Scott Henderson-Blues Guitar Collection

from Scott Henderson - Well to the Bone
Ashes
Written by Scott Henderson
Fmaj7#4(no3rd)
Tune down 1/2 step:

(low to high) Eb-Ab-Db-Gb-Bb-Eb
__
13
Moderately slow q = 91 =
Spoken: That skinny dog! Ashes for that skinny dog.
G5
G6
6 sec.
134
Gtr. 2 (clean)
mf
Fmaj7#11
Harm.
let ring throughout
Harm.
let ring
12
12
6 sec.
Gtr. 1 (clean)
mf
3
let ring
10
12
3
let ring
0
10
Pitch: A
w/ pick
& finger
let ring
10
12
*Chord symbols reflect implied harmony.
Em7
Harm.
let ring
Gtr. 2 tacet
Am7
5
Pitch: G
let ring
C/E
Gtr. 1
1 1/2
w/ bar
1 1/2
5
3
0
5
3
0
0
0
5
3
0
4
4
5
5
7
5

7
5
let ring
B
G%
w/ pick & fingers

let ring
A7
0
2
3
let ring
2
0
2
2 3
2 3
2002 MANGO PROM MUSIC (BMI)/Administered by BUG MUSIC

All Rights Reserved Used by Permission
1
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
let ring
0
2
let ring
2
0
2
Gadd9
2 3
2 3
2
0
2
8
10
Sorgdal
10
7
7
10
10
6
7
7
3
0
3
3
5
5
Em6add11
3
1
E7#9
8
7
let ring
3
0
5
3
3
w/ pick & fingers
7
G/B
Am7
3
let ring
1/4
3
3
(1)
3
3
6
0
Dm%
0
0
5
3
G7sus4
let ring
5
2
0
B9
w/ bar
let ring
E7
0
7
Em7
3
3
5
3
3
5
3
D13sus4 Db13#11
G/B
let ring
10
F/A
3
5
4
3
5
0
5
w/ bar
3
3
5
3
G13
_1
w/ bar
Am7
F6sus2
F6#11
5
5
8
8
0
2
C7
w/ bar
D5
3
_1
A5
w/ pick
C7/Bb
5
5
8
0
2
A7
let ring
2
0
2
G%
A7
G%
let ring
5
3
3
5
F6
E7
10
10
10
7
7
9 7
Am7

3
3
3
let ring
3
10
10
5
0
5
*Played as straight eighth-notes.
Db13#11
C7
3
let ring
0
7
7
3
0
3
3
5
5
3
3
3
3
G/B
A/C#
_ 1/2
3
1/4
w/ bar
_ 1/2
6
0
A7
D13sus4
8
6
8
6
9
7
10
10
7
5
7
C
Dm7
Riff A
Gtr. 2
Bbm[add9]
mf
Gtr. 3 (slight dist.)

divisi
Riff A1
G7sus4
11
12
15
8
10
10
12
10
13
15
6
8
Gtrs. 2 & 3 tacet
Eb7sus4
12
let ring
10
10
10
let ring
Dm7
3
w/ pick
11
10
let ring
Am7
Dbmaj13
13
Gtr. 1
G13
End Riff A
3
Gtr. 1
10
10
Bbm9/Ab
10
6
5
5
5
5
End Riff A1
10
13
10
14
12
13
11
7
5
let ring
10
8
G7
13
10
10
8
13
11
15
13
15
13
3
let ring
13
11
1/2
6 10
12
13
12
12
10
7
3
Sorgdal
C13sus4
Gtr. 1
C#m7b13
Dsus2
Csus
w/ bar
10
10
9
10
9
10
Gtr. 2
C#m7b5
12
12
1/2
14
12
X
12
14
X9
14
14
9
0
9
*Composite arrangement
17
10
15
8
13
10
12
10
12
10
15
7
17
9
15
7
11X
3
w/ bar
4
4
0
8
9
9
7
14
12
G#m[add9]
End Riff B
7
X
4
11
w/ bar
1/2
12
12
11
11
11
**
let ring
0
0
6
7
7
12
12
12
3 1/2
12
w/ bar
Harm.
3 1/2
Gtr. 3
Badd4
w/ bar
14
X
14
10
Aadd9
w/ bar
_ 1/2
15
8
8
11
10
13
10
12
12
5
4
Gmaj7
12
12
12
15
12
Harm.
_ 1/2
let ring
*Gtrs. 1 & 2
5
4
Gsus4
13
10
Gtr. 3
divisi
Riff C
w/ bar
3
3
3
let ring
Riff B
Gtr. 2
Eb6sus2
4
0
3
6
8
9
**Played as straight eighth-notes.
Gtr. 2 tacet
F#/A#

Gtr. 1
***
Bmaj13
let ring
9
0
11
11
7
6
4
0
3
***Played as straight eighth-notes.

