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Hamlet is Crazy
Introduction
all times William Shakespeare. The exact date of its conceptions is a matter of controversy
among critics, but the general consensus is that it was written between 1599 and 1601. The
tragedy, complying with the contemporary tastes, narrates the story of the prince of Denmark
whose father, the king, was killed by his uncle Claudius for the throne. Claudius later married
Hamlet’s mother Gertrude as well. The theme of the story revolves around madness (both
real and feigned), springing from immense feeling of grief and uncontrollable rage. The other
Synopsis
Jones, have tried to evaluate the character of Hamlet on various parameters of sanity. The
only thing that they all agree is that Hamlet was, without any doubt, not sane in most of the
occaisionally grandiosity. During craziness a person 's self esteem often gets really inflated.
These people tend to become aggressive and hostile towards others as a consequence of
exaggeration and infaltion of self confidence. Insomnia, little/no sleep are other common
sysmtoms. Interestingly, Hamlet, during the course of the drama, has shown several of the
aforementioned symptoms and on lot of occasions a clear mood swing is also displayed by
him.
The biggest argument advocates of this acquired insanity present is that Hamlet was
not earning any gain or benefit from playing mad in the last parts of the play and indeed this
is alone is a significant proof of his dilapidating mental status. Although he acquired the
knowledge of Claudius’s killing his father (at least by 1.4), but he still didn’t rush the revenge
plot. According to Freud this is a repercussion of the Oedipal Complex Hamlet was
experiencing.
prior to this act he had never made the audience/readers feel that he is not normal.
Gertrude’s hasty decision of marrying her deceased husband’s brother. Whereas some
in her grave in front of Laertes and exploded beyond all reason. He said:
Make up my sum.”
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Another most quoted part of the play to emphasize Hamlet’s lack of sanity is when
Hamlet ponders the notion that the apparition is actually a progeny of the Devil pretending as
The brutal slaying of Hamlet’s friends Guildenstern and Rosencratz provides another
proof for the idea that one may act mad at his/her friends at times, but not crazy enough to
kill them. Hamlet not only committed the killings but he never considered it as an important
issue. And then the murder of, Lord Polonius, Ophelia’s father without trying to know the
identity of the person behind the curtain who got stabbed, is another indicator of Hamlet’s
deteriorating mental state. His passionate thinking and the continual feigning of insanity, I
Some people say that Hamlet’s insanity had stemmed from his thinking himself as
being weak: "My father's brother, but no more like my father/ than I to Hercules" (1.2) The
apparent struggle between his avenge-seeking desire and his personal views of incompetence
was probably the cause of his unrest. "Haste me to know’t that I, with wings as swift, as
King Claudius also admitted that Hamlet has gone mad when he said "I like him not,
nor stands it safe with us to let his madness range. Therefore prepares you. I your commission
will forth with dispatch, and he to England shall along with you." (3.3)
Hamlet’s dismal mental status is also revealed when he did not kill Claudius due to
the fear that if he got killed during praying, Claudius may go to heaven. This thinking was
manifested in the following lines when Hamlet said "Then trip him, that his heels may kick at
heaven, and that his soul may be as damned and black as hell, whereto it goes" (3.3)
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Hamlet’s crazy behavior gets highlighted in its performance, as most of the subtle
cues are generally missed by readers but when performed on stage, they certainly leave the
audience in no doubt about the sanity, or the lack of it, in Hamlet’s personality. For example,
in “the scene with Polonius, in 2.2, Linklater (an actor) played up the physical gags,
continually thrusting his hips into the air for the ‘conception is a blessing’ line, and then
walking onstage with his legs spread apart for the line, ‘like a crab you could go backward.’
