The Shadow Line - A Confession
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Joseph Conrad
Joseph Conrad was born to Polish parents in the Ukraine on 3rd December 1857. He grew up surrounded by upheaval. His father was exiled to northern Russia for political activities and although they eventually returned to Poland, Conrad was orphaned by the age of 11. Subsequently he was taught by his uncle, a great influence and mentor. Leaving for Marseilles in 1874, Conrad began his training as a seaman. After an attempt at suicide, Conrad joined the British merchant navy and became a British subject in 1886. After his first novel, Almayer's Folly was published in 1895 he left the sea behind and settled down to a life of writing. Indeed, as his wife wrote in 1927, he would move only "from his table to his bed, for days and days on end". Troubled financially for many years, he faced uncomplimentary critics and an indifferent public. He finally became a popular success with Chance (1913). By the end of his life on 3rd August 1924 his status as one of the great writers of his time was assured.
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Reviews for The Shadow Line - A Confession
7 ratings5 reviews
- Rating: 4 out of 5 stars4/5Slow to start, with hero having lost track a bit and landing a command almost by accident. The story itself lacks grip in the early pages. But once he sees his ship and effectively falls in love with it, the writing gets tight focus: the ship, the weather, disease, madness, will-power, with a hint of the supernatural. In essence autobiographical, with much scholarly ink spilt on the details thereof, but what does it matter? Great style, great story.
- Rating: 5 out of 5 stars5/5Short but gripping. An insight into how the crew of a ship must pull together to survive, no matter what is thrown at them. As ever, Conrad's understanding of human nature is to the fore, and his language as elegant as ever.
- Rating: 3 out of 5 stars3/5A young sea captain gets his first command after he quits his comfortable position as first mate somewhere in South East Asia. This command tests him to the limit and takes him over the shadow line, that line that separates insouciant youth from responsible maturity. The days are filled with a curious mix of inactivity and tension, as their ship barely moves due to lack of wind and the crew get sick one after the other. To top it all off his first mate is sure the ship is haunted.
The book is written from the perspective of the young captain. His struggle with the loneliness of command, the separation of himself from those under his command, his doubts and feelings of guilt for things beyond his control are a nice read, though at times quite a rambling one. - Rating: 3 out of 5 stars3/5This is the story of a young man who takes over command of a sailing ship that is haunted by it's previous captain. This is my second book by Conrad. I had already read Heart of Darkness and I found that amazing classic to be just mediocre for me. I read this book hoping that maybe I just hadn't been in the right frame of mind, but I came away still feeling not emotionally moved or even entertained by this story. Not a bad book, but not that compelling or memorable for me.
- Rating: 2 out of 5 stars2/5I picked up this book much too casually and without any forethought, and because of this, didn’t give to the book the time and energy that it deserved. This is one of Conrad’s later stories, and happens to have a lot of autobiographical elements, in that it focuses on a young man who gets a commission to lead a ship into the Orient. Conrad’s first command was to sail a ship called the Otago from Singapore into Bangkok. Despite the death of the previous captain and the less-than-auspicious circumstances, Conrad decides to lead the ship anyway. The ship only managed to cover 800 miles in three weeks, and every crew member except Conrad and the onboard cook were stricken with debilitating fever. “The Shadow-Line” supposedly refers to the anonymous protagonist’s transition from callow boyhood to maturity when he takes up command of the ship and all that entails. The main character certainly does take an exceeding amount of pride in his first role as captain. However, different readings inevitably produce different interpretations – and the story has been taken as everything from a metaphor for the outbreak of World War I to some sort of meditation on the supernatural. The store never really “goes anywhere.” It works well as a psychological study of a character, but I think this takes a longer story - something more on the order of “The Heart of Darkenss,” which at least *felt* longer and more developed. There, you came away knowing the kind of people that Marlow and Kurtz were. Here, that development was lacking, and what almost never happens while reading a book happened to me – I didn’t even feel compelled to finish the last several pages. Maybe I’ll pick this up again in several more years, and be more cautious of the kind of fiction Conrad is interested in writing.
