Franz Ferdinand - Tonight

Ulysses
Words & Music by Nicholas McCarthy, Robert Hardy,

Alexander Huntley & Paul Thomson
D5
E5
5fr
F5
7fr
A5
Dm
8fr
12fr
5fr
Bb5
A5*
G5
B5
3fr
C5
10fr
3fr
Intro
q = 99

Bass arr.
for Gtr.
[Am]
[F]
mf
[Am]
[F]
Doo, doo, doo, doo, doo, doo.
Verse
[Am]
While
[F]
sit
in here,
so
what you
got,
sen - ti - men - tal foot - steps,
(Vocal w/slight 16th note swing)
what you
got
this
time?
a voice
says,
Come on
lets
get
Hi.
So,
then
high.
[Am]
Come on
look
so,
what you
got
next,
oh,
[F]
Well Im
bored,
Im
bored,
walk - in twen - ty
five
come
on
lets
get
high.
5 3
2 0
0 0 3 2
0 5
5 3
2 0
0 0 3 2
0 5
5 3
2 0
3 2

Come on
[F]
[Am]
oh.
Interlude
Synth. arr. for Gtr.
miles,
0 5
1 1
D5
lets
get
high,
Gtr. 1 (elec.)
w/clean tone
come on
lets
E5
F5
A5
get high,
high.
7 7 X X 7
X X
7 7 X X 7
9 9 9 X 9
X 9 9 X X 9
10 10 10 X X 10 14 14 14 14 14 14 14
5 5 X X 5
X X
5 5 X X 5
7 7 7 X 7
X 7 7 X X 7
8 8 X X 8
12 12 12 12 12 12 12
Chorus
Dm

Well
found
6
7
7
5
7
5
5
3
new
X
X
X
X
6
7
7
5
X
X
X
X
6
7
7
5
X
X
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X
5
3
X
X
X
X
6
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5
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3
X
X
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X
5
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5
3
X
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X
5
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5
3
X
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X
X
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X
5
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3
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3
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5
3
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5
3
Ill
find
6
7
7
5
X
X
X
X
X
X
X
X
X
X
X
X
la,
la,
la,
la,
6
7
7
5
X
X
X
X
X
X
X
X
5
5
5
3
X
X
X
X
X
X
X
X
5
5
5
3
X
X
X
X
X
X
X
X
5
5
5
3
5
5
5
3
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5
5
3
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5
5
3
X
X
X
X
6
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5
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5
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5
5
3
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5
3
X
X
X
X
5
5
5
3
X
X
X
X
X
X
X
X
6
7
7
5
X
X
X
X
Ill
find
5
5
5
3
X
X
X
X
sym
pa - thy.
6
7
7
5

5
3
X
X
X
X
7
5
6
7
7
5
6
7
7
5
6
7
7
5
your
6
7
7
5
need
way,
6
7
7
5
X
X
X
X
new
X
X
X
X
6
7
7
5
X
X
X
X
way.
new
I dont
5
5
5
3
X
X
X
X
X
X
X
X
me,
6
7
7
5
7
5
X
X
X
X
X
X
X
X
5
5
5
3
6
7
7
5
found
La,
7
5
way,
a - muse
Dm
Come on, dont
13
U - lys
ses.
6
7
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5
6
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5
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5
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5
X
X
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X
new
ba
by.
X
X
X
X
X
X
X
X
5
5
5
3
X
X
X
X
X
X
X
X
5
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3
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3
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5
3
5
5
5
3
way,
[Dm]
0
3
[B]
0
3
Verse
[Dm]
My
U- lys- ses,
Bass arr. for Gtr.
my
no, but you are now,
boy.
U- lys- ses,
mf
but last
night
was
wild.
So
That
hot
but
grew
cold.
B5
7
7
5
7
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5
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5
feel - ing kind - a
anx - ious?
7
7
5
7
5
7
7
5

ev - ry - one, ev
3
1
7
5
Yeah
si- nis- ter,
so
6
7
7
1
si - nis- ter,
mat - ter there,
Whats a
Gtr. 1
Dm
[B]
3
1
ry - bo - dy
3
1
knows
it,

X
X
X
X
X
X
X
X
X
X
X
X
A5*
yeah
ev - ry - one, ev
2
0
2
0
2
0
ry - bo - dy
knows
it,
ev
2
0
2
0
2
0
2
0
2
0
2
0
ry - bo - dy knows
I.

2
0
2
0
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Chorus
Dm
La,
7
5
6
7
7
5
X
X
X
X
Ill
find
6
7
7
5
5
3
X
X
X
X
5
5
5
3
7
5
la,
la,
la,
la,
6
7
7
5
X
X
X
X
X
X
X
X
6
7
7
5
X
X
X
X
X
X
X
X
6
7
7
5
6
7
7
5
6
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7
5
6
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7
5
7
5
new
X
X
X
X
X
X
X
X
5
5
5
3
X
X
X
X
X
X
X
X
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
la,
la,
la,
la,
La,
X
X
X
X
6
7
7
5
Dm

5
5
5
3
way,
6
7
7
5
X
X
X
X
Ill
find
6
7
7
5

5
3
5
5
5
3
X
X
X
X
5
5
5
3
U - lys
ses.
X
X
X
X
X
X
X
X
6
7
7
5
X
X
X
X
X
X
X
X
6
7
7
5
6
7
7
5
6
7
7
5
6
7
7
5
new
ba
by.
X
X
X
X
X
X
X
X
5
5
5
3
X
X
X
X
X
X
X
X
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
way,
U - lys
X
X
X
X
X
X
X
X
6
7
7
5
X
X
X
X
X
X
X
X
6
7
7
5
6
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7
5
6
7
7
5
6
7
7
5

7
5
6
7
7
5
X
X
X
X
6
7
7
5
ses.
X
X
X
X
X
X
X
X
6
7
7
5
X
X
X
X
X
X
X
X
6
7
7
5
6
7
7
5
6
7
7
5
6
7
7
5
Ill
find
5
5
5
3
5
3
X
X
X
X
5
5
5
3
Well Ill
find
way,
new
ba
by.
new
X
X
X
X
X
X
X
X
5
5
5
3
X
X
X
X
X
X
X
X
5
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3
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3
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3
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3
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3
X
X
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X
5
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5
3
X
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X
5
5
5
3
X
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X
5
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3
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3
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3
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3
5
3
way,
Bridge
[Bm7b5]
oh.
Oh,
mp
sud-den - ly
18
Youre
nev
er,
mf
youre
nev
er,
X 8
youre
nev
er,
youre
12
12
12 12
12
12
12
12 12
12
12
12
12
12 10
10
10
10
10 10
10
10
10
10 10
10
10
10
10
10
F5
nev
er,
youre
10
10
10
10
youre
G5
nev - er,
youre
nev - er
E5
nev
er,
10
10
10
10
10
10
10
10
10
10
12
12
10
10
10
home.
12
F5
go-ing
Gtr. 1
youre nev- er
X 10
you know
17
18
19
19
G5
Bass
let ring
17
then
Gtr. 1
Bass
[F]
go - ing
Outro
D5
home.
Not
B5
U - lys - ses,
C5
ba
oh,
D5
by.
No,
la,
la,
la,
la,
7 7 X 7 X X 7 X X 7 X X 7
7 7 X 7 X X 4
7 7 X 7 X X 7 X X 7 X X 7
5 5 X 5 X X 5 X X 5 X X 5
5 5 X 5 X X 2
5 5 X 5 X X 5 X X 5 X X 5
C5
D5
whoo,
hoo,
hoo.
B5
Youre
not
lys
ses,
C5
D5
whoo,
hoo,
hoo.
B5
La,
la,
la,
la,
C5
Dm
whoo,
hoo,
hoo.
B5
6
7
7
5
6
7
7
5
6
7
7
5
Turn It On
Words & Music by Alexander Kapranos, Nicholas McCarthy,

