1

University of the Philippines

M I N D A N A O
Instructional Slide Material for Arts and Humanities 5
ART HISTORY
I. PREHISTORIC PERIOD !"#""" $RS.%
A. Ca&e Paintin's ( )* +ortra*in' animals on ,all t-e* could -a&e master* o&er t-em
In realit* ( earl* men.s )elief.
/. 0ertilit* Statues Scul+ture% ( t-e se1ual attri)utes li2e t-e o+ulent )reasts and
3ide -i+s are e1a''erated# )ut no notes of t-e faces# -ands 4
lim)s.
C. Me'alit-s Arc-itecture%
1.Men-irs ( me'alit-s risin' as -i'- as 5" feet.
6.Dolmens ( in +ost and lintel construction
7.Cromlec-s ( a com+le1 structure in concentric
circle o&er a ,ide area.
Arts
Cave Paintings of Animals at Lascaux, France
Paleolithic Figurines
Stonehenge, Salisbury Plain England
Venus of Laussel
Venus of Willendorf
II. RI8ER CI8I9I:ATION 1"#""" $RS.%

A. Meso+otamia ( Ti'ris 4 Eu+rates Ri&ers Persia Included%
/a)*lon ( one of t-e earliest 2in'doms ,-ere first codes of la, ,ere dro,n e.'.
CODE O0 HAMM;RA/I.
:i''urat ( t-e famous to,er of /a)el
Arts
Early Persian ull Ca!ital
"udea Seated# $he Prince of Lagash
"udea Standing
%an&'eaded Winged ull (Assyrian)
%an&'eaded Winged ull and Lion (Assyrian)
Stele of 'ammurabi
*iggurat (+r&,ammu)
-elief of a ull in the "ate of .shtar (abylon)

/. C-ina ( $ant<e 4 $ello, Ri&er

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C-inese
Ma $uan
Landsca!e in -ain
=ao C->i(+>ei
Landsca!e
Mu C-i
Six Persimmons
Landsca!e
9i Sun'
Em!eror %ing&'uang Watching a Coc/fight
Nu+in
"reeting the S!ring
$uan $ao
$raveling in the %ountains in Autumn
9an $in'
Fuch0un %ountain
Tan' Ti
Picnic at the -iver an/
?a+anese
Ando Hiros-i'e ?a+anese%
%oonlight, ,aga/ubo
=atsus-i2a Ho2usai ?a+anese% @ 75 +rints of Mt. 0uAi
rea/ing Wave 1ff 2anaga3a
2a4i/a5a3a in 2ai Province
%t6 Fu4i in Clear Weather
;tamari# =ita'a,a
Lovers
Sesson S-u2ei
Fishing oat in the Storm# Album Leaf
=ano Hide*ori
%a!le Vie3ers at $a/ao (detail)
Anon*mous
lac/ ull# From the 'and Scroll of the
$en Famous ulls
C. India ( Ban'es 4 Indus Ri&ers
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7

rahma, Shiva and Vishnu ('indu 'oly $rinity)
7escent of the "anges
%other and Child
Shiva Vinadara
Shiva, Lord of the 7ance
$a4 %ahal
$he $hree 8a/shi
D. E'*+t ( Nile Ri&er 7#""" *rs.% ( to ensure t-e e1istence of t-e soul or =A# t-e )od*
,-ere it d,elt must )e +reser&ed t-ru M;MMI0ICATION. If not# +reser&e
t-e =A t-rou'- +aintin' and scul+ture of t-e ima'e.
Arts
Funerary %as/ of $utan/hamun (Egy!tian)
"old Coffin of $utan/hamun
$omb of $utan/hamun
Pyramids of "i5a
"reat S!hinx
Anubis, "od of the +nder3orld
,efertiti From A/hetaten (Egy!tian)
-elief of %en/auhor (Egy!tian)
Seated Scribe from Sa99ara (Egy!tian)
III. C9ASSICISM 4 THE BRECO(ROMAN TRADITION
1#""" $RS.%
A. Bree2 Art
1. Beometric and Arc-aic C"""(5"" /C% ( still influenced )* earlier
ci&ili<ations e.'. E'*+tian
a. 2ouros:2ouroi ( a male nude at-lete
). 2ore:2orai ( female &ersion
c. A!ollo
6. HellenicDBolden A'e 5"" /C% ( EMan is t-e measure of all t-in'sE
a. Classic Ideals
i. Harmon*
ii. /alance
iii. Pro+ortion
). P-iloso+-ies
i. Rationalism
ii. Idealism
iii. Humanism
Arts
A!hrodite of Cnidus
A!ollo#$he "od of the .ntellect
La!ith and Centaur
La!ith and Centaur
,i/e +ntying 'er Sandal
Porch of the %aidens
Venus de %ilo
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!
Parthenon
"ree/ Columns
7oric
.onic
Corinthian

Pra1iteles
'ermes and the aby 7ionysus
A!hrodite
M*ron
7iscuss $hro3er;7iscobolus
7. Hellenistic !""(1"" /C%( Bree2 culture intermin'led ,it- oriental culture
( Pelo+onnesian 3ar
Arts
,i/e at Samothrace
1ld %ar/et Woman
$he Laocoon "rou!
Prometheus
/. Roman Art
1. Dome ( 'reatest contri)ution to ,orld arc-itecture
6. Preference to circular arc-itectures
7. P-iloso+-ies
a. Stoicism
). E+icureanism

