BLUR magazine | ISSUE 34 | December 2013

2
CELEBRATING FIVE YEARS
OF B L U R MA GA Z I N E
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3
BLUR magazine is published by Photography Association CREATUS (F.U.C.*), a nonproft association founded in August 2009 with
the aim of contributing to the development of the photography scene in Croatia, while promoting and connecting Croatian
photographers with their international colleagues.
ISSN: 1847-7410
Publisher: F.U.C.*
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Artistic and educational photographic discoveries in BLUR Magazine often feature artistic imagery that might not be suited
to underage children. Although none of the content featured in BLUR could possibly be regarded ofensive, it does contain
artistic nude photography which is an integral part of photography since its beginnings. We recommend that minors explore
the content under adult guidance.
Parental advisory
Gallery 36 is a collection specifcally, an online exhibition of 36 outstanding and
impactful photographs put together with the aim of demonstrating the diversity and
beauty found in the world of photography. Photographs presented in Gallery 36 are
selected for their high aesthetic quality, composition, and wow factor.
Your photograph can also be part of this collection. Make your work visible to
thousands of people from all over the world by submitting your photo.
by Robert Gojevi
GALLERY 36
BLUR magazine | ISSUE 29 | February 2013
2
9
BLUR magazine | ISSUE 29 | February 2013 10
What made you decide to do nude
photography using the wet plate
process? What was the most
interesting aspect for you?
It was never a decision, in a narrow
sense. Ive been shooting nudes for a
long time and some years back wanted to
try wet plate. When I did, I was hooked.
I love the slow, deliberate nature of the
process and, of course, the unique look of
the plates.
Is there anything in the whole process
you would change if you could?
Is there anything annoying in the
process, or do you simply enjoy it
exactly as it is?
Wet plate photography is relatively
diffcult to do well consistently. And by to
do well in this context, I mean to create
plates with good contrast and artifact-
free, or clean. The literature, historic
and modern, is replete with problem
solving recipes for one ailment or
another. I have had my fair share of head-
scratching problems. Those problems
are a frustration when you are trying to
work your way through to a resolution,
especially when they are spoiling a shoot.
But there is also satisfaction in that
problem-solving process. No, I would not
change a thing.
Despite the recent popularity of
wet plate, there are still not many
photographers using the process,
and only very few do nudes. Id say
we could count them on one hand.
How do you feel about that, and is it,
perhaps, also one of the reasons why
you do what you do?
I think the vast majority of current wet
plate practitioners are hobbyists, and
most of them are not doing nudes. Of
the more limited group of practitioners
that I might consider committed to the
method, whether hobbyist or professional,
I think nudity is pretty well represented.
For example, two of your seven past wet
plate contributors to this magazine focus
on nudes. Once you throw me in, its up
to three-eighths. And I think thats great.
But your greater point remains true in
the grand scheme of photography, there
are relatively very few that do wet plate
nudes. Do I strive to be in that niche?
No. Im driven by a passion to shoot what
I love using a method I love.
What kind of future do you
foresee for the process,
given the current state
of affairs in the world of
photography?
I foresee a continued increase
in popularity, but I think it will
always remain at the margins
given the practical diffculties
associated with the process.
GALLERY 24
by Robert Gojevi
BLUR magazine | ISSUE 29 | February 2013 11
What made you decide to do nude
photography using the wet plate
process? What was the most
interesting aspect for you?
It was never a decision, in a narrow
sense. Ive been shooting nudes for a
long time and some years back wanted to
try wet plate. When I did, I was hooked.
I love the slow, deliberate nature of the
process and, of course, the unique look of
the plates.
Is there anything in the whole process
you would change if you could?
Is there anything annoying in the
process, or do you simply enjoy it
exactly as it is?
Wet plate photography is relatively
diffcult to do well consistently. And by to
do well in this context, I mean to create
plates with good contrast and artifact-
free, or clean. The literature, historic
and modern, is replete with problem
solving recipes for one ailment or
another. I have had my fair share of head-
scratching problems. Those problems
are a frustration when you are trying to
work your way through to a resolution,
especially when they are spoiling a shoot.
