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Realpolitik page 3
Lobsters page 4
Administration page 5
Polity page 7
Smithereens page 13
Drugs back page
Corridors of Power
The SUNY Central
Building in Albany
-The Fourth Estate: Editorial I._I
Cons makers.
This is directly related to the
responsibility to produce the event
on minimal funding. Many of the
The
comment regarding just who is
being honored, to quote Mr. Silfer
events that Mr. Silfer frowns upon
help finance the programming and Stony Brook
speakers that we hope will make the
To the editor: again, "the source because of the
We at I-CON are grateful for the product or the product because of
extensive coverage of I-CON this the source?" This wrongly suggests
difference. It comes as little sur-
prise that the most well-attended
Press
year. In contrast to most of those that I-CON attendees praise the panels and talks were not those of
who covered our event, it is evident packagers instead of the creative the actors, but those of author
that Kyle Silfer attended some of sources. When the attendees have HarlanEllison. Itis the sort ofresult Executive Editor .. .... Craig Goldsmith
our programming. the opportunity to meet the author that we have been working for year Managing Editor. . Kyle Silfer
However, there are points made of a piece of work they admired, be after year. Also the science and Associate Editor ......... Quinn Kaufman
by Mr. Silfer which appear to be it in print,paint, or celluloid; it is far technology programming that Mr. Photo Editor ................ Ed Bridges
coptradictory. In particular,there is more likely that the meeting will Silfer just touches upon was more
Science Editor................ Ryder Miller
a comment regarding our diversity produce a greater understanding of extensive and well-attended than
ever before. Both of these points Assistant Editor............ Karin Falcone
of programming which Mr. Silfer the creativity of the individual than
described as "perpetuating-in its the faceless corporation which say something positive about the Business Manager. ......... Kristin Rusin
own innocent way-the same evils packages a product We would like attendees of the I-CON program in Editor Emeritus. ......... Michael DePhillips
so graphically described by its to know of any other programwhich ,egard to their curiosity and con-
guests." Yet Mr. Silfer admits that presents the opportunity, to the cern for the future. News and Feature: Lisa Caiafa, Joe Caponi, Joe
our guests are free to (and often do) same extent that ours does, to meet DiStefano, John Dunn, Socrates G. Gianis, Rob Gil-
speak out and inform the public in on an informal basis with profes- John Madonia
heany, R Sienna, Paula Tishin, Rich Wieda
regard to exploitation of their ta- sionals in so many different fields, Vice-chairman
lents. Not only is this generally from writers to scientists, from I-CON VII Committee
Arts: Rob Becker, Joe Castelli, John Gabriel, Peter
Kang Alexandra Odulalk Rob Rothenberg
~·//~7/~/~7~/Js5~-//~7/6~7~7~'~7/~
Phone: 632-6451
Office:
Suite 020 Central Hall (Old Biology)
.U.N.Y. at Stony Brook
~apo~s~··~m,~lmm/lsTmrrun/~,~~
Stony Brook, NY 11794-2790
Put a Gag in It
Students Welcome New Chancellor
by R. Sienna ation of the State University-and only one tuition hike within the next year, and his tained that a "tuition hike is inevitable in a
ALBANY, APRIL 27-Amid the nearly student sat on the Advisory Committee, alleged lack of minority recruitment at year". SASU representatives feel that a
deafening student chants of "Vote Down former SASU President and Trustee Buffalo State have not endeared him to chancellor should be pressuring the Gover-
Bruce!", the SUNY Board of Trustees Everett Joseph, leaving students nearly students. nor for a larger-or at least level-budget,
formally appointed Dr. Bruce Johnstone as voiceless in both the Chancellor search and Johnstone's resume is impressive: cur- ratherthan giving in easily to budget cuts
SUNY's Chancellor. Johnstone is currently any major decisions of the Board. rently a Director of Key Bank West; as- SUNY s tuition has been frozen since 1983;
President of Buffalo State College. Blinken claimed that it has taken a year- sistant to Walter Mondale while Mondale the Board (including the Chancellor), the
Almost 40 students gathered in front of and-a-half to hire a new Chancellor (Clifton was a senator, VP of Administration at U. Legislature, and the Governor must all
SUNY Centrars castle-like headquarters Wharton left that post in February of'87 to Penn (he was also an associate professor approve any tuition hike before it goes into
to protest Johnstone's impending appoint- run a pension fund in NYC) because the there); a BA and MA from Harvard; a effect "They [studentsf see someone in me
ment, as well as a proposed mandatory Board "did not actively pursue the search Doctorate in educational economics from who is not as resistant as they would like to
athletic fee [see related articlel. ... until we received auth:r: from the e University of Minnesota an extensive tuition increases," Johnstone said, "we've
SUNY Central officials at first only al- seen trimming and reallocating...we'll just
lowed ten students to actually attend the have to cut some more."
