The Whole Enochian Dictionary

Introduction
Do what thou wilt shall be the whole of the Law.
The Grand Experiment in the Enochian language is begun. Using etymological and qabalistic techniques to solve
some of the mysteries of this language has proven to be highly rewarding. tarting off this Enochian Dictionary!
we"ve downloaded a host of information from #i$ipedia in order to educate and prepare the reader for the
creative process that is to follow. Large examples of the techniques used to create this word can be found in the
%&'"s translations of Liber Loagaeth and further detailed in Liber Ged( of %&' origin.
#e"ve also included %aron Lietch"s excellent essay on the Enochian language and )atricia haffer"s Letter
Essences in order to create a more complete compendium for the serious student of this language.
The Problem of the Schuelers Translation
The *oly Table of )ractice has been translated previously by published authors whose wor$s are infamously
riddled with errors. There is no worse example of this than the translations of the *oly Table and Table of +,.
*ere the chuelers literally ma$e up definitions for words without any rationale at all( as if they"re inventing their
own game. This is really no worse than the creative yet! ridiculous efforts of the Golden Dawn to -truncate. the
squares of the Elemental Tablets. %nd these irrational efforts only confound the effectiveness of this 'agic$.
The translations here have been carefully produced by strict etymological and qabalistic practices outlined
in the %&'"s Liber Ged and as well! the production in Liber Loagaeth. %nd unli$e the chuelers! great
care has been ta$en to explain how these translations have been produced! that the thorough student can
claim confidence in his or her findings in this wor$.
Love is the law! love under will.
Enochian Grammar
Linguistics is the scientific study of language! which can be theoretical or applied. omeone who engages in this
study is called a linguist.
Theoretical (or general) linguistics encompasses a number of sub/fields! such as the study of language structure
0grammar1 and meaning 0semantics1. The study of grammar encompasses morphology 0formation and alteration
of words1 and syntax 0the rules that determine the way words combine into phrases and sentences1. %lso a part of
this field are phonology! the study of sound systems and abstract sound units! and phonetics! which is concerned
with the actual properties of speech sounds 0phones1! non/speech sounds! and how they are produced and
perceived.
Linguistics compares languages 0comparative linguistics1 and explores their histories! in order to find universal
properties of language and to account for its development and origins 0historical linguistics1.
Theoretical linguistics is the branch of linguistics that is most concerned with developing models of linguistic
$nowledge. )art of this endeavor involves the search for and explanation of linguistic universals! that is!
properties all languages have in common. The fields that are generally considered the core of theoretical
linguistics are syntax! phonology! morphology! and semantics. %lthough phonetics often informs phonology! it is
often excluded from the purview of theoretical linguistics! along with psycholinguistics and sociolinguistics.
% linguistic universal is a statement that is true for all natural languages. 2or example! All languages have nouns
and verbs, or All spoken languages have consonants and vowels. 3esearch in this area of linguistics is closely tied
to linguistic typology! and intends to reveal information about how the human brain processes language. The field
was largely pioneered by the linguist 4oseph Greenberg! who from a set of some thirty languages derived a set of
basic universals! mostly dealing with syntax.
Linguistic tyology is a subfield of linguistics that studies and classifies languages according to their structural
features. 5ts aim is to describe and explain the structural diversity of the world6s languages. 5t includes three
subdisciplines7 8ualitative typology deals with the issue of comparing languages and within/language variance!
8uantitative typology deals with the distribution of structural patterns in the world"s languages! and Theoretical
typology explains these distributions.
5n linguistics! synta! 0from %ncient Gree$ 9:;/ syn-! -together.! and <=>?@ txis! -arrangement.1 is the study of
the rules that govern the structure of sentences! and which determine their relative grammaticality. The term
syntax can also be used to refer to these rules themselves! as in -the syntax of a language.. 'odern research in
syntax attempts to describe languages in terms of such rules! and! for many practitioners! to find general rules that
apply to all languages. ince the field of syntax attempts to explain grammaticality Audgments! and not provide
them! it is unconcerned with linguistic prescription.
Though all theories of syntax ta$e human language as their obAect of study! there are some significant differences
in outloo$. Bhoms$ian linguists see syntax as a branch of psychology! since they conceive syntax as the study of
linguistic $nowledge. &thers 0e.g. Gerald GaCdar1 ta$e a more )latonistic view! regarding syntax as the study of
an abstract formal system.
Phonology 0Gree$ "#$% 0phDnE1! voice! sound F &'()* 0lGgos1! word! speech! subAect of discussion1! is a
subfield of linguistics which studies the sound system of a specific language 0or languages1. #hereas phonetics is
about the physical production and perception of the sounds of speech! phonology describes the way sounds
function within a given language or across languages.
%n important part of phonology is studying which sounds are distinctive units within a language. 5n English! for
example! HpH and HbH are distinctive units of sound! 0i.e.! they are phonemes H the difference is phonemic! or
phonematic1. This can be seen from minimal pairs such as IpinI and IbinI! which mean different things! but differ
only in one sound. &n the other hand! HpH is often pronounced differently depending on its position relative to
other sounds! yet these different pronunciations are still considered by native spea$ers to be the same IsoundI. 2or
example! the HpH in IpinI is aspirated while the same phoneme in IspinI is not. 5n some other languages! for
example Thai and 8uechua! this same difference of aspiration or non/aspiration does differentiate phonemes.
5n addition to the minimal meaningful sounds 0the phonemes1! phonology studies how sounds alternate! such as
the HpH in English described above! and topics such as syllable structure! stress! accent! and intonation.
The principles of phonological theory have also been applied to the analysis of sign languages! even though the
phonological units are not acoustic. The principles of phonology! and for that matter! language! are independent of
modality because they stem from an abstract and innate grammar.
+orhology is the field within linguistics that studies the internal structure of words. 0#ords as units in the
lexicon are the subAect matter of lexicology.1 #hile words are generally accepted as being 0with clitics1 the
smallest units of syntax! it is clear that in most 0if not all1 languages! words can be related to other words by rules.
2or example! English spea$ers recogniCe that the words dog! dogs! and dog-catcher are closely related. English
spea$ers recogniCe these relations from their tacit $nowledge of the rules of word/formation in English. They
intuit that dog is to dogs as cat is to cats( similarly! dog is to dog-catcher as dish is to dishwasher. The rules
understood by the spea$er reflect specific patterns 0or regularities1 in the way words are formed from smaller
units and how those smaller units interact in speech. 5n this way! morphology is the branch of linguistics that
studies patterns of word/formation within and across languages! and attempts to formulate rules that model the
$nowledge of the spea$ers of those languages.
Semantics 0Gree$ smantikos! giving signs! significant! symptomatic! from sma 09 JK1! sign1 refers to the
aspects of meaning that are expressed in a language! code! or other form of representation of information.
emantics is contrasted with two other aspects of meaningful expression! namely! syntax! the construction of
complex signs from simpler signs! and pragmatics! the practical use of signs by agents or communities of
interpretation in particular circumstances and contexts. Ly the usual convention that calls a study or a theory by
the name of its subAect matter! semantics may also denote the theoretical study of meaning in systems of signs.
Though terminology varies! writers on the subAect of meaning generally recogniCe two sorts of meaning that a
significant expression may have7 0+1 the relation that a sign has to obAects and obAective situations! actual or
possible! and 0,1 the relation that a sign has to other signs! most especially the sorts of mental signs that are
conceived of as concepts.
'ost theorists refer to the relation between a sign and its obAects! as always including any manner of obAective
reference! as its denotation. ome theorists refer to the relation between a sign and the signs that serve in its
practical interpretation as its connotation! but there are many more differences of opinion and distinctions of
theory that are made in this case. 'any theorists! especially in the formal semantic! pragmatic! and semiotic
traditions! restrict the application of semantics to the denotative aspect! using other terms or completely ignoring
the connotative aspect.
Phonetics 0from the Gree$ word MN;O! phone meaning 6sound! voice61 is the study of the sounds of human
speech. 5t is concerned with the actual properties of speech sounds 0phones1! and their production! audition and
perception! as opposed to phonology! which is the study of sound systems and abstract sound units 0such as
phonemes and distinctive features1. )honetics deals with the sounds themselves rather than the contexts in which
they are used in languages. Discussions of meaning 0semantics1 do not enter at this level of linguistic analysis.
)honetics has three main branches7
articulatory phonetics! concerned with the positions and movements of the lips! tongue! vocal tract and
folds and other speech organs in producing speech(
acoustic phonetics! concerned with the properties of the sound waves and how they are received by the
inner ear( and
auditory phonetics! concerned with speech perception! principally how the brain forms perceptual
representations of the input it receives.
There are over a hundred different phones recogniCed as distinctive by the 5nternational )honetic %ssociation
05)%1 and transcribed in their 5nternational )honetic %lphabet.
)honetics was studied as early as ,!PQQ years ago in ancient 5ndia! with )RnSini6s account of the place and manner
of articulation of consonants in his Pth century LBE treatise on ans$rit. The maAor 5ndic alphabets today! except
Tamil script! order their consonants according to )RnSini6s classification.
Psycholinguistics or sychology of language is the study of the psychological and neurobiological factors that
enable humans to acquire! use! and understand language. 5nitial forays into psycholinguistics were largely
philosophical ventures! due mainly to a lac$ of cohesive data on how the human brain functioned. 'odern
research ma$es use of biology! neuroscience! cognitive science! and information theory to study how the brain
processes language. There are a number of subdisciplines( for example! as non/invasive techniques for studying
the neurological wor$ings of the brain become more and more widespread! neurolinguistics has become a field in
its own right.
)sycholinguistics covers the cognitive processes that ma$e it possible to generate a grammatical and meaningful
sentence out of vocabulary and grammatical structures! as well as the processes that ma$e it possible to
understand utterances! words! text! etc. Developmental psycholinguistics studies infants6 and children6s ability to
learn language! usually with experimental or at least quantitative methods 0as opposed to naturalistic observations
such as those made by 4ean )iaget in his research on the development of children1.
Sociolinguistics is the study of the effect of any and all aspects of society! including cultural norms! expectations!
and context! on the way language is used. ociolinguistics overlaps to a considerable degree with pragmatics.
5t also studies how lects differ between groups separated by certain social variables! e.g.! ethnicity! religion!
status! gender! level of education! etc.! and how creation and adherence to these rules is used to categoriCe
individuals in social class or socio/economic classes. %s the usage of a language varies from place to place
0dialect1! language usage varies among social classes! and it is these sociolects that sociolinguistics studies.
The social aspects of language was in the modern sense first studied by 5ndian and 4apanese linguists in the
+TUQs! but did not receive much attention in the #est until much later. ociolinguistics in the west first appeared
in the +TVQs and was pioneered by linguists such as #illiam Labov in the U and Lasil Lernstein in the UW.
Grammar is the study of rules governing the use of language. The set of rules governing a particular language is
the grammar of that language( thus! each language can be said to have its own distinct grammar. Xote that the
word grammar has two meanings here7 the first is the inner rules themselves and the second is our description and
study of those rules. #hen a grammar is fully explicit about all possible construction of a specific language it is
called generative grammar. % particular type of generative grammar that has become the leading framewor$ in
modern linguistics is transformational grammar which was first proposed by Xoam Bhoms$y.
Grammar is part of the general study of language called linguistics. Grammar is a way of thin$ing about language.
%s the word is understood by most modern linguists! the subfields of grammar are phonetics! phonology!
orthography! morphology! syntax! semantics! and pragmatics. Traditionally! however! grammar included only
morphology and syntax.
In linguistics, generative grammar generally refers to a proof/theoretic framewor$ for the study of syntax
partially inspired by formal grammar theory and pioneered by Xoam Bhoms$y. % generative grammar is a set of
rules that recursively IspecifyI or IgenerateI the well/formed expressions of a natural language. This
encompasses a large set of different approaches to grammar. The term generative grammar is also broadly used to
refer to the school of linguistics where this type of formal grammar plays a maAor part! including7
The tandard Theory 0T1 0also widely $nown as Transformational grammar 0TG11
The Extended tandard Theory 0ET1 0also widely $nown as Transformational grammar 0TG11
)rinciples and )arameters Theory 0)Y)1 which includes both Government and Linding Theory 0GL1 and
the 'inimalist )rogram 0')1
3elational Grammar 03G1
Lexical/functional Grammar 0L2G1
GeneraliCed )hrase tructure Grammar 0G)G1
*ead/Driven )hrase tructure Grammar 0*)G1
Generative grammar should be distinguished from traditional grammar! which is often strongly prescriptive rather
than purely descriptive! is not mathematically explicit! and has historically investigated a relatively narrow set of
syntactic phenomena. 5n the Ischool of linguisticsI sense it should be distinguished from other linguistically
descriptive approaches to grammar! such as various functional theories.
The term generative grammar can also refer to a particular set of formal rules for a particular language( for
example! one may spea$ of a generative grammar of English. % generative grammar in this sense is a formal
device that can enumerate 0IgenerateI1 all and only the grammatical sentences of a language. 5n an even narrower
sense! a generative grammar is a formal device 0or! equivalently! an algorithm1 that can be used to decide whether
any given sentence is grammatical or not.
5n most cases! a generative grammar is capable of generating an infinite number of strings from a finite set of
rules. These properties are desirable for a model of natural language! since human brains are of finite capacity! yet
humans can generate and understand a very large number of distinct sentences. ome linguists go so far as to
claim that the set of grammatical sentences of any natural language is indeed infinite.
Generative grammars can be described and compared with the aid of the Bhoms$y hierarchy proposed by Xoam
Bhoms$y in the +TPQs. This sets out a series of types of formal grammars with increasing expressive power.
%mong the simplest types are the regular grammars 0type U1( Bhoms$y claims that regular grammars are not
adequate as models for human language! because all human languages allow the embedding of strings within
strings in an hierarchical way.
%t a higher level of complexity are the context/free grammars 0type ,1. The derivation of a sentence by a context/
free grammar can be depicted as a derivation tree. Linguists wor$ing in generative grammar often view such
derivation trees as a primary obAect of study. %ccording to this view! a sentence is not merely a string of words!
but rather a tree with subordinate and superordinate branches connected at nodes.
Essentially! the tree model wor$s something li$e this example! in which is a sentence! D is a determiner! X a
noun! Z a verb! X) a noun phrase and Z) a verb phrase7
The resulting sentence could be he dog ate the bone. uch a tree diagram is also called a phrase mar$er. They
can be represented more conveniently in a text form! 0though the result is less easy to read1( in this format the
above sentence would be rendered as7 [ [X) [D The \ [X dog \ \ [Z) [Z ate \ [X) [D the \ [X bone \ \ \ \
*owever! Bhoms$y at some point argued that phrase structure grammars are also inadequate for describing
natural languages. To address this! Bhoms$y formulated the more complex system of transformational grammar.
#hen generative grammar was first proposed! it was widely hailed as a way of formaliCing the implicit set of
rules a person I$nowsI when they $now their native language and produce grammatical utterances in it. *owever
Bhoms$y has repeatedly reAected that interpretation( according to him! the grammar of a language is a statement
of what it is that a person has to $now in order to recognise an utterance as grammatical! but not a hypothesis
about the processes involved in either understanding or producing language. 5n any case the reality is that most
native spea$ers would reAect many sentences produced even by a phrase structure grammar. 2or example!
although very deep embeddings are allowed by the grammar! sentences with deep embeddings are not accepted by
listeners! and the limit of acceptability is an empirical matter that varies between individuals! not something that
can be easily captured in a formal grammar. Bonsequently! the influence of generative grammar in empirical
psycholinguistics has declined considerably.
Generative grammar has been used in music theory and analysis such as by 2red Lerdahl and in chen$erian
analysis. ee7 Bhord progression]3ewrite rules.
-utomata theory. formal languages and formal grammars
/homs0y
hierarchy
Grammars Languages
+inimal
automaton
Type/Q Unrestricted 3ecursively enumerable Turing machine
nHa 0no common name1 3ecursive Decider
Type/+ Bontext/sensitive Bontext/sensitive Linear/bounded
nHa 5ndexed 5ndexed Xested stac$
nHa Tree/adAoining 'ildly context/sensitive Thread
Type/, Bontext/free Bontext/free Xondeterministic )ushdown
nHa Deterministic Bontext/free Deterministic Bontext/free Deterministic )ushdown
Type/U 3egular 3egular 2inite
Each category of languages or grammars is a roer subset of the category directly above it1
Proof theory is a branch of mathematical logic that represents proofs as formal mathematical obAects! facilitating
their analysis by mathematical techniques. )roofs are typically presented as inductively/defined data structures
such as plain lists! boxed lists! or trees! which are constructed according to the axioms and rules of inference of
the logical system. %s such! proof theory is syntactic in nature! in contrast to model theory! which is semantic in
nature. Together with model theory! axiomatic set theory! and recursion theory! proof theory is one of the so/
called four pillars of the foundations of mathematics.
)roof theory can also be considered a branch of philosophical logic! where the primary interest is in the idea of a
proof/theoretic semantics! an idea which depends upon technical ideas in structural proof theory to be feasible.
Philosohical logic is the study of the more specifically philosophical aspects of logic. The term contrasts with
mathematical logic! and since the development of mathematical logic in the late nineteenth century! it has come to
include most of those topics traditionally treated by logic in general. 5t is concerned with characterising notions
li$e inference! rational thought! truth! and contents of thoughts! in the most fundamental ways possible! and trying
to model them using modern formal logic.
