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Eddy nahmias: one of the most difficult challenges for teachers is to change. He says without changing what we do, it's too easy to lose that nervous energy. The methods described below were developed for small classes (under 25 students)
Eddy nahmias: one of the most difficult challenges for teachers is to change. He says without changing what we do, it's too easy to lose that nervous energy. The methods described below were developed for small classes (under 25 students)
Eddy nahmias: one of the most difficult challenges for teachers is to change. He says without changing what we do, it's too easy to lose that nervous energy. The methods described below were developed for small classes (under 25 students)
Practical Suggestions for Teaching Small Philosophy Classes
Published in Teaching Philosophy 28:1 (March, 2005)
*Please cite only from published version*
Eddy Nahmias Department of Philosophy Florida State University
Introduction I dont presume to have any methods for teaching philosophy that are better than the ones you already use. But I may have some that are different from the ones you use. And in my experience, just being exposed to different methods helps us re-think the methods we use and perhaps modify them in experimental ways, helping us to identify those methods we find most effective and also preventing us from becoming too settled and comfortable with our current teaching. One of the most difficult challenges for teachers is to change what they doboth the content and the form of their classes. 1 But without changing what we do, it is too easy to lose that nervous energy, fueled by uncertainty and experimentation, which makes teaching interesting. I am just getting to that point in my teaching career where I find myself stagnating a bit from repetition, losing that nervous energy. I need to try some new methods. So, I offer here some of the methods I have found most successful, the ones I am least likely to part with, and I hope others will continue to share their most successful methods for teaching philosophy so that I can begin experimenting and regain some nervous energy. The methods described below were developed for small classes (under 25 students). Though I think philosophy should always be taught in such small classes, I know all too well, as I teach an Intro class to 110 students, that this goal cannot always be met. For those who teach larger classes, I have little adviceI continue to seek it. 2 Horseshoe Seating I have my students arrange their desks in a horseshoe in front of me. Theres nothing new or exciting about this method; nonetheless, it works remarkably well. It gets students to know one another (especially combined with the name card method described below). They talk more often and more openly, since they dont have anyone to hide behind. And they get into more debates, since they are facing each other. Finally, even though the teacher is at the focal point, he or she is still at the same level as the students. (The only reason I use a horseshoe shape rather than a circle is so the students at the front can see the board without turning around). Of course, I stand up and move to the board or podium, but when we engage in general discussion, I sit with the students to foster an egalitarian learning environment as we engage the philosophical questions. When students do presentations (individually or in groups), they sit at the front, and I sit with the other students. Horseshoe seating also allows students to sit on opposing sides during debates (or to move to opposing sides in the course of a discussion so that they are literally forced to take a position). 2
Name Cards as an Alternative to Hand Raising On the first day of class I give the students a 5 x 8 note card which they fold in half lengthwise. On one face they write their full name horizontally; on the other face they write their first name vertically. I ask them to be as creative as they like as long as its legible from a distance. They place these cards horizontally on the desk or table in front of them. Now, each of the students can learn each others names, and they can address each other personally in discussions. Of course, the teacher also has an easy method for learning students names quickly (and I need all the help I can get with this). 3 But I also use these cards as an alternative to hand raising. When students have questions or comments, instead of holding up their hands, they simply turn their name card vertically. In my experience, this technique has several advantages: Students are more willing to enter the discussion at any time by raising their cards than having to hold their hands up. They do not feel like they are interrupting the teacher or other students. Competition for attention is reduced. Students are more willing to raise their cards even if many other cards are raised than they are to raise their hands among a throng of hands. When a controversial question or issue is raised, you will often see many cards raised to respond, and you can take the responses in whatever order you want without forgetting who has something to say and without calling on all the students if you need to move on. The teacher has more control over the pace and flow of discussion. You do not feel as obligated to call on students immediately, allowing you to continue until the time is right for a question or comment. You can wait before calling on anyone, allowing more students to raise their cards. You can wait for students who speak less or have not recently contributed. And it is an easier and more polite way to pass over the overactive student. 3
When students raise their hands, they seem to turn their attention inward, rehearsing their questions or comments and tuning out what the teacher or other students are saying. Card- raising does not seem to produce this effect. In fact, one potential disadvantage of the method is that students sometimes forget what they wanted to say when they raised their card (especially if the discussion has moved on). This method takes some getting used to, by the teacher and the students, but once everyone gets used to it, it works well and students seem to enjoy it. 4 Most importantly, the method should be 4 used in a way that is not overly controlling and inhibiting. I generally allow students to speak without raising their cards (or hands) when I ask a question to which I want a quick answer or when they are responding directly to each other in a debate. 5 But if particular students are answering all the questions or the debate gets too heated, it allows a way to regain control (students will rarely speak out as they put up their cards in the way some tend to speak out as they raise their hands). Finally, if you find you dont like the card-raising method in a particular class (as I found in one of my graduate classes), you can easily return to hand-raising and you still have the name cards to allow students to address one another.