Book preview
The Shadow Line - A Confession - Joseph Conrad
THE SHADOW-LINE -
A CONFESSION
by
Joseph Conrad
Copyright © 2013 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Contents
Joseph Conrad
PART ONE
I
II
III
PART TWO
IV
V
VI
Joseph Conrad
Joseph Conrad was born Józef Teodor Konrad Korzeniowski in Berdichev – a town in Polish Ukraine, then part of the Russian Empire – in 1857. He was left orphaned at the age of eleven, and placed in the care of his uncle in Kraków. The young Conrad found Russia oppressive, and soon after he turned sixteen, he went to Marseille, France, to begin a career as a seaman. Over the next few years, Conrad mastered the fundamentals of seamanship while voyaging to such far-flung destinations as Colombia. He also learnt French and made many acquaintances in dramatic, literary and bohemian circles.
In 1878, Conrad was wounded in the chest. Some biographers say he fought a duel in Marseille, others that he attempted suicide. Following the incident, he took service on his first British ship, landing in England later that year. By 1886, during which time he had voyaged to many other destinations, including Indonesia, Conrad was fluent in English. He gained both his Master Mariner’s certificate and British citizenship, and officially changed his name to the anglicized ‘Joseph Conrad’.
In 1889, in an event which would inspire his best-known novel, Heart of Darkness, Conrad visited the Congo Free State of Africa as captain of a steamboat. Five years after the voyage, in 1894, Conrad gave up the naval life – partly because of ill health, and partly because he was becoming increasingly interested in writing. He published his first novel, Almayer’s Folly, in 1895, and his major productive phase spanned from 1897 to 1911, during which he penned books. However, Conrad’s first major success came in 1913, with the publication of Chance. A commercial and critical success, the novel established Conrad as the most popular writer of his era, and saw him make the acquaintance of writers such as Henry James and Stephen Crane. He even appeared on the cover of the 7th April, 1923 edition of Time magazine.
Conrad died in 1924, aged 66. He is now regarded as one of the great novelists in the English language, despite the fact that he did not speak the language fluently until his twenties. Conrad’s most influential work remains Heart of Darkness (1899), to which many have been introduced by Francis Ford Coppola’s film, Apocalypse Now (1979). However, Lord Jim (1900) and Nostromo (1904) continue to be widely read, and The Secret Agent (1907) and Under Western Eyes (1911) are also considered fine works.
PART ONE
I
Only the young have such moments. I don’t mean the very young. No. The very young have, properly speaking, no moments. It is the privilege of early youth to live in advance of its days in all the beautiful continuity of hope which knows no pauses and no introspection.
One closes behind one the little gate of mere boyishness—and enters an enchanted garden. Its very shades glow with promise. Every turn of the path has its seduction. And it isn’t because it is an undiscovered country. One knows well enough that all mankind had streamed that way. It is the charm of universal experience from which one expects an uncommon or personal sensation—a bit of one’s own.
One goes on recognizing the landmarks of the predecessors, excited, amused, taking the hard luck and the good luck together—the kicks and the half-pence, as the saying is—the picturesque common lot that holds so many possibilities for the deserving or perhaps for the lucky. Yes. One goes on. And the time, too, goes on—till one perceives ahead a shadow-line warning one that the region of early youth, too, must be left behind.
This is the period of life in which such moments of which I have spoken are likely to come. What moments? Why, the moments of boredom, of weariness, of dissatisfaction. Rash moments. I mean moments when the still young are inclined to commit rash actions, such as getting married suddenly or else throwing up a job for no reason.
This is not a marriage story. It wasn’t so bad as that with me. My action, rash as it was, had more the character of divorce—almost of desertion. For no reason on which a sensible person could put a finger I threw up my job—chucked my berth—left the ship of which the worst that could be said was that she was a steamship and therefore, perhaps, not entitled to that blind loyalty which. . . . However, it’s no use trying to put a gloss on what even at the time I myself half suspected to be a caprice.
It was in an Eastern port. She was an Eastern ship, inasmuch as then she belonged to that port. She traded among dark islands on a blue reef-scarred sea, with the Red Ensign over the taffrail and at her masthead a house-flag, also red, but with a green border and with a white crescent in it. For an Arab owned her, and a Syed at that. Hence the green border on the flag. He was the head of a great House of Straits Arabs, but as loyal a subject of the complex British Empire as you could find east of the Suez Canal. World politics did not trouble him at all, but he had a great occult power amongst his own people.
It was all one to us who owned the ship. He had to employ white men in the shipping part of his business, and many of those he so employed had never set eyes on him from the first to the last day. I myself saw him but once, quite accidentally on a wharf—an old, dark little man blind in one eye, in a snowy robe and yellow slippers. He was having his hand severely kissed by a crowd of Malay pilgrims to whom he had done some favour, in the way of food and money. His alms-giving, I have heard, was most extensive, covering almost the whole Archipelago. For isn’t it said that The charitable man is the friend of Allah
?
