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The NECS 2014 Conference Milan, Italy 19.-21. June 2014

PRELIMINARY!! PROGRAMME
www.necs.org/conference

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Milan, 20th of March 2014 Dear NECS 2014 Conference Delegates, We are pleased to announce the Preliminary Programme of the 9th annual NECS Conference that will take place in Milan from 19 to 21 June 2014. We are delighted with the impressive number of applications submitted for this years conference. Unfortunately, this has also meant that the NECS Conference Committee has had to make some difficult decisions when it came to choosing the proposals this year. While the decision-making process was challenging, it was also a necessary step in the development of the network. Indeed, the spirit at the core of the selection process was to fully represent the wide range of topics, methods and research shared within our society. We needed to integrate such an o bjective with the limitations in terms of days, slots and space available. We were often forced to make painful choices in order to offer our community a more comprehensive account of our research activity. We hope you will understand. We consider the creation of a free space for debate and development, the consistency of NECS conferences and our rewarding past experiences as some very good reasons for taking part in this new event. We are indebted to the local and society committees of previous years and to the continuous support we receive from both the Steering and Conference Committees. We see this year's conference as an essential part of an established path traced throughout the years thanks to the commitment and efforts of us all. We are getting close to the 10th anniversary of our society, which will be celebrated next year. From 2006 onwards NECS has grown at great speed, which testifies to its comprehensive and open nature, offering as it does an arena for exchange and discussion in the fields of Film and Media Studies. More than rhetoric and celebration, we consider it to be an extraordinary event that stimulates reflection on the goals and strategies required to move forward. The yearly members meeting will be the most suitable place where to discuss the future of NECS.

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

We therefore welcome you to Milan, a city notably known for its fashion, design and modernity, and rich in seldom visited ancient buildings and unique galleries. Milan is renowned for its creative excellence, and so seemed to us a suitable place where to give a critical look at such questions as creation and creativity. Creation and creativity have laid the foundations for a great deal of philosophical speculation in aesthetics, have constituted added value to production strategies, have inspired new developments in the cultural sector and have played a key part in recent European policies for culture. However, we think that this broad scope of reflection needs to be examined and discussed in order to be fully aware of past and contemporary frameworks and practices that have influenced social, individual and political experience and choices. We are also proud to confirm the participation of three outstanding keynote speakers: Raymond Bellour (Centre National de la Recherche Scientifique), Jason Mittell (Middlebury College), and Janet Wasko (University of Oregon). The Conference will play host to a special panel series prepared by the HoMER network, an international group engaged for alm ost 10 years in promoting and developing the historical study of moviegoing, exhibition, and reception. The HoMER panels will bring to Milan world-renowned film scholars, including Richard Maltby, John Caughie, Joseph Garncarz, and Melvyn Stokes. On the 17th and 18th of June, before the Conference proper begins, there will be two pre-conference events that will be advertised separately on the NECS websites: the HoMER Workshop (June 18) and the 11th NECS Graduate Workshop (June 17-18). The HoMER preconference will be focused on digital approaches to moviegoing, exhibition and reception and offer the attendees the keynote lectures of Francesco Casetti (Yale University) and Elisa Ravazzoli (European Academy of Bolzano - ERUAC Research). The NECS Graduate Workshop will be devoted to Contemporary Perspectives on the City: Screen Media & Dwelling. Finally, as a first step on the way to the conference, the Universit degli Studi di Udine, which is co-organizing the NECS conference, will host on next April 3 and 4 the 10th NECS Graduate Workshop in Udine focused on Media Archeology and Digital Media.

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

We would like to take this opportunity to invite you to read the programme schedule and check for any possible errors or oversights. The schedule itself has been finalized, and we have done everything in our power to accommodate any special request and avoid any possible overlapping. The overall structure of the schedule aims to draw coherent pathways through the intense three days awaiting us, thus enabling delegates to consistently follow 1-2 main topics, or creatively skip between several. We have done our best to create a balanced programme in terms of research areas and methods. If you notice a mistake (i.e. overlappings, misspellings, missing data etc.), please do not hesitate to inform us as soon as possible. If you have any special request in terms of time slots, dates and so forth, please let us know immediately. However, keep in mind that the fewer the amendments, the more reliable the program: please do not request a change unless you have a genuine reason for this. No corrections will be possible after April 28. We would also like to ask you to propose chairs for your panels and to express your willingness to chair a specific panel (to necs2014@unicatt.it). Please submit a list of those panels you would be interested in chairing (taking care to ensure that none of them clashes with your own presentation). You will be assigned one of the panels you have listed. The NECS workgroup organizers are invited to identify specific panels they would be interested in sponsoring. The Conference website (www.necs.org/conference) will offer regularly updated information under the headings of Registration, Programme, and Practical Info, as well as further information about special guests and events. You can also sign-up for the Conference Newsletter and join the Conference online community on Facebook (https://www.facebook.com/NECS2014Conference). Last but not least, we would like to thank again our colleagues from the NECS Conference Committee, all of whom have done and continue to do an excellent job. If you have any specific questions, please address them to the relevant organizer listed below. We wish you a stimulating and enjoyable time at the Conference! Very truly yours, The NECS 2014 Conference Local Organization

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

The NECS 2014 Conference Local Organization

Alice Cati, Ruggero Eugeni, Mariagrazia Fanchi, Massimo Locatelli, Massimo Scaglioni (Universit Cattolica del Sacro Cuore) Francesco Pitassio, Leonardo Quaresima (University of Udine)

Media & PR Mariagrazia Fanchi mariagrazia.fanchi@unicatt.it Programme and Panel Coordination Massimo Locatelli massimo.locatelli@unicatt.it Francesco Pitassio francesco.pitassio@uniud.it Special Events Massimo Scaglioni massimo.scaglioni@unicatt.it Publishers Area Mariagrazia Fanchi mariagrazia.fanchi@unicatt.it Francesco Pitassio francesco.pitassio@uniud.it Participants Administration and Care Alice Cati alice.cati@unicatt.it Graduate Workshops Miriam De Rosa (Milan) miriam.derosa@unicatt.it Ludovica Fales (Udine) ludovica.fales@gmail.com Communication Design Adriano D'Aloia adriano.daloia@unicatt.it General Inquires necs2014@unicatt.it

The NECS Conference Committee

Ruggero Eugeni, Surbhi Goel, James Harvey-Davitt, Daniel Kulle, Rikke Schubart, Alena Strohmaier, Petr Szczepanik

The NECS Steering Committee

Sophie Einwchter, Jaap Kooijman, Trond Lundemo, Patricia Pisters, Alena Strohmaier (Graduate Representative), Petr Szczepanik, Malin Wahlberg

Conference Key Contacts

Conference Managers Ruggero Eugeni ruggero.eugeni@unicatt.it Leonardo Quaresima leonardo.quaresima@uniud.it

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

CONFERENCE OVERVIEW

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

Session A
Thursday 19th 9:00-10:45
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A02 Carmelo Marabello Carmelo Marabello Martina Panelli, Federica Villa Alice Cati A03 tba Kristina Kesseler Stefan Udelhofen Pablo Abend, Benjamin Beil A04 Nezih Erdoan Nezih Erdoan zge zylmaz Dilek Kaya A05 tba Sofia Sampaio Erik Persson Jan Hanzlk Miren Manias-Muoz Universit degli Studi di Messina Universit degli Studi di Messina Universit degli Studi di Udine, Universit degli Studi di Pavia Universit Cattolica del Sacro Cuore In the Time-Lapse Time: Memories, Everyday Life, Sublime Chair Living at the Time of Time-Lapse: the Digital Folk Revival of the Sublime Everyday. Time- Lapse, Self Portrait and Address Mood Atacama Starry Skies. The Creation of Reality Through Cosmic Memory and Time-Lapse Participate in Doing Creativity! Do-it-Yourself Media Cultures Now and Then Chair From Do-it-Yourself to Digital Prosumption: Interactive Added Value 2.0 Media Histories on the Fringe: Places of Vernacular Creativity and Participatory Media Cultures in the 1990s Modding and Editor-Games. Participative Practices of Mediatized Worlds

Universitt zu Kln Universitt zu Kln Universitt zu Kln

Istanbul ehir niversitesi Istanbul ehir niversitesi Niantai niversitesi Yaar niversitesi

Cinema Experience and Audiences in the Early Years of Cinema in Turkey Chair Importing Films and Experience: Translating Aesthetic Experience in the Early Years of Cinema in Turkey Cinema, Youth and Love in the Early Republican Period of Turkey Cinema in Multiethnic zmir (Smyrna) in the Early Twentieth Century Moving Forward. Tourism, Cities, Territories Chair Innovation and Modernism in the Portuguese Tourist Film Between the Late 1950s and the Early 1970s From Events to Creativity? Marketing Films for Gothenburg 1990-2010 Film Tourism in the Czech Republic and Germany: the Case of Three Wishes for Cinderella (1973) From Creative Industries to Film Policies: the Basque Experience

Instituto Universitrio de Lisboa Gteborgs Universitet Vysok kola Economick v Praze Universidad del Pas Vasco - Euskal Herriko Unibertsitatea

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

Session A
Thursday 19th 9:00-10:45
A06 Andrea Virgins Judit Pieldner Katalin Sndor Hajnal Kiraly gnes Peth A07 tba Kevin Johnson Radomr D. Koke Vito Adriaensens Elena Mosconi A08 tba Ian Goode sa Jernudd Andr van der Velden, Thunnis van Oort Judith Thissen Universitatea Sapientia Universitatea Sapientia Universitatea Babe-Bolyai Universidade de Lisboa Universitatea Sapientia Rethinking the Aesthetics of Intermediality in Contemporary Central and East European Cinema Chair Rethinking the Moving Image in Jan vankmajers Surviving Life (Theory and Practice) and Gyrgy Plfis Final Cut Ladies and Gentlemen Heterotopias of/and Living Images in Bibliothque Pascal In the Mirror: Isolated (Painterly) Images as Anamorphoses in Contemporary Hungarian Films Rethinking the Notion of the Photo-Filmic in Contemporary/Post-Media Cinema Conquering the Invention. Producing Art, Self and Future Chair Invention, Utopia, and National Socialism: German Sci-Fi Cinema and Other Creations of the Nazi Era Narrative Structures and Creative Choices in Czech Silent Cinema: a Case for Comparative Analysis A Hard Sell? How European Companies put the Kunst Back in Kunstfilm A Creative Performance of the Self. Mimy Aylmers Artistic and Private Life Film Exhibition in Multipurpose Venues: Ideological Forces, Commercial Dynamics and Patterns of Sociability Chair The Coercive Exhibition Spaces of Non-Theatrical Cinema in Post-War Rural Scotland and China Cinema at the Service of Civil Society: Film Exhibition in Multipurpose Venues in Sweden Towards a Typology of Film Exhibition in Multipurpose Venues: the Dutch Cinema Culture Outside the Mainstream Commercial Circuits: Whose Public Sphere?

