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International uranium film festival aims to highlight some of the personal stories associated with nuclear and radioactive issues. After premiering in Rio de Janeiro in 2011, the festival has traveled to other major cities in Brazil and around the world. The festival is grateful to the Heinrich Boll Stiftung North America and the Goethe Institute Washington DC for supporting and hosting the festival in February 2014.
International uranium film festival aims to highlight some of the personal stories associated with nuclear and radioactive issues. After premiering in Rio de Janeiro in 2011, the festival has traveled to other major cities in Brazil and around the world. The festival is grateful to the Heinrich Boll Stiftung North America and the Goethe Institute Washington DC for supporting and hosting the festival in February 2014.
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International uranium film festival aims to highlight some of the personal stories associated with nuclear and radioactive issues. After premiering in Rio de Janeiro in 2011, the festival has traveled to other major cities in Brazil and around the world. The festival is grateful to the Heinrich Boll Stiftung North America and the Goethe Institute Washington DC for supporting and hosting the festival in February 2014.
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Attribution Non-Commercial (BY-NC)
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TO WASHINGTON DC INTERNATIONAL URANIUM FILM FESTIVAL WASHINGTON DC February 10-12, 2014 Goethe Institute 812 7th Street, NW www.uraniumlmfestival.org The International Uranium Film Festival Washington DC February 10-12, 2014 Goethe Institute 812 7th Street, NW, Washington, DC PROGRAM
About the International Uranium Film Festival Climate and demographic change as well as energy security will determine the global development agenda in the twenty-first century. The nuclear industry would like to have us believe that the solution to meeting these challenges can be found in nuclear energy, and mining companies are constantly looking for new uranium deposits. Yet, nuclear accidents do happen and when they do have most devastating effects on local and regional populations, whether nuclear reactor accidents like Fukushima, Chernobyl, or uranium mine disasters such as Church Rock and Goinia (Brazil). Concerned citizens and indigenous peoples the world over from Australia to India and the United States are fighting every risky phase along the uranium fuel chain from uranium mining to radioactive waste dumps. The International Uranium Film Festival aims to highlight some of the personal stories associated with these developments. It is the first annual film festival that addresses the problems with nuclear and radioactive issues, such as the nuclear fuel chain, uranium mining, atomic weapons, nuclear power plants and nuclear waste deposits.. The most important films of the year receive the Uranium Film Festivals award, the Yellow Oscar. After premiering in Rio de Janeiro in 2011, the festival has traveled to other major cities in Brazil and around the world. The festival has been featured in So Paulo, Recife, Salvador & Fortaleza, Lisbon and Porto in Portugal, in Berlin and Munich in Germany, and in ten major cities in India including New Delhi, Hyderabad and Mumbai. The Uranium Film Festival Team is grateful to the Heinrich Bll Stiftung North America and the Goethe Institute Washington DC for supporting and hosting the festival in February 2014. And the festival is grateful to the Brazilian supporters, the FAETEC (Fundao de Apoio Escola Tcnica) of the State of Rio de Janeiro and Heinrich Bll Stiftung Brasil. IUFF Washington DC February 2014 2 PROGRAM MONDAY FEBRUARY 10 4 PM (Opening movie) THE ATOMIC STATES OF AMERICA USA, 2011, 92 min, documentary, English 6:30 PM (Evening theme: Uranium mining) TAILINGS USA, 2012, 12 min, documentary, English YELLOW CAKE: THE DIRT BEHIND URANIUM Germany, 2010, 108 min, documentary, English TUESDAY FEBRUARY 11 6:30 PM (Evening theme: Atomic weapons) THE LAST FLOWER Iran, 2013, 6 min, animation, no dialogue MOAB Israel, 2012, 3 min, experimental movie, no dialogue ATOMIC BOMBS ON THE PLANET EARTH UK/The Netherlands, 2011, 