Arts
Colosseum
7iana the 'untress
Em!eror Constantine
Le Pont 7u "ard
,e!tune, "od of the Sea
Pantheon
Pantheon 3ith 1culus
-oman Version of %yron<s 7iscobolus
$rium!hal Arch of Constantine
-oman %osaic
$he Victory of ,e!tune
7etail From the an9uet
I8. MEDIE8A9 PERIOD
A. Earl* C-ristian F" AD% ( em+-asis on t-e s+iritual 4 t-e eternal life found in
t-e Catacom)s.
717 AD ( end of +ersecution
& 1ld St6 Peter<s asilica
/. /*<antine 77" AD% ( Eastern )ranc-
( +o+ulari<ed icon e.'.E Our Mot-er of Per+etual
Hel+E.
( CR;CI0ORM T*+e of Arc-itecture.
( 'agia So!hia
!
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C. RomanesGue !F5 AD% ( Dar2 A'es
( fall of t-e Roman Em+ire and t-e trium+- of t-e
/ar)arians.
( ascendanc* of ,omen.s +osition in societ* e.'.
8ir'in Mar*# 4 t-e 'lorification of romantic lo&e.
( arc-itecture( -ori<ontalH CROSS T*+e
( ,otre 7ame de "rande (Poiters)
D. Bot-ic ( arc-itecture( &ertical
( translucent stained 'lasses
( ta+estries
( Cathedral at %ilan, .taly
( ,otre 7ame, Paris
( -ouen Cathedral, France
( "othic flying buttresses
Arts and Artists of t-e Medie&al Era
Christ Flan/ed by Em!eror Constantine and Em!ress *oe
Em!ress $heodora and 'er -etinues
William $he Con9ueror0s Flagshi!

Cima)ue
$he Virgin and Child 3ith Angels
%adonna Enthroned

Biotto
Christ Entering =erusalem
%adonna Enthroned

0ra An'elico
Christ "lorified in the Court of 'eaven
$he Annunciation
$he Crucifixion
$he 7e!osition
$he Coronation of the Virgin

0ra 0ili++o 9i++i
$he Coronation of the Virgin
%adonna and Child Enthroned 3ith > Angels
%other and Child
Martini# Simone
-oad to Calvary
$he Annunciation
8. 15t- CENT;R$ Renaissance ( ERE/IRTHE of Classicism
A. P-iloso+-ies
1. HumanismDIndi&idualism
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6. Rationalism
7. Idealism
/. Renaissance Man &s. Classical Man
Arts and Artists

/otticelli# Sandro
$he irth of Venus
Primavera;S!ring
Virgin and Child
Virgin and Child 3ith Saints
Donatello
7avid
"attamelata
'ead of "attamelata detail%
9eonardo da 8inci
%adonna of the -oc/s
%ona Lisa (la "ioconda)
Self&Portrait
St =ohn the a!tist
$he Last Su!!er
$he Last Su!!er, 7etail of the Woman
$he Virgin and Child 3ith St6 Anne
$he Virgin and Child 3ith St6 Anne and =ohn the a!tist
Vitruvian %an
7a Vinci in the hands of Francis ?
Mic-elan'elo
Adam @ Eve @ the Ex!ulsion from Paradise
Creation of Adam
Creation of Adam, 7etail
Creation of Adam, Study
Creation of Eve
7avid
Frescoes at Sistine Cha!el
La Pieta
Libyan Sibyl
Libyan Sibyl, Study
Self&Portrait
$he 7ying Slave
$he Final =udgment
$he 'oly Family
$he -ebellious Slave

Ra+-ael
Alba %adonna
Entombment
"alatea
'oly Family
'oly Family 3ith the Lamb
5
F
Little Angels
%adonna of the Chair
%arriage of the Virgin
School of Athens
School of Athens, 7etail
Sistine %adonna
$he $ransfiguration
Titian
acchus and Ariadne
7anae
Euro!a
Francis ?
Self&Portrait
$he acchanal
Venus of +rbino
Carracci# A'ostino
$he Last Communion of St6 =erome
%adonna and Child 3ith St =ohn
Corre''io
Assum!tion of the Virgin
Clouet# 0rancois
7iane de Poiters
Clouet# ?ean
Francis .

Durer# Al)rec-t
Self&Portrait
$he Artist0s %other
$he Four -iders of the A!ocaly!se
$he 1ld %an and 'is "randson

Bior'ione
$he $hree Philoso!hers

Bior'ione 4 Titian
$he Slee!ing Venus
B-irlandiao
$he 1ld %an and 'is "randson
$he Visitation

?an 8an E*c2
Arnolfini and 'is ride
%adonna 3ith Chancellor -olin
Mante'na
$he 7ead Christ
F
I
Calvary

Massacio
$he $ribute %oney
Piero dela 0rancesca
Vie3 of the .deal City
Pieter /rue'el t-e Elder
'unters in the Sno3
$he $o3er of abel
$he Peasant Wedding
Juentin Mass*s
$he %oney Lender and 'is Wife
8an Der 3e*den# Ro'ier
7escent from the Cross
$he Annunciation