Lawrence University Masarykova Univerzita Universiteit Antwerpen / Hogeschool Gent / Kbenhavns Universitet Universit degli Studi di Pavia HoMER

University of Glasgow rebro Universitet Universiteit Utrecht Universiteit Utrecht

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

Session A
Thursday 19th 9:00-10:45
A09 tba Stephanie Janes Gloria Dagnino Ed Vollans Eleonora Benecchi A10 tba Francesca Antonacci Marta Heberle Kathrin Rothemund Robert B. Lisek Promotional Creativity Across Media Chair Promises and Limitations of Creativity in Promotional Alternate Reality Games Product Placement in Italian Movies: the Creative Perspective Theatre, or Possibly Film: a Comparative Analysis of Theatre Trailers Creatively Producing the Veronica Mars Movie Creative Perspectives. Biology, Mathematics, Uncertainty Chair Ludic Imagination: the Power of Transformation Living Artworks: Introducing Creativity Into Biology The Creativity of Vagueness: Deciphering Blurring Images Brain and Random Processes

Royal Holloway, University of London Universit della Svizzera Italiana University of East Anglia Universit della Svizzera Italiana

Universit degli Studi Milano-Bicocca Uniwersytet im. Adama Mickiewicza w Poznaniu Universitt Bayreuth Institute for Research in Science and Art NECS WORKGROUP MEETING

A11

Fan Studies

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

Session B
Thursday 19th 11:00-12:45
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B01 tba Chris Cagle Florian Mundhenke Roberto Cavallini

Temple University Universitt Leipzig Yaar niversitesi

New Trends in Creative Documentary Chair The Social Field and Aesthetic Form in Contemporary European Documentary A Creative Turn of the Documentary? New Creative Strategies of Discourse in Recent Documentary Practices For Real: Hybrid Documentary Aesthetics and Fictional Encounters in Contemporary World Cinema Creation and Experience in Early Cinema: Philosophical Approaches Chair Mechanical Beauty. Physical Energy and Creative Imagination in Paul Souriaus Pre-Cinematic Aesthetics The Medium Without a Message? Or, Presence as the Mediums Meaning in the Case of Very Early Cinema A Metaphysical Account of Communication Illustrated by Chaplins The Gold Rush Spotlights on Online Media Distribution Today Chair Please Press Play: Streaming Television and the Infrastructure Behind Netflix Digital Distribution Shifting Metaphors for Understanding YouTube in 2014 Opposing YouTubes Competitive Logic or: How to Get Rid of 200 Subscribers? From the Dance Floor to Soundcloud: Shifts and Constants in Techno Music Distribution Genre Transformation Beyond Hollywood Chair Some Like It Peanut: Hollywood With a Twist Stalled Movement: the Post-Eurocentric Road Movie Distant Shades of Darkness: the Noir Sensibility in 1950s Hindi Cinema Generic Hybridity in Diasporic Cinema

B02 tba Giancarlo Grossi Gert Jan Harkema Carlos Roos B03 tba Chris Baumann Rainer Hillrichs Benjamin Eugster Dennis Mathei

Universit Cattolica del Sacro Cuore Stockholms Universitet Universiteit Gent / Universiteit Leiden

Stockholms Universitet Universitt Bonn Universitt Zrich Ruhr-Universitt Bochum

B04 Stella Bruzzi Sava Arslan Laura Rascaroli Manishita Dass Daniela Berghahn

The University of Warwick Baheehir niversitesi University College Cork Royal Holloway, University of London Royal Holloway, University of London

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Session B
Thursday 19th 11:00-12:45
B05 tba Alice Bardan Paola Savini Kathleen M. Kuehn Paolo Braga Men at Work. Labour, Law and Market Chair Mobile Labor and the Film Industry: Film Extras and Their Discontents Marketplace Diversity Within the Italian Audiovisual Sector Belabouring the Labour Debates: Interrogating Theories of Work in the Creative and Digital Economies The Influence of the Property Rights Legal Framework on the Production Practices and on the Outcome of National TV Fiction: the French Case Study Expanding Adaptations Chair The Adaptation of Space and Place: Staircases and Corridors in Classic Adaptations This is My Design: Adapting Films Serial Killers to the Small Screen Eat, Pray, Love: Expanding Adaptations and Global Tourism Creative Technology, Technological Creation. Sound, Vision and Technology Chair Alexander Hammids Fingerprints: Using Technology to Rediscover Creativity, Frame by Frame Gradations of Emphasis: Stimulating Spectatorial Participation in CinemaScope Soundtrack Design in Soviet Early Sound Film: Nikolai Ekks Road to Life Creativity, Innovation and Compromise: the Shaping of Multi-Channel and Multi-Speaker Film Sound in Hollywoods Studio Era

University of Southern California Autorit per le garanzie nelle comunicazioni (Agcom) Victoria University of Wellington Universit Cattolica del Sacro Cuore

B06 Joyce Goggin Christine Geraghty Shannon WellsLassagne Joyce Goggin B07 tba Sibel Taylor Sam Roggen Vincent Bohlinger Helen Hanson

Universiteit van Amsterdam University of Glasgow Universit de Bretagne-Sud Universiteit van Amsterdam

Oxford Brookes University Universiteit Antwerpen Rhode Island College University of Exeter

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Session B
Thursday 19th 11:00-12:45
B08 tba John Sedgwick Peter Miskell, Marina Nicoli Barbara Corsi Federico Vitella HoMER Universiteit Utrecht University of Reading, Universit Commerciale Luigi Bocconi Universit degli Studi di Padova Universit degli Studi di Messina Film Audiences and Exhibition in Post-War Italy Chair Film Popularity, Programming Patterns and Film Audience Choices in 1950s Rome Distribution and Reception of International Co-Productions in First-Run Italian Cinemas, 1957-71 Behind the STATUTO Fire The (American) Empire Strikes Back. The Italian Widescreen Exhibition Chain and Hollywoods International Market of the 1950s Crisis and Creativity: the New Cinemas of Southern Europe Chair The Numbers and the Discourse: Cinema and Crisis in Contemporary Portugal Between Crisis and Renewal: the Paradoxes of the Greek New Wave Cinephilia in Times of Crisis: Creative Networks and Spains Other Cinema Displaced Production. Installations, Museums and the Moving Image Chair Redistribution, Relocation, Post-Media: Three Aesthetic Operations of the Documentarys Expanded Field in the Gallery Not Getting the Whole Picture: Unsettled Spectatorship in Film Installations Creative Sinergies: Reiventing the Blockbuster as a Pedagogical Tool Psychos Echoes

B09 Ginette Vincendeau Mariana Liz Olga Kourelou Beln Vidal B10 tba Jihoon Kim Olivia Eriksson Beatriz Bartolom Herrera Susana Dobal Jordan

Kings College London University of Leeds University of Sussex Kings College London

Chung-ang University Stockholms Universitet Concordia University Universidade de Brasilia

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Session C
Thursday 19th 13:45-15:30
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C01 Mauro Giori Raffaele De Berti Mauro Giori Cristina Formenti Elena Dagrada C02 tba Andrea Mariani Giuseppe Fidotta Elisa Cuter C03 tba Sophie Einwchter Anne Kustritz Janine Wahrendorf Alexander Tilgner C04 Manishita Dass Ranita Chatterjee Rosie Thomas Salma Siddique Ranjani Mazumdar

Universit degli Studi di Milano Universit degli Studi di Milano Universit degli Studi di Milano Universit degli Studi di Milano Universit degli Studi di Milano

The Creative Treatment of Sexuality: Hybrid Forms in Documentaries About Sex Chair Alessandro Blasettis Europa di notte (1958) and the Re-mediation of Revue Spectacles The Construction of Homosexuality in the Italian Documentaries (1959-1971) Cartooning Sexual Truths: Non-fiction Animation and the Depiction of Sexuality Respondent City, Utopia, Creativity: Kracauer beyond Functional Space Chair Malicious Matter: the Passion of the Material in the Italian Avant-Garde Documentary Propaganda as (Unfettered) Creative Art. Utopian Space, Creative Geography, Fascist Modernism Eine Tappe auf dem Weg. The Dialectic of Spatial Standardization in DEFA Films on Adolescence Fans & Cultural Industries Chair Fan-Cultural Markets, an Introduction. Or: Mapping Fans Activities Within a Creative Industries Context There are Many Forms of Resistance; Myself, I Prefer the Rocket Launcher: Fan Media Production and the Creative Non-Industrial Web Remixing TV. The Struggle of Creativity, Supply and Demand in Tumblr Role-Play Games LFM SELLRUN! How Different Kinds of Fans Fit Into Self-Established New Market Models Indian Stars as Creative Fictions Chair Kanan Devi: the New Woman of Calcutta Cinema Indias Tarzans Remaking Rattan Kumar Shammi Kapoor: Bombay Cinemas Quintessential Star of the 1960s

