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-The first concept is the Utah Jazzs Slip-N-Screen something Utah will near the end of the shot clock out of a traditional 4 flat set with Deron Williams controlling the ball up top. The Slip-N-Screen is a pre-designed slip of a ball screen only for the player to sprint back and set another ball screen for the ball handler. 4 sprints up as if to set a ball screen on x1s left shoulder (for 1 to go right), but he slips the screen and dives in the direction of the rim looking for the pass. However, as soon as he passes the free throw line, he pivots and turns to set a ball screen on x1s other shoulder (right shoulder for the point guard to come left). This time he holds the screen rather than slipping. Because of x4 needed to react to his slip on the first action, the hedge will inevitably be late.
-The next concept requires the screener to be skilled enough to break a defender down or to be a good shot 3 point shooter. Again with the shot clock winding down, the alignment starts in a 4 flat set with one of the bigs sprinting up for a flat ball screen (set with the screeners back facing the baseline rather than on a shoulder of the defensive player). However, before he gets to the ball screen (no screen is actually being set), he pushes hard off his left foot and flattens out his cut to the right wing, turning to catch and square his feet for the pass from 1. Run by Kevin Willard at Iona College
Thunder SLOB w 12.3 left in regulation Starting in a stacks alignment across the FT line, Russell Westbrook (1) comes to the ball for a catch and dribbles towards the right wing where 5 has looped to set a angle ball screen (butt to corner) for Westbrook to drive it right. However, 5 slips this screen and instead sprints to screen away for Kevin
Durant (3) who has stepped in after inbounding. Durant comes off the down screen for an open straight-away 3 pointer.
Next is a play by Jerry Sloans Utah Jazz in SLOB situations that Utah will run to get Boozer (4) a postup. The play starts with Boozer taking the ball out of bounds on the left sideline with a 3 man stack on the left lane line. 1 sprints out of the bottom of the stack for a catch and looks to immediately hit 2 popping out from his position on the right elbow. After 4 throws it in, he is sprinting off 5 and 3s double screen directly to the right block. 2 takes a dribble (or two) to create the passing angle to make a post feed to 4.
The first play is a lob play Uconn will run for Stanley Robinson (3), their best athlete. Robinson starts with the ball at the top of the key before passing it to 1 on the right wing. 2 (Jerome Dyson) has his head under the rim with what looks like a single-double action forming (if 3 were to come down). As 2 chooses to go off 4s screen to the right corner, 5 sprints to set a back screen on 3s man as 3 sprints to the rim looking for the lob from 1.
The next play is a ball screen action Uconn has been running a lot recently (including in Sundays loss to Michigan). In diagram 1, Uconn pairs a high ball screen with a cross screen as 2 sprints to set a crackback for 4 to roll to the right block as 1 is coming off the screen. In diagram 2, you see 5 sprint down to set a down screen for 2 as 1 reverses the direction of his dribble to drive it back left and hit 2.
Zak Boisvert
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Diagram 1: The thing that makes this play work so well is the pace at which Phoenix runs this. It starts with a great early push by 1 who passes to 2 running into the catch. 1 sprints his same-side cut. Diagram 2: 2 takes one dribble after receiving the pass and throws it to 4 stepping to the top of the key. After throwing the pass, 2 gets a shuffle cut from 5. 4 is looking to throw it to him for a layup. Zak Boisvert 05/20/10 Daily Chalkboard Twitter: @ZakBoisvert
Zak Boisvert
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Diagram 3: If 2 is not open for the layup, 4 continues reversal to 3. 5 and 4 turn to set a stagger screen for 1. Diagram 4: 1 is often open for this three-pointer (or a drive down the right lane line), but he also has the opportunity to pass it to 2 who is coming off another double screen set by 4 and 5.
Zak Boisvert
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Zak Boisvert
Twitter: @ZakBoisvert
Diagram 1: 1 dribbles at 4. 4 Back doors. 1 uses spin dribble to turn back left. Diagram 2: 3 and 5 set a post stagger for 4. Early Offense: 1 Twist 1 2
Diagram 1: 1 dribbles it up the pro-line (halfway between lane line and sideline). On ball reversal from 1 to 5 to 3, 2 flex cuts off 4s screen. Diagram 2: After passing to 3, 5 turns to screen away for 1. The key to the play is the twist action that occurs on 1s catch. After setting the away screen, 5 twists to set a ball screen for 1 on his catch.
Zak Boisvert
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Starting in an alignment in which the five players are in direct line with each other, 2 sprints out of the back position acting as if hes coming to the ball, but turns suddenly to screen for 1. 4 will be also screening and 1 uses the double screen to lose his man and come free to catch the ball on the wing.
-The next concept is a rub/ball screen/flare screen action that Virginia used Wednesday night to beat NC State. The text begins with 1 hitting 2 and following with a same-side cut at the same time that 5 is looping out of the post for a ball screen. 2 dribbles off 1s ass in a rub action. Instead of setting the ball screen that the D had been anticipating (UVA will loop their ball side post out to set a wing ball screen often), 5 moves quickly to get out Zak Boisvert 02/05/10 Daily Chalkboard Twitter: @ZakBoisvert
of the way of 2s drive and instead is setting a flare screen for 1 who just performed the rub action with 2. In both actions shown, neither 5 man is setting a traditional ball screen, rather they are running actions that look to be ball screens in order to draw a hedge from the defense where they quickly adjust to take advantage.
Zak Boisvert
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-Mike Brown: versus a coach that is a staunch believer in his defensive matchups (doesnt like his matchups to get switched), create a problem for him with your own defensive matchups. Against the Celtics, Brown will put Lebron on Rondo because he knows that the Celtics want Pierce guarding Lebron on the other end and that Paul Pierce 7 times out of 10 wont be able to get to Lebron in transition of a miss. I dont micromanage, but I have micro-interest. I let my people work, but I do care about the details. I want intimate knowledge of whats going on. Tachii Yamada, president of Bill & Melinda Gates Foundation
-Jeff Bzdelik: Before you get into the workings of any defensive system, your team must know how to closeout. -Bill Self: When defending a ball screen, the screeners defender should hedge at the same angle in which the screen is set (the defenders feet should be parallel with the screenerson the same board). Hedge defender is trying to get the ball handler coming off the ball screen doing 1 of 3 things: pick the ball up, change direction, or be called for a charge. -Tom Crean: Never go beyond the next game (1 Game Winning Streak). Look at your next game as the most important game on your schedule. -Stan Van Gundy spent his year off after getting let go by Miami studying the league and asking himself the question, What will I do when I come back? -Nick Saban: Alabama players were charged with the task of putting together a team affirmation (defined as a positive assertion repeated by players to keep them focused on all the same things needed to achieve the long term goal of a national title.) For offense Zak Boisvert 03/16/10 Daily Chalkboard Twitter: @ZakBoisvert
Zak Boisvert
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the team affirmation was to strive to be capable of an explosive play on any given snap. The defenses affirmation was to never give up an inch. -Hubie Brown: Dont be turned off from aggressive play by high foul calls in your first year(s) of your tenure. As you start to establish that (aggressive defense) as your style , they (the refs) will respect you and foul numbers will decrease.
Zak Boisvert
Twitter: @ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
Diagram 1: 1 hits 5 and screens down for 4 to come to the top of the key. 3 clears (not shown). Diagram 2: 5 passes to 4 who swings the ball to 1 who has stepped off the elbow to the wing area after setting the screen. After 5 passes, 2 sprints to set an up screen for 5 to cut into the post. Diagram 3: The play ends with a screen-the-screener action when 4 screens down for 2 for an open look at the top of the key. The next play is a wrinkle of a traditional zipper action you will often see out of a box set.
Shown in the diagram of the left is the traditional zipper action you will see teams run out of a box set, but the difference is that UNI is looking not at 3 (the cutter off the zipper screen set by 5). UNI will draw the 4 from the weak side to go high/low to take advantage of x5 having to show on the zipper screen. Zak Boisvert 03/18/10 Daily Chalkboard Twitter: @ZakBoisvert
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Left Diagram: The play begins with a simple dribble flip between 1 and 2 out of a traditional Princeton 4-out alignment with the post raised. 3 and 4 exchange on the weak side. Right Diagram: 2 takes 1-2 dribbles off the handoff before throwing a crosscourt pass to 3. 5 steps to set a back screen for 2 who rips right into his cut looking for the pass from 3 for a layup. Many (not all) Princeton teams will have 5 step right into a ball screen for 3. Fly 2 Left Diagram: 1/2 dribble flip. 4/3 weak side exchange. Right Diagram: 2 throws crosscourt pass to 3. 5 and 2 turn to set double for 1 to curl into the paint.
Fly In Left Diagram: 1/2 dribble flip. 4/3 weak side exchange. Right Diagram: When 2 throws the crosscourt pass to 3, instead of 5 setting the back screen, 2 screens in on x5 to allow 5 to pop for a three pointer (Beilein runs this action quite a bit). Zak Boisvert 06/10/10 Daily Chalkboard Twitter: @ZakBoisvert
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Zak Boisvert
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Zak Boisvert
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Diagram 1: 1 hits the trailing 4 on a guard-to-guard pass before running a slice cut off 5s screen to the left block looking for the quick pass back from 4 for a layup. Diagram 2: If unable to hit 1 on the slice cut, 4 dribbles at 2 for a dribble handoff. As 2 takes the handoff from 4 and dribbles to the middle of the floor, 5 is setting the first part of a stagger screen for 1 with 4 setting the 2nd screen immediately after making the handoff. 2 looks to hit 1 on the right wing coming off the stagger. 1 2 3
Diagram 1: The play begins with 2 breaking out of the initial box set for a top of key catch. Diagram 2: After making the pass to 2, 1 makes a shallow cut to the opposite wing as 5 empties opposite. Diagram 3: 2 hits 1 and begins to make a basket cut, but stops the cut abruptly at the free throw line. At this moment, 4 tails right off his ass for a circled cut directly to the rim for an
Zak Boisvert
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Zak Boisvert
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easy paint catch. 2 is not to turn his body, he is supposed to literally stop in his tracks and allow 4 to come directly off of him.
Zak Boisvert
Twitter: @ZakBoisvert
-If 3 was stationed in the right corner (making the left side of the floor a single side), 4 would simply pop after setting the ball screen for 2.
-What makes this offense so tough to defend is that its demanding that the defensive posts play solid post D on the catch and then instantly be ready to sprint out and hedge a ball screenits nearly a given that the hedge will be at least a half-second late if the offensive posts are sprinting into their ball screen off their fan passes.
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Left Diagram: Starting in 1-2-2 set, the action is initiated by the 2 wings running into a cross. 2 goes first with the goal being the two wings crossing each others body on the right side of the lane. Right Diagram: Rather than popping out to the wing, 3 steps to screen for 4. 4 gets another cross screen from 5 and cuts underneath the rim to a spot just below the block to catch a post entry pass from either 2 or 1.
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-A continuous doubles play Florida has gone to in several big possessions this year. The play begins with 4 and 5 sprinting to set a double screen for 2 to pull across the court to look for the pass over his shoulder from 1. 2s cut, however, is largely a decoy as the three that Florida is really looking for comes when 4 and 5 turn to screen down for 3 for a catch-and-shoot opportunity. (You can finish this play by having 2 come through to the corner using another double screen set by 4 and 5).