Board meeting, but a half-hour of arguing in Although students were not allowed to
the building's lobby enabled an additional question Johnstone directly-being told
ten students to attend The Board meetings "You're not the press!"-Johnstone ad-
(when not in "Executive Session" where the dressed the public accusations made by
real dirtywork is done) are supposedly open some students that he was not an effective
to the public on a first come, first served President at Buffalo State. "I am the only
basis. SUNY officials said thatthe space in campus President recruiting among minor-
the Boardroom atop SUNY Central's high- ity organizations," he claimed.
est tower was needed for members of the The minority populatiox of the city of
press. Buffalo is about 41%; the minority popu-
The Board seemed quite unprepared for lation at Buffalo State is about 10%, about
twenty boisterous students bearing pla- 5% of the faculty and staff are minorities.
cards and wearing gags that symbolized "Do they want 41% minorities at Buffalo
lack of student say in SUNY Central de- [Statel?" he asked rhetorically. Johnstone
cisions. After the actual vote, one student, maintained that the budget cuts and staff
depicting the SUNY system, fell to the firings of recent history account for the lack
ground in a mock death and was carried out of minority reprsentation at the, campus.
by two pall-bearers. "We went many years without having a new
Chairman of the Board Donald Blinken .J - -- colleague," Johnstone said. Johnstone's
was forced to halt his introductory state- Governor and the Legislature-in July of publishing record. ace-in-the-hole in that area is the positive
ment several times as the students hissed 1987-to set the salary of the SUNY However, Duarte said "how he plans to recommendation given to the Board by the
and booed and coughed. Students became Chancellor." The Board raised the Chan- cultivate working relations with Legislators highly respected Shirley Chisholm, the first
cellor's salary from $93,713 to $150,000 and the Governor is not evident." It is the black woman in Congress, and a long-time
particularly enraged when Blinken stated
because the position "requires a competi- Chancellor who is faced with the difficult civil rights leader.
that the search for a new Chancellor was a
tive salary", according to Blinken. task of negotiating SUNY's budget, a Johnstone became flustered as the press
"process carried on by a committee con-
Unfortunately for Johnstone, he is al- budget which has been cut steadily in conference wore on and student antipathy
sisting of SUNY Trustees and an Advisory increased. One student, Eric Wilson of
Committee representing all of the major ready under attack from students before recent years.
even taking office, which he will do on Johnstone said at the meeting that "tax- Binghamton, was allowed to ask Johnstone
SUNY constituencies-students, faculty, a question by virtue of his position at Bing-
alumni, presidents, and governance." August 1. His lack of experience running an cutting is deeply important to the Gover-
nor" and that these cuts would be felt hamton's radio station. Wilson wondered
Only one of the 15 Trustees is a stu- immense bureaucratic machine, his sup-
everywhere in the state. Johnstone main- continued on page 6
dent-the President of the Student Associ- port of mandatory fees, his support of a
1ý
Nothing Doing
continued from page 3 times he would like to side-step meetings
how often Johnstone would meet with with SASU represntatives and meet direct-
students to discuss important issues. John- ly with students at SUNY campuses in "a
stone replied "I stand for collegiate gover- random fashion."