Universit degli Studi di Udine Universit degli Studi di Udine Freie Universitt Berlin

Universitt Mannheim Universiteit van Amsterdam Ruhr-Universitt Bochum Goethe-Universitt Frankfurt am Main

Royal Holloway, University of London University of Westminster University of Westminster University of Westminster Jawaharlal Nehru University / University of Westminster

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Session C
Thursday 19th 13:45-15:30
C05 tba Per Vesterlund Boaz Hagin Pavel Skopal Andrea Virgins C06 tba Ari Purnama Markus Kuhn Julian Hanich Guido Kirsten C07 tba mer Alkin rica Valente Lela Tsiphuria Aine OHealy National Creations, Creative Nations. Practices, Policies, Discourses Chair National Film Policy as a National Media Event National Cinema as Industry Discourse: the Creation of Popular Israeli Cinema DEFA and Barrandov: an Entangled History. Cultural Transfers and Personal Connections Between the Film Studios Generic Panels in European Small Cinemas: a Recipe for Creative Outcomes? Film Style & Filmic Creativity: Four Directors, Four Aesthetics Chair Apichatpong Weerasethakul and the Long-Take Brian De Palma and Split Screen Roy Andersson and Staging in Depth Vittorio De Seta and the Shift to Modernism Reverse Shots. Landscape, Migration, Representation Chair Emigration and Meta-Mediascapes: Tuncel Kurtizs Mode of Creativity in Gl Hasan (1979) The Upturning Gaze: African Visions of Europe Landscapes of Creativity and the Goal of Producing Imagining Lampedusa

Hgskolan i Gvle Tel Aviv University Masarykova Univerzita Universitatea Sapientia

Rijksuniversiteit Groningen Universitt Hamburg Rijksuniversiteit Groningen Universitt Wien

Heinrich-Heine Universitt Dsseldorf Birkbeck, University of London Ivane Javakhishvili Tbilisi State University Loyola Marymount University

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Session C
Thursday 19th 13:45-15:30!
C08 tba Deb Verhoeven, Richard Maltby Colin Arrowsmith, Alwyn Davidson, Bronwyn Coate, Deb Verhoeven Mike Walsh Mariagrazia Fanchi C09 tba Tommy Gustafsson Rikke Schubart Pietari Kaapa C10 tba Carina Lesky, Anamarija Batista Anna Notaro Monise Nicodemos Sabine Haenni C11 HoMER Deakin University, The Flinders University of South Australia Royal Melbourne Institute of Technology, Deakin University The Large and the Small of It: Studying Cinemas in the Age of Global Data Chair Big Data and the Case Study: Challenges and Opportunities

The Kinomatics Project: an Assessment of Using Small Data to Support Big Data

The Flinders University of South Australia Universit Cattolica del Sacro Cuore

Screening Locally: Researching Exhibition From a Single Site From Centre to Periphery and Back. History of Spaces, Territories and Audiences Popular Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace Chair Ghouls, Vittror and the Devil: the Rise of the Low-Budget Nordic Horror Film The Thrill of the Nordic Kill: the Manhunt Subgenre in the Scandinavian Thriller A Nordic Sort of Madness? The Politics of Small Nation Film Culture and Nordic Genre Film Old and New Pathways. Experimentation and Networks Chair Animating Sidewalk Scenes: Audio-Visual Excursions to Public Spaces Understanding Digital Creativity Paolo Gioli and the Generation of the 1960s and 1970s Creating Cinematic Networks in the Mediterranean Sound and Music in Media

Linnuniversitetet Syddansk Universitet University of Stirling

Ludwig Boltzmann Institut fr Geschichte und Gesellschaft University of Dundee Universit Sorbonne Nouvelle - Paris 3 Cornell University NECS WORKGROUP MEETING

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Session D
Thursday 19th 15:45-17:30
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D01 Sbastien Denis Barbara Laborde Lucie Merijeau Marie Pruvost-Delaspre D02 tba Patricia Pisters Mikls Kiss Steven Willemsen Maria Poulaki D03 tba Jodi Nelson Dan Hassler-Forest Matteo Treleani Aaron Hunter D04 Eirik Frisvold Hanssen Lars Diurlin Kristoffer Noheden Emil Stjernholm Atn Mendelyt

Aix-Marseille Universit Universit Sorbonne Nouvelle - Paris 3 Universit Sorbonne Nouvelle - Paris 3 Universit Sorbonne Nouvelle - Paris 3

Production and Reception Models in Contemporary Animation Chair The Amateurs Animation: Practices and Usages in Sueded Movies The Construction of the French Touch and its Contradictions In the Name of the Fans: Japanese Animated Series on French TV Channels Narrative Imagination. Neuroscience, Cognitivism and Storytelling Chair Neurocinemas Creative Machinery of Storytelling The Creative Potential of Cognitive Puzzlement in Film Cognitive Poetics, Meta-Hermeneutics, and Complex Film Narratives Film Complexity and Cognitive Emergence: a Causal Relationship? Engaging Stories. Narratives, Transmedia, Resistance Chair New Media Forms of Engagement Within the Creative Industries Alternative World-Building: Creative Resistance to the Commodification of Transmedia Do New Narrative Forms Emerge Through Web Series? Narrative, Star, Character, Avatar: Trans-Diegetic Paratext in Felicia Days The Guild Crossing the Creative Borders of the Avant-Garde: the Transnational Relations of Four Experimental Filmmakers Chair Peter Kylberg: a Swedish Connection to the International Cinematic Avant-Garde Wilhelm Freddie Between Copenhagen, Stockholm, and Paris: Myth, Magic, and Surrealist Cinema Advertising Through Experimental Film: Gsta Werners The Train (1948) Samuel Becketts Borderless Cinematic Avant-Garde Practices

Universiteit van Amsterdam Rijksuniversiteit Groningen Rijksuniversiteit Groningen University of Surrey

University of Hertfordshire Universiteit van Amsterdam Universit Sorbonne Nouvelle - Paris 3 Queens University Belfast

Norges Teknisk-Naturvitenskapelige Universitet Lunds Universitet Stockholms Universitet Lunds Universitet Lunds Universitet

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Session D
Thursday 19th 15:45-17:30
D05 tba Lande Pratt Eleonora Maria Mazzoli Maria Luna Thomas Scherer D06 tba Eileen Rositzka Danny Gronmaier Matthias Grotkopp Hauke Lehmann D07 tba Stefano Bona Mark Gallagher Diana Popa Kosuke Fujiki D08 tba Virginia Luzn, Quim Puig Maria A. Velez-Serna Julia Bohlmann ukasz Biskupski Before and After. Campaigns, Distribution, Piracy Chair Nigerian Film in the Diaspora: Exploring Creative Intellectual Property and New Distribution Strategies Pre-Movie Experiences: a New Way to Movie Marketing Campaigns VOD in Spain: Quixotes in Pirates Times? Shaping the Sense of Justice: the Staging of Anti-Video-Piracy Spots Creating Histories Chair Re-Mapping History through the Body: the Cinematic Corpography of War Creative Dynamics of Historicity in Hollywood Sports Films Cinemas Deviant Historiographies How Suspense Films Create New Film Histories Art, Auteur, Ideology. Art Cinema: Practice, Form, Culture Chair Filmmakers and Ideology: the Case of Italian Directors in China Does Art Cinema Have Stars? Tony Leung Chiu-Wai Beyond East Asia Textures of the Everyday in Dup dealuri / Beyond the Hills (2012) Ozu in the 1980s and New Wave Cinema in Okinawa Early Creative Industry: International Case Studies of Cinemagoing Chair Early Cinema Venues in Barcelona, Spain (1897-1930) The Trade Show as a Reception Context in 1910s Glasgow Early Research into Educational Cinema, 1917-1925. The Carnegie Trust and the National Council of Public Morals Responses to Cinemas Popularity With the Child Audience Varit and Cinema in the Polish Territories of Russia Before 1915

Kingston University Universiteit Utrecht Universitat Autnoma de Barcelona Freie Univeritt Berlin

The University of St Andrews Freie Universitt Berlin Freie Universitt Berlin Freie Universitt Berlin

The Flinders University of South Australia The University of Nottingham The University of St Andrews Kings College London HoMER Universitat Autnoma de Barcelona University of Glasgow University of Glasgow Szkoa Wysza Psychologii Spoecznej

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Session D
Thursday 19th 15:45-17:30
D09 Ib Bondebjerg Caroline Pauwels, Ilse Schooneknaep Andrew Higson, Huw Jones Roderik Smits Ib Bondebjerg, Eva Novrup Redvall D10 Malte Hagener Lisa kervall Sarah K. Stanley Greg De Cuir Jr, Miriam De Rosa Enrico Camporesi Kbenhavns Universitet Vrije Universiteit Brussel University of York University of York Kbenhavns Universitet Creative Europe: Transnational Patterns of Film and Television Production and Distribution Chair The European Connection: Do the Audiovisual Support Systems MEDIA and Eurimages Empower the Cross Border Circulation of National Film Productions? UK-Europe Film Co-Productions: a Model for Creativity? The Distribution of Films to European Countries: an Analysis of a Complex Transnational Gatekeeping Network Historical Drama on the Move: a Case Study of Downton Abbey in Europe