The notions in question include reference! predication! identity! truth! negation! quantification! existence!
necessity! definition and entailment.
)hilosophical logic is not concerned with the psychological processes connected with thought! or with emotions!
images and the li$e. 5t is concerned only with those entities ^ thoughts! sentences! or propositions ^ that are
capable of being true and false. To this extent! though! it does intersect with philosophy of mind and philosophy of
language. Gottlob 2rege is regarded by many as the founder of modern philosophical logic.
Xot all philosophical logic! however! applies formal logical techniques. % good amount of it 0including Grayling6s
and Bolin 'cGinn6s boo$s cited below1 is written in natural language. &ne definition! popular in Lritain! is that
philosophical logic is the attempt to solve general philosophical problems that arise when we use or thin$ about
formal logic7 problems about existence! necessity! analyticity! a prioricity! propositions! identity! predication!
truth. )hilosophy of logic! on the other hand! would tac$le metaphysical and epistemological problems about
entailment! validity! and proof.
Proof2theoretic semantics is an approach to the semantics of logic that attempts to locate the meaning of
propositions and logical connectives not in terms of interpretations! as in Tars$ian approaches to semantics! but in
the role that the proposition or logical connective plays within the system of inference.
Gerhard GentCen is the founder of proof/theoretic semantics! providing the formal basis for it in his account of
cut/elimination for the sequent calculus! and some provocative philosophical remar$s about locating the meaning
of logical connectives in their introduction rules within natural deduction. 5t is not a great exaggeration that the
history of proof/theoretic semantics since then has been devoted to exploring the consequences of these ideas.
Dag )rawitC extended GentCen6s notion of analytic proof to natural deduction! and suggested that the value of a
proof in natural deduction may be understood as its normal form. This idea lies at the basis of the Burry/*oward
isomorphism! and of intuitionistic type theory. *is inversion principle lies at the heart of most modern accounts of
proof/theoretic semantics.
'ichael Dummett introduced the very fundamental idea of logical harmony! building on a suggestion of Xuel
Lelnap. 5n brief! a language! which is understood to be associated with certain patterns of inference! has logical
harmony if it is always possible to recover analytic proofs from arbitrary demonstrations! as can be shown for the
sequent calculus by means of cut/elimination theorems and for natural deduction by means of normalisation
theorems. % language that lac$s logical harmony will suffer from the existence of incoherent forms of inference7 it
will li$ely be inconsistent.
5n computer science and linguistics! a formal grammar! or sometimes simply grammar! is a precise description
of a formal language ^ that is! of a set of strings. The two main categories of formal grammar are that of
generative grammars! which are sets of rules for how strings in a language can be generated! and that of analytic
grammars! which are sets of rules for how a string can be analyCed to determine whether it is a member of the
language. 5n short! an analytic grammar describes how to recogni!e when strings are members in the set! whereas
a generative grammar describes how to write only those strings in the set.
5n mathematics! logic! and computer science! a formal language is a language that is defined by precise
mathematical or machine processable formulas. Li$e languages in linguistics! formal languages generally have
two aspects7
the syntax of a language is what the language loo$s li$e 0more formally7 the set of possible expressions
that are valid utterances in the language1
the semantics of a language are what the utterances of the language mean 0which is formaliCed in various
ways! depending on the type of language in question1
/omarative linguistics 0originally comarative hilology1 is a branch of historical linguistics that is concerned
with comparing languages in order to establish their historical relatedness. Languages may be related by
convergence through borrowing or by genetic descent.
Genetic relatedness implies a common origin or proto/language! and comparative linguistics aims to construct
language families! to reconstruct proto/languages and specify the changes that have resulted in the documented
languages. 5n order to maintain a clear distinction between attested and reconstructed forms! comparative linguists
prefix an asteris$ to any form that is not found in surviving texts.
% roto2language is a language which was the common ancestor of related languages that form a language
family. The German term Ursprache 0derived from the prefix "r- IprimordialI and #prache IlanguageI1 is
occasionally used as well.
5n most cases! the ancestral proto/language is not $nown directly and it has to be reconstructed by comparing
different members of the language family via a technique called the comparative method. Through this process
only a part of the proto/language6s structure and vocabulary can be reconstructed( the reconstruction remains the
more fragmentary the more ancient the proto/language in question relative to the number of its descendants.
Examples of unattested but 0partially1 reconstructed proto/languages include )roto/5ndo/European! )roto/Uralic!
)roto/Lantu and )roto/)aman. ometimes! however! the proto/language is a language which is $nown from
inscriptions! an example being the )roto/Xorse language attested in the Elder 2uthar$ runic inscriptions! or very
well/$nown! such as Latin 0I)roto/5talicI1.
3istorical linguistics 0also diachronic linguistics1 is the study of language change. 5t has five main concerns7
to describe and account for observed changes in particular languages(
to reconstruct the pre/history of languages and determine their relatedness! grouping them into language
families 0comparative linguistics1(
to develop general theories about how and why language changes(
to describe the history of speech communities(
to study the history of words! i.e.! etymology.
Etymology is the study of the history of words / when they entered a language! from what source! and how their
form and meaning have changed over time.
5n languages with a long written history! etymology ma$es use of philology! the study of how words change from
culture to culture over time. *owever! etymologists also apply the methods of comparative linguistics to
reconstruct information about languages that are too old for any direct information 0such as writing1 to be $nown.
Ly analyCing related languages with a technique $nown as the comparative method! linguists can ma$e inferences
about their shared parent language and its vocabulary. 5n this way! word roots have been found which can be
traced all the way bac$ to the origin of! for instance! the 5ndo/European language family.
Even though etymological research originally grew from the philological tradition! nowadays much etymological
research is done in language families where little or no early documentation is available! such as Uralic and
%ustronesian.
The word etymology itself comes from the Gree$ $%&'( 0)tymon! true meaning! from 6etymos6 true1 and *+,'-
0l.gos! word1. The term was originally applied to the search of supposedly IoriginalI or ItrueI meanings of words!
on principles that are reAected as unscientific by modern linguistics. )indar employed creative etymologies to
flatter his patrons. )lutarch employed etymologies insecurely based on fancied resemblances in sounds. 5sidore of
eville6s Etymologiae was an encyclopedic tracing of Ifirst thingsI that remained uncritically in use in Europe
until the fifteenth century. Etymologicum genuinum is a grammatical encyclopedia edited at Bonstantinople in the
ninth century! one of several similar LyCantine wor$s. The fourteenth/century /egenda Aurea begins each vita of
a saint with a fanciful excursus in the form of an etymology.
The -ngelic -lhabet
by Aaron Leitch
Copyright 1999 C. "Aaron Jason" Leitch
#hen 4ohn Dee and Edward Welley received a new magic$al system from %ngelic beings in the late +PQQs! it
included information concerning the %ngelic language. #e have only small samples of the language7 including
the famed I_` %ngelic WeysI! and several tablets and seals containing Divine and %ngelic Xames. 5t seems to
possess it6s own unique grammar and syntax! as well as it6s own alphabet. The %ngels informed the two mages
that this was the language which all %ngels spea$! as well as being the original language of Eden! with which
%dam named 0in an occult sense1 all things in existence. The %rchangel Gabriel tells us the following on %pril ,+!
+P`U 0A rue and 0aithful 1elation p. T,/U17
whereby even as the mind of man is moved at an ordered speech! and is easily persuaded in things that are true! so
are the creatures of God stirred up in themselves! when they hear the words wherewithal they were nursed and
brought forth7 2or nothing moveth! that is not persuaded7 neither can any thing be persuaded that is un$nown. The
Breatures of God understand you not! you are not of their Bities7 you are become enemies! because you are
separated from him that Governeth the Bity by ignorance.
'an in his Breation! being made an 5nnocent! was also authoriCed and made parta$er of the )ower and pirit of
God7 whereby he not only did $now all things under his Breation and spo$e of them properly! naming them as
they were7 but also was parta$er of our presence and society! yea a spea$er of the mysteries of God( yea! with God
himself7 so that in innocency the power of his parta$ers with God! and us his good %ngels! was exalted! and so
became holy in the sight of God [*ebrew\ is not of that force that it was in his own dignity! much less to be
compared with this that we deliver! which %dam verily spa$e in innocency! and was never uttered nor disclosed to
man since till now! wherein the power of God must wor$! and wisdom in her true $ind be delivered7 which are not
to be spo$en of in any other thing! neither to be tal$ed of with man6s imaginations( for as this #or$ and Gift is of
God! which is all power! so doth he open it in a tongue of power! to the intent that the proportions may agree in
themselves7 for it is written! #isdom sitteth upon an *ill! and beholdeth the four #inds! and girdeth herself
together as the brightness of the morning! which is visited with a few! and dwelleth alone as though she were a
#idow.
Thus you see the Xecessity of this Tongue7 The Excellency of it! and the Bause why it is preferred before that
which you call *ebrew7 2or it is written! Every lesser consenteth to his greater. 5 trust this is sufficient.
The saga of the %ngelic language is recorded in Dr. Dee6s diaries. 5t begins on 'arch ,V! +P`U/ where the /iber
/ogaeth 0Loo$ of the peech 2rom God1 is revealed to Welley. The boo$ was described as being Iall full of
squaresI and written in a completely alien tongue. The characters used are the same ones that appear on the *oly
Table of )ractice! as well as the Lamen that Dee was to wear hidden away in a piece of white sil$ whenever he
called upon the %ngels.
Usually! the %ngelic language is studied in it6s English transliteration. Welley had originally seen /ogaeth written
in %ngelic characters! and the %rchangel 3aphael began the transmission of the text by naming each character one
by one. *owever! this was an extremely tedious and time/consuming process. Dee finally as$ed if 3oman
characters could be used instead! and the %ngels grudgingly consented. This was basically the last we saw of the
%ngelic characters.
The alphabet itself was shown to Welley on 'ay V! +P`U! directly upon a page in his Aournal! in a golden
0IyellowI1 color. *e was then able to trace the characters before the astral impression faded! and thus the alphabet
was recorded for our use today. *owever! beyond the already mentioned Table and Lamen! there is no existing
information on how the characters might be used! or what exactly they might mean. The purpose of this essay is to
address that issue! and to offer some historically sound methods of wor$ing with the %ngelic letters.
Language of Po4er
The letters number ,+! and their names were given in three sets of seven 0which Donald Tyson calls IfamiliesI1/
suggesting a highly mystical interpretation. Lelow is a table of the letters! along with their names and phonetic
values7
5amily of Pn 5amily of Tal 5amily of Pal
6 )n 0b1 + Tal 0m1 7 )al 0x1
8 Zah 0cH$1 9 Gon 0iHyHA1 : 'ed 0o1
G Ged 0gHA1 3 Xa 0h1 ; Don 0r1
D Gal 0d1 L Ur 0l1 < Beph 0C1
5 &r 0f1 P 'als 0p1 = Zan 0uHvHw1
- Un 0a1 > Ger 0q1 S 2am 0s1
E Graph 0e1 ? Drux 0n1 T Gisg 0t1
The largest clue to their use is suggested by the very nature of the %ngelic language itself. %s Gabriel explained
above! it is a magic$al language of power rather than an earthly spo$en tongue. 5t is obvious that not Aust any text
can be transliterated into the %ngelic characters! nor is it to be used for everyday speech. %s is evidenced by /iber
/ogaeth! it is literally a language of creative force.
5t seems to me 0and 5 am hardly the first to consider this possibility1 that the characters are ultimately similar to
3unes or &gham. Li$e %ngelic! these alphabets existed unto themselves! and were not simply fancy forms of
already/existing letters. 0uch as the various *ebrew/based magic$al alphabets7 'alachim! )assing the 3iver!
Belestial! etc. These can all be found in %grippa6s hree 2ooks of 3ccult 4hilosophy.1 5nstead! these alphabets
were used strictly for mystical purposes/ to inscribe holy obAects and texts. Each character is a magic$al sigil over
and above any relation to a phonetic value.
The %ngels themselves did have a thing or two to say about %ngelic writing! though it is admittedly cryptic. o
far! no one has been able to discover the specific mysteries implied by their descriptions. To begin with! each
letter of each word in the Weys was assigned a number/ though this stopped early in the process. 2or instance! the
word IaorgeI 0Le 2riendly Unto 'e1 was delivered as follows7
E The Vth. 2rom the right angle uppermost to the left! bQQ
G The +Uth. Descending! ,QQQ
3 The +bth. 2rom the center downward! ++QQ_
& The U,nd. Descending from the right angle to the center! U,QQQ
a The _bth. +T_QQQ descending. Ball it IaorgeI. [&f one syllable\
The first number 0Vth! +Uth! etc1 refers to the page number in /iber /ogaeth from which the letter was ta$en. Each
page 0or Table1 of /ogaeth represents an occult force! and the words contained in the Table are the words of
creation uttered by God to manifest that force. 0ee Genesis 5! and the many instances of IGod saidI1 Therefore!
each letter of every word in the %ngelic Weys was ta$en from a specific Table! and from a specific #ord of
Breation therein. Each word! then! is a compilation of various Divine 2orces! ma$ing each a specific creative
formula.
#hat follows the Table numbers in the above is anyone6s guess. 5t seems obvious that it has some relation to the
particular location of the letter on the Table. *owever! the pattern involved has yet to be discovered. Even if one
were to number every letter on a Table 0which is _T x _T squares large per side1! you would still not come up with
numbers as large as +T_QQQ. 5t is most li$ely that these numbers are not to be ta$en literally. 2or instance! it is
unli$ely that +T_QQQ is actually to be understood as one hundred ninety four thousand.
#hen Welley as$ed the %rchangel Gabriel about these numbers! he replied as follows 0A rue and 0aithful
1elation p. T,17
Lrother! what is the cause that all the #orld is made by numbersc The Xumbers we spea$ of! are of reason and
form! and not of merchants.
Every letter signifieth the member of the substance whereof it spea$eth. Every word signifieth the quiddity of the
substance. The Letters are separated! and in confusion7 and therefore! are by numbers gathered together7 which
also gathered signify a number7 for as every greater containeth his lesser! so are the secret and un$nown forms of
things $nit up in their parents7 #here being $nown in number they are easily distinguished! so that herein we
teach places to be numbered7 letters to be elected from the numbered! and proper words from the letters!
signifying substantially the thing that is spo$en of in the center of his Breator! whereby even as the mind of man is
moved at an ordered speech. [etc\.
Gabriel is! of course! discussing the gathering of the letters from their various positions in /ogaeth. *e also
implies the concepts of Gematria/ where occult meanings and relationships between words can be discovered by
finding their numerical values. *owever! Gematria depends on assigning numbers to each letter of the alphabet!
and applies most directly to languages that use their alphabetic characters as a number system as well. Thus! in
*ebrew! the letter IGimelI has the phonetic value of IGI as well as the numeric value of three. The letters in any
*ebrew word can be added for a numeric total/ which can then be wor$ed with after the fashion of numerology.
%ngelic characters are not given any such values. 5n fact! any given %ngelic letter might be related to many
different numbers throughout the text of the Weys. 2or instance! we have such examples as the following7
&s d +, 'apm d TVUT %cam d bVTTT
Bla d _PV %f d +T Xi d ,`
)d d UU )eoal d VTVUV &x d ,V
This merely scratches the surface of the odd numbers that appear in the %ngelic Weys. 5t also serves to illustrate
the complications in attempting to create a system of %ngelic Gematria. 2inally! it sheds no light at all upon the
large IpositionalI numbers given with the letters of the Weys. 5t is very possible that any form of %ngelic
Gematria will have to come from that system! utiliCing /iber /ogaeth itself.
:f The ?ames :f Sirits
#ith Gematria being left on the bac$ burner for now! we are left to question other possibilities of wor$ing with
the %ngelic language. Leyond what Gabriel tells us above! the diaries are silent concerning the sigil/li$e nature of
the characters. *owever! it is possible to study the methods used by mages of the past in wor$ing with their sacred
alphabets. Even 4ohn Dee himself was familiar with several techniques/ mainly concerning the use of *ebraic
characters/ which may have been exactly what Gabriel was referring to when he stated7 Iit is preferred before that
which you call *ebrew.I
The hree 2ooks of 3ccult 4hilosophy, written by *enry Bornelius %grippa in +PQT BE! has been invaluable to
my own studies of the %ngelic 0or IEnochianI1 material. 5t is well $nown that Dee himself owned a copy! and that
elements of that wor$ can be found throughout his %ngelic system of magic$. The boo$ is even mentioned once in
the diaries! in connection with the reception of the T+ 0or T,1 )arts of the Earth. Therefore! when we are faced
with such an enigma as the %ngelic alphabet 0and how to use it1! it ma$es sense to return to this source material/
to see what %grippa had to say concerning sacred alphabets and characters.
The relevant sections of %grippa6s wor$ are contained in Loo$ Three! and begin with a chapter entitled!
appropriately enough! 3f he ongue 3f he Angels, And 3f heir #peaking Amongst hemselves, And 5ith "s
0Bh. ,U1. Xo doubt this was of profound interest to Dee and Welley. &ver the next few chapters! we are taught
various methods of discovering and formulating names for %ngels and spirits set over anything in existence. They
include everything from obtaining the names in a code/li$e fashion from sacred scripture to creating new names
through various 8abalistic cipher tables. *e tells us in chapter ,_7
Lut the masters of the *ebrews thin$ that the names of angels were imposed upon them by %dam! according to
that which is written! the Lord brought all things which he had made unto %dam! that he should name them! and
as he called anything! so the name of it was. *ence! the *ebrew mecubals thin$! together with magicians! that it is
in the power of man to impose names upon spirits! but of such a man only who is dignified! and elevated to his
virtue by some divine gift! or sacred authority.
