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Painter
HYDRIA
Height: 45 cm
Inscriptions
There are no signatures or inscriptions on this
vase.
Mood
The sacking of Troy presents four moods.
• Cruelty : sacrilege, murder,rape and despair
• Courage: Trojan women fighting fully armed soldiers
• Liberation:Aithra being rescued by her grandsons
• Hope: Aeneas’ escape with his father and to found
a new Troy
This is a not a tale of triumph for the Greeks rather
one of despair for the Trojans.
This vase may be seen as a picture of the horrors of
war – a savage act of victory and vengeance of which
the Greeks were ashamed
Decoration Overview
Side A
• New advances in spatial representation
as the decoration is all painted around
the neck and shoulder of the vase
• Increase in overlapping of figures
• The painter has three quarter technique
to give an unusual perspective of the
inside of the warrior’s shield while his left
thigh and foot have been foreshortened
in their frontal pose.
• To the far right of this pair is a triangle
shaped grouping deliberately removed
from the heat of the battle so that appear
to join in both halves of the continuous
narrative together.
• The two fully armed and bearded
warriors are beautifully contrasted to the
defenceless old woman cowering on the
ground
Side B
• The painter has once again employed
foreshortening in his depiction of
Cassandra’s leg
• Aeneas is painted from a back view and
waling beside him is his young son,
Ascanius
Side A
CRUELTY The
Sack of
Troy
and the
Death of
Priam
The top of the vase is one frieze which runs
continuously around the top of the vase, between the
neck and the shoulder. It is divided into separate
triangular scenes which tell separate stories.
Virgil’s “Aeneid”
The death of Priam
Neoptolemos, referred to by Virgil as Pyrrhus, kills Priam's son Polites in front of him on the altar of
Zeus the Protector, where Priam and his family have taken refuge.
Priam, though death now ringed him round, could not be passive,
Could not refrain from uttering his indignation. He cried:
"Hear me, you criminal! If there is any justice in heaven,
Any eye for such things, may the gods pay you the due reward
And unstintingly show their gratitude for this most monstrous crime
You have committed - making me witness my son's death,
Fouling a father's eyes like this with the sight of murder!
You are poles apart from Achilles - your father, you lyingly claim.
He treated me differently far, though I was his foe; he respected
A suppliant's rights, gave up the bloodless remains of Hector
For burial, and gave me safe conduct back to my city."
A dead trojan lies at Neoptolemus’ feet. He grasps the inside of his shield which is
presented in a perspective view, while his lower leg appears foreshortened as it
disappears behind his thigh. The details of the dead bodies reinforce the sense of
the horror of war.
The
COURAGE
heroism
of a
Trojan
woman
Ajax's sword is sticking horizontally toward Cassandra in almost a phallic stance. Cassandra is
in a very erotic position, with her legs spread wide open and her breasts naked and
emphasized by the knot of her cape. Her hand is stretched in either supplication or perhaps in
beckoning. It is interesting to note the positioning of Cassandra’s hand. Ajax has grabbed
Cassandra by the hair as she seeks refuge in the sanctuary of Athena.
Aeneas flees the
The aged,
stubbly
Anchises
ruined Troy
In the final grouping on the
extreme left, the Trojan hero
Aeneas is depicted staggering
under the weight of his aged father
Anchises, as he carries him away
from the ruins of Troy.