Академический Документы
Профессиональный Документы
Культура Документы
Hedge Schools
Childrens
Irish Session
Booklet
compiled by Karen Ashbrook
Table of Contents
POLKAS & MARCHES
Peg Ryans (Kerry Polka) ................. P-1
Mickey Chewing Bubblegum ........... P-1
Rattlin Bog .......................................... P-2
John Ryans (DUM DUM) ................. P-2
69th Street (Galway Rogues) ........... P-3
O, the Britches Full of Stitches .......... P-4
The Murroe ......................................... P-4
Rakes of Mallo (march/polka) ......... P-5
ODonnell Aboo (march) .................. P-5
The Rosetree (march) ........................ P-6
Dawning of the Day (march) ........... P-6
Toomore #1 & 2 P-7
Jer the Rigger . P-7
HORNPIPES
The Rights of Man ............................ H-1
The Boys of Bluehill .......................... H-1
Belfast Hornpipe - simple ................ H-2
Belfast Hornpipe (Sweeps) .............. H-3
Harvest Home Hornpipe ................ H-4
The Stack of Barley . H-5
Home Ruler .. H-5
JIGS
Morrisons .......................................... J-1
Lark in the Morning ......................... J-2
The Road to Lisdoonvarna .............. J-3
My Darling Asleep ............................ J-3
Charlie Mulvihills ............................. J-4
The Butterfly (slip jig) ....................... J-4
Fig For a Kiss (slip jig) ...................... J-5
Another Jig Will Do (slip jig) ........... J-5
The Weavers (slide) ......................... J-5
The Scattery Island Slide .................. J-6
Cliffs of Moher .................................. J-6
The Lilting Banshee .......................... J-7
Swallowtail Jig ................................... J-7
Connaughtmans Rambles .............. J-8
Foxhunters (slip jig) J-9
Barney Brallaghan (slip jig) ... J-9
Rambling Pitchfork . J-10
Kesh Jig ... J-10
REELS
Red Haired Boy (Little Beggerman) ... R-1
Mountain Road ...................................... R-2
Stensons #2 ............................................ R-2
Glass of Beer ........................................... R-3
Silver Spear ............................................. R-3
Bag of Potatoes ...................................... R-4
Humours of Tulla .................................. R-4
Woman of the House ............................ R-5
St. Annes Reel ........................................ R-5
Man of the House .................................. R-6
Concertina Reel ...................................... R-6
MISCELLANY
South Wind (waltz) ............................... M-1
Innishere (slow air) ............................... M-2
Primrose Lasses (fling) ......................... M-3
The New Harp -Y Delyn Newydd
PINK BUNNIES (Welsh reel) .......... M-3
Lucy Farrs (barndance) ....................... M-4
Shoe the Donkey (mazurka) ............... M-4
POETRY INDEX
Sleep Waltz - Terence Winch ................. J-8
The Potato - Mary Fell ........................... R-4
The Fiddler of Dooney - W. B. Yeats .........
final page
ODE
We are the music-makers
and we are the dreamers of dreams,
Wandering by lone sea breakers,
And sitting in desolate streams; - Worldlosers and world-forsakers,
On whom the pale moon gleams:
Yet we are the movers and shakers
Of the world for ever, it seems.
Arthur OShaughnessy (1844-81)
Karen Ashbrook
301/592-0101
mail@karenashbrook.com
http://karenashbrook.com
POLKAS
Peg Ryan's
(Kerry Polka)
# # 2 D
& 4
&
# # D
# # . D .
& .
&
G A
# # D .
Polka
.
A
..
..
# # # A
# # # A
# # # . A
.
&
# # # A
&
.
E
Polka
P-1
..
..
Rattlin' Bog
## 2
& 4
&
##
## .
& .
D
&
##
G
Polka
..
..
##
&
D
##
&
D
G
##
&
## .
& .
D
P-2
..
..
69th Street
## 2
& 4 .
Em
&
##
Em
##
&
##
&
Em
Em
&
##
Em
##
&
Em
Polka
Bm
..
