L Pand: release flat fingers move hand balance toward second finger

8P 8u: [(x/x )/ (x/ x )] /*rLk*x // 3/3 of W8 //from Llp:(x/x ) //save/move down/save // move/save/ mv //frog Lo / x / x /Lo frog/*rLk* x
of 2/3rds bow of 1/2 bow mld uP (~2/3)
LAnLS: md lane/ slight tug.//resonant md lane // AWA? // Lug/ away /Lug for C//away/md lane
!"#$%& ()**+,+-. /01-2 3-2 453,34.+,6 "37+ .5+ .)8+ .0 /)-9::
L Pand: llaL, fleshy flngers and leanlng more Loward 1
sL
flnger hand balance for warm, vlbranL, expresslve sound.
8 Pand: llaL halr. Mlddle of Lhe hand balance & plvoL pL.
8CW ulvlSlCn: frog Lo mld uP // save/Move Lo 1l/W8 /W8 // (x /x ) / (x/ x) /*reLake* x
of W8 of P8
LAnLS: resonanL lane // --- /closer Lo /pull lnLo /away// medlum lane/ sllghL Lug Loward brldge
brldge brldge
SPll1S: shlfL on new (up) bow

!"#$%& ;501<2+,/ =347> ,)=439+ ,+<+3/+2 3-2 0?+-> @ /501<2+, =<32+/ 53-9)-9 *0, 0?+- 3-2 ,+/0-3-. /01-26
L Pand: release flat fingers move hand balance toward second finger
8P 8u: [(x/x )/ (x/ x )] /*rLk*x // 3/3 of W8 //from Llp:(x/x ) //save/move down/save // move/save/ mv //frog Lo / x / x /Lo frog/*rLk* x
of 2/3rds bow of 1/2 bow mld uP (~2/3)
LAnLS: md lane/ slight tug.//resonant md lane // AWA? // Lug/ away /Lug for C//away/md lane
!"#$%& ()**+,+-. /01-2 3-2 453,34.+,6 "37+ .5+ .)8+ .0 /)-9::
L Pand: llaL, fleshy flngers and leanlng more Loward 1
sL
flnger hand balance for warm, vlbranL, expresslve sound.
8 Pand: llaL halr. Mlddle of Lhe hand balance & plvoL pL.
8CW ulvlSlCn: frog Lo mld uP // save/Move Lo 1l/W8 /W8 // (x /x ) / (x/ x) /*reLake* x
of W8 of P8
LAnLS: resonanL lane // --- /closer Lo /pull lnLo /away// medlum lane/ sllghL Lug Loward brldge
brldge brldge
SPll1S: shlfL on new (up) bow

!"#$%& ;501<2+,/ =347> ,)=439+ ,+<+3/+2 3-2 0?+-> @ /501<2+, =<32+/ 53-9)-9 *0, 0?+- 3-2 ,+/0-3-. /01-26
L Pand: [lC8 A8LCClCS - 8alance on 2
nd
finger for more rounded/arpeggio hand frame, / flat fingersmore 1
sL
finger balance.
buL also reLaln 1
sL
flnger awareness for shlfLs.
Also helps Lo Lhlnk of noLes dlrecLly Al1L8 each shlfL (3
rd
flngers).]
8P 8u: [ / / ]/[ x / x / x / x ] // / x /mv/save/mv/W8/ W8 // (x /x ) / (x/ x) /*rLk* x
of W8 Cl W8 of P8 of P8
LAnLS: md lane../closer and closer to bridge/// away/big tug/ away // medium lane/ sllghL Lug Loward brldge
SPll1S: 1hlnk of Lhe moLlon of boLh hands movlng ln Lhe same dlrecLlon and speed LogeLher for fluldlLy. ShlfL wlLh Lhe A8M noL Lhe flngers or wrlsL.
ShlfL Lo hlgh A on nLW bow.
L Pand: release lor double-sLop: preplace LP &
balance beLween 1
sL
and 2
nd
flngers

8P 8u: [(x/x )/ (x/ x )] /*rLk*x // 3/3 of W8 //from Llp:(x/x ) //save/move down/save // move/save/ mv //frog Lo / x / x /Lo frog/*rLk* x
of 2/3rds bow of 1/2 bow mld uP (~2/3)
lor double-sLop: balance on
lmaglnary sLrlng
LAnLS: md lane/ slight tug.//resonant md lane // STAY tug for G//slightly away/md lane
SPll1S: ShlfL aL end of 8b, up bow before reLake
!"#$%& ())* +,) -++.+/0)1
L Pand: [lC8 A8LCClCS - 8alance on 2
nd
finger for more rounded/arpeggio hand frame, / flat fingersmore 1
sL
finger balance.
buL also reLaln 1
sL
flnger awareness for shlfLs.
Also helps Lo Lhlnk of noLes dlrecLly Al1L8 each shlfL (3
rd
flngers).]
8P 8u: [ / / ]/[ x / x / x / x ] // / x /mv/save/mv/W8/ W8 // (x /x ) / (x/ x) /*rLk* x
of W8 Cl W8 of P8 of P8
LAnLS: md lane../closer and closer to bridge/// away/big tug/ away // medium lane/ sllghL Lug Loward brldge
SPll1S: 1hlnk of Lhe moLlon of boLh hands movlng ln Lhe same dlrecLlon and speed LogeLher for fluldlLy. ShlfL wlLh Lhe A8M noL Lhe flngers or wrlsL.
ShlfL Lo hlgh A on nLW bow.
L Pand: release lor double-sLop: preplace LP &
balance beLween 1
sL
and 2
nd
flngers