2 Up
-A play that was actually run by both Florida and West Virginia this weekend, 2 Up looks like a double screen for 3 to come up the middle of a top of the key three pointer as 3 back cuts his man and 2 screens x3. As 2 steps out to receive the catch from 1, 3 starts angling up the court and sets a screen for 5 to cut into a postup. Depending on the situation (down just 2?) you can
throw it in, but the open look is, after setting the screen, 3 stepping behind the three point line.
Low: 1 dribbles away from the stacks as the top man (5) screens the bottom forward defender to create a 1-on-1 opportunity for 4 in the middle of the lane.
-Get 3 to play 2 on one side of the floor then reverse the ball to the 3-on-2 on the other side of the floor. -Doesnt like cutting players through a zone. If you want them there, have them there to begin with. -3 deep alignment on baseline against a 3-2
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Shallow Cut + Seal Despite this being a relatively simple action, Butler had a large amount of success on this. 2 (Shelvin Mack) crosses halfcourt just wide of the lane line extended with 1 (Ronald Nored) off of the opposite lane line. What makes the play work is the timing of Nored and Mack working together. Right as 1 starts to make his shallow cut, 2 drives the left through the gap 1 just vacated. The final part is 5s seal. This is NOT a duck-in, rather 5 is trying to catch x5 on his high side and drive him up towards the free throw line to clear space for either a drive by 2 or a hook post feed by 2.
Diagram 1: Starting in a double stacks set, 2 pops for a catch as 1 goes to screen 5 after passing. Diagram 2: 5 sprints into a side ball screen for 2. 3 moves up the wing area acting as if he is going to back screen on 5s roll (something Butler likes to do). Diagram 3: Instead of back screening for 5, 3 turns and looks to screen in for 4. 4 comes over the top of both 3 and 5s screen (who turned after setting the ball screen). 2 looks to throw
Zak Boisvert
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Zak Boisvert
Twitter: @ZakBoisvert
back to 4 for a three (this is tough for 4 to get his feet down, but run it for your best shooterButler runs it for Haywardand youll be fine).
Zak Boisvert
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Diagram 1: The action is initiated by 3 running off of 5 to loop up to the left elbow while 2 cuts over the top to head to the right wing. 4 pops to the left corner. Diagram 2: 1 hits 3 at the elbow who turns to hit 5 sealing the bottom wing defender. (below, the play is shown with 2-3 zone defense slides)
This play is great to be run against teams that look to match within their zone (not a match-up zone, but teams that run a more man-oriented zone). What inevitably ends up happening is that 2 and 3s cuts happening simultaneously and in opposite direction distorts the defense and on 3s catch at the elbow, it is x5 coming up to play him, leaving open the possibility of 5 sealing the bottom wing defender (x3).
Zak Boisvert
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Diagram 1: 3 breaks out of the box set to make a catch on the left wing while 2 runs to the left corner. After making the pass to 2, 1 receives a back screen from 4 to look for the pass over the top. On 3s catch, 5 moves into the block area looking for a post catch. Diagram 2: After setting the back screen, 4 moves to set a wing ball screen for 3 (the back screen to a ball screen is an action seen constantly in the NBA). As 3 is clearing 4s shoulder, 1 has finished his cut right into a back screen for 5 who rolls off his strong side block position to a seal position looking for the bounce pass from 3. (Not pictured) 4 finishes the play by setting a down screen for 2 to fill the wing area 3 vacated with the ball screen.
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Here, 1 makes the guard-to-wing pass and begins his loop cut to the left wing. 2 takes two dribbles to the top of the key before turning to throw back to 1. Notice for a moment the left guard defenders situation as he decides who to play. The forward defender from that side is almost forced to come play 1 on his catch. The strategy is shown below with defense included.
1 has the opportunity to hit 5 on his high post flash or pass to 4 in the short corner (exposed as x4 lifts) who looks to hit 5 rolling down the lane or skip opposite to 3. Butler had Syracuse shook the entire first half with this throwback option. Stevens recognized that Boeheim was too good of a coach not to adjust at halftime and thus Butler came out with a new strategy off the same movement. I will show Butlers Throw Ahead concept on Monday
Zak Boisvert
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Diagram 1: 1 passes to 2. 3 cuts hard off 5s screen. If x3 doesnt get caught on the screen (opening up a layup opportunity), 3 spreads out to the corner. Diagram 2: 5 turns and screens in for 4. 4 curls the screen to the right block. Diagram 3: 2 passes to 1 who dribbles at 5s elbow angle ball screen. 5 rolls off the screen as 4 moves to fill behind.
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Diagram 1: Starting in a 1-2-2 alignment to counter the 2-3 zone, 1 passes to the right wing and loops around 5 at the right block to pop out to the corner. Diagram 2: 2 dribbles to the top of the key (dribble rotate!) before throwing back to 1 lifting out of the corner to the wing area. On 2s pass, 3 begins his cut off the double screen set by 4 and 5. Diagram 3: 3 cuts to the corner and shoots the three-pointer if its open. If he is defended, he looks to the inside action where 5 cross screened for 4 and then popped to ball side elbow.
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1 2 3 4
Diagram 1: Staring in a 2-3 lifted set, 1 hits 4 and runs a slice cut off of 5 to the block. Diagram 2: 4 swings the ball to 3 and runs off of a back screen set by 5 to the block (which 1 has now cleared to the corner.
Diagram 3: After setting the back screen for 4, 5 turns to screen away for 2 who waits for the screen then cuts to the top of the key for a catch. Diagram 4: On 2s catch, 5 turns around and sets an angled ball screen for 2 to drive it left. 5 dives hard to the rim. As 3 sprints to the top of they as the fill (very important!)
A traditional 2-1-2 delay game set, the three players involved in Triangle dont necessarily need to be your three perimeter players, but rather three good free throw shooters that are capable of handling the ball against pressure. Triangle is a simple continuity involving a guard-to-guard pass with the passer cutting hard off another player situated at the top of the key. After setting the back screen, the player at the top of the key fills the spot the passer vacated and receives a pass. In Arizonas OT win against Colorado in the Maui Invitational yesterday, you were able to see the importance of a good delay game. Nursing a six point lead with under a minute to play in regulation, Arizona unsuccessfully tried to get into their delay game, but ended up turning it over and allowed Colorado to force overtime. In the extra period, however, Arizona worked Triangle to perfection on 2 different possessions to wear out the clock and get the win.
Orlando Magics Weakside Ball Screen: A concept Orlando has been utilizing a lot lately is setting up a ball screen on one side of the floor only to quickly crosscourt the ball and run one on the weakside. Here, 4 sets up as if to set a wing ball screen for 1 to drive left, but before 1 gets to the ball screen, a read is made and 3 cuts through. 1 reverses the ball to 2 as 5 sprints up to set a wing ball screen for him. The whole concept revolves around the concept that the offense wants to distort the defenses hedge and make their show late. Another example of this is below, but now the initial ball screen is set up as a high middle ball screen rather than a wing.
The first one is from the University of Arizona and is what I termed a double screen slipfade. In it 5 and 4 turn to set a double wing ball screen for 1 on the left side of the court with 5 being the top screener and 4 being the bottom. However, as 4 arrives in the area to set the screen, he pauses only momentarily and instead slips to the wing opening his body to the ball. If his defender has already assumed a hedge, he must scramble to get out to defend on a pass from 1 to 4. 1 has the option to hit 4 right away or go off the ball screen with the choice to hit 5 on the roll or throw back to 4.
This next one is a butt ball screen that Vanderbilt is utilizing this year, but is a very European concept in that several professional teams over there run rather than the traditional ball screen we know. With the butt ball screen, the screener is setting the screen with his butt rather than his chest. Where a traditional ball screen is set with the intention of the ball handlers defender running into the defenders chest, the butt ball screen is set to have that defender run into the screeners back. Lason Perkins details this technique extraordinarily well in his DVD Secrets of International Basketball. The change allows the screener to immediately be a player once the handler clears the screen as he is already situated with his chest facing the basket. The screener can immediately cut to the hoop rather than Zak Boisvert 12/04/09 Daily Chalkboard Twitter: @ZakBoisvert
pivoting and cutting and there is the additional bonus in that the screener is already facing the basket to shoot on a throwback pass. Vanderbilt consistently had success off this in their secondary break.
Used by Siena of the MAAC, this is a ball screen set in transition (for the diagram I isolated 1 and 5, but in reality this is taking place during an early offense situation where the wings may or may not be already filled). Sienas 5 puts pressure on the defense by running hard at the rim in transition, but if he doesnt have an opportunity for a pass over the top or a seal, he peels out of his run and sets a ball screen for 1 with his back facing the baseline.
Used by Niagra also of the MAAC, this is a dribble weave-ball screen continuity offense that consists of a ball screen, a roll and replace and a dribble weave action repeated throughout a possession. 1 begins with the ball on the left wing and drives it into 4s ball screen set at the top of the key. 4 rolls as 5 circles to replace. 1 dribbles at 3s defender to perform a dribble handoff with 3. 3 takes the ball and drives it at the ball screen 5 is now setting. 5 rolls, 4 replaces and 3 hands off to 2.
A great play to run versus man-to-man because if the screening is solid, there will be an open shot every single time. The play begins with 2 shooters (2 and 3) lined up at the middle of the free throw line. 2 and 3 proceed to sprint to the right block to set a double screen for 5. 5 starts high, but runs off the screen low to the left block. 3 then pivots to screen 2s defender to free 2 to make a cut to the elbow for an open jumper.
Play 1: run for a shooter (in this case: Ray Allen). 2 starts on the weak side elbow and runs off the double screen set by 4 and 5 at the strong elbow. On any switch call made by their defender, 4 and 5 are diving to the rim.
Play 2: counter to play 1, 2 fakes coming off the double and instead dives to weak side block while 4 pins down on 5s man as he pops to the three point line for an open look. Obviously the 5 must have an ability to knock this shot down (think Rasheed Wallace).
The set begins in a double stack at the elbows with the wings emptying to the opposite side. 1 throws to 2 on the right side and cuts through to the left block. On 2s catch, 5 brushes off 4s screen and sprints to screen for 2. However, 5 slips the screen right to the rim. 4 now turns and sets a ball screen for 2. 2 dribbles off the ball screen into the middle of the floor while 4 sprints to use the double screen set by 1 and 5 in the middle of the lane (can be on left block to avoid 3 second call). 2 kicks to 3 on the left wing to send it one more to 4 sprinting to the corner for the open three or 1-on-1 driving opportunity. Note: Marquette ran various things off this including a regular pick-and-pop for 4, a double screen (by 4 and 5) after 4 sets the ball screen
Diagram 1: 5 steps to the midpost area to receive pass from 1. Diagram 2: 1 cuts as if to screen for 4, but cuts hard off 5 for handoff/short pass. On 1s cut, 3 has moved to set a flare screen for 2. Diagram 3: After setting the flare for 2, 3 moves to set a ball screen for 1, but slips early and dives to the rim. 5 has turned to set a down screen for 1. 1 can hit 3 on the slip, 4 coming off the down screen, 5 rolling or create something for himself. Lineup: 1: Rodrigue Beaubois 2: Jason Terry 3: Shawn Marion 4: Dirk Nowitzki 5: Kris Humphries
Diagram 1: The play starts in a 1-4 high look with 1 hitting the 5 at the right elbow and cutting through the middle. After clearing the semi-circle, 1 turns and joins 4 in setting a double back screen for 2. 2 has stepped towards 5 before busting to the rim using the 2 screens. Diagram 2: 4 turns and screens down for 1 who comes to the perimeter for a catch from 5. Diagram 3: 2 and 4 set a baseline runner screen for 3 who sprints to the left corner for an open look.
