shloka 01 mudAkarAtta modakaM sadA vimukti sAdhakaM kalAdharA vataMsakaM vilAsi loka rakShakam |
He is joyful--mudA, with a modakaM--sweet rice cake, karAtta--borne in hand; He is always--sadA, the sAdhaka--efficient means, for attaining vimukti--deliverance; He wears on the head the cresent moon--kalAdharA, vataMsakaM--as ornament; He sportively--vilAsi, does lokarakShakam--protection of the world.
Note: 01. modaKaM is GaNesha's favourite dish. It is visheSha--special, to offer them to him in the 'sangkaTahara chaturthI vrata pUjA', which is observed on the chaturthI--fourth day, after each full moon.
02. Special fruits offered to GaNesha are: kapittha--wood apple (Feronia Elephantum) and jaMbu-phala-- rose apple (Eugenia Jambolana). It is visheSha to offer them on the day of the annual GaNesha chaturthI, which is occurs this year on Sep.11, 2010. GaNesha also wears a garland of erukku (Tamizh)-- milkweed flowers on that day. And, as everyone knows, GaNesha is satisfied with the offer of even a blade of the arugampul (Tamil)--dUrvA grass.
Here is a list of medicinal food and plant names in many Indian languages. http://www.sakthifoundation.org/glossary.pdf
03. Besides his tilaka, the GaNesha purANam prescribes him a crescent moon on the forehead, worn as an ornament.
04. Note how Shankara describes GaNesha as protecting the world vilAsi--sportively. Is he not the vighneshvara, who causes and removes vighnams--hurdles/obstacles? It's all his lIlA--sport, to test and then adopt his devotees
He is-anAyaka--has no ruler above him; he is ekanAyakaM--himself the sole ruler; He is one who vinAshita--destroyed, the ibha-daitya--elephant-faced demon, called GajamukhAsura; All that is nata--crooked, and ashubha--inauspicious, he Ashu--quickly, nAshakaM--destroys; I bow to--namAmi, taM--that, vinAyaka--destroyer of obstacles.
Note: 01. In the spirit of advaita, Shankara describes GaNesha as anAyaka and eka-nAyaka. 02. He is quick in removing obstacles, all that is crooked and inauspicious.
He is ati-bhIkara--very terrible (causing fear) to the nata-itara--crooked and other such people; He is bhAskaraM--shining, as the nava--newly, udita--risen, arka--sun; He is one who is namat--venerated by, surAri--Asuras--demons (enemies of Gods), and nirjara--immortal Devas--Gods (who nir--never, jara--get old); He is the nata--flowing down, adhika--bounteous, Apa-duddharam--waterfall.
Note: 01. Some people translate 'natetarAti bhIkaraM' as 'one who is very terrible to those who are not his devotees'.
02. There is actually a waterfall named 'duddhara' in Amarkantak, a pilgrim center in Anuppur district of Madhya Pradesh. (Tourist Attraction in Amarkantak - Madhya Pradesh Tourist Attractions - Tours To Madhya Pradesh)
He is the Ishvara--Lord, of Devas--sureshvara, Ishavara of nidhis--all the treasures of Kubera, and LakShmI; gajeshvaraM--elephant-faced God (also Ishvara of gajas--elephants), gaNeshvaraM--Ishvara of Shiva-gaNas--Shiva's army of demons; He is maheshvaram--the very Maheshvara--Great Lord (an attribute of Shiva), parAtpara--superior to the best, nirantara--with no interval in time or space, that is, all-pervading and eternal; tam--such a God, Ashraye--I adore and seek refuge in.
Note: 01. nidhIshvara--nidhi refers to the teasures and wealth of Kubera and LakShmI. It also refers to all the aishvarya--the aShTamA-siddhis, the eight powers of vision, audition, cognition, discrimination, omniscience, swiftness of thought, power of assuming forms at will, and the faculty of expatiation (MWD).
Hindus normally worship GaNesha with LakShmI and SarasvatI. It is common to find a picture of GaNesha with LakShmI at his right and SarasvatI at his left in their pUjA rooms. This is the image typically used in the bhUmi-pUjA of a plot where a new house is to be constructed.
02. PApanAsham Sivan has authored a song on Shiva in Tamizh, that starts with the words 'parAtparA, parameshvara!'. For the lyric and its translation, check
He is one who who brings saMkaraM--complete happiness, samastaloka--to all worlds; One who nirasta--destroyed, daitya--the Asura (demon), kunjaraM--with the elephant face; He has an udara--a belly, which is dara-itara--not small--so huge; he is varaM--excellent; He has a varaM--most excellent, ibha-vaktram--elephant-face; and he is akSharam--imperishable.