13 min, experimental documentary, English NUCLEAR SAVAGE: THE ISLANDS OF SECRET PROJECT 4.1 USA, 2012, 87 min, documentary, English WEDNESDAY FEBRUARY 12 6.30 PM (Evening theme: Nuclear power) ABITA: CHILDREN FROM FUKUSHIMA Germany/Japan, 2012, 4 min, animation, German with English subtitles FORBIDDEN GROUND FUKUSHIMA Japan, 2012, 57 min, documentary, Japanese with English subtitles ROTTEN ROCK Brazil, 1990, 26 min, documentary, Portuguese with English subtitles HIGH POWER India, 2013, 27 min, documentary, Marathi/English with English subtitles IUFF Washington DC February 2014 3 MOVIE OVERVIEW Monday, February 10 - 4 PM THE ATOMIC STATES OF AMERICA USA, 2011, 92 min, Directors: Don Argott & Sheena M. Joyce, Documentary, English In 2010, the United States approved the first new nuclear power plant in 32 years, heralding an anticipated renaissance. But that was before the Fukushima accident in Japan renewed a fierce public debate over the safety and viability of nuclear power. The Atomic States of America journeys to nuclear reactor communities around the country to provide a comprehensive exploration of the history and impact to date of nuclear power, and to investigate the truths and myths about nuclear energy. Potent, emotionally powerful, and highly revealing, the film by Don Argott and Sheena Joyce does an outstanding job of opening our eyes to the reality of nuclear power. We all live downstream from something, one protagonist reminds us in this cautionary call for action. Trailer:http:// www.youtube.com/watch?v=Vf1A8rbeZiE 6:30 PM TAILINGS USA, 2012, 12 min, Director: Sam Price- Waldman Documentary, English Just outside Grants in New Mexico there is a 200-acre heap of toxic uranium waste known as tailings. After 30 years of failed cleanup, the waste has deeply contaminated the air and water near the former uranium capital of the world. The film is a cinematic investigation of the pile that is gravely shaping the lives of those who are stuck living in its shadow. http://tailingsfilm.com IUFF Washington DC February 2014 4 YELLOW CAKE: THE DIRT BEHIND URANIUM Germany, 2010, 108 min, Director: Joachim Tschirner, Documentary, English Uranium mining, the first link in the chain of nuclear development, manages again and again to keep itself out of the public eye. A web of propaganda, disinformation, and lies covers its 65-year history. The third largest uranium mine in the world was located in the East German provinces of Saxony and Thuringia. Operating until the Reunification, it had the codename wismut (bismuth translated from German) although it supplied the Soviet Union exclusively with the much sought-after strategic resource - yellow cake. Until 1990 WISMUT supplied the Soviet Union with 220,000 tons of uranium. In absolute terms this quantity was enough for the production of 32,000 Hiroshima bombs. The film explores the biggest clean-up operation in the history of uranium mining and also takes viewers to huge mines in Namibia, Australia and Canada. www.umweltfilm.de Yellow Cake is a result of a project that began in 2002. The declaration from the World Uranium Hearing became essential for the meaning of the film (I think we need to know what that was to understand why it inspired him). According to Joachim: Radioactivity knows no cultural differences or political boundaries. In a mutated world, poisoned by deadly radioactivity, it will no longer be of importance whether we separate our garbage, drive fewer cars, use phosphate free detergent, or plant a tree. Nor will it matter if we spend our time trying to save the elephants. Whatever action we would take at that point would be superfluous and devoid of meaning. That is why the end of the atomic age must begin with the first link in the chain of nuclear production the uranium mining. During my research, I experienced that despite its explosive nature, uranium mining seldom makes it into public awareness. The film Yellow Cake is my reaction to this unacceptable situation. For me it was quite clear that unbiased, well researched information about uranium mining is absolutely necessary. Joachim Tschirner ThE URAN|UH H0UNTA|N Tre Wor|d |r 191Z: Tre Co|d war ras oegur. Tre ruc|ear arrs race oelWeer u3- Arer|ca ard Russ|a oecores a lrreal lo rar||rd. Tre arrs race |s dec|ded |r lre 0re Vourla|rs. Tral |s Wrere lre 3ov|els rad lre 0errars r|re urar|ur lor lre corslrucl|or ol lre|r l|rsl alor ooro W|lroul ary cors|deral|or lor lre aclua| cosls. Tre repalr|aled pr|sorer ol War ard r|rer Kurl Ve|re| (v|rzerz K|eler) la||s |r |ove W|lr Lyd|a (Nadja 8ooy|eva), lre daugrler ol lre Russ|ar Vajor 8urs|| (lerry luocrer) - a dargerous |ove alla|r. wrer lrey oecore |rvo|ved |r a r|r|rg d|sasler, lre|r secrel |ove |s lr|ed lo lre orea||rg po|rl. Lyd|a's lalrer ras lo dec|de oelWeer lre ||le ol r|s daugrler ard carry|rg oul r|s orders: lo r|re urar|ur lo preserve peace. F|||ed W|lr susperse ard erol|ora| |rpacl, lre l||r 0ER uRAN8ER0 le||s lre slory ol rurar lragedy as parl ol ar a|rosl ur|roWr crapler ol 0errar r|slory Wr|cr allecled Wor|d po||l|cs. Tre urar|ur Vourla|r (0er uraroerg) , 0errary, 2010, 89 r|r, 0|reclor: 0ror Zarav|.Corlacl: WWW.saxor|a-red|a.de 0|RE6T0R'8 |0CRAPhY 0ror Zarav| |s a graduale ol locrscru|e lor F||r urd Ferrserer Korrad wo|l |r Polsdar, 0errary. le produced lre l||r A|exarder Perr - 'lcr W||| se|r |r a||er, Wr|cr Was ror|raled lor a sluderl 0scar |r 1988. le ras s|rce d|recled rurerous le|ev|s|or rov|es as We|| as ep|sodes ol le|ev|s|or ser|es. lr 1999 re rece|ved lre 0errar Te|ev|s|or AWard, 0eulscrer Ferrserpre|s, ard lre 8avar|ar Te|ev|s|or AWard, 8ayer|screr Ferrseprpre|s lor r|s Wor| or lrese Tv ser|es. YELL0w 6AKE The 0|rt eh|nd Uran|um urar|ur r|r|rg, lre l|rsl ||r| |r lre cra|r ol ruc|ear deve|oprerl, ras raraged aga|r ard aga|r lo |eep |lse|l oul ol lre puo||c eye. A Weo ol propagarda, d|s|rlor- ral|or ard ||es covers |ls s|xlyl|ve-year r|slory. Tre lr|rd |argesl urar|ur r|re |r lre Wor|d Was |ocaled |r lre Easl 0errar prov|rces ol 3axory ard Trur|rg|a. 0peral|rg url|| lre Reur|l|cal|or, |l rad lre code rare wl3VuT - 0errar lor o|srulr, lrougr |l supp||ed lre 3ov|el ur|or exc|us|ve|y W|lr lre rucr sougrl- aller slraleg|c resource Ye||oW Ca|e. url|| 1990 wl3VuT supp||ed lre 3ov|el ur|or W|lr 220,000 lors ol urar|ur. lr aoso|ule lerrs lr|s quarl|ly Was erougr lor lre producl|or ol 32,000 l|rosr|ra ooros. For lre |asl 20 years wl3VuT ras oeer ra||rg a ruge raler|a| ard l|rarc|a| ellorl lo core lo lerrs W|lr lre|r pasl, Wr|cr |s ar a|arr|rg preserl ard lulure or olrer corl|rerls. Tre l||r accorpa- r|es lor severa| years lre o|ggesl c|ear-up operal|or |r lre r|slory ol urar|ur r|r|rg ard la|es lre v|eWers lo lre o|g r|res |r Nar|o|a, Auslra||a ard Carada. Ye||oW Ca|e. Tre 0|rl 8er|rd urar|ur (0|e Luege vor der sauoerer Ererg|e), 0errary, 2010, 108 r|r, 0|reclor. !"#$%&' )*$%&+,-+. WWW.urWe|ll||r.de 0|RE6T0R8 8TATEHENT YELL0w CAKE |s lre resu|l ol a projecl, Wr|cr oegar |r 2002. Tre wor|d urar|ur lear|rg loo| p|ace rore lrar a decade ago. Tre dec|aral|or ol lr|s rear|rg oecare lre esserl|a| rear|rg ol ry l||r: 'Rad|oacl|v|ly |roWs rolr|rg ol cu|lura| d|llererces or po||l|ca| oourdar|es. Ard |r a rulaled Wor|d po|sored oy dead|y rad|oacl|v|ly, |l W||| ro |orger oe ol |rporlarce Wrelrer We separale our garoage, dr|ve leWer cars, use prosprale lree delergerl, or p|arl a lree. Nor W||| |l raller |l We sperd our l|re lry|rg lo save lre e|eprarls. wralever acl|or We Wou|d la|e al lral po|rl Wou|d oe superl|uous ard devo|d ol rear|rg. Tral's Wry lre erd ol lre alor|c age rusl oeg|r W|lrlre l|rsl ||r| |r lre cra|r ol ruc|ear producl|or - Tre urar|ur V|r|rg. 0ur|rg ry researcr lve exper|erced lral desp|le |ls exp|os|ve ralure, urar|ur r|r|rg se|dor ra|es |l |rlo puo||c aWareress. Tre l||r Ye||oW Ca|e |s ry reacl|or lo lr|s uracceplao|e s|lual|or. For re |l Was qu|le c|ear lral uro|ased, We|| researcred |rlorral|or aooul urar|ur r|r|rg |s aoso|ule|y recessary. !"