Chapter
1 Iso (1 of 4)
Coach John Calipari (Kentucky vs UCONN) Iso play for John Wall 12.9
1 Iso (2 of 4)
Coach John Calipari (Kentucky vs UCONN) Iso play for John Wall 12.9
2 5 5
3 3 4
2 5
2 3 1 4 1
1
1 passes to 3. 2 cuts along the baseline to empty out the left side of the court. 5 looks for the postup/lob over top once the 2 clears. 1 takes a flare screen from the 4 and continues the cut to the (left) elbow.
1 Iso (3 of 4)
Coach John Calipari (Kentucky vs UCONN) Iso play for John Wall 12.9
1 Iso (4 of 4)
Coach John Calipari (Kentucky vs UCONN) Iso play for John Wall 12.9
2 5 3 1 4
4
4 2 5 32 4 3
Once the entire left side is cleared out, the 1 iso to the basket to score or kick.
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Page 1
Bottom left: the play finishes with 4, instead of rolling, running to set a down screen for 3. 1 has the option to hit 5 for the postup or pass to 3 coming off the down screen.
Diagram 1: Starting in a 1-4 high set, 2 sprints to the left wing, using a double drag screen set by 4 and 5 (3 dropping to corner). Diagram 2: Having dribbled towards the left high elbow area to sell the drag cut, 1 quickly spin dribbles as 5 has turned and screened for 4 to cut to the right wing and look to sweep the catch for a baseline drive.
Diagram 1: 2 cuts through the painted area to ball side corner. Diagram 2: on 2s cut, 1 circles to the elbow area and looks as if he will dive between 4 and 5 for a basket cut, but instead pushes 4 through to the ball side block area. As this is occurring, 5 is squaring up to set a screen for 1 to curl back to the ball for a 3 point look. (4 spaces out to the right wing after setting the screen).
Diagram 1: on 1s pass to 2, the opposite wing (3) flashes to a spot just underneath the foul line. If he doesnt get the pass from 2, 3 cuts to the short corner looking for a catch. Again, if he doesnt catch, he proceeds to the deep corner. Diagram 2: 5 fills the spot just underneath the FT line that 3 vacated. If he is not open for a catch, he cuts to the short corner. 4 lifts out of the corner to fill the left wing spot. Zak Boisvert 12/1/09 Daily Chalkboard Twitter: @ZakBoisvert
Diagram 3: The ball is reversed and on 4s catch, 2 makes the FT-short cornerdeep corner cut Diagram 4: 5 fills the spot just underneath the FT line that 2 just vacated. If he is not open for a catch, he cuts to the short corner. 3 lifts to the right wing spot.
Bottom Left: After throwing to 3, 2 receives a flare screen from 4. 5 down screens for 1 who pops for a wing catch thrown by 3. Bottom Right: 1 looks inside to post up 5 on the seal, but if it is not there, waits on 4 coming to set a ball screen after he sets a flare for 3.
Diagram 1: A&M starts in a stacks set with 2 immediately popping to corner. 3 wraps around 4 and once he has cleared, 4 lifts to the left elbow as 1 brings the ball to the right wing and throws to 4 on his flash. Diagram 2: Rather than cutting through 3 stops in the lane and screens x5. 5 rolls off his back and cuts underneath the screen for an easy paint catch.
Diagram 1 (Top left): 2 breaks out of the stack at the left block to the left elbow where 1 throws it before 1 begins to cut through the defense. However, when 1 gets to the nail of the free throw line, instead of cutting to the basket, he changes his angle and sets an away drag screen for 4. Diagram 2 (Top middle): 4 uses the drag screen by 1 to come to the middle of the floor to receive a pitch from 2 (who clears out past the 3 point line). Diagram 3 (Top right): On ball reversal to 1, two things can happen: 4 can follow his pass with a ball screen (not shown) or 5 can set an up screen for 2 to cut to the ball side block. Diagram 4 (Bottom left): 4 and 5 then turn to set a double staggered screen for 3 to come to the top of the key.
Diagram 5 (Bottom middle): On 1s pass, he now runs off a triple. 3 is looking to pass to him or looking to go to 2 for a step-out iso.
3
Diagram 1: On an early push, 1 throws ahead to 2 and cuts through. 3 cuts hard to the free throw line before popping to the top of the key (4 will run behind him in the trail spot) Diagram 2: 2 swings the ball to 3 who swings the ball to 1 who has cut off of 4s down screen to catch in the left slot area. Diagram 3: 5 sprints up to set a ball screen for 1 and rolls to the rim as 4 fills behind to perform a roll & replace.
4 drives at 1 to complete a dribble handoff as 5 sets a flare screen for 3 on the weak side of the court. After the dribble handoff, 4 is sprinting down to the block to screen for 2. 1 has plenty of options: hit 2 coming off the down screen, turn the corner himself, hit 3 on the flare, hit 5 stepping out after setting the screen (for State, this is always a shooter) or hit 4 pinning his man. A SLOB play Michigan State will run when they need a quick score, this play puts the ball in the hands of their best playmaker and gives him an open side of the floor to drive to with a couple of other options. After 2 passes into 1, he sprints through to the opposite corner (this must be a sprint in order to create a possible drive and kick situation). On 1s catch, 3 steps up to set a ball screen and once 1 turns the corner, 3 sprints off a double flare screen set by 4 and 5. Zak Boisvert 12/03/09 Daily Chalkboard Twitter: @ZakBoisvert
1 has the option to take it himself, drive and kick to 2 or throw over the top to 3 on his flare cut.
Effective versus a man-to-man defense, this play is a killer against an opponent that will 2-3 all SLOBs as the action in diagram 3 will shred a zone as the bottom left wing is occupied with covering the double screen and the middle defender rushes up to cover 5s flash, leaving the middle wide open for 4s dive.
3
Diagram 1: WVU moves into a lifted 2-3 set with the top being squared with their 2 guards, 1 and 2 (Mitchell: the shooter). 1 passes to 3 to initiate 2s scissor cut into the ballside post. Diagram 2: 5 turns to set a back screen for 1. After screening for 5 pops out for a catch from 3. Diagram 3: 2 moves out to the wing as if to set a back screen for 3, but 3 at the last instant assumes a screening position as 2 curls around him for an open look.
10/29/09
Oklahoma State plays for shooters versus Iowa States 2-3 zone in Big XII
Plays 1 and 2 are best to be run consecutively. Play 1 Play 2
Play 3
Play 3 is run with 1 receiving a high ball screen from 5 (Oklahoma State relied heavily on ball screens to attack Iowa States 2-3). A stagger is occurring on the weakside with 2 screening the outside bottom defender and 4 screening the middle defender. Once 3 clears his shoulder, 2 will set another screen: this time for 4. The play finishes with 5 setting a down screen for the bottom R defender for 1 to wheel around to hit 2 for the open look.
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The next play the Cavs will run out of this set is a ball screening action where again 1 dribbles at 4 causing him to dive. Instead of turning to throw back to him for a baseline jumper, 1 throws an advance pass to 3 (Lebron) on the right wing and makes a corner cut as 5 is looping (coming right off 1s butt on his corner cut) for a ball screen.
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Zak Boisvert 03/08/10 Daily Chalkboard Twitter: @ZakBoisvert The next play Cleveland will run out of this set is one in which J.J. Hickson is acting as the trailer. Instead of 1s driving the trailer initiating the action, 5 initiates the action by beginning a basket cut. He hopes to get his defender retreating to defend the back cut because once he gets to the nail, 5 wheels around to sprint to a side ball screen for 1. 4 has moved to the corner and will act as the fill guy (moving behind the ball on 1s penetration) as 5 rolls hard to the rim.
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-The next action occurs when the Mavericks throw to the elbow on any empty side (no one in the ball side wing/corner positions). Rather than Dirk catching as in the previous play, Dallas will run this to (3Josh Howard or Shawn Marion). Kidd follows his pass to rub off of 3 for a fake handoff while at the same time a double screen is being set on the weakside of the floor for Jason Terry (2). On 2s catch, 5 is setting a turnout screen for 4 for an open jumper.
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3 Diagram 1: The play starts with a simple UCLA action following 1s entry to the wing. Diagram 2: Almost immediately after 1 rubs off 5s UCLA, 4 (a shooter for BYU, making it more dangerous) comes right behind him and runs off 5s body to the mid-post area looking for either a quick catch-and-shoot or a post feed. Diagram 3: 5 now turns and goes to get 1 (who has moved underneath the rim) on simple down screen for an open look.
In this set there are simply too many actions to cover for the defense to play it perfect. At somewhere along this set, someone is going to get an open look. Think of what x1 needs to do on this play to play it perfectly: provide ball pressure on the point, jump to the ball on 1s pass to 2, bump 1s UCLA cut, knock 1 off his post-up, be aware of a possible help situation with 4 coming off 5s screen and then, finally, get through 5s down screen ready to defend 1 at the top of the key with huge driving gaps.
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Quickhitter
Detroit
Horns set 1 passes to 2, who then dribbles to the top of the key 4 goes to the block to set a pick for 1 (single) 3 and 5 go to the block to set a pick for 1 (double) 1 cuts to the basket after the pass and then can curl off the single pick or the double pick for a three-pointer
Zipper set 1 passes to 2, who then dribbles to the top of the key 4 goes to the block to set a pick for 1 (single) 3 and 5 go to the block to set a pick for 1 (double) 1 cuts to the basket after the pass and then can curl off the single pick or the double pick for a three-pointer
4-up set 1 passes to 2, who then dribbles to the top of the key 4 goes to the block to set a pick for 1 (single) 3 and 5 go to the block to set a pick for 1 (double) 1 cuts to the basket after the pass and then can curl off the single pick or the double pick for a three-pointer
Quickhitter
1-up set 1 passes to 2, who then dribbles to the top of the key 4 goes to the block to set a pick for 1 (single) 3 and 5 go to the block to set a pick for 1 (double) 1 cuts to the basket after the pass and then can curl off the single pick or the double pick for a three-pointer
Diagram 1: Out of transition, 1 dribbles off the pro spot to the left sideline while 5 sprints to screen for 4 who sprints into what looks like a traditional sideline ball screen with the strong corner filled
Diagram 2: Instead of sprinting to set the ball screen, 4 stops at lane line extended where 1 hits him. After passing, 1 sprints to screen for 2. 2 tight curls the screen to the rim looking for the pass from 4 for the layup.
Diagram 3: If 4 doesnt make the pass, 1 pops back out the corner where 4 hits him and follows for a corner ball screen for 1 to drive it middle.
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3 Diagram 1: Starting in an A-set alignment, 1 passes to the post situated at the elbow away from the shooter (2= Ray Allen). 1 cuts through and sets a flex screen for 2. Diagram 2: 4 looks at the flex cut (passing if open) before turning to his right to pass to 3 (Pierce) creeping out of the corner. Diagram 3: 4 follows with a corner ball screen and as 3 drives off the ball screen, 4 moves to set a down screen for 2. 1 has the option of driving it himself (1 has lifted, 5 has dived to the opposite alley) or throwing to 2 for an open jumper.
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Diagram 1: Starting in a set that looks like theyre overloading the left side, the Celtics do a good job of moving the defense a considerable amount although just one pass is made. Following his pass to 5 stepping out to the top of the key, 1 slices through below him for a shallow cut. At the same time, 4 relocates to the opposite post while 2 kicks to the corner. Diagram 2: Once 1 has cleared, 3 lifts slightly and 5 hits him with a pass. 5 follows with a ball screen as 4 drops to the weak side alley behind the backboard to clear space for 5s potential roll. Diagram 3: 3 drives it hard off the wing ball screen as 5 rolls to the rim and 2 shakes behind looking for a throwback from 3 for a three-pointer.