8P 8u: [(x/x )/ (x/ x )] /*rLk*x // 3/3 of W8 //from Llp:(x/x ) //save/move down/save // move/save/ mv //frog Lo / x / x /Lo frog/*rLk* x
of 2/3rds bow of 1/2 bow mld uP (~2/3)
lor double-sLop: balance on
lmaglnary sLrlng
LAnLS: md lane/ slight tug.//resonant md lane // STAY tug for G//slightly away/md lane
SPll1S: ShlfL aL end of 8b, up bow before reLake
!"#$%& ())* +,) -++.+/0)1
L Hand: (see measures 27 and 28 above) // vL8? flaL flngers even roLaLe elbow under vla for
compleLe expresslve change ln sound
RH BD: / / / // rds / [x / x ] //mv /save/ mv/ [ x / x ] // 2/3rds / mv/save/mv // mv/save/mv / Lo frog/ P8
mld uP Lo frog//frog-mld uP *sllghL llfL*
LANES: .........../slight tug/back to slightly away from md lane/(Lug)/sllghLly-away-md lane/md resonanL lane!
SPll1S: (see measure 27 and 28 above) new bow shlfL on 1
sL
flnger preseL
ln upward
llfL of bow
Otbet. /5oJJeo swltcb to flety/expooslve cbotoctet.
L Pand: balance beLween flngers of each double-stop........preplace 1 and 3 in rest, return to 1
sL
finger balance..........................return to balancing
buL wlLh 4
Lh
flnger balance. beLween double-sLop flngers
RH BD: 2/3rds / *lift / // / / / // rds / [x / x ] //mv /save/ mv/ [ x / x ] // P8 / x / x
Lo geL Lo LP* of rds Lo mlddle of P8
LAnLS: md lane......../(tug )/start to pull in../(tug)/ back to md lane/ slightly away
SPll1S: ShlfL Lo A/C double-sLop on nLW bow ShlfL Lo C/8b, 8b/u, and A/C double-sLops on CLu, up-bow moLlons.
(ShlfL durlng Lhe resL, whlle Lhe bow ls sLlll movlng upward).
Otbet. / 5weet, ployfol
cbotoctet swltcb!
- lot soooJ ooJ cbotoctet of tbe 16
tb
s it helps to feel like youre always trying to reach the frog, but never quite can until the downbeat of 27.
- A qooJ woy to ptoctlce tbe fltst oote of bot 27 ls to fltst toke oot tbe 8b/u Jooble stop ooJ ptoctlce oollloq tbe c/ wltb o comfottoble 4
tb
floqet bolooce.
After youre comfortable with this, then add the grace note, making sure to keep the same balance; this may feel quite uncomfottoble fot tbe booJ ot fltst,
since youre playing 1/3 with a 2/4 balance, but in the end will allow for a higher consistency in accuracy.

L Hand: (see measures 27 and 28 above) // vL8? flaL flngers even roLaLe elbow under vla for
compleLe expresslve change ln sound
RH BD: / / / // rds / [x / x ] //mv /save/ mv/ [ x / x ] // 2/3rds / mv/save/mv // mv/save/mv / Lo frog/ P8
mld uP Lo frog//frog-mld uP *sllghL llfL*
LANES: .........../slight tug/back to slightly away from md lane/(Lug)/sllghLly-away-md lane/md resonanL lane!
SPll1S: (see measure 27 and 28 above) new bow shlfL on 1
sL
flnger preseL
ln upward
llfL of bow
Otbet. /5oJJeo swltcb to flety/expooslve cbotoctet.
L Pand: balance beLween flngers of each double-stop........preplace 1 and 3 in rest, return to 1
sL
finger balance..........................return to balancing
buL wlLh 4
Lh
flnger balance. beLween double-sLop flngers
RH BD: 2/3rds / *lift / // / / / // rds / [x / x ] //mv /save/ mv/ [ x / x ] // P8 / x / x
Lo geL Lo LP* of rds Lo mlddle of P8
LAnLS: md lane......../(tug )/start to pull in../(tug)/ back to md lane/ slightly away
SPll1S: ShlfL Lo A/C double-sLop on nLW bow ShlfL Lo C/8b, 8b/u, and A/C double-sLops on CLu, up-bow moLlons.
(ShlfL durlng Lhe resL, whlle Lhe bow ls sLlll movlng upward).
Otbet. / 5weet, ployfol
cbotoctet swltcb!
- lot soooJ ooJ cbotoctet of tbe 16
tb
s it helps to feel like youre always trying to reach the frog, but never quite can until the downbeat of 27.
- A qooJ woy to ptoctlce tbe fltst oote of bot 27 ls to fltst toke oot tbe 8b/u Jooble stop ooJ ptoctlce oollloq tbe c/ wltb o comfottoble 4
tb
floqet bolooce.
After youre comfortable with this, then add the grace note, making sure to keep the same balance; this may feel quite uncomfottoble fot tbe booJ ot fltst,
since youre playing 1/3 with a 2/4 balance, but in the end will allow for a higher consistency in accuracy.

