A2 Media Studies H540 G324 Advanced Portfolio RECCE

FORM P R O D U C T I O N L K
O C A T I O N N O W L E S

T I T L E : : J

O I N G

W A Y

A N A G E R

O R D A N

Location 2 Commonfield Road, anstead, Surre!Date scoute 3 "anuar! 20#4 C!ec"s Accessi$ilit! House is accessi$le on foot and mo$ile( t&e road is availa$le t&rou)& a turn in on a $us! road* A front door and a $ac+ door, t&e front door easil! accessi$le ,it& a +e!, t&ou)& t&e $ac+ door can onl! $e unloc+ed from t&e inside* %lectrics
rea+a)e is ver! )ood* %ver! room $esides t,o $at&rooms &ave electrical -lu)s* Around four for eac& room, $ut sometimes more, due to e.tension leads* /&e $edroom ,&ere scene one ta+es -lace &as an e.tension lead, ,it& around si. more -lu)s, for e.am-le* S&ould 0 need to c&ar)e t&e camera, t&e onl! real -iece of e1ui-ment ,&ic& needs electricit!( ever! room t&at ,ill $e filmed in can fulfil t&is demand*

Healt& ' Safet!

Actors and cre, s&ould $e -articularl! careful around t&in)s t&at &ave $een moved from room to room, for fear t&at t&e! ma! eit&er dama)e t&emselves or ,&atever it is t&e! ma! come into contact ,it&* Particularl!, a framed -&oto)ra-& ,it& t&e frame crac+ed, ,&ic& ,ill need to $e moved* /&is es-eciall! a--lies to t&e $edroom ,&ere all t&e -ossessions ,ill $e -laced &a-&a2ardl! for filmin)* 3o -articularl! dan)erous materials ,ill $e contained in t&e room, suc& as 4f course, around electrics, actors and cre, s&ould $e mindful not to carr! drin+s, or not to come into -&!sical contact ,it& an o-en soc+et* 5&en not used, all o-en soc+ets s&ould $e s,itc&ed off until needed* 5&ile t&ere is little need for ,ires, an! ,ires ,&ic& ma! $e needed 6suc& as t&e camera c&ar)er7 s&ould $e -laced ,ell a,a! from ,&ere t&e! mi)&t $e tri--ed on* Particularl! lon) ,ires s&ould $e ta-ed to t&e side of rooms* 0n case of an emer)enc!, $ot& e.its to t&e &ouse s&ould $e easil! accessi$le* /&at includes unloc+in)

A2 Media Studies H540 G324 Advanced Portfolio RECCE

FORM
t&e $ac+ door*

E#a$uation (Space/Lighting/Sound etc.) Given t&at muc& of t&e rooms filmed in ,ill $e em-t!, s-ace ,ill )enerall! not $e an issue* Actors and cre, ,ill $e a$le to move freel! around t&e rooms t&e! need access to, t&ou)& t&is does not a--l! to t&e $edroom ,it& man! -ossessions in, as t&ere is limited s-ace for a tri-od to full! e.tend* 8et, a tri-od can still e.tend ,&en done ,it& care* 9on) s&ots ma! $e an issue, $ecause of t&e limited s-ace* Particularl! in $ot& $edrooms, t&is ,ill $e an issue, as t&ere is still a $ed in $ot&* :ilmin) ,ill ta+e -lace in t&e da!time( t&erefore 0 ,ill $e usin) natural li)&tin) entirel!* 0t is im-ortant to ac+no,led)e, t&en, t&at some scenes ma! $e $etter lit t&an ot&ers* :or e.am-le, ,&ile t&e front room &as lar)e ,indo,s and li)&t is ver! -lentiful, t&e li)&t comin) in on t&e landin) is reliant on li)&t from ot&er rooms* /&is is not too muc& of an issue, as it does add a sense of realism in t&at not ever! room is lit t&e same as t&e ne.t* 0 ,ill &ave to ta+e li)&tin) into account, &o,ever, ,&en filmin) on different dates* :or t&e landin) scenes, -er&a-s a $ri)&ter da! ,ill -roduce a $etter, $ri)&ter li)&tin)*

A2 Media Studies H540 G324 Advanced Portfolio RECCE

FORM

/&e road is )enerall! 1uiet* 0t is off a turnin) from a main road, t&ou)& t&e sound of cars cannot $e &eard from t&e inside* /&e die)etic sound 0 am tr!in) to ca-ture ,ill t&erefore not $e interfered ,it&* /&e onl! real note,ort&! issue in terms of sound comes from ne.t door, ,&o o,n numerous do)s, ,&ic& ,ill of course interfere* Alt&ou)& not muc& can $e done a$out t&is, it is im-ortant to +ee- an ear out for t&ese +inds of noises, t&ou)& t&ere is no real ma;or issue* A#ai$a%i$it& Yes Pe'(ission Yes G'ante %& 3eil =no,les Date 2 "anuar! 20#4

Dates #5 #< :e$ruar! 20#4 )ou's 4n $ot& da!s> ##>00 am 2>30 -m