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3 Diagram 1: Starting in a 3-out/2-in alignment against a traditional 2-3 zone, 1 dribbles to the left wing causing 2 to make a loop cut to replace 1 at the top of the key. 3 flashes to the nail in the free throw line as 4 runs off 5s screen to the right corner. Diagram 2: Ball reversal occurs as 1 passes to 2 who swings to 4 stepping out of the corner to the wing. Diagram 3: After passing to 4, 2 sets a screen on the weakside guard to free 3 for an open three pointer.
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A traditional ball screen with some movement occurring underneath the screen, this action starts with 5 sprinting from the left block to set a ball screen on x1s right cheek. As 1 is coming off this ball screen, 4 (Kyle Singler) cuts hard underneath his defender (who is presumably playing underneath the rim in help side position). It is important that this is an extremely hard cut because 4 is 1s first look coming off this screen (Singler has excelled at this, catching it just off the block where he can use his face-up game to go by bigger, slower defenders). For Duke, 5 is Brian Zoubek who is a plodding 7 footer, so rather than rolling him to the rim and cutting into 4s area of operation, Coach K has 5 turn to screen away for 3 (Scheyer) after setting the ball screen.
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The next action Duke runs out of their A Set is their flex. 1 will throw to 5 and cut off as if he is looking for a dribble handoff. If 1 doesnt receive the handoff, he cuts to the opposite block to set a flex screen for 3. 4 down screens for 1 and Duke is now in their regular flex.
(For any further insight on the offense, Lason Perkins has an excellent DVD out on the subject)
Roll-and-Replace action with a perimeter: Portland runs a variation of the traditional roll-and-replace action off of a side ball screen where the screener rolls to the rim and the other big moves out of the post to circle behind the ball. Instead of the opposite big (which, with the 4 ball screening, would be the 5 in the diagram), Portland has the 5 screen for 2 to be the replace guy. The advantages of this are obvious: you have a perimeter player moving behind the ball for a catch at 18-21 feet rather than a post. A possible disadvantage is that it doesnt engage x5 as much as 5 replacing would although if 5s screen is good enough, x5 would have to help and after screening 5 drops directly to the alley (baseline behind the board, just outside the lane). Underneath fill: With the strong side corner occupied on a wing ball screen, rather than running a traditional fill cut (2 moving mirroring the 3 point arch and moving directly up to the wing area) as 1 takes the ball middle and 5 rolls, UP does something unusual in that they have 2 fill underneath the 5s roll by cutting inside of his dive before Zak Boisvert 02/26/10 Daily Chalkboard Twitter: @ZakBoisvert
coming to the wing area. Just before 5 turns to sprint to the rim after setting the ball screen, 2 begins to move towards the paint area and once 5 has cleared him, cuts to the perimeter for a catch.
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Diagram 1: 2 and 5 set a double screen for 4 to dive to the weak side block. Diagram 2: After screening for 4, 5 pivots to screen in for 2. 2 comes off the double screen set by 5 and 3 for an open jumper.
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3 4
Diagram 1: With the ball on the left side of the court, 4 sets a narrow pin-down for 3. Diagram 2: 5 and 4 set a double baseline screen for 2 to come to the right corner. Diagram 3: 2 catches and uses a lateral dribble to move the ball towards the middle of the floor at 1 who receives a flare screen from 5. Zak Boisvert 12/28/09 Daily Chalkboard Twitter: @ZakBoisvert
Diagram 4: 2 passes to 5 stepping out after setting the flare. 5 quickly swings to 1. As soon as 1 catches on the wing, 3 goes to set a crackback screen for 4 to come to the ballside block for a postup.
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Left Diagram: Starting in a 3-out/2-in alignment, 1 passes to 2 and makes a boom cut. 3 fills at the top of the key. Middle Diagram: On 2s pass to 3, 1 runs off the double baseline runner set by 4 and 5. On his catch, 1 can shoot if defense is unable to get through the screens. Right Diagram: 1s catch signals that its 2s turn to run off the double screen, but the tweak Kansas State makes to this popular play is that as x2 reads the continuous double action and jumps the two screens, 2 comes off underneath the first screen before slicing up the middle to the top of the key for an open three.
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Xavier BLOB play (run once for Redford at the 2 position and once for Crawford): L Diagram: Starting in a 4flat alignment, 2 sets a screen for 5 to come off into the strong side corner (Xavier loves to run a BLOB play where the 5 comes to the corner for a catch and handoff back to the inbounder). R Diagram: 5 clears the screen and appears to be headed to the corner, but turns back around to get 2. After setting the screen, 2 was acting as if he were cutting through, but now wheels back around to come off the double set by 4 and 5.
Kansas State late game set for post-up: L Diagram: 1 hits 2 and makes a corner cut. 4 makes a high post flash for a high/low look. R Diagram: On 4s high post catch, 1 cuts over the top of 5 in a flex-like action. K-State isnt so much looking to hit 1 on
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Zak Boisvert
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this cut, but rather set up a duck-in for 5 while x5 is occupied helping x1 get through on the cut.
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Up Starting in a 1-4 high alignment with 2,3,4 and 5 all across free throw line extended, 1 hits 5 to initiate the play before cutting underneath 4 to set a back screen for 2 to come off for a paint catch. After 2 has cleared 1, 4 turns to screen for 1 (screen-the-screener action). 5 hits 1 and turns to screen away for 2 to free him for an open three. Down Rutgers runs a ton of ball screens and they had success with this action in the first half. 1 dribbles at 2 for a dribble handoff as an entry into the play. 2 takes the handoff and takes 1 dribble to the high elbow area before throwing back to 1 and running off a UCLA screen set by 4 (if he doesnt get it for a layup or a postup, he clears). After setting the UCLA, 4 turns to screen for 5 who sprints off the screen right into a side ball screen for 1. 4 stays on the weak side, 5 rolls hard while 2 fills the wing spot from behind. The key is that the UCLA action occupies x4 enough that when 4 sprints to screen for 5, there is a slippage in execution/communication and 5 is able to arrive at the ball screen without his defender (the hedge).
Zak Boisvert
Twitter: @ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
that the purpose of the defense is to create contact while the purpose of the offense is to avoid it. Therefore, Calhoun teaches his team that when theyre attempting to rebound defensively from the free throw alignment (other team shooting), they should be as far up the block/slot as possible (to be as close as possible to the possible offensive rebounder). On offense (when Uconn is shooting), Calhoun again instructs his player to be as far up in the block/slot as possible to avoid contact by the defensive rebounder. (Michael Jordan, possibly the worlds greatest offensive rebounder off free throws was notorious for lining up as high as he could in his slot and hopping to the middle of the lane). -When playing against the better point guards, Nate McMillian and the Portland Trail Blazers use a free throw to set up their defense. As the ball goes through the net, the Trail Blazers 4 man (who was lined up on the free throw lane) turns his back to the baseline, but rather than running away, looks to find the opposing teams point guard and momentarily face guards him in an attempt to slow the break or force the team to bring another player up court to receive the inbounds pass. -In anticipation of an offensive rebound off a free throw, Dunlap mandates that his players line up with their hands in front of their chest and their elbows in.
-Lorenzo Romar, Washington: All 13 players gather around FT lane at the end of practice to shoot either a 1-and-1 or a 2-shot foul. Team doesnt leave until players combine to make 19 of 26 (on 1-and-1 days) or 20 for 26 (on 2-shot foul days). On failure, switch ends and start again. -Kevin Pigott, Fordham Prep: 3 to make 2 In between all drills, team breaks up into pairs at different baskets and shoots 3 free throws with the goal being to make at least 2. -3 to get 4: Player shoots 3 free throws in an effort to get 4 points. Point system: swish= 2, rimmed make=1, miss=0. -Don Meyer, Northern State: Bubba Free Throws: Entire team stands on baseline with players coming out one at a time to shoot a single free throw. Team is down 75-70 with all makes counting as +1 and all misses counting as -2. Mike Dunlap, Metro State, Denver Nuggets (assistant), Oregon (assistant): Elbow points to the rim and hold your gooseneck for a count of 2 everytime. -Brad Soderberg, Lindenwood University: Free Throw Ladder Built around the premise of a country clubs tennis ladder, Soderbergs concept squares a pair of people off every day for 20 free throws. The top 2 shooters shoot at the Gold Basket with the loser rotating to the 1st basket for the next days practice. The winner at basket 1 on Tuesday moves to basket 2 for Wednesdays practice while the loser of basket 1 remains. -Gary Boren, Dallas Mavericks: emphasize the importance of making free throws in practice and de-emphasize the importance of making them in games. -Mike Dunlap, Metro State, Denver Nuggets (assistant), Oregon (assistant): free throw shooting is an area we can improve on with a little more thought. Regardless of your talent this an area where a coach can have a tremendous influence.
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Out Regular Left Diagram: 1 hits 2 and makes a same side cut (not all the way to the corner). 3 moves into the block area. Middle Diagram: Once 1 has cleared, 4 pops for a catch. On 4s catch, 5 sprints to screen for 1. 1 comes off the ball side of 5s screen looking for a catch (you will get open looks off this action alone). Right Diagram: 3 cross screens for 5. 1 looks to throw it in. 4 screens away for 2. Out Double Left Diagram: 1 passes to 2 and makes a same side cut. 4 moves to the block (rather than popping in regular Out. 3 fills to the top. Right Diagram: On 2s pass to 3, 1 runs off the double screen set by 4 and 5. 1 catches looking to sweep into a baseline drive.
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Diagram 1: Set up like the traditional twin down screen play, 5 walks towards 2 as if to set a down screen and 2 plays it as if he is about to use it before changing directions and coming of an Iverson-like drag screen set by 4. 2 opens to the ball looking for the pass. Diagram 2: While 2 darted away from the screen, 3 sprints across the lane to use 5s down screen for an open shot.
Diagram 1: Starting in their 4-out/1-in alignment with a lifted post, 1 and 2 perform a dribble handoff on the left wing (this can also be a pass followed by a same side cut by 1). A simple exchange occurs on the weakside. Diagram 2: 2 takes 2 dribbles off the handoff and passes to 3 before cutting hard off 5s screen into the post looking for a catch. It is important that 2 posts hard because x2s effort to deny him the catch sets up the next portion of the play.
Diagram 3: As x2 worked to deny 2 the post catch, 5 steps out after the screen and catches. 2 seals x2 and holds his position in the middle of the lane for 2 to throw the entry pass. Its tough to defend because the offense has changed sides of the floor twice within a span of 2-3 seconds and as the defense adjusts to take something away on one side of the floor, they are vulnerable to a seal on the other. Gonzaga, one of my favorite teams to watch because of their offensive concepts, is on TV tonight at 11:00 (EST) on ESPN 2
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Left Diagram: 1 quicks to 2 and cuts through. 2 looks inside to 5 as 4 and 3 fill. Middle Diagram: Ball reversal from 2 to 4 to 3. 5 has flashed to the high post on 4s catch. On 4s pass to 3, 4 dives and screens in on 1. 5 follows 4 and sets a like screen. 1s cut is what I term a swoosh cut (kind of looks like the Nike symbol) as he moves up the court away from the ball. This cut can be very dangerous if the receiver is a skilled driver who excels at catching and sweeping the ball. Right Diagram: On his catch, 1 can sweep the ball through to drive it left or he can look inside as 5 has screened in on x4 and 4 is now curling to the front of the rim.
