NINO technical rider.

HOUSE P.A. SYSTEM

Front of house speaker system should be of the highest quality possible. It should be a stereo, high fidelity, three- or four- way system plus subs capable of reproducing 30H - !0 kH and sustaining ""#db without distortion at the front of house mi$ position, and should adequately and consistently co%er the audience area in a stacked and&or flying configuration. PREFERENCES: EV-XLINE - Adamson Y10K - M Ca!"#$ MLA %.

F.O.H.
'I(I)* +,)-,./ 0HI+H, I- MAN&ATORY 1, F2.FI.. 1H/ 1/+H)I+3. -4/+ 56$ input channels 7#( -I ',82./-9, 6$ effect returns, +8, house announce. 5-:and, fully parametric or sweepable frequency /;, 56% phantom power, phase re%ersal, insert point, high pass filter, delay and mute on each input channel min "# $ au$iliary sends 7F2.. 4<,+/--/8 = ! ( (, ',82./-9 at the front off house position and 6 au$ outputs at the stage bo$ 7 " ( ', ',82./-9 , :ack-up 4ower -upply 2nit7s9 INNOVASON SY '( ) STA*E +OX , in case of analog desk check italics-

PREFERENCES:

"$ .e$icon >#0 -- " ( 1+ #000 "$ 1c !!>0 "$ minidisk deck, wired for playback and record. No .o/0a1"#s

1x CD player wired for playback. No portables

10x Channels of high-quality, full-feature compressors PREF ! xta,d"x, # $x Channels of full-feature, frequency-tuna"le gates PREF ! xta,# $0%

MONITOR SYSTEM
-hure SHURE P'-H2 ) E3 in ear system for drums ,key ",key !,percussion,gt,bass. -hure psm ?00 plus e@ in ear system for back %ocals,bu uki. 'I(I)* +,)-,./ 0HI+H, I- MAN&ATORY 1, F2.FI.. 1H/ 1/+H)I+3. -4/+ ,).A 1H/ -/+,)8 8/-B 3)8 1H/ +3:./ :ack-up 4ower -upply 2nit7s9 PREFERENCES: INNOVASON SY (0 --- PM'000m ,M4n4m!m %5 a!6 o!0.!0s ' X XO MO&ULES- ."!s ds. "4n# o!0. , in case of analog desk check italics-

" $ multi-effect units PREFSC 1+ @000 D "( 4+' >" or 3 ( 4+' >" 10x Channels of high-quality, full-feature compressors PREF ! xta,d"x, # $x Channels of full-feature, frequency-tuna"le gates PREF ! xta,# $0% 1 & '&(1 #)*+ E, F-R .+E F.//

-I8/ FI..- & 8<2' FI.. & desk monitor C 6 plus 6 'c +auley '-line cabinets plus 5 subs per side all flying " $ !$"6 sub for low end for B/A " " $ SHURE P4-HW + E5 for desc monitor 3ll necessary processing, amplification, and cabling

MICROPHONES
PLEASE REFER TO THE NINO STA*E PLOT 7 INPUT LIST FOR MICROPHONE RE8UIREMENTS. 4lease be sure to include all necessary stands, cables, clips, and hardware 7drum mounts, etc.9.

NINO technical rider.

NOTES
3ll system components are e$pected to be "00E operational. 3ny and all substitutions to and %ariations from these requirements must be appro%ed by tourFs engineers and&or production manager prior to day of show. If no item 4</F/</)+/- are listed, options must be discussed with and appro%ed by tourFs engineers and&or production manager prior to day of show. ), /(+/41I,)-. 1he system must be accompanied by at least 7"9 competent and knowledgeable technician, who may be required to engineer for support acts. 1he tour does ),1 share consoles, either F,H or monitor. -eparate consoles, processing, etc. will be necessary for support acts. 1he tour shall pro%ide intro G outro music for entire e%ening. For aesthetics, promoter&sound company needs to supply black cloth or scrim to co%er amp racks, backs of consoles, etc.

'I( 4,-I1I,) .,+31I,)-C F.,.H.C 4lease consider the mi$ location carefully and arrange seat-kills 7please refer to the tour rider9 as necessary. /$treme mi$ positions, to either the side or rear of a %enue, are unacceptable, as is mi$ing from under a balcony. If the proposed location is clearly not ideal from a sound mi$erHs point of %iew, this must be discussed I) 38I3)+/ between the sound company, the promoter, and tourHs production manager. 'onitor +onsoleC -13*/-./F1 4lease make sure that all racks are well illuminated, and located to allow con%enient access to controls and easy %isual monitoring of displays. 8o not locate 3)A racks under the consoles. COMMUNICATIONS 9 RETURNS: 1wo-way e$clusi%e communication between the F.,.H. and 'onitor mi$ positions. A 0a":1a : m4 a0 F.O.H. ;<4 < s<o;s !. as an 4n.!0 on 0<# mon40o/ onso"#. T;o /#0!/ns =/om FOH onn# 0#d a0 s0#/#o a!6 o/ ma0/46 o!0 ;<4 < s<o;s !. as 4n.!0s 0o mon40o/ d#s:. 4,0/< </;2I</'/)1-C 1he -ound 4ower -er%ice must be on transformer isolated phases, separate from the lighting power ser%ice.