#$%&' )*$%&+,-+ 3Z Joacr|r Tscr|rrer FlR3T lNTERNATl0NAL uRANluV FlLV FE3TlvAL Rl0 0E JANElR0 2011 IUFF Washington DC February 2014 5 Tuesday, February 12 - 6:30 PM THE LAST FLOWER Iran, 2013, 6 min, Director: Sima Baghery, Fiction, Animation, No dialogue An atomic world war destroys all of civilization. Everybody is wondering around lost, neglecting each other. Until one day when a young girl finds the last flower on Earth. She runs to people telling them about the flower, but people do not care. At last, a young man shows interest... Meanwhile the war machine factories appear and the story of war begins again. Special Achievement Award, Uranium Film Festival 2013. MOAB Israel, 2012, 3 min, Director: Keren Zaltz Experimental Film, No dialogue Moab includes authentic footage of bombing from the popular and propaganda movies that were created by the American government during the Cold War. The footage was edited using a technique reminiscent of the photomontage style that was used in photography at the end of the 19 th century and in filmmaking between the two world wars. The photomontage brings up questions of reality and fiction and deals with the areas of ethics and aesthetics. ATOMIC BOMBS ON THE PLANET EARTH UK/Netherlands, 2011, 13 min, Director: Peter Greenaway, Video Design: Irma de Vries, experimental documentary, English Astonishingly, between 1945 to 1989, 2201 atomic bombs were dropped on planet Earth - an astonishing number implying huge destruction and fall-out. The film shows evidence of every bomb explosion, documented with the nation responsible for it, the date and location, the force and the height about the earth or at sea level. It builds up the accumulating destruction that is both awe-inspiring and dreadful in the true biblical sense of the phrase - full of dread. Special Achievement Award, Uranium Film Festival 2012 IUFF Washington DC February 2014 6 NUCLEAR SAVAGE: THE ISLANDS OF SECRET PROJECT 4.1 USA, 2012, 87 min, Director: Adam Jonas Horowitz, Documentary, Marshallese & English The term savage is used to refer to people from primitive cultures. But this documentary shows how savagery reaches new levels with the advent of advanced technology. In the 1950s the U.S. conducted 67 nuclear tests in the Marshall Islands, vaporizing islands and exposing entire populations to fallout. The people of Rongelap received near fatal doses of radiation from one of these tests, and were then moved to a highly contaminated island to serve as guinea pigs to test the effects of radiation on humans for almost 30 years, where they suffered from recurring cancers and birth defects that have affected multiple generations. Jury Prize, Festivales Internationales des Filmes Environmentales, Yellow Oscar 2013. Trailer: www.nuclearsavage.com Wednesday, February 12 - 6:30 PM ABITA: CHILDREN FROM FUKUSHIMA Germany, 2012, min, Directors: Shoko Hara and Paul Brenner, Animation, English subtitles A film about children in Fukushima who can't play outside anymore because nature is radioactive contaminated. To play outside is only a dream. Yellow Oscar, 2013. FORBIDDEN GROUND FUKUSHIMA Japan, 2012, 57 min, Director and Producer: Kazunori Kurimoto, Documentary, Japanese, English subtitles The film is a documentary on the aftermath of the disaster in Fukushima. Someone said "Fukushima is like a parallel world." But it is another world. From the outside, everything seems to look normal. Outside the exclusion zone of 20km, life continues as before.But not quite. This is only an appearance. The danger is invisible. In making this documentary, the filmmaker saw his challenge as:how to make visible what is invisible. Interviews with the former governor of Fukushima, a resident who returns, briefly, and others affected, help to tell the story of the Fukushima aftermath. ! Adar Joras loroW|lz o|erds re|eased goverrrerl loolage ol ruc|ear lesls W|lr |rlerv|eWs ol lre peop|e ol Rorge|ap, ar alo|| ol lre Varsra|| ls|ards, Wrere lre u.3. deloraled |r 1951 lre rydroger ooro ca||ed 8ravo. ll Was lre , W|lr ar esl|raled exp|os|or 1,000 l|res |arger lrar lre u3-ooro L|ll|e 8oy dropped or l|rosr|ra. Adar Joras loroW|lz srol r|s l|rsl l||r |r lre Varsra|| ls|ards |r 198, ard Was sroc|ed oy Wral re lourd lrere, |r lr|s lorrer Arer|car r|||lary co|ory |r r|dd|e ol lre Pac|l|c 0cear. Rad|oacl|ve cocoruls, |ea||rg ruc|ear Wasle repos|lor|es ard derse|y popu|aled s|urs Were a|| lre d|recl resu|l ol Z Co|d war u.3. ruc|ear ooro lesls lral vapor|zed |s|ards ard devaslaled erl|re popu|al|ors. Nuc|ear 3avage |s ar excepl|ora| accusal|or aga|rsl a lerr|o|e cr|re: Tesl|rg ol alor|c ooros ard us|rg |oca| popu|al|ors as gu|rea p|gs, says lre lesl|va| judge. A rusl-see docurerlaryl Adar Joras loroW|lz |s rol or|y lre producer, d|reclor, Wr|ler, carerarar, ard ed|lor ol lr|s uller|y devaslal|rg docurerlary l||r, re |s a|so a reroWred corceplua| arl|sl, scu|plor ard |rsla||al|or arl|sl.