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Diagram 1: Tom Crean really emphasizes a strong push by the point guard who throws it ahead to 2 and cuts through as 4 trails the play. 3 makes a squared cut to the top of the key by flashing first to the spot right before the FT line before changing direction to catch the ball at the top of the key. Diagram 2: The ball is reversed to 1 on the left side of the floor and the goal is for 5 to be already circling up to set the wing ball screen as 1 catches. 5 will set the ball screen for 1 to drive it middle as 4 has relocated to the opposite side of the floor and has positioned himself in what Crean calls The Alleythe position just outside the lane line behind the backboard.
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Deron Williams hitting the 2 and then running off 5s UCLA screen is Utahs most frequent offensive action. This tendency creates this opportunity as teams anticipate the UCLA cut and Deron Williams moves back to the perimeter for a catch. This action is all about timing as 3 should be coming off 4s screen right as 1 catches it and takes 1 dribble middle.
Occupy the help to create a high curl Here, Williams hits Boozer (4) at the high post and runs his direction. Often, Utah will run Williams right into a handoff with Boozer, but here Williams veers to the three point line as the ball side wing (3) steps up to set a flare screen. As soon as 3 makes contact with x1, he dives hard to the rim. Utah isnt looking to really score on this so much as to occupy the weak side help because as soon as 3 dives, 4 turns over his right shoulder to the left
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side of the floor where 5 is screening for 2. Again, this play is all about timing as 2 is waiting on his man (x2) to react to 3s dive.
Zak Boisvert
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Diagram 1: 1 passes to 4 and cuts through. 3 begins inching towards 5 at the free throw line. Diagram 2: 3 wraps around 5, curling the screen to look for 4s pass leading him to the rim. If he cant get the pass, 3 can fight momentarily for a post-up (remember this is 6-8 Wesley Johnson). Diagram 3: 5 pops and 4 hits him. On 5s catch, we have double down screens with 4 getting 3 and 2 getting 1.
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Diagram 1: As 1 dribbles towards the left wing, 5 lifts to the top of the key to catch. On 5s catch, 2 back cuts and 4 fills for a high wing catch. On the weakside, 1 has cut through to the corner as 3 lifts. Diagram 2: 4 hits 3 and comes off 5s back screen for a basket cut. Diagram 3: After setting the back screen, 5 turns to set a down screen for 2. Zak Boisvert 01/08/09 Daily Chalkboard Twitter: @ZakBoisvert
3 Diagram 1: Michigan runs the Shuffle Set out of the Beilein Offense. 1 passes to 4 before making a boom cut. 3 slices off 5 to the block. Diagram 2: 5 pops to catch 4s pass. After passing, 4 runs off 3s shuffle screen set at the block. 5 rips the ball through to his left and dribbles at the opposite wing (2) for a DHO. Diagram 3: After performing the handoff, 5 gets a post stagger screen from 4 and 3. 2 dribbles across the middle of the court and passes to 1 who looks to enter to 5 for a catch with two feet in the paint.
The next one is a similar set Cal would run last year at Memphis (havent seen it yet at UK, although Pastner continues to run it in his first year. The play begins with the same high elbow ball screen, but the diagonal screen for 5 into the post is now just set a single screen set by 3. After setting the diagonal, 3 turns to set a down screen for 2 + 4, after setting the ball screen, runs right into a screen, forming a stagger for 2 to come off for an open jump shot.
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3
Diagram 1: 1 brings the ball up on the pro-line (halfway between the lane line and the sideline) and looks to hit 2 at the top of the key curling off 4s down screen. 2 catches and continues ball reversal by passing to 3 coming off 5s down screen. Diagram 2: After making the pass to initiate the set, 1 runs off a double baseline screen to catch a pass from 1 in the corner. After passing to 1, 3 must cut hard to the paint. Diagram 3: 3 runs his paint cut right into a screen for 4 to loop for a side ball screen. 1 has dribbled out of the corner and awaits 4s arrival.
Note: A common theme in the several games I watched yesterday featuring teams that relied heavily on ball screens (Kansas, Ohio, Butler) was the pressure they put on the opposite corner on side ball screens. As 1 comes off the side ball screen in the diagram on the right, he drives with the mindset of getting a piece of the paint. The penetration
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collapses the D and consistently Sherron Collins, D.J. Cooper and Ronald Nored responded by hitting the opposite corner where a 3 points marksman was positioned.
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If they get nothing, 3 dribbles to the top, 5 lifts to the FT line and they run it on the left side of the floor. _______________________________________________________ The 2nd look is a set play Georgetown loves to run against a 3-2 zone. They will look to run this action at the beginning of possessions and in a short clock situation.
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The play begins with a push/pull concept as 1 dribbles off the top, pulling 2 to the center of the court. 1 throws back to 2.
On 2s catch, 4 moves out of his position at the center of the FT line to set a ball screen on the top zone defenders left shoulder. 2 dribbles off the screen and looks to engage the right wing defender in order to make the pass to the corner where 3 has spotted up after sprinting off 5s screen.
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Zak Boisvert
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Slash
Frame 1: 4 slices through the defense from his regular trail spot, 2 is waiting on 4 to make his cut and then begins his own. Frame 2: 2 makes a deep shallow cut to the top of the key as 1 drives off his ass to the paint.
Smash
Frame 1: Again, 4s slice cut initiates the action. 5 waits on 4s cut and sprints to the top of the key. Frame 2: 4 has cut through and now 5 arrives at the top of the screen to set a ball screen on 1. The key is how quickly x5 has to adjust from guarding an inactive weak side post to getting out to hedge a ball screen.
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Kentucky ran this lob last night coming out of the under 4 media timeout with the game tied at 82. 1 (should be your best athlete= Kentuckys John Wallevery play works better when you have John Wall at your disposal). Diagram 1: Starting in a 3-out/2-in set, 1 dribbles to the right wing as 2 circles to the top of the key. 1 momentarily looks to throw it into the post Diagram 2: 1 swings the ball to the top of the key to 2. 2 reverses the ball to 3 who has lifted to the high elbow area. On 2s pass to 3, 4 steps down hard at the zone defender closest to him (x5) and pushes him up the paint towards the FT line. 5 circles behind him and screens the opposite wing defender as 1 sprints in for a lob and dunk.
Diagram 1: Starting in a 4-flat set, 3 pops out to receive pass from 5. Diagram 2: 2 cuts to the right block to set a screen for 5 to curl into the paint. 4 performs a screen-the-screener action by screening down for 2 to cut to the corner for an open look.
Zak Boisvert
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Zak Boisvert
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Zak Boisvert 03/02/10 Daily Chalkboard Twitter: @ZakBoisvert -To me October is what we do in spring training, Mariano Rivera said. October is what we do in February. We dont do all that prep and all that teamwork and all that running for the season, thats for the postseason, for the World Series. -The 2 biggest things Rick Pitino learned from his years working under Hubie Brown: 1. You cant coach mad: you can get mad, cool down and then act mad in front of them, but you cant be effective while still angry. You must learn to let it go. 2. Dont worry about running x amount of special plays (you dont need all of them), just worry about getting the ball in your special players hands.
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Vanderbilt
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Counter Left Diagram: 1 cuts underneath 5 as if to set the stagger for 3. 3 back cuts the screen. 1 turns his body and gets a down screen from 5. Right Diagram: 4 passes to 1. 5 turns to set the 2nd screen of a double baseline runner for 2. The Phoenix Suns ran an action similar to this counter play throughout the postseason. Nash would come off 5s down screen tight and once he catches immediately looks to make a pocket pass to 5 (Amare) ducking in directly in front of the rim.
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Twitter: @ZakBoisvert
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Off The Pistons began to run this last year when Hamilton got hurt and Will Bynum (a good ball screen guard) started playing more. Bynum would break off his cut just before he got to the first screen and cut to the wing. The first screener (5) would then step into a ball screen for Bynum. As 2 drives it middle, 5 pops and 4 ducks in hard in front of the rim. Back Here, 5 and 3 set the double stretch screen for 2, but 2s cut is merely a decoy as the real action is occurring on the other side of the floor as 5 turns and screens in for 3 slipping out to the right wing for a catch and sweep baseline. (Note: this was Butler Universitys favorite play to run for Gordon Hayward) 08/04/10 Daily Chalkboard www.twitter.com/ZakBoisvert
Misc. Teams
Gonzaga Box (1 of 2) Gonzaga Box (2 of 2)
3 5
5 4 1 2
1
Initial look is for 3 posting up. 1 can also change direction and pass to 2 coming off back screen by 3 and double screen by 4 and 5.
Gonzaga 1-4 (1 of 4)
Gonzaga 1-4 (2 of 4)
Gonzaga 1-4 (3 of 4)
3 4
2 5 3 4 5 1 2
1 3 5 4 2
1
Start in stack, post screen down for wings. WIngs can also cross and get into 1-4
Gonzaga 1-4 (4 of 4)
5 3 1 4 2
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Misc. Teams
Gonzaga STS (1 of 2) 1 Gonzaga STS (2 of 2) 1
5 4
2 3
5 2
Gonzaga Circle (1 of 2) 1
Gonzaga Circle (2 of 2) 1
3 2 3 5 4 2 5 4
2 4
3 5 2 1
1 4 5 3 1 4
2 5
Barcelona Triple (1 of 3) 1
Barcelona Triple (2 of 3) 1
Barcelona Triple (3 of 3)
4 3 5
4 3
2 5
4 5
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Misc. Teams
Barcelona (1 of 2) 1 Barcelona (2 of 2) 1
5 3 4 2
5 2 4
3 4 1 2 5 1
2 3 4 5
4 3
Illinois Stack (1 of 2)
Illinois Stack (2 of 2)
2 2 4 3 5 3 4 5
5 and 2 now run 2 man game on the side (Pick and Roll or Dribble Hand off)
Horns Blast (1 of 3)
Horns Blast (2 of 3)
Horns Blast (3 of 3)
2 4 3 1
1 5
4 3 1 2
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Triangle Left Diagram: 1 dribbles to the left wing as 4 steps to the elbow to screen for 2 who nike cuts off the screen to catch moving away from the ball. Right Diagram: On 2s catch, he is looking to sweep the ball right into a dribble to the right wing. 5 comes up to set a back pick on 4 (who just screened) for a post-up.
Zak Boisvert
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3 Diagram 1: Starting in a traditional 2-3 secondary break alignment, 1 hits the trailing 4 man and cuts around the 5 mans high post flash. Diagram 2: 5 steps towards the ball as if to call for a pass from 4 before turning to screen away for 2. 4 takes 2 dribbles at 4 and performs a dribble handoff with 2. Diagram 3: 2 drives the ball middle while 4 and 5 are setting a double screen for 1. 2 has the option of continuing his driving line to the basket or throwing back to 1 for a 3 pointer coming off the screen.
Zak Boisvert
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Diagram 1: Starting in a A-Set, 1 hits 4 and spaces to the opposite wing. On 4s catch, 3 dives to the rim. Diagram 2: 2 sprints up to receive a handoff from 4 as 5 makes a dive similar to 3s (looks like theyre emptying the right side of the floor for a 2-man game between 2 and 4). However, 5 stops and buttonhooks right in front of the rim to look for the pass from 2 coming off the handoff.