Philipps-Universitt Marburg Freie Universitt Berlin Humboldt-Universitt zu Berlin Univerziteta u Beogradu, Universit Cattolica del Sacro Cuore University Sorbonne Nouvelle - Paris 3 / Universit di Bologna

Film and Video Art Between Creativity and Technology Chair The Post-Cinematic Condition: Creative Practice and Critique in Contemporary Video Art The Electronic Pulse of Visual Media: Montage versus Sampling Constructing Creativity: Yervant Gianikians and Angela Ricci Lucchis Analytical Camera The Creative Implications of Experimental Film Restoration

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Session E
Friday 20th 9:00-10:45
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E01 tba Christel Taillibert, John Wfler Malte Hagener Murat Akser Rosanna Maule

Universit Nice Sophia Antipolis Philipps-Universitt Marburg University of Ulster Concordia University

Images on Display. New and Old Festivals Chair On the Emergence of Film Festivals: Insights From France, Italy and Switzerland Towards an Expanded Cinema History. Expo 67 and the Invention of Creativity Rise of the Queer Shorts: Turkish LGBT Festivals and the Short Narrative Film Womens Festival 2.0, Between Grassroots Globalization and Neoliberal Feminism: the Birdseyeview Festival Creation and Destruction in Media Environments Chair The Halted Moment The Exchange Artist: Sovereignty in Self-Destruction Negentropic Images Look Back! European Media Archaeology Chair Private, Public, and Community Discourses: the Hybrid Communicative Situation of Amateur Film A History of Media Convergence, 1970s-2010s UK Digital Culture, 1984 Creative Misuse: Oral History of New Media Technologies Alternative Usage During the Decline of the Peoples Republic of Poland Magic and Loss. Memory, Mourning, Trauma Chair Fairytales of Our Past: Explorations of the Trauma Process in Film Tension in (Self) Representation of Mourning in Online Creation: From YouTube Memorial Clips to Funeral Selfies Holocaust Memory: Global Imaginary, Local Landscapes and Train de Vie (1998) Creative Text in Creating the Memory of Great War in Serbian Cinema

E02 tba Eleni Ikoniadou Erin Stapleton Felicity Colman E03 tba Klaus Rieser Gabriele Balbi Alex Casper Cline Micha Pabi-Orzeszyna

Kingston University Kingston University Manchester Metropolitan University

Karl-Franzens-Universitt Graz Universit della Svizzera Italiana Anglia Ruskin University Uniwersytet dzki

E04 tba Amber Leigh Shields Reinier Jacco Maarten Vriend Florentine Strzelczykk Nevena Dakovi

The University of St Andrews Universiteit van Amsterdam University of Calgary Univerzitet umetnosti u Beogradu

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Session E
Friday 20th 9:00-10:45
E05 tba Rolien Hoyng Suncem Kocer Seda Akta Jaap Verheul E06 Drehli Robnik Johannes Binotto Kristina Pia Hofer Ivo Ritzer Drehli Robnik Ludwig Boltzmann Institut fr Geschichte und Gesellschaft Universitt Zrich Johannes Kepler Universitt Linz Johannes-Gutenberg Universitt Mainz Ludwig Boltzmann Institut fr Geschichte und Gesellschaft Productive Policies? Governance, Funding, Practices Chair The Politics of Skill and Learning: Creative Governmentalities and Sub-Political Intervention Crowdfunding Campaigns as an Alternative Public Relations Strategy for Independent Documentary Producers in Turkey New Approaches to Film Production: Crowdfunding Creative Industries: the Cultural Turn in European Film Policy The List is Drive, and Bikers are Hybrid: How Post-Classical American Cinema Transfers, Scratches, Repeats and Discretely Discreates Itself Chair Manufacturing Melodrama: Peyton Place and the Repetition Compulsion in/of Hollywood Mass Entertainment Exploitation Textures: Material Resonances in Creative Appropriation Hybrid Spaces: Media Culture and Global Flows in the Era of Post-Classical Cinema Hollywoods Creative Powers in Political Theory and Self-Thwarting Practice: Ferrells Foucault, Roths Rancire, Spielbergs Deleuze Once More. Reflecting, Rebranding, Reusing the Image Chair Self-Reflective Drawings. Perception of Animated Spaces in the Works of Linklater and Folman Re-Usage of Historical Cinematographic Brands Illustrated With an Example of Lodz Animation Production Company Se-Ma-For Susana de Sousa Diass 48 or a Different Experience of Seeing 100% Recycled Cinema: Gyrgy Plfis Final Cut Supercut of Film History

Lingnan University Kadir Has niversitesi Marmara niversitesi New York University

E07 tba Zsolt Gyenge Ewa Ciszewska Adriana Alves de Paula Martins Balzs Varga

Moholy-Nagy Mvszeti Egyetem Uniwersytet dzki Universidade Catlica Portuguesa Etvs Lornd Tudomnyegyetem

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session E
Friday 20th 9:00-10:45
E08 tba Leo Rubinkowski Paul S. Moore Philippe Meers, Danil Biltereyst, Aleit Veenstra Charlotte Crofts E09 tba Massimo Scaglioni Marco Cucco Giancarlo Lombardi Giacomo Manzoli, Andrea Minuz E10 Markus Stauff Matthias Thiele Florian Krautkrmer Thomas Waitz Herbert Schwaab HoMER University of Wisconsin-Madison Ryerson University Universiteit Antwerpen, Universiteit Gent University of the West of England Interactivity, Intermediality and Contemporary Audiences Chair Non-Interactive Media, Meet Interactive Audiences The Intermediality of Entertainment: Household Spending on Moviegoing and Other Entertainment in Canada, 1992-2009 From Historical to Contemporary Film Audiences: Reassessing Cinema, Reception, Convergence On Location: Geo-Mapping Bristol City Centre Cinemas in the Lost Cinemas of Castle Park App Creativity and Popularity in Contemporary Italian Cinema and Television Chair From the Small to the Big Screen, and Back. The Popularity of Contemporary Italian Comedy Between Cinema and Television Will We Regret the Cinepanettoni? An Economic Analysis of the Contemporary Italian Popular Film Serial Pop-Politics: Gli anni spezzati The Opposite of Popular. The Symbolic Forms of Public Funded Italian Cinema

Universit Cattolica del Sacro Cuore Universit della Svizzera Italiana The City University of New York Universit di Bologna, La Sapienza - Universit di Roma

Universiteit van Amsterdam Technische Universitt Dortmund Hochschule fr Bildende Knste Braunschweig Hochschule fr Bildende Knste Braunschweig Universitt Regensburg

Technological Innovations: Camera Practices and the Image Chair American Cinematographer: Institutional Forms of Documenting Technical Production Processes in Film The Optical System Drone Cameras in Factual Television Filming From Within. The Use of the Diegetic Camera in Sitcoms and Other Television Formats Cinema and Contemporary Visual Arts

E11

NECS WORKGROUP MEETING

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session F
Friday 20th 11:00-12:45
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F01 Lydia Papadimitriou James Udden Kirsten Stevens Lydia Papadimitriou

Liverpool John Moores University Gettysburg College The University of Melbourne Liverpool John Moores University

Film Festival Origins Chair Festival des 3 Continents at Nantes: Expiation for the Sins of Omission Enthusiastic Amateurs: the Origins and Evolution of the Melbourne International Film Festival as Grassroots Celebration Thessaloniki (International) Film Festival: From Defining to Questioning Greek National Cinema Fertile Politics? Aesthetic, Ideological and Political Creation Chair Disagreement and Reconfiguration in This is Not a Film Tactics, Identification and Organization: the Creative Power of Revolution Ideological Activism and Creation of Epistemic Punctum Via Creative Pedagogy. Experiments in Teaching Irony, Sincerity and the Creation of Political Passion Transmedia Existence. Cooperation, Story-Telling and Videogames Chair Citizens as Co-creators in Living Laboratories: Embracing Everyday User Improvisations With Media Technologies as a Source of Innovation Transmedia Creativity Beyond Hollywood: Collider, a European Indie Transmedia IP Transferring Creativity: Video Games, Non-Linear Storytelling, and User Creativity Development Potential of Latvian Video Game Industry

F02 tba James Harvey-Davitt Walid el Houri Surbhi Goel Eva Sancho Rodriguez F03 tba Sabrina Sauer Erica Negri Jan-Hendrik Bakels Kaspars Steinbergs, Renate Cane F04 tba Thomas Morsch Luca Barra Sylvie Magerstaedt Sudeep Dasgupta

Anglia Ruskin University Forum Transregionale Studien zu Berlin Panjab University Universiteit van Amsterdam

Universiteit van Amsterdam Universit Cattolica del Sacro Cuore Freie Universitt Berlin Alberta Koleda

Freie Universitt Berlin Universit Cattolica del Sacro Cuore University of Hertfordshire Universiteit van Amsterdam

Developing a New TV. Narrative Strategies, Scheduling Practice and Cultural Values Chair Metaleptic TV The Last Creative Act in Television? Scheduling Practices Into Italian Digital Scenario Creativity Goes (Not-so) Small Screen: TV as the New Medium for Epic Storytelling? Serial Opacity and the Politics of Cultural Form

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session F
Friday 20th 11:00-12:45
F05 Liz Greene Giacomo Albert Alessandro Bratus Stefano Lombardi Vallauri Marida Rizzuti University of Glasgow Universit degli Studi di Torino Universit degli Studi di Pavia Libera Universit di Lingue e Comunicazione IULM Libera Universit di Lingue e Comunicazione IULM Looking at Sounds/Listening to Images. Sound as a Structuring Vector in Contemporary Musical Multimedia Chair What Does it Happen When a Soundtrack Becomes an App? Playing Images of Sounds. Warp Records Identity Construction In-Between Media The Formal/Temporal Convergence of Video and Music in Digital Performance: Utp_ by Noto/Sakamoto Glee as Starting Point Towards Spread Creativity in Contemporary Musical TV Series