But there is also satisfaction in that
problem-solving process. No, I would not
change a thing.
Despite the recent popularity of
wet plate, there are still not many
photographers using the process,
and only very few do nudes. Id say
we could count them on one hand.
How do you feel about that, and is it,
perhaps, also one of the reasons why
you do what you do?
I think the vast majority of current wet
plate practitioners are hobbyists, and
most of them are not doing nudes. Of
the more limited group of practitioners
that I might consider committed to the
method, whether hobbyist or professional,
I think nudity is pretty well represented.
For example, two of your seven past wet
plate contributors to this magazine focus
on nudes. Once you throw me in, its up
to three-eighths. And I think thats great.
But your greater point remains true in
the grand scheme of photography, there
are relatively very few that do wet plate
nudes. Do I strive to be in that niche?
No. Im driven by a passion to shoot what
I love using a method I love.
What kind of future do you
foresee for the process,
given the current state
of affairs in the world of
photography?
I foresee a continued increase
in popularity, but I think it will
always remain at the margins
given the practical diffculties
associated with the process.
GALLERY 12
Follow me
Yevgen Romanenko
http://www.romanenko.org
Ukraine
1
Tea
Peyman Afnani
Iran
2
3
Resistance
Arcadius Mauritz
http://arcadius-mauritz.pl
Poland
4
Teatime
Yusuke Sakai
http://yusuke-09-11.wix.com/yusuke-sakai-photo
Japan
Invisible landscape
Alexandre Manuel
http://www.alexandrephotography.com
Portugal/France
5
6
Blue
Dimitri Bogachuk
http://dimitribogachuk.com
Ukraine
7
Lady In Red
Mohammadreza Rezania
http://www.sensecreator.com
Iran
8
Kate
Anastasiia Sapon
http://anastasiiasapon.com
USA/Ukraine
9
Winter minimalism 2
Zoltan Bekefy
http://zoltanbekefy.com
Ireland
10
Gay
Armen Aghayan
http://www.aghayanphoto.com
Armenia
11
Behind the Mask II
Ivana Miletic
http://ivana-miletic.com
Croatia
12
Valentina
Maria Kanevskaya
http://www.mariakanevskaya.com/
USA
13
Art play
Saukov Evgeny
http://evgenysaukov.500px.com
Russia
14
Taj Mahal
Saukov Evgeny
http://evgenysaukov.500px.com/
Russia
15
Dylan
Strickland
http://photoexmachina.com
United States
16
Mourning
Amber Lee Hays
http://www.amberleehaysphotog-
raphy.com
USA
17
Forbidden Love b
Marioandrea Barbantini
http://mizukovideo.com
Italy
18
Manitu
Florin Constantin
http://forinconstantin.ro
Romania
19
Winter fairytale
Jovana Rikalo
http://www.facebook.com/JovanaRikaloPhotography
Serbia
20
Continental
Alexandru Crisan
http://alexandrucrisan.darkfolio.com/
romania
21
The Hunter
Migle Golubickaite
www.facebook.com/MigleGphotography
Lithuania
22
Snow White
Josipa Bjelobrk
Hrvatska
23
Mariana
Eugenia Kirikova
http://kirikova.fnegallery.net/
Russia
24
Summertime
Mahesh Balasubramanian
https://www.facebook.com/bmaheshphotography
India
25
A cold rush
Chaitali Mitra
https://www.facebook.com/chaitalimitraphotography?ref=hl
India
26
Escape
Viktoria Kollerova
http://14782.portfolio.artlimited.net/
Slovakia
27
Fly
Pavel Titovich
http://Titovichphoto.com
Russia
28
Lightfall
Deyan Stefanov
http://www.behance.net/deyan/frame
Bulgaria
29
Nude 05
Jim Read LRPS
http://www.jasread.com/
UK
30
Softly 2
Ana Pani
http://anapanic.com
Serbia
31
Nature itself
Sergei Bal
Estonia
32
Midnight Fairy
Maroussia Podkosova
www.maroussiapodkosova.com
France
33
Pseudo Spring with Sara
Gregory G. Geiger
http://www.lessthan4.com
United States
34
Bluricicle
Konjo Kalonji
http://www.facebook.com/KonjoKalonjiPhotography
USA
35
Follow Your Life Lines...