Zak Boisvert
Twitter: @ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
Left Diagram: 1 passes to the left wing and runs off 5s UCLA screen into a post-up. Middle Diagram: Once 1 has cleared his body, 5 turns to set a side ball screen for 2. 1 moves from his post-up position to set a back screen for 5s roll. 2 makes an advance pass to 4 flashing to the top of the key. 4 looks to throw it to the rim to 5 in the case of the defense making a 1/5 switch. Right Diagram: If 4 isnt able to throw the lob, he reverses the ball to 3. 4 and 2 turn to set a double stagger for 1.
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Diagram 1: Starting in 1-4 high set, 1 throws to the strongside wing before making a UCLA set off of 5s smash screen. 1 empties out if he isnt open for pass (no postup) Diagram 2: After setting the screen for 1, 5 turns to set a wing ball screen for 2. 2 comes off the ball screen and throws to 4 stepping out. 4 catches and quickly swings the ball to 1 (Few stresses the importance of this first catch off the ball screen. This player CANNOT play with the ball, it must be shot or quickly passed). 3 has sprinted from the opposite wing and back screens x5 to run to the left block after screening. Diagram 3: 1 looks inside to 5 and passes it to him if open. 3 comes off a double stagger set by 2 and 4 for an open three.
Marquette (1 of 4)
Marquette (2 of 4)
3 4 5 2 3 1
The 2 sets a hi screen as a decoy, then pops to the wing for a pass. The 4 and 5 criss cross to the elbow areas. On the catch by the 2, the 1 makes a UCLA cut to opposite block. The 4 screen across for the 5 who uses the screen and then goes to set an on-ball for the 2 but slips to the block. The 3 slides away.
5 4 2 3 1 3
1 5
5 4
Marquette (3 of 4)
Marquette (4 of 4)
4 1 2 3 4
5 4 2 3
4 2
1 5 1
The 4 after setting the across screen for the 5 immediately sets a on-ball screen and then gets a double backscreen from the 5 then the 1 for a layup. The 2 takes the ballscreen to the opposite elbow to make the entree easy to the 4.
If they take away the 4 layup, the 5 down screens for the 1 who can read the screen action for a curl, pop, or fade.
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Versus man-to-man: 2 and 4 begin the play lined up in a 2 man stack right underneath the free throw line with 4 in front. On 3s slap of the ball, 4 turns and wraps around 2 to tight curl. At first it looks like hes diving to the rim, but instead he is actually setting a screen on x2. At the same time, 5 has moved on to do the same, creating a double screen for 2 to flash to the corner for a jump shot. If they switch, 5 is diving to the rim.
Versus a 2-3 zone BLOB D: My favorite zone BLOB play Ive seen all year, Purdue consistently gets open shots off this. The action begins with 4 making a hard cut out of the corner to carve out space on the opposite block in front of the weak side forward. If he does a good job, it draws the middle defender towards him as well. At the same time, 3 loops from the weak side elbow to the strong side wing with 5 screening in for him. In diagram 2, you see 2 follow a similar path once 3 has cleared the wing area. 2 is guaranteed to be open on this as the ball side guard defender will have chased 3 and the opposite side guard is caught on 5s screen. This is consistently an open three for the Purdue player in this position.
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-The next play begins with 4 entering the post, yet this time by manner of him back cutting a cross screen set by 5. As he back cuts the screen, 5 turns to set a wing ball screen for 2. 2 drives middle as 5 rolls directly into a down screen for 4 at the block. If 2s middle penetration is cut off, he throws back to 4 for the jumper.
Zak Boisvert
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The majority of the time, McGrady (2) will be able to free himself from his man enough to receive the handoff and drive the lane either for a score or a drive-and-kick opportunity for the player situated in the left corner.
As the game progresses and the defense begins to jump out and hedge the handoff (treating it like a ball screen), there are opportunities for Lee to fake the handoff and instead drive the ball hard to his right as his defender (x5) anticipates the handoff.
An option that the Knicks have been running in the second half of games that I really like is done with the 1 in the strong side corner as 2 hits to 5 on his post flash. With the Zak Boisvert 03/05/10 Daily Chalkboard Twitter: @ZakBoisvert
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defense seeing the drive-thru action a couple of times, x2 adjusts accordingly and doesnt allow 2 to come off clean for a handoff while x5 is in correct hedge position if 2 is able to receive handoff while being ready to guard 5s drive. 2 cuts off 5 (not receiving the handoff) and goes through as 1 lifts to the right wing spot 2 just vacated. 5 hits 1 and sprints into a ball screen for 1 (setting it on the butt of x1 to offer the best possible driving angle for 1).
Zak Boisvert
Twitter: @ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
The majority of the time, McGrady (2) will be able to free himself from his man enough to receive the handoff and drive the lane either for a score or a drive-and-kick opportunity for the player situated in the left corner.
As the game progresses and the defense begins to jump out and hedge the handoff (treating it like a ball screen), there are opportunities for Lee to fake the handoff and instead drive the ball hard to his right as his defender (x5) anticipates the handoff.
An option that the Knicks have been running in the second half of games that I really like is done with the 1 in the strong side corner as 2 hits to 5 on his post flash. With the Zak Boisvert 03/05/10 Daily Chalkboard Twitter: @ZakBoisvert
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defense seeing the drive-thru action a couple of times, x2 adjusts accordingly and doesnt allow 2 to come off clean for a handoff while x5 is in correct hedge position if 2 is able to receive handoff while being ready to guard 5s drive. 2 cuts off 5 (not receiving the handoff) and goes through as 1 lifts to the right wing spot 2 just vacated. 5 hits 1 and sprints into a ball screen for 1 (setting it on the butt of x1 to offer the best possible driving angle for 1).
Zak Boisvert
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Weak
Left Diagram: 1 pushes and quicks to 2 coming out of the corner. 1 cuts through as the 1st big cuts off his ass to the block for a post-up. Middle Diagram: 2 dribbles to the middle of the floor as the 2nd big angles for a weak side pindown for 3. Right Diagram: After passing to 3, 2 cuts to screen down for 1. A single/double action is set up with 1 able to choose which side to come out. 08/20/10 Daily Chalkboard www.twitter.com/ZakBoisvert
Jersey A traditional screen-the-screener play with the alignment of a Shooter double screen play (4 and 5 screening for 3). 3 sprints to set a back screen for 5 to roll to the opposite block before receiving a screen from 4 to head to corner for shot attempt.
Diagram 1: The play starts with a 2 guard front with the 3 frontcourt players in a single-single alignment. Dunlap believes that 3s positioning (head underneath the rim) is the best spot in the gym because you can see the entire court from that position. 1 throws across to 2 and on 2s catch, 4 sprints out of his screening to position to catch in the dead corner. After throwing their passes, both 1 and 2 were to have moved beneath the free throw line. Diagram 2: A triple screen is set for 3 who curls off the screen through the elbow before bouncing his cut out to the left slot area. Once he feels 3 has cleared his shoulder, 2 violently leg swings (reverse pivoting to face the ball) looking for the pass from 4. Diagram 3: Assuming he wasnt able to get a lane catch, 2 moves to the short corner as 5 flashes right off his butt to the low block area.
2 Diagram 1: Starting in a 3-across format at free throw line extended with 4 taking it out, Duke looks to throw it in on the strong side of the floor. 2 makes a hard diagonal cut to the sideline on 1s catch while 4 sprints to fill the middle. Diagram 2: 1 looks to take a dribble to the middle of the floor before throwing back to 2 who has stepped up the sideline slightly (in a push/pull action). On 2s catch, 4 is making a sharp diagonal cut and 3 is filling middle. 2 has the option of hitting 3 or 4. What makes this tough to defend is the second wave of cuts (4s diagonal and 3s middle flash) that are conducted on 2s catch. The defense is conditioned to defend against the first wave (2s diagonal and 4s middle flash occurring on 1s catch), but the defense is distorted by the time the second set of cuts occurs. Zak Boisvert 02/19/10 Daily Chalkboard Twitter: @ZakBoisvert
A concept I really like against any pressure defense is something I took from Tom Crean and that is to put your best driver on the weak side of the court with the thinking that he will most likely matched up against the opponents slowest press defender (excluding the 5-man). Also, the weakside of the floor provides the most amount of driving opportunities against a press.
Zak Boisvert
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Left Diagram: 5 flashes to the elbow for a high post catch and immediately looks to hit 2 on a backdoor. 4 sets a weakside pindown screen for 3 to run off of for a handoff from 5.
Zak Boisvert
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Right Diagram: 3 tries to drive the handoff, but is also looking to throw back to 2 who has run off a double.
Zak Boisvert
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Zak Boisvert
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Zak Boisvert
Twitter: @ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
Fire The next drill I picked up from a pair of guys, Jason Hassan and Steve Groothius, that serve under Bob Hurley as assistant coaches at St. Anthony High School in Jersey City, New Jersey. They picked up this drill from a girls high school team on Long Island. The drill starts with a player in each corner of the time line (3 and 4) and a player in the right corner (5) along with 2 lines of players situated on the left baseline (represented by 1 and 2). 1 initiates the drill by passing to 2 and sprinting to the elbow. 2 passes back to him (following his pass by cutting into the middle), 1 passes to 3 and cuts to the sideline behind 3. 3 passes to 2 flashing through the middle of the floor and cuts behind him. 2 catches, passes to 4 and cuts behind. The drill proceeds as shown, finishing with 4 taking a layup and the next group going. Both drills are fantastic for pre-game warmups. Please pass along any other great drills you have. boisvert@fordham.edu
Zak Boisvert
Twitter: @ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
Diagram 1: 1 passes to 5 and from here 5 has two looks. First, 5 looks over his left shoulder at 2s back cut (attempting to make the pocket pass). Second, 5 fakes the handoff with 1 who has followed his pass. On 5s catch, 3 begins to move slightly towards 4. Diagram 2: 4 moves to set a pindown on 3, but before he gets to the point of the screen, 2 sprints to set a back screen. 3 continues in the direction of the down screen and receives a DHO from 5. Diagram 3: 3s first look is to hit 4 for a paint catch. His second look is 2 coming off the down screen set by 5. The Dallas Mavericks ran a similar action this year in uncontested SLOBs.
Zak Boisvert
Twitter: @ZakBoisvert
-The next ball screen concept is something Rick Majerus utilizes with his teams at Saint Louis. The ball screen shown is a simple flat ball screen conducted in the middle of the floor by a big sprinting up from his position on the block. What makes the concept significant is the movement of the offensive players not involved in the ball screen. Their flow away from the drive frustrates the defensive rotation as the defenders not involved with the ball screen (x4, x3 and x2) should be zoning up are, but are caught trying to decide how to react both to the two movements occurring at the same timethe guards penetration and the movement of the man that theyre covering.
Gonzaga starts in their traditional 4-out, 1-in alignment with Harris on the strong side block with the ball being brought up the left side of the floor by 1. 1 and 2 run a dribble handoff as 4 and 3 exchange on the weakside. As soon as this occurs, Harris (5) begins moving from the left block towards the right corner. The ball is swung around the perimeter to the right corner where Harris catches and has a 1-on-1 opportunity against a bigger, slower defender.
A simple, but effective move Kentucky uses to get Patrick Patterson a catch in the post: 3 sprints up from his weakside wing position to set a back screen for Zak Boisvert 1/1/10 Daily Chalkboard Twitter: @ZakBoisvert
Patterson (4) who runs off the screen calling for the lob. 3 pops out after setting the screen and receives a pass from 1 before dribbling to the wing to make a post entry pass to Patterson who has ducked in. The opposite big lifts to the FT line to make the distance in which he has to travel to help farther.