Robert Hardy & Paul Thomson
Eb5/Bb
F5
6fr
Eb5
8fr
8fr
D5
11fr
[C5]
Db5
C5
10fr
9fr
[E5]
8fr
[C5]
[E5]
Gtr. 1 (elec.)
Drums

q = 132
w/dist.
8 0 7 0 5 0
ea - sy be - ing
It aint
dont
[E5]
call
[E5]
5
6
ev - er
call
8
6
[E5]
[C5]
8
6
[E5]
me?
5
3
me.
5
6
5
3
[C5]
this kind of lov - er wont you
nev - er
3 0 5 3
ea - sy be - ing
[E5]
Oh, Im
de - di - ca - ted, yes Im a for- giv- er,
oh, Im
de - di - ca - ted,
sure Im a giv- er.
wan - na know how I man- age a - lone, oh no, you dont wan - na know what goes on when Im on
my own.You
5
3
0 8 0 7 0 5 0
5 6
[C5]
this kind of lov - er when you
[C5]
5
3
[E5]
5
3
[C5]
It aint
Bass arr. for Gtr.
5 3
3
[C5]
Verse
5
3
8
6
5
6
5
3
Copyright 2008 Universal Music Publishing Limited.

All rights in Germany administered by Universal Music Publ. GmbH.
8
6
[C5]
[E5]
[C5]
[E5]
Im
de - di - ca - ted, yes Im a for-giv - er, Ill for - give you
al
ways.
dont wan - na know how I plan on my own, oh no, you dont wan - na know how I know when youre on
Chorus

5
3
5
3
[C5]
8
8
8
10
10
8
8
8
8
on)
on)
[C5]
10
10
8
10 8
10 8
8 8
8
8
8
10
10
10
[E5]
10
10
10
(Turn it
(Turn it
on)
on)
8
8
8
8
8
8
10
10
8
Al- though I know you turn it on, yeah,

You know Ill get you on your own, yeah,
10
10
8
10
10
8
10 8
10 8
8 8
10
10
10
10
10
10
8
8
8
10
10
10
8
8
8
10
10
10
8
8
8
10
10
8
Interlude
[C5]
[E5]
0 8 0 7 0 5 0
[C5]
5 3
[E5]
0 8 0 7 0 5 0
3
5 6
3 0 5 3
on)
on)
8
8
8
8
8
8
10
10
10
To Coda
[E5]
1/4
8
8
8
10 8
10 8
8 8
[C5]
8
8
8
Al - though I
I know the
1/4
10
10
8
10
10
10
8
8
8
[E5]
10
10
10
Al - though I know you turn it on,

yeah. (Turn it
You know Ill fol - low you to Rome, yeah. (Turn it
10 8
10 8
10 8
Gtr. 1
8
8
8
1/4
8
8
8
Al- though I
your own. Ill
know you turn it on, yeah.

pla - ces you call home, yeah.
10
10
10
know you turn it on, yeah. (Turn it

nev - er be a - lone, yeah. (Turn it
10
10
10
5
6
[E5]
[C5]
turn it
10 8
10 8
10 8
10
10
8
10 8
10 8
8 8
8
8
8
8
8
8
[C5]
8
8
8

on.
10
10
10
10
10
10
10
10
10
1/4
10 8
10 8
10 8
[E5]

8 0 7 0 5 0
5 3
3 5 6
Coda
D.S. al Coda
[C5]
[E5]
turn it
8
8
8
on.
8
8
8
1/4
10
10
10
10
10
10
8
Ah, you know I
know
where you are,
you know I
know where you are - ha,
you
know.
E5/B
8
8
6
6
F5

8
8
6
6
cant have an - oth
er,
8
9
10
10
8
8
9
10
10
8
8
9
10
10
8
8
8
6
6
8
8
6
6
10
10
8
10
10
8

10
10
8
10
10
8
(you turn
8
9
10
10
8
8
9
10
10
8
it
8
9
10
10
8
on)
E5
cant
stop
Bridge
You
[E5]
Interlude
F5
think - ing
of
you,
10
10
8
10
10
8
8
9
10
10
8
8
9
10
10
8
8
8
6
8
8
6
8
8
6
8
8
6
10
10
8
10
10
8
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10
8
8
9
10
10
8
8
9
10
10
8
(you turn
8
9
10
10
8
8
9
10
10
8
it
E5
F5
Yeah,
E5
yeah,
on)
8
9
10
10
8
8
9
10
10
8
8
8
6
8
8
6
8
8
6
If
cant
8
9
10
10
8
8
8
6
8
9
10
10
8
8
9
10
10
8
8
8
6
8
8
6
have you then
8
8
6
10
10
8
10
10
8
10
10
8
Yeah,
yeah,
yeah.
10
10
8
E5
8
8
6
can.
8
9
10
10
8
8
9
10
10
8
8
9
10
10
8
8
9
10
10
8
8
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10
10
8
8
9
10
10
8
F5
8
8
6
8
8
6
8
8
6
no - bo - dy
yeah.
8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9
10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8
10 10 10 10
10 10 10 10
8 8 8 8

8
8
6
F5
10 10 10 10
10 10 10 10
8 8 8 8
8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9
10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8
Outro
E5*
D5
D5
C5
E5*
D5
D5
C5

You
turn it
11 11 11 11 10 10 9
E5*
D5
on,
you turn it on.
D5
You
on,
11 11 11 11 10 10 9
C5
turn it
E5*
D5
you turn it on.
D5
C5
You
turn it
13 13 13 13 12 12
11 11 11 11 10 10
on,
11 11
9 9
you turn it on.
10 10 10 10
8 8 8 8
10 10
8 8
Whoo,
10 10
8 8
you turn it
13 13 13 13
11 11 11 11
11 11
10 10
on.
11 11
9 9
10
8
No You Girls
Gm
Em
3fr
q = 106
Intro
C
7fr
Bb
3fr
Em*
F#11
C*
5fr
[Gm]
Gtr. 1 (elec.)
Oh,
(fx)
mf
w/dist.
12 10 12
10 9 10
9 7 9
Verse
Gm
Gtr. 2 (elec.)
(tacet 2)
w/clean tone
kiss
kiss
me,
me,
Kiss
Kiss
X 3
me where your eye

me where your eye
wont
wont

2 3
5
X 3
kiss
kiss
me.
me.
ci - ga - rette then
ci - ga- rette and then
2 3
2 3
5
2 3
flick your
flick your
Gtr. 1 (elec.)
(tacet 2)
Em
X 3
2 Gtr. 2 enters
meet
meet
me,
me,
meet
meet
X 3
me where your mind

me where your eye
wont
wont
2 3
2 3
2 3
2
2 3
2
Gm
kiss
flick
me.
me.
Flick your eyes

Flick your mind
at mine and then

at mine
so
hit me,
brief - ly,
oh
2 Gtr. 1 enters
2 3
2 3
5
X 3
2 3
X 3
X 3
Em
hit
me with your eyes

so
you know, you know youre so
yes
I
I
love
I
I
mean
mean
Id
I,
5
5
love
mean
to
I
But do you nev - er

But do you ev - er
2 3
2
get
need
to
to
know
love.
you.
Gm
you know, you know, you know that,

you know, you know, I know that
Gm
love,
you,
Pre chorus
2 3
2
oh,
oh,
2 3
2

2 3
X 3
sweet - ly,
sweet - ly,
2 3
5
won - der?
won - der?
No,
no,
no,
Gm
(1,2) no.
($) No
You
you
Pno. arr. for Gtr.