nance. I might urge luniversity and college] Johnstone also denied the charge that he
Presidents to listen more" Johnstone said might be censured by the Faculty Senate at
that he would work with SASU on budge- Buffalo State, saying that he had "declined
tary matters, but continued, "'ve forgotten in a taped closing hearing" concerning a
if rve answered your questions." faculty grievance. Because of his refusal to
Wilson repeated himself and Johnstone testify, the Faculty Senate is "critical of
said he would meet with students on "a me" he said, but the student charges of a
regular basis." He also stated that he meets possible censure next week "are in error."
several times a year with student govern- In a prepared statement Johnstone said
ment leaders at Buffalo State and has he will continue "carrying through with
"breakfast several times a month with landmark legislation initiated by Clifton
various students." Johnstone said that at Wharton and Jerome Komisar [currently
l Vx.4 t+%kl..-
- ,, -L~c~-- s 1-------------- acting uILancetiLor] jo
lreellUrrig
-al_
eV "urauu-
ate Research Iniative which is aimed at
funding research and improving the quality
of life for graduate students.
Johnstone also stressed that he would
like to see an Undergraduate Initiative,
similar to the GRI, implemented soon. "The
cornerstone of SUNY is the quality of its
undergraduate education" he said. "We
iave a lead. We must work to maintain and
wen increase that lead," he continued,
although he did not say what that lead was
over, or what SUNY was leading over.
After the Board meeting and press con-
ference, SUNY students-those who had
remained outside the building and those
who had attended the meeting-gathered
in front of the building and held a mock
funeral for the dead SUNY system.
With lowered, gagged heads, the stu-
dents listened to Duarte read a eulogy in
front of an open casket Duarte said stu-
dents "make this statement to point out
that fifteen individuals [the Trustees]
a
autonomous and unaccountable to the
University community have decided the
1 fate of all faculty and students. Obviously
.0
PS under the secret search process, students
f0
and faculty were not afforded the forum to
debate openly the merits of Bruce John-
S stone. Our outrage is justified simply on the
E
fact that once again our voices have not
been heard. Unfortunately, today's con-
Marburger cuts a big one. Stony Brook turned 30. frontation with the Board could have been
avoided had the search process been open
Just another day in paradise. -to members of the University."
of negotiation with an enemy. excellent tool to start working with potental for muh gretoer impeat.
&aL- Ioedars o t
A docsment
eeriety to desoribo the
Foucault taught that o• should seasrh for what
le stresss a ad ld eautsifl Lna mocity. why miud this cmnasiutio nstrategyhe
details a"d problem of their region Is aee heHbelieved tht aasuperior courseo fi eatios se eIgelfarly diffoot tthanra
derstandble t.o the oameners. It ould to create from what already xisos .rathr than thr
sInu
tbhraro be as oportunity for thet cieity to tearieng d-s asd eginnintg aws. ih the med
Put mtheirraebefoere the samicans
and World
tublic
lsby relting a smpeothAti. aed compellig seeer that tnfidenac e n Lmportnat
sto ry. estWhat would be the prlnctpal difference 0e1sst Is en atereement heteas esieties. aor
e•xple, isn Soutb hsrias the blachtledere her
eteen esgotialng face-to-tfae and this
-mono Whatmid ·as ~sesesntisstrategy at astiatinte in
sublicr
attempted to lnstill csonf•idee that the rights
ronciliag
se
m .ist.
a dtdreergOher-differe••e
d te *)tng
seesees emiht he- creted is lightf a the
by
bhus. W mom "me the
sarishaia
'erLa t (Ill-le"0c Cie. g reater need .. to negotiate a taunified who.
against their crms oadee•. 5aL (1s09-1 0 a1edie.