1 Diagram 2: If the ball is passed to 5, 2 will step out to the corner to receive a pass from 5. 2 will have a shot if the back defender doesn't step out to toake him. 5 cuts through to the basket after
his pass and then screens across the lane for 3. 3 moves to the ballside low post.
2 Diagram 3: 2 passes out to 1 and then screens for 3 to step out behind looking for a pass and shot. As 1 starts his dribble across, 5 sets a backscreen on the offside top defender and 4 drops to the basket looking for a pass at the basket.
Diagram 4: 1 has three pass possibilities, as after 5 screens he pops to the wing. The players are now in position to reset and begin again.
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Left Diagram: 1/2 dribble flip. 5 back screens 1. Middle Diagram: 2 throws across court. On 4s catch and subsequent dribbleat, 3 cuts backdoor into a screen for 2. Right Diagram: 4 dribbles at 2 coming off the screen for a DHO. 2 hits 5 on his lift to the left slot. 3 turns and back screens 4 after the DHO. 5 looks to hit 4 cutting underneath the rim.
Zak Boisvert
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Diagram 1: 1 brings the ball up the left side of the floor as 4 sprints to set a side pick and roll. On the weakside of the floor, 2 has run to the corner spot and is now coming off a double stagger set by 3 and 5. Diagram 2: Rather than coming off looking shot, 2 curls the stagger and turns to look to screen x5. 3 now has a stagger set by 2 and 5 to run off of. It is the second stagger of the play, but now the cutter of the first stagger as become a screener to get 3 an open look.
Diagram 1: starting in a 2 guard front with 2 wings and a high post, 2 (James Anderson, Oklahoma States leading scorer) throws to the other guard and makes a slice cut off the high post to the right block. Diagram 2: 3 continues swinging the ball by throwing to 4 on the right wing and receiving a back screen from 5 (looking for lob over the top). Diagram 3: After setting the back screen, 5 steps out to receive a pass from 4 who sprints to right block to down screen for 2. 5 dribbles right into 2s cut for a dribble handoff. 2 looks to drive the middle of the floor.
Diagram 1: Coming off the double stack on the right block, 2 sprints to the left wing for a dribble handoff from 1 to drive the middle of the floor. Diagram 2: 1 runs off a triple screen as 2 dribbles to the right wing to perform a dribble handoff with him.
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Diagram 1: 2 rubs off 5s down screen into a dribble flip with 1 as 4 trails the play and begins to move into a down screen for 3. Diagram 2: 2 dribbles at 3 who is coming off 4s body for a dribble handoff. Diagram 3: Its tough to simulate the speed at which this action happens on paper, but after setting the screen for 2, 5 spins to follow 2 on his dribble. The moment 2 conducts the dribble handoff with 3, 5 is sprinting into a ball screen for 3. Like I said its tough to simulate because of just how quick the action is live.
Zak Boisvert
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Zak Boisvert
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Diagram 1: Starting in a 4-out/1-in alignment, 1 makes a guard-to-guard pass to 2 and cuts through the defense to the right corner as 2 continues reversal to 3. Diagram 2: As soon as 1 clears to the corner causing the zone to shift, 4 flashes to the elbow. 5 seals the weak side forward creating a 1-on-1 situation at the free throw line between the offensive player and the middle zone defender. As the series continued, LA would start Kobe in this weak side position so hed be the one to be sliding into this 1-on-1 matchup with Phoenixs biggest player (Robin Lopez/Amare/Amundson). Flip
Diagram 1: 1 dribbles at 2 for a dribble flip entry. Diagram 2: 2 takes one dribble off the flip before passing to 3 at the top of the key. 1 running off 5s screen to the right corner causes the Suns zone to shift anticipating ball reversal. It is key that 3 makes a good pass fake to make the zone shift to the right corner before throwing it back to Kobe (2) in his favorite spot on the left wing. Zak Boisvert 06/01/10 Daily Chalkboard Twitter: @ZakBoisvert
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Left Diagram: The Triangle O being a sideline offense, 1 brings the ball up on the right side of the court roughly halfway between the sideline and the lane line. 1 passes it to 3 (the key guy) and cuts through. On 3s catch, 2 cuts to the elbow area (the pinch post) and receives a bounce pass from 3. 3 follows his pass by running off 2 looking for a handoff. Right Diagram: 5 and 4 set a double screen for 1 who curls and receives a dribble handoff from 2 looking to drive to the basket.
Back Step This is a great pressure release within the Triangle Offense. Despite abandoning the triangle years ago, Uconns women still runs this action when the defense pressures their passing lanes. Left Diagram: With x2 and x4 denying the passing lanes and 1 unable to feed 5 in the post, 3 flashes from his weak side position to the free throw line. Right Diagram: On 3s catch, 2 steps left and busts backdoor to his right looking for a bounce pass from 3. Its such a tough situation for x2 to guard as he goes from heavy denial to actually being above the ball so quickly. Zak Boisvert 06/04/10 Daily Chalkboard Twitter: @ZakBoisvert
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Left Diagram: The play is initiated by 1 dribbling at 3. On 1s dribble, 3 runs off of 5s screen and heads up the middle of the court. As 3 clears 5s body, 2 begins to cut in from the right wing. Right Diagram: 3 finishes his cut up court. 5 turns to screen for 2. 2 comes off the screen to the left corner for an open jump shot. Against even the toughest of matchups, this is an almost automatic open jump shot for 2.
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In set
Left Diagram: 3 runs over the top of 4 and 5s screen looking to get his defender stuck on the double screen to open up a curl for a layup. If x3 successfully gets through the screen, 3 cuts through the paint, stopping at the edge of the paint. Right Diagram: After setting the screen, 4 pops for a wing catch while 5 turns away from 4 and begins making his way towards the paint. On 4s catch, 5 has turned and now sets another screen for 3. 3 looks to either tight curl the screen for a layup or semi-curl it for a jumper right below the free throw line. 08/06/10 Daily Chalkboard www.twitter.com/ZakBoisvert
Zak Boisvert
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Diagram 1: The play begins with a double ball screen set by 5 and 4 with 5 rolling hard to the rim as soon as 1 clears his shoulder and 4 spacing to behind the three point line. (As 1 dribbles off the screen, 2 runs the baseline to the opposite corner). Diagram 2: 5 finishes his roll right into a ball side post up on the right block. On 1s throw back to 4, 5 remains on the right block. On his catch, 4 drives the left wing right at 3 who back cuts as 2 lifts out of the corner.
Zak Boisvert
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Diagram 3: 3 finishes his back cut by cross screening for 5 who cuts underneath the zone for a pass from 2 for a layup.
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action
Diagram 1: 1 initiates the action by passing to 3 as 2 (baseline runner) cuts to the strong side using 4s and 5s screens. Diagram 2: 3 reverses the ball back to 1 as 2 makes runs the baseline back to the strong side of the floor as the ball shifts. 1 hits 2. Diagram 3: 2 takes two dribbles out of the corner to draw the forward defender out to open an area for 3 to cut into.
Other random Majerus thoughts: -Defending the posts flash to the low post (coming from weak side): If post is trying to go high, D should hit him with arm bar and drive him higher. If post is trying to go below, D should reverse pivot and drive him out with his butt. -To a recruit: You have 2 people in your life that will love you without condition, but the line ends there. Now youre meeting the one guy thats going to kick your ass. -Each bench player is assigned one of the opponents offensive plays. It his job to call it out on the bench if he sees it being run. Zak Boisvert 02/03/10 Daily Chalkboard Twitter: @ZakBoisvert
-Enthusiasm by your bench players is key. You should be told by the refs to get your bench down at least once a game
3 4 Diagram 1: 1 hits 4 and runs off a slice cut set by 5 as 4 swings to 2 and follows his pass with a same side cut. Diagram 2: 5 turns to screen away for 3 to catch at the top of the key.
Diagram 3: After passing to 3, 2 receives a flare screen from 4 while at the same time on the other side of the court, 5 down screens for 1. Diagram 4: On 1s catch he looks to shoot the open jumper, throw to 5 sealing after the screen, hitting 3 on his flare or driving it middle.
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Left Diagram: 1 pushes the ball as part of Carolinas traditional sideline break before passing to the trail man (4) at the top of the key. On 4s catch, 5 ducks in to look for hi/lo action. Middle Diagram: 4s pass fake upon his catch is the key to the play as a good ball fake to feint reversal will cause the entire defense to shift to the left side of the floor. After pass faking, 4 steps back to his right and passes back to 1 to follow with a ball screen. Right Diagram: 1 dribbles off 4s ball screen to the middle of the floor. 2 cuts in and sets a back screen for 4s roll. If the defense is not clued into the play call, this action often results in a switch with 1 being able to throw it in the air to 4 over a smaller x2. Chuck
Left Diagram: 1 hits the trail man who reverses the ball to 3 (the 5 man follows the ball blockto-block). 4 follows his pass to ball screen for 3. Right Diagram: 3 dribbles off 4s ball screen as 2 back screens 5. 3 looks to pull up for his own shot or bounce it to 5 coming off the screen.
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4 now turns and dribbles at 3 for a DHO. 2 cross screens for 5 who looks to come free for a paint catch right as 3 turns off the DHO.
While 3 looks for a proper feeding angle to get the ball to 5, 4 down screens for 2 in classic Iowa action.
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Diagram 1: The action is initiated by an aggressive push and an early advance pass made to the right wing as soon as 1 crosses half court. After making the pass, 1 cuts through on a shallow cut as 4 moves to the spot 1 vacated (cut-andreplace)
Diagram 2: 1 fills the left wing area as 2 has moved down to the block area and will set a cross screen for 5 as the ball is being reversed from the right side of the floor back to 1 on the left side of the floor. 1 looks to enter into the post. Diagram 3: To finish the Iowa action, 4 down screens for the cross screener (2).
3 Diagram 1: 1 dribbles at 2 for a handoff, 2 waits for 1 to clear and then begins his middle penetration. Diagram 2: As 2 dribbles towards the middle of the floor, 4 sprints to screen away for 3, but slips the screen into the post. On the other side of the court, 5 steps out of the post to set a back screen for 1. 5 moves behind the three point line after setting the back screen for a catch from 2 on the throwback. Diagram 3: 1 runs his cut off the back screen right into a cross screen for 4. The play finishes with 2 screening for 1 in a traditional screen-the-screener action.
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Diagram 1: 4 runs from his trail position directly into a screen for 2. 2 tight curls the screen looking for the pass from 1. While 1 is looking for this, 2s cut is largely a decoy, and 1 is more concerned with getting himself in his working area to prepare for a side ball screen. Diagram 2: 2 cuts right into a screen for 5 who sprints to set a side ball screen for 1. 5 rolls hard to the rim with 4 fills up top in a roll-and-replace action. 2 empties to the corner after screening for 5 while 3 lifts up. The middle of the floor should be open for 1 as he has the option of scoring it himself, hitting 5 on his roll, throwing back to 4 or hitting 3 for the spot-up three pointer.
Zak Boisvert
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Diagram 1: 4 screens down for 2 who catches 1s pass on the run to dribble to the top of the key. 3 has broken out of his stacks with 4 and now catches on the right wing. 1 cuts through to the baseline Diagram 2: 3 dribbles at 2 to the top of the key. 2 recieves a flare screen from 5. Zak Boisvert 01/06/09 Daily Chalkboard Twitter: @ZakBoisvert
Diagram 3: After setting the flare screen, 5 steps up to set a ball screen for 3. A roll + replace is conducted with 5 rolling hard to the rim and 4 filling the spot at the top of the key.