F06 tba Paulo Cunha Daniel Ribas Michelle Sales Ana Isabel Soares F07 tba Pablo Gonalo Pires de Campos Martins Sarah Leahy Isabelle Vanderschelden Raffaele Chiarulli

Universidade de Coimbra Universidade de Aveiro / Instituto Politcnico de Bragana Universidade Federal do Rio de Janeiro Universidade do Algarve

Topics of Realism In Contemporary Portuguese Cinema Chair Reality and Fantasy in Miguel Gomes Portrait of a Family: National Identity, Realism and Melodrama in Joo Canijo Colony Missing: Miguel Gomess Tabu Edgar Pra: Surrealist Cinema? Creative Writing? Historic and Theoretical Perspectives on Screenwriting Chair Writers Wearing Sunglasses: Literature, Scripts and Screens in Nouveau-Roman and New German Cinema Creative Dialogues: Charles Spaak and the New Art of Writing for the Talkies Promoting New Orality Strategies in French Screenwriting Today: in Search of Authentic Dialogue Creative Process, Creative Discourse. A Dynamic Approach to Screenwriting

Universidade Federal do Rio de Janeiro Newcastle University Manchester Metropolitan University Universit Cattolica del Sacro Cuore

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session F
Friday 20th 11:00-12:45
F08 tba Jacqueline Maingard Melvyn Stokes Margherita Sprio Pierluigi Ercole, Danielle Hipkins, Catherine ORowe, Daniela Treveri Gennari, Sarah Culhame F09 Paul McDonald Emily Carman Philip Drake Ross Melnick Paul McDonald F10 Dagmar Brunow Dagmar Brunow Julia Hildebrand Anders Marklund Vicente Snchez-Biosca F11 HoMER University of Bristol University College London University of Westminster De Montfort University, University of Exeter, University of Bristol, Oxford Brookes University, University of Bristol Moving Images and Changing Memories Chair Cinemagoing in District Six, Cape Town, 1920s to 1960s: History, Politics, Memory Memories of Cinemagoing in Britain in the 1960s Migrant Memories: Cinema and Home The Lost Italian Audience: Digital Approaches to Cinemagoing Memories

University of Nottingham Chapman University Edge Hill University University of California, Santa Barbara University of Nottingham

Hollywood and the Law: Legal Struggles in Film History Chair From the Point of the Law: the De Haviland Decision and Talent Contract Negotiations in Hollywood, Past and Present Breaking Even is Hard to Do: Revisiting Paramount vs. Buchwald (1990) The Law(s) of the Land: Warner Bros. Cinemas in Cuba and China and the Legal Entanglements of International Exhibition Movie Piracy and the Shadow Historiography of Infringement Mediatized Cultural Memory: New Perspectives on Remediation Chair From Newsreel to YouTube: Remediating Documentary Images and the Media Specificity of Cultural Memory Remediating Everyday Life: From the Archives de la Plante (1909-1931) to Life in a Day (2011) Authenticity and Cultural Memory. Remediation in Contemporary Popular European Cinema Migration of Images, From Thanatourism to Art Galleries, From Police Files to the Criminal Court NECSUS: On Journal Editors and Editing Organised by the NECSUS. European Journal of Media Studies Editorial Board

Linnuniversitetet Linnuniversitetet Universitt Regensburg Lunds Universitet Universitat de Valncia WORKSHOP

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session G
Friday 20th 13:45-15:30
!

!
G01 Ma Ran Eija Niskanen Lydia Wu Dan Ma Ran Ruby Cheung G02 Antonio Somaini Georg Witte Elena Vogman Laurent Guido Antonio Somaini G03 tba Vincenzo De Masi, Yan Han Armando Fumagalli Helen Haswell Alfio Leotta G04 tba Deborah Toschi Ursula Ganz-Blaettler Markus Stauff Aaron Baker Nagoya University Helsingin Ylopisto Newcastle University Nagoya University Independent Scholar Unmapped Creativity. Asian Cinema and the Alternative Film Festival Network Chair Small Asias in Europe: Asian Film Festivals Outside of Asia Grassroots or International? The First China Womens Film Festival Kozoku and the Grassroots Film Network for Contemporary Japanese Independent Cinema The Mapping of the East Asian-related Film Festivals in the UK The Factory as Creative Model (Part 1): the 1920s Chair Factory as Narration From Striking Factory to Strike of Consciousness in the Work of S. M. Eisenstein Mechanical Moves: Early Film Critics and the Girls Phenomenon in France Innervation: Body and Machine Between Psychotechnics, Aesthetics, and Media Theory Up! Animation, Global Scenarios, Creative Industries Chair New Media in China: the Animation Impact in Soft Power Era Pixar Collective Creativity as Subversion of Hollywood Standards Innovative Technology and Organic Aesthetics in Disney-Pixars Digital Animation Peter Jackson and Wellywood as a Creative Capital Mediated Participation. TV and Transmedia Fandom Chair Janeites, Hopelessly Lost in Fandom Fans, Fanzines, and Narrative Community Contagion: Sports Model for Mediated Participation Televising the NFL, Online Fantasy Football and the League

Universit Sorbonne Nouvelle - Paris 3 Freie Universitt Berlin Universitt Potsdam Universit Charles-de-Gaulle Lille 3 Universit Sorbonne Nouvelle - Paris 3

Universit della Svizzera Italiana, Communication University of China Universit Cattolica del Sacro Cuore Queens University Belfast Victoria University of Wellington

Universit degli Studi di Pavia Universitt St. Gallen Universiteit van Amsterdam Arizona State University

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session G
Friday 20th 13:45-15:30
G05 Nessa Johnston Liz Greene Ilario Meandri Jasper Aalbers Leo Murray G06 Vinzenz Hediger Jane Stadler Adrian Martin Saige Walton G07 tba Mari Laaniste Elzbieta Durys Jana Dudkov Katarna Mikov Goethe-Universitt Frankfurt am Main The University of Queensland Goethe-Universitt Frankfurt am Main / Monash University University of South Australia Glasgow School of Art University of Glasgow Universit degli Studi di Torino Universiteit Utrecht Murdoch University Creativity and the Soundtrack: a Critical Focus on Industry Practice Chair Bridging Sound in We Were There (Laura Aguiar & Cahal McLaughlin, 2014): Creativity and Ethics in Post-Production Documentary Filmmaking 1965: the Birth of Foley Companie The (Un)changing Role of the Sound Professional in the Dutch Film Industry Peirce and Sound Design: Sound Theory from Sound Practice Where It Happens: Rhythm, Atmosphere and Imaginative Cinematic Landscapes in Pialat, Wong, Guiraudie and Gondry Chair Aesthetic Emplacement: the Acoustic and Domestic Milieux of Mood Indigo and In the Mood for Love Manny Farber/Maurice Pialat Rocks, Rhythms and Hard Places: Apprehending Stranger by the Lake Post-1989 Eastern European Cinema and the Issue of Creativity Chair In Dire Straits: Representations of Creative Professionals in Contemporary Estonian Cinema Current Events, Formulas and Ideology: Polish Paranoid Conspiracy Cinema Between Creativity and Ideology: Slovak Cinema After 1989 Creative Freedom Rediscovered? Towards Postmodern Storytelling in Slovak Cinema of the 1990s

Eesti Kirjandusmuuseum Uniwersytet dzki Slovensk Akadmia Vied Vysok kola Muzickch Umen v Bratislave

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session G
Friday 20th 13:45-15:30
G08 tba Clara Pafort-Overduin, Douglas Gomery Joseph Garncarz Roel Vande Winkel, Lies Van de Vijver Jos Carlos Lozano HoMER Universiteit Utrecht, University of Maryland Universitt zu Kln Universiteit Antwerpen / LUCA School of Arts, Universiteit Gent Texas A&M International University Film Consumption, Cultural Conflicts, and Divided Worlds Chair The Motion Picture Export Association and the Netherlands Cinema Association: National Politics and Local Interests After the Second World War A Divided World: the Differentiated Use of the Cinema in the 1930s Film Programming in German-Occupied Belgium: the Case of Ghent (1940-1944) The Social Experience of Going to the Movies in the 1930s-1960s in a Texas Bordertown: Movie Going Habits and Memories of Films in Laredo, Texas Low Labour: Ethnographies of European Film and Television Production Chair Intra-Professional Conflicts and the Struggle for Visibility in French Television Globalizing Low Labor: a Collective Ethnography Also Get Rid of Any Weeds You See: Contesting Career Pathways in Film and Television Production How Global Is Hollywood? Division of Labor From a Prop-Making Perspective Re-Creation: Montage and Collage in Contemporary Media Chair (Un)creative Film Analysis? Appropriation and Reuse of Film Footage in Videographic Film Studies Uncanny Fusion? Remixing Intertextuality Through Aesthetic Moments The Forgotten Dream of Montage: from Eisenstein to Marclay to What is Montage? Remixing the Cinematic Face: From the Video Essay to the Supercut Cultural Memory & Media

G09 Petr Szczepanik Dominique Pasquier Petr Szczepanik Daniel Ashton Patrick Vonderau G10 Richard Misek Chiara Grizzaffi Catherine Grant Richard Misek Allan Cameron G11

Masarykova Univerzita Tlcom ParisTech Masarykova Univerzita Bath Spa University Stockholms Universitet

University of Kent Libera Universit di Lingue e Comunicazione IULM University of Sussex University of Kent The University of Auckland NECS WORKGROUP MEETING

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session H
Friday 20th 15:45-17:30
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!