HeavenMan (Tth Gbor Gyula)
http://www.facebook.com/heavenmanphotography
Hungary
36
Curved
Carly Erin ONeil
http://www.carlyoneil.com
USA
Download full issue now!
BLUR magazine | ISSUE 30 | April 2013
3
0
BLUR magazine | ISSUE 30 | April 2013 10
What made you decide to do nude pho-
tography using the wet plate process?
What was the most interesting aspect
for you?
It was never a decision, in a narrow
sense. Ive been shooting nudes for a
long time and some years back wanted to
try wet plate. When I did, I was hooked.
I love the slow, deliberate nature of the
process and, of course, the unique look of
the plates.
Is there anything in the whole process
you would change if you could? Is
there anything annoying in the pro-
cess, or do you simply enjoy it exactly
as it is?
Wet plate photography is relatively dif-
fcult to do well consistently. And by to
do well in this context, I mean to create
plates with good contrast and artifact-free,
or clean. The literature, historic and
modern, is replete with problem solving
recipes for one ailment or another. I have
had my fair share of head-scratching
problems. Those problems are a frustra-
tion when you are trying to work your way
through to a resolution, especially when
they are spoiling a shoot. But there is
also satisfaction in that problem-solving
process. No, I would not change a thing.
Despite the recent popularity of wet
plate, there are still not many photog-
raphers using the process, and only
very few do nudes. Id say we could
count them on one hand. How do you
feel about that, and is it, perhaps, also
one of the reasons why you do what
you do?
I think the vast majority of current wet
plate practitioners are hobbyists, and
most of them are not doing nudes. Of
the more limited group of practitioners
that I might consider committed to the
method, whether hobbyist or professional,
I think nudity is pretty well represented.
For example, two of your seven past wet
plate contributors to this magazine focus
on nudes. Once you throw me in, its up
to three-eighths. And I think thats great.
But your greater point remains true in
the grand scheme of photography, there
are relatively very few that do wet plate
nudes. Do I strive to be in that niche?
No. Im driven by a passion to shoot what
I love using a method I love.
What kind of future do you
foresee for the process,
given the current state of af-
fairs in the world of photog-
raphy?
I foresee a continued increase
in popularity, but I think it will
always remain at the margins
given the practical diffculties
associated with the process.
GALLERY 24
by Robert Gojevi
BLUR magazine | ISSUE 30 | April 2013 11
What made you decide to do nude pho-
tography using the wet plate process?
What was the most interesting aspect
for you?
It was never a decision, in a narrow
sense. Ive been shooting nudes for a
long time and some years back wanted to
try wet plate. When I did, I was hooked.
I love the slow, deliberate nature of the
process and, of course, the unique look of
the plates.
Is there anything in the whole process
you would change if you could? Is
there anything annoying in the pro-
cess, or do you simply enjoy it exactly
as it is?
Wet plate photography is relatively dif-
fcult to do well consistently. And by to
do well in this context, I mean to create
plates with good contrast and artifact-free,
or clean. The literature, historic and
modern, is replete with problem solving
recipes for one ailment or another. I have
had my fair share of head-scratching
problems. Those problems are a frustra-
tion when you are trying to work your way
through to a resolution, especially when
they are spoiling a shoot. But there is
also satisfaction in that problem-solving
process. No, I would not change a thing.
Despite the recent popularity of wet
plate, there are still not many photog-
raphers using the process, and only
very few do nudes. Id say we could
count them on one hand. How do you
feel about that, and is it, perhaps, also
one of the reasons why you do what
you do?
I think the vast majority of current wet
plate practitioners are hobbyists, and
most of them are not doing nudes. Of
the more limited group of practitioners
that I might consider committed to the
method, whether hobbyist or professional,
I think nudity is pretty well represented.