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"&% )# 34% +0"##)#.8 IUFF Washington DC February 2014 7 ROTTEN ROCK (PEDRA PODRE) Brazil, 1990, 26 min, Directors: Eve Lise Silva, Ligia Giro, Stela Grisotti and Walter Behr, Documentary, Portuguese with English subtitles This is the first documentary made about Brazil's nuclear power plants Angra 1 and Angra 2, built in the Atlantic Rainforest region in the South of Rio de Janeiro by U.S. Company Westinghouse and the German nuclear company Siemens/Kraftwerksunion. With irony it shows that the official safety and evacuation plans to protect the local population and tourists in case of a nuclear meltdown are just a joke. Even worse, Angra 1 and Angra 2 are constructed on a beach, which the indigenous population calls Itaorna the Rotten Rock. HIGH POWER India, 2013, 27 min, Director and Producer: Pradeep Indulkar Documentary, Marathi & English, English subtitles Tarapur Nuclear Power Project is India's first civil nuclear establishment which started its work around 50 years ago, displacing villages near town Tarapur. After 40 long years the films protagonist visits those villages - Dandi, Pofaran, Ghivali, Unbhat and Tarapur. He observes the situation of thousands of displaced people. He finds that they lost their traditional jobs, their land and homes. They did not get any proper compensation or the promised services and infrastructure such as roads, water, electricity, medical facilities and schools. Instead they suffer from illnesses and unknown diseases. Cases of high blood pressure and heart attacks have drastically increased. Kidney failure, miscarriages, and impotency have increased among newly married couples. Children under 5 years old are suffering from mental disorders. When the protagonist returns to his home in the city he realizes that while he only pays the actual electricity bill for the power he uses, the real cost of power is paid by the unknown and innocent people he just encountered. Yellow Oscar 2013, Trailer: http://www.youtube.com/watch?v=msxq0UifZlE !"#$% !'#$" E o pr|re|ro docurerlr|o le|lo soore as us|ras ruc|eares do 8ras||, Argra 1 e Argra 2, ra reg|ao da Vala Al|rl|ca, ro 3u| do R|o de Jare|ro. Cor ruror |rr|co, o l||re roslra que, er caso de ur ac|derle ras us|ras, a segurara ol|c|a| e o p|aro de evacuaao para proleger a popu|aao |oca| e os lur|slas sao, ro rir|ro, ura p|ada. P|or: Argra 1 e 2 lorar corslruidas er ura pra|a, que a popu|aao |rdigera deu o rore de llaorra, o que s|gr|l|ca Pedra Podre. Pedra Podre, 8ras||, 1990, 2 r|r, 0|reao: Eva L|se 3||va, L|g|a 0|rao, 3le|a 0r|soll|, wa|ler 8err. 'A |de|a do docurerlr|o surg|u durarle a derorslraao arl|-ruc|ear `varos 8r|rcar ra us|ra, er aor|| de 1989, er Argra dos Re|s. 0 l||re roslra aspeclos |rpress|orarles soore a |rresporsao|||dade cor que esle projelo ruc|ear lo| deservo|v|do. !"#$%& (%))#"*+, -."/#)%&0# ()%*#' % !'"