LP:
4
Lh
fingerbalance btw fingers..balance bLw 3 and 4!!...back Lo 4
Lh
finger balance..
balance and lnLonaLlon focus lor lnLonaLlon on Lhe super release
(Lhlnk of Lhe C# Lo L for lnLonaLlon ocLave, lL helps Lo Lhlnk of Lhe 1
sL
flnger
and Lhe leL oLher flngers follow) as an auxlllary shlfL noLe and allow a sllghL arpegglaLlon
beLween Lhe 1
sL
and 3
rd
flngers (a nanosecond chord break!). 1hls allows you r braln
Lo process Lwo lndlvldual noLes, nalllng Lhe 1
sL
flnger and Lhen havlng Llme Lo slap down Lhe 3rd flnger buL
after a while you do it so quickly that it ends up sounding like youre sounding both notes at once.
RH BD:[ / ]/[/]HB/HB //[ / ]/ [ / ] //WB / WB / SAVE //mv/sv/mv/mv/W8/ P8 // see measure 36
of P8,*llfL aL frog* of P8 mld uP Lo frog
LAnLS: md laneslight tuggradually come into the bridge as you climbback to resonant md lane
SPll1S:
new bow/ old bow/ old bow // old bow new bow
Where posslble, Lry Lo feel Lhe whole hand movlng as a unlL, moved by Lhe arm, beLween each double sLop. SomeLlmes lL helps Lo lmaglne Lhe balance polnL
ln Lhe lefL hand as followlng Lhe slmple and sLralghL llne of Lhe sLrlngs up and down ln order Lo avold exLraneous moLlon LhaL can cause lnLonaLlon problems.
!"#$%& ()& *+$, -. "#$ %-/#" #0,1 -2 3$%.$4"56 -, "7,$8 -. "#$ 9:; -2 ,:" 9050,4$1 #033-56 0,1 %$5$02$1 ;-"# "#$ ;$-/#" .%:< "#$ 2#:751$% 9501$ %$2"-,/ :, "#$
-<0/-,0%6 2"%-,/ 9$";$$, "#$ ";: 1:795$ 2":328 "#$ ,:"$2 ;-55 2:7,1 :7" :. "7,$= >:8 0 /::1 ;06 ": 3%04"-4$ "#-2 2$4"-:, ;:751 9$ ;-"#:7" "#$ 5$." #0,1 8 -,
:%1$% ": 5$0%, 9:; 1-+-2-:, 0,1 %-/#" 0%< 9050,4$=
LP: 4
Lh
bal/1
sL
balance/preplace!..incredibly fat, flat fingers again ..keep 1
sL
finger in mind for intonation..

8P 8u:[ x/x]/[x/x] *rLk*/ // WB // frog [ / / ] // [ + LIFT] /frog to mid/ mid to frog*rLk*/ // 2/3rds / [ / / ]
of P8 of P8 of P8 of P8 of 2/3rds
LAnLS: md ln/pull ln/ md ln // close Lo brldge// md resonant lane.slightly pull in..stay slightly above
md ln
SPll1S: old bow old bow
LP:
4
Lh
fingerbalance btw fingers..balance bLw 3 and 4!!...back Lo 4
Lh
finger balance..
balance and lnLonaLlon focus lor lnLonaLlon on Lhe super release
(Lhlnk of Lhe C# Lo L for lnLonaLlon ocLave, lL helps Lo Lhlnk of Lhe 1
sL
flnger
and Lhe leL oLher flngers follow) as an auxlllary shlfL noLe and allow a sllghL arpegglaLlon
beLween Lhe 1
sL
and 3
rd
flngers (a nanosecond chord break!). 1hls allows you r braln
Lo process Lwo lndlvldual noLes, nalllng Lhe 1
sL
flnger and Lhen havlng Llme Lo slap down Lhe 3rd flnger buL
after a while you do it so quickly that it ends up sounding like youre sounding both notes at once.
RH BD:[ / ]/[/]HB/HB //[ / ]/ [ / ] //WB / WB / SAVE //mv/sv/mv/mv/W8/ P8 // see measure 36
of P8,*llfL aL frog* of P8 mld uP Lo frog
LAnLS: md laneslight tuggradually come into the bridge as you climbback to resonant md lane
SPll1S:
new bow/ old bow/ old bow // old bow new bow
Where posslble, Lry Lo feel Lhe whole hand movlng as a unlL, moved by Lhe arm, beLween each double sLop. SomeLlmes lL helps Lo lmaglne Lhe balance polnL
ln Lhe lefL hand as followlng Lhe slmple and sLralghL llne of Lhe sLrlngs up and down ln order Lo avold exLraneous moLlon LhaL can cause lnLonaLlon problems.
!"#$%& ()& *+$, -. "#$ %-/#" #0,1 -2 3$%.$4"56 -, "7,$8 -. "#$ 9:; -2 ,:" 9050,4$1 #033-56 0,1 %$5$02$1 ;-"# "#$ ;$-/#" .%:< "#$ 2#:751$% 9501$ %$2"-,/ :, "#$
-<0/-,0%6 2"%-,/ 9$";$$, "#$ ";: 1:795$ 2":328 "#$ ,:"$2 ;-55 2:7,1 :7" :. "7,$= >:8 0 /::1 ;06 ": 3%04"-4$ "#-2 2$4"-:, ;:751 9$ ;-"#:7" "#$ 5$." #0,1 8 -,
:%1$% ": 5$0%, 9:; 1-+-2-:, 0,1 %-/#" 0%< 9050,4$=
LP: 4
Lh
bal/1
sL
balance/preplace!..incredibly fat, flat fingers again ..keep 1
sL
finger in mind for intonation..