Em
Bm
Em
Bm
P-3
Em
###
.
&
### . .
.
&
#
### .
&
# A/E
A/G
A/F
.
D
# 2 .
& 4 .
.
&
.
G
# .
& .
G
#
&
G
Em
P-4
..
Polka
..
The Murroe
G
Polka
..
Am
..
Rakes of Mallo
Polka/ March
& c
&
# .
& .
#
&
..
..
O'Donnell Aboo
## c .
.
&
&
##
## . .
& .
D
&
##
March
Em
.
.
Em
Em
Em
P-5
..
..
The Rosetree
&
##
c ..
D
##
&
D
# # . D
& .
##
&
D
March
Em
..
.. c
## .
&
&
##
D (A) G (A)
## G.
&
G
(A)
P-6
.
A
March
Toomore #1
## 2 .
& 4
A
Polka
from Music From Ireland, Vol IV
..
A
D
G
A
D
A
D
## . . . . .
.
& .
Toomore #2
Polka
## .
.
.
.
& . .
D
## .
..
& .
A
&
A
..
A
D
A
E
A
##
&
..
Polka
&
##
A
D
## .
& .
P-7
A
E
HORNPIPES
Rights of Man
Hornpipe
& c
Em
Am
..
Em/C
Bm
C
Bm
Em
&
..
&
Em
Bm
Em
Em
D
# . #
& .
Em
Em/D
##
&
##
Hornpipe
D
A
D
.
3
.
A
D
G
D
D
G
3
## .
.
&
A
D
##
&
D 3
H-1
..
## c
&
G
A
D
##
&
D
..
j
j
## . 3
& .
&
##
A7
## .
& .
##
&
Em
Em
H-2
..
..
3
3
3
## c
3 3
&
G
A
D
3
3
# # 3 3
&
D
..
j
j
## . 3
& .
&
##
A7
..
D
G
Em
A
3
3
3
3 3 3 3
# # . 3 3 3 3
& .
# # 3 3 3
D
&
3
G
Em
H-3
..
Harvest Home
Hornpipe
3
3
3
## c
&
&
##
..
3
## .
3 3 3
& .
&
##
H-4
..
Hornpipe
C
Em
D
G
Em
Am
D
#
& c
#
&
C
(D)
G
Em
Am
D
# .
.
&
Am
Em
C
G
D
Em
C
D
G (C) G
#
..
&
3
3
Home Ruler
&
&
##
##
Hornpipe
Frank McCallum
(Bm)
Em
A (G) A
..
(G)
D
Em
(G)
A
## .
&
&
##
(G)
(G)
H-5
Em
..
JIGS
Morrisons
Jig
## 6
& 8
Em
&
##
Em
Em
j
D
j .
j
..
D
##
&
Em
##
&
Em
j
D
##
&
Em
&
## .
G
J
Em
J-1
j
Bm
## 6 .
.
& 8
D
&
##
Bm
..
D
G
D
D
Bm
G
## .
J
.
&
D
## .
&
D
G
G D
.
D
..
Em
## .
& .
D
#
D/B
D/A
G
D/F #
Em
A
##
..
J
&
D
D /C
## .
.
&
D
#
D /B
D /A
G
##
&
D
D /C
J-2
D/F #
Em
A
J
.
..
Road to Lisdoonvarna
# # 6 Em
& 8 J
&
##
Em
j
j
# # . Em
J
& .
&
##
Em
G
J
Jig
.
J
.
J
Bm
j
j
Bm
..
..
Bm
j
J .
J
A
j Em
j .
Bm
Em
j
.
My Darling Asleep
Jig
G
A
D
Em
A
# # 6 D A
& 8
G
A
D
A
D
# # D A
.
j
&
&
##
Em
A
G
A
D
A
D
# # D A
&
J-3
Charlie Mulvihills
## 6 j
& 8
&
##
## .
& . J
Jig
composed by Charlie Mulvihill
..
n
J
Em
D
A
D
G
A
##
&
..
The Butterfly
Slip Jig
# 9 j j j j
& 8 . j j . J J ..