For example, two of your seven past wet
plate contributors to this magazine focus
on nudes. Once you throw me in, its up
to three-eighths. And I think thats great.
But your greater point remains true in
the grand scheme of photography, there
are relatively very few that do wet plate
nudes. Do I strive to be in that niche?
No. Im driven by a passion to shoot what
I love using a method I love.
What kind of future do you
foresee for the process,
given the current state of af-
fairs in the world of photog-
raphy?
I foresee a continued increase
in popularity, but I think it will
always remain at the margins
given the practical diffculties
associated with the process.
GALLERY 12
by BLUR readers
Mancini Lorenzo
Mlissa
https://www.facebook.com/mancinilorenzophotography
Belgium
1
Serge Bouvet
Portrait of dhalit of Kathputli colony
http://sergebouvet.com/
France
2
3
Marjan Apostolovic
Abandoned
http://http://www.fickr.com/photos/marre4782/
Serbia
4
Dmitriy Orlov
The shadow of the sun
http://blue-velvet.ru
Russia
Marco Virgone
Depression
http://19564.portfolio.artlimited.net/
Italy
5
6
Sandra Strazdaite
To listen
http://amenta.carbonmade.com/
Lithuania
7
Elise Rafa
Allapattah Flats
http://www.eliserafa.com
USA
8
Jignesh Chauhan
Star Dust
http://www.jchauhan.com
England
9
Nick Moore
Integration
http://zonephotography.co.uk
UK
10
Karolina Ryvolova
Shade
http://ryvolova.wix.com/portfolio
Czech republic
11
Jason Mitchell
Alexis 01
http://ransommitchell.com
United States
12
Pedro Diaz Molins
Levitation
http://www.fickr.com/photos/piterart/
Spain
13
Tijana Jovanovi
Nagl
Srbija
14
Melissa Anderson
Water Contamination
http://melissa-anderson.com
USA
15
Maureen Maliha
Artifacts
http://www.trilliumgallery.com/maureen-maliha.
html
USA
16
Riz Sasue
Victimize
Indonesia
17
Fabienne Collard
La partition de Nol
http://19477.portfolio.artlimited.net
Belgium
18
Jade Danielle Smith
self portrait 35mm
http://www.jadedaniellesmith.com
England
19
Vladimir Milovanovi
Rope Of Madness
http://www.facebook.com/VladimirMilovanovicPhotography
Serbia
20
Mervyn Dublin
Beauty is in the eye of the beholder
Malaysia
21
Carmelita Iezzi
Looking over
http://www.carmelitaiezzi.com
Italy
22
Marco Iozzi
Tree and fog
http://marcoiozzi.4ormat.com/photography
Italy
23
Jonathan Arthur Staves
Echo Nittolitto
USA
24
Ioan Nicolae
Electra
http://www.ioannicolae.ro
Romania
25
Charmaine Chamberlain
The Darkness of Every Crossroad
http://www.exhibit07.org
Australia
26
Ryoma Aoki
Lines
http://d.hatena.ne.jp/g-aoki/
Japan
27
Veronika Otepkov
The Room
http://www.veronikaotepkova.estranky.sk/
Slovakia
28
Marianne Ellis
Lost in this world
http://marianne@excelphotography.com.au
Australia
29
Rafal Michalak
Justine
http://rafalmichalak.com
Poland
30
Studio ado
Wall
http://www.fickr.com/photos/studio_ado/
Serbia
31
Noe Lozano
Rose Garden
www.nolophoto.com
USA
32
Anemites (Luciana Rodriguez)
Dancing with the universe
https://www.facebook.com/Anemites.Art
Argentina
33
Linked Ring Photography
(Dan Kennedy and Nicole Truax)
Pianist
http://linkedringphotography.com
USA
34
Ivan Gudi
Lucija
http://www.facebook.com/pages
Croatia
35
Ekaterina Musatkina
Hands
http://vk.com/musatkina
Russia
36
Diana Yan Manan
Naked Soul
http://www.fickr.com/photos/dymthenaivearts/
Malaysia
Download full issue now!