Tintoretto
acchus and Adriane
$he %iracle of St6 %ar/
8I. 15t- CENT;R$ Mannerism ( +eriod of deca* of Classicism
( +er&ersion of Classic Ideals
Arts and Artists
El Breco
St =erome as Cardinal
St6 =erome
Vie3 of $oledo
/ron<ino# A'nolo
Allegory of $ime and Lust
Pontormo
$he 7e!osition
Parmi'ianino
%adonna 3ith the Long ,ec/
8II. 1Ft- 4 1It- CENT;RIES
A. /aroGue ( s+lit of C-ristendom
( 9ut-er# Cal&in et. al. demanded reforms ( ERE0ORMATIONE
( /aroGue started ,it- Roman Cat-olicism ,-ic- is -i'-l*
c-aracteri<ed )* mo&ement# ener'*# restlessness# sensualit*#
decorati&eness etc. (as s-o,n in t-e arts.

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Arts and Artists

2D
Cara&a''io
7avid 3ith the 'ead of "oliath
7avid 3ith the 'ead of "oliath
Su!!er at Emmaus
$he Calling of St6 %atthe3
$he Conversion of St6 Paul
$he Crucifixion of St6 Peter
$he 7eath of the Virgin
$he 7e!osition
$he 7oubting $homas
$he Fortune $eller
$he Fortune $eller

Rem)randt 8an RiAn
athsheba 7reaming of 2ing 7avid
7anae
Self&Portrait
$he ,ight Watch
$he Syndics; the oard of the Cloth %a/ers0
"uild
Ru)ens# Peter Paul
'elena Fourment @ 'er Children
'enry .V
Little Fur
%arie de %edici
%assacre of the .nnocents (ABC6D% to! ?E %ost Ex!ensive Painting)
$he 7escent from the Cross
$he Education of %arie de %edici
$he 7oubting $homas
$he -a!e of the 7aughters of Leuci!!us
$he Presentation of the Portrait of %arie
de %edici to 'enry .V
/atista# Bio&anni
$rium!h in the ,ame of =esus
de la Tour# Beor'e
=ose!h the Car!enter
Hals# 0rans
$he Laughing Cavalier
$he ohemian "irl
Ho))ema# Meindert
$he Avenue of %iddelharnis
?an 8ermeer 8an Delf
8oung Woman 3ith the Water =ug
%aid Pouring %il/
K
1"
$he Lace ma/er

Nicolas Poussin
Arcadian She!herd

Ri)era# Die'o
oy 3ith the Clubfoot
Ri'aud# H*acint-e
Louis F.V

Ro)ert# Hu)ert
Le Pont du "ard
8an D*c2# Ant-on*
Charles . at the 'unt

8ela<Gue<# Die'o
%ariana
$he %aids of 'onor
$he 1ld Woman Frying Eggs
$he $oilet of Venus
3D
/ernini
A!ollo and 7a!hne
aldacchino
e3itched
7avid
$he Colonnade at St6 Peter0s S9uare
$he Ecstasy of St6 $heresa
$he Ecstasy of St6 $heresa, 7etail
/orromini
San Carlo alle Guatro Fontane
Biacomo Della Porta
St6 Peter0s 7ome (com!letion)
Maderno Carlo
$he ,ave and Facade of St6 Peter
/. Rococo ( aristocratic artH e1tension of /aroGue decorati&e com+osition
)e*ond t-e Classic +rinci+les.
( in arc-itecture# structure )ecame su)ordinate to t-e decorations.

Arts and Artist
?ean 0ra'onnard
$he S3ing
$he athers
$he Stolen 2iss
1"
11
$he -eader
Bains)orou'-# T-omas
-obert Andre3s and 'is Wife
$he lue oy
?o-ann Ne,mann
2aisersaal (.m!erial 'all)
Ot-er Arts%
Palace of Versailles, 'all of %irror
8III. 9ATE 1It- 4 1Kt- CENT;RIES

A. Neo(Classicism ( art of t-e )our'eoisie under Na+oleon /ona+arte
Arts and Artists
Da&id# ?acGues 9ouis
%adame =ulie -ecamier
,a!oleon As First Consul
,a!oleon on 'orsebac/
1ath of the 'oratii
$he Coronation of ,a!oleon ona!arte
In'res# ?ean DominiGue
Comtesse d0'aussonville
Comtesse d0'aussonville, 7etail
"rand 1dalis9ue
,a!oleon on his .m!erial $hrone
$he A!otheosis of 'omer
$he $ur/ish ath
/. Romanticism ( emotion too2 +recedence o&er reason
( Et-e -eart -as its reasons t-at reason can not understandE ( Pascal
Arts and Artists
Delacroi1# Eu'ene
Self&Portrait
$he >Hth of =uly# Liberty Leading the Peo!le
$he 7eath of Sardana!alus
Bericault# T-eodore
$he -aft of the %edusa
An 1fficer of ,a!oleon0s -oyal
Bros Antoine(?ean
,a!oleon ona!arte on the ridge (at Arcole)
,a!oleon on the attlefield (at Eylau)