Lut because a name that may express the nature of divinity! or the whole virtue of angelical essences cannot be
made by any human voice! therefore names for the most part are put upon them from their wor$s! signifying some
certain office! or effect! which is required by the quire of spirits7 which names then no otherwise than oblations!
and sacrifices offered to the gods! obtain efficacy and virtue to draw any spiritual substance from above or
beneath! for to ma$e any desired effect.
&f course! %grippa uses *ebrew throughout the text to illustrate the various methods of name generation.
*owever! he also states the following in chapter ,b7
because the letters of every tonguehave in their number! order! and figure a celestial and divine original! 5 shall
easily grant this calculation concerning the names of spirits to be made not only by *ebrew letters! but also by
Bhaldean! and %rabic! Egyptian! Gree$! Latin! and any other! the tables being rightly made after the imitation of
the precedents.
This $ind of philosophy ta$es on a deeper significance when we remember that Dee and Welley were reading this
in +P`U. 5t sheds much light on Gabriel6s statement that %ngelic Iis preferred before that which you call *ebrew.I
'y proposal is twofold7 5n the first place! the %ngelic alphabet can be used in place of *ebrew in the various
calculatory methods. 5n the second place! there is reason enough to believe that the alphabet might have been
meant for use in Aust this fashion.
:f 5inding :ut The ?ames of Sirits, -nd Geniuses 5rom The Disosition :f The /elestial 6odies
uch is the name of chapter ,V! boo$ three! of %grippa6s 3ccult 4hilosophy. This technique is one that 5 find
extremely fascinating! yet it has been a largely ignored subAect in current magic$al literature. The chapter begins
as follows7
The ancient magicians did teach an art of finding out the name of a spirit to any desired effect! drawing it from the
disposition of the heaven( as for example! any celestial harmony being proposed to thee for the ma$ing an image
or ring! or any other wor$ to be done under a certain constellation thou will find out the spirit that is the ruler of
that wor$
% vitally important aspect of renaissance magic$ was the observance of astrological forces. 5n fact! a large portion
of classical occult literature is devoted to magic$al timing based upon the results of natal chart interpretations.
4ust as 4ohn Dee used this art to schedule a time for the 8ueen6s inauguration ceremony! so too would he have cast
horoscopes to determine the best times for his magic$al operations.
5n this way! strict magic$al timing was often observed/ during which various shamanic wor$ings could be done.
This included astral trips! spirit wor$! the fashioning of talismans! divinations! etc/ all without much use of
ceremony. The natural astrological forces of the time! along with the right prayers 0perhaps some incense and holy
water1 was all that this form of magic$ required. 5t is from these practices that we hear of spirits ruling for limited
periods of time! and texts that suggest spirits can only be contacted under specific astrological conditions.
The process outlined by %grippa begins with this step/ casting a natal chart for the desired time of wor$ing. 5f a
chart shows itself to be particularly bad! it is assumed that one will automatically cast a new chart and reschedule.
&nce the final chart is drawn! it is first necessary to calculate the degree of the ascendant. %grippa has us! then!
place the *ebrew letter %leph in that degree! and continue to write the alphabet all the way around the chart. Each
degree is assigned a single letter! and the direction is countercloc$wise to follow the natural course of the twelve
Codiacal signs. #hen the end of the alphabet is reached! one simply begins anew with the letter %leph! and
continues onward until all UVQ degrees have been filled. 05t is highly unli$ely that anyone would actually draw a
chart massive enough to display all UVQ letters. *owever! with the number of letters in the alphabet being $nown
[*ebrew d ,,! %ngelic d ,+\ one can easily calculate the proper letter for any given degree1.
2rom there one only needs to interpret the chart as normal! ma$ing distinctions between the planets with good
dignities and those with bad. The concept is to focus on the specific forces one needs most for the wor$ at hand/
in a fashion not at all unli$e talismatic imaging. 5gnoring the wea$er and negative aspects of the chart! one can
IcompileI those forces that are necessary to the magic$al goal. These are! in a literal sense! the 2orces 0and thus
Gods! %ngels! etc1 which one is attempting to call upon.
Each degree which contains a desired aspect of the chart now has a letter associated! and these are gathered
together to formulate a name. The ordering follows the same pattern as above/ begin at the ascendant! and
continue countercloc$wise from there. The letters of the name fall in order as they are encountered along the way.
% IqliphothicI name can also be derived using the same process. *owever! the entire process must be followed
cloc$wise! or against the natural order of the signs. %grippa also suggests that some began this counter/process
from the degree of the descendent! rather than the ascendant. The text goes on to give further methods of
performing the same process! though 5 leave study that for the aspiring student.
The name that is thus derived is the genius or intelligence set over that specific time! and the mage6s magic$al
wor$. %grippa explains that this method can even be used to find the name of one6s personal genius! or 0as we call
it today1 the Lesser Guardian %ngel. This is the %ngel you learned about while growing up/ who sits on your right
shoulder and attempts to tal$ you out of bad deeds. This is the Guardian %ngel that is often credited with $eeping
people from physical harm. %lso! as %grippa explains! this is the %ngel set over your home! career! and all such
mundane aspects of your life. 5 should note that this is not the *oly Guardian %ngel described in the Loo$ of
%bramelin! who is more concerned with your ultimate spiritual evolution.
%s for calculating the Lesser Guardian6s name! one only needs to construct their own natal chart! and proceed as
instructed above. To ma$e the name proper in a 8abalistic sense! one must append the name with IElI or IeahI in
the style of the hem ha'ephoresh. &n the other hand! it would seem that this is not necessary when wor$ing
with something other than one6s personal genius. *owever! if one is using the %ngelic alphabet! there should be
no need for this convention in any case.
:f The /alculating -rt :f Such ?ames 6y The Tradition :f /abalists
This is the name of chapter ,b in the hird 2ook of 3ccult 4hilosophy. This section gives us further methods of
wor$ing with the name obtained via the methods of chapter ,V. 5t involves permutating the name of the
intelligence to discover an entire hierarchy of %ngels who rule above the intelligence himself. 5t is possible to
generate nine such names/ one for each of the nine traditional %ngelic Bhoirs7 the %ngels! %rchangels!
)rincipalities! Zirtues! )owers! Dominations! Thrones! Bherubim! and eraphim. 0ee %grippa! Loo$ 55! Bh. +,7
3f the 6umber of 6ine, and the #cale hereof.1.
To begin with! 5 will illustrate the table used in this procedure! replacing the *ebrew with %ngelic characters7
Table of the Seven Planets
Luna 'erc Zen ol 'ars 4up at 7ood
T 6 8 G D 5 - E 6
S + 9 3 L P > ? 8
= 7 : ; < = S T G
< 6 8 G D 5 - E D
; + 9 3 L P > ? 5
: 7 : ; < = S T -
7 6 8 G D 5 - E E
? + 9 3 L P > ? +
> 7 : ; < = S T 9
P 6 8 G D 5 - E 3
L + 9 3 L P > ? L
3 7 : ; < = S T P
9 6 8 G D 5 - E >
+ + 9 3 L P > ? ?
E 7 : ; < = S T 7
- 6 8 G D 5 - E :
5 + 9 3 L P > ? ;
D 7 : ; < = S T <
G 6 8 G D 5 - E =
8 + 9 3 L P > ? S
6 7 : ; < = S T T
Evil at 4up 'ars ol Zen 'erc Luna
This table consists of two outer columns and seven inner columns. The right/hand outer column 0mar$ed IgoodI1
is called he Entrance of the 7ood Angels! and includes the %ngelic alphabet written in order from top to bottom.
The left/hand outer column 0mar$ed IevilI1 is called he Entrance of the Evil Angels! and includes the %ngelic
alphabet written in reverse order. The center columns include the alphabet written from left to right! in seven letter
sections! repeating all the way to the bottom of the table. Each of these seven columns is assigned one of the
)lanetary forces.
5n order to use this table! one must enter the desired name 0i.e./ that obtained from the natal chart1 into the proper
outer column. Those names ta$en from the ascendant countercloc$wise will enter from the right! and those ta$en
from the descendent countercloc$wise will enter from the left. To illustrate the process! 5 will use the %ngelic
name of I'adimiI. 0This was an %ngel that appeared to Dee and Welley quite often.1 #e will pretend that we
have generated this name via an astrological chart. The following illustrates 'adimi6s name in %ngelic characters!
along with some fictional planetary attributes as if ta$en from the degrees of our chart.
' + 'ars
% - ol
D D 'ercury
5 9 4upiter
' + Zenus
5 9 Luna
5n this example! we would assume that these six planets fell in favorable aspects! while aturn somehow fell
wea$ly or negatively and was thus excluded. 'adimi being a good %ngel! we would loo$ for the ' 0Tal1 in the
right/hand column. Tal is associated with 'ars in this instance! therefore we scan to the center column of 'ars.
There we find the letter ) 0'als1! which becomes the first letter of the new name. The next letter of 'adimi6s
name is % 0Un1! and is associated with ol. 2inding Un in the right/hand column and moving across to the column
of ol! we find the letter a 0Beph1. The process continues in this pattern until we run out of letters. 2or ease of
study! 5 will illustrate the new name as it appears in %ngelic characters7
) P 'ars
a < ol
W 8 'ercury
S 4upiter
* 3 v Zenus
f 7 Luna
This process has granted us a new %ngelic name. The name I)C$shxI is merely the first of nine possible names
that can be generated with this table! and 0according to %grippa1 is a member of the %ngelic Bhoir $nown as the
I%ngelsI. This name can then be entered into the table Aust as we did with 'adimi! to generate a name for the
next %ngelic Bhoir! the %rchangels7 This can then be entered into the table to generate a name for the
)rincipalities. The process can continue until you reach the choir of eraphim. 2or the purposes of practical
magic$! 5 will add the descriptions of the powers of each *ierarchy as given in the 2ook of the #acred 8agic of
Abramelin the 8age 0Dover! p. ,VQ/+1
The :rder of the 5irst 3ierarchy (Serahim, /herubim, Thrones)
The spirits of the eraphim serve to ma$e thee respected and loved for wor$s of Bharity! for that which regardeth
honors and other similar things. 5n matters of great importance they themselves act( but for matter base and
carnal! it is their subAects who do serve and operate.
The :rder of the Second 3ierarchy (Dominions, =irtues, and Po4ers)
The property of the Dominions is to dominate( to procure liberty( to vanquish enemies( to give authority over
)rinces! and over all $inds of persons! even Ecclesiastics. The Zirtues are proper to give strength and force in all
matters whether of #ar or )eace( and in all &perations concerning the health of men! and in all maladies for
which the fatal hour hath not yet been written. The )owers have the dominion over all the 5nferior pirits( and this
is why they can serve in all things in general! good or evil! and they be straight and right in execution! very
punctual! very prompt! and exact in their &perations.
The :rder of the Third 3ierarchy (Princes, -rchangels, and -ngels)
The )rinces comprise pirits capable of giving Treasures and 3iches! and they or their dependants serve in all the
&perations! being a mass composed of different &rders! and they are sufficiently truthful. The %rchangels be
proper to reveal all &ccult matters! and all $inds of secret things! such as obscure points in Theology and the Law.
They serve with great diligence. The %ngels in general do operate each one according unto his quality. There be
an infinite number of them. They command the 2our )rinces and the Eight ub/)rinces [of the 8liphothic
hierarchy\ in all $inds of &perations.
%nd this ends our exploration of %grippa/style name generation! utiliCing the %ngelic alphabet Ibefore that which
we call *ebrewI. #hat 5 have outlined here merely scratches the surface of possibilities to be found within the
hree 2ooks of 3ccult 4hilosophy as well as other bodies of classical magic$al literature. 5 invite the reader to
continue this research! and to see which methods generate the most useful %ngelic names.
%grippa ends chapter ,V with the following. 5 have decided to sign off my own essay with these words! as 5 feel
that Dee himself li$ely read them and too$ them close to heart7
%nd these names being thus distributed according to the proportioned numbers to the starry account! [\ whilst the
mind being astonished at the obscurity of them! and deeply intent! firmly believing that something divine is under
it! doth reverently pronounce these words! and names! although not understood! to the glory of God
Enochian is a language. 5t expresses! through a semiotic apparatus! a constellation of impressions! ideas! and
conceptions in context to a world be it spiritual! physical! or somewhere between. This is an exceedingly broad
understanding of language and in the case of Enochian it is necessary to be broad. %side from this broad view
Enochian adheres to very few linguistic rules in a consistent manner.
5t seems to have all the trapping of a natural language. 5t has some structures of case! or a root system! or
declensions! conAugations! enclitics! inflections! and a consistent vocabulary / yet all these seem to be so highly
irregular 0or so complex1 that any method of ma$ing systematic sense of them is fruitless. urely! this owes! in
great deal! to the small volume of text in the language. The conAugation of the verb I5 sayI will ma$e the first
strata 0the truly linguistic aspect1 clear while the numerical system will show the latter 0how the system seems to
ma$e little or no sense1.
5t is clear that it has some grammatical forms and consistent vocabulary which ma$es it extremely tantaliCing.
Due to the highly liturgical nature of the calls it is not possible to glean enough evidence from the texts to provide
us with a better mode of critical attac$ on the language itself. 5n the end! we are left with the calls of which can be
said that they are apocalyptic in nature 0li$e much of the sessions with the spirits1 and seem to deal with a final
Audgment by G/d upon the world.
3egarding &rthography and )honology! the language contains ,+ letters virtually all pronounced li$e English.
There are hard and soft vowels( consonants usually adhere to English rules of pronunciation! and there are no
signs of verifiable non/English sounds 0such as those found in emitic languages for instance1.
Enochian seems to use a root system in that a base form is augmented with prefixes and suffixes to determine
grammatical forms. This is the way in which Enochian expresses verb forms7
&' d possible root for Ito understandI! Ito $nowI
&'a d IunderstandingI / ubstantive form
&'ax d I$nowI verb form for second person singular
ix&'axip d ILet it be $nowI a passive verb form. This form is actually similar to the *ophal
form in *ebrew in expression although not in construction.
Enochian tends to show a cross current of linguistic apparati. There is some evidence of case 0which was already
lost in English by Dee6s day although his $nowledge of Latin would ma$e him used to dealing with such a
linguistic system1 in Enochian. There is a nominative! accusative! comparative! genitive! dative! and possibly an
instrumentalHablative. The problem in establishing clear cases grammar 0or really the sure existence of case1 is the
sheer lac$ of text. There only exist around ,PQ words and over half of those only occur once. Xormal
conversational language requires around UQQ to PQQ words and the second language is clearly not conversational.
5t is highly liturgical! very theological technical! and extremely economic with a single IEnochian wordI being
rendered for long strings in English. ometimes! in contrast to this case theory! there are a copious amounts of
particles and prepositions which do not seem to alter the inflected word which is indicative of a case/less
language although the irregularity of particles does not spea$ to a particle based language.
Baosg0a1 / Earth
Baosg0a1 / non. sing.
Baosgi / acc. sing.
Baosgin / comp sing.
Baosgo / gen. sing.
Baosgon / dat. ing
%t it has been pointed out by others! Enochian seems to show some signs of etymology. Liblical words in
defective forms are often lin$ed in syntax to Enochian words. Wnown examples are7
angelard / though 0from IangelI1
christeos / let there be 0from IBhristI or the Gree$ form1
naCarth / pillars of gladness 0from IXaCarethI1
luciftias / brightness 0from the Latin Ilux! lucisI or directly from IluciferI1
5t has some structures of case! or a root system! or declensions! conAugations! enclitics! inflections! and a
consistent vocabulary / yet all these seem to be so highly irregular 0or so complex1 that any method of ma$ing
systematic sense of them is fruitless. urely! this owes! in great deal! to the small volume of text in the language.
The conAugation of the verb I5 sayI will ma$e the first strata 0the truly linguistic aspect1 clear while the numerical
system will show the latter 0how the system seems to ma$e little or no sense1.
There are some partial conAugated forms. There seems to be three tense 0past! present! and future 0perhaps an
imperfect1. )assive and ubAunctive forms exist although in no consistent manner. %n example7
The root appears to be G&*/ with suffixed forms to indicate conAugation much li$e Latin or &ld English.
G&*U / 5 say 0+ )resent. ingular. %ctive.1
G&*E / *e says 0U )res. ing. %ct.1
G&*5% / #e say 0+ )res. )lural. %ct.1
G&*&L / aying 0possible gerundive form! participle1
G&*&X / They *ave po$en 0U 5mperfect. )lu. %ct.1
G&*UL5' / 5t is aid 0U in. )assive.1
The being verb in various forms7
a53 0a53D&1 / 5 %m 0+ )res. ing. %ct.1
GE* / eou %re 0, )res. ing. %ct.1
5 / *eHheH5t 5s 0U )res. ing. %ct.1
B*55 0B*51 0B*5&1 / 0U )res. )lu. %ct.1
% 0a53&)1 / #as 0pastHperfect sing. particlec %ct.1
a53&' / #ere 0pastHperfect plu. particlec %ct.1
T35%X / hall be 0futureHimperfect intensivec singHplu particlec %ct.1 g 5n Dee6s time the use of IshallI was not
grammatically limited to + singHplu act. as some English grammars indicate.
