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Agren).
Housen et al. study the development of ver-
bal morphology (nitude and inection) and
tensemoodaspect by a group of rst language
(L1) Dutch adolescents as documented in their
oral narration of the frog story.
Agrens inves-
tigation looks at a group (Swedish L1) of ado-
lescents whose morphological accuracy in num-
ber marking in NP and VP is examined in
written texts. Howards article, which compares
the aspectual morphosyntax and vocabulary of
L1 English students before, during, and after
study abroad in France, is a ne complement to
Labeaus more theoretical discussion of aspect for
Anglophone learners. Finally, Monville-Burston
and Kakoyianni-Doa use Greek L1 participants
to examine nonstandard relative constructions
found both in native and L2 populations, not-
ing that the L2 deviance (about 15%) does not
necessarily result from nonstandard input but is
probably related to cross-linguistic tendencies for
relativization.
The two articles in the lexis section cover for-
mulaic sequences (Forsberg) and phraseologi-
cal units (Bolly), whereas the three articles in
the discourse section treat discourse complex-
ity (Klinger), style (Tyne), and ongoing narra-
tion using progressive (Leclercq). Forsberg does a
cross-sectional study (L1 Swedish) of formulaic se-
quences through data from structured interviews.
Bolly examines V + NP combinations with the
high-frequency verbs prendre to take and donner
to give in written corpora (FRIDA database of
Anglophone learners of French). Klinger looks
at three case studies (L1 Japanese) to compare
syntactic complexity in L1 and L2 French, tak-
ing into consideration discourse conditioning.
Tynes work likewise looks at discourse condition-
ing and its development longitudinally, as he con-
trasts rst- and fourth-year Anglophone students
in naturally elicited speech (formal presentation,
formal conversation, and informal conversation).
Finally, Leclercq explores simultaneity, the aspec-
tual information imparted by progressive in En-
glish and etre en train de to be in the process of
in French. Using an oral lm retelling narrative
with Anglophone learners, he explains how sev-
eral meansaspect, presentatives, and temporal
adverbialscontribute to the narrative structure
to convey contemporaneous actions. The second
and third sections complement the more syntactic
aspects of advanced L2 French with the inclusion
of lexical and pragmatic attributes of this level of
language.
One might quibble that there are too many
footnotes, but that is a minor criticism. Another
692 The Modern Language Journal 94 (2010)
possible detraction is the fact that the volume
deals almost exclusively with instructed learners, a
potential limitation given the importance of nat-
uralistic input. Howards article provides an inter-
esting perspective on the role of target language
and culture immersion, but he is not the only
one to link instructed learning with naturalistic
input. Most of the articles address the opportuni-
ties for instructed learners to gain sociopragmatic
competence in tandem with morphosyntax. For
example, Tyne points out that advanced learners
differ from beginners in the same program not
only in terms of their grammatical and discourse
competence but also in their acquisition of differ-
ences in stylistic register from their frequent for-
ays into the target culture. Overall, the volume is
a positive contribution to L2 literature, to French
linguistics studies, and to the complementarity of
morphosyntax with discourse aspects of language.
It is clearly presented, well edited, and amply doc-
umented. The data furnished will undoubtedly be
useful to L2 scholars.
JULIA HERSCHENSOHN
University of Washington
GERMAN
SCHUELLER, JEANNE. Cinema for German Con-
versation. Newburyport, MA: Focus, 2009. Pp. xiv,
354. $46.95, paper. ISBN 9781585102808.
The explosion in the 1980s of lms in VCR and
VHS formats was a godsend to language teach-
ers. For a few years, to be sure, one was able to get
only the most popular contemporary lms, partic-
ularly the winners of international prizes. There
were the classics of Weimar cinema, as well, and
access to these lms became steadily easier. The
VHS has been largely replaced by the DVD, to the
dismay of many teachers who built sizable VHS
collections. However, the array of lms has mush-
roomed ever further, and mail delivery has facili-
tated access.
In 1991, the Goethe-Institut published Begeg-
nungen: Spiellmsequenzen als Sprechanla. A VHS
cassette and a 77-page workbook treated nine dif-
ferent feature lms but only with brief excerpts
(4 minutes on average). The accompanying ex-
ercises were rudimentary, but the workbook also
included transcripts of the dialogue in all excerpts
(three of the nine lms were 1920s silents), syn-
opses, and the basics of lm analysis.
