Emily Roediger

FRIT 7233
Dr. Chester
8 September 2014
Book Trailer Activity Storyboard
Audience: I h!e "hose# to trget rel$"t#t mle high s"hool
reders. This gro$p o% st$de#ts t my s"hool te#ds to h!e
di&"$lt time "ompleti#g "lss redi#g ssig#me#ts #d 'o$ld
rrely "o#sider re"retio#l redi#g. I(d li)e to ttr"t them to
spe"i*" boo) by poi#ti#g o$t spe"ts o% my "hose# #o!el tht
ppel to their e!erydy str$ggles+ %rie#dships+ rom#"es+ #d
spirtio#s.
Book: The Absolutely True Diary of a Part-Time Indian by
Sherm# ,le-ie
Storyboard Frames
Scene: 1 Shot: medi$m Angle/Move: stti"
Duration: 20s Composition otes: be mi#d%$l o% hedroom
.#ot too m$"h/0 prllel
li#es o% des) #d "hir.
Transition to ne!t shot: grd$l %de i#
Audio " #spoken narration$: 1i. I(m 2rs. Roediger #d tody I(d
li)e to tl) to yo$ bo$t boo) %or people 'ho do#(t li)e to red
boo)s. Do yo$ thi#) the ssig#ed redi#gs i# yo$r E#glish "lss
re 3$st so o$t o% to$"h 'ith yo$r rel li%e4 Do yo$ thi#) pre#ts
#d te"hers do#(t $#derst#d 'ht it me#s to be tee#ger
these dys4 ,re yo$ loo)i#g %or good red bo$t people+ pl"es+
#d problems tht "t$lly e-ist4 I% yo$ #s'ered yes to #y o%
these 5$estio#s+ the# The Absolutely True Diary of a Part-Time
Indian by Sherm# ,le-ie 3$st might be yo$r #e-t+ or *rst+ %!orite
boo).
Des"riptio# o% !ideo shot6
%ntroduction o& the book' I(ll be seted i#
my o&"e #d 'ill spe) dire"tly to the
"mer.
Audio ( #background music$: %de i# t e#d o% #rrtio#78osh
9ood'rd+ :Ti") To");
Scene: 2 Shot: "lose $p Angle/Move: slo' p# do'#
"ross title
Duration: 3s Composition otes: Ce#ter te-t i# shot.
Transition to ne!t shot: %de o$t
Audio "#background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");

Scene: 3 Shot: "lose $p Angle/Move: slo' p# do'# %rom
top
Duration: <s Composition otes: get good !ie' o%
8$#ior(s %"e
Transition to ne!t shot: bl") o$t %rom perimeter to "e#ter
Audio "#narration$: =$r story is told by ,r#old Spirit+ 8r.+ 'ho is
bo$t to begi# his %reshm# yer o% high s"hool. ,r#old li)es to
dr' "omi"s+ ply bs)etbll+ #d h#g o$t 'ith his best %rie#d
Ro'dy. So$#ds li)e pretty #orml tee#ger+ right4
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");


Scene: 4 Shot: "lose $p Angle/Move: >oom i# o# 9ellpi#it
Duration: 8s Composition otes: m)e s$re >oom i# o#
9ellpi#it still i#"l$des
other mp re%ere#"es
.Spo)#e+ Idho border/
Transition to ne!t shot: %de i#
Audio "#narration$: ?$t+ ,r#old is#(t 3$st #orml tee#ger. 1e
li!es i# ti#y to'# "lled 9ellpi#it+ lo"ted o# the Spo)#e I#di#
Reser!tio# i# ester# 9shi#gto# stte. ,#d he(s bo$t to
reli>e some hrd tr$ths bo$t his o'# "omm$#ity #d the 'orld
o$tside.

Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: < Shot: "lose $p Angle/Move: slo' p# le%t to
right
Duration: 8s Composition otes: stright "ross+ %o"$s
o# 8$#ior t e#d
Transition to ne!t shot: 5$i") bl") o$t
Audio "#narration$: =#e o% ,r#old(s te"hers o# the reser!tio#
gi!es him some d!i"e6 i% he relly '#ts to m)e somethi#g o%
himsel% #d h!e hope %or better li%e+ he(s got to get o@ the re>+
'here po!erty #d ddi"tio# o%te# )eep people %rom reli>i#g
their tr$e pote#til.
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: A Shot: "lose $p Angle/Move: >oom i# %rom
le%t
Duration: <s Composition otes: "o#ti#$o$s
mo!eme#t
Transition to ne!t shot: 5$i") shi%t+ li)e # imge mo#tge
Audio "#narration$: So ,r#old de"ides to tte#d high s"hool o@

the re> i# #erby %rmi#g to'# "lled Rerd#+ 'here most o%
the st$de#ts "ome %rom 'ellBo@ %rmi#g %milies.
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: 7 Shot: "lose $p Angle/Move: >oom i# o#
rod %rom right
Duration: 2s Composition otes: "o#ti#$o$s mo!eme#t
Transition to ne!t shot: 5$i") shi%t+ li)e # imge mo#tge