7
5
Gm
No
No
girls
boys
you
you
nev
nev
7
5
7
5
7
5

girls
boys
7
5
nev
nev
7
5
7
5
oh
oh
no,
no
nev
nev
- er know.
- er care.
7
5
5
5
5
5
7
5
5
5
er know
er care
how
you make
how

a
the
boy
girl
feel.
feels.
Gtr. 1
7
5
girls
boys
nev
nev
7
5
7
5
7
5
7
5
oh
you
no,
dir
you
- ty
- er know,
- er care,
7
5
you girls - ll
you boys - ll
- er know,
- er care,
You
You
Pno. arr. for Gtr.
girls - ll
boys - ll
7
5
7
5
nev
nev
er know.
er care.
5
5
5
5
5
5
Gm
No
No
7
5
Gm
7
5
7
5
you
you

7
5

girls
boys
nev
nev
1.
To Coda C
7
5
7
5
er know
er care
7
5
how
Gtr. 1
you make
5
3
5
3
3
1
3
1
boy
feel,
Gm

7
5
how you make a boy.
Piano arr. for Gtr.
[Gm]
7
5
7
5
7
5
7
5
Gtr. 1
7
5
15
5
3
Gtrs. 1+2
1/4
5
3
X X X X
X X X X
Oh,

1/4
1/4
2 3
5
0 3
X X X X
X X X X
1/4
2 3
5
0 3
X X X X
X X X X
2 3
5
0 3
X
X
X
X
2.
C
how you make
boy
Pno. arr. for Gtr.
7
5
Pno. arr. for Gtr.

7
5
how you make
7
5
7
5
7
5
7
5
7
5
boy
feel,
Gtr. 1
7
5
7
5
7
5
Gtr. 1
5
3
5
3
5
X
Gm
feel,
Gtr. 1
Gm
how
you
make
boy.
3
1
3
1
Em*
Bridge
Some-times
say
mf
6
0
0
4
7
0
0
5
0
0
0
2
2
0

well, I mean I,
0
2
0
0
0
4
0
1
0
2
3
0
0
3
4
think the
10
stu - pid - est
cont. in slashes
Gm
won
11
10
11
10
things.
0
1
0
2
3
some - times
2
2
C*
Gm
Gtr. 1
that
X
X
X
*X
6
0
0
4
think,
things
Gtr. 2
stu - pid
F11
0
0
0
2
2
0
Pno. arr. for Gtr.
Be-cause I
nev - er
11
10
- der
Gm
11
10
11
10
feels,
oh, how the girl
feels.
how the girl
Gm
3
3
3
5
5
3
feels,
oh, how the girl
X X 1
feels,
fee
Gm
12 10 12
8
10
10
X X 1
5
5
3
3
3
3
5
5
3
oh, how the girl
Gtr. 1
Gm
D.S. al Coda
oh, how the girl
Coda
Gm
(ls)
15
feels.
5
5
3
Twilight Omens
Am
Dm
5fr
C5
5fr
D5
E5
8fr
3fr
F5
5fr
Em
3fr
7fr
7fr
Bm7b5
G5
8fr
10fr
Am
Intro
Gtr. 1 (elec.)
q = 176
[Am]
5
5
5
5
w/clean tone
Kbd. arr.
for Gtr.
mf
5
6
7
0
5
6
1. I
2. I
wrote your
typed your
5
6
7
5
7
0
5
6
7
5
6
7
7
0
5
5
5
5
Dm
5
5
5
5
7
0
Verse
5
5
7
0
5
5
7
7
5
6
5
6
5
6
7
7
0
name up - on
num - ber
the
in
7
8
7
7
8
7
7
8
7
7
8
7
of my
cal - cu
10
back
to my
8
8
9
7
0
8
8
9
8
8
9
8
8
9
Dm
hands,
slept up
la - tor, where it
5
6
5
8
8
5
6
5
5
6
5
5
6
5
on
it
spelled a
5
6
7
5
5
6
7
then I
dir -
5
6
7
ty word
5
6
7
Em
Dm
woke up with it
when you
7
8
9
7
8
9
Em
my
side
face,
down.
read - ing
You can
Twi
7
8
9
5
6
7
5
6
7
5
6
7
7
8
9
7
8
9
5
6
7
5
6
7
8
10
10
8
10
10
8
10
10
8
10
10
5
6
7
7
8
9
7
8
9
5
6
7
5
5
5
6
3
5
5
5
5
5
7
0
Dm
in
my
3
3
4
5
6
7
5
6
7
7
5
5
6
7
7
5
5
6
7
7
5
5
6
7
7
5
3
3
4
5
cont. in stave
5
5
7
7
light
5
6
7
o - mens
to my
the bright way
Gtr. 1
for - wards from my

mir - ror
turn my dirt - y world
7
0
5
5
heart.
round.
5
6
7
8
9
Am

backwards on
turn it up
Dm
life.
C5
Then I hear your
1
1
2
3
3
1
1
1
2
3
3
1
1
1
2
3
3
1
1
1
2
3
3
1
1
1
2
3
3
1
1
1
2
3
3
1
1
1
2
3
3
1
1
1
2
3
3
1
1
1
2
3
3
1
10
10
8
Chorus
A5
D5 E5
name,
7
7
5
F5
7
7
5
X
X
X
X
X
X
7
7
5
9
9
7
10
10
8

hear the
ra - di - o
10
10
8
10
10
8
10
10
8
10
10
8
8
A5
D5 E5
F5
sing
your
name.
7
7
5
7
7
5
X
X
X
X
X
X
7
7
5
9
9
7
10
10
8

Should I give you
10
10
8
10
10
8
10
10
8
10
10
8
8
A5
Dm
call,
what can I

7
7
5
Gtr.1
Kbd. arr.
for gtr.
7
7
5
X
X
X
5
5
7
0
7
0
6
7
7
5
6
7
7
5
6
7
7
5
6
7
7
5
6
7
7
5
6
7
7
5
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X

5
6
7
5
5
7
feel the same.

feel the same.
5
5
5
7
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
cont. in slashes
5
5 5
5
5 5
5
5 5
7
7 7
A D
Bm7b5 4 3 2
4fr 2fr 3fr
2.
5
5
1.
B E
5 4
2fr 2fr
Am
5
6
5
7
still
still
May - be you
may- be I
Oh,
5
5
Organ arr. for Gtr.
Dm
6
7
7
5
X
X
X
Instrumental
X
X
X
5
6
X
X
X
say?
Am
Pre-chorus
Twi
Dm
light
o - mens
Piano arr. for Gtr.
5
5
3
5
5
3
5
5
3
5
5
3
in
my

7
7
5
7
7
5
7
7
5
7
7
5
C5
life.
I keep a- hear- ing your
2
3
3
1
2
3
3
1
2
3
3
1
2
3
3
1
2
3
3
1
2
3
3
1
2
3
3
1
2
3
3
1
Gtr. 1
10
10
8
Chorus
A5
name,
D5 E5
7
7
5
X
X
X
7
7
5
X
X
X
I keep
9
9
7
10
10
8
10
10
8
D5 E5
F5
7
7
5
7
7
5
X
X
X
X
X
X
7
7
5
9
9
7
D5
sing
your
7
7
5
X
X
X
X
X
X
7
7
5
10
10
8
10
10
8
10
10
8
E5
F5
name,
7
7
5
10
10
8
9
9
7
7
7
5
X
X
X
7
7
5
hear
the
7
7
5
10
10
8
10
10
8
10
10
8
name.
F5
9
9
7
I hear the ra - di - o
10
10
8
10
10
8
X
X
X
X
X
X
10
10
8
10
10
8
A5
sing
your
7
7
5
7
7
5
X
X
X
X
X
X
X
X
X
10
10
8
X
X
X
10
10
8
X
X
X
X
X
X
X
X
X
10
10
8
X
X
X
X
X
X
12
12
10
10
10
8
X
X
X
X
X
X
12 12
12 12
10 10
0
0
0
0
0
0
0
0
5
5
5
7
7
5
E5