8P 8u:[ x/x]/[x/x] *rLk*/ // WB // frog [ / / ] // [ + LIFT] /frog to mid/ mid to frog*rLk*/ // 2/3rds / [ / / ]
of P8 of P8 of P8 of P8 of 2/3rds
LAnLS: md ln/pull ln/ md ln // close Lo brldge// md resonant lane.slightly pull in..stay slightly above
md ln
SPll1S: old bow old bow
L P: 8LLLASL!!! (hand/arm/back/chesL)
play with fingers so flat youre almost putting down your first knuckle to guarantee a faL,
[ulcy sound way up hlgh on the C
RH BD: *rLk*/ (frog to mid UH)/ *rLk*/ // WB // WB //to md UH/ to frog // [ / ] // [~ / ~]
W8 W8
LAnLS: sllghLly above md ln..awaypull inWAY in!!!! ..
SPll1S: new bow // new bow
use lefL !"# !"# !"# horlzonLal
moLlon LhaL works LogeLher wlLh Lhe rlghL arm up-bow moLlon,
leL your hands/arms work LogeLher
!"#$%& ()*$ +,%$ "- .-" /-%0$ "#$ +-,.1 -. "#$ #23# .-"$+4 5" "#$ 6$%7 "-89 -8" /-% ) /)+"$%9 :-%$ %$;$)+$1 %23#" )%: "- 0%$)"$ %$+-.).0$9 %)"#$% "#).
3%2882.3 -% 0%,.0#2.3 1-<. <#2;$ "%72.3 "- 8,+# "#$ +-,.1 -,"4
LH: back to arpeggio frame/balance..// definite 1
sL
finger balance
RH BD: [ / / ] // /try to reach/ [ / ] / try to reach/ [ // ]WB // tip to mid/ sv /mid to//FRG*rLk*/ / [ / / ]
frog Lo mld uP frog*llfL* frog Lo mld frog*llfL* (Lo mld uP) (mld uP Lo frog)
LANES: .still close to bridgereleasepull inrelease//..md lane.pull in.
pulled ln by rlng flnger on frog
SPll1S: 1
sL
flnger exLenslon *keep Lhlnklng / new bow new bow
A8M, even ln Lhe small shlfLs
Lo keep Lhe hand poslLlon consLanL*
!"#$%& == >,20* 0#)%)0"$% +<2"0# "- 8;)7/,;=/;2%")"2-,+4 == ?!@AB AC(5DAEDF 5GGCDGE!DB
L P: 8LLLASL!!! (hand/arm/back/chesL)
play with fingers so flat youre almost putting down your first knuckle to guarantee a faL,
[ulcy sound way up hlgh on the C
RH BD: *rLk*/ (frog to mid UH)/ *rLk*/ // WB // WB //to md UH/ to frog // [ / ] // [~ / ~]
W8 W8
LAnLS: sllghLly above md ln..awaypull inWAY in!!!! ..
SPll1S: new bow // new bow
use lefL !"# !"# !"# horlzonLal
moLlon LhaL works LogeLher wlLh Lhe rlghL arm up-bow moLlon,
leL your hands/arms work LogeLher
!"#$%& ()*$ +,%$ "- .-" /-%0$ "#$ +-,.1 -. "#$ #23# .-"$+4 5" "#$ 6$%7 "-89 -8" /-% ) /)+"$%9 :-%$ %$;$)+$1 %23#" )%: "- 0%$)"$ %$+-.).0$9 %)"#$% "#).
3%2882.3 -% 0%,.0#2.3 1-<. <#2;$ "%72.3 "- 8,+# "#$ +-,.1 -,"4
LH: back to arpeggio frame/balance..// definite 1
sL
finger balance
RH BD: [ / / ] // /try to reach/ [ / ] / try to reach/ [ // ]WB // tip to mid/ sv /mid to//FRG*rLk*/ / [ / / ]
frog Lo mld uP frog*llfL* frog Lo mld frog*llfL* (Lo mld uP) (mld uP Lo frog)
LANES: .still close to bridgereleasepull inrelease//..md lane.pull in.
pulled ln by rlng flnger on frog
SPll1S: 1
sL
flnger exLenslon *keep Lhlnklng / new bow new bow
A8M, even ln Lhe small shlfLs
Lo keep Lhe hand poslLlon consLanL*
!"#$%& == >,20* 0#)%)0"$% +<2"0# "- 8;)7/,;=/;2%")"2-,+4 == ?!@AB AC(5DAEDF 5GGCDGE!DB
LH: //lean forward into 2
nd
finger/middle of the hand balance.KEEP THIS BALANCE/HANDFRAME NO MATTER WHAT!........back to flat fingers
(dont bother trying Lx18LML 8LLLASL. and open, released,
Lo play a blocked 3
Lh
, [usL hop Lhe 1 over Lo Lhe C 1
sL
flnger balance
afLer Lhe C)
RH BD: WB // HB / HB / HB // HB*lift* / 2/3rds / [ / / ] // WB //mld LP&Lry get to FRG/WB // WB / ..
(frog Lo mld uP) of 2/3rds (make sure Lo save enough bow of W8.
for Lhe C/8b, ln order Lo shlfL Lo Lhe A/C
ln Lhe up-bow) racLlce Lhls shlfL aL flrsL wlLh a huge slurp on Lhe up bow
all the way up to the A/C and once youve reached the A/C, only THEN
play a down bow. 1hls wlll Leach your body Lo coordlnaLe Lhe moLlons of
Lhe Lwo hands comforLably LogeLher and allow Lhe rlghL hand Lo
encourage and demonsLraLe slmpllclLy of moLlon Lo Lhe lefL hand.
LC1S Cl 8CCCCCW lC8 1PLSL uCu8LL S1CS 1C 8LSCnA1L!!
And PCLu Cn lC8 uLA8 LllL 1C 1PA1 lMAClnA8? S18lnC 8ALAnCCCCLLL!!!
LAnLS: sllghLly closer Lhan md lane for high double stops..bridge!!! ......flirt with the edgy lineaway/releasemd.
SPll1S: shlfL up Lo C ln Lhe nLW 8CW follow moLlon of/ CLu 8CW Lhlnk of 1
sL
flnger as exLend
sllence LhaL ls sLlll Lhe up-bow shlfL auxlllary noLe Lo 3
rd
flnger C
downbow moLlon wlLh Lhe A8M!.............