ThemediumisheJ
o ss
rhenthe intention of
dt
hehas sobserved that the Reformation tooart
rthe prining prees sade
placr
ealso beh u powertfil r
adversary. Therewmild
n o
.mahatma
estavo for lesader* eleht. heera
s dhi areated a philosophy crlied
thatheeesed filst ISouth Africa
a scity to partiatrete or riskatheg left ouset eatdlater isnadle. Sgtintw, the tIr
[^
the siels arrtalieh te the asea. The advent Of much a dreamtlcad
of telisalironaad instatnt rpublic rroess. allm a iociety
to followseedhkie pianat see-
ioaeuniction has brought wred-aide
revolutiol by bringisg the about erther
mird loser tagethex 'yalrot
the irntgA
are daiss by wasseesieg
a sht they ste
te the
aegueeleg
mied shst
La a "Giebal Village." Beself that the sdisy A Negot-la tng Idea
I of ltforeation has prdofouvl
ronolmc.
throughout humanhstery.
No lasg mwoda scetyt'
and
r
effetsed prlti.r-
as a wholedeNO"
eldr
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ss datdonteo avrsartlies
ocdee to Lstrise thihthisharty (scity)
antipe
rerey
clock for a long time, and we have become accustomed to its face. Last Whywouldsaarermt reepsond toas157
for
They eseld tesiles that If the ehallesg, e ru ler daesteatod
odnough hie ta pisete
aetestr ruller (It*I3a1 samted sit&tes. tb
c•a .The
at
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faoi thtae rmsn"
etiatio
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ases "
llsthat ba
thj
letesamlone laid set tsr all to ase rest sU Ct, hsesledge tlrltleatl that b yapplylng sacisetif1C
sthe luhefes sersetoletire 9 anIM m1d
M
week, some sleazy moron with nothing better to do stole it from us. So orid euetbhy eight shift to these wh
Pehlc reese pis.
shmde
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teecan
themrvreoutslut with less reee.
ProduEeIstra
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" to a*"&me
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tee the
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--- I
)age 10 The Stony Brook Press
I - -I-_ C _ - - MMM
_ _____
Gang Bang
Hopper has come back into his own, star-
In a World
Gone Mad...
continued from back page ring in a number of major pictures, includ-
man who would sleep with a gang leader at a ing Blue Velvet, River's Edge, and
party, particularly in the minutes between Hoosiers (for which Hopper was nominat-
the time the party was broken up by a ed for an Academy Award). With his back-
machinegun attack, and the arrival of the ground, Hopper reportedly got along well
police. She screams " You don't know me at with the actual gang members who played
all" at Penn, and thatcould go for the aud- many of the small parts in the film.
ience as well. In a tragic example of life imitating art,
But Colors' strengths far outweigh its two gang members scheduled to appear as
weaknesses. In the complex world of the LA extras in Colors were killed in drive-by
streets, neither Penn's nor DuvalTs appr- shootings during the time the movie was
oach will be completely right or wrong, but being made.
each can learn from the other and live-or Colors has already sparked some gang
die-with the results. violence at showings in Los Angeles and
It is Hopper, though, who gives Colors its other cities, but less than had been feared
brilliance. Only his fourth film (after Easy by many of the movie's critics, who origin-
Rider, The Last Movie, and Out of the ally wanted the movie banned in many
Blue), Hopper was recommended to pro- areas.
ducer Robert Solo by Penn. A major star in As in Easy Rider, this movie ends in an
the sixties, Hopper spent the next fifteen orgy of violence No one wins, but enoigh of
years pursuing smaller parts and battling the combatants-cops and gangs alike-
with a variety of problems and addictions. are left to fight and fly their "colors" an-
Sober for the last three years, however, other day.
I ---
Smithereens
continued from page 13 though You look around and you see that
Beach Boys, The Who, The Kinks, Stan certainly, it does. But we've all worked too
Kenton; so many different bands, the Ra- hard and too long for fame to make any
mones. We've had many, many different weird changes in our personalities.
influences. Do you consider yourseltes a close-knit
.
