Procedures:

mm.1-4
mm.5-8
mm.9-10
mm.11-12

-----

mm.13-16

--

??? (or based on given opening)

(copy mm.1-2 or...; modulate to G major (dominant)
sudden modulation to F major
copy mm.9-10 down/up a 3rd (sequence);
modify last few notes, lead to next phrase
copy mm.1-4 (or mm.5-8)
modify ending and go back to C major.

with this pre-composition plan, the finished work tells people that the composer has mastered these techniques:
(1) modulation; (2) sequence; (3) work out changes to tackle various circumstances in the composition; (4) ...

& 43 .

Moderato

Violin

3 .
& 4 ..

? 43 .

Piano

& .
.
& ..

& b ...

F+

G+

V7

13

&

.
& ..

13

? .

..
.

.
I

..
.
.

V7

.
# ..

..
.
.

V7

#
J

# ...

..
.
.

IV

& b
?

..
.

..
.

..
.

? .

..
.

..
.

..
.
.

V7

An attempt to expand the 16-bar bpiece: (1) add 2 bars of introduction; (2) add 1st & 2nd endings with minor
changes in melody; (3) add a little ending for piano.

& 43

Violin

...

3
& 4 ...
I

& .

.. .

.. ...

? 43 .

Piano

? .
V

&

.. b ..
.
V7

.
& J

19

1.

19

1.

& ..
.
?

V7

.
..
.

.
I

IV

#
J

1.

.. .
..

V7

..

.
# ..

..
.

V7

.. .
J
..
..

..
.

..
.

V7

2.

V7

...

..
.

..

.
I

..
.

# ...

2.

#
.

..
.

..
.

2.

.
..
.

2.

# ...

.. .

..
.

1.

& .. b .

13

..
.

..
.

13

.
& ..

.. .

..
.
.
V

..
.
.
I