H01 David Archibald David Archibald Dunja Jelenkovic Ger Zielinski H02 Benjamin Lon Benjamin Lon Eline Grignard Marie Rebecchi Massimo Olivero H03 Laura Rascaroli Laura Busetta Giacomo Nencioni Valerio Coladonato Valentina Valente H04 tba Elisa Giomi, Marta Perrotta Cecilia Penati Lucia Tralli Katrien Jacobs

University of Glasgow University of Glasgow Universit de Versailles Saint-Quentin-en-Yvelines Trent University

Film Festivals and Politics: Challenges, Changes and Crises Chair The Ethics and Politics of Human Rights Film Festivals Yugoslav Documentary and Short Film Festival 1954-2000. From Yugoslav Socialism to Serbian Nationalism Weg zum Nachbarn: On the Oberhausen Festival, Its Politics, and Its Crises The Factory as a Creative Model (Part 2): the 1960s Chair The Factory or the Mechanized Gesture Proof against Art (Drawing, Line, Surface) Andy Warhols Wallpapers Between Art and Craft (Display, Repetition and Absorption) The Factory of the Filmcombo. Rem Koolhaas and 1, 2, 3 enz group The Dziga Vertov Group: a Factory of Materialist Image Technologies of the Selfie: Photography, Social Media and Digital Subjectivity Chair Testing Oneself in the Digital Media: Self-Representation and Repetition Staging Ourselves from Webcams to Facebook Power, Gender and the Selfie: Three Case Studies Selfies Between Stardom and Fandom: the Case of Lady Gaga Policies of Identification. TV, Social Media and Gender Identities Chair Italys Got Queerness. The Politics of Representation of GLBT Characters in Talent Shows Handicraft Television. Factual Entertainment and the Representation of Creativity in Italian Female Channels Vidding is my Own Flavor of Feminism. A Gendered Remix Practice Chinese Womens Social Media and the Art of Sexual Failure

Universit Sorbonne Nouvelle - Paris 3 Universit Sorbonne Nouvelle - Paris 3 Universit Sorbonne Nouvelle - Paris 3 Universit Sorbonne Nouvelle - Paris 3 Universit Sorbonne Nouvelle - Paris 3

University College Cork La Sapienza - Universit di Roma Universit per Stranieri di Perugia La Sapienza - Universit di Roma La Sapienza - Universit di Roma

Universit degli Studi di Siena, Universit degli Studi Roma Tre Universit Cattolica del Sacro Cuore Universit di Bologna The Chinese University of Hong Kong

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session H
Friday 20th 15:45-17:30
H05 Jasper Aalbers Jamie Sexton Colin Black Jennifer OMeara Nessa Johnston H06 tba John Horne Berenike Jung Michele Aaron H07 tba Barbara Grespi Anna Luise Kiss Catherine Lord Verena von Eicken H08 tba Lucie eslkov Karina Aveyard Tim Snelson Elena Gipponi Universiteit Utrecht Northumbria University University of Technology, Sydney Trinity College Dublin Glasgow School of Art Sonic Creativity at the Fringes: Sounding out the Avant-Garde, Indie and Underground Chair Creeping Decay: Cult Soundtracks, Archive Culture and Creativity Explorations in Radio and Creative Audio for Transmedia: Beyond a Vococentric Aesthetic Listen Carefully: Straining to Hear as Active Audioviewing Unlearning Film School: the Lo-Fi Soundtracks of Joe Swanberg Torturers and the Tortured: Ethics, Aesthetics and Ideology in Contemporary Film Chair Watching With Complicity: Unsettling Discourses in US Torture Documentaries Speaking of Invisibility: Torture in Chilean Cinema Ethics, Arousal and Impunity: the Pornography of Death in The Act of Killing Inventive Performances. Film Acting and Creativity Chair The Mimetic Body: an Ideology of Creativity in Theory of Acting Reflections on Non-Actors Creativity in La terra trema (Visconti) and Nicht vershnt (Straub and Huillet) We are All Michelangelo: the Scholar as Actor in Sally Potters Rage (2009) Creativity in Performance: the Actor Sandra Hller Youth Film Consumption Chair Pupils at Movies. Film Screenings for Schools in Post-War Czechoslovakia The Social Geography of Going Out: Teenagers and Cinema in Rural Australia Folk Devils and Movie Going: Youth Consumption and Subcultural Resistance at the Cinema in the 1960s Lets All Go to the Lobby! Food-Eating and Moviegoing in Milan Theatres

University of Birmingham The University of Warwick University of Birmingham

Universit degli Studi di Bergamo Hochschule fr Film und Fernsehen Konrad Wolf Postdam-Babelsberg Universiteit van Amsterdam University of York HoMER Masarykova Univerzita University of East Anglia University of East Anglia Libera Universit di Lingue e Comunicazione IULM

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session H
Friday 20th 15:45-17:30
H09 Daniela Berghahn Nick Rees-Roberts Pamela Church Gibson Stella Bruzzi Royal Holloway, University of London University of Bristol London College of Fashion, University of the Arts London The University of Warwick Behind the Scenes: Fashion, Creativity and Production Chair In and Out of Fashion: Documenting the Industry From Innocent Frockumentaries to Covert Commercial Collaboration Retro But Never Out of Fashion: the Online Presence of Television Costumes, From Sex and the City to Mad Men and Mildred Pierce Playing With Media: the Challenge of Childrens Unproductive Creativity Chair Media Toys, Media Bricolage View-Master: Immersive Media in Childrens Hands Animate Toys as Engines of Imagination Respondent Media Industries

H10 Alexandra Schneider Alexandra Schneider, Wanda Strauven Giles Taylor Meredith A. Bak Peppino Ortoleva H11

Universiteit van Amsterdam Universiteit van Amsterdam The University of St Andrews Franklin & Marshall College Universit degli Studi di Torino NECS WORKGROUP MEETING

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session I
Saturday 21st 9:00-10:45
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!

I01 tba Yuriy Zikratyy Giampaolo Marzi Antoine Damiens Fulvia Massimi

Concordia University Concordia University Concordia University Concordia University

Creative Energies and Queer Critical Voices: Alternative Frameworks of Cultural Production and Community Participation Chair Its Free to Come Herebut You Have to Pay Fifty Cents!: Money, Audience and Creative Energies in Jack Smiths Artistic Practice The Crowd and the Community: Festival Crowd-Funding and the Communal Modes of Engaging Film Audiences Wheres the Audience? Understanding the Lesbian & Gay Film Festival Experience A Boys Best Friend is his Mother: Quebec Matriarchy and Queer Nationalism in the Cinema of Xavier Dolan Factorys Anteroom: Creating on Site Chair Education of the Eye. Creativity in Early Amateur Film Discourse Jazzing Up the Factory: Poetics of Creation and Rhetorics of Creativity in Industrial Film Around 1960 The After-Image of Wealth: Company Towns and the Empty Space as Creative Gap nofilmschool. Documentary Filmmaking, Travel Diaries and Smart Phone Films Chair Filming the (Extra)ordinary. Technology and the Construction of Experience on GoPro Creative Framing Revolution: Some Creative Approaches From Egypt Everyone Can Make a Movie: Proximity, Remoteness and Similarities in Smart Phone Films

I02 tba Vrth hner Joachim Schtz Lena Stlzl I03 tba Maria Francesca Piredda Alisa Lebow Frank Thomas Meyer

Universitt Wien Universitt Wien Universitt Wien

Universit Cattolica del Sacro Cuore University of Sussex Mediadesign Hochschule fr Informatik und Design Dsseldorf

I04 tba Valentina Re Kateryna Khinkulova rem nceolu Martha Shearer

Universit Ca Foscari Venezia Birkbeck, University of London Kadir Has niversitesi Kings College London

Locations of Creativity. Reflexivity and Relocation Chair The Protagonist: Creativity according to Creative Industries Entertain and Educate: Who Wants to Be a Millionaire as an Attempt of Intelligent TV in Post-Soviet Ukraine Global Journey of Creativity in the Remaking of TV Dramas: a Comparative Analysis of The Killing Pride and Precarity: Web Video and Creative Labour in The Lizzie Bennet Diaries

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session I
Saturday 21st 9:00-10:45
I05 Elena Boschi Laura Miranda Tim McNelis Elena Boschi I06 tba Enrico Gaudenzi Liverpool Hope University Universidad de Oviedo University of Liverpool Liverpool Hope University Film and the Audible: Music, Gender and Sexuality in Contemporary Cinema Chair Music, Gender and Cultural Transformation in Madrid: Pedro Almodvar and His Movida Films The Taming of the Technophallus: Girls, Guitars, and Agency in US Youth Films Queer Dreams? Italian Popular Music and Lesbian Romance in Viola di mare The Use of Media for the Construction of National and Political Identities in Italy Chair Call of Duty: Propaganda for War Bond

Annarita Gori Damiano Garofalo I07 tba Marie-Aude Baronian Sara Pesce Elena Caoduro Michael Morgan I08 tba Dafna Ruppin Emilie Yeh Jeffrey Klenotic John Caughie

Universit degli Studi di Siena / Universit Paris Ouest Nanterre La Dfense Universidade de Lisboa Universit degli Studi di Padova

Pop Art, Comics, and Political Identity in Communist Youth Federation in the 1970s-1980s Television and National Identity During the Italian Miracolo Economico (1954-1964) Designed Knowledge. Fashion, Celebrity, Performance Chair Designing, Wearing, Viewing: Toward a Definition of the Fashion-Film Audience Metamorphoses, Self-Promotion and Celebrity in the Network Society The Miu Miu Womens Tales: Female Adventures in Consumerville Naked Filmmaking: Intimacy Between the Actor and Camera in Digital Cinema Early Cinema Going: Geographies and Gender Indonesia Chair Currents of Empire: Transport, Electricity and Early Film Exhibition in Colonial From Yingxi to Yinghua: Chinese Film Genealogy and the Early Film in Hong Kong Gender, Geography and the Institutionalization of Film Exhibition Moving Smudges: the Problem of the Local and the National in Early Scottish Cinema