Who's your favorite current band group'
Young Fresh Fellows, from Seattle. I would say for sure. Three of us, exclu-
Do you like to perform in small intimate ding Mike, have known each other since 3rd
clubs or large ones:' grade. 've known Pat for over ten years.
I like to play anywhere as long as the We're more like a family than just a musical
audience is good. Really, the size of the group.
place doesn't make as much of a difference What are your vieu's towards the music
as the attitude of the audience. industryv
Describeyour typical fan. They offer people with dreams a chance
That varies. Judging from our fan mail to help realize them. They make your re-
and the people we meet, there are all dif- cords heard and put your music in front of
ferent age groups. Sometimes we get letters people.
from 9 year-olds then forty year-olds...It's
v'
What's your advice to sprouting bands
quite varied. uho are trying to make their music heard:
Qre you afraidthat if you become famous The most important thing is to believe in
one day, you may turn into an"outwuardly" yourself and what you're doing and realize
dead minded-robot-freaklike Michael-Jack- success is not going to happen overnight. It
son: usually takes a number of years of hard
No, definitely not. We feel our music is work and low or no paying gigs. You have to
universal It's for everyone who likes it. The tolerate traveling around and beating your
more people we can reach, the better. head against the wall; be prepared for a
Well, that's very nice but that'snot exactly tough ride. But if you really want to do
wuhat 'm asking. Do you think fame takes its something, you make your mind up and just
toll on an individual's character: do it. For us, it's a dream come tiue,
Sve never been in that situation. I'm sure, really.
,, I
o-
The Stony Brook Press
Image by Justin Parsons
III
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Sunday, May 8
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39. Peter Nooten
March of 1980 marked the official begin- Who is the ringleader of the Smither-
ning of the New Jersey band The Smither- eens?
eens. PatDiNizio, lead vocalist andguitarist
had been strumming his guitar since boy-
hood His ad in a newspaper for musicians
was answered by Jim Babjak, guitar and
Four Ugly Guys Ringleader? It's a democratic type of
group. However, I would have to say since
Pat is the front-man and writes most of the
material, he is the main focus. I really
vocals; Mike Mesaros, bass, vocals; and wouldn't say, though, that Pat is the main
Dennis Diken, drums and vocals-allgram-
marschool buddies-whowere themselves in
An Interview with Dennis Diken focus on stage. There are four distinct per-
sonalities in the band and I guess Pat gets
search of a lead singer. Mesaros has said
that, "The band had its own sound from the
of the Smithereens quite a bitof attention because he writes the
songs and sings lead...we're a very demo-
very first moment that the four of us sat down cratic situation.
to play together-itwas chemistry." You guys will be playingthe Bottom Line in
The Smithereens immediately began tour- Manhattanfrom May5- 7th. Is that showpart
ing clubs all over the East Coast In 1983-4, of a long tour?
the band hooked up with Otis Blackwell We just hit the road about a week and a
("Don't be Cruel" and "Great Balls of Fire') half ago. We started in Norfolk, Virginia and
for a series of live performances and two we're booked until September right now.
Blackwell-produced LPs. In October of There's dates being added all the time.
1985, DiNizio sent out demos with just his Where will the band end their tour?
name and number. Days later, Enigma Re- Well, we don't know exactly where the
cords signed the band tour's going to wind up. But after our Bos-
As the bandgelled the album Especially ton show, we're going to do a couple of other
For You was released on Capitol Records dates in the New England area. We go to
with Dan Dixon as producer. It became one Philadelphia, New York, the Midwest, in-
of the top 100 LPs of 1987 and gained a spot cluding Chicago, Detroit, Indianapolis. We
at the top of most year-end critics' lists. work our way west and play four nights in
Especially For You included "Blood and LA, Portland, Seattle, Southern California,
Roses," "Behind the Wall of Sleep" and "In all over the place.
a Lonely Place". Do you take your families on the roadwith
Last month, the Smithereens released you?