In 2005, Focus Publishing brought out
German Culture through Film: An Introduction to
German Cinema (255 pages, by Reimer, Zachau,
and Sinka), all in English, with an Arbeitsbuch zu
German Culture through Film (275 pages, by Reimer
and Zachau) that contained carefully conceived
exercises in German for a well-known selection of
14 from the 31 lms in the basic text.
Starting in 2003, Focus Publishing also began
presenting a series of books starting with Cinema
for French Conversation (covering 20 lms, now
in its third edition). This was followed by Italian
(2005, treating 16 lms), Russian (2005, 2 vol-
umes, 14 lms), Spanish (now in its second edi-
tion, 18 lms), and Portuguese (2009, 14 lms).
Cinema for German Conversation joined them in
2009 (12 lms). The format is similar across
the series, with a comprehensive series of target-
language materials and exercises for each lm
(approximately 25 pages).
The 12 chapters treat the following lms (those
currently available through Netix are marked
with an asterisk):
Merry Christmas (Christian Car-
ion, 2005);
Rosenstrae (Margarethe von Trotta,
2003); Das Wunder von Bern (S onke Wortmann,
2003); Solino (Fatih Akin, 2002);
Das Leben der
Anderen (Florian Henckel von Donnersmarck,
2006); Berlin is in Germany (Hannes St ohr, 2001);
E
University of Iowa
LEMOND, MALIA, CYNTHIA BARLOW, &
SHARON FOERSTER. Pasaporte: Spanish for Ad-
vanced Beginners. New York: McGraw-Hill, 2009.
Pp. xv, 211. $86.25, paper. ISBN 978007
3513188.
FOERSTER, SHARON, & JEAN MILLER. Gram-
mar Exercises and Speaking Activities. New York:
McGraw-Hill, 2009. Pp. vii, 209. free to adopters.
Online Learning Center, free to adopters. CD
ROM, $17.50. ISBN 9780073285474.
The Pasaporte textbook program is designed
to address an instructional challenge present in
many Spanish language programs: instructing
Spanish students who are too advanced for a be-
ginning Spanish course but who are not suf-
ciently prepared to enter second-year Spanish.
The Pasaporte program includes a student text-
book, access to an online learning center, an au-
dio program, supplementary materials including
grammar exercises and speaking activities, and
a CD with songs from various Spanish-speaking
regions. The content of the text and supple-
mentary materials is arranged around the theme
of a global opportunities fair, in which students
are presented with travel opportunities to sev-
eral Spanish-speaking countries for different pur-
poses. In addition to the focus on global oppor-
tunities in the Spanish-speaking world, the text
aims to build students skills with regard to seven
communicative functions (describe, compare, re-
act and make recommendations, narrate in the
past, talk about ones likes, talk about the future,
and recognize hypotheses) and to include activi-
ties that address each of the National Standards
for Foreign Language Learning.
The chapters open with an introduction that
orients students to a particular Spanish-speaking
country by activating students prior knowledge
and by introducing basic cultural and geographic
information, such as the fact that Seville is the
capital of Andalusia, Spain and is famous for
amenco. Each chapter provides two vocabu-
lary sections in which vocabulary is presented
through colored line drawings that consistently
represent aspects of the global opportunity or
country in focus. Additional vocabulary is pre-
sented in thematically organized lists with English
translations. Vocabulary comprehensionopportu-
nities are provided through listening activities as
well as through activities in which students are
asked to respond to statements that are mean-
ingful in the context of the line drawings. Vocab-
ulary production opportunities are provided by
responding to statements or informationsupplied
by the text. Both comprehension and production
activities are set in the context of the text itself,
although for a few of the production activities,
students are also asked to share personal infor-
mation, such as information on courses they are
taking.
In each chapter, students are rst exposed
to grammar through a short reading passage,
which is followed by comprehension questions.
Next, a grammatical explanation is provided, fol-
lowed by what are primarily production exer-
cises. Cloze activities and other ll-in-the-blank
exercises focused on a particular grammatical
form are common throughout the grammar sec-
tions. The exercises tend to move from those
Reviews 705
requiring a word or phrase to those requir-
ing a sentence response. Given the considerable
amount of research that has shown the effective-
ness of input-based grammatical exercises, which
require learners to process aspects of grammar
in the input so that formmeaning connections
are made, it is surprising that the authors chose
to include only production exercises. As for the
exercises that are included, although most are
meaningful in the context of the themes of the
text, few are set up so that students use the gram-
mar to communicate unknown or personal infor-
mation. In other words, the majority of exercises
serve more for display purposes rather than for
truly communicative purposes. There are, how-
ever, some information gap activities and pair
work activities that require students to share in-
formation that is not known by their partner.