Audio "#background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: 8 Shot: "lose $p Angle/Move: >oom i# o#
"e#trl imge %rom
o$tside

Duration: 2s Composition otes: "o#ti#$o$s mo!eme#t
Transition to ne!t shot: %de o$tCi#
Audio "#background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: D Shot: "lose $p Angle/Move: p# %rom top to
bottom

Duration: <s Composition otes: p$se o# :I#di#s;
Transition to ne!t shot: %de i#Co$t
Audio "#narration$: Rerd# 1igh S"hool(s ms"ot is the I#di#+
'hi"h is %$##y be"$se ,r#old is the o#ly rel I#di# i# the e#tire
s"hool.
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: 10 Shot: "lose $p Angle/Move: slo' p#
$p %rom bottom to
top+ p$se t top o% imge

Duration: 8s Composition otes: p$se o#
:9hiteCI#di#; t top
Transition to ne!t shot: 5$i") bl") o$t
Audio "#narration$: 1e hs to ler# to bl#"e t'o li!es6 bei#g
li)e the 'hite )ids t Rerd# 'hile still mi#ti#i#g ties to his
%rie#ds #d %mily o# the re>+ most o% 'hom see him s tritor
%or "hoosi#g the 'hite s"hool o!er the re> s"hool. =$"h.
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: 11 Shot: "lose $p Angle/Move: >oom i# to
"e#ter

Duration: 3s Composition otes: "o#ti#$o$s mo!eme#t
Transition to ne!t shot: %de o$tCi#
Audio "#narration$: E!e# Ro'dy+ his best %rie#d+ t$r#s o# him.
1e(s got it ro$gh. Audio ( #background music$: "o#ti#$tio#7
8osh 9ood'rd+ :Ti") To");
Scene: 12 Shot: 'ide shot o% gym Angle/Move:
s'eepi#g p# %rom le%t
to right+ $si#g :poor
m#(s dolly; te"h#i5$e
Des"riptio# o% !ideo shot6
S'eepi#g p# "ross Eoor o% empty
bs)etbll gym.
Duration: 4s Composition otes: "o#ti#$o$s mo!eme#t.
Stright li#es "ross "o$rt.
Transition to ne!t shot: 5$i") bl") o$tC%de i#
Audio "#narration$: ?$t+ thi#gs re#(t ll bd. 8$#ior strts to
m)e %rie#ds o# the Rerd# bs)etbll tem. ,#d+ yo$ )#o'+
he(s pretty good.
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: 13 Shot: "lose $p Angle/Move: p# %rom right
to le%t
Duration: 4s Composition otes: "o#ti#$o$s mo!eme#t
Transition to ne!t shot: 5$i") %de o$tCi#
Audio "#narration$: 1is bs)etbll s)ills led to some pretty
epi" sho'do'#s bet'ee# the #e' Rerd# tem #d his old
9ellpi#it tem. Fot to spoil #ythi#g+ b$t there(s de*#itely blood
i#!ol!ed.
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: 14 Shot: 'ide shot to "lose $p Angle/Move:
5$i") "$t'y p#
Des"riptio# o% !ideo shot6
G$i") "$t'y p# %rom s"orebord to
bs)etbll o# gym Eoor.
Duration: 3s Composition otes: m)e s$re shot stys
i# %o"$s
Transition to ne!t shot: 5$i") bl") o$tC%de i#
Audio " #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: 1< Shot: "lose $p Angle/Move: p# %rom $pper
le%t to lo'er right

Duration: 4s Composition otes: "o#ti#$o$s mo!eme#t
Transition to ne!t shot: slo' %de o$tCi#
Audio "#narration$: 8$#ior gro's both "demi"lly #d
thleti"lly+ b$t he hs to del 'ith some relly to$gh %mily
iss$es i# the pro"ess. ?ei#g tee#ger o# the re> is #e!er esy.
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: 1A Shot: "lose $p Angle/Move: p# %rom
top to bottom

Duration: <s Composition otes: p$se o# boo) title
Transition to ne!t shot: "$t i# %rom perimeter to "e#ter
Audio "#narration$: ?ottom li#e4 I% yo$ li)e "omi"s+ sports+ #d
stories told %rom RE,H tee#ge perspe"ti!e+ yo$(ll lo!e this
boo). Ii!e it #d try #d I promise yo$ 'o#(t be disppoi#ted.
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");
Scene: 17 Shot: "lose $p Angle/Move: s"roll te-t %rom
bottom to top
Des"riptio# o% !ideo shot6
Roll "redits. ?l$e b")gro$#d+ or#ge te-t.
He%tBh#d lig#me#t.
Duration: 8s Composition otes: "o#ti#$o$s mo!eme#t
Transition to ne!t shot: %de o$t #d *#ish.
Audio ( #background music$: "o#ti#$tio#78osh 9ood'rd+
:Ti") To");