Green Thoughts on Capitol, and like Oh no, no. It's not like a vacation at all It's
Especially For You it's sure to be a suc- a lot of traveling, a lot of work. There's really
cess. no time to spend with friends or families.
The boys are in town this weekend to It's just basically the band members.
perform at the Bottom Line in Manhattan at When you're on the road, do you party
4th and Mercer (tonight/tomorrow/Satur- much?
day: 8:30 & 11:30). Tickets are $12.50. All Usually, although I wouldn't say a lot.
shows are sold out, but Standing Room There is some time for that, but most of the
Only tickets will be sold at the door. time we're traveling, doing sound checks or
The Press spoke with Smithereen going to used book stores.
Dennis Diken on April 27th about all sorts of Which countries are you most popular
important monumental things: Mik* Msoaw5
M>.7.io Pat int
America.
What message does your music try to We embellish songs with our own ideas. Pat
Interview by Quinn Kaufmann What about England?
convey? will have the basic idea; in rehearsal, he'll Yes, there too. We also do very well in
We're here to entertain. There's no pro- bring in an acoustic demo and play the song Iceland, Spain and Uruguay.
How did you get the name "The Smither- found message. We just try to share our
for us. Then, we'll all add our own parts and .lret you recognized as a Smithereen on the
eens'? emotions with people.
We got the name as kids. I thought it up, unite what you hear on our records and at street.
Who wurites the music? our concerts into a unit.
after watching cartoons and hearing the Yeah, last night we were at an Alarm con-
Well, Pat usually writes the music and Sometimes do you improcisce
phrase, "I'll blow you to smithereens." lyrics. And although Pat usually cert.
writes the Oh yeah. How t'ere theyt
That's really where it came from, and I had songs, we usually arrange them
together.
just compiled a list of possible band names Good, but we didn't stay for the whole
in the late '70s. I compiled a couple of hun- show. I only saw a bit of it, and in the lobby
dred names and that was one of them. "The we were talking to quite a few kids who
Smithereens" just stuck out and it sounded the universally known La Bamba tune, "My recognized us.
like it should be a name for a band. After we Green Thoughts best buddy just decided to end it all and What are The Smithereens' long term
decided to call ourselves The Smithereens, took forty-four valiums; and now he's ?goals?
someone actually wrote us and said "Smi- dead." Basically just to keep doing what we're
thereen" was an Irish word, and we looked'it The Smithereens have admitted that the
doing now. It's great that we now have an
looked it up in the dictionary and found that sound on this album strives for a stronger audience. After doing this for so many
~c~ musical impact However, DiNizio, who
it meant "little pieces". ..·· :.·.-si;.
LcX::': years, it's great that finally people have
·ii· rz..'4~,
Someone told me the name Smithereens ·.i· writes the music, should learn how to act a picked up on what we're doing and enjoy
sounds sort of violent ·i:~-. bit, and make the songs play as a whole. what we're doing. We really don't look be-
Ilaughsf It wasn't thought of as such when iijd fci~c:w~~
::~:::% As said, this album will be adored by yond doing what we're doing at the moment.
we did it, but you can interpret it any way radio stations. The songs are short and the We just want to keep on making good re-
you want. lyrics, emotional. The song, "Only a Mem- cords and hopefuly sustain a career that
The name of your new album is Green ory," has aready become a hit on the air. people will enjoy and that we'll enjoy what
Thoughts. What does that mean? DiNizio has a voice like salty butter, we're doing too. It's a career now and now
Well, there's a song on the album that's which makes him unique. He is himself, and we're getting paid for what we're doing- it's
called "Green Thoughts". The reference is completely original. wonderful
to envy or jealousy and after we recorded Some songs have classic ability.The I)o you guys hope to be mega-superstars
the album, we didn't have a title that we lyrics of " The World We Know," unlike one day?
were sure of and upon looking at a number some songs on the album, compliment the Our focus is really not on that It's really
of tunes on the album, we noticed there was powerful music. DiNizio sings, "Broken just keeping the integrity in our music, and
a theme of jealousy in a couple of them, so heariTtime to go/torn apart/Romeo." Del hoping that we could keep doing quality
we thought "Green Thoughts" would be an by Quinn Kaufman Shannon sings backup like the backup on work.
interesting title. "Gimme Shelter" by the Stones. He's al- Because of your success has there been an
Is that why there is a grceen haze over the most better than DiNizio. increase in your finances?