Other: Practice singling out and target practicing each double stop in order to teach your brain the exact location or de!"#nation for each !$#%"& ()*+,)-
./0/123 4% "$3 03%" $/15 #! 67)( #894:"/1" %4: !4;15 /15 241!#!"312< =$#0!" "3/2$#1> <4;:!30% "$3!3 53!"#1/"#41!&
LH: .still flat, juicy, fleshy fingersrotate to 4
Lh
finger balance.back to 1
sL
finger..preplace 8ve
and roLaLe, mld 8ve,
Lo 4
Lh
flnger balance
Lo prepare for
upcomlng 3rds
8P 8u:
..]/ HB/ [ / ]/ WB // WB // MV/sv / Mv/sv / Mv // P8/ Lry Lo geL Lo frog/*rLk*/x// mv/sv/mv/mv/sv/mv // x *launch rLk*/ [..
of W8 of P8 (work down Lo frog) frg to ..mid LHto frg of W8
LAnLS: md, resonant lane.pull in for C string resonance.stay in.
SPll1S: make sure Lo save enough 8CW exLend new bow same pos
for shlfL down on downbow wlLh 3
rd
flnger
exLenslon
Other: THINK RESONANCE.
LH: keep 4th finger balance1
sL
finger..2
nd
finger (middle of preplace chord..........flatten out for juicy sound
Lhe 8ve) balance & keep mld of hand
balance Lo reLaln handframe
8P 8u:
.. ]/ WB / WB / WB *lift* // WB // 2/3RDS / to tip again // WB / / / *launch rLk*// P8 /P8/ [ / / ]
..(of W8) Lhlnk of Lravellng bLw of WB..
Lwo lmaglnary sLrlngs for Lhe chord

