While comics are often the work of a single creator, the labour of making them is frequently

divided between a number of specialists. There may be a separate writer and artist, or there
may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]

While comics are often the work of a single creator, the labour of making them is frequently
divided between a number of specialists. There may be a separate writer and artist, or there
may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]

While comics are often the work of a single creator, the labour of making them is frequently
divided between a number of specialists. There may be a separate writer and artist, or there
may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]

While comics are often the work of a single creator, the labour of making them is frequently
divided between a number of specialists. There may be a separate writer and artist, or there
may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]

While comics are often the work of a single creator, the labour of making them is frequently
divided between a number of specialists. There may be a separate writer and artist, or there
may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]

While comics are often the work of a single creator, the labour of making them is frequently
divided between a number of specialists. There may be a separate writer and artist, or there
may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]
While comics are often the work of a
single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters
and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed]
the
art may be divided between a penciller, who lays out the artwork in pencil;
[117]
an inker, who
finishes the artwork in ink;
[118]
a colourist;
[119]
and a letterer, who adds the captions and speech
balloons.
[120]
While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist,
or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,
[citation needed]
the art may be divided between a penciller, who
lays out the artwork in pencil;
[117]
an inker, who finishes the artwork in ink;
[118]
a colourist;
[119]
and
a letterer, who adds the captions and speech balloons.
[120]