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andhungertobeinaplacetoseetheone"havingbeauty."Seeinghimandbathinginthewatersofdesire,thefeatherpassagesofsoulareopenedagainsoul'spain isnoweasedandtheconsequentpleasureisthesweetestpossibleatthattime(251ce).
Copyright 1993. State University of New York Press. All rights reserved. May not be reproduced in any form without permission from the publisher, except fair uses permitted under U.S. or applicable copyright law.

Theemanationsofbeautyarenourishmentforthebeholder,recallingtheimageofthefoodpartakenofbysoulwhenitsawthetruth(247d).Theetymologicallink betweentheparticles( )inwhichdivinesoulbeheldtheabsolute(247d).Eachhumansoulthusbecomesamonadwithperspectiveontruth,aminiature metaphysicaluniverseinitsownright.Beholdinganinstanceoftruebeautyrenderssoulopentoallotherrealitiesaccessibletothattypeofsoul. Soul'spainisassuagedbyremembering,asSocratescarefullyputsit,theone"havingbeauty."Whatsoulremembersisthebeautyintheboy,nottheboyassuchnote alsothatthepainisremovednotbyactuallyseeingthebeauteousboy,butmerelybyrememberinghim.Thismemorycausesthesoultorejoice,justasthememoryof beautyandallotherrealitieswillcauseamuchmoreconcentratedandfundamentaljoytoasoulproperlytunedtothosememories. ThePoeticVisionofLove Socratesnowrecallsthe"beauteousboy"whoisthesupposedaudienceforthepalinode,andheconcludesthattheconditionheisdescribingiscalledlovebymortals, butthegodscallitsomethingwhich,becauseoftheboy'syouth,mayseemlaughable.Socratesthencitesapairofversesonlovefrom,hesays,Homer'sspurious works,oneverseofwhichisexcessiveandnotentirelymetrical:
Mortalscallhimwingedlove, Butimmortalsthewinged,becausehemustgrowwings.

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Hisaudiencemaybelieveordisbelievetheseverses,buttheconditionofloversandthecauseofloveareasSocrateshassaid(252bc). Theuseofpoetryatthiscrucialjuncturerecallsthethirdtypeofmadness,poeticinspiration.IfthelinesSocratescitesarenotbyHomer,theymaybePlato's, attributedtoaHomericsourceforthesakeofartisticauthority.3Butinasensethequestionofauthorshipisnotcrucialwhatiscrucialisthatthemadnessofpoetry conveyswhatitdoesaboutlove.Furthermore,Socrateshasjustsaidthatthesoulbeholdingtheonehavingbeauty(252b1)ishealedofitsgreatestills( ). Thefactthatbothtypesofpainaredesignatedinthesuperlativesuggeststhatthevisionofbeautywillhealthesoulofthebeholderfromtheuniquemetaphysicalpain involvedinlongingforthejoysofthatformertime,justastherightpurificationwillhealsomeonesufferingfromafamilialguiltincurredlongago. Thisparticularinstanceofthethirdtypeofmadnessis,despiteitsrelevance,metricallyflawed,asRowepointsout(p.185).Butjustasthemadnessofpoetryis incompleteinproducingflawedverse,sothemadnessoflovewillbeincompleteifitdoesnottransportsoultothepointofseeing,andarticulating,theoutermost reachesofrealitydescribedduringthehighestpitchofinspirationintheSocraticpalinode.Thelinesnonethelessillustratehowpoetrycandepictthemetaphysicaltruth aboutlove.Lovemustgrowwings,justasthewordforlove( ),i.e.,byaddingwingsfortheascenttothetruth.Socrates'extendedandgraphicdescriptionof thecauseandconditionofloverandbelovedconcludeswiththepoeticinsightthatthisstatemustbeelevatedintothehighestmetaphysicalreachesbeforeEroscanbe seenasittrulyis. Whatthendoesthisembodiedformofloveflytowardoncesoul'swingsaregrown?SincethegodsrecognizetheneedforErostobecomewinged,itmustbetoward whatthegodssawwhenontherimoftheheavens.Butwhatthegodssawwasthetruth.Andthetruthencom

Copyright 1993. State University of New York Press. All rights reserved. May not be reproduced in any form without permission from the publisher, except fair uses permitted under U.S. or applicable copyright law.

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passedtherealitiesheldtogetherbythegood.GodsareclosertothefullrangeofrealityErosisnaturallyattractedtomortalsarefurtherawayfromthatreality,thus furtherawayfromthewordmorecorrectlydescribingtheroutetothatreality.
Copyright 1993. State University of New York Press. All rights reserved. May not be reproduced in any form without permission from the publisher, except fair uses permitted under U.S. or applicable copyright law.

TheultimatecauseofEroswillbewhatattractshumanbeingstowardalevelofrealitytranscendingcarnalinterestsandprovidingthesoulsofbothloverandbeloved withthehighestavailabledegreeofhappiness.Thistypeofloveisnoteroticinthewaythatloveofonebeautifulhumancanbe.Butifloveisunderstoodasaformof possessioninvolvingallourfaculties,bothperceptualandintellectual,thenthiscomprehensiveexperientialmediumaptlynamestheentryintowhat,forPlato, constitutestruereality.Inthissensethen,loveisaconstant.Individualsoulsvaryintheirabilitiestoascendtowardtherealitiesaccessibletotheirlevelofsoul,butthe processcontouringthisascentremainsidentical,regardlesswhoislovingorwhatFormisbeingloved. Howcanlove,conceivedofinthissense,exercisesuchadistinctivemetaphysicalfunction?PlatousesthegoodinanumberofcrucialplacesinthePhaedrusto remindhisaudiencethatthegoodremainsintegraltothemetaphysicalvisiondescribedinthatdialogue.Fromthisperspective,theteachingaboutthenatureofErosin thePhaedrusspecifiesaprocesswhich,whenfullyandsuccessfullypracticed,functionsaccordingtothesameuniversalparametersasthenotionoftoagathon. Thus,ifsoulweretolovealltheForms,thensoulwouldbegoodinthemostcompletesense,i.e.,soulwouldseehowanyoneFormisrelatedtoeveryotherForm. Soulwouldbeheldtogetherwithalltherealitiesthroughsoul'slovefortheserealities,justassoulwasatonewithalltherealitiesaccessibletosoulwhenviewingthem inthecompanyofagod.Lovebecomesakindofprocessequivalentofthegooditrepresentsanattempttotranslatetherarifiedandesotericdoctrineofthegoodin thePhaedoandtheRepublicintoarealmofexperiencewhichcanbemorereadilyunderstood,applied(throughthemethodofcollectionanddivision)and,perhaps, evenperfected.

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