LAnLS: brldge...sllghLly ln from md lane.pull inmd lane.slightly in..bridgerelease pull in for
sexy sound
SPll1S: A8M A8M A8M A8M A8M A8M A8M A8M A8M A8M A8M old bow.old bow.. Old bow. Shift to C string position.new bow.. finally
wlLh moLlon of *launch rLk* allow a llLLle
flnger moLlon ln
Lhe shlfL for goolness
LH: .still flat, juicy, fleshy fingersrotate to 4
Lh
finger balance.back to 1
sL
finger..preplace 8ve
and roLaLe, mld 8ve,
Lo 4
Lh
flnger balance
Lo prepare for
upcomlng 3rds
8P 8u:
..]/ HB/ [ / ]/ WB // WB // MV/sv / Mv/sv / Mv // P8/ Lry Lo geL Lo frog/*rLk*/x// mv/sv/mv/mv/sv/mv // x *launch rLk*/ [..
of W8 of P8 (work down Lo frog) frg to ..mid LHto frg of W8
LAnLS: md, resonant lane.pull in for C string resonance.stay in.
SPll1S: make sure Lo save enough 8CW exLend new bow same pos
for shlfL down on downbow wlLh 3
rd
flnger
exLenslon
Other: THINK RESONANCE.
LH: keep 4th finger balance1
sL
finger..2
nd
finger (middle of preplace chord..........flatten out for juicy sound
Lhe 8ve) balance & keep mld of hand
balance Lo reLaln handframe
8P 8u:
.. ]/ WB / WB / WB *lift* // WB // 2/3RDS / to tip again // WB / / / *launch rLk*// P8 /P8/ [ / / ]
..(of W8) Lhlnk of Lravellng bLw of WB..
Lwo lmaglnary sLrlngs for Lhe chord

LAnLS: brldge...sllghLly ln from md lane.pull inmd lane.slightly in..bridgerelease pull in for
sexy sound
SPll1S: A8M A8M A8M A8M A8M A8M A8M A8M A8M A8M A8M old bow.old bow.. Old bow. Shift to C string position.new bow.. finally
wlLh moLlon of *launch rLk* allow a llLLle
flnger moLlon ln
Lhe shlfL for goolness
LP: lnsLanL release on 1
sL
flnger. Also, Lhlnk ln noLe grouplngs ln Lhe run, //
wlLh your 4
Lh
flnger as leadlng Lones Lo nexL sLrlng, for ease of sLrlng crosslngs.
8P 8u: [save. Save. MCvL. ] /W8 /W8 // *LLASL SLL MLASu8LS 10 -13*
W8
LAnLS: SLarL closer Lo brldge for accenL, away for release, Lhen pull ln as you rlse/Lhen pull WA? ln for Lop l/sllghLly away for L.//
SPll1S: use arm Lo shlfL even on small half-sLep shlfLs. / new bow/ //
!"#$%& ($)*+ ,-"# .)/%-"0 "1 2$3"/))0 /34 %#0"#2-./))0 5%16* "#$ 31"$+ -3 "#$ %63 -3"1 5%16*+ 17 89 89 89 :; <<
LP: keep en[oylng belng flaL-fingered and gooey.
8P 8u: MCvL / SAvL / MCvL / SAvL / Lo frog// [ x // x // x // x ]
OF WB..
LANES: slightly awaypull inslightly away.pull in md lanerelease.away.
SPll1S: old bow new bow
!"#$%& =>?@ ABC>DD
LP: lnsLanL release on 1
sL
flnger. Also, Lhlnk ln noLe grouplngs ln Lhe run, //
wlLh your 4
Lh
flnger as leadlng Lones Lo nexL sLrlng, for ease of sLrlng crosslngs.
8P 8u: [save. Save. MCvL. ] /W8 /W8 // *LLASL SLL MLASu8LS 10 -13*
W8
LAnLS: SLarL closer Lo brldge for accenL, away for release, Lhen pull ln as you rlse/Lhen pull WA? ln for Lop l/sllghLly away for L.//
SPll1S: use arm Lo shlfL even on small half-sLep shlfLs. / new bow/ //
!"#$%& ($)*+ ,-"# .)/%-"0 "1 2$3"/))0 /34 %#0"#2-./))0 5%16* "#$ 31"$+ -3 "#$ %63 -3"1 5%16*+ 17 89 89 89 :; <<
LP: keep en[oylng belng flaL-fingered and gooey.
8P 8u: MCvL / SAvL / MCvL / SAvL / Lo frog// [ x // x // x // x ]
OF WB..
LANES: slightly awaypull inslightly away.pull in md lanerelease.away.
SPll1S: old bow new bow
!"#$%& =>?@ ABC>DD
:
---------------------------------------------------------------------------------LLASL SLL MLASu8LS 26 30-----------------------------------------/ LP: lLAAA1 llnCL8SSS!!
Also, laser ln on lnLonaLlon and
balance of 1
sL
flnger for harmonlcs.
8P 8u: x / x
(upper half)
LAnLS: fllrL wlLh Lhe llne
beLween resonanL lane and Lhe
edgy, brldge lane for clarlLy of harmonlcs.
"#$%&' ()*+$#), -./#%& .01 )*+$#%& 234 -3& $.&530*6/7
28# 5.9% /8&% #3 9%%: #%%#$ 3- #$% 234$.*& /#*)) &%/*/#*0+;