7
7
5
Am
10
10
8
10
10
8
D5
10
10
8
10
10
8
10
10
8
10
10
8
7
7
5
X
X
X
10
10
8
name,
X
X
X
G5
10
10
8
keep a - hear- ing your
ra - di - o
F5
9
9
7
D5 E5
10
10
8
7
7
5
X
X
X
10
10
8
7
7
5
sing your
10
10
8
I hear the ra - di - o
F5
A5
10
10
8
name.
10
10
8
A5
10
10
8
D5 E5
name,
a - hear - ing your
A5
A5

7
7
5
F5
9
9
7
Send Him Away

Gm/D
F/C
6fr
Cm
5fr
Gm
3fr
Eb/Bb
3fr
Gtr. 2 (elec.)
10
F/C
10
seem
need
to
to
10
12
feel
claim
10
10
10
12
10
12
10
12
12
10
Cm
10
10
the en - vy
or own you,
Gm
or may - be
I would like to.
I should feel,
or may - be
E/B
need
need
Gtr. 3 (elec.)
w/clean tone + reverb

6
8
8
8
the
what
sour
e - ver
6
6
7
8
side
side
of
of
love,
love
8
8
8
10
I dont
But I
Cm*
of
is
love.
there.
10
10
11
12
10 12
12 10 12
10
F/C
10
12
I cant
I dont
12
12
Gm
12
12 10
10
12 10 12 10
10
12
Gm/D
Cm
12
Verse
10

12
10
F/C
10
12
Fig. 1
w/clean tone
12 10
Gm/D
w/clean tone
Gtr. 1 (elec.)
mf
10fr
Drums
D
8fr
F/C
q = 118 qaa z=[qp ]e
Cm*
6fr
Gm/D
Intro
Gm/D
Bb
6fr
No,
Chorus
Gm/D
3
F/C
Gm/D
care
dont
Gtr. 3
(1 only)
Gm/D
breath
is
in your hair,
his
F/C
F/C
Gm/D
F/C
cont. sim.
well, I dont care his
skin
is still be - tween the
Gtr. 1 w/Fig. 1 (x3)

fade in slowly
6
8
7
Gm/D
5
6
5
1.
Gm/D
F/C
still - warm fold
6
8
7
10
11
12
F/C
Gm/D
of your sheets,
send him
F/C
F/C
a - way.
Gtr. 1
(w/h echo repeat)
Gm/D
10
11
12
10
10
10
12 10
10
12
12 10
12 10 12 10
10 10
10
12
12
10 12
12 10 12
10 10

Gm/D
F/C
12 10
12 10 12 10
2.
Gm/D
F/C
3
10 12
12 10 12
F/C
3
12
F/C
12 10 12 10
10
Gm/D
10
12
10
12 10
10
Gm/D
10
F/C
10
12
12
Gm/D
12 10
10
F/C
10
12
10
Gm/D
cont. sim.

sheets,
from
12 10
10
12
10
10
the
fold
10 12
12 10
12 10 12
10
send
10
12
10
of your sheets,
12 10
12 10 12 10
10
12
12
10
10
him
10 12
12 10 12
Gm/D
F/C
- way.
F/C
Gm/D
F/C
Gm/D
Send him a - way,
F/C
send him a - way,
send him a - way,
Gm/D
12 10
10
12
12 10
12 10 12 10
10 10
F/C
12 10
12 10 12 10
10 10
Gm/D
10
12
12
10
12
12
Gm/D
12 10
12 10 12 10
10 10
F/C
Gm/D
12 10 12 10
10 10
10
12
12
12
F/C

send him
a - way,
12 10
a - way,
10
12
10
send him
12 10
12 10 12 10
10
10
a - way.
10
12
12
send him
12 10
10
12 10 12 10
10
12
12
10
12 10 12 10
10
12
Interlude
e=e
Gtr. 2
open Gm/D F/C

open Gm/D F/C
open Gm/D F/C
open Gm/D F/C
open Gm/D
Gm/D F/C

Kbd. arr. for Gtr.
2
3
0
3
10
Outro
Gm/D
F/C
Gm/D
F/C
Oh, cant you let
me
Gm/D
F/C

Oh, cant you let me
stay
stay
Gm/D
to - night?
F/C
to - night?
Gm/D
F/C
Gm/D
cont. ad lib. sim.
Gm/D
Oh, cant you let me
F/C
Oh, cant you let me
stay
F/C
stay
Gm/D
to - night?
F/C

to - night?
Gtr. 2 fades out
Gm/D
F/C
Gm/D
F/C
Gm/D
F/C
Gm/D
Oh,

Gm/D
F/C
Gm/D
F/C
to - night?
Gm/D
F/C
cant
you
let
me
F/C
stay
stay
Gm/D
Oh, cant you let me
F/C
to - night?
Gtr. 4 (elec. 12str.)
Gm/D
F/C
Gm/D
F/C
Gm/D
F/C
Gm/D
F/C
w/clean tone
10
12
12
8 10 12
8 10 12
10
10
Gm/D
F/C
0 12 10 12
10 12
10
10 10 12 8
12
10 10 12 8
10
Gm/D
F/C
Gm/D
F/C
Gm/D
F/C
12 10
12 10
12 10 12
12 12 10 12 8
10
12 12 10 12 8
10
10
10
10
F/C
Gm/D
F/C
Gm/D
(fade into reverb and delay)
12 10 12
8
10 10
12 10 12 8
10
F/C
Gm/D
P.S.
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
10
10
10
8
12 10
F/C
Play 3 times ad lib.
Gm/D
10
10
10
11
12
12
F/C
11
12
12

11
12
12
10
10
Gm/D
Gtr. 2
10 10 12 10 12
12 10
10 12 10
10
Gm/D
12 10 8
F/C
10
10
10
Gm/D

11
0
0
F/C
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
10
10
10
8
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
11
12
12
10
10
10
10
8
12
Live Alone

F#m
Bm
Bm*
7fr
A
7fr
Am
A5
5fr
q = 127
Intro
Bb5
5fr
5fr
G5
6fr
G
3fr
3fr
Fm
Gtr. 1 (elec.)
w/clean tone
1. I wan - na
live
a-
Bass arr. for Gtr.
mf
cont. sim.
4 4 4 2

7 7 7 5
4
2
Bm
be - cause the great - est

love is al- ways ru- ined by the bick - er - ing, the
Im not say- ing that our
love is the great - est,
but Im in love with you,
- lone,
(2.) - lone,
4 4 4 2
4
Verse
4 4 4 2
Bm
7
5
Fm
ar - gu - ment of liv - ing.

wan - na stay in love with you,
I wan - na live
so Im gon - na live
a - lone.
a - lone.
I could be hap - py
Yeah, Ill be hap - py
on
on
my
my
4 4 4 2
4
0
4 4 4 2
4 4 4 2
4
4
2
Bm
own,
own,
live
live
the
the
va
va
guest of
guest of
rest
rest
of my
of her
life
life
feel
feel
ing.
ing.
with
with
the
the