BLUR magazine | ISSUE 31 | June 2013
BLUR magazine | ISSUE 31 | June 2013 10
What made you decide to do nude pho-
tography using the wet plate process?
What was the most interesting aspect
for you?
It was never a decision, in a narrow
sense. Ive been shooting nudes for a
long time and some years back wanted to
try wet plate. When I did, I was hooked.
I love the slow, deliberate nature of the
process and, of course, the unique look of
the plates.
Is there anything in the whole process
you would change if you could? Is
there anything annoying in the pro-
cess, or do you simply enjoy it exactly
as it is?
Wet plate photography is relatively dif-
fcult to do well consistently. And by to
do well in this context, I mean to create
plates with good contrast and artifact-free,
or clean. The literature, historic and
modern, is replete with problem solving
recipes for one ailment or another. I have
had my fair share of head-scratching
problems. Those problems are a frustra-
tion when you are trying to work your way
through to a resolution, especially when
they are spoiling a shoot. But there is
also satisfaction in that problem-solving
process. No, I would not change a thing.
Despite the recent popularity of wet
plate, there are still not many photog-
raphers using the process, and only
very few do nudes. Id say we could
count them on one hand. How do you
feel about that, and is it, perhaps, also
one of the reasons why you do what
you do?
I think the vast majority of current wet
plate practitioners are hobbyists, and
most of them are not doing nudes. Of
the more limited group of practitioners
that I might consider committed to the
method, whether hobbyist or professional,
I think nudity is pretty well represented.
For example, two of your seven past wet
plate contributors to this magazine focus
on nudes. Once you throw me in, its up
to three-eighths. And I think thats great.
But your greater point remains true in
the grand scheme of photography, there
are relatively very few that do wet plate
nudes. Do I strive to be in that niche?
No. Im driven by a passion to shoot what
I love using a method I love.
What kind of future do you
foresee for the process,
given the current state of af-
fairs in the world of photog-
raphy?
I foresee a continued increase
in popularity, but I think it will
always remain at the margins
given the practical diffculties
associated with the process.
GALLERY 24
by Robert Gojevi
BLUR magazine | ISSUE 31 | June 2013 11
What made you decide to do nude pho-
tography using the wet plate process?
What was the most interesting aspect
for you?
It was never a decision, in a narrow
sense. Ive been shooting nudes for a
long time and some years back wanted to
try wet plate. When I did, I was hooked.
I love the slow, deliberate nature of the
process and, of course, the unique look of
the plates.
Is there anything in the whole process
you would change if you could? Is
there anything annoying in the pro-
cess, or do you simply enjoy it exactly
as it is?
Wet plate photography is relatively dif-
fcult to do well consistently. And by to
do well in this context, I mean to create
plates with good contrast and artifact-free,
or clean. The literature, historic and
modern, is replete with problem solving
recipes for one ailment or another. I have
had my fair share of head-scratching
problems. Those problems are a frustra-
tion when you are trying to work your way
through to a resolution, especially when
they are spoiling a shoot. But there is
also satisfaction in that problem-solving
process. No, I would not change a thing.
Despite the recent popularity of wet
plate, there are still not many photog-
raphers using the process, and only
very few do nudes. Id say we could
count them on one hand. How do you
feel about that, and is it, perhaps, also
one of the reasons why you do what
you do?
I think the vast majority of current wet
plate practitioners are hobbyists, and
most of them are not doing nudes. Of
the more limited group of practitioners
that I might consider committed to the
method, whether hobbyist or professional,
I think nudity is pretty well represented.
For example, two of your seven past wet
plate contributors to this magazine focus
on nudes. Once you throw me in, its up
to three-eighths. And I think thats great.
But your greater point remains true in
the grand scheme of photography, there
are relatively very few that do wet plate
nudes. Do I strive to be in that niche?
No. Im driven by a passion to shoot what
I love using a method I love.
What kind of future do you
foresee for the process,
given the current state of af-
fairs in the world of photog-
raphy?