Universiteit van Amsterdam Universit di Bologna University of Southampton The European Film College HoMER Universiteit Utrecht Hong Kong Baptist University University of New Hampshire University of Glasgow

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session I
Saturday 21st 9:00-10:45
I09 Melis Behlil Zeynep Kocer Beste Atvur irin Fulya Erensoy Kadir Has niversitesi TC Istanbul Kltr niversitesi Goethe-Universitt Frankfurt am Main Baheehir niversitesi A New Business and Production Model in Turkish Media Industries: Creative Collaboration, Media Convergence and Participatory Culture Chair The Evolution of Turkish Media Industries from the 1960s to the Present: a Socio-Economic Analysis Sectoral Convergence of Turkish Film and Movie Industries: the Implications of a New Business Model for Turkish Cinema The Revelation of Consumption Practices: the Internet as a Space for Interactive and Creative Audience Reception New Creativities: Visual Media Strategies in the Middle East and North Africa Chair New Media and Film Festivals in the Middle East Visual Media Strategies of the Iranian Diaspora New Media and Mainstream Cinema in Revolutionary North Africa Videographic Film and Moving Image Studies: Audiovisual Approaches to Audiovisual Subjects in Research, Publishing and Teaching

I10 tba Murat Akser Alena Strohmaier Stefanie Van de Peer I11 Catherine Grant Adrian Martin Jason Mittell Patrick Sjberg Richard Misek Chiara Grizzaffi

University of Ulster Philipps-Universitt Marburg University of Stirling WORKSHOP University of Sussex Goethe-Universitt Frankfurt am Main / Monash University Middlebury College Karlstads Universitet University of Kent Libera Universit di Lingue e Comunicazione IULM

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session J
Saturday 21st 11:00-12:45
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!

J01 Marijke de Valck Cindy Wong Maria Paz-Peirano Dorota Ostrowska Antonio Falduto

Universiteit van Amsterdam The City University of New York University of Kent Birkbeck, University of London Universita degli Studi Internazionali di Roma

Film Trade(s) at Film Festivals [2] Chair Co-Production Markets in the Asian Context Industry Labs and Markets: the Case of the Newest Chilean Cinema in the International Film Festival Circuit Producers Playground: the British Film Producers Association and International Film Festivals in the Post-war Period How Important are Film Festivals for Careers of Auteur Directors?

J02 tba Daniel Leberg Temenuga Trifonova Adriano DAloia Eirik Frisvold Hanssen

Concordia University York University Universit Cattolica del Sacro Cuore Norges Teknisk-Naturvitenskapelige Universitet

Body and Brain. Film Experience and Scientific Models Chair The Cognitive Corporeality of Interpretation: Neurophenomenology and Film Acting Psychocinematics: Reading the Brain/Film Through Film/Brain Aesthetic Energy. Notes for a Thermodynamics of the Film Experience His Eyes are Like the Rays of Dawn: Colour Vision and Embodiment in Leviathan

J03 Ellen Rutten Caleb Kelly Nicholas Rombes Yngvar Steinholt J04 tba David Rolinson Georges Fournier Victoria PastorGonzlez

Universiteit van Amsterdam University of New South Wales University of Detroit Mercy Universitetet i Troms

Creative Imperfections: Dirt, Glitch, Punk and the New Aesthetics Chair Dirt and Media Smoothing the Glitches: Punk Aesthetics and the New Authenticity Avoiding the Noun: Punk Subversion and the Subversion of Punk in Contemporary Russia Creation/(Re)creation: Exploring the Creative Industries through European Docudrama Chair Adventures in Studio Space: British Televisions Creative Environments A Diachronic Approach to Fiction Films on Social and Political Issues Yo soy esa, yo soy aquel: Artists and Performers in Contemporary Spanish Docudrama

University of Stirling Universit Jean Moulin - Lyon 3 Regents University London

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session J
Saturday 21st 11:00-12:45
J05 tba Paolo Noto Maurizio Corbella Alessandro Cecchi Marco Cosci National Soundscapes. Italian Cinemas Soundtracks Chair The Film Opera Factory Cinema as Musical Archive: Mediatised Performance of Folk Music in Italian Films (1945-1969) Between Intertextuality and Remediation: Audio-visual Strategies in Italian Fiction and Documentary Films of the Economic Miracle and Beyond Re-Imagining Reality Soundtrack: Musical Transformations in Italian Documentaries from the 1960s Life, but Not as We Know It: New Approaches to Science Fiction Cinema Chair Vacations in Dystopia: Tourism, Culture and Authenticity in Science Fiction Cinema Overpopulation in US-American Science Fiction Cinema of the 1970s The Dream Screen as an Archive and a Time Travel Machine Trains, Cities, Bodies, Stories. Filmic Reconfigurations Chair Trains and Energy or the Essence of Cinema: John Fords Iron Horse (1924) and DeMilles Union Pacific (1939) Recreating Suburban Landscapes: Jacques Tatis Mon Oncle and Kaleidoscopic Geographies of Paris Sex and Pornography in the Late 1960s and 1970s Danish Feature Film Greek Tragedy and Portuguese Cinema: a Case Study

Universit di Bologna Universit degli Studi di Milano Fondazione Giorgio Cini Universit degli Studi di Pavia

J06 Laura Rascaroli Aidan Power Delia Gonzlez de Reufels Winfried Pauleit J07 tba Raphaelle Costa De Beauregard Gary McDonogh Isak Thorsen Liliana Cristina Vidais Rosa

University College Cork Universitt Bremen Universitt Bremen Universitt Bremen

Universit de Toulouse II-Le Mirail Bryn Mawr College Kbenhavns Universitet Universidade Nova de Lisboa

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session J
Saturday 21st 11:00-12:45
J08 tba Seung-hoon Jeong Cosetta Gaudenzi Cheryl Dueck Katarzyna Marciniak J09 Philip Drake Melis Behlil Kevin Sanson Alejandro Pardo Philip Drake J10 tba Marco Senaldi Rinaldo Censi Francesco Spampinato Riccardo Venturi The Lives of the Others. Global Cinema and the Depiction of the Other Chair Abjectivity as Creativity in Global Cinema Creativity and Foreign Language in Andrea Segres Io sono Li and Guido Lombardis L-bas - Educazione criminale The State Security Police in a Transcultural Imaginary: David Ondeks In the Shadow (2012) Recent Transnational Cinema in the US context: Usability of Foreignness Creating, Managing and Working in the Creative Industries Chair Creating the Creative Industries: Istanbul Film Commission(s) Keys to the Creative City: Service Firms in the Global Film Industry Managing Creativity and Business in the Screen Industries: the Producers Role Respondent Conceptual Factories. Cinema and Video in the Conceptual Art Context: Weiner, Morris, Serra, Smithson Chair La cosa giusta nel modo sbagliato / The Right Thing in the Wrong Way. Lawrence Weiner and Conceptual Cinema as Collective Enterprise A Disorienting Art Move. Notes on Mirror by Robert Morris Richard Serra: TV, Mirrors and Manipulation Some Corners of Hell. On Robert Smithsons Asphalt Rundown

New York University Abu Dhabi University of Memphis University of Calgary Ohio University

Edge Hill University Kadir Has niversitesi University of California, Santa Barbara Universidad de Navarra Edge Hill University

Libera Universit di Lingue e Comunicazione IULM NABA - Nuova Accademia di Belle Arti Milano Rhode Island School of Design Institut National dHistoire de lArt (INHA) NECS WORKGROUP MEETING

J11

New Media

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Session K
Saturday 21st 13:45-15:30
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! K01 Dorota Ostrowska Marijke de Valck Enrico Vannucci Skadi Loist Birkbeck, University of London Universiteit van Amsterdam Oxford Brookes University Universitt Rostock Film Trade(s) at Film Festivals [1] Chair What About Screening Fees? Film Festivals as Revenue Stream Mapping Hubs and Flows: Distribution and Trade Systems in the Short Film Festival Network Methodological Challenges in the Study of Film Circulation on the International Film Festival Circuit Show and Archive. Archive, Re-Use and Exhibition Policies Chair An Odyssey of Floating Cinema: Showboat Exhibition of Marshall Plan Films in Postwar Greece The Archival Creativity of Bureucratic Censorship Approaching the Archive. Creative Energies and Research Methodologies Photography as Historical Landmark in Filmmaking The Work of Boredom in the Age of Digital Consumption Chair Duration Without Breaks: the Life and Times of Christian Marclays The Clock and Steve McQueens Shame Absorption, Distraction and Being Bored: the Concert Hall as a Staging of Potential Being Manufacturing Creativity: Boredom and the Production of Literature Tele-Drama as Business, Politics, and Technology: a Global Snapshot Chair Long-Form Drama and the End of Television Game of Thrones: the Militarisation of Robin Hood TV as Madeleine: the Impossible Purchase of Lost Time TV Drama as Political Discourse: the Rise of Chinese Officialdom Drama

K02 tba Katerina Loukopoulou Trond Lundemo Donatella Valente Antonio Pantoja K03 tba Richard Martin Jonathan Gross Zuzanna adyga K04 Ying Zhu James Donald Stephi Hemelryk Donald Giancarlo Lombardi Ying Zhu

Panteion University of Social and Political Sciences Stockholms Universitet Birkbeck, University of London Universidad de Extremadura

Tate University of Leeds Uniwersytet Warszawski

The City University of New York University of New South Wales University of New South Wales The City University of New York The City University of New York