7 7 7 5
7
5
I,
wher -
4
2
7 7 7 5
5
4 4 4 2
4
4 4 4 2
Bm
$
Chorus
Fm

-e
ver you
are,
cont. sim.
who - e
ver is
there,

Gtr. 2 (elec.)
w/clean tone
X X 7
X X 7
X 7
X 7
X X 7
X X 7
X 7
X 7
X X 7
X X 7
X 7
X 7
X X 4
X X 4
X 4
X 4
X X 4
X X 4
X 4
X 4
X X 4
X X 4
X 4
X 4
Bm*

you know that
Ill
be
here,
Ill be
here
wish - ing
X X 7
X X 7
X 7
X 7
X X 7
X X 7
X 7
X 7
X X 7
X X
X 7
X 7
X X 4
X X 4
X 4
X 4
X X 4
X X 4
X 4
X 4
X X 4
X X
X 4
X 4
1, 3.
could
be
there.
Wher -
Fm
-e
ver
you
are,
who -
Gtr. 3 (elec.)
P.M.
w/clean tone
6
9
-e
ver
is
there,
P.M.
wish - ing
Bm*

here,
7 7 7 7 7 9
Ill
2 2
could
be
there.
2 2
0 0
be
here
2 2 2 2 2 4
7 7
you know that Ill be
7 7 7 7 7 9
6
7 7
6
9
P.M.
0 0 0 0 0 2
2 2 2 2 2 4
To Coda
0 0
0 0 0 0 0 2
Am
10
12
13
10
Bm
Gtr. 1
12
10
9
11
10
12
11
7
11
2.
A
[Fm]
14 12
10
12
12
11
15
Gtr. 1 tacet
__
2. And so Im gon - na live a -
11
9
Middle
A5
York
Ci
w/dist.
New
ty,
when
get
in
tax
i,
said
B5
G5
Man to
the
dri
ver,
so
hell
say
Oh,
can
Man.
i - ma - gine
A5
hav - ing
drink
with
that
guy.
Hes
all
Bridge
Fm
cont. sim.
w/clean tone
right,
oh,
hes
all
Gtr. 3
cont. ad lib. sim.
10 10
10
10
10
10 10 10 10
10 10
10
10
10
10 10 10 10
Bm
Bm
hes
all
right,
hes
all
right.
10
12
13
12
10
10
12
11
10
hes
all
Wher -
D.S. al Coda
Ah.
yeah,
right,
Coda
right,
10
7
Bite Hard
D5
F5
G5
5fr
q = 68
[C]
C5
3fr
F5*
G5*
3fr
[G6]
8fr
[C]
Bb5
10fr
13fr
[G6]
[C]
[G6]
You
dont
Piano arr. for Gtr.
(Bass)
mp
3
5
3
5
3
5
3
5
3
5
3
5
3
5
[G6]
[G6]
3
5
5
3
5
4
3
5
4
3
5
songs
3
5
5
6
7
5
6
5
6
5
5
6
6
bout
5
6
7
[Em]
[Fm]
5
6
6
[Bm]
5
6
7
5
6
4
3
5
3
5
4
2
2
4
2
2
2

you dont
3
4
2
as - sume,
3
4
4
5
6
7
You dont know the pseu - do - nyms
you.
5
6
5
6
[Dm6/A]
5
6
3
5
[Dm7]
3
5
[Dm(#7)/A]
3
5
4
3
[Dm7/A] [Dm(#7)/A] [Dm]
these
3
5
[Dm]
sing
3
5
[C]
3
5
3
3
know
3
5
[C]
3
5
5

3
4
4
3
4
4
[Em]
[Fm]
[A]
q = 156 qaa z=[qp ]e

[D5]
know the pseu - do - nyms
as - sume
0
0
0
you.
mf
2
0
[D5]
[D5]
- ing?
Well, are you hap - pi - er

I may be lone - li - er
[F5]
[F5]
hon - est.
Gtr.1 (elec.)
[G5]
now
now,
but
[C5]
do you
lone ly
dream
a - lone,
[G5]
nis talk
ci - ent
a - bout
of

cont. sim.
[D5]
12
No,
10
10
12
You should
Id
be
12
[F5]
hap - pi - er
now,
ne - ver
re - sort
- ton with om oh what would we
Gtr.1 (2 only)
12
beard?
a - ny - way?
10
Hes
full
10
[B]
[F5]
are
dy a - lone,
3
5
the Gods
hap - py
11
3
that
Im
Or
It aint

w/dist.
Bass arr. for Gtr.
2
2
Verse
2
2
for
0
0
[G5]
[F5]
with no one to
to kiss - ing your
pray
to.
pho - to,
hon - est.
love
see,
[F5]
to
break
beg - ging and

Now
taste.
pray ing? Bite

ho - ney, bite
full
[B]
your
knees
from
oh, how the che - mi - cals
[G5]
[C5]
full
full
full
7
6
full

hard,
7
7
5
X
X
X
7
7
5
3
3
1
5
5
3
D5
would you
had
to
Gtr.1 (2 only)
Or
just
full
Gtr.1 (1 only)
[D5]
7
7
5
well its a
7
7
5
F5
bro - ken
3
3
1
3
3
1
3
3
1
smile,
3
3
1
3
3
1
3
3
1
3
3
1
G5
5
5
3
8
8
6
hearts
and break - ing their
minds.
Bite
3
3
1
3
3
1
X
X
X
5
5
3
5
5
3
8
8
6
3
3
1
8
8
6
3
3
1
8
8
6
F5
5
5
3
break - ing their
5
5
3
5
5
3
X
X
X
5
5
3
5
5
3
3
3
1

3
3
1
3
3
1
3 3
3 3
1 1
3 3
3 3
1 1
3 3
3 3
1 1
D5

hard,
7
7
5
X
X
X
7
7
5
well its a
7
7
5
C5
five - o
F5*
five,
your
7
7
5
5
5
3
7
7
5
5
5
3
X
X
X
5
5
3
X
X
X
5
5
3
X
X
X
B5
en - gines a - live
1.
G5*
and we
ride
to - ge - ther, bite
10
10
8
10 10
10 10
8 8
X
X
X
cont. in slashes
10 10
10 10
8 8
12
12
10
12 12 15
12 12 15
10 10 13
15
15
13
15 15
15 15
13 13
Interlude
D5
Gtr. 1
F5

12
12
10
F5*
B5
to - ge - ther,
F5*
10
10
8
G5*
we
die
12
12
10
F5*
to - ge - ther.
to - ge - ther,
Gtr. 1
2.
G5*
hard.
G5*
Bite
ride
ride
G5*
5
7
D5
7
5
F5
hard.
C5
G5
Organ arr. for Gtr.
12
12
10
we
10
10
8
D5
7
7
5
Interlude
D5
F5
Oh, bite
4
7
hard.
C5
D5
7
5
F5
G5
Guitar solo
F5*
G5*
B5
Oh,
D5
F5
bite
hard.

3
full
full
full
10
13
10
10
13
full
full
10
full
10
13
10
13
10
13
hard.
full
10
13
10
13
10
13
1/2
10 10 10
13
13
13
10 10 10
13
13
G5*
F5*
10
13
full
full
C5
full
13
3
full
10
13
D5
bite
Oh,
10
10
13
full
full
10
13
13
10
full
F5
3
full
13
G5
B5
Oh,
cont. in slashes
1/2
13
1/2
10 10 10
13
1/2
10 10 10
13
1/2
10 10 10
13
1/2
10 10 10
13
1/2
10 10 10
13
Bridge
Gtr. 1
D5
F5
ne - ver,
oh,
G5

no
D5
ne - ver,
no
I just
had
to,
well its
bro - ken
D5
hard,
well its
F5*
had
to,
smile,
we
ride
I just
had
to
see
now
ho - ney. Bite
Bass arr. for Gtr.

en - gines a - live
and we
to - ge - ther,
G5*
we
Bite
ride
die
to - ge - ther.
3
7
to - ge - ther,
G5*
D5
B5
your
ne - ver.
F5*
no
break - ing their hearts and break - ing their minds.
five - o - five,
F5
G5*
F5*
ne - ver,
C5
G5
hard,
G5*
F5
I just
D5
F5*
C5
F5
5
5
What She Came For

A5
D5
12fr
Intro
F5
A5*
5fr
A5**
8fr
Kbd. arr.
for Gtr.
[D5]
Drums
*
*w/echo repeats
[C5]
[G5]

0
0
3
4 5
5 0
4 5
[C5]
5 0
6 5
3
0
a ques- tion for you,

a ques- tion for you,
I got a ques- tion for you:

an - oth - er ques- tion for you:
Whered you get your name

Ah, do you feel
from, whered
the,

Bass arr.
for Gtr.
0
3
[G5]

got
got
1. I
2. I
[G5]
2
0
[C5]
[D5]
Verse
10fr
G5
10fr
2
0
[D5]
mf
G
3fr
Freely q = 104
Kbd. arr.
for Gtr.
Bass arr.
for Gtr.
C5
7fr
[D5]
[C5]
you get your name from?