L&L) / Le Thou 05mperative1
5)%' / 5s Xot 0)res. sing. %ct. Xegation1.
5)%'5 / Bannot Le 0)res. sing. Xeg. lin$ed with an infinitive formc1
There is no evidence of a dual form. Xeedless to say! a very scant grammar. 5t is impossible to recreate forms
based on other examples due to the paucity of examples and the irregularity of the present ones. )ossible roots
include a53 and 5)%' although this is tenuous. The verbs appear to occur in combination with pronoun particles
0li$e caseless languages1.
)ronoun include7
&L / 5
5L 0G1 / eou
T&f 0TLL1 / &f *im 0Genitivec )ossessivec1
T5% / *is 0adAectival form1
)5 / he
T5LL / *er 0%ccusativec1
T5&LL / 5n *er 0%blative or Locativec1
a / They
)ossible roots here are TLL with a possible 5 infix for 2em. gender. 5f this is the case! this is an example of
infixing. There are no articles to spea$ of although there are some demonstrative forms which act similarly.
The language is concerned with apocalyptic revelations many of which contain numerical importance. There are
also overtones of mystical numerology. There seem to be several names for single numbers 0the number + has at
least six different forms! the number , at least three.1
Enochian -lhabet, Gematria @ Letter Essences
In +eric /asaubonAs. - True and 5aithful ;elation of What Passed for so +any 9ears 6et4een Dr1 Bohn
Dee and Some Sirits, 4e get the follo4ing Cuote.
7abriel9Every /etter signifieth the 8ember of the substance whereof it speaketh. Every word signifieth the :uiddity of the
substance. he /etters are separated, and in confusion; and therefore, are by numbers gathered together; which also
gathered signify a number; for as every greater containeth his lesser, so are the secret and unknown forms of things knit up in
their parents; 5here being known in number they are easily distinguished, so that herein we teach places to be numbered;
letters to be elected from the numbered, and proper words from the letters, signifying substantially the thing that is spoken of
in the center of his <reator, whereby even as the mind of man moved at an ordered speech, and is easily persuaded in thing
that re true, so are the creatures of 7od stirred up in themselves, when they hear the words wherewithal they were nursed and
brought forth; 0or nothing moveth that is not persuaded; neither can anything be persuaded that is unknown.
Dra4ing on the Cuote and recogniDing that every letter contains an essence of subtance, Patricia ShafferAs
ELetter EssencesA are also included1 To Cuote from the introduction to her 4or0.
These are the essences, 4hich I have attributed to the individual letters1 -s I understand it, each letter reresents a
sound, 4hich is universal to the mind of man, and so, the essential meaning echoes 4ithin every so0en language1 The
shaes of the letters or glyhs may vary, but the sound is 4hat imarts the meaning1 Each of the individual letters
reflects a ure sound, but certain combinations (e1g1, ch, sh, h) give mi!ed sounds, and thus, the meanings of such
dyads are subtly enhanced1
?ote that she differentiates bet4een the letters I and 9 as 4ell as F and =1 6ut her ta0e on using sounds to
reresent archetyal Cualities in human consciousness is not all that different from the symbolic
reresentation of the English alhabet in Liber GHI1
B L )e + 3oot of Bhoice7 duality! multiplicity! choose
0between1
K W Zeh , 3oot of Bausation7 ma$e! cause! create!
because 0of1
+
G G Ged U 3oot of Xegation7 not! none! nothing! nor
D D Gal _ 3oot of )ossibility7 possible! potential
F 2 &rth P 3oot of 'anifestation7 manifest! show!
appear
A % Un V 3oot of Time7 begin! beginning( new! anew(
again! then! when
E E Graph b 3oot of #ill7 will! intend! purpose! intention
M ' Tal ` 3oot of Wnowledge7 mind! $now!
awareness! $nowledge
+
*ere! )atricia haffer uses the English letter hB" indicating a soft sound and has provided no essence for the hard sound of
hW."
I 5 Gon T 0%s h5"1 3oot of EnergyHEnablement7
energiCe! enable! ability
0%s he"1 3oot of 5ncrease7 grow! increase! more! faster
H * Xa/hath +Q 3oot of Lreath7 breath! life
L L Ur ,Q 3oot of )rimacy7 first! primary! one(
providence
P ) 'als UQ 3oot of Establishment7 space! place! put! set(
here! there! where
Q 8 Ger _Q 3oot of Desire7 desire! love
N X Drun PQ 3oot of 5nteriority7 within! inside! self/hood
X f )al VQ 3oot of LimitationHDecrease7 limit! lessen!
lower! slower
O & 'ed bQ 3oot of Leing/Lecoming7 being! becoming(
existence
R 3 Don `Q 3oot of 'ovement7 move! motion! emotion!
motivate! change
Z a Beph TQ 3oot of Division7 divide! separate! other
0than1! part0s1 of
U U Zal +QQ 0%s hU"1 3oot of Light7 light! enlightenment
0%s hZ"1 3oot of Dar$ness7 dar$! hidden
0therefore! un$nown1( reflection
S 2am ,QQ 3oot of )ossession7 have! acquire! gather(
together
T T Gisa UQQ 3oot of Lalance7 balance! Austice! adAust!
Audge! equilibriate
Scrits
First Enochian Script
second form of the Enochian script
Le!icon
J
Word 'eaning
A Un 0%1
A/ with/
A in! with
A/BABALOND harlot! 0of an1
A/BAI stooping!0to the1( attac$ing
A/C/LONDOH $ingdom! in thy $ingdom
A/CROODZI beginning! thy beginning
A/DEUNE across
A/SOBAM whom! 0on1
AABCO E)*53&T5B B3& %53 &2 #%TE3
AAETPIO enior '%3 of 253E
AAI among you
AAI among
AAIOM among us
AAIOM among us
AALA placed you
AANAA Werubic %rchangel #%TE3 &2 253E
AAO %'&XG
AAO %'&XG 0alt.sp.1
AAOZAIF enior 4U)5TE3 of %53
AAPDOCE enior ZEXU of 253E
AB D%UG*TE3 &2 D%UG*TE3 &2 L5G*T
ABALPT ephirotic Bross E%3T* &2 E%3T*
ABAMO ervient %ngel E%3T* &2 %53
ABARAMIG )3E)%3E
ABIORO enior '%3 5X %53 T%LLET 0Z%31
ABMO ervient %ngel E%3T* &2 %53
ABOAPRI E3ZE! LET T*E' E3ZE e&U
ABOZA Werubic %rchangel %53 &2 E%3T*
ABRAASSA provided
ABRAMG prepared! i have prepared
ABRAMG prepared! i have prepared
ABRAMG prepared! i have prepared
ABRAMIG prepared! are prepared
ABRIOND )%3T 5X )&)
ACAM bVTT
ACAR ervient %ngel 253E &2 253E
ACCA ervient %ngel 253E &2 %53
AKELE D%UG*TE3 &2 L5G*T
A/CHILDAO diamond! with
ACHAPH %ugoeides
ACHOS +, Guardian %ngels
ACO of the holy pentagram
,
Line items in 3ed are new words found in Liber Loagaeth( line items in blue are new words found in the Table of +,( line items in green are found on the
perimeter of the *oly Table of )ractice. Line items in orange are new words found in the Lamen.
ACRAR ervient %ngel 253E &2 253E
ACUCA ervient %ngel 253E &2 %53
ACZINOR enior 4U) of E%3T*
AD in the third! with the third
ADAMH with hosts of the Lord 0stars1
ADAPH Unto 0or 2rom1 the Lord of *osts
ADEPH Unto 0or 2rom1 the Lord of *osts
ADEPOAD #ithin the U
rd
*eaven
ADGMACH much glory
ADGT can
ADIN the un of God from the divine
ADIPR the un of God from the U
rd

ADIRE ervient %ngel 253E &2 253E
ADMA possess the third
ADNA obedience
ADLPH among the first to give
ADOEOET enior 4U)5TE3 of 253E
ADOIAN face! the face
ADON the face 0of God1
ADOPA Werubic %rchangel %53 &2 253E
ADPHAHT unspea$able
ADPUN #ith strong fire
ADRA involutes
ADRAMAN X%'E &2 %X EZ5L )535T
ADRE ervient %ngel 253E &2 253E
ADROCH mount! in the olive mount
ADRPAN cast down
ADRPHT casting down 0crowley1
ADVORPT )%3T 5X TEf
AETPIO enior '%3 of 253E T%LLET
AF +T
AFFA empty
AFLAFBEN DEE6 G&&D %XGEL
AG no! none
AGAN not the on of on of Light
AGEFF the Trinity 0U1 manifests
AGEMATOM the Trinity 0U1 echoes from the _
th

AGES not the _th
AGGS the 'agus
AGIOD mortal
AH innerHhigher self
AHAH inmost God
AHAOZPI enior ZEXU of %53
AHMLICV enior 'E3 of E%3T*
AIAOAI ephirotic Bross E%3T* &2 %53
AIDROM enior '%3 of E%3T* T%LLET
AIDROPL governor
AIGRA ervient %ngel %53 &2 E%3T*
AIRA ervient %ngel %53 &2 E%3T*
AISRO )3&'5E! T*E )3&'5E
AHO in sacred measure
ALA place
ALAR settled! have settled
ALCA Audgment 0c1
ALDARAIA will of God 0c1
ALDI gathering! of gathering
ALDON gathered together 0they1
ALDON gird up
ALDON gather up
ALGLA invo$e the &ne
ALHCTGA enior ZEX of E%3T*
ALIDA one in name with
ALLAR bind up
ALNDVOD enior LUX% of 253E
ALOAI ephirotic Bross 253E &2 %53
ALPUDUS aodiacal Wing B%XBE3
ALPOD infinite
ALSPLAN among the angels
AMBRIOL )%3T 5X L&E
AMCHIH the on of Light is with the T
AMGEDPHA 5 begin anew
AMIDAN fixed to the on of on of Light/'ercury
AMIPZI fastened! 5 fastened
AMIRAN yourselves
AMLOX ervient %ngel #%TE3 &2 253E
AMMA cursed
AMOX ervient %ngel #%TE3 &2 253E
AMPHAN bound by the on of Light
AMUDAS wherefore ye are cursed
AN &X &2 &X &2 L5G*T! 'E3BU3e
ANAA Werubic %ngel #%TE3 &2 253E
ANAEEM ephirotic Bross #%TE3 &2 E%3T*
ANANAEL wisdom! of the secret wisdom
ANDISPI )%3T 5X a&'
ANETAB government! in government
ANGELARD thoughts! his thoughts
ANGPOI ephirotic Bross %53 &2 E%3T*
ANODOIN enior 'E3BU3e of 253E
ANOLPHE the on of Light
ANS the on of on of Light is the *oly )entagram
AOAYNNL +T '5X5TE3 &2 ZEXU
AOIDIAB VT* '5X5TE3 &2 &L
AOIVEAE stars! the stars
AOURRZ ephirotic Bross 253E &2 %53
AOZPI % G&D/X%'E &2 %53 T%LLET
APACHANA L5'e T*5XG '%DE &2 DUT
APDOCE enior ZEXU of 253E T%LLET
APHLAFBEN DEE6 G&&D %XGEL 0alt. sp.1
APHRA Werubic %rchangel #%TE3 &2
APILA liveth
APLST ervient %ngel %53 &2 253E
APST ervient %ngel %53 &2 253E
AR that
AR to fan or winnow
ARBIZ ephirotic Bross E%3T* &2 E%3T*
ARCHAD spread amongst the third
ARCHADS spread amongst the third is the Daughter of Light
ARCHAS the Daughter of Light is spread amongst the third
ARDEN The Universal 'ind
ARDZA ephirotic Bross %53 &2 %53
ARFAOLG aodiacal Wing T%U3U
ARGEDCO invo$e 0c1
ARGRASPHE the Daughter of Daughter of Light becomes 8ueen of the 'oon
ARINNAP enior %TU3X of 253E
ARN EB&XD %ET*e3
ARNI the Least
ARP conquer 0c1
ARPHE descend
ARSETH wailing in their places
ARSL % G&D/X%'E &2 #%TE3 T%LLET
ARTH gladness! of gladness
ARVIN God"s glory spread out
ARZULGE X%'E &2 EZ5L )535T
ARXE for the Daughter of Light
AS was
ASEV 3eflected! hwas reflected"
ASCHA G&D
ASCHEDH God receives
ASCLEH divine will
ASCO this God
ASYMP another! with another
ASMT Werubic %ngel 253E &2 E%3T*
ASP ,+T %ET*e3
ASPIAN 8U%L5T5E! 5X T*E53 8U%L5T5E
ASPIAON )%3T 5X DE&
ASPT before
ASTEL meaning un$nown
ASTO was also this
ASTRAPHOS 0was1 reflected in the East on the ecliptic
ATAPA ephirotic Bross 253E &2 #%TE3
ATH D%UG*TE3 &2 D%UG*TE3 &2 L5G*T
ATRAAH girdles! your girdles
AU hortened name of %ve! on of on of Light
AUDCAL gold! philosophical mercury
AUDROPL governor
AVABH hiacynth! of hiacynth
AVAVAGO thunders of increase
AVAVAGO thunders! the thunders
AVAVOX pomp! his pomp
AVDROPT )%3T 5X T%X
AVE &X &2 &X &2 L5G*T! &L
AVINY millstones
AVTOTAR enior 'E3BU3e of %53
AVZNILN ,XD '5X5TE3 &2 LUX%
AX surround
AXA surround the one
AXIR ervient %ngel E%3T* &2 E%3T*
AXO microcosm
AXTIR ervient %ngel E%3T* &2 E%3T*
AXZIARG )%3T 5X )%a
AZDOBN D%UG*TE3 &2 L5G*T
AZIAGIER harvest! li$e unto the harvest
AZIAZIOR li$eness! in the li$eness
AZIEN hands! on whose hands
B )a 0L1
BAB power! ability! possibility
BABAGE south! in the south
BABAGEN south! of the south
BABALEL angel of mars in mars! $ing
BABALON wic$ed! the wic$ed
BABALOND harlot! a
BABALUN L%L%L&X
BABAPON VT* '5X5TE3 &2 L3&3GE
BABEPEN VT* '5X5TE3 &2 %TU3X
BABLIBO %XGEL &2 &L 5X LUX%
BAEOVIB righteousness
BAG ,`T* %ET*e3
BAGENOL %XGEL ZEXU 5X LUX%! )35XBE
BAGIE fury! of fury
BAGLE for
BAGLE for whyc
BAGLE because
BAGLE whyc
BAGLE for
BAGLE whyc
BAGLE because
BAGLEN because
BAGNOLE angel venus in sol
BAHAL cry aloud
BAI stooping! soaring down
BALCEOR %XGEL %TU3X 5X 4U)5TE3
BALDAGO %XGEL 4U)5TE3 5X 'E3BU3e
BALIGON %XGEL ZEXU 5X ZEXU! W5XG
BALIT Austice! the Aust
BALT Austice
BALT Austice! of Austice
BALTAN Austice! in his Austice
BALTIM Austice! fury or extreme Austi
BALTOH righteousness! of righteousnes
BALTOH righteousness! of
BALTOHA righteousness! for my own
BALYE salt! of salt
BALZARG stewards
BALZIZRAS Audgement! the
BAM forgotten 0schuler1
BAMASAN X%'E &2 % GU%3D5%X %XGEL
BAMNODE %XGEL %TU3X 5X LUX%
BAMS forget! let them forget
BANAA Werubic %rchangel #%TE3 &2 253E
BANZES generation
BANSSZE +T '5X5TE3 &2 %TU3X
BAPNIDO %XGEL &2 '%3 5X ZEXU
BAR prince
BARCES X%'E &2 *%G&XEL6 E%L
BARFORT %XGEL 'E3BU3e 5X LUX%
BARIGES %XGEL &2 &L 5X 'E3BU3e
BARMA X%'E &2 % DE'&X
BARMAN X%'E &2 % DE'&X
BARNAFA %XGEL &2 &L 5X 4U)5TE3
BARTIRO %XGEL 4U)5TE3 5X %TU3X
BASGIM day
BASLEDF %XGEL LUX% 5X ZEXU
BASMELO %XGEL 4U)5TE3 5X &L
BASP substantial
BASP substantial
BASPALO %XGEL LUX% 5X 'E3BU3e
BATAIVA W5XG &2 %53 T%LLET 0Z%31
BATAIVAH W5XG &2 %53 T%LLET
BATAIVH W5XG &2 %53 T%LLET 0Z%31
BAZCHIM )%3T 5X DE
BAZM midday! noon
BAZME midday! the
BAZPAMA %XGEL 'E3BU3e 5X '%3
BBAIGAO ,XD '5X5TE3 &2 4U)5TE3
BBALPAE U3D '5X5TE3 &2 4U)5TE3
BBANIFG _T* '5X5TE3 &2 4U)5TE3
BBARNFL +T '5X5TE3 &2 4U)5TE3
BBASNOD VT* '5X5TE3 &2 4U)5TE3
BBOSNIA PT* '5X5TE3 &2 4U)5TE3
BBOSNIA PT* '5X5TE3 &2 4U)5TE3
BDOPA Werubic %rchangel %53 &2 253E
BEFAFES %XGEL &2 '%3 5X &L!)35XBE
BEFES Z&B%T5ZE B%E &2 LE2%2E
BEIGIA &X &2 L5G*T! 'E3BU3e &3 %TU3
BELMAGEL WELLe6 EZ5L %XGEL
BELMARA %XGEL LUX% 5X 4U)5TE3
BEN %XGEL #*& %))E%3ED T& D. Y W.
