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CAMILLE L. Z. BLACHOWICZ
National Louis University, Evanston, Illinois, USA
DIANE M. SULLIVAN
Downers Grove, District 58, Illinois, USA
CHAR CIEPLY
Wheeling, District 21, Illinois, USA
95
96 C. L Z. Blachowicz et al.
Research supports the notion that the ability to read fluently (at a
good rate, with good accuracy and proper intonation and phras-
ing) is highly correlated with many measures of reading compe-
tence (Shinn, 1989; Streicker, Roser, & Martinez, 1998). For the
reader, fluency requires good decoding skills, the strategies to or-
chestrate these in reading real text, and comprehension to moni-
tor what is being read to make sure it sounds like language. So, in
taking a snapshot of fluency, one aspect of authentic reading per-
formance is being tapped (Shreiber, 1991).
For the teacher, listening to students read and charting their
development in fluency is also a way to measure the effect of in-
struction. Unlike most standardized measures which only show
large changes in behavior, fluency measurement is sensitive to small
increments of improvement. This can be very important to stu-
dents experiencing difficulty; finding a measure sensitive to small
improvements is motivating for both them and their teachers. It
also is a process that develops the teacher’s skill as an observer of
one aspect of reading performance (Clay & Imlach, 1971). Ques-
tions that are raised as a result of fluency assessment deal with
issues of language competence, prior knowledge, vocabulary and
appropriateness of materials. In using these snapshots across sev-
eral districts and many schools, we have found teacher spontane-
ously identify several issues that they want to study for their own
professional development.
One underlying issue is raised by fluency assessment is the
use of “right level” materials (Pinnell & Fountas, 1999). To dem-
onstrate fluency, students need to use materials which do not
present a decoding and word recognition challenge along with a
fluency challenge. The materials used should be independent level
98 C. L Z. Blachowicz et al.
Let’s look at how one teacher prepared for and implemented the
snapshot process.
The texts and/or passages that are used for this type of assessment
are ones that is a passage typical of the type and level that the
teacher wishes to use for instruction. The first thing you need to do is
to select some reading material that is representative of the materials
you will actually be using in class. This can be a core novel, an
article from National Geographic World, or a short selection from a
magazine or basal anthology. Try to avoid highly technical mate-
rial or unusual and exotic vocabulary. Choose a passage that will
take the students one or two minutes to read and make a copy for
each student to be assessed and a master that you might laminate.
For example, Terry, for her fourth-grade class, used a passage
about Amelia Earhart (See Figure 2).
Administration
stack, divide it into five piles. Do one pile each day and you have
your whole class assessed by the end of the week.
Begin each session by sitting in a comfortable place and in-
troducing the student to the process and the text. The directions
should be something like: “I would like you to read this passage
about ______(add any sentences to prepare the students that you
think are relevant.) I’d like you to read this at a comfortable rate
Fluency Snapshot 101
as accurately as you can. You may start (start timing).” In this prepa-
ration statement prepare students for the concepts they are going
to encounter.
Let the students read the first line or so without timing or
marking. Then begin timing for 1 minute. Each time the student
makes a miscue, put a tick mark in the margin or over the word, or
mark the exact miscue if you are a skilled marker. As the student
reads, place a tick or qualitative mark over each error or, if you
prefer a running record model (Clay, 1993), tick each word cor-
rect. This can have a more positive effect on the reader. You may
tape the reading if you wish to do any analysis later; you may also
make notations if you are experienced in assessment. We have
found, however, that this can be somewhat daunting for a new or
inexperienced teacher, so starting with simple miscue ticks is a
good entry-level procedure.
At the end of one minute, make a mark for the last word and
let the student complete the passage, either with you or at her
desk, depending on your time constraints and classroom organi-
zation. Count how many words were read in one minute and sub-
tract the number of errors a student made. This will give you a
cwpm (correct words per minute) score. If you have more time
and prefer to have the student read the whole passage, just calcu-
late correct words per minute at the end.