how do you feel the pres- sure? Why
I got a ques- tion for you:

you wear- ing what you wear - ing?
Where do you see your- self in

Where will you laugh be gone in
0
3
1 only
[G5]
five
five
min
min
utes
utes
time?
time?
[D5]
Ah, with a laugh like that
4 5
5 0
you make us all feel
gauche,
3
0
love
[D5]
you make us all
just
go
3
5
A5
la,
to.
la,
la,
la.
3
5
with a laugh like

that
So
say some- thing stu -
or a look like that
joke but,
[G5]
3
5
or a move like that

you
know that youd
- pid,
a smut - ty
3
0
like its
[C5]
3
5
[C5]
Kbd. arr. for Gtr.
[G5]
Gtr. 1 (elec.)
w/dist.
14 14 14
12 12 12
D5
Whoa, ho,
7 7
5 5
[D5]
F5
2
0
A5**
10
8
10 10
8 8
no doubt.
9 9
7 7
0 0
9
7
0
[A5]
2 2 2 2
0 0 0 0
no ques- tion,
[F5]
she knows what she came for,
7
5
no doubt.
2
0
7
5
no ques- tion,
10 10
8 8
10
8
youre what she came for,
7 7
5 5
A5*
7
5
7 7
5 5
look out,
7
5
Whoa, ho,
F5
7
5
D5
look out,
full
full
Whoa, ho,
oh, oh.
Youre what she
7 5
7
8
7 5
7
8
7 5
7
8
[F5]
for
1.
[D5]
came
[A5]
oh, oh.

full full
7
0
7 5
7
8
7 5
7
8
7 5
7
8
5
5
2.
C5
oh, oh.
Youre what she
came
for
oh, oh.
Youre what she
came
for
cont. in slashes
5
5
3
5
5
3
0
0
0
2
3
0
0
0
0
0
2
3
0
0
0
11
12
12
10

11
12
12
10
11
12
12
10
11
12
12
10
10
10 12
12
10
11
12
12
10
11 10
12 10 12
12
12
10
10
for.
came
11 10
11 11 10
12 10 12 12 12 10 12
12
12 12 12
12
10
10 10 10
10
Youre what she
11
12
12
10
Youre what she came for.
11 10
11 11 10
12 10 12 12 12 10 12
12
12 12 12
12
10
10 10 10
10
oh, oh.
11
12
12
10
10
10
12
12
10
11
12
12
10
11
12
12
10
10
10
12
12
10
11
12
12
10
11
12
12
10
10
10
12
12
10
11
12
12
10
11
12
12
10
10
10
12
12
10
11
12
12
10
11
12
12
10
11 10
11 11 10
12 10 12 12 12 10 12
12
12 12 12
12
10
10 10 10
10
Youre what she
came
for.
Guitar solo
Double time feel

D5
F5
A5
full
12
full
12
cont. sim.
full
12
full
12
10
10 10 12 10
12
10 10
12
12 10
10 10 12 10
12
12
12
full
12
10
10 12
12
full
12
12
10
12
D5
F5
1/2
10
10
10
12 10
10
10 10 10
10
10
12
A5 B5
A5
B5

13
10
10 12
10 12 10 12 10 12
B5
A5
B5
10
10
12
10
A5
12
10
12
12
B5
full
full
full
full
full
full
full
full
full
full
full
full
13
13
13
13
13
13
13
13
13
13
13
13
10
A5
13
15
15 15 15
B5
D5
15 17
15 15 15
15 13
13 15
full
full
1 1/2
1 1/2
1 1/2
1 1/2
full
17
17
17
17
17
17
17
17
17
17
17
15
15 15 15
F5
full full
15 15 17
17 17 17
full
12 10
10
10 12
12
full
full
full
full
full

full
12
12
12
12
12
12
Gtrs. 1+2
11
12
12
10
11
12
12
10
10
10
17

12
G5
10
12
A5
12
12
full
12
12
12
full
10
10
A5
1/2
11
12
12
10
11
12
12
10
11
12
12
10
10
10
11
12
12
10
11
12
12
10
10 12 10
Cant Stop Feeling

Am7
C5
Dm7
3fr
E5
Am
5fr
7fr
5fr
5fr
7fr
7fr
Intro
q = 124
Kbd. arr.
for Gtr.
Gtr. 1 (elec.)
[Am]
Drums
mf
w/dist.
w/backwards voice fx)
2
0
2
2
2
3

(keyboard harmony)
0
3
2
3
[Am]
[D]
1. The
Verse
salt
2. Salt
starts
starts
sting sting -
ing
ing
a
a
gain,
gain,
I
I
Bass arr. for Gtr.
[C]
cant
cant
[E]
stop
stop
feel
feel
ing,
ing,
no
no
I
I
wont
wont
stop
stop
feel
feel
ing.
ing.
The
and
No,
cont. sim.

[Am]
[D]
funs
were
not
not
fun
us
a - ny - more,
a - ny - more,
[C]

I
I
[E]
cant
cant
stop
stop,
feeling, no
no
I
I
wont stop
wont stop.
feeling.
Gtr. 1
0
0
Am7
Gtr. 1
2 only
You leave
You leave
me
me
here
danc
Chorus

on my own,
ing a - lone,
2
0
You
cant
Dm7
feel it,
you cant
0
0
5
3
C5
feel it,
X
X
you leave
you leave
me
me
to
here
die
E5
on the
on the
floor.
floor.
5
5
0
0
you cant
E5
feel it,
you
cant
Gtr. 2 (elec.)

feel a - ny - more.
1
0
2
0
2
0
Am7
Gtr. 2
X
X
0
0
Feel a - ny - more,
Dm7
feel a - ny - more,
C5
E5
feel a - ny - more.
5
5
Gtr. 1
and
oh
C5
X
X
Am7
1
0
Dm7
2
0
5
5
1
0
X
X
5
5
5
6
5
6

X
X
5
7
5
5
6

0
0
5
5
5
3
5
5
X
X
5
5
4
5
4
5
4
5
9
9
7
5
5
5
4
5
Gtr. 2 tacet
Am
So
boy, youre down
and
cant stop mov- ing,no you wont
5
6
5
7
8
Gtr. 2
stop
mov - ing
soul
a - long.
a - gain.
But you
7
9
9
9
7
(Oh.)
7
9
9
9
7
7
9
9
9
7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
(keyboard harmony)
0
3
is bro - ken
2
3
cresc.
Gtr. 2 tacet
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
your
Gtr. 1
a - lone,
[Am]
2
3
2
4
5
7
8
7
9
10
5
6
5
7
8
5
5
5
7
7
5
Kbd. arr. for Gtr.
Bridge

