Вы находитесь на странице: 1из 2

British Forum for Ethnomusicology

Volume Information
Source: British Journal of Ethnomusicology, Vol. 5 (1996), p. 189
Published by: British Forum for Ethnomusicology
Stable URL: http://www.jstor.org/stable/3060862
Accessed: 06/01/2009 20:10
Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at
http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless
you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you
may use content in the JSTOR archive only for your personal, non-commercial use.
Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at
http://www.jstor.org/action/showPublisher?publisherCode=bfe.
Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed
page of such transmission.
JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the
scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that
promotes the discovery and use of these resources. For more information about JSTOR, please contact support@jstor.org.
British Forum for Ethnomusicology is collaborating with JSTOR to digitize, preserve and extend access to
British Journal of Ethnomusicology.
http://www.jstor.org
British Journal of Ethnomusicology
Index of articles
by author, volumes 1-5
(1992-96)
Ballantine, Christopher, "Joseph Shbalala- chronicles of an African
composer",
5:1-38
Bithell, Caroline, "Polyphonic voices: national
identity,
World Music and the recording
of traditional music in
Corsica", 5: 39-66
Buisman, Frans, "Melodic relationships
in
pibroch",
4:17-39 (erratum, 5:
187)
Cannon,
Roderick D., "What can we earn about
piobaireachd?",
4:1 -15
Clayton, Martin,
"Two gat fonns for the sitir. a case
study
in the
rhythmic analysis
of North Indian
music",
2:
75-98
Clayton, Martin, "Ethnographic
wax cylinders
at the British Library National Sound Archive: a brief
history
and
description
of the collection", 5:67-92
Dawe, Kevin, "The
engendered lyra: music, poetry
and manhood in Crete", 5:93-112
Durfn, Lucy,
"Birds of Wasulu freedom of
expression
and
expressions
of freedom in the
popular
music of
southern Mali", 4:101-34
Eydmann, Stuart, 'The concertina as an emblem of the folk music revival in the British Isles", 4:41-9
Farrell, Gerry,
"The
early days of the
gramophone industry
in India: historical, social and musical
perspectives",
2: 31-53
Gourlay,
Kenneth A., "Blanks on the
cognitive map: unpredictable aspects
of musical
performance",
2: 1-30
Gray, Catherine, "The
Ugandan lyre endongo
and its music", 2: 117-42
Gray, Catherine, "Compositional
techniques
in Roman Catholic church music in
Uganda",
4:135-55
Gray, Nick, "'Sulendra': an
example
of
petegak
in the Balinese
gendir wayang repeatosy",
1: 1-16
Hesselink, Nathan, "Kouta and karaoke in modem
Japan:
a
blurring
of the distinction between
Umgangsmusik
and
Darbietungsmusik",
3:49-61
Hughes,
David W., "Thai music in Java, Javanese music in Thailand: two case studies", 1: 17-30
Kertsz-Wilkinson, Irn, "Genuine and
adopted
songs
in the Vlach Gypsy repertoire:
a controversy re-examined,
1: 111-36
Lau, Frederick, "Forever Red: the invention of solo dizi music in
post-1949 China", 5: 113-31
Li, Lisha,
"Mystical
numbers and Manchu traditional music: a consideration of the
relationship
between
shamanic
thought
and musical ideas", 2: 99-115
McCann, May, "Music and
politics
in Ireland: the
specificity
of the folk revival in Belfast", 4: 51-75
Pegg, Carole, "Mongolian conceptualisations
of overtone
singing (x&omii)", 1: 31
Pegg, Carole, "Ritual, religion and
magic
in West
Mongolian (Oirad) heroic
epic performance", 4:77-99
Ramnarine, Tina
Karina,
"'Indian' music in the
diaspora:
case studies of
'chutney'
in Trinidad and in London",
5: 133-53
Reily,
Suzel Ana, "Musical
performance
at a Brazilian festival", 3:1-34
Stobart, Henry, "Flourishing
horns and enchanted tubers: music and
potatoes
in
highland
Bolivia", 3: 35-48
Stock, Jonathan, "Contemporary recital solos for the Chinese two-stringed fiddle erhu", 1:55-88
Stokes, Martin H., "The media and reform: the saz and elektrosaz in urban Turkish folk music", 1: 89-102
Swanwick, Keith, "Music education and
ethnomusicology",
1:137-44
TIAN
Qing
& TAN Hwee
San,
"Recent trends in Buddhist music research in China", 3:63-72
Tingey,
Carol,
"Auspicious
women,
auspicious
songs: mangalini
and their music at the court of Katnmandu", 2:
55-74
Tingey, Carol, "Musical instrument or ritual
object? The status of the kettledrum in the temples
of central
Nepal", 1:103-9
Widdess, Richard, "Festivals of
dhrupad
in northern India: new contexts for an ancient art", 3: 89-109
Woodfield, Ian, "Collecting
Indian
songs
in
18th-century
Lucknow:
problems of
transcription",
3: 73-88
Index of countries as
major
themes in
articles, volumes 1-5 (1992-96)
Bali 1: 1
(Gray) Java: 1:17
(Hughes)
Bolivia: 3: 35 (Stobart) Mali: 4:101
(Duran)
Brazil: 3: 1
(Reily) Mongolia:
1: 31
(Pegg),
4: 77
(Pegg)
British Isles: 4:41
(Eydmann), 5:133
(Ramnarine) Nepal:
1: 103
(Tingey),
2: 55
(Tingey)
China: 1: 55
(Stock),
3: 63 (Tian), 5: 113 (Lau) Scotland: 4: 1
(Cannon),
4: 17
(Buisman)
Corsica: 5: 39 (Bithell) South Africa: 5: 1 (Ballantine)
Crete: 5: 93
(Dawe)
Thailand: 1:17
(Hughes)
France: see Corsica Trinidad: 5:133
(Ramnarine)
Greece: see Crete
Turkey:
1: 89 (Stokes)
Hungary:
1: 111
(Kert6sz-Wilkinson) Uganda:
2: 1
(Gourlay),
2:117
(Gray),
4: 135
India: 2: 31 (Farrell),
2: 75
(Clayton),
3; 73
(Gray)
(Woodfield), 3:89
(Widdess),
5: 133
(Ramnarine)
United Kingdom:
1: 137
(Swanwick),
4: 51
Indonesia: see Bali, Java
(McCann),
5: 67
(Clayon);
see also British Isles,
Ireland: 4: 51 (McCann) Scotland
Japan: 3:49 (Hesselink)

Вам также может понравиться