At the end of each chapter, students are pro-
vided with opportunities to use the language to
engage in reading, listening, speaking, and writ-
ing activities. These activities are generally tied to
the global opportunity or country in focus for the
particular chapter. The supplementary text and
the online learning center provide additional sup-
port for each chapter, including a large bank of
mechanical and meaningful drills for additional
vocabulary and grammar practice. The online
learning center includes a section that poses a few
culture questions, which students can answer by
searching the Internet. The supplementary text
provides six additional speaking activities, which
are mostly communicative.
The nal chapter of the textbook includes re-
view and wrap-up activities that incorporate the
vocabulary, grammar, and cultural information
presented in the previous chapters. In addition,
students are asked to tell to a partner what they
have learnedinterms of eachof the sevencommu-
nicative goals of the book. These activities provide
a unique and thoughtful closure to the course.
In all, Pasaporte has certain strengths that rec-
ommend it as a viable option for high-beginner
students of Spanish. Most importantly, it is de-
signed for high beginners and is laid out so that
the material can be covered over one semester.
The authors of Pasaporte have done a nice job
of structuring the course around the interesting
global opportunity theme.
Pasaporte should, however, be considered in
light of its shortcomings. First, although the text
presents plenty of reading and listening compre-
hension opportunities, it provides minimal input
designed to encourage formmeaning connec-
tions with grammar structures. Second, although
the majority of the exercises and activities pro-
vided in the text are meaningful in that a student
must understand the overall meaning of a phrase
or sentence to provide a response, at times, these
activities could be completed in a way where the
focus on meaning is lost, rending the activity a
mechanical drill. Moreover, the activities are of-
ten set in the context of an imaginary character
or situation. Thus, students have relatively few op-
portunities to communicate truly meaningful and
personal information in the Spanish language.
The text could be improved by additional oppor-
tunities for students to engage in the process of
discovery regarding the countries and global op-
portunities in focus, to relate this information to
their lives, and to evaluate and communicate per-
sonal information and basic thoughts related to
the topics. I suspect that instructors will supple-
ment the text so that more emphasis is placed on
communicating personal information and engag-
ing students in tasks related to exploring authen-
tic opportunities in Spanish-speaking countries.
Indeed, the instructors notes contain suggestions
for personalizing some of the activities. Such sug-
gestions could be incorporated into the text itself.
Finally, the text would be more interesting if more
authentic texts were incorporated into the read-
ing and listening activities.
In the introduction of Pasaporte, the authors
state that their text aims to lighten the grammar
load and increase opportunities for communica-
tive practice (p. x). However, a clear departure
from traditional texts in which grammar is the
central focus is not evident. Most information and
activities are meaningful but not communicative.
Thus, the text may not have reached its goal to in-
crease opportunities for communicative practice.
Upon using this text, students will review much,
if not all, of the vocabulary and grammar needed
to be prepared for a second-year Spanish course.
At the same time, however, students ability to use
the vocabulary andgrammar tocommunicate may
not be as developed as if they were provided with
more opportunities to communicate personalized
and meaningful information.
KARA MORGANSHORT
University of Illinois at Chicago
LUCAS MURILLO, MAR
IA CONCEPCI
ON, &
LAILA M. DAWSON. Con bro! 2nd ed. Hoboken,
NJ: Wiley, 2008. Pp. xxxvi, 437. $102.95, cloth.
ISBN 9780471264170. Video DVD, $30.95.
ADAMS, CATALINA, STEVE JOHNSON,
706 The Modern Language Journal 94 (2010)
MAR
IA CONCEPCI
ON, LUCAS MURILLO, &
KIMBERLEY SALLEE. Con bro!: Beginning
Spanish: Activities Manual . 2nd ed. Hoboken,
NJ: Wiley, 2008. Pp. vii, 121. $70.95, paper. ISBN
9780471272526.