Oh.
2
0
Outro
You
cant
[Am]
feel it,
cant
feel
cant
feel it,
you
[Am]
9 9
feel
- more.
(Cant
feel
7 7 7 5
You
cant

feel
- more,
7 7 7 5
you
7 7 7 5
7
feel
a - ny -
5 5 5
7 7 7 5
7 7 7 5
5 5 5 3
5
5
3

cant
a - ny - more,
[Am]
a - ny - more.
9 9 9 9 9 9 9 9 9 9 9
7
5
5 5 5 3
[C]
3
3
[Am]
a - ny - more,
9 9 9 9 9 9 9 9 9 9 9
[E]
it.)
feel
7
5
a - ny (Cant
7 7 7 5
7
5 5 5
it.)
7 7 7 5
it.)
[E]
[C]
A - ny - more,
(Cant
you
7 7 7 5
5
5
[D]
a - ny - more.
9 9 9 9 9 9 9 9 9
[D]
5
7
[D]
feel it,
[E]
you cant
Bass arr. for Gtr.
[C]
7
5
Lucid Dreams
E
C#m
F#5
E*
4fr
G#m
7fr
D
4fr
Bb
5fr
q = 112
Intro
Gtr. 2 (elec.)
w/clean tone
Im gon - na give
my aim - less love,
my an - gry heart,
my de - sire.
I woke with
wings
Gtr. 1 (elec.)
mf
w/clean tone
Cm
from
Cm
lu - cid dreams,
knew the rea

son I
felt
w/dist.
9
6
9
6
9
6
9
6
Cm
hol - low
oh,

9
9
9
9

it I
9
9
9
6
was
9
6
9
6
may
ne - ver know
9
6
9
6

9
9
9
9
F5
if
there
is
some great truth or
not.
There is no...
mp
4
2
4 4 4 4 4 4 4
2 2 2 2 2 2 2
4
2
4 4 4 4 4 4 4
2 2 2 2 2 2 2
4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2
E*
5
6
6
4
6
6
4
6
6
4
dream
na - tion
4 4 4 4 4
2 2 2 2 2
4
4
4
6
6
4
5
6
6
4

of
Gm
you,
X
X
X
X
5
6
6
4
X
X
X
X
5
6
6
4
4
4
4
6
X
X
X
X
(whoa,)
9
9
7

9
9
7
9
9
7
9
9
7
cont. sim.
X
X
X
X
4
4
4
6
4
4
4
6
4
4
4
6
4
4
4
6
Cm
4 4 4 4 4 4 4
2 2 2 2 2 2 2
Cm
Ill
4
2
Pre-chorus
5
6
6
4
6
6
4
new
6
6
4
4
4
4
U - to - pi - a
6
6
4
for
5
6
6
4
X
X
X
X
5
6
6
4
X
X
X
X
5
6
6
4
E*
you
to
live
9
9
7

9
9
7
9
9
7
9
9
7
0
Gm
in.
4
4
4
6
X
X
X
X
X
X
X
X
4
4
4
6
4
4
4
6
4
4
4
6
4
4
4
6
Cm
Ill dream a
6
6
4
6
6
4
4
4
4
5
6
6
4
X
X
X
X
5
6
6
4
5
6
6
4
X
X
X
X
Cm
(whoa,)
9
9
7
9
9
7
9
9
7
a
new am -bro - si - a
($) an - oth - er Nar - ni - a
4
4
4
6
X
X
X
X
X
X
X
X
4
4
4
6
9
9
7
4
4
4
6
4
4
4
6
4
4
4
6
5
6
6
4
6
6
4
6 4
6 4
4 4
6
6
4
that
that
5
6
6
4
X
X
X
X
5
6
6
4
5
6
6
4
X
X
X
X
Gm
9
9
7
9
9
7
E*
we could
we could
9
9
7
live
live
in.
in.
X
X
X
X
X
X
X
X
4
4
4
6
4
4
4
6
4
4
4
6
4
4
4
6
4
4
4
6
9
9
7
Cm

Gtrs. 1+2
6
6
4
6
6
4
dreams,
0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
X
X
X X X
X X X
X X
0
0
1
2
0
0
1
2
2
0
X
X
X X X
X X X
X X
X
X
X
X
X
X
X
X
X
X
X
X
4
4
4
6
4
4
4
6
4
4
4
6
4
4
4
6
Cm
Im
liv-ing in
lu - cid
dreams,
X
X
X
X
X
X
X
X
4
4
4
6
4
4
4
6
4
4
4
6
4
4
4
6
6
6
4
6
6
4
E*
6 6
6 6
4 4
0
0
0
9
9
7
2
3
2
0
2
3
2
0
9
9
7
3
3
3
1
3
3
3
1
3
3
3
1
3
3
3
1
Cm
9
9
7
0
0
1
2
9
9
7
6
6
4
X
X
X
X
Gm
Gm
9 9 9
9 9 9
7 7 7

9
9
7
6
6
4
6
6
4
E*
Lu - cid
E*
Chorus
6
6
4
me,
E*
Gm
na -tion of

5
6
6
4
E*
a - ha,
6
6
4
yeah.
6
6
4
6
6
4
6
6
4
Gm
X
X
X X X
X X X
X X
X
X
X
X
X
X
X
X
X
X
X
X
4
4
4
6
6 6
6 6
4 4
9
9
7
9 9 9
9 9 9
7 7 7
4
4
4
6
4
4
4
6
4
4
4
6
Cm
6
6
4
6
6
4
Bass arr. for Gtr.
on
my
4
4
4
6
X
X
X
X
X
X
X
X
4
4
4
6
4
4
4
6
4
4
4
6
4
4
4
6
6
6
4
Beat came from
9
9
7
9
9
7
X
X
X

2 2
Ad - dis
ro - de - o.
2 2

2 2
4 4 4 4
A - by lon,
round my
4 4 4 4
X
X
X
short - wave
9
9
7
ste - re - o,
2 2
9
9
7
4 4 4 4
To Coda
yeah.
Gm
6
6
4
but Im
4 4 4 4
fly - ing
to
Is - tan - bul.
2 2
Oh,

so
why
4 4 4
4
4 4 4 4
D.S. al Coda
long?
2 2
4
dont you come a
2 2
4 4 4 4
Gtr. 1
6
6
4
Sweep slides
a - ha,
E*
4
4
4 4
4 4 4 4
Kbd. arr. for Gtr.
Coda
(Bass)

Cm
1/4
1/4
12 14
16 16
11 11
9 9
16
14 14 12 14
Cm
lu
cid
dreams,
16 16
liv - ing
in
lu
Im liv-ing in
16
E*
Gtrs. 1+2
14 14 12 14
Gm
cid
dreams,
14
Im
liv - ing on
4
4
4
6
4
4
4
6
4
4
4
6
4
4
4
6
X
X
X
X
X
X
X
X
Fig. 1
6
6
4
Cm
9
9
14 14
Im
9
11 9
11
9
11
11
9
14
9
9
12 14 12 14
14 14
11
11
9
11 11
9 9
6
6
4
6
6
4
X
X
X
X
X
X
6
6
4
short - wave streams
6
6
4
6
6
4
1.
E*
X
X
X
X
X
X
9
9
7
to - night.
9
9
7
9
9
7
9
9
7
9
9
7
X
X
X
2.
E*
Gm
X
X
X
Oh.
Gm
Oh.
Im liv-ing in
12
14
9
11 9
11
9
6
6
4
6 6 6
6 6 6
4 4 4
X X 6
X X 6
X X 4
6
6
4
X X X X
X X X X
X X X X
9
9
7
9 9 9
9 9 9
7 7 7
4
4
X X 4
X X 6
X X
4
4
4
6
4
4
4
6
4
4
4
6
X
X
X
X
X
X
X
X
9
9
7
9 9 9
9 9 9
7 7 7
4
4
X X 4
X X 6
X X
4
4
4
6
4
4
4
6
4
4
4
6
X
X
X
X
X
X
X
X
Gtrs. 1+2 w/Fig. 1 (x2)
Cm
E*
lu - cid
Cm
E*
dreams,
Cm
E*
lu - cid
dreams,
[Cm]
E*
A -
yeah.
Gtr. 1
1/2
11
11
11
9
11
11
11
11
11
11
7
9
Play 7 times ad lib. sim.
full
11
1/4
11
11
9
11
full
9 11
full
7
9
11
7
9
full
full
11
full
w/dist. + wah
9
11
3 3
11
11
3
3
3