Excellent (and picturesque) Arab owner, about whom one needed not to trouble one’s head, a most excellent Scottish ship—for she was that from the keep up—excellent sea-boat, easy to keep clean, most handy in every way, and if it had not been for her internal propulsion, worthy of any man’s love, I cherish to this day a profound respect for her memory. As to the kind of trade she was engaged in and the character of my shipmates, I could not have been happier if I had had the life and the men made to my order by a benevolent Enchanter.
And suddenly I left all this. I left it in that, to us, inconsequential manner in which a bird flies away from a comfortable branch. It was as though all unknowing I had heard a whisper or seen something. Well—perhaps! One day I was perfectly right and the next everything was gone—glamour, flavour, interest, contentment—everything. It was one of these moments, you know. The green sickness of late youth descended on me and carried me off. Carried me off that ship, I mean.
We were only four white men on board, with a large crew of Kalashes and two Malay petty officers. The Captain stared hard as if wondering what ailed me. But he was a sailor, and he, too, had been young at one time. Presently a smile came to lurk under his thick iron-gray moustache, and he observed that, of course, if I felt I must go he couldn’t keep me by main force. And it was arranged that I should be paid off the next morning. As I was going out of his cabin he added suddenly, in a peculiar wistful tone, that he hoped I would find what I was so anxious to go and look for. A soft, cryptic utterance which seemed to reach deeper than any diamond-hard tool could have done. I do believe he understood my case.
But the second engineer attacked me differently. He was a sturdy young Scot, with a smooth face and light eyes. His honest red countenance emerged out of the engine-room companion and then the whole robust man, with shirt sleeves turned up, wiping slowly the massive fore-arms with a lump of cotton-waste. And his light eyes expressed bitter distaste, as though our friendship had turned to ashes. He said weightily: Oh! Aye! I’ve been thinking it was about time for you to run away home and get married to some silly girl.
It was tacitly understood in the port that John Nieven was a fierce misogynist; and the absurd character of the sally convinced me that he meant to be nasty—very nasty—had meant to say the most crushing thing he could think of. My laugh sounded deprecatory. Nobody but a friend could be so angry as that. I became a little crestfallen. Our chief engineer also took a characteristic view of my action, but in a kindlier spirit.
He was young, too, but very thin, and with a mist of fluffy brown beard all round his haggard face. All day long, at sea or in harbour, he could be seen walking hastily up and down the after-deck, wearing an intense, spiritually rapt expression, which was caused by a perpetual consciousness of unpleasant physical sensations in his internal economy. For he was a confirmed dyspeptic. His view of my case was very simple. He said it was nothing but deranged liver. Of course! He suggested I should stay for another trip and meantime dose myself with a certain patent medicine in which his own belief was absolute. I’ll tell you what I’ll do. I’ll buy you two bottles, out of my own pocket. There. I can’t say fairer than that, can I?
I believe he would have perpetrated the atrocity (or generosity) at the merest sign of weakening on my part. By that time, however, I was more discontented, disgusted, and dogged than ever. The past eighteen months, so full of new and varied experience, appeared a dreary, prosaic waste of days. I felt—how shall I express it?—that there was no truth to be got out of them.
What truth? I should have been hard put to it to explain. Probably, if pressed, I would have burst into tears simply. I was young enough for that.
Next day the Captain and I transacted our business in the Harbour Office. It was a lofty, big, cool, white room, where the screened light of day glowed serenely. Everybody in it—the officials, the public—were in white. Only the heavy polished desks gleamed darkly in a central avenue, and some papers lying on them were blue. Enormous punkahs sent from on high a gentle draught through that immaculate interior and upon our perspiring heads.
The official behind the desk we approached grinned amiably and kept it up till, in answer to his perfunctory question, Sign off and on again?
my Captain answered, No! Signing off for good.
And then his grin vanished in sudden solemnity. He did not look at me again till he handed me my papers with a sorrowful expression, as if they had been my passports for Hades.
While I was putting them away he murmured some question to the Captain, and I heard the latter answer good-humouredly:
No. He leaves us to go home.
Oh!
the other exclaimed, nodding mournfully over my sad condition.
I didn’t know him outside the official building, but he leaned forward the desk to shake hands with me, compassionately, as one would with some poor devil going out to be hanged; and I