BENPAGI %XGEL ZEXU 5X 4U)5TE3
BERIANU un$nown
BERMALE %XGEL ZEXU 5X '%3
BERNOLE %XGEL 'E3BU3e 5X &L
BESGEME %XGEL 4U)5TE3 5X ZEXU
BEVEGJAH Boagula( gathering all! gathering the %LL
BIA voices! your
BIAB stand
BIAL Z&5BE! T*E Z&5BE
BIEN Z&5BE! 'e Z&5BE
BYAPAOL ,XD '5X5TE3 &2 L3&3GE
BYAPARE ,XD '5X5TE3 &2 %TU3X
BIGLIAD comforter! in our
BYNEPOR %XGEL 4U)5TE3 5X 4U)5TE3!W5XG
BINODAB %XGEL ZEXU 5X 'E3BU3e
BINOFON %XGEL &2 '%3 5X 'E3BU3e
BITOM 253E X%'E! T%LLET &2 UX5&X
BLANS harbored! are
BLBOPOO PT* '5X5TE3 &2 %TU3X
BLIAR comfort! var. of IbliorI
BLIARD comfort! with
BLIIGAN %XGEL 'E3BU3e 5X %TU3X
BLINGEF %XGEL 4U)5TE3 5X LUX%
BLINTOM %XGEL %TU3X 5X '%3
BLIOR comfort! continual comforters
BLIOR comfort
BLIORAX comfort! shall comfort
BLIORB comfort! of comfort
BLIORS comfort! of
BLIORS comfort! to our comfort
BLIORT comfort! of
BLISDON %XGEL 'E3BU3e 5X 4U)5TE3
BLLOLOL 252T* '5X5TE3 &2 L3&3GE
BLUMAPO %XGEL 'E3BU3e 5X ZEXU
BLUMAZA %XGEL LUX% 5X LUX%! W5XG
BMAMGAL %XGEL %TU3X 5X ZEXU
BMILGES %XGEL &2 '%3 5X 4U)5TE3
BMINPOL %XGEL &2 '%3 5X %TU3X
BNAMGEN U3D '5X5TE3 &2 %TU3X
BNANGEL U3D '5X5TE3 &2 L3&3GE
BNAPSEN %XGEL %TU3X 5X %TU3X! W5XG
BNASPOL %XGEL 'E3BU3e 5X 'E3BU3e! W5XG
BNG guardian
BNG guardian
BNVAGES _T* '5X5TE3 &2 %TU3X
BNVIGER _T* '5X5TE3 &2 L3&3GE
BOBOGEL %XGEL &2 &L 5X &L! W5XG
BOGEMO meaning un$nown
BOGPA reigns
BOGPA reigns
BOLP be thou
BONEFON %XGEL &2 &L 5X '%3
BOOAPIS E3ZE! LET *E3 E3ZE T*E'
BORMILA %XGEL ZEXU 5X %TU3X
BORNOGO %XGEL &2 &L 5X ZEXU! )35XBE
BOZA Werubic %ngel %53 &2 E%3T*
BPSAC Werubic %rchangel E%3T* &2 253E
BRAGIOP %XGEL LUX% 5X '%3
BRALGES %XGEL LUX% 5X %TU3X! )35XBE
BRANGLO %XGEL %TU3X 5X &L
BRANSG guard
BRAP ervient %ngel #%TE3 &2 253E
BRASGES Z%3 &2 L3%LGE
BRGDA sleep
BRIAP ervient %ngel #%TE3 &2 253E
BRIN have
BRIN has
BRIN hast
BRINTS have
BRISFLI %XGEL LUX% 5X &L
BRISFOG with the eclipse
BRITA tal$! 5 have tal$ed of you
BRORGES %XGEL %TU3X 5X 'E3BU3e!)35XBE
BVRISE glorious cry! infinite wail
BUSCNAB %XGEL &2 &L 5X %TU3X
BUSD glory! in glory
BUSD glory! in the glory
BUSDIR glory! the
BUSDIR glory! that the glory
BUSDUNA %XGEL &2 '%3 5X LUX%
BUTMON mouth! has opened his mouth
BUTMONA mouth! of his mouth
BUTMONI mouth! from their mouths
BUTMONO %XGEL 4U)5TE3 5X '%3! )35XBE
BZIZA Werubic %rchangel 253E &2 253E
C Zeh 0B or W1
C of! unto!on! with( o!oh
CA therefore
CA therefor
CA another
CAB a rod
CABA govern! to( 0see 6cab61
CACACOM flourish
CACARG until
CACRG until
CADAAMP aodiacal Wing %G5TT%35U
CAFAFAM abiding! var of casasam
CALZ firmaments! above the
CALZIRG )%3T 5X L5X
CAM spea$ing
CAMASCHETH meaning un$nown
CAMIKAS meaning un$nown
CAMLIAX spo$e 0p.t. of Ispea$I1
CANAL wor$ers! continual wor$men
CANSE mighty
CAOSG earth! the
CAOSG earth! on the
CAOSG earth! the
CAOSGA earth! the
CAOSGI earth! the
CAOSGI earth! than the
CAOSGIN earth! var of caosg
CAOSGO earth! of the
CAOSGON earth! to the earth
CAPH in turn
CAPIMALI successively
CAPIMAO time! while
CAPIMAON time! the number of
CAPMIALI successively 0alt.sp.1
KAPENE Therefore! the house is holy
CARBAF sin$
CARMA come out
CARMARA W5XG &2 *E)T%3B*e
CAS who is
CASARM whom! to whom
CASARM whom! unto whom
CASARMA whom
CASARMAN whom! of whom
CASARMAN whom! under whose
CASARMG whom! in whom
CASARMI whom! under whom
CASASAM abiding! their
CELPADMAN meaning un$nown
CEPH EX&B*5%X LETTE3 a
CHE of the on of Light
CHIALPS )%3T 5X X5%
CHIEUAK Leing with Zaa
CHIIS are they
CHILDAO diamonds
CHIRLAN reAoices
CHIRZPA )%3T 5X %)
CHIS are
CHISO are! shall be
CHR T#EXT5ET* %ET*e3
CHRAMSA meaning un$nown
CHRISTEOS let there be
CIAI TTTV
CIAOFI terror! to the terror of
CICLE mysteries! the
CICLES mysteries! of your mysteries
CINXIR mingled
CLA _PV
CNILA blood! of
CNOQOD servants! his
CNOQUODI servants! with the ministers
CNOQUOL servants! o you
COAZIOR increase
COCASB times
COCASB time
COCASB time! of
COCASB time! the
COLLAL sleeves
COMANAN )%3T 5X a%f
COMMAH trussed you together
COMO window! a
COMSELH circle! a
CONGAMPHLGH MAN'S SPIRIT; THE HOLY GHOST ,+,
CONISBRA wor$ of man! the
CONST thunders! the
COR number
CORABIEL angel of mercury ccc
CORAXO thunders of Audgment Y wrath
CORAXO thunders
CORD made
CORDZIZ man
CORDZIZ men! reasoning creatures
CORFAX name of a guardian angel
CORMF number
CORMFA numbers
CORMP numbered
CORMPO number! have numbered
CORMPT number! be numbered
CORONZON demon
CORS such! wor$
CORSI such! of such as
CRALPIR )%3T 5X a5)
CRAMSA beginning with T in the _th
CRIP but
CROODZI beginning! ,nd beginning of the
CRP but 0alt.sp.1
CRUSCANSE more mighty
CUCARPT )%3T 5X LE%
CURES here 0c1
CZNS ervient %ngel %53 &2 %53
CZONS ervient %ngel %53 &2 %53 0Z%31
D Gal 0D1
D third! the third
DA there
DABIN 0manifested word of God1 Logos
DAH thrice
DALTT ervient %ngel E%3T* &2 253E
DALPH among the first to give
DAM several
DAMPH various
DAMPLOZ variety
DANZAN universal law
DAN U in +
DANPHA the three are &ne
DAOX PVb`
DAPH pea$ing from there
DAPI ervient %ngel 253E &2 #%TE3
DAR The )hilosopher"s tone
DARBS obey
DARG VbUT
DARR T*E )*5L&&)*E36 T&XE
DARSAR wherefore
DASMAT a thousand angels
DASPI ervient %ngel 253E &2 #%TE3
DATT ervient %ngel E%3T* &2 253E
DAVEZ there unto them
DAX loins
DAXIL loins! thy
DAXZUM seed
DAZIZ heads! the
DAZIZ heads! their
DE of
DEDVILH meaning un$nown
DEF visiting
DEGEL not of the first
DEM separate
DEMPHE separate unto the Daughter of Light
DEO EZEXT* %ET*e3
DES ,VT* %ET*e3
DEX of the &ne
DIAL % G&D/X%'E &2 E%3T* T%LLET
DIALIOAI )%3T 5X %3X
DIARI ervient %ngel #%TE3 &2 %53
DILZMO differ! let them differ
DIOM ervient %ngel E%3T* &2 253E
DIRI ervient %ngel #%TE3 &2 %53
DIU angle
DIV angle
DIV angle
DINOXA U paths
DIXOM ervient %ngel E%3T* &2 253E
DLASOD %LB*E'5B%L UL)*U3
DLUGA give! giving
DLUGAM given! p.t. Ito giveI
DLUGAM give! given
DLUGAR give! gave them
DLUGAR give! giving unto them
DMAL &X &2 L5G*T! 4U)5TE3 &3 '%3
ONIXDAR )roclaiming
DO 3oot of Don 0R1! which is the root of the word for 6*ell 2ire6 and the word for 6un of God6
DOAGNIS )%3T 5X %3X
DOALIM 5X! &2 5X
DOANZIN )%3T 5X a5)
DOBIX 2%LL
DOCEPAX )%3T 5X a5'
DODPAL ZEf! LET T*E' ZEf
DODRMNI ZEf! ZEfED
DODS ZEf! ZEf5XG
DODSIH ZEf! ZEf%T5&X
DOH holy fire
DOLOP ervient %ngel E%3T* &2 E%3T*
DOMIOL 'a$ing the Lord to Understanding
DON EX&B*5%X LETTE3 3
DONASDOGAMA TASTOS *ELL/253E
DONKNA un of God
DONGLSES the Daughter of Light pines for the un of God
DONITON the un of God is begotten
DONLA primordial fire
DONS the un of God to the _
th

DOOAIN X%'E
DOOAIN X%'E! *5
DOOAIO X%'E! 5X T*E X%'E &2 0%LT.)1
DOOIAP X%'E! 5X T*E X%'E &2
DOOP ervient %ngel E%3T* &2 E%3T*
DOPA Werubic %ngel %53 &2 253E
DORPHA L&&W! L&&WED %L&UT 'E
DORPHAL L&&W! L&&W5XG #5T* GL%DXE
DOSCH of the night
DOSIG X5G*T
DOX the sacrificial fire
DOXMAEL )%3T 5X TEf
DRAMAH the 0third1 East is in dar$ness
DRILPA G3E%T
DRILPA G3E%T
DRILPI G3E%TE3 0L%3GE3c1
DRINOX invo$e the *exagram of dissolution
DRIX L35XG D&#X
DROES at any quarter
DROLN %Xe! %T %Xe
DROXAD any part of the third
DRVLTHE The angel of the East is seated with the Daughter of Light
DRUN EX&B*5%X LETTE3 X
DRUX EX&B*5%X LETTE3 X
DRUXARH the %ngel of the East is among the third
DS #*5B*
DS %XD
DS T*%T
DST #*5B* 0alt.sp.1
DVXMA the body of God
DVN the body of God
E Graph 0E1
E D%UG*TE3 &2 L5G*T
EAI %'&XG! Z%3 &2 6%%56
EBAO aethyr
ECAOP ervient %ngel #%TE3 &2 253E
ECOP ervient %ngel #%TE3 &2 253E
ECRIN )3%5E! T*E
EDLPRNA W5XG &2 253E T%LLET 0Z%31
EDLPRNAA ELE'EXT%L W5XG &2 253E T%LLET
EDNAS 3EBE5ZE! % 3EBE5ZE3
EF Z55T U
EFAFAFE Z5%L! e&U3 Z5&L
EFAFAFE Z5%L 0cZ5&L1
EFE 'E%X5XG UXWX&#X
EILOMFO +T '5X5TE3 &2 '%3
EKIEI D%UG*TE3 &2 D%UG*TE3 &2 L5G*T
EG holy
EGO *&Le! T*E
EL 253T! T*E
EL &X &2 &X &2 L5G*T! ZEXU
ELGNSEB +T '5X5TE3 &2 'E3BU3e
ELA 253T
ELO 253T
ELZAP B&U3E! T*E B&U3E
ELZAP B&U3E! B&U3E
EM X5XE
EMETGIS E%L! T*E
EMNA *E3E
EMOD `bV
ENAY L&3D! T*E
EO ma$e! ma$ing! h5 made you"
EOAN ma$ing
EOAN hma$ing"! hthe ons of the on of Light"
EOGA T*E )L%BE 0chuler1
EOL '%WE! 5 '%DE e&U
EOLIS '%WE! '%W5XG
EOO %rchetypal man! ma$es or ma$ing man
EOPHAN L%'EXT%T5&X! &2
EORS *UXD3ED! #5T* %X
ERAN VUU,
ERGDBAB VT* '5X5TE3 &2 'E3BU3e
ERM %3W! #5T* T*E
ERZLA Werubic %rchangel %53 &2 %53
ES 2&U3T*
ESE D%UG*TE3 &2 L5G*T
ESEMELI D%UG*TE3 &2 D%UG*TE3 &2 L5G*T
ESIASCH L3&T*E3! T*E
ETAAD Werubic %rchangel %53 &2 #%TE3
ETDIM Werubic %rchangel #%TE3 &2
ETEVLGL VT* '5X5TE3 &2 '%3
ETHAMZ B&ZE3! %3E B&ZE3ED
ETHARZI )E%BE! 5X
ETNBR Werubic %rchangel E%3T* &2 %53
EXARP %53 X%'E! T%LLET &2 UX5&X
EXENTASER '&T*E3 &2 %LL
EXGSD Werubic %rchangel 253E &2 %53
EYTPA Werubic %rchangel #%TE3 &2 %53
F &rth 021
F Z55T
F Z55T U
FA arrives
FAAIP Z&5BE! e&U3 Z&5BE
FABOAN )&5&X! #5T*
FAF eour thought
FAFEN T3%5X! e&U3
FAFEN 5XTEXT! T& T*E 5XTEXT T*%T
FAM EX&B*5%X LETTE3
FAMOLET the Daughter of Light covers the first
FAMSED the Daughter of Light cxrying in the third
FAONTS D#ELL5XG
FAORGT D#ELL5XG )L%BE! T*E
FARGT D#ELL5XG )L%BE! T*E
FARZM Z&5BE! e&U L52TED e&U3 Z&5BE
fat!"#
the _
th
heaven
FAXS bUUV
FIAN he is visited upon
FIFALZ #EED &UT
FISIS EfEBUTE! B%33e &UT
FMND ervient %ngel %53 &2 %53
FMOND ervient %ngel %53 &2 %53 0Z%31
FR hthat which you have within yourself6
FRES that which you have within you is the fourth
G Ged 0G1
GA U+! ma$e! with! name of an angel( meaning hLast breath of the living"! spirits! the fifth angel
GAD the third angel
GAG meaning un$nown
GAH )535T! T*E )535T
GAHA Ef5TED( L%LE &2 T*E %Le
GAHAL Ef5T
GAHALANA #5LL Ef5T
GAHIRE meaning un$nown
GAHOACHMA 5 %' T*%T 5 %'! T5TLE &2 G&D
GAIOL % G&D/X%'E &2 #%TE3 T%LLET
GAIOL holy name of P letters ruling the element of #ater
GAL G%L! EX&B*5%X LETTE3 D
GALGOL meaning un$nown
GALSUAGAPH meaning un$nown
GALSUAGATH meaning un$nown
GALVAH EXD! X%'E &2 %X %XGEL
GAMLED the watery loins of the Daughter of Light initiate the East
GAMPHEDAX [the\ watery loins of the Daughter of Light
GAN of the angel
GANEBUS angelic
GANISLAY X%'E &2 % DE'&X
GANIURAX meaning un$nown
GANPORT angelic image of the un of God
GANPOGAN the angelic image of the un of God is made in the _th
GAPH 5 give Ga
GAR the %rchangel of the East
GARMAL meaning un$nown
GARMES pirit of the Daughter of Light
GARNASTEL meaning un$nown
GARP meaning un$nown
GASCAMPHO #hy didst thou soc^as God said to Lucifer.