Turner# ?ose+-
$he Slave Shi!
Bo*a
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$he $hird of %ay, ?HEH
C. Realism ( 6nd -alf of 1Kt- cent.
( SM ,as deri&ed from t-e ,or2in' classH a reaction more on SM.
Arts and Artists

Ale1ander Ca)anel
irth of Venus
Cour)et
$he Artist0s Studio
$he 1rigin of the World
Woman 3ith the Parrot
8oung Women at the an/ of Seine
?ean 0rancois Millet
$he "leaners

Manet# Edouard
ar at the Folies ergere
Emile *ola
Luncheon on the "rass
$he Fifer
$he 1lym!ia
D. Art Nou&eau ( a reaction to industriali<ation
( +lant motif
Arts and Artists
=limt# Busta&
=udith ?
=udith >
$he 2iss
$he Virgin
$hree Stages of Woman
Adele loch&auer ? (A?ID% to! ?E most ex!ensive !ainting)
Adele loch&auer > (AHB6J%)

A+-onse Muc-a
La $ra!!istia
-everie
*odiac
E. Art Deco (
IL. 6"t- CENT;R$ ( Modern Art
A. Im+ressionism

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Arts And Artists

Monet# Claude
Camille %onet 3ith Child
.m!ression# Sunrise
Photo!ortrait
-ouen Cathedral# Facade in Sunlight
Waterlillies

Pissarro# Camile
First February -ays at asin Court
'ayma/ers at -est

De'as# Ed'ar
$he Absinthe 7rin/er
$he ath
$he allet 7ancers
$he allerina
$he 7ancers
$he 7ancing Class
$he -ehearsal
$he $ub
After the ath (8oung Woman 7rying 'er Feet)
After the ath
Renoir
La %oulin de la "alette (ABH% to! ?E most ex!ensive !ainting)
Luncheon of the oating Party
%adame -enoir
Cassatt# Mar*
$he ath
Woman in lac/ at the 1!era
/. Pointillism

Suerat# Beor'e
$he Circus
$he 7ance
Sunday Afternoon at the .sland of la "rande
=atte
C. E1+ressionism

8an Bo'-# 8incent
Cy!resses 3ith $3o Figures
7r6 "achet (Louvre %useum)
7r6 "achet (AH>6D% to! ?E %ost Ex!ensive Painting)
,ight Cafe
Self&Portrait
Self&Portrait 3ith %utilated Ear
Self&Portrait 3ithout eard (AB?6D% to! ?E most ex!ensive !ainting)
Siesta
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1!
State Lottery 1ffice
$he 7ra3bridge at Arles
$he .rises (ADI6J% $o! ?E %ost Ex!ensive Painting)
$he Potato Eaters
$he -ed Vineyard
$he -oad 3ith Cy!resses and a Star
$he Starry ,ight
$he Sun Flo3ers (AKE% $o! >E %ost Ex!ensive Painting)
Wheatfield and Cro3s
E'on Sc-iele
Standing Female ,ude 3ith Crossed Arms
Seated Woman 3ith ent 2nee
Munc-# Ed&ard
1bsession
Puberty
Self&Portrait
$he 7ance of Life
$he %adonna
$he Scream; $he Cry
D. Cu)ism

Ce<anne# Paul
%t6 St6 Victoire
%t6 St6 Victoire
Self&Portrait 3ith -ose ac/ground
Still life 3ith as/et
Still Life 3ith Curtain, Pitcher and Fruitbo3l (ACE6D% $o! ?E %ost Ex!ensive
Painting)
$he Card Players
$he Card Players >
Still life 3ith "inger =ar and Egg!lants
Still life 3ith A!!les and a Pot of Promeroses
Picasso# Pa)lo
lue ,ude
Circus Acrobat and A!e
7ora %ar 3ith Cat (AJD6>% to! ?E most ex!ensive !ainting)
Landsca!e 3ith ridge
%other and Child on the Seashore
Portrait of =- 3ith -oses
$he oy 3ith the Pi!e (A?EK% $o! ?E %ost Ex!ensive Painting)
$he "irl 3ith Fan
$he "uernica
$he La Vie
$he Lovers
$he %arriage of Pierrette (AD?6B% $o! >E %ost Ex!ensive Painting)
$he 1ld "uitarist
$he Woman 3ith the %andolin
$hree Figures on the Shore
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Wee!ing Woman
Woman Seated in the "arden (AKJ6D% to! >E most ex!ensive !ainting)
Woman 3ith a Strand of 'air
Woman 3ith Crossed Arms (ADD% $o! ?E %ost Ex!ensive Painting)
Women of Avignon
/raGue# Beor'e
Still life 3ith Fruit o3l
$he %usician0s table
$he $hree irds
$he Violin
$he Violin and the "uitar
9e'er# 0erdnand
%echanical Elements
$he uilders
Bris# ?uan
o3l of Fruit and Carafe
E. 0au&ism

Matisse# Henri
.llustration of the Poem LA!!aritionM
%adame %atisse 3ith the "reen Line
%agnolias
$he 7ance
$he 1dalis9ue in -ed Pants
$he 1dalis9ue 3ith -aised Arms
$he Painter and 'is %odel
$he -ed -oom