Gtr. 3
7
6
4
Sorgdal
End Riff C
0
3
4
3
C#13sus4
w/ pick & fingers

let ring
2
0
3
Played behind the beat.
0
3
Gtr. 3 tacet
C#7#9
Em%
Cmaj7
let ring
5
4
7
6
8
7
8
7
6
9
9
Am7
10
10
9
9
7
7
10
10
10
10
10
5
0
5
Dm7
7
0
7
10
9
11
Db13
let ring
0
9
9
E7
let ring
10
9
8

F6
E7#9
3
3
Gtr. 1
11
10
9
13
12
11
let ring
11
10
9
1/4
1/4
Fsus2
w/ bar
G%
w/ bar
1/4
D5
3
1
X
3
0
2
G%
3
let ring
3
0
3
2
2
0
2
3
let ring
7
7
5
0
5
7
7
7
7
9
0
9
1
0
3
0
5
0
5
5
5
10
12
12
13
12
10
10
12
10
10
10
12
12
13
12
10
10
12
10
10
Fadd9
A7
w/ pick & fingers

let ring
w/ pick
1/4
1/4
G/B
*Played behind the beat.
5
Sorgdal
G6#11
w/ bar
8
()5
7
7
7

7
7
_ 1/2
w/ bar
w/ bar
5
0
5
_ 1/2
w/ bar
5
0
5
F7
w/ bar
8
8
13
13
16
12
13
10
13
16
12
13
10
1212
-1 1/2
3
w/ bar
3
3
11
10
10
10
10
10
11
10
( ) 11
10
10
10
10
10
+1/2
3
w/ bar
w/ bar
1/4
11
1/4
5
8
Bb13
w/ bar
let ring
w/ bar
7
5
F13#11
7
8
5
8
9
6
w/ bar
3
4
1
3
4
1
7
7
7
6
Sorgdal
3
w/ bar
10
3
4
1
-1
E7#9

w/ bar
+1/2
-1/2
Em7
12
10
Am7
w/ bar
15
12
13
12
10
let ring
12
-1
Em[add9]
10
D7
w/ bar
13
X
14
2 1/2
A5
3
1/2
1/2
grad. bend
D5
1/2
1/4
1/4
6
6
1/2
1/4
6
6
*2nd string caught under bend finger.
_1
w/ bar
1/2
1/2
12
w/ bar
_1
12
10
10
10
w/ bar
3
-2 1/2
17
14
w/ bar
1/2
14
1/2
12
10
14
10
10
14
10
10
12
w/ bar
12
11
11
11
10
10
-1
3
let ring
10 8
8
10
10
12
10
10
12
10
7
7
7
9
w/ bar
8
8
10
w/ bar
1/2
10
10
Em7
12
10
10
10
10
12
12
10
13
Am7
w/ bar
13
10
12
10
-1/2
w/ bar
-1/2
G7/F
Bb
w/ bar
Em7
10
w/ bar
10
9
11
10
12
13
10
10
12
10
10
12
-1 1/2
7
Sorgdal
D7
8v a
10
11
10
13
10
10
15
8v a
15
16
14
3
1
18
1/2
1/2
20
18
20
w/ bar
Gtr. 1
-1
F[#11]
3
1/2
18
12
16
15
12
13
15
12
Gtr. 3
10
10
11
11
10
0
3
6
5
8
Sorgdal
3let ring
7
7
5
5
7
7
3
0
4
7
7
7
7
mf
3
0
4
1
4
3
8
9
3
6
5
Gmaj7
10
-1/2
_ 1/2
let ring
8
8
9
1
4
3
_ 1/2
3
w/ bar
w/ bar
0
3
6
5
F[#11]
12
G6#11
mp
18
13
(13)
13
1/2
-1 1/2
G6#11
15
1/2
13
15
17
w/ bar
15
18
18
loco
15
16
18
17
16
D5
3
1
12
A5
Fsus2
Em9
w/ bar
let ring
89
89
let ring
7
8
7
8
-1/2
w/ bar
10
10
10
11
13
11
11
-1/2
let ring
X
2
0
17
17
19
18
17
-1 1/2
3
2
1
3
2
1
1/2
14
8v a
w/ bar
12
13
**Played ahead of the beat.