Designed with the American Council on the
Teaching of Foreign Languages (ACTFL) Na-
tional Standards for Foreign Language Learning
in mind, Con bro! is a beginning program in-
tended for college or university students study-
ing Spanish as a foreign language. The primary
textbook, accompanied by an Activities Manual
and a number of ancillaries, promotes ACTFLs
ve target areas of language learning: commu-
nication, culture, connections, comparisons, and
communities. This textbook program does excel-
lent work integrating these ve components into
every chapter.
The text is organized into an introductory les-
son and 11 theme-based chapters. Chapter 1,
which introduces general conversational phrases
and common, introductory vocabulary, has a dif-
ferent structure from the rest of the chapter, a mi-
nor inconsistency that is somewhat off-putting and
needlessly distracting. Chapters 212 are evenly
composed of three Escenas, with pages marked by
different colors. Each Escena opens with colorful
drawings presenting vocabulary related to a gen-
eral theme. The next section, En acci on!, consists
of a series of activities for contextualized prac-
tice of vocabulary and grammar, including the
listening activities Oye! and A escuchar!. These
activities are accompanied by high-quality audio
recordings of native speakers that provide stu-
dents with listening tasks, allowing them to better
develop their aural comprehension skills.
Grammar is presented in Manos a la obra!,
a brief chart that explains specic grammatical
points. Each Escena ends with Tu mundo cultural ,
a section devoted to exploring diverse aspects of
the cultures of Spanish speakers. The last section
in each chapter, Tu mundo en vivo, consists of two
additional cultural components: A video presen-
tation and an authentic reading selection accom-
panied by reading strategies as well as prereading
and postreading activities. These materials pro-
vide further opportunities for students to connect
tolanguage throughculture. The culminating fea-
ture of each chapter is Autoprueba y repaso, which
provides students with opportunities for review
and self-assessment.
It is interesting to note that even before the
rst chapter, illustrations introduce some Spanish
phrases for classroom instruction. This guide in-
troduces pronunciation rules and practice skills
that are useful in any Spanish classroom. Addi-
tionally, from chapter 5 through the rest of the
book, only Spanish is used for activity instructions
and most of the cultural discussions. Items that in-
clude some English include helpful asides, gram-
matical sections, and Sabes qu e? boxes.
Beyond the textbook, Con bro! is accompanied
by an Activities Manual , which includes both the
workbook and lab manual. Each offers a num-
ber of writing and listening exercises that provide
further practice withthe vocabulary and the gram-
matical structures studied in each lesson. An an-
swer key for the workbook allows students to self-
correct these activities. The programalso includes
a DVD and a companion Web site. The engaging
video material features native Spanish speakers in
everyday situations and professional settings.
The strengths of this textbook are many. Most
of all, the book features detailed and compelling
cultural discussion of the Spanish-speaking world,
with a special emphasis on cultural practices, per-
spectives, and traditions of Hispanic communities
in the United States. The book merits praise for
its cultural diversity and the cultural awareness
it promotes. The authors explore cultural under-
standing withrefreshing insight, andexplanations
of culture are well integrated into every chapter. It
is a denite highlight that many other textbooks
lack.
These cultural insights begin in chapter 1,
where the textbook presents an historical devel-
opment of Spanish language, including the lin-
guistic inuence of Roman control of the Iberian
Peninsula and Spanish exploration of the New
World after 1492. The history lesson also includes
effective illustrations. Another detailed and in-
sightful discussion (ch. 12) explores the topic of
immigration. The authors not only discuss His-
panic immigration to the United States but also
the movement of individuals from Latin America
to Spain. Students can compare the similarities
and differences of the immigrant experience in
these contexts. I have not seen this topic covered
so thoroughly in any other textbook.
The cultural material goes beyond themes of
history and current events to include topics that
inuence social interaction, such as body lan-
guage, appropriate social behavior, cultural tra-
ditions, and a vast array of meaningful topics,
including architecture, food, medicine, and city
transportation. All of these themes help students
communicate better as they become more fa-
miliar with nonlinguistic factors that they are
likely to encounter in Spanish-speaking commu-
nities. The authors have integrated this cultural
Reviews 707
material with language learning in a way that
will increase students cultural literacy and subse-
quently boost their communicative competence.
Despite the commonly accepted knowledge that
language learning involves more than grammar
rules and vocabulary development, many text-
books still limit their cultural components to brief
marginal notes. Without a doubt, the integrated
and deep exploration of culture improves the
overall effectiveness of this textbook package.