Thoughts, an album about Also, a potential classic is "Especially
album cover?
Yeah.
Is the sound in Green Thoughts dif-
T jealousy and love was released on
he Smithereens
Capitol Records last month. Al-
Green For You." DiNizio sings like a melancholy
poet, "It'sthe same every night/ when I turn
I guess so, yes.
Has money changed your life?
No, not at all Well, now I can afford to
though, it is at times a bit too repetitive, too off the lights/hugging my pillow instead of
ferent from the previous Especially For buy new shoes once in a while.
long in spots, like an extra verse or beat in a you/In the morning I rise, and tell myself
You album? What's the biggest change in your life be-
song- it is overall a catchy album which has lies/ I pretend that rm happy/In spite of
Yes, we have a tougher sound on the gui- cause of your increasingpopularity?
an abundance of radio appeal you."
tars and drums. We think it's a logical step We just spend more time on the road, and
Pat DiNizio, lead vocalist, has claimed This album is meant to entertain briefly
up from the last album. are busier with our careers.
that love songs are the only ones worth and not make a lasting impression. It makes
Songs from your last album, Especially Who are your influences?
listening to; and the eleven cuts on this one feel good. It's the type of tape you pop in
For You, seem to lament a lost love, as can Well, we grew listening to radio in the
album are all about love. DiNizio's lyrics when you're happy and you listen to it to
be heard in "Blood and Roses". Are your '60s, and that was an inspiration, making us
often rhyme, making him appear a true maintain your happiness, and it's the type
songs >ased on personal experience? want to learn how to play. Anything that was
poet, yet the happy melodies often clash of music you listen to before you go out It's
Pat wrote "Blood and Roses". I think he really good, of quality while we were gro-
with his gloomy themes. a good walking/Walkman LP. However, if
would 11yol, that some songs are based on wing up in the late '50s, early '60s, was an
Take their song, "Elaine." The lyrics are you're set to just hang out and muse about
personal experiences. Others, he would say influence. Ohhh, geez, I could rattle off a
completely depressing- lamenting lost love life, skip this album, lock yourself in your
are written from his observations of things bunch of influences; certainly the Beatles,
- yet the music is off- base. It's like singing to room and put on some old Cure. continued on page 11
around him. - --- -C I II
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PA&P
S
by Joe Caponi
ennis Hopper's Colors is a bru-
!I
tal and brilliant tale of cops and
street gangs in modern-day Los
Angeles. Full of shoot-outs and
spectacular chases, Colors nevertheless
presents a thoughtful and honest look at
outlaw society. Hopper's Easy Rider, of
course, is the most famous, and perhaps
greatest, outlaw movie ever, but despite the
fact that both films are fueled by drugs and
alienation, they are worlds, as well as de-
cades, apart
The difference is violence. Easy Rider's
outlaws were its victims, while in Colors,
victimized as the outlaws are, they are
killers. Pot and Acid were the drugs that
provided the force behind Easy Rider. In
Colors the drugs are Angel Dust and
Crack-not only more violent in and of
themselves, but drugs whose money-mak-
ing potential drives the gangs to ever great-
er violence in order to control their turf.