Derain# Andre
Portrait of %atisse
Still life
$he athers
Bau'uin# Paul
'ail %ary
.n -e!ose
La elle Angele
La 1rana %aria
Loss of Virginity
,evermore
Self&Portrait
Self&Portrait 3ith 'alo
Self&Portrait 3ith .dol
$ehemata Watched by the S!irit of the 7ead
$he 8ello3 Christ
Van "ogh Painting Sunflo3ers
Where 7o We Come FromN What Are WeN Where
Are We "oingN
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15
0. Neo(Primiti&ism

Rousseau# Henri
$he 7ream
$he Slee!ing "y!sy
$he Sna/e Charmer
$he War

B. Dadaism

Duc-am+
L'11G (She0s 'ot in 'er Ass)
Salvador 7ali as %ona Lisa
Pica)ia
Amorous Parade
L'11G
H. Surrealism

De C-irico# Beor'io
$he 7is9uieting %uses
$he %ystery and %elancholy of the Street
$he Portrait of "uillaume A!!olinaire
+ncertainty

C-a'all# Marc
Above the $o3n
. and %y Village
Love
Love, a 'at and a Song
Promenade
$he 7ance
Rene Ma'ritte
Collective .nvention
$he -a!e
Dali# Sal&ador
'oney is S3eeter than lood
%etamor!hosis of ,arcissus
Landsca!e 3ith utterflies
Self&Portrait
$he Crucifixion
$he Crucifixion (Self&Portrait)
$he Eye 7esign
$he 'allucinogenic $oreador
$he Last Su!!er
$he Persistence of %emory
$he Slee!
$he $em!tation of St6 Anthony
$he Stringed eans and the Premonition of
Civil War
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1F
Woman uggered by 'er 13n Virginity
Ernst# Ma1
1edi!us -ex
Istler# ?ose+-
Ecstasy
?en2ins# Paul
Phenomena Astral Signal
Miro# ?oan
EE?
Abstract
Com!osition
%an and Woman
Personage -ythmi9ues
$he ird of =une
$he Painting
$he Personage
$he Port
$he eautiful ird -evealing the +n/no3n
to the Pair of Lovers
Women, ird by %oonlight
3illi /aumeister
%ortaruru 3ith -ed 1verhead
/la2e# 3illiam
$he Whirl3ind of Lovers NNNNN

I. 0uturism

Duc-am+# Marcel
,ude 7escending on a Staircase OK
?. A)stract Art

=andins2*# 3assil*
Com!osition
Com!osition K
Com!osition D
Com!osition C
Com!osition B
Fragment > for Com!osition B
Painting O >EE
Painting O >E?
Panel OI
S/etch ? for Com!osition B
S/etch > for Com!osition B
S9uare 3ith Concentric -ings
Study for a Panel
1F
1I
Mondrian# Piet
road3ay oogie Woogie
Com!osition 3ith -ed, lue and 8ello3
Painting O?
%ondrian .ns!ired 7ress
%ondrian .ns!ired =ee!
%ondrian .ns!ired .!od
%ondrian .ns!ired -oom ?
%ondrian .ns!ired -oom >

=. A)stract E1+ressionism

Polloc2# ?ac2son
O?
OD (%ost Ex!ensive Painting, A?IB%)
OD 7etail
OH
OI?
OI>
Autumn -hythm OIE
Full Fathom Five
Lavender %ist
Polloc/ Painting
=line# 0ran<
%onitor

de =oonin'
lac/ @ White
Excavation
$3o Women in the Country
Woman ...
:o1# 9arr*
Scissors

0rancis# Sam
Shining lac/
Buston# P-ili+
7uo
9. O+t Art

Anus2ie,ic<
Entrance to "reen

8assarel*# 8ictor
Vega
log
-ouge et lea (-ed and lue)
Cube
Pal&2et
1I
1K
*ebras
*ebras >
/rid'et Rile*
Cataract I
?osef Al)ers
'omage to the S9uare ?
'omage to the S9uare >

M. Po+ Art

Hamilton# Ric-ard
=ust What .s .t $hat %a/es $oday0s 'ome so

7ifferent, So A!!ealingN
3ar-ol# And*
Cam!bell0s Sou!
Che "uevara
"reen Coca Cola ottles
Li5 $aylor
%arilyn %onroe
%ic/ =agger
Pin/ %ao
N. Minimal Art

=ell*# Ells,ort-
1range Curve
1range&lue
$ablet
8ello3&lue

O. =inetic Scul+ture

Calder# Ale1ander
lue Feather
Lobster $ra! @ Fish $ail
%any Pierced 7iscs
-ed Petals
Southern Cross
Stabile
+ntitled %obile
P. Constructi&ism

Naum Ba)o
Linear Construction in S!ace O?
Linear Construction in S!ace O>
S!iral $heme
1K
6"
J. Ot-er Modern Scul+turesMscul+tors

Rodin
$he 2iss
$he $hin/er
Female ,ude
Adam# Beor'e
$he -eclining ,ude
/rancusi
$he 2iss
$he 2iss
$he 2iss
Slee!ing %use
Scul!ture for the lind
Moore# Henr*
-eclining Figure
-eclining Figure >
-eclining %other @ Child
Biacomitti
Cage
City S9uare
Four Figures on a Pedestal
Large 'ead
%an Pointing
$hree %en Wal/ing
Woman