The illustrations and cartoons in the text func-
tion with differing degrees of effectiveness. The
ongoing comic strip is excellent, as it depicts
students searching for apartments and going to
parties. These vignettes provide a context for
meaningful and realistic conversations that may
connect with the lives of university students. Addi-
tionally, every chapter has photographs that effec-
tively depict moments of life in Spanish-speaking
communities.
However, the full-page illustrations that present
vocabulary and begin each chapter sometimes
seemcontrivedandreect oldnarratives that have
beenusedintraditional textbooks for years. These
caricatured illustrations could be from textbooks
used in the 1970s, sometimes even emphasizing
stereotypes that almost undermine the cultural
lessons from the rest of the book. Specically,
one two-page illustration includes pictures of two
women discussing a telenovela. Although conver-
sations like this one may occur, this line comes
across as an overused stereotype, made even more
distracting because of the progressive exploration
of culture that guides the rest of the book. More
authentic materials such as pictures, texts, city
maps, and magazine articles could introduce the
same vocabulary while enhancing the overall qual-
ity of this textbook. Vocabulary presentation can
be more effective if it is introduced in a real-world
setting with photographs of real people engaged
in authentic conversations. The use of authentic
material makes the foreign language and culture
come alive.
Overall, I amdisappointed with the elements of
this textbook that follow the predictable textbook
script. Not surprisingly, I am more enthusiastic
about the treatment of cultural literacy that the
authors explore with refreshing insight. The au-
thors have succeeded in creating a valuable tool
that will help to develop learners communica-
tive skills. I look forward to more textbooks that
incorporate cultural literacy fully with language
learning.
ISABEL PARRA
University of Cincinnati, Clermont College
RAMOS, ALICIA, & ROBERT DAVIS. Portafolio,
Vol. 1. New York: McGraw-Hill, 2009. Pp. xvi, 217.
$44.00, paper. ISBN 9780077216115.
Portafolio, Vol. 2. New York: McGraw-Hill, 2009.
Pp. xvi, 210. $44.00, paper. ISBN 978007
7257989.
Portafolio is a welcoming program designed for
introductory college Spanish courses. The two-
volume soft-cover text aims to develop students
basic communicative language skills through ex-
posure to the target culture. Spanish is presented
within the context of authentic written and spo-
ken input from native speakers of different ac-
cents and cultural backgrounds. As noted by
the authors, Portafolio is designed for its porta-
bility, accessibility, and purchasing options. In
addition to a series of multimedia ancillaries in-
cluding audio CD, DVD, and the Portafolio de
actividades via Quia
TM
, the Portafolio is available
in print and online as an e-book through the
VitalSource
TM
platform. Unlike other conven-
tional rst-year textbooks, Portafolio is supported
by digital supplements via the Portafolio-to-Go
Web site, which enables students to down-
load audio, video, and grammar tutorials to
portable laptops and MP3 players. Also wor-
thy of mention is the Online Learning Center
(www.mhhe.com/portafolio), which provides stu-
dents with additional exercises along with im-
mediate feedback to practice the vocabulary and
grammar covered in the text. To reinforce listen-
ing and speaking skills, abundant audio tracks in
conjunction with a digital phrasebook powered
by iSpeak Spanish are available for students to use
via an iPod or MP3 player at a minimal additional
charge with the adoption of the text.
The two-volume text consists of 15 chapters.
Each volume contains appendices explaining im-
portant grammatical points, verb forms, and
spelling and pronunciation contrasts between En-
glish and Spanish. Also included are Spanish
English and EnglishSpanish glossaries as well as
a general grammar and vocabulary index. Each
chapter focuses on specic cultural topics and
opens with a two-page introduction to the chap-
ter and its objectives, accompanied by a country
map and a photo related to the chapter theme.
The chapter is organized in the same format with
two Vocabulario and two Gram atica sections, an
interview Charla con . . . , and the Portafolio cul-
tural . Following the introductory pages is the
rst Vocabulario section with various types of exer-
cises. A minor disappointment of the Vocabulario
708 The Modern Language Journal 94 (2010)
sections is that no readings in dialogue or dra-
matic form are included to serve as a point of de-
parture for student conversation and interaction
to practice new lexical items. The rst Gram atica
section follows the presentation of vocabulary. In
general, the explanations are precise and brief,
using charts and examples in Spanish to compare
and contrast with English structures. For instance,
the Gram atica section on page 151 of volume 2
introduces the present subjunctive with expres-
sions of doubt using a clearly displayed chart to
illustrate the concept. To ensure students under-
standing of the target concept, an Autoprueba is
included at the end of many grammar presenta-
tions. The majority of the grammar spreads out
into different chapters covering merely one or
two particular grammar points per grammar sec-
tion. However, several major grammatical points
are crammed into one chapter. For example, the
subjunctive with noun antecedents, unequal and
equal comparisons, the future tenses, and the sub-
junctive with future actions are presented in chap-
ter 14, which may be overwhelming to beginning
students.