I foresee a continued increase
in popularity, but I think it will
always remain at the margins
given the practical diffculties
associated with the process.
GALLERY 12
by BLUR readers
The Sadhu
Ingetje Tadros
http://www.ingetjetadros.com
Australia
1
Possession
Diana Lemieux
http://www.dianalemieux.com
USA
2
3
Find The Light
Chandra Sugiharto
http://www.chandrasugiharto.com
Indonesia
4
Toxic Childhood
Tea Jagodi
http://www.facebook.com/photoworldofteajagodic
Bosnia & Herzegovina
The wing maker
Tabea Borchardt
http://www.facebook.com/tobepictures
Germany
5
6
The faded
Sarah Sartain
http://www.fickr.com/photos/
sarahsartainphotography/
UK
7
A Day In The Life
Indrajeet Rajkhowa
India
8
The View to Yourself - Lisa
Nadja Pollack
http://www.nadjapollack.com
The Netherlands
9
Sugar Skull
Daiana Sioui
http://www.ds-photo.ca
Canada
10
Out of Water
Andrew Faulk
http://andrewfaulkphotography.com
South Korea
11
Her Morning Elegance/My Own Private Dream Field
Eugen Brodner
http://eugen-brodner.blogspot.ro/
Romania
12
Hope
Dennis Ramos
http://dennisramos.pixu.com
USA
13
Elena
Anastasiia Sapon
http://anastasiiasapon.com
USA
14
Rain Hour
Olga Astratova
http://500px.comolgaastratova
Latvia
15
Smoke Bubble
Uday Tadphale
http://500px.com/UdayTadphale
India
16
Kumbh Mela Naga Baba
Udit Goyal
http://uditgoyal.com
India
17
Tribute to Frida
Kiril Stanoev
http://www.kirilstanoev.eu
Bulgaria
18
Chaque Jour mest une Soufrance
Irving S. T. Garp
http://irvingstgarp.wix.com/pictures
Belgium
19
Dont stop dancing
Mukti Echwantono
Indonesia
20
Into A Deep Slumber
Paula Goddard
http://www.paulacska.com
Hungary
21
Emilly The Strange
Tijana Jovanovi
http://www.facebook.com/jovtij
Serbia
22
Trapped
Ana Danilovic
http://www.facebook.com/AonDay
Serbia
23
Secrets
Luca De Vincentis
http://lucadevincentis.com
Italy
24
The Marionette
Artem Kudryashov
Russia
25
Floating Pt 1
Jaime Forson
http://www.jaimeforsonphotography.com
Australia
26
At night
Craig Watkins
http://craigwatkins.tumblr.com
USA
27
Les serial killer ont probablement un karma dpi de bl
Yann Grancher
http://www.o-photos.com
France
28
Tomboy Tendencies
Sarah Giunta
http://www.SarahGiunta.com
USA
29
Black Lotus
Flamur Aliu
http://www.fickr.com/famuraliu/
Serbia
30
6
Martin Rak
http://www.martinrak.cz
Czech Republic
31
Shade of Grey
Thomas Tran
http://www.thomastran-photography.com
USA
32
Light penetration
Sebastian CalisianinPrzybylski
http://www.facebook.com/sebastian.c.przybylski
Poland
33
Snail of steel
Adeline Spengler
http://adelinespengler.darqroom.com/gallery
France
34
Chronos
Dan Kennedy and Nicole Truax
http://linkedringphotography.com
USA
35
Soft Spin
Osher Partovi
http://osherpartovi.1x.com
Israel
36
The Stars
Gildardo Gallo
http://www.gildardogallo.com
Italy
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BLUR magazine | ISSUE 34 | December 2013 7
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GALLERY 36 SPECIAL ARCHIVE
GALLERY 36 is designed as an inexhaustible source of inspiration, and thats why we created a SPECIAL ARCHIVE of all these
striking photos from around the world published in this column of BLUR over the years. With a single mouse click, you can
see all the photos from GALLERY 36 that we collected in more than 5 yearsin one place.
So start browsing!
BLUR magazine | ISSUE 34 | December 2013 212
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