“Several times during the play, Hamlet expresses dissatisfaction with words [...] In
fact; the play has been described as a portrait of a man who thinks too much--that is, a
man whose head is so filled with interior verbalizations that he is incapable of taking
depressed phase is marked by brooding inaction and his manic phase is characterized
by abrupt lunges toward action. During the entire play, Hamlet is in a state of
paralyzing perplexity; from scene to scene he contemplates deeply over which course
In fact one cannot miss the eerie feeling that apparently most of the characters in the
drama had some degree of innate insanity. The only people who seem to have normal endings
are Horatio and Fortinbras: Fortinbras is shown as an impetuous, detestable lad who does not
care about others’ feelings and thinking. In actuality, he was trying to refuse a confirmation
of their realities. Horatio rarely speaks throughout the play but prefers to just listen. The
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reason is that because he has no agenda, unlike everyone else, except trying to piece reality
together.
Even the strictest of the critics had to concede that, if not crazy, at least Hamlet was
morbid and neurotic. Hamlet’s last act which he called “self-slaughter” (a suicide), to me,
Conclusion
the years, critics have taken sides on this issue with great stubbornness. Some of them argue
that Hamlet starts as sane, but by “acting crazy” he becomes so. To others Hamlet was simply
acting crazy the whole time. Yet, when Hamlet contemplates murder, his sanity was clearly
challenged by that thought no morally correct individual cannot think about murder so
casually.
circumstances, of his father, and his growing suspicions about his mother infidelity had only
increased his agony. It was from Gertrude’s behavior he conjectures that all women are
unfaithful.
fully due to time difference and changes in societal norms and thought patterns. Modern
If someone tries to define crazy by modern day standards, then Hamlet clearly
qualifies. The issue of Hamlet’s conversation with his dead father is also questionable,
whether it was real or Hamlet has become a person suffering from paranoid delusion. Despite
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all the conclusions the modern day audience may draw, some critics argue one must read the
play as a creation of the time it was conceived. We can safely say that Hamlet sounds perhaps
even crazier today, than a 400 years old audience would have thought him.
craziness and depression are present. The periods of craziness and depression alternate along
with normal mood interventions. Hamlet also expresses these characteristics. Day by day
Hamlet continually plunges from the heights of rationality to the abyss of irrationality,
tenacity and impulsiveness. His behavioral and action patterns show that he was suffering
gravediggers' scene, he is 30. This prompted Auden to ask why he is still a student.
have accepted without demur that Claudius should succeed his brother as king, rather
than the Prince who is heir-apparent. This is all the stranger because Claudius tells us
that Hamlet 'is lov'd of the distracted multitude' -- like Edward VIII?
Did the Establishment, as in Edward's case, see something unstable and rotten in
An interesting anticlimax is written by someone who is also fighting with the notion
“I can imagine Shakespeare on a late-night talk show. The host asks him, ‘Mr.
Shakespeare, in your play Hamlet, you have the lead character apparently pretending
to be mad. However some critics have suggested the possibility that Hamlet might
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have actually been really crazy. Can you tell us, sir, when you wrote that play, what
was in your mind? Were you thinking that Hamlet was in fact crazy, or only
pretending to be crazy?’
impossible for the audience to ever figure out whether Hamlet was really crazy or
Works Cited
Delaney, B. Shakespeare's Hamlet. The Explicator 63.2 (Winter 2005), Volume 66, Number
Freud, S. 1900. Strachey, J. (Trans.); Richards, A. (Ed.). The Interpretation of Dreams. The Penguin
<http://www2.hawaii.edu/~lady/lit/shakespeare/Hamlet2.html>
<http://www.123HelpMe.com/view.asp?id=4532>
Massie, A. Prince of self-pity. (Hamlet)(Critical essay). Spectator (July 15, 2006): NA.
Opposing Viewpoints Resource Center. Thomson Gale. King County Library System.
Moore, V. Scotch mist. New Statesman. Volume 127, Issue 4408, p. 41.1998.
Park, Samuel. Hamlet at the South Coast Repertory Theatre. Shakespeare Bulletin. Volume