Maillol
Venus 3ith ,ec/lace
Su+er Realism ( De Andrea
Seated Woman
$he Artist and the %odel
,ude

R. Arc-itecture

3ri'-t# 0ran2 9lo*d
Falling Water Haufman.s House%
Vandam0s 'ouse
Busta&e Eiffel
Eiffel $o3er

S. Ne, 3a&e
Nau+ 3au+
+ntitled %ulti&%edia Collage

6"
61
Badd# 8enatius
+ntitled Collage
'uman Forms Surrounding the Abstract
+n/no3n
T. Street Artists

Tr*on# Rod
lac/ erry
Escher0s 7ra3ing 'ands

Ot-ers
otticelli0s Virgin
2ert Wenner0s
7ali0s La %uchacha en la Ventana, etc.
-enoir0s la %oulin de la "alette
;. Bra+-ics

Esc-er# M.C.
7ra3ing 'ands
Fishes and Scales
Penrose
-elativity
-e!tiles
S/y and Water
St6 Peter
$he and
$he 2nots
$he S3ans
$o3er of abel
Verbum
8. Ot-ers

Modi'liani
,ude O?
,ude O>
,ude OI
-eclining ,ude

3. Ot-er American Arts
MesoAmerican Art
1lmec 'ead
Arts and Artists
Andre, 3*et-
Cristina0s World
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66
0rederic Au'uster /art-oldi
Statue of Liberty
Beor'e /in'-am
Fur $raders 7escending the %issouri
?ames 3-istler
Artist0s %other
Brant 3ood
American "othic
Beor'ia O>2eefe
%usic, Pin/ and lue
-oc/
.ris
Art-ur Do&e
Silver Sun
Fields of "rain Seen from the $rain
L. P-oto'ra+-*
/ea<le*# Mitc-el
lac/ and White ,ude
/usselle# Mic-ael
,ude
,ude
Stone "etty
Stonehenge
Sunset on the Seashore
WaterFalls
Coidn*# C-ristian
Le -eveil
Manra*
Primacy of %atter over $hought
$ears
$he Prayer
$ours Trul*
oracay ,ude O?
oracay ,ude O>
oracay Sunset O?
oracay Sunset O>
ulb Setting
Father and Child
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67
2at&2at 'ibo/&'ibo/
%t6 'alcon
%t6 'ibo/&'ibo/ Pea/
$ri!le Ex!osure
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PHI9IPPINES
A. Pre(Historic Arts ( ?ars
%anunggul urial =ar
/. Indi'enous Arts
amboo Containers, ata/
rass ells, $0boli
rass Wor/s, $0boli
u0lung, $agbanua (rice and seed container)
ulol, series O?&K, %t6 Province
Carvings, $agbanua
2alasag, $agbanua (ceremonial shield)
2araban, $agbaua (9uiver)
%arama/an, ata/
Sarimano/, %aranao
Sasara/an, $agbaua (coconut strainer)
Sinauluban, ata/
$in/o!, $agbanua (harvest bas/et)
C. Colonial +eriod

0lores# Simone
La Virgen %aria
Guia5on Family
Domin'o# Damian
+na %esti5a %ercadera de %anila
,uestra SeQora 7el -osario
Asuncion# ?ustiniano
-omana Carillo
Antonio Malantic
67
6!
.nocencia Francia

9una# ?uan
lood Com!act
uildings at Sunset
Commander of the S!anish Flagshi!
Ecole St6 %arthe
"irl ,ursing 'er 7oll
'ead of a $ur/
'ousehold Shrine 3ith $3o Wall Paintings
Poeta .ns!irado
-oman Lady %a/ing An 1ffering
Self Portrait
S!oliarium
$hree %en on a Par/
$3o %en in a oat
+na ula9ueQa
Volcano de $aal
Windo3
Hidal'o# 0eli1
$he Assassination of "ov6 ustamante
8oung Christian Women Ex!osed to the
Po!ulace
Ri<al# ?ose
$rium!h of 7eath 1ver Life
Buerrero
El Fuego
9o<ano# ?ose
Letras 8 Figuras
de la Rosa# 0a)ian
Planting -ice
-iver Vie3 of Sta6 Ana
Amorsolo# 0ernando
Fernanda de =esus
Figure Study
Fruit of Love
'ome from the %ar/et
Lavandera
%amiminta/asi
%ar/et Scene
%eal time
%orning 7i!
Planting -ice
Portrait of $olentino
$3ilight at the Luneta
Women Washing Clothes
6!
65
Women 3ith the angga
Pineda# ?or'e
'aystac/s
CastaNeda# Dominador
Fluvial Procession
D. Modernism

Edades# 8ictorio
$he uilders
$he S/etch
Al&arado# Nunelucio
Pin/ Freedom

Antonio# An'elito
-ural Fol/s
/aldemor# Manuel
Pista sa ,ayon
/elle<a# Norma
%ag&.na
/lanco# Pito2
Carabao Festival
Fluvial Procession
/olaNos# Bre'
%ar/et Scene
CaAi+e(Enda*a# Imelda
Forefathers
Sagrada Cora5on de los Pintados OI

Dans# Araceli
a/uran ni %ang Pe!e
Drilon# Roc2
=ee!ney Series V&II
Dalena# Danilo
$re&seis 7e4ado
0rancisco# /oton'MCarlos
ethrotal
onifacio %ural
2aingin
%aranao 7ance
Potato 7iggers

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65
Bernale# Elmer
Vigan,J am,?JBJ
Imao# A)dul Mari
Sarimano/

?o*a# ?ose
Abstraction DH
S!ace $ransfiguration
=iu2o2# An'
=un/ Landsca!e
7og Fighting
%an and Woman
9ion'oren# Alfredo
Cathedral, ?JB>
9ee A'uinaldo
Linear OBH
Ex!losion O?K?