GASSAGEN D5Z5XE )&#E3 B3E%T5XG %XGEL
GAZAVAA % 2&3'ED X%'ED
GB slime
GB/EBAO 'il$ of the stars
GBAL ervient %ngel #%TE3 &2 E%3T*
GBEAL ervient %ngel #%TE3 &2 E%3T*
GCHISGE X&T! %3E X&T
G/DO T*E X%'E &2
GE X&T! 5 X&T
GE/OOEEON T*E EeE XEED &XLe T& 0chuler1
GEBABAL aodiacal Wing L5L3%
GEBAN not being
GECAOND )%3T 5X a5'
GEBED not gathering the third
GED GED! EX&B*5%X LETTE3 G
GEDO speech
GEDOONS )%3T 5X L&E
GEDON holy speech
GEDOTBAR LEG&TTEX
GEDVTH three/fold negative God
GENA from the Lord of *osts 0with1
GENILE from the Lord of *osts! the on of on of Light
GENO from the Lord of *osts
GENS from the _
th

GENSO from the Lord of *osts! the holy )entagram
GEH %3E! %3T 0f.p.sing Ito beI1
GEH T*&U %3T
GEIAD &U3 L&3D %XD '%TE3 0alt.sp.1
GEMEGANZA e&U3 #5LL LE D&XE
GEMEDSOL from the U
rd
*eaven
GEMNIMB )%3T 5X TEf
"$%& yield
GENADOL )%3T 5X DE&
GEPHNA 'E%X5XG UXWX&#X
GER EX&B*5%X LETTE3 8
GER choose! choice
GERPALO not remaining in this place
GES is not the _
th

GESCO is not the fourth! but with the holy )entagrami
GEST it also is not the _
th

GETA &UT &2 *5'
GEVAMNA LEG5XX5XG 0c1
GG possess! inhabit
GGLPPSA _T* '5X5TE3 &2 ZEXU
GI #5T*
GIER *%3ZET
GIGIPAH L3E%T*! L5Z5XG L3E%T*
GIL #E #%XT 0c1
GISA EX&B*5%X LETTE3 T
GISG EX&B*5%X LETTE3 T
GITHGULCAG X%'E &2 % DE'&X
GIVI T3&XGE3
GIXYAX E%3T*8U%WE
GLA the first of the Daughters of Light
GMDNM ervient %ngel #%TE3 &2 253E
GMICALZ )&#E3! % )&#E32UL
GMICALZO )&#E3! 5X ). %XD )3EEXBE
GMNM ervient %ngel #%TE3 &2 253E
GNA 'E%X5XG UXWX&#X
GNAY D&! D&E
GNAY D&! D&T*
GNETAAB G&ZE3X'EXT! e&U3 G&ZE3X'EXT
GNONP G%3X5*! 5 G%3X5*ED
GRAPAD 'oons 0pl.1
GO 0LE1 pea$s
GOHED &XE! EZE3L%T5XG
GOHEL %e! %e T*E 253T
GOHIA %e! #E %e
GOHO %e! %eET*! %e
GOHOL %e! %e5XG
GOHOLOR L52T U)
GOHON %e! *%ZE )&WEX
GOHULIM %e! 5T 5 %5D
GOHUS %e! 5 %e
GOMZIAM )%3T 5X 355
GON EX&B*5%X LETTE3 5!e
GONO 2%5T*
GONSAG 'E%X5XG UXWX&#X
GOSAA T3%XGE3! %
GR %ncestors
GRAA '&&X
GRAM lunar
GRAN ELDE3! cZ%3 &X 6U3%X6
GRANSE the cry of the Elders
GRAPH EX&B*5%X LETTE3 E
GRONADOX The wrath of God
GROSB T5XG! % L5TTE3 T5XG
G/RSAM %D'53%T5&X! #5T*
GRU DEED! 2%BT
GZE &XLe 0chuler1
H Xa/hath 0*1
HA meaning un$nown
HAATH #&3W
HABIORO enior '%3 of %53
HAGONEL )35XBE &2 *E)T%3B*e
HAGONEL &X &2 &X &2 L5G*T! %TU3X
HAL meaning un$nown
HAMI B3E%TU3E! L5Z5XG B3E%TU3E
HAMI B3E%TU3E
HANDA the seed of God
HAOZPI enior ZEXU 5X %53 T%LLET
HARDIMI %X %XGEL &2 T*E E%3T* T%LLET
HARDIMI %X %XGEL &2 &3&
HARG )L%XT! *% )L%XTED
HCOMA #%TE3 X%'E! T%LLET &2 UX5&X
HCTGA % G&D/X%'E &2 E%3T* T%LLET
HECOA &X &2 L5G*T! '%3 &3 4U)5TE3
HEEOA % &X &2 L5G*T
HELECH 5X &U3 0c1
HIPOTGA enior %TU3X of %53
HMAGL Werubic %rchangel E%3T* &2
HNLRX Werubic %rchangel 253E &2 #%TE3
HOATH #&3*5)E3! T3UE
HOATH #&3*5)E3! T*E T3UE
HOLDO G3&%XED
HOLQ 'E%U3ET*
HOLQ 'E%U3E! 5T 5 'E%U3ED
HOLQ 'E%U3ED
HOM L5ZE! L5ZE 0verb1
HOMIL %GE! T*E T3UE
HOMIN %GE! #5T* %GE
HOMTOH T35U')*! Z%3 &X 6*&' &D T&*6
HONONOL aodiacal Wing LE&
HOXMARCH 2E%3
HOXPOR Lringing fear
HTAAD Werubic %rchangel %53 &2 #%TE3
HTDIM Werubic %rchangel #%TE3 &2
HTMORDA enior LUX% of %53
HTNBR Werubic %rchangel E%3T* &2 %53
HUBAIO L%')! Z%3 &X *UL%3&
HUBAR L%')! #5T*
HUBARO L%')! T*E L%XTE3X
HUBARO L%')! L5Z5XG L%')
HUCACHA meaning un$nown
HUSEH meaning un$nown
HXGSD Werubic %rchangel 253 E &2 %53
I Gon 051
I 5
I &X &2 L5G*T! &L &3 ZEXU
IAAASD ephirotic Bross 253E &2 #%TE3
IABA ervient %ngel 253E &2 E%3T*
IABES L&3D! U)3E'E L52E
IAD G&D! T*E G&D
IAD G&D
IAD G&D! e&U3 G&D
IAD G&D! &U3 L&3D
IAD G&D! T*E L&3D
IADNAH WX&#LEDGE! &2
IADNAMAD WX&#LEDGE! UXDE25LED W.
IADOIASMOMA *5' T*%T #%!5!%XD *%LL LE
IADPIL *5'! T& *5'
IADS the gods
IAHL ervient %ngel #%TE3 &2 E%3T*
IAIADIX *&X&3! &2
IAIAL B&XBLUDE U
IAIDA *5G*ET! T*E
IAIDA *5G*ET! &2 T*E
IAIDON G&D! T*E %LL/)&#E32UL
YALPAMB )%3T 5X aEX
IALPIRGAH 253E! G&D/2L%'E
IALPON LU3X
IALPOR 2L%'5XG
IALPRG LU3X5XG 2L%'E
IALPRG LU3X5XG 2L%'E
IALPRT 2L%'E
IAMHL ervient %ngel #%TE3 &2 E%3T*
IAN 5 am the Daughter of Light
IANA D%UG*TE3 &2 L5G*T
IANBA ervient %ngel 253E &2 E%3T*
IAO 5%&
IAOD LEG5XX5XG
IAOD LEG5XX5XG! T*E
IAOD LEG5XX5XG! T*E L. &2
IAODAF LEG5XX5XG! 5X T*E
YARRY )3&Z5DEXBE! T& T*E
IBAH % G&D/X%'E &2 %53 T%LLET
ICH ELEZEXT* %ET*e3
ICHISGE %XD %3E X&T
ICZHIHA W5XG &2 E%3T* T%LLET 0Z%31
ICZHIHAL ELE'EXT%L W5XG &2 E%3T*
ICZHIHL W5XG &2 E%3T* T%LLET 0Z%31
IDLUGAM G5ZE! 5 G5ZEX
IDOIGO *E #*& 5T &X T*E *&Le T*3&XE
IDOIGO ephirotic Bross %53 &2 %53
IEHUSOZ 'E3Be! *5 'E3B5E
IEH merciful
IH &X &2 L5G*T! LUX% &3 'E3BU3e
IHEDVTHARH the fixed stars as receivers of the one spread out against the s$y
IHEHUDZ Bhildrenof the Light
IHEHVDETHA the fixed stars
IHEHVSCH Ecstasy! also a formal noun( a name for a star7 %ugoeides
IIDPO ervient %ngel E%3T* &2 #%TE3
IIPO ervient %ngel E%3T* &2 #%TE3
ILEMESE &X &2 &X &2 L5G*T! LUX%
ILI 253T! 5X T*E
YLLMAFS U3D '5X5TE3 &2 LUX%
ILMO %ngel or Essence of the un( heart of the un
ILPIZ ephirotic Bross 253E &2 E%3T*
ILRO Xame from the tablet of +,
ILS T*&U! & T*&U
YLSI LE2&3E T*EE
IMUAMAR %BT T&#%3D U
INOAS LEB&'E! T*Ee %3E LEB&'E
INSI #%LW
INSI #%LW
IOAESPM U3D '5X5TE3 &2 ZEXU
IOIAD *5' T*%T L5ZE 2&3EZE3
YOLCAM L35XG 2&3T*
YOLCI L35XG 2&3T*
YOR 3&%3
IP X&T
IPAM 5 X&T
IPAMIS B%X X&T LE
IPURAN *%LL X&T EE
IRGIL *&# '%Xe
YRPOIL D5Z55&X
ISR &X &2 L5G*T! ZEXU &3 &L
ISRO )3&'5E! T*E
YTPA Werubic %ngel #%TE3 &2 %53
IUBANLADAEC X%'E &2 %X %XGEL
IUBENLADECE Z%3 &2 IUBANLADAEC
IUDRA 'E%X5XG UXWX&#X
IVMD B%LL! 5 B%LLED
IVMD B%LL! 5 B%LLED
IXOMAXIP WX&#! LET *E3 LE WX&#X
IZAZAS 23%'E! *%ZE 23%'ED
IZED D%UG*TE3 &2 D%UG*TE3 &2 L5G*T
IZINR ervient %ngel %53 &2 E%3T*
IZIXP ervient %ngel 253E &2 E%3T*
IZIZOP ZEEL! 23&' e&U3 *5G*ET
IZNR ervient %ngel %53 &2 E%3T*
IZXP ervient %ngel 253E &2 E%3T*

L Ur 0L1
L &2 T*E 253T
L 253T
L &XE
L T*E 253T
L %LL &XE.
LA &f T*E 253T
LABDGRE VT* '5X5TE3 &2 LUX%
LABNIXP )%3T 5X L%G
LAF 'E%X5XG UXWX&#X
LAH 'E%X5XG UXWX&#X
LAIAD T3UT*! T*E EB3ET &2
LAIDROM enior '%3 of E%3T*
LAM except the first
LANG '5X5TE35XG %XGEL
LANGED the first utterance
LANSH )&#E3! 5X )&#E3 Ef%LTED
LAOAXRP enior LUX% of #%TE3
LAP 2&3
LAP 2&3
LAPARIN )%3T 5X a5'
LARAG X&3
LARAG XE5T*E3
LAS 35B*! T*E
LASBEN X%'E &2 %X %XGEL
LASCO strong foundation
LASDI 2EET! 'e
LAUACON )%3T 5X LE%
LAVA )3%e
LAVAVOTH aodiacal Wing %35E
LAX %bbreviation for %lt. )art in L5X
LAXDIZI %LT. )%3T 5X L5X
LAZDIXI )%3T 5X L5T
LBBNAAV ,XD '5X5TE3 &2 ZEXU
LE phrase7 hfirst!the Daughter of Light"
LEA 5fTEEXT* %ET*e3
LEAOC ervient %ngel #%TE3 &2 #%TE3
LEAORIB _T* '5X5TE3 &2 &L
LED first! the Daughter of Light to the East
LEENARB +T '5X5TE3 &2 &L
LEFA frist! the Daughter of Light visits the interior
LEFE first! the Daughter of Light appears
LEHUSAN 'E%X5XG UXWX&#X
LEHUSLACH 'E%X5XG UXWX&#X! EE LE*U%X
LEL %'E! T*E %'E
LEOC ervient %ngel #%TE3 &2 #%TE3
LEPHE meaning un$nown
LEVANAEL %XGEL &2 LUX%
LEVITHMONG LE%T &2 T*E 25ELD! 2&3 T*E
LEXARPH )%3T 5X a%f
LEN presense of the Daughter of Light
LENGES the ,,
nd
%ethyr is not the fourth
LESCO first! the Daughter of Light with P
LGAIOL enior ZEXU of #%TE3 T%LLET
LHCTGA enior ZEXU of E%3T* T%LLET
LI 253T / Z%3 &X 65L56
LIBA &X &2 &X &2 L5G*T! '%3
LIGDISA enior %TU3X of #%TE3
LIIANSA enior %T of E%3T*
LIL T*E 253T %53E
LIL 253T %ET*e3
LILONON L3%XB*E
LIMLAL T3E%U3E! *5
LIN ,,XD %ET*e3
LESGAMPH first! the watery loins of the Daughter of Light
LIT 252T* %ET*e3
LIXIPSP #%3DEX &2 %ET*e3 6L%G6
LLACZA ephirotic Bross #%TE3 &2 %53
LIMLAL Treasure
LML T3E%U3E
LN the! that
LN/NIA/O T*E LE%T 0huelerc1
LNANAEB ,XD '5X5TE3 &2 &L
LO 253T! T*E
LO T*E 253T
LOADOHI W5XGD&'! Z%3 &X 6L&XD&*6
LOAGAETH )EEB* 23&' G&D! Z%3. +
LOE T#EL2T* %ET*e3
LOGAAH )EEB* 23&' G&D! Z%3. U
LOGAETH )EEB* 23&' G&D! Z%3. ,
LOGAH )EEB* 23&' G&D! Z%3. _
LOHOLO *5XE
LOLCIS LUBWLE3 0*5ELD1
LONCHO 2%LL
LONDOH W5XGD&'
LONDOH W5XGD&'
LONSA )&#E3
LONSHI )&#E3! T*E
LONSHI )&#E3
LONSHIN )&#E3! T*E53 )&#E3
LORSLQ 2L&#E3
LRASD D5)&E! T&
LRING T53 U)
LRL hfirst changing one"( God( movement( wor$
LRL hfirst changing one"( God( movement( wor$
LRS
6to charge6 0either as in a talisman or as in marching forward1! 6to rid or banish6 and 6to
change or alter6
LSEANN The Ecliptic
LSRAHPM enior '%3 of #%TE3
LSSN constellations! lords
LUACH )3%55XG %XGEL! Z%3. ,
LUAH )3%55XG %XGEL! Z%3. +
LUCAL X&3T*! 5X T*E X&3T*
LUCIFTIAN L35G*TXE! T*E
LUCIFTIAN L35G*TXE! &3X%'EXT &2
LUIAHE *&X&3! % &X &2
LULO T%3T%3 &3 '&T*E3 &2 Z5XEG%3
LVMRAD all named to the East are the third
LURFANDO 'E%X5XG UXWX&#X
LUSD 2EET! e&U3
LUSDA 2EET! T*E53
LUSDAN 2EET! #5T*
LUSEROTH 'E%X5XG UXWX&#X
'(t(#a&
thrice great
LZINOPO enior LUX% of E%3T*
M Tal 0'1
M EfBE)T
M &2 0chuler1
M except! T
MA possess
MAAH hidden god
MAASI laid up 0stored1
MABBERAM meaning un$nown
MABETH expanse! the
MABZA coat! the
MACOM encompass
MAD god! your
MAD god! of
MAD god! your
MAD god! of your
MADIMI D%UG*TE3 &2 D%UG*TE3 &2 L5G*T
MADIMIEL %XGEL &2 '%3
MADOL God"s creation
MADRIAX heaven! you heavens
MADRID iniquity! her
MADRID iniquities
MADRIIAX heaven! you heavens
MADZILODARP GOD OF STRETCH)FORTH)AND)CONQU U,b
MAGL Werubic %ngel E%3T* &2 #%TE3
MAGM ervient %ngel #%TE3 &2 #%TE3
MAH 5n Dar$ness
MAHAD the third is in dar$ness
MAHORELA dar$ heavens 0crowley1
MAIM continuance
MAL hortened spelling of the Enochian letter P! `
MALADI ephirotic Bross E%3T* &2 #%TE3
MALGM ervient %ngel #%TE3 &2 #%TE3
MALPIRGI fires of life and increase
MALPRG fire! through/thrusting
MALPRG fiery darts
MALS EX&B*5%X LETTE3 )
MAN root of 6in the mind6 or hsubtle body"
MANCH in the mind of GodHUniversal 'ind
MANGET descended of God
MANIN mind! in the
MARLAN on of Light
MAOFFAS measure! not to be measured
MAPM TVUT
MAPSAMA %XGEL6 X%'E! 6TELL T*E'6
MAR the 'agic$al Bhilde
MARA the on of Light with the Daughter of Light
MARADON the on of Light unites with the Daughter of Light
MARB according
MARS the on of Light is the fourth
MARTIBAH the 'agic$al Bhilde is the sacrifice unto the higher self
MARUNE the on of Light Aoins the Daughter of Light
MATA millenia
MATB thousand! a
MATHULA )%3T 5X a%%
MATORB echoing 0acc. to Laycoc$1
MAX of the dissolution
MAZ 5fT* %ET*e3
MUZPA These are with 4oy
ME D%UG*TE3 &2 L5G*T
MECASMAN mighty or powerful soul( highest soul( highest heaven
MED EX&B*5%X LETTE3 &
MED the star of five
MEL)F to speedily encounter 0schuler1
MERIFRI angel
MIAM continuance
MIAM continuance
MIAM continuance! long cont.