Note: 01. varebhavaktram akSharam--is also translated as vara-akShara-ibhavaktra--granting unalterable boons through his elephant-face/mouth.
He is full of compassion--kRpAkara, kShamAkara--one who is patient and forgiving with his devotees, mudAkaraM--one who keeps them happy, yashaskaraM--one who brings them fame; manaskaraM--makes them well-disposed in mind, so namaskRtAM--I worship, and namaskaromi--and bow to, that bhAsvaram--shining God.
Note: 01. In the second line, manaskaraM is neatly reversed as namaskaromi, implying that namaskAram is not just an act of prostrating with the body, but also with speech and mind.
He is one who does mArjanaM--wiping away, of the Arti--afflictions, of the akinchana--destitute; He is the bhAjanaM--representative/abode of, the ukta--divine word (AUM), which is-chiranta--exists from ancient times; He is the nandanaM--son, of the purAri--One who destroyed the tripura--triple cities, in pUrva--former times; He destroys--charvaNa (as if by chewing away), the garva--pride and arrogance, of the surAri--enemy of the Devas, that is, the Asuras.
Note: 01. GaNesha is the very form of the praNava mantra AUM, which is the first manifestation of the NirguNa Brahmam. In the form of AUM, the primal sound which is the mUla-kAraNa--root cause, of the Creation, Brahman is known as shabda-brahman or nAda-brahman.
At the time of prapancha-nAshanam--dissolution of the Universe, he is the bhIShaNaM--the Terrible One (Rudra); He has as bhUShaNaM--decorations, dhanaMjaya Adi--Dhananjaya and other serpants; He is the vAraNam--elephant, who is kapoladAna--filled with the rut-fluid in the cheeks. Such a purANa vAraNam--ancient, primordial elephant, bhaje--I adore.
Note: 01. In the iconography of GaNesha, the snake represents the kuNDalini shakti that everyone of us have, which is dormant at the mUlAdhAra chakra, whose adhipati--Lord, is GaNesha.
shloka 05
nitAnta kAnta dantakAntima ntakAntak AtmajaM achintyarUpam antahInam antarAya kR^intanam |
He is one who has nitAnta--excessively, kAnta--bright, danta kAntiM--radiant tusks; He is the Atmaja--son, of One (Shiva) who was antaka--Yama (destroyer), to antaka--Yama himself; He is achintya rUpaM--one whose true form is beyond comprehension, one who is antahInaM--eternal/endless, and one who does-kRntana--cuts off, antarAya--obstacles.
Note: 01. The story of Shiva kicking Yama to death and then resurrecting him is found in the MArkANDeya purANam. Thus, Shiva is referred to as the Yama's Yama--antakAntaka.
02. Shankara uses many phrases to describe GaNesha's powers of destroying obstacles to spiritual progress: here he uses kRntana--cuts off. In shloka 1 he uses, Ashu nAshanaM--quickly destroys. In shloka 4 he uses the term charvaNa--chewing away, to remove the Asura's garva--pride and arrogance. These terms are typically associated with the acts of an elephant.
He is one who is nirantaraM--for ever, vasanta--resident, in the hRdantantare eva--middle of the heart, of yoginAM--yogis; That--taM, eka dantam eva--one-tusked deity alone, santatam--at all times, vichintayAmi--I think about and meditate on.
Note: 01. In shloka 2, Shankara describes GaNesha as 'parAtparam nirantaram'--ParamAtman who pervades all space and time leaving no intervals. In the same way, he occupies the Yogis' hearts, shining as a flame in the middle, and filling the entire hrDaya AkAsha--inner space, with its light.
02. GaNesha is eka-danta--one-tusked, because his other tusk was broken. As for the legends relating to his broken tusk, check these links:
One--yaH, who anvahaM--every day, prabhAtake--in the morning time, hRdi--in the mind, smaran--remembers, gaNeshvaraM--GaNesha, and AdareNa--with devotion, prajalpati--recites, the 'mahA gaNesha pancharatnam' stotra--hymn, saH--he...
would get--abhyupaiti, achirAt--soon, arogatAM--health free of diseases, adoShatAM--life without faults, susAhitIM--skills and expertise in education, suputratAM--good children, samAhitAyur--long and complete life, and aShTabhUtiM--the eight aishvaryas (referred to above in note to shloka 2).
Note: 01. The overall effect of movement in the stotra in the pancha-chAmaram metre, is the majestic movement of an elephant, gently shaking its head left and right.