***Played as straight eighth-notes.
w/ bar
17
19
-2
13
15
15
-1/2
19
13
Am7
**
***
w/ bar
let ring
17
15
15
15
17
w/ bar
11
13
-1
let ring
13
15
w/ bar
1
1
0
w/ bar
w/ bar
Em7
F13
-1/2
13
15
0
0
0
4
Bb9b5
w/ bar
1
0
3
55
w/ bar
let ring
12
13
15
15
17
12
9
Sorgdal
D7
8v a
C5
w/ dist.
15
F5
8v a
18
15
17
18
18
17
18
15
15
17
18
17
18
D5
18
15
17
18
15
17
G5
15
17
18
-1/2
15
-1/2
15
18
18
15
+2
18
slack
+1 1/2
17
w/ bar
17
A5
let ring
19
19
19
19
X
19
19
-1/2
19
19
X
19
19
19
19
-1/2
19
-1/2
-3 1/2
3
3
1
3
3
1
3
3
1
3
3
1
3
3
1
5
5
3
8v a
Rhy. Fig. 1
3
F5
17
15
15
15
17
15
3
3
1
3
3
1
17
18
17
15
1/2
(18)
3
3
1
3
3
1
3
3
1
5
5
3
5
5
18
-1
Sorgdal
5
5
3
let ring
w/ bar
-1/2
10
w/ bar
G5
19
let ring
5
5
3
5
5
F5
loco
G5
_ 1/2
w/ bar
18
18
15
18
15
3
3
1
let ring
3
3
1
15
17
16
15
18
15
15
18
12
15
12
12
10
10
10
15
17
15
17
3
3
1
let ring
5
5
3
G5
X
X
X
5
5
3
3
3
1
17
17
15
10
12
5
5
5
5
3
5
5
3
12
14
15
15
16
15
14
15
dist. off
0
0
0
4
17
Em9
15
w/ bar
15
let ring
F5
17
15
15
let ring
17
15
15
1/2
10
18
5
5
3
w/ bar
12
15
F5
17
_ 1/2
11
Sorgdal
Bb9b5
F13
15
w/ bar
1
18
16
15
17
End Rhy. Fig. 1
1
1
0
A5
17
15
12
15
12
12
15
16
13
3
2
1
3
2
1
19
17
X
17
19
X
19
19
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
17
15
X
17

w/ dist.
17
2
2
0
15
17
7
7
5
7
7
5
2
2
0
let ring

3
3
1
12
Sorgdal
3
1
3
3
3
3
3
3
1
2
2
0
2
2
0
16
G5
D5
3
3
16
5
5
3
5
5
w/ bar
End Rhy. Fig. 2
3
3
1
3
3
1
3
3
1
15
A5
15
17
B5
7
7
5
12
2
2
0
Gtr. 3: w/ Rhy. Fig. 1
F5
12
15
C5
let ring
15
G5
Rhy. Fig. 2
w/ bar
14
14
3
2
D5

12
12
12
A5
15
w/ bar
17
X
17
13
13
w/ bar
let ring
w/ bar
0
1
1
0
18
16
_1
18
G5
+1/4
-5
w/ bar
_1
w/ bar
E5
+1/4
15
18
15
15
15
15
15
15
15
15
15
15
F5
Gtr. 1
12
1/2
F5
12
10
7
8
13
5
6
G5

3
1
10
10
G5
3
5
4
1
3
2
1
1
11
10
1
1
10
10
13
10
0
0
13
15
10
12
8
10
3
1
3
1
1/2
1/2
12
1 1/2
1
15
15
15
G5
A5
G5
A5
12
15
15
15
3
grad. bend
12
12
12
14
12
15
12
14
12
12
12
12
14
1 1/2
3
1
12
1/2
Gtr. 3
Fmaj7#4[no3rd]
15
3
5
E5
1/2
Bb9b5
F5
F5
10
12
3
0
Em9
w/ bar
3
5
4
3
3
8
10
w/ bar
12
G5
17
15
17
8
3
15
13
Sorgdal
D5
C5
1/2
E5