CREATIVE ENERGIES CREATIVE INDUSTRIES. The NECS 2014 Conference Milan

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Session K
Saturday 21st 13:45-15:30
K05 tba Deb Verhoeven, Alwyn Davidson Gaia Varon Teresa Fraile Stephen Amico K06 tba Wolfgang Fuhrmann Natalie Boehler Simon Frisch K07 tba Hilary Radner Canan Balan Sarah Greifenstein Sarah-Mai Dang K08 tba Melisande Leventopoulos Erik Hedling Ayca Ciftci Deniz Gnes Yardimci Vernacular, Popular, Collective. Conceiving Paradigms in Sound Studies Chair Songification: Vernacular Approaches to Music Industry Research Creativity Over the Score. Hidden Authorship in Classical Music Videos Collective Memory and Popular Music in Spanish Contemporary Cinema Producing the Audiovisual Self: Popular Music, Fashion, Global Capital, Embodiment Transnational Creativity: Transfers of Film History and Discourse Chair Writing Transnational Film History Creating a Discourse of Independence: Southeast Asian Independent Cinema In the Mood for Love: a Transcultural Reading Letters, Law and Gender. Generating Gender Categories Chair Creating Female Audiences: International Screen Narratives for Women in the Era of Global Hollywood Literary Feminism and Silent Cinema in Turkey Verbal and Audiovisual Argumentations on Feminism in Adams Rib Gender on Trial: Courtroom Scenes in Popular Culture Hybrid Views. Transnational Subjects, Negotiation, Reception Chair The Collective Construction of a Creative Practice. Approaching Catholic Reception of the Cinema in the Interwar France Whose Repressed Memories: MaxManus: Man of War and Flame & Citron From a Swedes Point of View The Political Manipulation of the Textual Meaning: the Cultural Reception of the Kurdish Films in Turkey Turkish German Cinema and Transcultural Negotiations in the Third Space

Deakin University Universit Cattolica del Sacro Cuore Universidad de Extremadura Universiteit van Amsterdam

Universitt Zrich Universitt Zrich Bauhaus-Universitt Weimar

University of Otago Istanbul ehir niversitesi Freie Universitt Berlin Freie Universitt Berlin

Universit Paris 8 Lunds Universitet Royal Holloway, University of London Royal Holloway, University of London

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Session K
Saturday 21st 13:45-15:30
K09 tba Stefano Baschiera Francesco Di Chiara Russ Hunter K10 Arild Fetveit Asbjrn Grnstad Susanne stby Sther Arild Fetveit K11 Katarzyna Marciniak Aine OHealy Aga Skrodzka Alex Lykidis Rachel Lewis Runaway Production, Co-production, and Co-operation in Contemporary Western European Creative Industries Chair Global Collaboration and Local Production: the Northern Ireland Screen Co-Producing a Shared, Transnational Past: Carlos as the Ultimate Prototype for a European Audiovisual Market Horrifically Local? European Horror and Regional Funding Initiatives Precarious Mediation: Visceral, Haptic and Erotic Chair Towards an Ethics of Distortion: Posthuman Visuality in Leviathan The Haptic in Recent Video Art The Precarious Aesthetic as a Means to Transcendence in Cinematic Love Scenes Teaching Transnational Cinema: Politics and Pedagogy

Queens University Belfast Universit degli Studi di Ferrara Northumbria University

Kbenhavns Universitet Universitetet i Bergen Universitetet i Oslo Kbenhavns Universitet WORKSHOP Ohio University Loyola Marymount University Clemson University Montclair State University George Mason University

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Session L
Saturday 21st 15:45-17:30
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!

L01 tba Monia Acciari Ludovica Fales Giacomo Di Foggia Roy Menarini L02 tba Giorgio Avezz Aileen Pinkert Katharina Rein Pietro Bianchi

University of Oxford Universit degli Studi di Udine Universit di Bologna Universit di Bologna

Geopolitical Strategies in Film Festival Between Activism and Cinephilia Chair The Socio-Cultural Activism of Film Festivals: the Fluid Spaces of London and Florence Landscapes of Creative Dissent, Protest and Freedom of Speech. Witnessing, Testifying and Narrating Dissent in Human Rights Film Network Between 2011 and 2013 On the Need to Analyze the Lives and Ideas of Festival Founders Respondent Sublime Sights. Aesthetic, Historical and Epistemic Categories Chair The Sublime as a Cultural Style of Contemporary Cinema Bad Pictures: Unpleasant Images in Films Thought Transmission on the Magicians Stage The Realism of the Lacanian Gaze

Universit Cattolica del Sacro Cuore Bauhaus-Universitt Weimar Bauhaus-Universitt Weimar / Humboldt-Universitt zu Berlin Universit degli Studi di Milano-Bicocca

L03 tba Clelia Clini Kristian Feigelson Tejaswini Ganti Nmsis Srour

John Cabot University Universit Sorbonne Nouvelle - Paris 3 New York University cole des Hautes tudes en Sciences Sociales

Bollywood News. Labor, Creative Industries, Diaspora Chair Changing Representations of the Indian Diaspora in Hindi Cinema: From Purab Aur Paschim to English Vinglish Bollywood Cinema Facing an Alternative Cinema Thinking in English, Speaking in Hindi: the Linguistic Division of Labor in the Bombay Film Industry The New Generation of Hindi Novies Directors: How are ICTs Shaping Creativity?

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Session L
Saturday 21st 15:45-17:30
L04 Alice Bardan Aniko Imre Daniela Mustata Simon Huxtable Heather Gumbert University of Southern California University of Southern California Rijksuniversiteit Groningen Loughborough University Virginia Polytechnic Institute and State University Socialist TV and Creativity Chair Socialist Commercials Transnational Ideologies of Creativity Inside Socialist Romanian Television Soviet Televisions First Two Decades: Creativity and Aesthetics, 1956-1970 Creating Socialist Citizens, or How Television Made German Women Work Harder

L05 tba Maria Cristina Addis Peter W. Schulze Elisabetta Girelli L06 tba Dietmar Meinel Wouter Oomen Jaap Kooijman L07 tba Manuela Gieri Lourdes EsquedaVerano Gloria Monti Emilio Audissino

Universit degli Studi di Siena Universitt Bremen The University of St Andrews

Rhythmic Bodies. Choreography, Music, Performance, Cinema Chair Choreography as Montage? Some Notes on Syncretism Between Dance and Cinema Aesthetical Discourses Good-by boy: b-e-b, b-i-bi, b-a-b! Samba, US Corporations and the Emergent Culture Industry in Brazil Before the Sheik: Rudolph Valentino and Sexual Melancholia Humanitarian Action Heroes: Male Movie Stars and Philanthropy Chair Questionable Philanthropist? Stardom/Social Activism and Its Corruption of the Political Benevolence as Hollywood Entertainment: Leonardo DiCaprio in Blood Diamond National Star, Global Politics: Marco Borsato, War Child, and the Spectacle of Benevolence Between Reality and Imaginary. Creation, Speculation, Industry Chair The Eclipse of Reason in Contemporary Italian Cinema. Giuseppe Tornatore, Roberto And e Paolo Sorrentino Social Aesthetics: Bazin on Social Cinemas Realism in the Golden Dream The Neorealist Dilemma: Technical Poverty vs. Super Spectacle in Roma citt aperta and Ladri di biciclette Creative Energy Without Creative Industry: Mario Bava

Universitt of Duisburg-Essen Universiteit van Amsterdam Universiteit van Amsterdam

Universit degli Studi della Basilicata Universidad de Navarra California State University, Fullerton University of Southampton

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Session L
Saturday 21st 15:45-17:30
L08 Beln Vidal Mary Harrod Thomas Pillard Raphalle Moine Ginette Vincendeau L09 Kings College London Kings College London Universit Sorbonne Nouvelle - Paris 3 Universit Sorbonne Nouvelle - Paris 3 Kings College London Stardom and Trans-National Identity In Contemporary French Comedy Chair Boy Meets Girl Meets Nation: Trans-National Stardom Trends in Contemporary French Romantic Comedy Jean Reno and French Comedy in the 2000s: a National Genre in Transition? The Frenchness of the Male Comic Star in a National/Global Context: Jean Dujardin from Brice de Nice to The Artist Trans-National Stardom and the French Comedy of Ethnic Integration New Techniques and Ideologies for Making an Authentic Landscape of Creativity: Three Types of Media Development Programs which All Attempt to Combine Local Experience with Narrative-Creation Chair The Fish Is Taken Out of Water and then Thrown in a New Tank: Philosophical Approaches to Experience and the Landscape of Creativity in the Puglia Experience Writing Fellowship Program Powering the Future: the Smart Grid-Oriented Creative Development in Sardinia. How Sustainability Feeds the Creative Industry with Smart Innovating Stories The Blue-Zone Creative Development Project: the Politics of Ethnography Confront the Limits of the Protagonist-Driven Story Structure in a Cross-Mediated Environment Degrees of Interaction: Desire/Performativity/Politics Chair Longing and Laughing: the Uses of GIFs and Vines in Contemporary Mediascape Creativity in/on the City: Media Building and Urban Screen The Wu Mings Joint: a Spreadable Model for a Transmedia Militancy

Amedeo DAdamo Amedeo DAdamo Nevina Satta Anna Thomas et al.

Universit Cattolica del Sacro Cuore Universit Cattolica del Sacro Cuore Universit Cattolica del Sacro Cuore American Film Institute

L10 Veronica Pravadelli Lorenzo Marmo Rossana Domizi Giuseppe Gatti

Universit degli Studi Roma Tre Universit degli Studi Roma Tre Universit degli Studi Roma Tre Universit degli Studi Roma Tre

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