9u<# Arturo
,e3 8ear
9e'as+i# Cesar
+ntitled
$he "adget
9e*nes# Nestor
%ag&.na sa anig
9amarro<a# Prudencio
Amburayan Landsca!e
S/y3ard $rees
$he Earth is the Woman
Ecology
Pinatubo
"rey $run/s

Mauro Malan' Santos
$he Landsca!e
Flo3er Vendors
Ma'sa*sa*(Ho# Anita
Laughter
$hree Women 3ith irds
$hree Women 3ith andanas
Manansala# 8icente
Cumbanchero
Figure Study
"ive +s $his 7ay
65
6F
%adonna of the Slums
%ag&.na
Sabongero
Still life
$he 7e!osition; 7escent from the Cross
$he =ee!neys

Mendi'o# Nic2
Ang Landas na Walang 7aan
S!ring of Life
2ata!at ng .ba
.to ,oon a/it ,gayon
Ola<o# Romulo
7ia!hanous >B
Ola<o# ?onat-an
-umormongers
Ocam+o# Balo
Sarimano/

Ocam+o# Hernando
%an 3ith the Carabao
$he -itual
Olmedo# Oni)
%other and Child
Whis/y Soda

Ramos# 8icente
%ar/et Scene
Sanso# ?u&enal
Artificial 'eart
Etude
Leafy Corner
Paris 'ouse
S!anish ,et
$orn Posters
Ta)ueNa# Romeo
,i!a 'ut and $3ilight
Sa'uil# Nena
Sunrise
+ntitled
E. P-ili++ine Scul+ture
Arts and artists
%arcos ust, La +nion
Tolentino# Buillermo
6F
6I
onifacio %onument
-i5al %onument
$he Slave
+P 7iliman 1blation
Venus -ising
Na+oleon A)ue&a
+PL 1blation
+P %indanao 1blation
ridge of Love
Allegorical 'ar!oon
Solomon Sa+rid
Flagellant
%angingisda
$i/balang
8ir'inia T*(Na&arro
,ose Flute
Eduardo Castrillo
Pieta
S!irit of Pinaglabanan
Im+* Pila+il
1cean S!ar/le
+ntitled
Ramon Orlina
"reat Ex!ectation

0. Arc-itecture
ata/ 'ouses O?&C
.glesia ni Cristo
+PL Library
+PL Auditorium
Vigan Ancestral 'ouse
9ocsin# 9eandro
Cha!el of the 'oly Sacrifice
Cha!el of the $ransfiguratio, %alaybalay u/idnon
Cultural Center of the Phili!!ines
,ational Art Center of the Phili!!ines, +P Los aQos
P.CC
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6I
6K
Style, Anatomy of
I. T*+es
A. Beneral St*les
/. S+ecific St*les
II. As+ects
A. 0orm
1. Com+onents
a. Elements
). Princi+les
6. Stud*
a. 0ormalism
/. Su)Aect Matter
1. T*+es
a. Reli'ious
). M*t-olo'ical
c. 0i'ures
1% +ortraiture
6% nudes
d. Still life
e. Animals
f. 9and(sea(cit*sca+es
'. Scenes of E&er*da* 9ife
-. Historical
i. Dreams and 0antasies
6. Studies
a. Icono'ra+-*
). Iconolo'*
7. As+ects of Su)Aect Matter
a. Primar*
). Con&entional
!. Arts accrd'. to SM
a. Re+resentationalD0i'urati&eDO)Aecti&e
). Non(re+resentatio)nalDnon(fi'.Dnon(o)A.
Music accrd'. To SM
a. Pro'ram
). A)solute
5. 3a*s of Re+resentation
a. Beneral 3a*s
1% realism
6% distortion
6K
7"
7% a)straction
). Minor 3a*s
1% classicism
6% romanticism
7% naturalism
!% im+ressionism
5% e1+ressionism
5% s*m)olism
5. Sources of SM
a. Nature
). /oo2s 4 9iterature
c. Histor* 4 9e'ends
d. Ot-er Arts# etc.....
C. Content
1. As+ects
a. Internal
). E1ternal
Fn!tion
I. Arts accrd'. to 0unction
A. 0unctional
/. Non(functional
II. 0unctions of t-e Arts
A. Personal
/. Social
C. P-*sical
"e#im $ Te!hni%e
I. Arts accrd'. to Medium
A. 8isual Arts
/. Auditor* Arts
C. Com)inedDPerformin' Arts
II. Arts accrd'. to DimensionDE1+ression
A. 6d Arts
1. T*+es
a. Paintin'
1% Parts of Paint
a% 8e-icle
)% Pi'ment