9
Gtr. 2 (2+3)
Gm
yeah.
1/2
Im liv-ing in
Cm
Gm
yeah.
a - ha,
-ha,
Gm
a - ha,
Gm
7
9
0
9
Bass arr. for Gtr.

2 2

2 2
2 2
4 4 4 4
4 4 4 4
Piano cue
2 2
4 4 4 4
4 4 4 4
[C5]
Bass synth cue
ad lib. sim. on repeat
[Cm]
[D5]
[C5]
[E5]
[B5]
[G5]
[E5]
more open sound
[C5]

then filter down ad lib. to fade
Dream Again
B7
D
4fr
Em
5fr
G/B
7fr
C
3fr
F/C
G/D
3fr
5fr
C
7fr
Intro
Freely
B7
Em
7
8
9
5
4
4
5
4
4
3
5
5
5
6
5
5
4
4
Bass synth. cue
Gtr. 1 (elec.)
mp
5
7
7
be
be
a - fraid
a - fraid
Gtr. 1
(tacet 1)
w/clean tone
1. Dont
2. Dont
F/C
Em
Some - times
Some - times
3. Some - times
Gtr. 1
2 + 3
with - out
if
if
8
9
you
youre
hear
des
F/C
B7
G/B
the
the
the
sound
sound
sound
of
of
of
a
a
a
up - on
to
guide
thou - sand
thou - sand
thou - sand
whis - pe - ring
whis - pe - ring
whis - pers are
7
7
sweet
air
des - pairs
cont. in stave
B7
words
words
where
3
7
you.
you.
5
8
or feel
the
the deep - est
- ken
rail
voi - ces
cend - ing
spo
hand
G/B
B7
q = 85
F/C
G/B
w/vol. pedal + reverb + delay

5
4
4
Verse
B7
3
4
of
can
you
5
3
4
4
F/C
hope will re - as - sure,

con - fuse,
live a lit - tle fear
G/B
B7
F/C
o - ceans split or the moun -tains sigh and I

mean - ing
to the can - yons sigh. So
feel no fear, I
feel
no fire. Oh I,
I,
B7
dream- ing.
dream- ing.
dream- ing.
7
7
8
9
will keep on
I keep on
I keep on
3
4
7
4
if the
bring
I
see us join to - ge - ther,

shift and slide to - ge - ther,
feel us dream to - ge - ther,
5
4
Will
they
Well I
Em
show me
the fu - ture.
but when youre
sleep - ing,
but feel
the fu - ture.
B7
Chorus
F/C
Gtr. 1
1+2
G/D
F/C
G/D
cont. sim.
a - gain,
I live to dream

I live to dream a - gain,
Gtr.1 3
6
5
dream
5
5
6
5
2.
[G]
3
1
8
7
[B7]
dream a - gain.
[C]
I live to
8
5
Bass arr. for Gtr.
[F]
__
a - gain.
5
5
7
8
7
To Coda 1.
[G]
I live to

F/C
0
3
Gtr. 1
[Em]
[D]
3 3
[G]
[B7]
[F]
[C]
[B7]
D.S. al Coda
Coda
G/D
F/C
live
to
dream
a - gain,
F/C
G/D
__
G/D
a - gain.
I live to dream
7
8
F bass
C bass
8
7
7
8
8
7
7
8
8
7
7
8
8
7
I live to
dream
a - gain.
7
8
8
7
live
to
dream.
Katherine Kiss Me
G
Em
B7
Gm
3fr
Intro
q = 147
Gtr. 1
(acous.)
mf
let ring throughout

3
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
0
0
0
0
2
sim.

Gtr. 2 (acous.)
Verse
8
7
1. Kath
2. Kath
3. Kath
- rine,
- rine,
- rine
kiss
kiss
kiss
me,
me,
me
3
0
will
then
by
3
0
7
8
7
0
0
7
8
7
me,
me,
keys,
split
kiss
Ja -
8
7
lit - tle
lips
ci - ga - rette
al - ley - way
8
7
3
0
8
7

slip - py
flick your
in the
3
0
8
7
8
7
Em
split me where your eye wont hit

me.
flick your eyes at mine
so brief - ly.
jack -ing in the so - di- um
light.
3
0
0
0
I
Your
Yes, I
0
0
0
0
1
0
love
you,
I
mean Id,
lea - ther
jack - et
lies
in
love
you,
I
mean I,
1
0
0
0
Yes,
1
0
1
0
8
9
7
8
8
8
8
9
8
8
8
9
1 only
0
2
Id
love
to
get
to
know
5
7
7
stick - y
I
pools
mean
of
I
2
3
2
3
3
2
3
2

10
10
10
11
10
11
11
ci - der
need
to
2
3
2
0
you.
10
10
black
love.
ber - ry.
Em
Some - times
You
glance
And
though
I
a
your
say
ri
o
the
stu - pid
co - chet
from
pened eyes
stare
0
0
8
9
o - ver
I mean I
be - hind
me,
flow - ing
eyes
pipes
0
2
a - bove
7
8
stu - pid - est
0
2
3
3
8
9
1
0
8
9
the
1
0
To -
1
0
me.
1
2
think
0
2
some - times
8
9
2
2
7
8
think,
male
the
I
pha
2
0
al
up - on
things,
ev
ry
bored
0
0
B7
8
9
8
9
8
9
8
9
Gm
things.
like mar - bles

- night
on
wash- ing
Mmm.
ma - chine.
I dont
Mmm.
mind,
3
3
1
0
1
0
5
3
0
2
5
3
3
3
8
9
Gm
And
do
be- cause
you
I
e - ver
I
ne - ver
1
0
won won - der

won -
der
der
1
0
3
0
3
3
3
3
8
9
0
5
5
3
3
3
10
8
10
11
12
11
12
12
10
11
10
11
12
11
12
12
11
Gm
1
0
1
0
1
0
1.
To Coda
3
3
3
3
1
0
0
2
3
3
1
0
3
3
8
9
8
3
3
5
2.
feels?
feels?
feels.
boy
boy
girl
3
3
8
9
8
9
the
the
the
how
how
how
8
9
Instrumental
Piano
cue
Gtr. 1
Em
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
2
2
3
D.S. al Coda
0
0
0
0
1
0
2
2
1
0
1
0
1
0
3
0
3
2
Coda
Tap body
12

Franz Ferdinand - Tonight

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Franz Ferdinand - Tonight

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Ulysses

Words & Music by Nicholas McCarthy, Robert Hardy,

Doo, doo, doo, doo, doo, doo.

sen - ti - men - tal foot - steps,

(Vocal w/slight 16th note swing)

Come on, dont

Bass arr. for Gtr.

no, but you are now,

feel - ing kind - a

si- nis- ter,

mat - ter there,

Words & Music by Alexander Kapranos, Nicholas McCarthy,

this kind of lov - er wont you

this kind of lov - er when you

Bass arr. for Gtr.

Copyright 2008 Universal Music Publishing Limited.

Al- though I know you turn it on, yeah,

Al - though I know you turn it on,

know you turn it on, yeah.

know you turn it on, yeah. (Turn it

Ah, you know I

where you are,

know where you are - ha,

cant have an - oth

have you then

you turn it on.

you turn it on.

you turn it on.

me where your eye

me where your mind

Copyright 2009 Universal Music Publishing Limited.

Flick your eyes

at mine and then

me with your eyes

But do you nev - er

you know, you know, you know that,

Pno. arr. for Gtr.

Pno. arr. for Gtr.

how you make a boy.

Piano arr. for Gtr.

how you make

Pno. arr. for Gtr.

Pno. arr. for Gtr.

how you make

stu - pid - est

Pno. arr. for Gtr.

oh, how the girl

how the girl

oh, how the girl

oh, how the girl

oh, how the girl

for - wards from my

Then I hear your

feel the same.

Organ arr. for Gtr.

Piano arr. for Gtr.

I keep a- hear- ing your

keep a - hear- ing your

a - hear - ing your

Send Him Away

w/clean tone + reverb

Copyright 2009 Universal Music Publishing Limited.

q = 118 qaa z=[qp ]e