Terry administered the snapshot to Eliza starting with an in-
troduction of the passage. Terry covered the passage with only the
title, “Amelia Earhart” showing. She said, “I am going to take a
sample of your oral reading. The passage you are going to read is
about Amelia Earhart, the famous pilot. Read it in your best voice,
don’t rush or don’t drag; read it the way you think it should sound.
OK? Any questions?”
See Figure 2 for Terry’s notation on Eliza.
After the reading is completed, many teachers like to ask for
a short retelling, some comprehension questions or for a response.
Terry asked, “What do you think might have happened to Amelia
Earhart?” And then probed for what some problems were that she
might have encountered (e.g., mechanical problems, no comput-
ers, bad weather, illness, others) if the response was limited or
seemed confused. She had questions selected in case she needed
to probe. She then ended with a positive comment on Eliza’s read-
ing and went on to the next student.
102 C. L Z. Blachowicz et al.
Over the course of the week Terry completed her class analy-
sis and charted them on the chart seen in Figure 1. She did this by
counting the number of words each student had read correctly in
one minute (cwpm). She counted the words read in one minute
and subtracted the errors. Eliza read 120 of 124 words correctly,
or 120 cwpm (correct words per minute).
What’s an Error/Miscue?
Looking at her chart, Terry first noted that Marci, Ned and Candy
read at a rate well below that of the other class and of norms for
children of their age (see Figure 3). She felt, at the start of the
fourth grade, a target of 90 words a minute would be suitable with
good accuracy.
If these three students were to be reading the same class book
as the rest of the students, she would, first of all, need to give them
Fluency Snapshot 103
Adapted by Morris, Gilmore, & McCracken, cited in Barr, Blachowicz, & M. Wogman-
Sadow, 1995 and from J. E. Habrouck & G. Tindal (1992, Spring), curriculum based oral
reading fluency norms for students in grades 2–5. Teaching Exceptional Children, 41–44.
FIGURE 3. Examples of rate norms.
more time for each assignment. She also wanted to watch Alex
and Laura and make sure they had enough time.
Conversely, William and Heather might need some extra read-
ing to do. She was concerned about Eve’s racing and wanted to
find out if that was the reason for her poor comprehension by
doing some more detailed analyses of comprehension through
and informal reading inventory with listening passages and diag-
nostic teaching. Terry also wanted to work more closely with Angie
to determine the strength of her decoding skills and her appro-
priate instructional level. She did note that Marci and Ned, even
though slow readers, had a good grasp of the passage, whereas
Candy did not, even when probed. Candy also had unusual phras-
ing which was more word by word. As Marci was a thoughtful girl
who thought and responded slowly and deeply, this reading was
typical of her language performance as well. Ned, however was
quite a speedster and his many hesitations, especially before hard
words, made his reading slow and he read in a monotone, unlike
his regular speech.
These questions generated from the snapshot helped Terry
think about her next steps: supporting the students who needed
more time in core class materials, probing the reasons for their
less fluent performance (concepts, natural style, decoding) and
focusing on those students who needed more detailed assessment.
She also thought about what materials and methods she could use
to improve the fluency levels of her students and how to make
sure to check on a student who seemed to be rushing and to have
104 C. L Z. Blachowicz et al.
Working on Fluency
In January, Terry assessed her students again. This time she could
see that Eve had taken on a more appropriate rate, that Marci and
Ned were making slow but steady progress but that Alex seemed
stymied and Candy was stuck also. Angie had moved but took with
her Terry’s diagnostic notes for improvement. Working with the
reading specialist and with a detailed analysis using an informal
reading inventory, she had determined that Candy’s instructional
level was at 2nd grade and was working with her instructionally at
that level. Her rate and fluency at that level was good and though
she still needed support on core level materials, she was making
progress. Alex, on the other hand, remained an enigma. He could
read and understand 4th-grade materials but wasn’t making much
Oral Heading Techniques to Develop Fluency
1. ADULTS MODEL a. Adult read aloud (including modeled Morrow, L. M., et al. (1995). Reading aloud
discussion & involvement to children: Characteristics and relationships
a. Read aloud b. Adult models as students follow text, between teachers and student behaviors.
b. Assisted Cloze/Assisted supplying omitted words and refrains. Reading Research and Instruction, 35, 1:85-101.