MIAN UVVU
MICALP mightier
MICALZO power! in power
MICAOLI mighty
MICAOLZ mighty
MICAOLZ mighty
MICES Bountenance of the Daughter of Light
MICMA behold
MICMA behold
MIINOAG corner! the corners
MIKETH wisdom
MINODAL one who is cornered
MIR torment! a
MIRC upon
MIRC upon
MIRZIND )%3T 5X UT5
MLU surge! outpouring
MOLAP men! of
MOLPAND )%3T 5X 5B*
MOLUI surges
MOM moss
MOMAO crown! the crowns
MOMAR crown! to crown
MONASCI name! the great name
MONONS heart! the
MOOOAH it repenteth me
MOR % G&D/X%'E &2 E%3T* T%LLET
MOR DIAL HCTGA G&D/X%'E &2 E%3T*
MOREORGRAN X%'E &2 %X %XGEL
MORVORGRAN Z%3 &2 '&3E&3G3%X
MOSPLEH horn! the horns
MOZ Aoy
MOZOD Aoy of god
MPH % G&D/X%'E &2 #%TE3 T%LLET
MPH ARSL G&D/X%'E &2 #%TE3 T%LLET
MSAP ervient %ngel 253E &2 E%3T*
MSMAP ervient %ngel 253E &2 E%3T*
MURIFRI angel
N Drun 0X1
NA EX&B*5%X LETTE3 *
NA L&3D &2 *&T! T35X5Te
NADO fiery God
NAH glorious
NAHA Glory of God
NA)HATH EX&B*5%X LETTE3 *
NABAOMI )%3T 5X aEX
NACO ervient %ngel E%3T* &2 %53
NAGEL the Lord of *osts is self/begotten
NAI meaning un$nown
NALVAGE X%'E &2 %X %XGEL
NANAEEL )&#E3! 'e )&#E3
NANBA T*&3X
NANTA E%3T* X%'E! T%LLET &2 UX5&X
NAOCO ervient %ngel E%3T* &2 %53
NAP sword
NAPEAI #&3D! & eE #&3D
NAPTA #&3D! #5T* T#&/EDGED #&3D
NASMT Werubic %rchangel 253E &2 E%3T*
NAT the Lord
NAX
*
#rath of God
NAXT The 3uler of the Earth
NAZ pillars
NAZ pillars
NAZPSAD sword
NBOZA Werubic %rchangel %53 &2 E%3T*
NDAZN ervient %ngel E%3T* &2 #%TE3
NDZN ervient %ngel E%3T* &2 #%TE3
NE *&Le
NECRA beginning with the Tree/of/Life
NEG *oly
NES holiness
NEICIAB PT* '5X5TE3 &2 &L
NELAPR ephirotic Bross #%TE3 &2 #%TE3
NENNI e&U *%ZE LEB&'E 0Browley1
NEOTPTA ,XD '5X5TE3 &2 '%3
NEPH meaning un$nown
NETAAB government
NETAAIB government! for the
NGRSATEM Un$nown
NHDD ervient %ngel %53 &2 #%TE3
NHODD ervient %ngel %53 &2 #%TE3
NI ,`
NIA ,_T* %ET*e3
NIDALI noise! your noises
NIGRANA )%3T 5X DE
U
This word was already in the dictionary and listed as hmeaning un$nown."
NIIS come ye
NIIS come
NIISO come away
NIISO come away
NIMB season
NLINZVB ,XD '5X5TE3 &2 ZEXU
NLLRLNA VT* '5X5TE3 &2 ZEXU
NLRX Werubic %ngel 253E &2 #%TE3
NN
root of hinteriority7 within! inside! self/hood6! power! hmy power6! thorns! the 6Earth
Xame! Tablet of Union6 0X%X%EEL1
NO the hexagram
NOALMR ephirotic Bross %53 &2 253E
NOALN LEB&'E! '%e LE
NOAN LEB&'E! e&U %3E LEB&'E
NOAN LEB&'E! T*U e&U %3E
NOAR LEB&'E! 5 LEB&'E
NOAS LEB&'E
NOASMI LEB&'E! LET T*E' LEB&'E
NOBLOH )%L'! T*E 0&2 *%XD1
NOCAMAL )%3T 5X L5T
NOCIABI )%3T 5X &f&
NOCNC Werubic %rchangel E%3T* &2
NOCO E3Z%XT! T*E
NOCO E3Z%XT! T*E
NOCO '5X5TE3! T*E
NOGAHEL %XGEL &2 ZEXU
NOGES the *exagram is not the fourth
NOIB eE%
NOL the first hexagram
NOMIG EZEX %
NONCA UXT& e&U
NONCF e&U
NONCF e&U
NONCI e&U! & e&U
NONCP e&U! 2&3 e&U
NONNIS eou come away
NOONMAN PT* '5X5TE3 &2 '%3
NOR &X! e&U
NOR &X
NOROMI &X! & e&U &X
NORZ 5f
NOSTOAH 5T #% 0c1
NOTHOA '5DT! 5X T*E
NPHRA Werubic %rchangel #%TE3 &2
NPNT ervient %ngel 253E &2 %53
NPRNT ervient %ngel 253E &2 %53
NRPCRRB PT* '5X5TE3 &2 'E3BU3e
NRRCPRN PT* '5X5TE3 &2 LUX%
NRSOGOO _T* '5X5TE3 &2 LUX%
NRZFM ephirotic Bross 253E &2 253E
NUAM B&XT5XU%XBE! Z%3 &X 6'5%'6c
O 'ed 0&1
O P
O T*5
O the *oly )entagram
OADO #E%ZE
OADRIAX *E%ZEX! T*E L&#E3
OAI %'&XG! Z%3 &X %%5
OAID G&D! &2 G&D
OALI )L%BE()UT! 5 *%ZE
OALO 5 am
OANIO '&'EXT! &2 %
OANR %ngel! companion of 3oan. %lso &acnr.
OB
OBL garland
OBAUA ephirotic Bross #%TE3 &2 253E
OBELISON )LE%%XT DEL5ZE3E3
OBELISONG % )LE%%XT DEL5ZE3E3
OBGOTA ephirotic Bross %53 &2 #%TE3
OBLOC G%3L%XD! %
OBOLEH G%3'EXT! e&U3
OBVAORS )%3T 5X UT5
OBZA *%L2! %
OCANM ervient %ngel E%3T* &2 %53
OCCODON )%3T 5X L5L
OCNC Werubic %ngel E%3T* &2 E%3T*
OCNM ervient %ngel E%3T* &2 %53
OD %XD
OD X&3 0%XD1
ODDIORG )%3T 5X a5)
ODIDOS she who awa$ens the eld of the $ing
ODO &)EX
ODO &)EX
ODO &)EX
ODRAXTI )%3T 5X 355
OECRIMI 5XG5XG )3%5E
OECRIMI 5XG5XG )3%5E
OEEOOEZ PT* '5X5TE3 &2 ZEXU
OEMATENODAH at the start of the millennia! the angel of death
OESNGLE +T '5X5TE3 &2 LUX%
OFAFAFE Z5%L! Z%3 &X E2%2%2E
OFEKUFA ELEZ%TED T& 0Browley1
OGES with the _th
OGI hwith this"
OH 3oot of OHIO( woe
OHELOKA DUWE! 0Browley6s trans.1
OHIO #&E
OHIO #&E
OHOOOHAATAN GREAT ELEMENTAL KING OF FIRE VV`
OHORELA L%#! 5 '%DE % L%#
OI T*5
OI T*5
OIAD G&D! &2
OIAD 4UT! &2 T*E 4UT
OIAS #%! 5! %XD *%LL LE
OIIIT ephirotic Bross E%3T* &2 %53
OIP % G&D/X%'E &2 253E T%LLET
OIP TEAA PDOCE G&D/X%'E &2 253E T%LLET
OIT T*5 5( T*5 5 5T! T*%T
OIT T*5 5( T*5 5 5T! T*%T
OIT T*5 5( T*5 5 5T! T*%T! God
OL 5 0poss. IThe 'a$erI/ see &LX!
OL 5X T*E ,_T* )%3T
OL 0X&XE *&#X1
OL ,_
OL '%WE! 5 '%DE
OLAAD ephirotic Bross E%3T* &2 #%TE3
OLAHO 2&3 T*E EB&XD T5'E 0Browley1
OLANI 2&3 T#& T5'E
OLLOG 'EX
OLLOR '%X
OLN '%DE
OLNA created within
OLOAG ephirotic Bross %53 &2 253E
OLONTAX man6s twin star
OLORA '%X! &2 '%X
OLPAGED aodiacal Wing B&3)5&
OLPIRT L5G*T
OM WX&#
OM UXDE3T%XD
OM T*E UXDE3T%XD5XG
OMA UXDE3T%XD5XG
OMAGG ervient %ngel #%TE3 &2 E%3T*
OMAGRAP )%3T 5X )&)
OMAOAS X%'E! T*E53
OMAX WX&#! WX&#ET
OMEBB ephirotic Bross #%TE3 &2 #%TE3
OMGG ervient %ngel #%TE3 &2 E%3T*
OMICAOLZ '5G*Te! LE '5G*Te
OMLO WX&#LEDGE &2 T*E 253T
OMP UXDE3T%XD5XG
OMSOMNA 'E%X5XG UXWX&#X
ON '%DE! LU5LT
ON '%DE! LU5LT
ON 'ade! built
ONEDON completion
ONEDPON _T* '5X5TE3 &2 '%3
ONIZIMP )%3T 5X T&3
+,%& begotten
ONR 'otivation! inspiration^hinertia"
OOANAMB )%3T 5X UT%
OOANOAN EeE! 5X T*E53 EeE
OOAONA EeE
OOAONA EeE
OODPZ ervient %ngel E%3T* &2 253E
OOE harchetypal man"( hma$es man"( hma$ing man"
OOE harchetypal man"( hma$es man"( hma$ing man"
OOGE B*%'LE3! 2&3 T*E
OOGOSRB _T* '5X5TE3 &2 LL5D&X
OOGOSRS _T* '5X5TE3 &2 'E3BU3e
OOPZ ervient %ngel E%3T* &2 253E
OP ,,
OPAMN ervient %ngel %53 &2 253E
OPANA ervient %ngel E%3T* &2 E%3T*
OPHES the ,, by _
OPMACAS )%3T 5X DE&
OPMN ervient %ngel %53 &2 253E
OPMNIR ephirotic Bross 253E &2 E%3T*
OPNA ervient %ngel E%3T* &2 E%3T*
OQ EfBE)T 5X
OR EX&B*5%X LETTE3 2
OR [visit! visit us\^appear! happear before us"
ORA third!the third
ORCANIR )%3T 5X X5%
ORCANOR the mighty manifest
ORDA will indwell
ORDAN manifest
ORH X%'E &2 % )535T
ORIPAT life shall not form
ORLO 5nitiation! Zisitation( n.5nitiate! visit( v.
ORMATENODAH at the start of the millennia! the angel of death
ORMN ervient %ngel %53 &2 E%3T*
ORO % G&D/X%'E &2 %53 T%LLET
ORO IBAH AOZPI G&D/X%'E &2 %53 T%LLET
OROCH UXDE3 e&U
OROCHA UXDE3XE%T* e&U
OROPHAS [5 will\ give in secret
ORPANIB )%3T 5X a%%
ORPMN ervient %ngel %53 &2 E%3T*
ORRI T&XE! L%33EX
ORS D%3WXE! #5T*
ORSBA D3UXWEX
ORSBA D3UXWEX
ORSCA LU5LD5XG! T*E
ORSCOR D3eXE! #5T*
ORTH EX&B*5%X LETTE3 2
OS +,
OS +,
OSCH are +, 0+, are1( let there be +,
OSF D5B&3D
OSHE The +, Lights
OSSNGLE 253T '5X5TE3 &2 *%G&XEL
OTHIL E%T! T*E E%T
OTHIL E%T! 5 *%ZE E%TED
OTHIL E%T! T*E E%T
OTOI ervient %ngel 253E &2 %53
OTROI ervient %ngel 253E &2 %53
OUCHO B&X2&UXD! LET 5T B&X2&UXD
OVOARS BEXTE3! T& T*E
OVOF '%GX52e! '%e LE '%GX525ED
OX ,V
OXAMAX the ,V comprise the all
OXEX Z&'5T &UT
OXIAYAL E%T! T*E '5G*Te E%T
OXLOPAR )%3T 5X L%G
OXO 252TEEXT* %ET*e3
OXOX 'E%X5XG UXWX&#X
OYAUB ervient %ngel #%TE3 &2 %53
OYUB ervient %ngel #%TE3 &2 %53
OZAZM '%WE 'E
OZAZMA '%WE U
OZIDAIA )%3T 5X L5X
OZIEN *%XD! 'e
OZOL *E%D! T*E53
OZONGON #5XD! '%X52&LD
P 'als 0)1
P `
PA $eep
PAAOX remain
PAAOXT remain! let it remain
PAAX ervient %ngel %53 &2 #%TE3
PABADABAAH
PACADUASAM meaning un$nown
PACAPH meaning un$nown
PACASNA )%3T 5X %3X
PACHAD being of the holy trinity
PACO ervient %ngel E%3T* &2 #%TE3
PACOC ervient %ngel #%TE3 &2 %53
PADGZE Austice from divine power without defect
PAEB oa$! an
PAGE rest
PAGE)IP rest not
PAH the &gdoad 0eightfold star1
PAID always
PAL EX&B*5%X LETTE3 f
PAL dissolution
PALA T#& 0E)%3%TED1! )%53
PALAM ephirotic Bross #%TE3 &2 %53
PALCE %ll is in the &ne
PALCO ervient %ngel E%3T* &2 #%TE3
PALI ervient %ngel 253E &2 253E
PALGEH thou art separated
PALSE raging fire
PAMBT unto me
PAMPHES Labalon astride the Least
PAMPHICA infernal mother
PAMPHICAS mean.un$. contemptuous tone
PAN 2ire pouring down
PANDAS a thousand angels $eep holy
PANGEPI he who is X&T! pouring down
PANLI ervient %ngel 253E &2 253E
PANOSCH there are +, pouring down
PANPIR pouring down
PANGEPI he who is X&T! pouring down
PAOC ervient %ngel #%TE3 &2 %53
PAOMBD members! her 0poss.IlimbsIc1
PAPBOR remember! to this remembrance
PAPHRES praising the Lord of *osts in rememberance
PAPNOR to this remembrance 0alt.sp.1
PAR in them
PARACH equal
PARACLEDA wedding! for a
PARADIAL dwellings! living
PARADIZ virgins
PARAOAN part in lin
PARM run
PARMGI run! let it run
PARNIX the daughters reside in the _
th

PARSA with the on of on of Light in the _
th

PARSODAN the on of on of Light 0'ercury1 in the _
th

PART also in them
PARZIBA part in chr
PASBS daughters! the
PASCOMB )%3T 5X L5L
PASDAES profess the truth
PASMT Werubic %rchangel 253E &2 E%3T*
PATAX ervient %ngel %53 &2 #%TE3
PATRALX 3&BW
PAULACARP X%'E &2 %X EZ5L )535T
PAX $eep the one
PAZ 2&U3T* %ET*e3
PD UU
PDOCE % G&D/X%'E &2 253E T%LLET
PE )E! EX&B*5%X LETTE3 6L6
PE The eight Daughters of Light
PELE *E #*& #&3W #&XDE3
PELEH 'E%X5XG UXWX&#X
PEOAL VTVUV
PERAL G%3X5*! %3E G%3X5*ED
PERIPSAX *E%ZEX! #5T* T*E
PERIPSOL *E%ZEX! &2 T*E
PERIPSOL *E%ZEX! 5X T*E L35G*TXE &2
PHAMA 5 #5LL G5ZE
PHAMAH G5ZE! Z%3 &X 6)*%'%6
PHANAEL X%'E &2 %X %XGEL
PHAR surrender
PHRA Werubic %ngel #%TE3 &2 E%3T*
PI )L%BE
PI *E
PIAD e&U3 G&D 0alt.sp.1
PIADPH 4%#! 5X T*E DE)T* &2
PIAMOS 35G*TE&UXE! &2
PIAP L%L%XBE! T*E
PIBLIAR )L%BE &2 B&'2&3T
PIDIAI '%3LLE
PILAH '&3E&ZE3
PILD B&XT5XU%LLe
PILZIN 253'%'EXT &2 #%TE3
PINZU)A 'E%X5XG UXWX&#X
PIR *&Le &XE
PIRIPSON *E%ZEX! T*E T*53D
PL parta$ers! has many"
PLAPLI )%3T%WE3
PLIGNASE The eternal cry
PLOSI % '%Xe
PMOX ervient %ngel 253E &2 %53
PMZOX ervient %ngel 253E &2 %53
POAMAL )%L%BE! &2 e&U3
POCISNI )%3T 5X L%G
POCNC Werubic %rchangel E%3T* &2
POHO eightfold law
POILP D5Z5DE! %3E D5Z5DED
POLA T#& 0T&GET*E31! )%53
PONODOL )%3T 5X 5B*
POP X5XTEEXT* %ET*e3
POPHAND )%3T 5X DE
PORTEX separate sun of God
POTHNIR )%3T 5X )%a
PPSAC Werubic %rchangel E%3T* &2 253E
PRAF dwell
PRAGMA dwell 0c1
PRAP balance
PRAS unite
PRDZAR diminish
PRES praise
PRGE fire! with the fire
PRIAZ those
PRIAZI those! with those
PRISTAC )%3T 5X a5D
PS cubed
PSAC Werubic %ngel E%3T* &2 253E
PSEA T*E #%e 0chuler1
PUGO % UXT&
PUIM 5BWLE! *%3)
PURGEL 253E &2 253E
PZIZA Werubic %rchangel 253E &2 253E
Q Ger 081
Q &3
QAA G%3'EXT! e&U3
QAA B3E%T5&X! &2 e&U3
QAADAH B3E%T&3! &2 T*E
QAAL B3E%T&3! T*E
QAAN B3E%T5&X! &2 e&U3
QAANIS &L5ZE 0alt.sp.1
QAAON B3E%T5&X! 5X e&U3
QAAS B3E%T5&X! e&U3
QANIS &L5ZE
Q)COCASB T5'E! T*E B&XTEXT &2
QTING 3&TTEX! T*E
QUAR +VUV
QUASAHI )LE%U3E! &2
QUASB DET3&e
QUIIN #*E3E5X
QURLST *%XD'%5D! %
R Don 031
RA east
RAAGIOL W5XG &2 #%TE3 T%LLET 0Z%31
RAAGIOS W5XG &2 #%TE3 T%LLET 0Z%31
RAAGIOSL ELE'EXT%L W5XG &2 #%TE3 T%LLET
RAAS east! the
RAASY east! into the
RACLIR weeping
RANGLAM )%3T 5X UT5
RBNH ervient %ngel #%TE3 &2 %53
RBXNH ervient %ngel #%TE3 &2 %53
REST )3%5E
RESTEL T*%T e&U '%e )3%5E *5'
RGAN ervient %ngel E%3T* &2 253E
RGOAN ervient %ngel E%3T* &2 253E
RII ,TT* %ET*e3
RIOR #5D&#! &2 %
RIPIR X& )L%BE
RIT 'E3Be! &2
RIT 'E3Be! &2
RLEMU ervient %ngel #%TE3 &2 E%3T*
RLMU ervient %ngel #%TE3 &2 E%3T*
RLODNR furnace 0 c1! crucible 0c1
RLU
his moving"( completed( ending
RLU hnot moving"! hnot/ing" or hma$ing into not 0non/existence1"! destroying
RNDIL ervient %ngel 253E &2 #%TE3
RNIL ervient %ngel 253E &2 #%TE3
ROCLE &X &2 &X &2 L5G*T! 4U)5TE3
ROEMNAB U3D '5X5TE3 &2 &L
RONOOMB )%3T 5X T&3
ROR sun
RO-GH meaning un$nown
ROXTAN wine
RSAM admiration
RSNI ervient %ngel %53 &2 E%3T*
RSONI ervient %ngel %53 &2 E%3T*
RV %ngel of the East
RUDNA meaning un$nown
RVOI ervient %ngel #%TE3 &2 #%TE3
RVROI ervient %ngel #%TE3 &2 #%TE3
RXAO ervient %ngel E%3T* &2 E%3T*
RXPAO ervient %ngel E%3T* &2 E%3T*
RZIONR ephirotic Bross 253E &2 253E
RZLA Werubic %ngel %53 &2 %53
S 2am 01
S 2&U3T*
S D%UG*TE3 &2 D%UG*TE3 &2 L5G*T
ervient %ngel %53 &2 #%TE3
SAANIR )%3T! Le *E3
SAANIR )%3T! 5X T*E
SABA #*&E! Z%3 &X 6&L%6
SACH B&X253'5XG %XGEL
SAGA &XE! EXT53E! #*&LE
SAGACIY U3D '5X5TE3 &2 '%3
SAGACOR XU'LE3! 5X &XE
SAIINOU enior 4U)5TE3 of #%TE3
SAIX ervient %ngel %53 &2 #%TE3
SALBROX UL)*U3! L5ZE UL)*U3
SALD #&XDE3! &2
SALMAN *&UE! T*E
SALMAN *&UE! %
SALMAN *&UE
SAMAPHA )%3T 5X a&'
SAMHAMPORS the righteous creatures of the un of God are separated from the _th
SAMVELG 35G*TE&U! T& T*E
SANGEF angef 0the 'aster 'agic$ian1
SAPAH &UXD! T*E '5G*Te
SAXTOMP )%3T 5X '%a
SAZIAMI )%3T 5X a%%
SCIO ervient %ngel %53 &2 253E
SCMIO ervient %ngel %53 &2 253E
SE mourning! cry
SEBO separation
SEMBABAM 'E%X5XG UXWX&#X
SEMELIEL %XGEL &2 &L ccc
SEMEROH 'E%X5XG UXWX&#X
SEMELABUGEN
emeliel! the angel of the Lord is made strong
by the Daughter of Light.