Gtr. 1
Gtr. 3
_ 1/2
_ 1/2
_ 1/2
_ 1/2
2
X
2
w/ bar
0
0
6
5
D5
6
5
6
5
0
0
0
D5
5
X
5
3
X
3
3
X
3
3
X
3
6
5
5
4
G5
E5
6
5
0
0
6
5
6
5
2
2
0
C6[no3rd]
2
2
0
_ 1/2
5
5
5
5
5
5
5
5
5
5
Gtr. 1
3
w/ pick & finger
3
3
14
Sorgdal

3
let ring
w/ bar
0
0
0
0
0
7
w/ bar
2
0
C6[no3rd]
0
0
00
w/ bar
w/bar
1 1/2
1 1/2
6
X
6
3
X
3
2
0
_ 1/2
2
2
0
2
2
0
D5
G5
let ring
3
X
3
(cont. in slashes)
2
2
0
9
7
2
X
3
Gtrs. 2 & 3: w/ Riffs A & A1
let ring
2
X
3
2
0
_ 1/2
_ 1/2
G5
Gtr. 3
E5
let ring
2
X
3
w/ bar
2
X
3
G5
2
X
2
15
2
X
2
_ 1/2
2
X
3
let ring
_ 1/2
D5
_ 1/2
2
2
0
let ring
F5
6
5
w/ bar
A5
C6[no3rd]
_ 1/2
B5
10
10
Dm7
12
12
12
12
12
10
13
10
Bbm[add9]
Bbm9/Ab
w/ bar
* C5/G
C/G
let ring
3
1
0
1/4
10
12
12
10
10
12
12
11
10
0
11
10
0
11
10
10
8
10
w/ bar
108
1/4
w/ bar
let ring
10
9
G5 Fsus2/G
10
8
w/ bar
let ring
Abmaj7#11
w/ bar
let ring
7
5
1/4
14
12
Bm/G
Gbmaj7#11
6
5
5
6
6
G13
w/ bar

108
G7sus4
1/4
10
8
0
8
0
8
6
8
6
0
8
6
8
5
*Bass plays G pedal, next 3 meas.
Gtr. 2: w/ Riff B
Gtr. 3: w/ Riff C
C13sus2
let ring
6
7
Aadd9
w/ bar
Harm.
15
12
14
12
X
12
14
14
14
9
0
9
9
0
9
10
8
12
10
12
10
G#m[add9]
let ring
14
X
14
Gsus4
13
10
0
8
9
12
12
12
15
12
1/2
_ 1/2
Eb6sus2
Badd4
12
12
12
10
7
10
9
9
w/ bar
Gmaj7
Csus2
_ 1/2
Dsus2
10
7
8
C#m7b5
C#m7b13
14
12
4
4
10
11
10
11
F#/A#
Bmaj13
w/ bar
9
0
11
w/ bar
11
7
6
4
0
3
4
0
3
C#13sus4
w/ bar
w/ bar
2
0
3
2
0
3
15
Sorgdal
E7#9
3
let ring
5
4
3
7
6
let ring
9
9
10
10
G/B
w/ bar
3
3
G/B
10
10
10
14
14
15
15
14
F7#11
7
7
3
0
3
3
5
5

6
3
10
12
13
13
Em7
10
13
17
w/ bar
1/2
17
X
17
17
X
17
15
X
15
15
X
15
12
10
10
13
w/ bar
15
X
15
17
12
15
12
15
12
15
w/ bar
5
0
5
5
5
0
5
5
7
0
7
1/2
12
10
3
C
G/B
w/ bar
11
10
w/ bar
1/2
Sorgdal
w/ bar
8
7
-1
16
Am7
F/A
G/B
D7#9 Db13#11
w/ bar
1/2
3
0
Am7
D13sus4 Db13#11
10
let ring
10
10
7
5
12
7
7
w/ bar
5
5
C7
5
0
5
1 1/2
14
9
9
w/ bar
14
X
14
10
10
Am7
Am7
Am7
1 1/2
Em7
0
9
9
1/4
3
6
G/B
w/ bar
F6
10
9
8
8
7
6
8
7
Em7
Cmaj7
Em%