Reading c. Unison reading: Adult leads and children (K-6)
c. Neurological Impress chime in; adult model fades as students gain
d. Echo Reading fluency. Zientarski, D. P. & Pottorff, D. D. (1994)
d. Students read orally or silently with tape Reading aloud to low achieving secondary
recording students. Reading Horizons, 35, 1:44–51. (8–12)
2. a. BUDDY READING a. Two friends take turns reading together. Shany, M. R. & Beimiller, A. (1995)
Assisted reading practice: Effects on
b. PAIRED READING b. Stronger reader and less fluent reader read performanceof poor readers in Grades 3 and 4.
together. Reading Research Quarterly, 30, 3: 382–395. (3-4)
3. REPEATED READINGS Students read the same 50- to 200-word text Samuels, S. J. (1979). The method of
two or three times repeated readings. The Reading Teacher, 32
403–408 (all grades remedial)
4. CHORAL READING Prose, poetry, fiction, or nonfiction. McCauley, J. K. & McCauley, D. S. (1992).
These include antiphonal or cumulative Using choral reading to promote language
learning for ESL students. The Reading Teacher,
45, 7:526–533. (all, ESL)
105
FIGURE 4. Oral heading techniques to develop fluency.
106
Oral Heading Techniques to Develop Fluency
5. READERS THEATER a. Students read parts from scripts and texts Stayer, F. Z. & Allington, R. L. (1991).
Fluency and the understanding of texts. Theory
b. Intertextuality: Several nonfiction sources into Practice, 30, 3:143–148. (4-7)
are synthesized to create scripts. Young, T. A. & Vardell, S. (1993). Weaving
readers theatre and nonfiction into the
curriculum The Reading Teacher, 46, 5: 346-406.
(intermediate)
6. STORY THEATER One of several student read parts while others (all grades)
Mime the action
7. CHAMBER THEATER Rehearsed reading of parts. May combine Wolf, S. A. (1994). Learning to act/Acting to
techniques of choral reading, readers theater learn: Children as actors, critics, and characters
and story theater to create a unified in classroom theatre. Research in the Teaching of
presentation. English, 28, 1:7–93
progress. Terry decided to work with him each day using repeated
readings.
Terry’s end of the year snapshot (Figure 5) indicated that most
of her students were operating in an appropriate fluency zone. Both
Ned and Marci had made progress, Alex had zoomed using the
repeated reading approach and Candy had made slight progress
on grade level fluency. She was now reading 3rd grade materials at
instructional level and her fluency there was developing.
If you use a CFS you need to use your own expertise and knowl-
edge to make decisions. How long do you want to have the chil-
dren read? We know that short timings are like short tests of
anything else, sometimes we do our best and sometimes we need
more time to show what we can do. For some children the time
limit may produce a really skewed impression. Secondly, should
you deduct errors or miscues? Try it both ways and see if your pic-
ture changes. As with deciding whether to do a cold or prepared
reading, we have found that the profile of the class remains the
same but students do a bit better in prepared situations and when
non-meaning changing miscues are not counted as errors. But since
this is only a screen you have to balance that against the time it
takes you to do a longer reading and a more detailed analysis. The
important thing is to do the same thing with each student and
from month to month.
What about norms? The idea of CFS is to establish your own
norms but class comparisons in a school can help you determine
which classrooms might need more assistance from other profes-
sionals and can help explain variation in the standardized test per-
formances of one class in a school or district. While rates will vary
based on the conceptual difficulty and structure of a text, some
typical ranges such as those shown in Figure 3 can help you think
about your class and the “big picture.”
CFSs make a great measure to take the “reading temperature”
of your class on a regular basis. Often they show growth where
other measures are not sensitive. This can be especially important
for slow developing students who need these signs of progress.
Snapshots can also provide a ‘reality test’ of the materials you
choose and help you to plan for extra support for students who
need it. They also will suggest to you which students might need a
more sensitive matching of student to learning materials and pro-
vide one more measure of progress for your students.
References
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Fluency Snapshot 109
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