6% T*+es of Paintin' accrd'. to Medium
a% 3ater Color Paintin'
)% Oil Paintin'
c% Acr*lic Paintin'
d% Tem+era Paintin'
7"
71
e% Encaustic
f% 0resco

7% T*+es of Paintin' accrd'. to Si<e
a% Miniature
)% Easel
c% Mural
). Dra,in'
c. Mosaic
d. Colla'e
e. Stained Blass
f. P-oto'ra+-*
'. Ta+estr*
-. Bra+-ics
1% T*+es
a% Relief
)% Inta'lio
c% Plano'ra+-*
d% Seri'ra+-*
i. Ot-er 6D Arts
a% decalcomania
)% frotta'e
c% fuma'e
d% 'raffito
/. 7d Arts
1. T*+es
a. Scul+ture
1% T*+es
a% Relief
1% /asDlo,
6% Hi'-
7% Sun2en
)% 0ree Standin'
c% =inetic

6% Met-ods
a% Car&in'
)% Modelin'
c% Castin'
d% 0a)rication
7% Materials
a% 3ood
)% Blass
c% Terra(Cotta
d% Steel etc...
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76
). Arc-itecture
1% Met-ods
a% 9as-ed
)% Post 4 9intel
c% Truss
d% Cantile&er
e% S2eleton
f% Sus+ension
'% Arc- 4 8ault
1% /arrel
6% Broin
7% Dome
c. Potter*
1% T*+es accrd'. to Medium
a% Eart-en,are
)% Stone,are
c% Porcelain
6% T*+es accrd' to 0unction
a% /urial
)% Ritual
c% ;tilitarian
&lements of the 'isal Arts
I. 9ine
A. T*+es
1. Strai'-t
a. 8ertical
). Hori<ontal
c. Dia'onal
6. Cur&e lines
a. sin'le
). dou)le
c. com+ound
d. s-ort 4 Guic2
e. lon' 4 slo,
f. stron'
'. ,ea2
7. An'ularDAa''ed
!. /ro2en
II. Color
A. Pro+erties
1. Hue
6. &alue
7. Intensit*DSaturation
/. Sc-emesDrelations-i+s
1. Primar*
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77
6. Secondar*
7. Intermediate
!. Com+lementar*
5. S+lit Com+lementar*
5. Analo'ous
F. Cool
I. 3arm
K. Neutrals
a. /lac2
). Bra*
c. 3-ite
C. Arts accrd'. to Color
1. Monoc-romatic
6. /ic-romatic
7. Pol*c-romatic
!. Ac-romatic
D. Color S*m)olism
III. 8alue
A. St*les
1. C-iaroscuro
6. Tene)rism
I8. Te1ture
A. As+ects
1. Actual
6. Simulated
8. S-a+e
A. T*+es
1. /iomor+-ic
6. Beometric
a. cur&ilinear
). rectilinear
7. 0ree S-a+es
/. Pro+erties
1. Closure
6. Non(closure

C. Dimension of S-a+e
1. Planar
6. 8olumetric
8I. S+ace
A. T*+es
1. Decorati&e
6. Plastic
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7!
Prin!iples of the 'isal Arts()omposition(Or*ani+ation
I. /alance
A. T*+es
1. 0ormalDS*mmetrical
6. InformalDAs*mmetrical
II. Harmon*
III. Pro+ortion
I8. R-*t-m

8. 8ariet*

8I. Em+-asis 4 Su)ordination
8II. Com+ositional Plans
A. T*+es
1. P*ramidal
6. Circular
7. Radial
!. 3-eel
5. S*mmetrical
5. 8ertical
8III. Mo&ements
A. T*+es
1. Actual
6. Im+lied

IL. Pers+ecti&es
A. T*+es
1. 9inear
6. Aerial
7. Diminution of Si<e
!. O&erla++in'
5. 0ores-ortenin'
Art )riti!ism
I. Met-ods
A. Descri+tion
/. Inter+retation
C. E&aluation
II. T*+es
A. Historical
/. Re(creati&e
C. ?udicial
1. Standards
a. 0ormal E1cellence
). Moral Standard
7!
75
c. Artistic Si'nificance
"si!
I. Pro+erties of Sounds
A. Tim)re
/. Intensit*
C. Duration
D. Pitc-
II. Elements of Music
A. R-*t-m
/. Harmon*
C. Melod*
D. Tone Color
E. Te1ture
0. 0orm
III. Medium
A. Human 8oice
1. So+rano
6. Me<<o(so+rano
7. Alto
!. Tenor
5. /aritone
5. /ass
/. Musical Instruments
1. Strin's
a. Buitar
). He'alon'M2ud*a+i
c. 8iolin
d. Cello
e. Dou)le /ass
f. Har+
6. 3ind
a. 0lute
). Sa1o+-one
c. Trom)one
d. 0renc- Horn
e. =u)in'M)il)il
7. Percussion
a. Trian'le
). Drum
c. Tam)ourine
d. Ba)an'
e. Bim)al
f. /un2a2a
!. =e*)oards
a. Piano etc.
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75
5. Electric Musical Instruments At2i)<Gui<66fe)6""I
75