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The document discusses two architectural elements: the balauster and the terminus.
1) The balauster is a column or pillar that can have various plans (square, circular) and materials (stone, wood, terracotta). Examples from Italian architecture in Venice and Florence are shown.
2) The terminus is a pillar-like support that tapers downward like an inverted obelisk. It was used in antiquity as milestones and field markers. Examples from the Renaissance period in Germany, Italy and furniture design are depicted.
The document discusses two architectural elements: the balauster and the terminus.
1) The balauster is a column or pillar that can have various plans (square, circular) and materials (stone, wood, terracotta). Examples from Italian architecture in Venice and Florence are shown.
2) The terminus is a pillar-like support that tapers downward like an inverted obelisk. It was used in antiquity as milestones and field markers. Examples from the Renaissance period in Germany, Italy and furniture design are depicted.
The document discusses two architectural elements: the balauster and the terminus.
1) The balauster is a column or pillar that can have various plans (square, circular) and materials (stone, wood, terracotta). Examples from Italian architecture in Venice and Florence are shown.
2) The terminus is a pillar-like support that tapers downward like an inverted obelisk. It was used in antiquity as milestones and field markers. Examples from the Renaissance period in Germany, Italy and furniture design are depicted.
Plate 138. The Balauster. 1. Square plan, Italian Renascence, Sta. Maria della Salute, Venice. 2. A system of square Balausters, Palazzo Pesaro, Venice. 3. Circular plan, Modern Italian. 4. Wood, Italian Eenascence, stalls in Sta. Maria Novella, Flo- rence. 5. Modem French, Architect Roux, Paris. 6 7. Square wooden, (Bethke: "Der decorative Holzbauer"). 8 9. Modern, terracotta. The Terminus. (Plate 139.) The Terminus is a pilaster -like support, the fundamental form of which is characterized by tapering downwards in a manner re- calling an inverted Obelisk. The name is derived from the fact that similiar constructions were used in the Antique as milestones and to mark the Terminations of fields, &c. The Terminus consists of the profiled base, not infrequently supported on a special pedestal (figs. 3 and 7); the shaft tapering downwards and usually ornamented with festoons (figs. 3, 4, 5, 10); and the capital, which., is often re- placed by a bust or half- figure (figs. 4, 5, 9). In this latter case, it assumes the appearance of a caryatid; and, as the bust is that of Hermes (the God of letters), this application is often termed a "Hermes". Standing isolated, it serves as a Pedestal for busts and lamps, as a Post for railings, and in gardens and terraces. The last was exceedingly popular in the Rococo period. Joined to the wall, the Terminus often takes the place of the pilaster. This is especially true of the furniture and small architectural constructions of the Renascence period. It is also not uncommon on Utensils, e. g. fri pods, handles of pokers, seals, <fec. Pr^TE 139. The Terminus. 1. Upper part, antique, silver treasure of Hildesheim, Berlin Museum, (obviously from a Roman tripod). 2. Stone Terminus bust, Italian Renascence, Villa Massimi, Rome, (Raguenet). 3. Stone Terminus bust, German Renascence, mantel-piece, town- hall, Liibeck. 4. Stone Terminus bust, German Renascence, Otto Heinrich build- ing, Heidelberg Castle. 5. Stone Terminus bust, German Renascence, monument, church of the castle, Pforzheim. Meyer, Handbook of Omampnt 15