LP: released, fleshy, expresslve flngers // rebalance (meanlng re-release // puL 1
sL
and 3
rd
flngers
and malleable palm. palm, elbow, blcep, shoulder) down as one unlL (and
on downbeats 4
Lh
finger G and second beats F block the F and Bb as a 5
Lh
)
8P 8u: // sv/mv/sv/ mv/sv/ mv // mv/ sv/ mv/ to frog (HB) // / / P8 / *lift*
(from middle, mostly think of working down to frog until..HERE.) (frog to mid) (mld Lo frog)
LAnLS: // away.slight tug.coming inmid-Lo-close...bridge!..release..bridge
lane for shlfL
SPll1S: // old bow / new bow old bow (ln Lhe resL)
CLher: // <.9% #$% #*5% ,38 0%%1 #3 2% 1&*::*0+), /weet or feminine. Sudden RIP! Back to
-).523,.0#7 23)1 #.0+3
:
---------------------------------------------------------------------------------LLASL SLL MLASu8LS 26 30-----------------------------------------/ LP: lLAAA1 llnCL8SSS!!
Also, laser ln on lnLonaLlon and
balance of 1
sL
flnger for harmonlcs.
8P 8u: x / x
(upper half)
LAnLS: fllrL wlLh Lhe llne
beLween resonanL lane and Lhe
edgy, brldge lane for clarlLy of harmonlcs.
"#$%&' ()*+$#), -./#%& .01 )*+$#%& 234 -3& $.&530*6/7
28# 5.9% /8&% #3 9%%: #%%#$ 3- #$% 234$.*& /#*)) &%/*/#*0+;

LP: released, fleshy, expresslve flngers // rebalance (meanlng re-release // puL 1
sL
and 3
rd
flngers
and malleable palm. palm, elbow, blcep, shoulder) down as one unlL (and
on downbeats 4
Lh
finger G and second beats F block the F and Bb as a 5
Lh
)
8P 8u: // sv/mv/sv/ mv/sv/ mv // mv/ sv/ mv/ to frog (HB) // / / P8 / *lift*
(from middle, mostly think of working down to frog until..HERE.) (frog to mid) (mld Lo frog)
LAnLS: // away.slight tug.coming inmid-Lo-close...bridge!..release..bridge
lane for shlfL
SPll1S: // old bow / new bow old bow (ln Lhe resL)
CLher: // <.9% #$% #*5% ,38 0%%1 #3 2% 1&*::*0+), /weet or feminine. Sudden RIP! Back to
-).523,.0#7 23)1 #.0+3
LH: .keep focused on the 1
sL
finger intonation..//
RH BD: / [ / / ] // HB / move / save // move to/ to mid UH / to middle // Lo Llp// -------LLASL SLL MLASu8LS 3339--------
of P8 mld LP
LANES:.tugslightly come toward bridge.. Let go//
SPll1S: old bow old bow old bow new bow//
------------------------------------------------------------------------------------------------------------------------------------------------------ LP: mlddle of Lhe hand balance and
consLanL release.
Also, zero ln on 4
Lh
flnger for lnLonaLlon
from plckup Lo downbeaL, buL Lhen
on 1
sL
flnger for lnLon for Lhe resL of Lhe measure
8P 8u: P8 / x / x / P8 / [x / x ]
of P8
LANES: flirt with the edgy line.
SPll1S:new bow new bow
A8MS MCvL
1CCL1PL8!
!"#$%& ())* +,) -!. /!0123 "4 5$$6
$7849%:;<7; "#$ =, "4 %$>:?@
LH: .keep focused on the 1
sL
finger intonation..//
RH BD: / [ / / ] // HB / move / save // move to/ to mid UH / to middle // Lo Llp// -------LLASL SLL MLASu8LS 3339--------
of P8 mld LP
LANES:.tugslightly come toward bridge.. Let go//
SPll1S: old bow old bow old bow new bow//
------------------------------------------------------------------------------------------------------------------------------------------------------ LP: mlddle of Lhe hand balance and
consLanL release.
Also, zero ln on 4
Lh
flnger for lnLonaLlon
from plckup Lo downbeaL, buL Lhen
on 1
sL
flnger for lnLon for Lhe resL of Lhe measure
8P 8u: P8 / x / x / P8 / [x / x ]
of P8
LANES: flirt with the edgy line.
SPll1S:new bow new bow
A8MS MCvL
1CCL1PL8!
!"#$%& ())* +,) -!. /!0123 "4 5$$6
$7849%:;<7; "#$ =, "4 %$>:?@
L Hand: keep 1
sL
flnger ln mlnd!..........................................................................................................MA!C8 4
Lh
finger focus.. 1st again!!
RH BD: .// to tip/ [ / / ] /frg Lo mduP// launch!!
of W8 (2/38uS)
LANES: start to come in..more.. And more ..and MORE!.................md lanePULL IN!! ..md lanepull in.
SPll1S: old bow old bow old bow dont shift, just // exLend 1Plnk APLAu. Cld bow
roll or pivot 1
sL
flnger locus on only Lhree noLes: 4
Lh
flnger l,
back sllghLly Lo glve Lhe aural llluslon 1
sL
flnger A, 4
Lh
flnger harmonlc A -
of a new noLe. and merely move Lhe arm up Lhe flngerboard Lo
Lhose Lhree desLlnaLlons.
!"#$%& (!) *+,- .*- ./0- (!) 1--23 4$""5$ 6789 :;"< "#$ =>5?$3 +;@ A79$ ?>%$ "< %#B"#A:8755B 6%$79 @<C; "#$ 57?" %>; :;"< DEDE1 for your brains sake.
L Hand: 1
sL
finger for balance and intonation as you move up the fingerboard ..
ALSC, make sure LhaL Lhe flngers are preplaced ln as many double sLop/chord poslLlons as posslble Lo ellmlnaLe any exLraneous, last second finger flinging
a dlsease whlch deLracLs from speed and cleanllness by addlng panlc and Lenslon ln Lhe LP.
8P 8u: P8 / [x / x ]/ P8 / [x / x ] // mv/sv/mv/ ~ back and forLh horlzonLal moLlon over abouL x amounL of bow.
of P8 of P8 (work from frg Lo md LP ln flrsL Lhree16Lhs)

