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7. Be sure and get several angles both close up and wide of the same
architectural drawings.
The worst offender is the constant zooming and panning that pervades every
shot.
Before you reach for that zoom control, think about why you're doing it. Do you
really need to get a closer look at your subject? Or are you just playing around
with that zoom because you can? If you can't think of a really good reason to
zoom or pan, don't. Keep in mind, some directors like Spielberg and Hitchcock
have shot entire feature films without zooming one single time. Instead of
zooming, consider stopping tape and moving in closer to your subject. Then, you
can edit it later. If you must pan (moving from side-to-side, moving up or down is
called a "tilt"), move slower than your instincts tell you to. Almost every beginner
video has a pan that is so fast that it elicits laughter among the initiated
Try not to zoom in or out too much during a scene. But don't lose a shot by
avoiding zooming altogether. Just do it as gently as possible. And, once you have
zoomed in or out, hold that view for a few seconds.
By the way, forget about your camera's digital zoom. Manufacturers love to
trumpet how a camera has a 200x digital zoom on top of the 10x or 20x optical
zoom. It is hype. The only thing that counts is the optical zoom, which is
determined by the physical elements of the lens. Most cameras have about the
same range of optical (physical) zoom lenses.
Pan slowly.
Panning is the movement of the camera from side to side. Take it slowly. Don't
jerk back and forth during the pan. If you make a mistake, start all over again.
Hold the shot steady for a few seconds before you start the pan. Hold it steady for
another few seconds when you are done.
Beware of backlighting.
A backlit scene is one where there is a bright light behind the main action. Picture
a bride and groom standing on a stairway in front of a large window on a bright
sunny day. Uncorrected, your camera's light meter will probably try to expose the
scene so that you can see what is outside the window. As a result, it will darken
the whole image, leaving the bride and groom lost in shadow.
If your camera lacks this feature, you may want to learn from the manual how to
do it by hand. Video cameras are pretty easy to operate. Most people don't read
the manuals. Usually, you don't need to. In this one case, it may be a good idea.
Use a Storyboard
The shot angle is the level from which you look at your subject through the
camera.
Eye-level angle - One of the most commonly used shots is the eye-level shot.
Why? Because it's the perspective most familiar to us - we usually see things
from our own eye-level. This angle also causes the least discomfort because we're
used to it. If you're shooting a person, and you want to make it an eye-level shot,
make sure you shoot at their eye-level, not yours.
Low Angle - In this shot the camera looks up at the subject, making it seem
important, powerful, or perhaps larger than it is to the viewer. For example, you
might be sitting on the ground looking up at someone who is standing.
High Angle - In this shot the camera looks down on the subject, decreasing its
importance. The subject looks smaller. It often gives the audience a sense of
power, or makes the subject seem helpless. In this case, you'd be higher than the
other person (maybe they're sitting, or maybe you're standing on a desk) looking
down on that person.
Pan - A shot taken moving on a horizontal plane (from left to right, right to). If
you want to show a frisbee flying across a field, you might use this shot to follow
the frisbee from one person to another.
Zoom - This shot moves you closer to the subject, into a Medium Shot or Close
Shot. If you are looking at the Golden Gate Bridge, and you want to see
individual people walking across it, you might zoom in.
Reverse Zoom - This shot moves you farther away into a Medium Shot or a Wide
Shot. If you have a close up shot of a flower, and want to see the entire field that
the flower is in, you will reverse zoom.
Composition and Framing Your Shots
There are many ways to compose a shot, depending on your goals. You want to
be aware of what is in the shot and what isn't. Ask yourself, can I clearly see what
I intend for the viewer to see?
Rule of Thirds - this classic rule suggests that the center of the camera's attention
is one-third of the way down from the top of the shot.
Headroom - A term used with shots of people. This refers to the space above the
subject's head. You'll see different amounts of headroom left, depending on the
intent of the creator of the video. In general, if you're standing right in front of
someone, you'll see that they have space all around them - they aren't cut off by a
Tripod Use
And the answer depends on what you are trying to do. If you're chasing your
subject or want to imitate an earthquake you probably won't use a tripod because
you need to be moving. Or if you want to give the viewer the impression of
walking or running, then you may not want to use a tripod.