C#7#9
F
Fmaj7#11
Gtr. 2
Em7
3
Harm.
let ring
Pitch: A
Gtr. 1
let ring
10
Em7
12
14
12
12
12
12
12
14
12
14
13
12
12
Am9
10
G/B
5
0
5
5
D5
3
let ring
5
0
5
5
5
7
9
9
10
10
10
D13sus4
12
Db13#11
w/ bar
w/ bar
3
0
3
3
12
G
Fsus2
G%
31
w/ bar
1/2
5
0
5
5
A5
w/ bar
3
C
w/ bar
12
12
let ring
Gtr. 2 tacet
Gtr. 1
0
5
w/ bar
0
2
0
3
3
rit.
3
0
5
2
0
Gmaj9/A
Free time
Csus2
Gmaj7/B
w/ bar
w/ bar
3
1
0
0
3
A7
3
1
0
0
3
0
3
1
0
0
3
0
17
Sorgdal
from Scott Henderson - Dog Party
Dog Party
Gm
G#m
7fr
Tune down 1/2 step:

213
E
8fr
213
9fr
333
Intro
Moderately q = 118
** C7#9
Riff A
mf

*Gtr. 2
mf
*Gtr. 3
divisi Riff A1
11
10
F9/A
11
13
14
11
13
14
10
10
10
10
*Horns arr. for gtr.

10
X
X
Riff B
mf
X
X
4
X
5
8
8
**Chord symbols reflect overall harmony.
C7#9
F7#9/A
Spoken: What you gon - na
A#m Bm
11
11
do
now,
hey.
10
11
13
10
13
X
X
X
X
8
8
9
8
7
0
4
X
X
4
5
X
X
5
X
X
X
X
X
X
X
X
X
X
X
X
6
X
X
6
F9/A
10
C7#9
G#m Am
7
X
X
7
10
8

11
13
14
11
13
14
X
X
8
8
1
Sorgdal
C7#9
4
X
5
10
10
10
10
G#m Am
11
8
6
10
X
X
X
X
11
F7#9/A
End Riff A
End Riff A1
10
11
12
10
11
12
End Riff B
9
8
7
8
8
A#m Bm
4
X
X
4
5
X
X
5
X
X
X
X
X
X
X
X
X
X
X
X
6
X
X
6
7
X
X
7
Verse
Gtrs. 2 & 3 tacet
F7/A
1. Cant give
you
rea
son
to
take
Gtr. 1
C7#9
your - self
10
X
X
X
X
let ring
X
X
8
7
so
1/4
8
8
X
X
8
8
10
C7#9
8
8
8
10
1/4
8
8
X
X
8
X
8
10
X
X
8
X
8
10
10
se - ri - ous - ly,
10
C7#9
F7
F7/A
but
Ill
give
you
way
to
en
joy
X
X
8
7
2
Sorgdal
X
X
X
X
X
X
10
X
X
10
10
C7#9
your - self.
Come on
X
X
X
X
C7#9

You
say
you
10
X
X
F7/A
leave
your house
dont wan - na
10
X
X
8
8
8
8
let ring
8
8
8
8
10
11
10
X
X
10
8
10
10
sad
X 11
X 10
X
X
X
8
10
10
F7/A
Heres
rea - son
to
8
10
X
X
X
X
X
X
change
8
8
your
F7/A
blue.
11
X
X
X 10
X
B7
8
7
mind.
8
7
B7sus4
4
4
and
8
8
8
X
X
1/4
X
X
10
8
C7
8
7
1/4
10
C7#9
feel - ing
X
X
8
7
X
X
C7#9
me.
*Gtrs. 1 & 4
8
8
1/2
with
w/ pick & finger
10
o - ver here
8
8
10
F7/A
11
8
10
D5
C#5
10
10
G5
E9
10
1/4
8
5
*Gtr. 4 (slight dist.), played mf .

Composite arrangement
3
Sorgdal
Chorus
Gtr. 4 tacet
E13
A7
Youre in - vit - ed.