Sean Penn and Robert Duvall star as two
Los Angeles policemen, members of the
actual LA anti-gang unit CRASH (Com-
munity Resources Against Street Hood-
lums). Penn, nicknamed "Pac-Man" for his
big yellow car (which "gobbles up" the bad
guys), is young and aggressive, with a taste
for humiliating those he arrests. In the bat-
tle of the streets, he wants to win. Duvall, on
the other hand, is a year away from retire-
ment and wants to survive. He will give the Dennis Hopper and friends.
gang members breaks in small matters, so
they "owe him a favor," and might avoid a
y
more serious crimes. olooay revenge urten, the victims are m- zlng chase scenes and it is breathtaking in aspect will work out Most disappointing of
Arrayed against them are Los Angeles' nocent bystanders. The fighting begins its speed and ferocity. In another, Penn all is the character of Louisa Gomez, played
street gangs. A preface to the movie informs when the Crips drive by the home of a pursues a gang member into a crowded res- by Maria Conchita Alonso. Attracted to
viewers that there are 600 street gangs in Blood, killing him in his front yard with a taurant and the two battle in the kitchen, Penn, she is also repelled by his brutality,
LA with over 70,000 members, and that shotgun blast Later, his funeral is disrupt- fighting savagely until Duvall arrives to fin- particularly after he spray-paints the face of
there were 387 gang-related killings last ed by machinegun-wielding Crips in anoth- ish the job. In both scenes, Hopper's superb her young cousin. She seems like a sensible,
year alone. er "drive-by" assault visual sense comes through, with image likable character. Not at all the type of wo-
In Colors, the "Crips" and the "Bloods" Penn and Duvall's pursuit of the church piled upon image in a rich mosaic. continuedon page 11
by Kyle Silfer ensemble cast gave no reason for dissatis- itself on sheer contrivance alone-but the in the actions of the characters on stage, and
plot drifts about elusively, evolving slowly,
T he Thursday evening crowd for
David Rabe's Hurly Burly was,
initially, sizeable and reasonably
faction.
Hurly Burly follows the daily lives of a
pack of divorced (or separated) Hollywood
career men who complement their desper-
then ultimately vanishing in a tide of dis-
parate, confusing events.
Rabe has not so much a story to tell as an
the laughs become less and less frequent
The line between humor and horror is a fine
one, and Hurly Burly dances purposefully
along it, sometimes stumbling indiscrimi-
enthusiastic. But by the end of ate, miserable, paranoid, feeding frenzy of ambience to create (hence, the tents). nately into one domain or another.
the play's three-hour running time, at least an existence with frequent doses of drugs Eddie's apartment/campsite becomes a It was, however, director Farley Rich-
half the audience had vanished into the and sex. The action takes place on a land- nexus for the unsavory power struggles and mond's harnessing of a spirited cast that
night scape of sand, tents, and coolers--a weirdly crass interrelations that comprise the gave this production its ultimate success. In
This high attrition rate stemmed, no symbolic representation of an apartment in friendships and love interests of Hurly a play so dependent upon the simulation of
doubt, from a combination of the play's the "wilderness" of modern California- Burly's characters. The drama, and humor, reality, the seven actors and actresses offer
length and its considerable demands upon and centers on the neuroses and paranoias that evolves is chiefly misogynous, mis- convincing performances that rarely let the
the intellect A less-than-patient audience of Eddie, a casting director who finds his ogamous, and misanthropic, hitting close to text down. Morgan Margolis as the self-
member might perhaps have found the pad the favorite crashing place of a variety the bone often enough that the play estab- destructive Phil, and Andy Steiner as the
second ten-minute intermission too tempt- of friends, associates, and total strangers. lishes a rapport with the audience by success-minded Artie, play well off D.W.
ing an escape from the drama unfolding The dialogue is swift, funny, and excruti- recognizing its darker tendencies. Reichhold's manic, sardonic Eddie. As stu-
within the Fine Arts Center Theater I, but atingly clever--often so clever that it jumps With each successive act, those ten- dent theatre goes, it's tough to beat.
the performances and pacing of the tight out of character and attempts to sustain dencies become increasingly more evident
r I 1 111w -111 · -Ib rl ~ I ·- · I - lldl I - 3 · ~L
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