Em
D Em
Em
C
Bm
Am
C
Bm
# . . J J .
J J
.
& . J J
J
J J
/C
Bm
# . . j j .
j
j
J J ..
& .
Em
/D
J-4
Slip Jig
Em
## 9
j j
& 8 J J J J . ..
Em
Em
D
Bm
Em
G
Bm
Em
##
.
&
J J
J J
J
Em
D
D
C
G/B
D
Em
##
.
&
J J J
Em
Em
Slip Jig
D
## 9
j j
j j . ..
.
& 8
J J
D
C
D
A
D
##
.
n
&
J J
J J
J J
J J J
D
&
##
j j j .
J J
J J J J J
D
The Weaver's
Slide
D
G D
A
D
G D
D
A
D
.
# # 12 J . j j J j
.
& 8
J J J .
J J J . J.
G
D
D
A G
D
A
G
A
D
.
.
.
.
##
J
.
J
J
&
J
D
# # . J .
J
&
.
D
Em A
J-5
& .
J
J
J
J
.
# 6 Am
& 8
G
Em
Am
# Am
J
&
.
G
# Am
&
J
.
&
# Am
.
J
Em
Em
Am
G
Em
# Am
j
&
J
G
C
G
# Am
.
&
Em
J-6
Am
Am
..
Lilting Banshee
#
& 68
Am
&
Am
Am
G
# .
& .
Am
G
#
&
Em
Jig
j
.
Em
Am
..
j
Em
j
.
Em
.. 68
Am
Swallowtail Jig
Jig
## 6
& 8 ..
Em
&
##
Em
Bm
Em
#
& # ..
& #
Em
Em
J-7
Bm
Em
..
J
..
Connaughtman's Rambles
Jig
#
D
G
D
D/F
G
A
## 6
& 8
&
##
Em
D
G
. .
J
(A)
G
A
Bm (A)
(G)
A
## .
.
.
&
Bm
(A)
(G)
(D)
Em
D/F #
G
(A)
##
. .
.
&
Bm
Sleep Waltz
for mew
Get old enough so you wont have much to fear.
By then, the music plays inside your head
and everything beautiful must be learned by ear.
In the bathroom mirror I behold my wear and tear.
In our bedroom I try to levitate in bed.
Get old enough so you wont have much to fear.
Meanwhile, my son at six wants to keep me near
and we sing together every night head to head.
So everything beautiful must be learned by ear.
His fathers tunes, though, will one day disappear
beyond todays routines and daily bread.
But get old enough so you wont have much to fear.
Remembering my mother was my first career
and the songs surrounding her on which I fed,
knowing everything beautiful must be learned by ear.
We may waltz in the kitchen now, my dear,
or dance out of time in our sleep instead.
Get old enough so you have nothing left to fear.
Everything beautiful must be learned by ear.
Terence Winch 2000 used with permission.
This poem was first published in the Paris Review
and later in the collection The Drift of Things.
J-8
Foxhunter's
Slip Jig
G
D
A
D
G
D
A
## 9 D
& 8 j j j . j J j ..
D
Em
A
D
A
D
A
## . G .
& . j j J j j ..
# # . D G D A . D G D A .
& .
J J
J
J
J.
m
Em
A
D
A
D
# # . G B
j j J j j .. 98
& .
Barney Brallaghan
Slip Jig
from Steve Hickman
## 9 D j
j G j D j Em A .
& 8 J J .
m
# # . D J J J G D J J E A .
J
.
& .
J
D
# # . D . . G A D A D A
j
..
J
J J
& .
J
J
J-9
Rambling Pitchfork
Jig
## 6 .
& 8 . .
&
##
A (Bm)
## .
& .
##
D (Bm)
.
G
&
Em
..
D/F #
Em
.
J
A
..
Kesh Jig
# .
& . .
G
Jig
..
# .
& .
&
G
# .
&
G
Am
D
C
D
(G)
G
.
C
J-10
..
REELS
## c
&
A
&
##
D
A
G
A
..