ALSC, afLer releaslng welghL and freelng up moLlon of boLh hands on Lhe 1
sL
note of each group of 6, feel like youre trying to reach the frog for the next 5
noLes unLll you reach Lhe 1
sL
of the next group and release again
llnALL?, make sure Lo work ouL Lhe 8u so LhaL you have enough bow on Lhe lasL of each group Lo free up Lhe arms and comforLably feel Lhe Lwo hands
comlng lnward LogeLher for each shlfL: LP = upward arm moLlon, 8P = upbow moLlon Lo 1
sL
noLe of new group.
LANES: keep flirting with the edgy line.
SPll1S: old bow keep shlfLlng wlLh Lhe arm even on Lhe lLLy blLLy shlfLs.
Other: Its the horizontal motion of the bow that will keep your LH released. Also, it helps to think ahead at least six not$? "#:;9 F%<A %$5$7?$ ;<"$ "< %$5$7?$
;<"$3
L Hand: keep 1
sL
flnger ln mlnd!..........................................................................................................MA!C8 4
Lh
finger focus.. 1st again!!
RH BD: .// to tip/ [ / / ] /frg Lo mduP// launch!!
of W8 (2/38uS)
LANES: start to come in..more.. And more ..and MORE!.................md lanePULL IN!! ..md lanepull in.
SPll1S: old bow old bow old bow dont shift, just // exLend 1Plnk APLAu. Cld bow
roll or pivot 1
sL
flnger locus on only Lhree noLes: 4
Lh
flnger l,
back sllghLly Lo glve Lhe aural llluslon 1
sL
flnger A, 4
Lh
flnger harmonlc A -
of a new noLe. and merely move Lhe arm up Lhe flngerboard Lo
Lhose Lhree desLlnaLlons.
!"#$%& (!) *+,- .*- ./0- (!) 1--23 4$""5$ 6789 :;"< "#$ =>5?$3 +;@ A79$ ?>%$ "< %#B"#A:8755B 6%$79 @<C; "#$ 57?" %>; :;"< DEDE1 for your brains sake.
L Hand: 1
sL
finger for balance and intonation as you move up the fingerboard ..
ALSC, make sure LhaL Lhe flngers are preplaced ln as many double sLop/chord poslLlons as posslble Lo ellmlnaLe any exLraneous, last second finger flinging
a dlsease whlch deLracLs from speed and cleanllness by addlng panlc and Lenslon ln Lhe LP.
8P 8u: P8 / [x / x ]/ P8 / [x / x ] // mv/sv/mv/ ~ back and forLh horlzonLal moLlon over abouL x amounL of bow.
of P8 of P8 (work from frg Lo md LP ln flrsL Lhree16Lhs)

ALSC, afLer releaslng welghL and freelng up moLlon of boLh hands on Lhe 1
sL
note of each group of 6, feel like youre trying to reach the frog for the next 5
noLes unLll you reach Lhe 1
sL
of the next group and release again
llnALL?, make sure Lo work ouL Lhe 8u so LhaL you have enough bow on Lhe lasL of each group Lo free up Lhe arms and comforLably feel Lhe Lwo hands
comlng lnward LogeLher for each shlfL: LP = upward arm moLlon, 8P = upbow moLlon Lo 1
sL
noLe of new group.
LANES: keep flirting with the edgy line.
SPll1S: old bow keep shlfLlng wlLh Lhe arm even on Lhe lLLy blLLy shlfLs.
Other: Its the horizontal motion of the bow that will keep your LH released. Also, it helps to think ahead at least six not$? "#:;9 F%<A %$5$7?$ ;<"$ "< %$5$7?$
;<"$3