+$% ,%+-%$ 0 l||re coro|ra cord|a e drara soore os per|gos da r|reraao de urr|o para os lraoa|radores da r|reraao e para as corur|dades que v|ver prx|ras as r|ras de urr|o. Exp||ca laror os per|gos do c|c|o do corouslive| ruc|ear e do uso do residuo ruc|ear para a produao de arras - er grarde parle prover|erle das r|ras de urr|o da Auslr||a. A rersager s|rp|es e c|ara: Apesar das gararl|as das erpresas de r|reraao, rao r ur NlvEL 3E0uR0 de expos|ao a rad|aao que rao olerea r|sco de ocorrrc|a de crcer ou dele|los corgr|los. Esle l||re ura ex|o|ao oor|galr|a para lraoa|radores da |rduslr|a de urr|o. wrer lre 0usl 3ell|es (0uardo a poe|ra oa|xar), Auslr||a, 2010, 35 r|r, 0|reao: 0av|d 8radoury. ,+'.$%/+% #' #+$"0'$ 0av|d 8radoury ur dos docurerlar|slas ra|s correc|dos e oer suced|dos da Auslr||a. 3eus l||res lr s|do roslrados ro grarde c|rcu|lo corerc|a| auslra- ||aro e er redes puo||cas de rad|od|lusao, oer coro ro exler|or. E|e j garrou |rureros prr|os er lesl|va|s de c|rera |rlerrac|ora|s e lo| o vercedor de c|rco prr|os AFl e duas |rd|caoes para o Acadery AWard: 'Frorl||re, que deslacou o carerarar de guerra Ne|| 0av|s, e 'Cr||e: lasla Cuardo?, soore a d|ladura r|||lar do gerera| P|rocrel. 8radoury coreou sua carre|ra er |9Z2, coro jorra||sla de rd|o cor a Auslra||ar 8roadcasl|rg Corporal|or. Aps esludos de ps-graduaao er jorra||sro er ura oo|sa Rolary ros EuA, e|e lraoa|rou coro jorra||sla lree|arce coor|rdo a Revo|uao da Pr|ravera er Porluga|, er 19Z1, oer coro a derruoada da Jurla r|||lar grega er Aleras ro resro aro e coor|u os u|l|ros d|as do X do lra, er |9Z. 'Veu u|l|ro lraoa|ro 0uardo a poe|ra oa|xar ur drara/cord|a soore os per|gos da r|reraao de urr|o para os lraoa|radores e par as corur|dades prx|ras a r|ra de urr|o. 0av|d 8radoury )1 #'1+*.' "1 !$+!2%0 Er ur |ugar ra Europa ex|sle ura zora pro|o|da. No coraao desla zora pro|o|da esl Pr|pyal, que lo| ura c|dade rode|o rao|lada por cerca de 50.000 pessoas. Er de 2 de aor|| de 198, ur |r|r|go |rv|sive| lorou os roradores de Pr|pyal evacuar a rea. Pr|pyal lo| a casa dos lraoa|radores da us|ra Nuc|ear de Crerrooy|. E|a lo| lola|rerle aoardorada er 198, aps o desaslre de Crerrooy|. ur d|rarcre a Pr|p|al (ur dor|rgo er Pr|pyal), Frara, 200, 2 r|r, escr|lo e d|r|g|do por 8|ard|re lu| & Cousseau Frdr|c. rllp://rol||r.lree.lr/pr|p|alerg.rlr| ur dor|rgo er Pr|pyal ur leslerurro da deslru|ao aro|erla| e rurara causados pe|a calslrole da us|ra ruc|ear de Crerrooy|. 0av|d 8radoury 2 1 FE3TlvAL lNTERNACl0NAL 0E FlLVE3 308RE ENER0lA NuCLEAR Rl0 0E JANElR0 2011 IUFF Washington DC February 2014 8 INTERNATIONAL URANIUM FILM FESTIVAL (IUFF) ORGANIZER Norbert G. Suchanek Uranium Film Festival General Director Marcia Gomes de Oliveira Uranium Film Festival Executive Director Contact Email: info@uraniumfilmfestival.org Festival Website www.uraniumfilmfestival.org Festival Office URANIUM FILM FESTIVAL & YELLOW ARCHIVES Rua Monte Alegre 356 / 301 Santa Teresa - Rio de Janeiro / RJ CEP 20240-190 / Brazil FESTIVAL SUPPORTERS WASHINGTON DC RIO DE JANEIRO IUFF Washington DC February 2014 9