Gtr. 1
Gtr. 4
divisi
7
7
7
6
0
Gtr. 1
7
7
7
6
9
7
7
6
5
X
5
5
X
5
5
X
5
C#7#9
Dog
G#7#5
3rd time, Gtrs. 2 & 3 tacet
par - ty!
Come on
in.
X
X
X
X
X
X
5
X
5
7
X
7
5
5
5
4
3
0
2
0 0
2nd time, Gtr. 1: w/ Fill 2

3rd time, Gtr. 1: w/ Riff C (last 2 meas.)
3rd time, Gtr. 4: w/ Fill 1
F#5
G#5
A5
A#5
B5
G5
E7#9
Well,
let ring
let ring

said
youre in
vit
8
7
6
A7

- ed.
let ring
8
7
6
X
X
X
5
X
5
Riff C
let ring
5
5
Dog
par
G#7#5
ty!
2., 3.
C#7#9
a
your
dog
dog
or
X
X
X
5
4
3
1. Bring
Gon - na bring
let ring
5
X
5
7
7
X
X
X
X
5
X
5
7
X
7
5
5
F#5
or
your
your
ug
5
4
3
1
Fill 2
Gtr. 1
5
4
4
Sorgdal
G#5
ug
ly
A5
A#5
ly
girl
B5
girl
-
friend.
friend.
Gtr. 1
4
X
2
6
X
4
G5
7
X
5
8
X
6
9
X
7
X
X
X
X
X
X
4
X
2
6
X
4
7
X
5
8
X
6
9
X
7
5
5
Dog
par
X
X
A5
8
7
6
8
7
6
8
7
6
A#5
14
12
15
5
X
5
C#7#9
ty!
X
X
5
X
5
7
X
7
5
5
B5
G5
E7#9
Wont
12
12
14
you
Come
come
on
on
in.
in?
14
12
14
12
14
Said youre in - vit - ed.

in - vit - ed.
12

1/2
X
X
X
8
7
6
F#5
Youre
12
End Riff C
End Fill 1
G#7#5
ed.
5
4
3
To Coda 2
G#5
vit
5
X
5
A7
let ring
5
X
5
in
To Coda 1
Gtr. 4 tacet
3rd time, Gtr. 1: w/ Riff C
Gtr. 1
Youre
Fill 1
Gtr. 4
E7#9
5
4
12
14
X
12
A7
11
Dog
par - ty!
8
7
6
X
X
X
5
X
5
5
X
5
7
7
X
X
X
X
5
X
5
7
X
7
5
Sorgdal
Interlude
Gtrs. 2 & 3: w/ Riffs A & A1
C7#9
Gtrs. 1 & 4
Ah,
F9/A
Gtr. 1
G7
E7
1/2
10
1/4
10
Gtr. 4
divisi
10
8
X
X
8 8
X
X
8
8
Gtr. 1: w/ Riff B
Gtr. 4 tacet
oh,
C7#9
F7#9/A
G#m Am
A#m Bm
yeah.
F9/A
C7#9
C7#9
F7#9/A
G#m Am
A#m Bm
Uh.
Verse
C7#9
2. Well drop
Gtr. 1
F7/A
the
meat
you
bring
in
the
sand
C7#9
and throw
X
X
8
8
8
F7/A
it
on
the
grill.
X
X
X
8
7
X
X
C7#9

X
X
8
7
6
Sorgdal

X
X
X
X
X
X
7
X
7
8
8
6
X
7
X
X
11
11
10

Ill bring my

own
8
8
10
F7/A
10
that,
uh,
wont
you
have,
X
X
8
7
1/4
X
X
8
8
10
X
X
X
X
X
X
5
X
6
7
8
7
X
8
7
X
8
5
X
6
7
8
C7#9
but
think
your
sis
F7/A
ter
will.
let ring
11
1/2
8
8
8
X
X
C7#9
got
1/4
10
X
X
X
F7/A
stud
X
X
X
X
X
who wants
8
8
8
to meet
X
X
X
X
8
7
X
X
X
X
X
X
X
X
X
4
2
1
X
X
X
8
8
11
10
if
na - ture
way.
X
X
X
X
X
X
4
3
X
X
8
8
8
8
7
no,
no.
no,
X
X
4
3
2
hold
1/2 bend
10
10
8
8
10
its
4
3
2
1/4
10
has
were re - lat - ed,
4
3
2
dont mean
F7/A
* 3