Proper set up - use a wide "footprint." You and I have two legs. Tripods have
three. When our legs are several feet apart, creating a wide "footprint" you and I
are more stable, harder to push over. It's the same for a tripod. The farther apart
the legs are, the more stable it will be.
Tripod Motion - when you use a tripod, you securely attach the camera to the top
of it. The camera can now be moved in two ways - pan (side to side movement)
or tilt (up and down). See the Camera Movement sheet for more information on
pans and tilts.
DVD RAM
MiniDV
This is the most common format for most Digital camcorders still use videotape
(most use a format called MiniDV)
The type has a built-in hard drive just like a computer. The advantage is speed
and capacity which can range from 10 – 120GB. Also, n o tape or disk to buy.
However, you must use USB or Firewire in order to interface with your home
computer.
HD
The new High Definition format gives you enhance picture quality that can be
displayed on your new HD TV. The problem with this format is the lack
standardization for HD video format (HDV, XDCAM, AVCHD). I would wait a
few more years before deciding to buy this type of camcorder.
Flash Memory
Analog
Your Camcorder may come with additional software and drivers to facilitate
the transfer process. If you have Windows XP or higher, with standard
USB 2.0 support, no addition hardware or software is required for most
Flash or HD memory type camcorders.
The digital camcorder is one of the most popular home products of all times.
Camcorders have made shooting videos simple, quick and fun. You can make
your home videos even more enjoyable by copying them to your PC, editing
them, adding titles and removing those unwanted scenes. Video editing software
like Video Edit Magic can help you edit your home movies to make your memories
last forever. You can also convert the edited videos to an appropriate format and
create a DVD or upload them to an Internet server and share your memories with
family and friends.
A Fire Wire Port (also known as IEEE 1394 or Sony i.Link) allows users to
connect digital video camcorders and other peripheral devices to their PCs, and
transfer videos or other data at high speeds. Most digital camcorders also have a
USB 2.0 connection and this USB connection can be used to capture the video as
well as the photo snaps taken by the camcorder. Be sure your PC has a USB 2.0.
While a USB 2.0 device can transfer data using a USB 1.1 connection, the
transfer rate will be dramatically lower, and video capture may not be successful
Connecting Cables
FireWire 800
FireWire 800 cables use a 9-pin configuration. Six of those pins are the same as
the six pins in the 1394a connector (shown above). Two of the added pins provide
a "grounded shield" to protect the other wires from interference, and the third
added pin does nothing at this time [ref].
TROUBLE SHOOTING
Many camcorder users have faced problem connecting a camcorder to their PC.
One of the most common problems is “nothing happens” after connecting the
camcorder to the PC. The New Hardware Wizard does not run and Windows
fails to detect the camcorder.
This can mean one of the two things: Either the DV port on the camcorder (or
computer) is not working or the FireWire cable is faulty. Try a different FireWire
cable. If the camera is still not detected by the PC, try connecting it to a different
PC. If the Camcorder is still not detected, then your camera's DV port is most
likely at fault
You can check the status of the FireWire port with the Device Manager. To open
the Device Manager, right-click on My Computer and then click on Properties.
Select the Hardware tab and click on Device Manager. If you cannot see the
FireWire controller (probably listed under "IEEE1394 Bus host controllers") in
the list, then it is not properly installed. If you see a yellow exclamation mark,
then you need to install the drivers, which are usually on a CD that comes with
Other Software
FireWire Diagram
You can use transfer your old VHS tape to your PC if you have the “DV Pass-
Through” feature on your camcorder. You will probably have to put your
camcorder into “VCR” mode, and “record pause” mode.
There are two way to connect the analog input, either S-Video for RCA input.
QuickTime
Apple originally developed the QuickTime Movie (.MOV) video file format for
the Macintosh, but then extended it into a cross-platform video data format that
also can be used on the PC. As a result, QuickTime has been widely adopted as a
portable format for cross-platform applications; an application can be shipped on
one CD-ROM and contain a single set of video files which will play on both Mac
and PC. The QuickTime format is also commonly used for posting video files on
the Web for downloading. The QuickTime file format also has been selected as
the basis for MPEG-4, the next-generation audio/video standard.
