historical, tracing changes in the
significance of visual and verbal literacy in each nation.
Visual Cultures also raises and explores issues of national
identity, and provides a wealth of information for future
research. BOOK
IMAGE CRITIQUE
Visual Cultures will appeal to those with an interest in & THE FALL OF THE
visual studies, cultural studies, postcolonial theory, area BERLIN WALL
studies, subaltern studies, political theory, art history, and ISBN 9781841501901
art criticism.
James Elkins is a Professor at the School of the Art Institute
of Chicago.
Cultural & Media Studies

JOURNAL
STUDIES IN CULTURE
& INNOVATION
ISSN 2040-6150
27
 TV FORMATS WORLDWIDE
Localising Global Programs
By Albert Moran
ISBN 9781841503066
PB | £19.95 | $35

Beginning around 2003, television studies has seen the RELATED

growth of interest in the genre of reality shows. However, TITLES
concentrating on this genre has tended to sideline the
even more significant emergence of the program format
as a central mode of business and culture in the new
television landscape. TV Formats Worldwide redresses
this balance, and heralds the emergence of an important,
exciting and challenging area of television studies.
Topics explored include reality TV, makeover programs, BOOKS
sitcoms, talent shows and fiction serials, as well as THE AGE OF TELEVISION
broadcaster management policies, production decision
ISBN 9781841501819
chains and audience participation processes. This seminal
work will be of considerable interest to media scholars
internationally.
Albert Moran is Senior Lecturer in Media at Griffith
University, Brisbane, Australia.
Cultural & Media Studies

JOURNALS
INTERNATIONAL JOURNAL
OF DIGITAL TELEVISION
ISSN 2040-4182
28
 O O K S
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