Real Socratic Dialogues People often point to Socrates dialogues as the quintessential method of philosophical thinking and teaching. How ironic that these dialogues too often depart from what we actually think of as the Socratic method, since Platos Socrates (especially after the early dialogues) usually takes over discussions to offer monologues interrupted only by the interlocutors assents of By all means, Precisely so, and Of course. If we want to use the Socratic method, then we should guard against falling into a Socratic lecture about what the right answers or the right questions are. Perhaps the hardest thing for teachers to do is to watch our students struggle in the waters of confusion until they learn how to swiminstead we too quickly reach out to save them by bringing them on board with us and our well-thought-out views. Of course, despite the clich, there are some stupid questions and some stupid answersor at least irrelevant onesin philosophy as elsewhere, and we all know there are times when the teacher needs to take command of the discussion. But my tendency (and I dont think Im alone) is to do precisely what Socrates often does: ask a 5 question, reject a few mistaken answers, and then launch into a lecture on the right answersi.e., the various philosophical positions that have been taken on the question. But since these philosophical positions almost always involve developing some commonsensical view to its logical conclusion, we can usually get a rudimentary form of the positions from our commonsensical students. And sometimes we can direct them to advance these views to their logical conclusions, to see how these conclusions may conflict with other commonsensical ideas, and to modify and correct their original views (to be fair, this is, of course, what Socrates is trying to do in his dialogues). Allowing students to struggle to swim in confusing philosophical waters will take longer than just taking them on board with us. And time is a real issuewe all must find the proper balance between teaching the content of philosophy and teaching philosophy as a process. I am usually too impatient myself and fear sacrificing content. But we should work to allow students the sense of accomplishment they will feel by playing a real role in the Socratic dialogue rather than the vanishing role Plato often gives the interlocutors. My only specific suggestion for how to conduct real Socratic dialogues (other than reminding yourself about it at regular intervals) is to write up your lecture notes as a series of questions for the students. Do not include in your notes all the topics, terms, and arguments you want to cover. If they come up along the way, you can refer to them, perhaps write them on the board, or use them at the beginning of the next class as a way to summarize and crystallize the previous discussion. But its better to let the discussion be driven by the questions and the answers our students give. For instance, I have lengthy lecture notes on Descartes Meditations. It is tempting to re- read these notes before class and put up my list of Cartesian terms and arguments on the 6 overhead as I take the students through the material. But it works much better to save these structured notes for later, and begin instead with a series of questions (the order of which can vary depending on the way the dialogue goes): Why does Descartes doubt what he knows? (leads to idea of Foundationalism) Why does he doubt his senses? Why does he bring up dreaming? (allows you to clarify that the argument is not just that we cant tell the difference between dreaming and waking, usually students initial response, but that dreaming offers a model for the idea that our conscious perceptions can be radically mistaken) What is the difference between the dream argument and the evil genius hypothesis? What does Descartes determine he knows for certain even faced with the possibility of an evil genius? Is he right about this? How does the Cogito offer a model for clear and distinct ideas (certain knowledge)? And so on. By the time you get to the difficult wax argument, the students may at least have the confidence to look at quotations with you and venture their own interpretations. Again, this technique is nothing new. But it remains too easy to get frustrated with students wrong or off-target answers to questions and simply offer them the right answers. We need to remember, first, that even from wrong or seemingly off-target answers, there is usually something important to teach, and second, that the students have not read Descartes twenty times like we have. Telling them what we know it means is not as valuable as having them remind us of the baffling wonder we felt the first time we read it.