Starting in a stacks opposite alignment, South Carolina set up the play with false action by 5 and 2. 5 broke to the ball side block at the slap of the ball along with 2 (South Carolinas best shooter) who cut to the left wing looking for a shot. 1 stepped as if cutting to the ball, but quickly changed direction to run off 4s back screen to come free along the right block area for a short jump shot.
On 2s pass back to 1, the action begins as 5 steps up to set a back screen for 2. 2 continues his cut through the rim to the double screen set by 4 and 3. 1 takes a long dribble and hits 2 as he comes off. Zak Boisvert 01/27/10 Daily Chalkboard Twitter: @ZakBoisvert
2 is looking shot, but if the open jumper isnt there, hes looking at 4 on the seal. 5 is also flashing to the high post to create a hi/lo look.
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High 2 After several minutes of Spain running High Power and Team USAs bigs scrambling to get through the back screen on the roll man, Sergio Scariolo made a late game adjustment:
Left Diagram: After ball screening at the top, 5 begins his roll as 4 takes a step up the court. After several minutes of seeing High Power, x5 (Lamar Odom) sprints to the front of the rim to anticipate the back screen. 5 stops just below the FT line and turns. Right Diagram: 1 has dribbled at 2 and has handed off. With x5 underneath the rim anticipating the back screen, he is late on his hedge and 2 can come off the ball screen right into an open foul line jumper. 08/23/10 Daily Chalkboard www.twitter.com/ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
Zak Boisvert
Twitter: @ZakBoisvert
Left Diagram: Traditional 2-guard front entry with 1 hitting 3 and making a boom cut to the corner as the opposite guard cuts to the ball side block. Middle diagram: 3 passes to 5 who steps out to the top of the key. 2 sets a shuffle screen for 3 (the typical Motion set out of the offense). Right diagram: The action in which Donahue added to the offense was this right here as 5 dribbles right at 2 who just set the shuffle screen. This is a bang-bang action with 5 dribbling at 2 right as 3 clears the screen. Big
Left Diagram: For this action, Donahue will position his biggest player/best screener on the right wing to receive the initial pass. 1 passes to 5 and boom cuts to ball side corner. Right Diagram: 5 passes to 3 who has v-cut to his catch. 5 now turns and set a down screen for 1 who has angled in towards the block area.
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Options: If 2 hits 1 on his corner cut: Diagram 1: 2 makes his shuffle cut, but this time cuts on the baseline side to look for the pass from 1. Diagram 2: 4 sets an up screen for 5 to either cut to the block or sprint into a corner ball screen for 1.
If, instead of reversal, 5 returns the ball to the right wing following 2s shuffle cut: With the ball at the top of the key and the right wing being vacated by 2s shuffle cut, 5 throws to 1 who has filled 2s spot. 4 steps up from the block to set a smash screen for 5 to cut into a post-up.
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Left diagram: 1 dribbles into the offense as 5 screens for 2 to cut to the top of the key. 3 has cut into the paint from his left wing and as 4 moves toward the paint and raises his fist to feign a down screen action. Middle diagram: In an action straight out of the Triangle Offense, 4 cuts below 2 to the middle of the free throw line for a catch. 2 back cuts on 4s catch (think LA Lakers). On 4s catch, 5 turns to down screen for 3. 3 tight curls the down screen. Right diagram: 4 dribbles at 3 coming off the down and the two players conduct a DHO. 2 sets a cross screen for 5 and, if the timing is correct, 5 should be breaking free right as 3 turns the corner off the DHO.
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The next play begins with 4 backing out as a safety option and 5 stepping to Zak Boisvert 02/04/10 Daily Chalkboard Twitter: @ZakBoisvert
the ball looking like a quick catch-and-handoff back to the inbounder play (an action Team USA ran enough throughout the Olympics that their opponent had to respect it). 3 finishes the sequence by cutting through to the weakside block. 2 runs right off his butt to set a back screen for the 5 that stepped to the ball. 5 spins off 2s pick looking for the lob, however, the player open most often on this was 2 as x2 scrambled to guard against the lob. Often, 2 was able to step right off his pick into a layup (if 5 took a rounded curl to the front of the rim) or a short 12 jumper (if 5 rolled off the screen).
DDM Sets
Tiger
DDM Set Plays
Frame 1 Frame 2
Tiger
DDM Set Plays
Frame 3
Tiger
DDM Set Plays
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4 2 1 3 5 3 1
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Page 1
Diagram 1: 1 hits 2 on the left wing only to receive pass back for quick ball reversal to 3 on the right wing. On 2s pass to 1, 2 cuts off 4s back screen to the right side of the floor (to a spot parallel to the 1st marker on the lane) Diagram 2: On his pass to 3, 2 makes a through cut to the middle of the lane before stepping out to the left wing. 4 steps to the top of the key to fill the spot where 1 vacated. The ideal look is for 3 to hit 5 who has followed the ball to the strong side short corner and for 5 to skip it to the top of the key to 4. Because of IUs overload on the right side of the floor, 5s skip to 4 would create a situation for 4 and 1 to be able to play 2-on-1 momentarily as the zone scrambles to rotate.
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Clear On 1s pass to 2 at the left elbow, 5 sprints to the left block to clear a lane for 2 to drive it right.
1 Blast Diagram 1: 3 cutting through causes 2 to lift. Diagram 2: 1 dribbles slightly to his left. 5 flashes hard to the left elbow. While his cut is merely a decoy, he must sell it. 4 is to cut right off his ass into a catch just off the right elbow.
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3 Diagram 1: 5 steps off the elbow to set a ball screen for 1 as 2 cuts underneath to set a diagonal for 4 (who has set up his man by walking in the direction of 2 as if setting the first screen of a stagger). 1 looks to enter to 4 on his cut. Diagram 2: 1 hits 5 who has popped off after setting the ball screen. As 5 continues reversal to 2, 3 sprints to set a cross screen for 4 to roll back on the new side of the floor. Diagram 3: The play finishes with traditional T action with 5 setting a down screen for the cross screener (3)
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Left Diagram: 1 dribble flips to 2 on the right wing. 2 dribbles towards the middle of the court as 1 runs off a triple screen set by the two posts and 3 moving to the middle of the lane. Right Diagram: 2 passes to 1. 1 either takes the open shot or passes to the corner to 4 who turned after setting the first screen and comes off a double screen set by 3 and 5.
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Zak Boisvert
Twitter: @ZakBoisvert
Go
Their most frequently run play, Go is a play run out a 2-1-2 set with a multitude of options to get their guards in a position to shoot, drive the ball or look inside.
Go Cross
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Side Ball Screen + Stagger Away The next set is Michigan States favorite ball screen action. It a side ball screen for the 2 set by the 4 with running off a stagger set by 3 and 5 on the weak side of the floor. State will often finish the above set by rolling 4 right into a double screen. 2 drives off the ball screen looking to hit 1 coming off the double and right after setting the screen for 1, 5 and 3 just keeping on going and set a double screen for 4 to come across the lane into a postup. Pindowns: Michigan State year in out, year out is tremendous at scoring off pindowns as Izzos post players always set the screen at a good angle while being certain they hit the cutters defender. The key is the wide angle at which the screen is being set. Shown below are a couple of actions in which Michigan State will look to run a wide pin-down. On the left is off a pass to the high post out of a 1-4 high set (with 4 looking at 2s backdoor cut first). On the right is a dribble handoff between 1 and 3 out of a 1-4 high set.
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Zak Boisvert
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Smash to a Triple Like the majority of their sets, this action is run out of a 1-4 high look. 1 hits 4 at the elbow (2 immediately sprints through) and 1 goes to set a smash screen for 5 to curl to the front of the rim. 1 pops back for a catch as a triple screen is set for 3.
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Zak Boisvert
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Left Diagram: 2 cuts underneath as 3 runs over the top off of 4 and 5s screen. Right Diagram: 1 begins to dribble away from 3 before passing to 4 who flashes and looks to hit 3 who cuts backdoor for a layup. Hit set used by various NBA teams
Left Diagram: 2 cuts underneath as 3 runs over the top off of 4 and 5s screen. Right Diagram: 4 moves to screen x5 to free 5 to set a side ball screen for 3.
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Zak Boisvert
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Left Diagram: 2 begins cutting underneath like in the other sets, but instead just v-cuts and pops back to the wing as 3 cuts over the top of the double screen. Rather than cutting to the wing, 3 tight curls the screen to the rim. Right diagram: 4 pops to the right wing for a catch while 5 moves to set a turnout for 3. On 4s catch he looks to pass to 3 in the corner or 5 ducking in. Butler Up
Left Diagram: 2 makes an early cut underneath as 1 dribbles to the right wing. Right Diagram: 3 cuts over top of the double screen and makes a tight curl to the rim as 1 throws the lob pass to 3 for a dunk.
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Zak Boisvert
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Left Diagram: 2 cuts underneath as 3 runs over the top off 4 and 5s screen. Right Diagram: 1 dribbles slightly to his right to set up a good angle for the pin down screen that 4 turns to set for 3. Miami Heat 2 Up
Left Diagram: 2 cuts underneath as 3 goes over the top off of 4 and 5s screen. 1 passes to 3 and cuts through. Right Diagram: 5 and 4 turn to set a double screen to free 2 for an open shot at the top of the key.
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1 2 3
Diagram 1: Starting in a 1-4 high alignment, 1 dribbles at 3 for a dribble handoff. Diagram 2: 3 takes 2 dribbles towards the middle of the floor before hitting 2 coming off 4s screen. As soon as the ball leaves 3s hand, 5 steps up to set a back screen for 3 to run to the rim (2 is looking to throw the lob over the top). Diagram 3: Hoping to catch x5 helping on the lob, 5 quickly turns to screen away for 1 who is open for a three-pointer. BLOB: Diagram 1: Starting in a 4-across alignment, 4 and 5 X on 3s slap of the ball (5 diving opposite first with 4 coming off his butt). Guards back up to call for safety. Diagram 2: The 2 bigs clear the posts while 1 takes a hard pivot to stop his safety retreat and sprints to the open
lane. Michigan State runs this quite a bit and the key is how well Kalin Lucas sells it that hes heading beyond half court to catch the inbounds pass over the top.
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In this play Oklahoma States best player, James Anderson (3), is serving as a decoy. The first look the defense sees is Anderson tight curling the double screen set by 2 and 5 on the right block. 4 looks to throw to 3 if hes open, but what Oklahoma State wants is the defense to aggressively hedge to take away his curl because 3 is actually curling right into a double for 2. Diagram 1: 3 rubs off 4 and runs underneath the rim where he waits for 5 and 2 to set a double screen for him on the right block. 3 tight curls this screen right into the paint hoping theres an aggressive hedge defender that he can screen in as 2 comes off. Diagram 2: 4 looks for 3 on his curl, but is really looking for 2 coming off the double set by 5 and 3. While the defense may be ready to defend the first double correctly, there were few teams that were able to defend the 2nd screen with the same success.
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Zak Boisvert
Twitter: @ZakBoisvert
Across Left Diagram: 1 hits to wing and screens away for the trail man as the opposite wing cuts under. Right Diagram: Ball reversal 4 -> 2 -> 1. 3 sets a shuffle screen for 4 to dive to block
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Diagram 1: As 1 dribbles at 5s middle ball screen, 2 clears to strong side corner to open up the weak side. 3 cuts up the lane and sets a back screen on 5s roll. Often, back screening a roll man will result in a switch and 1 will have an opportunity to throw it to the rim for 5. Diagram 2: If 1 cannot enter to 5, 4 sets a turnout screen for 3 to catch and sweep into a baseline drive.
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