AVI
Theoretically, AVI should mean an end to file format worries for PC users: If you
create AVI files using the built-in compression formats, you can be sure that any
other Windows user can play the file. However, this only works if you stick to the
built-in compression formats. Once you start using newer, better compression
algorithms to get higher quality or smaller file sizes, the file will not play on other
machines unless you provide the corresponding codec to be installed along with
the file.
WMV
Windows Media Video (WMV) is a compressed video file format for several
proprietary codecs developed by Microsoft. The original codec, known as WMV,
was originally designed for Internet streaming applications, as a competitor to
RealVideo. Windows Media Video (WMV) is the most recognized codec within
the WMV family. Usage of the term WMV often refers to this codec only. Its
main competitors are MPEG-4 AVC, RealVideo, DivX, and Xvid
Capturing Video
If you have an analog or digital video (DV) tape camcorder, you need to do a
process called Capturing in order the transfer the video to your PC. Transferring
video from a digital camcorder and capturing it onto your hard-drive can be
difficult. That’s because digital video creates enormous file sizes that can be
difficult to save onto your computer’s hard drive. Until recently, video capture
was the hardest step for the home video maker as it was fraught with hardware
Another problem with capturing, it the time it takes. Capturing is the real-time
process. For example, if you have a 2 hour tape, it take the same time to
capturing it into you PC assuming to other conversion need to be done.
Encoding is the process to converting your DV file to one of the many video
format available (AVI, MPEG, WMV). However, before you capture video in
Movie Maker 2, you have to answer an important question:
You see, Movie Maker lets you capture in both the traditional DV-AVI format,
and also in its own WMV format. Each has its own merits, so I’d like to tell you
more about each of these formats so you can make an informed decision.
The first format you capture into is DV-AVI. This format, also known as DV or
“digital video” is the video compression format that your camcorder captures onto
tape. Thus, when you film a video, your camcorder saves the video information
onto magnetic tape as a series of “0s and 1s” in the DV-AVI format. This digital
format is great, as the video is saved at an outstanding resolution of 720x480
pixels running at 30 frames per second. In other words, you are getting video that
is potentially higher quality than a commercial DVD. DV-AVI is the capture and
editing format of choice for all other video software programs and any video-
related software will recognize and work with this format.
If you have one of the latest Hard Drive or Flash Drive video camcorder, you DO
NOT need to go through the complicated Capturing process.
Like many digital camera on the market, you just usa the standard USB 2.0 cable
in order to connect your camcorder to the PC. Window XP/Vista operating
system will have the built-in program will to allow you to access the device as a
external hard drive or removable disk.
That is because the camera already has encoded your video in to one of the
common format we discussed above.
CODEC FORMAT
mpeg
WMV .wmv Low to High Small to Good for uploading to
Youtube.com or emailing
Medium
DixX .divx Low to High Small to Good for streaming movies
Medium
QuickTime .mov Medium to Small to Apple movie standard
High Medium
DVD .vob High Very Good for making DVD video,
but long encoding process.
Large
DISSOVLE: A transition between two shots, where one shot fades away and
simultaneously another shot fades in.
FADE - A transition from a shot to black where the image gradually becomes
darker is a Fade Out; or from black where the image gradually becomes brighter
is a Fade In.
HIGH CAMERA ANGLE: A camera angle which looks down on its subject
making it look small, weak or unimportant.
JUMP CUT: A rapid, jerky transition from one frame to the next, either
disrupting the flow of time or movement within a scene or making an abrupt
transition from one scene to another.
LEVEL CAMERA ANGLE: A camera angle which is even with the subject; it
may be used as a neutral shot.
LONG SHOT: A long range of distance between the camera and the subject,
often providing a broader range of the setting.
POV (point of view shot): A shot which is understood to be seen from the point
of view of a character within the scene.
REACTION SHOT- 1.: A shot of someone looking off screen. 2.: A reaction
shot can also be a shot of someone in a conversation where they are not given a
line of dialogue but are just listening to the other person speak.
TILT: Using a camera on a tripod, the camera moves up or down to follow the
action.
ZOOM: Use of the camera lens to move closely towards the subject.