7 Question of the Day I think that nothing is more important in teaching philosophy than getting the students to see the relevance of philosophical questions and answers. Since philosophy is relevant, it becomes a matter of making this clear to the students. One way I try to do this is to get the students to answer the very basic questions at the heart of philosophy on their own, before they become immersed inand tainted byreading the answers offered in philosophical texts. I begin this on the first day when I take attendance. After a brief discussion of what we think philosophy is, during which I suggest that philosophical questions are often those asked by curious children and rebellious teenagers, I ask them to answer the roll call by telling us a philosophical question they can remember having when they were younger. Quite often these questions will be theological (What came before God?) or quasi-scientific (Why is the sky blue?) or personal (How do I know if people really like me?) or strange, and quite often they come up with central philosophical questions, likely ones related to the topics you have on your syllabus: Do other people see red the same way I see it? What makes things right or wrong? Can animals think? or the solipsistic one I offer, which I distinctly remember experiencing as I looked out the school bus when I was 12: How do I know all this, including other people, wasnt just created by God to test me? Every subsequent class, I write the assignment on the board beginning with a question of the day, which they are supposed to think about before they do the assigned readings, questions like: Could we be living in The Matrix? How do you know one way or the other? What is free will? What might threaten it? Could robots think? Could they feel? 8 What makes you the same person you were when you went to kindergarten? Are moral claims up to the person (like claims about favorite ice cream flavors)? Is it always wrong to lie? If not, what makes it OK? Why do you think God exists (or doesnt exist)? If God is all-powerful and good, why do so many bad things happen? In trying to answer these questions, the students prime themselves for the answers they will read in the texts (and they at least understand what questions the author is trying to address). Another way I try to get students to see the relevance of philosophy is to offer extra credit assignments to find media articles, movies, or literature relevant to the questions we are discussing and write up short explanations of why they are relevant. Having students share what they find is a nice way to begin the day and remind them of previously covered material.
Critical Responses Philosophical writing can be very stressful for students. It is nice if they have a chance to write about the intriguing questions of philosophy without feeling like they have to get the argument in logical form and offer a devastating objection to one of its premises in lucid prose. Critical responses (CRs) allow students a less stressful way to write philosophy. They begin by briefly answering the question of the day (before reading the assigned text). Then, after reading, they find one particular claim the author makes which they think is wrong, incomplete, or problematic, and they talk about why. These 1-2 page CRs are graded for effort more than content (sometimes I just use check marks), they allow me to have a personal dialogue with the students (I usually mark them only with questions about their points, or ideas on how to advance their thoughts), and they allow the students to write philosophy without the normal stress 9 associated with writing philosophy. There is a risk that students will use this sort of writing as a model for their papers, so sometimes I ask for more structured CRs or I clarify in detail the differences between CRs and their papers when I go over the paper assignment. I usually ask students to do about 10 CRs in a semester (about one a week, excluding weeks with papers or tests), which also allows a way to encourage attendance.
Conclusion I end with a reminder from Stephen Cahn: we should seek input from our colleagues about our teaching just as we do about our research. By seeing what we do through the eyes of a well-informed other, we may see what we do in a more objective light. The methods we think work well, we may learn, upon reflection, do not work so well. The unconscious habits we cannot see may be brought to light. As Cahn says, A colleague in the back of the room watching the proceedings with an experienced and understanding eye can provide invaluable advice that will better our performance. Athletes improve by being observed; so do musicians; why shouldnt teachers. 6
Just as I offer these methods simply as sparks for reflection on teaching philosophy, the comments we give and receive from our colleagues about teaching can play the same role they serve when we discuss our philosophical research with themas sparks for further and deeper thinking about the ideas. And the question How should I teach philosophy? is surely one worth further and deeper thinking. 10 Endnotes
1 In my Teaching Philosophy class for graduate students, I tell them to be very careful in deciding how to do things the first time around, because it may be the way they end up doing it for much of their careerthings from the layout of syllabi to the first-day lecture on What is philosophy? to writing assignments to the way they write comments on papers. Habits die hard, so we need to make sure they are good habits. This is one reason I think it is important to have courses for graduate students on how to teach philosophy, so that they have some time to reflect on what they will do when they start teaching, they have some exposure to various methods and ideas, and they engender the habit of reflecting on their teaching habits.
2 The fish-bowl method is a variation using an inner circle of students who are prepared to take the lead in answering questions and discussion. A student in the outer circle may replace one in the inner circle only after the one on the inside has contributed to the dis cussion.
3 Though I have no statistical data to support this claim, in my experience this method also serves to lessen gender imbalances in classroom discussions.
4 Youll need to remind the students to keep their name cards in their notebooks to bring to class every day and to put them out at the beginning of class.
5 You may want to allow students to lift up their cards to indicate when they have a specific response to a point just made.
6 Stephen M. Cahn, How to Improve Your Teaching, in In the Socratic Tradition: Essays on Teaching Philosophy, edited by Tziporah Kasachkoff (Lanham, MA: Rowman and Littlefield, 1998), p. 34.