Listening to voices of native speakers from
the Spanish-speaking world is a powerful and
effective way to linguistically and culturally im-
merse students. One of the major strengths of this
text is a variety of native-speaker interviews pre-
sented in the Charla con . . . section after the rst
Gram atica presentation. Personalized interviews
can be viewed on the DVD or in the Online Learn-
ing Center . These authentic interviews not only
expose students to different regional dialects but
also enable them to learn the specic target cul-
ture areas through the real-life experiences of na-
tive speakers rather than the presentation of facts
found in most rst-year texts. In addition, each
interview is accompanied by a Vocabulario util box
to facilitate listening comprehension. Following
the interview are various types of exercises, from
comprehension check to personal reection. The
second Vocabulario and Gram atica sections appear
after the Charla con . . . presentation, and the or-
der of material is the same as for their earlier
counterparts. Additional vocabulary on the chap-
ter theme and new grammar lessons are included
to provide practice of lexical and linguistic items.
As culture is the central thread of the text, one
of the most noteworthy features is the Portafolio
cultural , which expands each chapter theme into
different aspects of Hispanic culture, including
geography, lm, music, cuisine, national identity,
and popular culture. The Portafolio cultural is di-
vided into seven parts: Naci on, Actualidad, Cartel-
era, Gente, Icono, Opini on, and Mi portafolio, and
each part features a specic aspect of the cultural
theme. For example, the Cartelera on page 77
of chapter 10 is an entertainment section that
discusses typical Argentine meat-based cuisine,
whereas the Icono section on page 78 presents
information about the famous tango dance and
music from Buenos Aires. Through these cultural
readings, it is hoped that students will begin to
make connections between their own culture and
the target culture. Finally, Mi portafolio provides
students with the unique opportunity to develop
their writing skills and cross-cultural awareness.
One of the two activities in the Mi portafolio sec-
tion is Redacci on, which guides students through
the process of writing using a portfolio to view
their work in progress over a period of time.
Moreover, Exploraci on offers additional Internet
resources for students to further explore the chap-
ter themes.
The Portafolio program is effective and engag-
ing because of its rich cultural content with use-
ful presentation and practice of vocabulary and
grammar. The format of the text is user friendly
with clean page layouts and easy-to-follow icons to
guide students through the chapters. The scope
and sequence of the grammar in general is well
balanced. The text offers a variety of sequenced
activities from form-focused to meaning-based ex-
ercises. Some of them are divided into various
steps from controlled to open-ended activities in-
volving an input-to-output approach that allows
students to create ideas expanding on what they
have learned. For instance, Pr actica B Los sitios que
frecuento (ch. 10, p. 68) contains two steps. Paso 1
requires students to read a list of places and give
a rating to each place. In the next step, paso 2,
students answer questions using the information
in paso 1. Ideally, a paso 3 could be added to give
students an additional opportunity to use new lex-
ical items by interviewing a partner and sharing
their ndings with the class.
Despite the presentation of cultural readings
in the Portafolio cultural section, the fact that no
particular section is devoted to developing stu-
dents reading skills may disappoint those who
wish to engage students in the reading process
through the typical convention of prereading
and postreading exercises. Nevertheless, reading
comprehension checks, with a minimum of two
open-ended questions, are helpful for the devel-
opment of students cross-cultural understanding
and awareness and should not be overlooked.
In sum, Portafolio is a solid beginning Span-
ish program with many good qualities. As todays
learners are technologically savvy, the exciting ar-
ray of digital supporting materials is particularly
Reviews 709
appealing to language students. Additionally, a
number of ancillaries permit instructors to pick
and choose the supplements that best t their stu-
dents needs.
LINA LEE
University of New Hampshire
ROSA DE JUAN, CARMEN, MARISA DE PRADA,
PILAR MARC
INEZ
The University of TexasPan American