D
A
G
A
..
G
D
A
G
## .
.
&
&
##
R-1
Mountain Road
Single Reel
## c
&
D
&
##
Em
##
&
D
##
&
D
D
G
A
D/C #
D/B
D/A
G
D/F #
Em
A
Stenson's #2
Reel
A
E
A
D
A
E
A
Asus4
#
## c .
.
&
A
E
A
E
D
E
A
#
##
..
&
D
#
3
## .
.
&
Bm
E (D)
A
D
E
A
# # # 3
..
&
R-2
&
Reel
&
##
D /F
G
D/F #
Em
A
.
.
..
J
J
D
G
A
D
G
A
## .
& .
/C #
/B
/A
Em
D
G
A
## . .
..
&
J
J
D
##
&
## .
& .
A
Bm
G
A
..
. J
..
Bm
R-3
Bag of Potatoes
Single Reel
G
C
G
D
G
C
G
D
G
# c
..
&
G
Am
G
C
G
# . 3
& .
C
D
G
Am
..
What I say is that, if a fellow really likes potatoes, he must be a pretty decent sort of fellow.
A.A. Milne
The Potato
From among blind stones
they dug out this
many-eyed beauty,
jewel of the island.
Thick-skinned, like them,
with a soft white center,
its value more than gems:
bread and meat it was,
a heart
shaped like their own,
that kept beating
until it blackened
and returned to the ground.
-Mary Fell
Humours of Tulla
Single Reel
D
G
Em
A
## c
..
3
&
&
##
&
##
A
D
Em
R-4
# c
&
Am 3
&
Am
..
Am
Bm (D)
Em
Bm
# . . .
& .
J
J
&
# .
Bm (D)
..
J
Em
Am
&
##
##
..
&
D
G
A
D (E)
(A)
## .
& .
D
D (Bm)
G
A
D
## .
.
&
R-5
# c
&
..
Em
Em
Em
D
Em
Bm
Em
D
Em
&
Em
D
Em
D
Bm
D
&
Em
Concertina Reel
# ( Em ) A Reel
## c
&
D
&
##
## .
& .
&
( D/F
..
##
..
R-6
MISCELLANEOUS
South Wind
# 3
& 4
.
j
#
&
G.
# .
&
# .
# .
&
&
Em
Em
# .
&
Waltz
(D)
j .
Am
..
M-1
Innishere
# 3
& 4
.. .
G
G/F
C
# G. j Em
j
. .
&
# . C D
& .
.
G
Thomas Walsh
used with permission
Slow Air
1.
D 3
. J .
Em
2.
..
G/B
G/B3 C
2.
1.
G
# .
. ..
J
&
J
C
D 3
Em
M-2
G/B
Primrose Lass
# c . j
. j . .
&
.
G
. j .
D
# G. j
. j . .
&
.
# G. . C . G 3 . D.
&
Fling
j
.
. .
D
G
j
. . j
.
.
G
C
D
G
.
.
.
. .
.
G
Em
C
D
G
.
.
.
# G. . C . G 3 . D.
.
.
.
.
&
# c G
&
# G
&
# . G
& .
# D
&
Am
D7
Am
..
D7
Am
..
G
M-3
# c
&
Lucy Farr's
C (G)
#
&
G
C (G)
# .
& .
G
#
&
&
J
G
#
&
.
D
.
C
J
G
..
.
. ..
..
Mazurka
.
.
.
..
Am
# . .
& .
G
# 3
& 4
#
Barndance
D
Slaint
Three cheers for Karen Ashbrook. Let us all stand.
Now three cheers for Paul Oorts, Karens right hand,
And the Kids Music, Chowder and Ginger Ale Band
And an honorable mention to the parents caravaned,
And to Nanny OBriens and to Gaffney and friends,
To the cooks, servers, bartenders, sessioneers, kin,
And the crowd who are smoking and making a din,
(Now youll have to excuse us; this is where we came in.)
Steve Outterbridge, 2001
Childrens
Irish Session
Booklet
compiled by Karen Ashbrook