CONTACTS
F,H /)*I)//<C )ikko +hronopoulo Cmobile 0030#>3!5""5!5, fa$C D30!"0@@>@3>>-D30!"06!@?0?! /mailC nikkoJenttech.gr - e%entcoJotenet.gr

NINO technical rider.

INPUT LIST CH
1 5 % ' 3 > ? ( @ 10 11 15 1% 1' 13 1> 1? 1( 1@ 50 51 55 5% 5' 53 5> 5? 5( 5@ %0 %1 %5 %% %'%3 %>%? %(%@

INPUT
:3-BI+B -)3</ " -)3</ ! 74I+,.,9 HI H31 1,' " 1,' ! F.,,< " F.,,< ! ,I/<H/38 . ,I/<H/38 < ,I/<H/38 <I8/ ',12 " ',12 ! ',12 3 ',12 5 +,)*3 . +,)*3 < :,)*,,I/<H/38 13<:,2B3 /.. *1 . /.. *1 < B/A- " . B/A- " < B/A- ! . B/A- ! < :,2K,2BI :3+B I,+3. " :3+B I,+3. ! :3+B I,+3. 3 )I), 13.B :3+B ,) -13*/ /FF/+1 " /FF/+1 ! /FF/+1 3

MIC
3+1II/ 8I 8 ""! or :/13 @! -'@? or :/13 >6 -'@? or :/13 >6 + 5@" or :/13 >6 :eta @#- -' @? :eta @#- -' @? :eta @#- -' @? :eta @#- -' @? + 5@" or :/13 >6 + 5@" or :/13 >6 + 5@" or :/13 >6 3+1II/ 8I 3+1II/ 8I 3+1II/ 8I 3+1II/ 8I -' @? -' @? -' @? + 5@" or :/13 >6 -' @? 3+1II/ 8I 3+1II/ 8I 3+1II/ 8I 3+1II/ 8I 3+1II/ 8I 3+1II/ 8I 0I</./-- F,< I)-1< 'I+ -' @6 'I+ -' @6 'I+ -' @6 0I</./-- 'I+ :/13 @6 'BII H/38-/1D0I<&./-

EXTRAS
COMP COMP )*ATE

NOTES
SHURE P'-H2 ) E3 SHURE P'-H2 ) E3

*ATE *ATE *ATE *ATE

SHURE P'-H2 ) E3

COMP STEREO

SHURE P'-H2 ) E3

15 CHANNEL MIXER

SHURE P'-H2 ) E3

COMP STEREO
COMP ) 1X 51( SU+ 15 CHANNEL MIXER

SHURE P'-H2 ) E3

SHURE PSM ?00)E3 MIC STAN& MIC STAN& MIC STAN&

MIC-STAN& STRAI*HT COMP

SHURE PSM ?00)E3 SHURE PSM ?00)E3 SHURE PSM ?00)E3 SHURE PSM ?00)E3

FOR +ASS

NINO technical rider.

+ACKLINE RE8UIREMENTS

Bass EBS AMP 4 X 10 KEYBOARD 1 2 X KORG TRITON STUDIO FULL RAM 96 MB + CD ON BOARD 1 X ROLAND P ANTOM X! 1 X ROLAND XP "0 2 X DOUBLE KEYBOARD BASE ULTIMATE KEYBOARD 2 1 X YAMA A SY "# 1 X MOTIF ES ! #12 RAM DRUMS YAMA A ABSOLUTE NOU$EAU OR D% 1 X 22& KICK %IT DOUBLE PEDAL PEARL ELIMINATOR OR YAMA A 1 X 14X# SNARE 1 X 10 TOM 1 X 12 TOM 1 X 14 FLOOR 1 X 16 FLOOR 1 X 20 RIDE 1 X 14 CRAS 1 X 1" CRAS 1 X 1' I AT 1 X 1# C INA 1 X 16 C INA 1 X " SPLAS 1 X 10 SPLAS !X CYMBALS STANDS EA$Y

ALL CYMBALS A CUSTOM (ILD(IAN PERC 2 1 1 1 X X X X CONGA LP CRAS 16& s)*+ CRAS 14& s)*+ MOT ER KEYBOARD %IT

DOUBLE STAND

NINO technical rider.

STA*E PLOT

+ACK VOCALS C< 5@-%0 A!6 13-1>-1?

PERCUSSIONS C< 1%-51 A!6 3->

KEYS 1 C< 5'-53 A!6 @-10

&RUMS C< 5-15 A!6 %-'

KEYS 5 C< 5>-5? A!6 11-15 ) 1( SU+ +ASS C< 1 A!6 1-5 RISER: 3m X 5A3m X '0 m

RISER: 3m X 5A3m X '0 m

*TR 1 C< 55-5% A!6 ?-(

+UBUKI C< 5( A!6 1%-1'

SI&E FILLS

SI&E FILLS