SEMNA nine cries of God
SENDENNA X%'E &2 %X EZ5L )535T! Z%3 +
SER '&U3X5XG! L%'EXT%T5&X
SESQVI the cry of the _
th
! wherein isiH#herein is the cry of the Daughter of Light
SFAMLLB U3D '5X5TE3 &2 'E3BU3e
SHAL ervient %ngel E%3T* &2 %53
SHIAL ervient %ngel E%3T* &2 %53
SIAION TE')LE! &2 T*E
SIAS ervient %ngel %53 &2 %53
SIATRIS B&3)5&X
SIBSI B&ZEX%XT! T*E
SIGAS ervient %ngel %53 &2 %53 0Z%31
SIGMORF )%3T 5X T%X
SIH the temple and covenant of God
SIODA ephirotic Bross E%3T* &2 253E
SIOSP ervient %ngel 253E &2 253E
SISP ervient %ngel 253E &2 253E
SLGAIOL enior ZEXU of #%TE3
SMAN)N 5T 3E)3EEXT%T5ZE
SMNAD %X&T*E3
SNICOL the even heaths
SOAGEEL )%3T 5X X5%
SOBA #*&E
SOBAM #*&'
SOBOLN #ET! 5X T*E
SOBOLZAR #*&E B&U3E 0alt.sp.1
SOBRA #*&'! 5X #*&E
SOCHIAL )%3T 5X LE%
SOLPETH *E%3WEX UXT&
SONDENNA X%'E &2 EZ5L )535T! Z%3 ,
SONDN ephirotic Bross #%TE3 &2 E%3T*
SONF 3E5GX
SONF 3E5GX
SONIZNT enior 'E3BU3e of #%TE3
SOR %BT5&X
SOYGA #5LL &2 G&D! %5XTLe
SRAHPM enior '%3 of #%TE3 T%LLET
STIM ervient %ngel 253E &2 E%3T*
STIMCUL D%UG*TE3 &2 L5G*T
STIMCUL &X &2 L5G*T! %TU3X &3 LUX%
STRIM ervient %ngel 253E &2 E%3T*
SUDSAMMA WELLe6 G&&D %XGEL
SUNDENNA X%'E &2 EZ5L )535T! Z%3 U
SURZAS #E%3! *E *% #&3X
SYMP %X&T*E3
T Gisa 0T1
T 5T
T %L&
TA %
TAAD Werubic %ngel %53 &2 #%TE3
TABA G&ZE3X
TABAAM G&ZE3X&3! T*E
TABAORD G&ZE3X! LET *E3 LE G&ZE3XED
TABAORI G&ZE3X
TABAORI G&ZE3X
TABAS G&ZE3X
TABGES B%ZE
TABITOM )%3T 5X a%f
TAHAMDO )%3T 5X &f&
TAHAOELOI G3E%T ELE'EXT%L W5XG &2 %53
TAL EX&B*5%X LETTE3 '
TALHO BU)
TAN EZEXTEEXT* %ET*e3
TAOAGLA )%3T 5X TEf
TAPAMAL )%3T 5X L&E
TASTOXO )%3T 5X &f&
TATAN #&3'#&&D
TDIM Werubic %ngel #%TE3 &2 #%TE3
TEAA % G&D/X%'E &2 253E T%LLET
TEDOOND )%3T 5X UT%
TELOAH DE%T*! Z%3 &X 6TEL&B*6
TELOCH DE%T*! &2
TELOCH DE%T*! &2
TELOCH DE%T*
TELOCVOVIM DE%T*/D3%G&X
TEX UQT* %ET*e3
THAHAAOTAHE G3E%T ELE'EXT%L W5XG &2 E%3T*
THAHEBIOBEE ATAN G3E%T ELE'EXT%L W5XG &2 #%TE3
THIL E%T
THILD E%T! T*E53 &#X
THILN E%T! 5X
THOTANP )%3T 5X )%a
TIA UXT& U
TIANTA LED! T*E
TIARPAX )%3T 5X L5T
TIBIBP &33&#! &2
TILB *E3! &2
TILB *E3
TIO T&) L5XE &2 T%LLET &2 +, 8U%3
TIOBL *E3! 5X
TIOBL *E3! 5X
TLB *5'! &2
TLIOB E)%3%TE 0verb1
TNBR Werubic %ngel E%3T* &2 %53
TOANTOM )%3T 5X %)
TOATAR *%3WEX
TOCARZI )%3T 5X T%X
TOCO ervient %ngel %53 &2 #%TE3
TODNAON )%3T 5X a5D
TOFGLO T*5XG! %LL
TOGCO ervient %ngel %53 &2 #%TE3
TOH T35U')*
TOHCOTH 2%E35E
TOHOMAPHALA X%'E &2 % GU%3D5%X %XGEL
TOITT ervient %ngel %53 &2 %53 0Z%31
TOL %LL
TOL &X %LL
TOLTORG B3E%TU3E &2 E%3T*! T*E
TOLTORGI B3E%TU3E! #5T* *E3
TOLTORN B3E%TU3E
TOLTORN B3E%TU3E
TON %LL! Z%3. &X 6T&L6
TONUG DE2%BE! LET T*E' LE DE2%BED
TOOAT 2U3X5*5XG
TOR ,U3D %ET*e3
TORGU %35E 0alt.sp.1
TORZOXI )%3T 5X )&)
TORZU %35E
TORZUL 35E! *%LL
TORZULP 35E! 3&E U)
TOTOCAN )%3T 5X B*3
TOTT ervient %ngel %53 &2 %53
TOX *5'! &2
TPRDEMAH of dar$ness
TRANAN '%33&#! T*E
TRIAN *%LL LE
TRIAN *%LL LE
TRINT 5T
TROF LU5LD5XG! %
TULE Xame from T+,qr
TULE
h5t ends with [the goddess\ El"( hBompleted by the goddess" or hEnding with the
goddess"
TULE ILRO LETTE3 &2 T+,83
TURBS LE%UTe! 5X T*E53
TUSTAX G&5XG
TZESTS Leing of the _
U Zal 0U! Z! #1
V star
VAA X%'E &2 %X %XGEL
VAASA ervient %ngel 253E &2 #%TE3
VABZIR eagle! the
VADALI ephirotic Bross #%TE3 &2 253E
VADGS time
VADALI ephirotic Bross #%TE3 &2 253E
VALGARS )%3T 5X L5L
VAMI the way of the Lord
VAN EX&B*5%X LETTE3 Z!U
VAN star
VANA starry! stars
VANDEMINAXAT constellations
VANDRES the cepter of the Daughter of Daughter of Light
VANGEM the will of heaven
VANGLOR fruit of heaven
VANSAX the circle of stars
VAOAN truth
VAR that star! the star in T
VARCA spiritual sun
VARSG ervient %ngel %53 &2 253E
VASA ervient %ngel 253E &2 #%TE3
VASG ervient %ngel %53 &2 253E
VASTRIM )%3T 5X 355
VAU EX&B*5%X LETTE3 Z!U
VAUL wor$
VAUN wor$! that ye might
VAVAAMP )%3T 5X '%a
VAX orbit
UCIM they frown not
VDRIOS the aodiac
VEH ZE*! EX&B*5%X LETTE3 B &3 W
VELUCORSAPA EXT*3&XED
VEP flame! as a
VEROX the *oly pirit
UGEAR strength! the s. of men
UGEG strong! grow
UGEG strong! waxes
UGEG strong! become
VICAP meaning un$nown
VIROOLI )%3T 5X a&'
VIRQ nests
VIRUDEN 5 have beautified 0Browley1
VIV second
VIV in the second
VIV the second
VIVIPOS )%3T 5X UT%
VIXPALG )%3T 5X %)
UL end
ULCININ happy is he
VLLA the end of the beginning
VLOH the end of sorrow
ULR Xame from T+,qr
ULS ends! the
UM called! named! var on 6vmd6
UMADEA towers! strong
UML add
UMPLIF strength! our
UN EX&B*5%X LETTE3 %
VNAEM nine s$irts
UNAL these
UNALAB s$irt
UNALAH s$irts! the
UNBA is powerful
UNCAL meaning un$nown
UNCHI confound
VNDAT also! the 'aster 'agic$ian
UNDES leaves the _th
VNDANPEL the 'aster 'agic$ian
UNDL rest( remainder! the
UNIG requires
UNIGLAG descend
UNNAX ephirotic Bross %53 &2 E%3T*
UNPH anger! wrath. var on 6.+,%&6c
UOLXDO ephirotic Bross E%3T* &2 253E
VOM of everyone
VON image of God
VOR appearance
VORX visits
VO wherein
VOHIM mighty
VOMSARG unto every one of you
VONPHO wrath! of
VONPHO wrath
VONPOVNPH wrath in anger
VOOAN truth
VORS over
VORSG over you
VOVIN dragons
VOVINA dragon! the
VOX wherein they are 0separated1
VOXAD wherein they are in the third
UPAAH #5XG
VPAAH wings
VPAAH wings
VPAAH wings! the
UR EX&B*5%X LETTE3 L
URAN ELDE3! T*E
VRANKRAN The on of on of Light! unto the eld[ers\
URCH B&X2&UXD5XG %XGEL
VREPREZ with beautiful praises
UMBLOSDA one who resides in the s$ies
USNARDA )%3T 5X 5B*
UTA 2&U3TEEXT* %ET*e3
UTI ,PT* %ET*e3
VRBS beautified
VRELP seething! a strong
VRO this one
VSPSN ervient %ngel #%TE3 &2 #%TE3
VSSN ervient %ngel #%TE3 &2 #%TE3
VX _,
X )al 0f1
X dissolution
PAL EX&B*5%X LETTE3 f
PAL dissolution
XGSD Werubic %ngel 253E &2 %53
XPACN ervient %ngel 253E &2 #%TE3
XPCN ervient %ngel 253E &2 #%TE3
XRINH ervient %ngel E%3T* &2 #%TE3
XRNH ervient %ngel E%3T* &2 #%TE3
Z Beph 0a1
Z T*Ee
ZA X%'E &2 %X %XGEL
ZAA ,bT* %ET*e3
ZAAOZAIF enior 4U)5TE3 of %53
ZACAM 5 '&ZE e&U
ZACAR '&ZE
ZADZACZADLI %D%'! 5X L&&W &2 &eG%
ZAFASAI )%3T 5X aEX
ZAMFRES )%3T 5X a5D
ZAMRAN *&# e&U3ELZE
ZAMRAN %))E%3
ZAMRAN *&# e&U3ELZE
ZAR B&U3E! B&U3E
ZARNAAH aodiacal Wing GE'5X5
ZARZILG aodiacal Wing Z53G&
ZAX TEXT* %ET*e3
ZAXANIN )%3T 5X T&3
ZCHIS T*Ee %3E
ZE Daughter of Light
ZEBOG the Daughter of Light reigns over
ZED
The Daughter of Light( also a medieval way of
pronouncing the English letter a
ZEDEKIEL %XGEL &2 4U)5TE3
ZEMBVGES the Daughter of Light"s T glories from the _th
ZEN E5G*TEEXT* %ET*e3
ZEZ firey angels
ZID E5G*T* %ET*e3
ZIEN *%XD
ZIL cT3ETB* 2&3T*
ZILDAR 2LE#
ZILDRON )%3T 5X B*3
ZILODARP X%'E &2 G&D
ZIM T*53TEEXT* %ET*e3
ZIMAH clothed with God
ZIMII *%ZE EXTE3ED
ZIMZ ZETU3E! 'e ZETU3E
ZINGGEN aodiacal Wing B%)35B&3X
ZIP X5XT* %ET*e3
ZIR 5 %'
ZIR )3EEXBE
ZIRACAH aodiacal Wing %8U%35U
ZIRDO 5 %'
ZIRENAIAD 5 %' T*E L&3D e&U3 G&D
ZIRN #&XDE3
ZIROM T*Ee #E3E
ZIROP #%
ZIRZIRD )%3T 5X '%a
ZIXLAY T& T53 U)
ZIZA Werubic %ngel 253E &2 253E
ZIZOP ZEEL
ZLIDA #%TE3! T&
ZNA '&T5&X! '&ZE'EXT
ZNRZA #&3E
ZOL *%XD
ZOM T*53D %ET*e3
ZOMD 5X T*E '5DT
ZON)L T*E 253T 2&3' 0chuler1
ZONAC T*Ee %3E %))%3ELED
ZONG &2 T*E #5XD
ZONRENSG DEL5ZE3ED e&U
ZORGE LE 235EXDLe T& 'E
ZUDNA 'E%X5XG UXWX&#X
ZUMVI E%
ZURAAH 2E3ZEXTLe! #5T* *U'5L5Te
ZURAH 2E3ZEXTLe! #5T* *U'5L5Te
ZURCHOL aodiacal Wing )5BE
ZURE 'E%X5XG UXWX&#X
ZURESK 2ervently unto the _
th
*eaven! 3ushing