1/2
0
0
11
10
C7#9

X
X
X
X
X
your bitch
It
X
X
4
2
1
11
10
C7#9
X
X
F7/A
11
10
10
X
X
X
X
10
10
10
10
*Sung ahead of the beat.
D.S. al Coda 1
Gtrs. 1 & 4
10
8
10
10
B7sus4
B7
D5
C#5
G5
E9
C7
1/4
8
5
7
Sorgdal
Coda 1
Wont
you
come
on
in?
let ring
5
5
E7#9
C#7#9
F#5
G#5
said youre in
vit
ed.
12
12
12
12
11
12
15
15
12
1/2
1/2
12
15
12
12
14
Dog
par - ty!
G#7#5
C#7#9
12
12
G5
14
A7
12
12
14
12
B5
5
4
14
5
4
3
A5
A#5
let ring
5
X
5
X
X
X
X
5
X
5
7
X
7
5
5
4
5
4
3
X
X
X
X
Guitar Solo
G/B
C#m7
Gtr. 1
12
12

Gtr. 4
C#m7
12
12
12
9
11
X
X
X
X
X
X
steady
gliss.
1/2
12
12
12
F#/C#
11
11
9
X
X
X
X
11

1/4
9
9
9
X
9
8
Sorgdal
9
9
10
9
X
X
X
11
11
11
11
11
11
11
11
11
C#m7
11
11
1/2
1/4
11
11
9
9
9
X
X
X
X
X
X
X
X
X
9
9
9
X
X
X
1/4
11
11
X
X
X
X
F#/C#
steady gliss.
X
X
9
11
X
X
X
X
X
X
X
X
X
X
X
X
9
9
9
X
X
X
X
X
X
X
X
X
9
9
9
X
X
X
9
9
9
X
X
X
X
X
X
X
X
X
11
11
11
C#m7
12
9
9
9
9
Rhy. Fig. 1
9
9
9
X
X
X
X
X
X
9
9
C#m7
12
12
X
X
12
9
9
9
9
9
9

**
1
14
X
X
X
9
9
9
X
X
X
P.M.
1/2
14
14
13
14
12
12
14
13
8
8
8
9
9
9
9
9
9
9
9
9
9
9
9
X
X
X
X
X
X
steady gliss.
14
14
8
8
X
X
9
9
9
X
X
X
X
X
X
11
11
11
C#m7
14
End Rhy. Fig. 1
X
X
X
F#/C#
12
X
X
X
1/2
F#/C#
12
12
14
12
1/2

X
X
X
Gtr. 4: w/ Rhy. Fig. 1 (5 times)
Gtr. 1
9
9
11
11
11
12
X
X
X
X
**As before
F#/C#
11
11
1/2
11
11
C#m7
11
9
12
F#/C#
steady
gliss.
9
9
let ring
X
X
X
X
12
4
4
9
Sorgdal
C#m7
grad. bend
1 1/2
1
F#/C#
grad. release
12
12
12
12
12
C#m7

P.M.
9
9
8v a
16
14
1 1/2
16
12
0
0
16
0
0
Gm G#m
Rhy. Fig. 2
12
12
14
14
14
14
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Gtr. 4
loco
14
End Rhy. Fig. 2
X
X
X
X
X
X
Gm G#m
Gm G#m
1/4
6
X
6
X
X
X
8
Gm G#m
X
X
X
1 1/2
X
X
X
X
X
X
X
X
X
X
X
X
Gm G#m
X
X
grad. bend
X
X
X
1 1/2
X
X
6
6
Gm G#m
Gtr. 4
X
X
10
Sorgdal
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Gm G#m
C#m7
9
9
11
9
9
12
12
12
12
11
1 1/2
9
12
F#/C#
12
12
12
1 1/2
12
12
12
12
**
1 1/2
12
12
C#m7
11

12
9
9
9
9
12
12
12
9
9
12
9
9
11
F#/C#
11
11
11
grad. bend
X
X
X
X
X
X
F#/C#
8v a
1 1/2
loco
8v a
11
C#m7
X
X
X
1 1/2
16
X
X
X
C#m7
**As before
16
1 1/2
16
16
14
12
14
3
3
1/4
16
16
14
16
12
12
14
15
14
14
12
12
12
14
14
12
14
1/2
14
14
12
14
X
X
12
14
X
X
12
14
12
14
12
14
X
X
12
14
Breakdown
Gtr. 4 tacet

Gtr. 4
8v a
F#/C#
X
X
12
14
12
14
12
14
12
13
16
17
16
17
16
17
16
17
X
X
16
17
16
17
16
17
X
X
X
X
21
C#m7
loco
9
7
9
let ring
w/ fuzz & ring modulator
X
X
X
X
12
11
11
Sorgdal
rake
12
12
11
11
X
X
X
X
X
X
11
X
X
X
X
X
X
X
X
X
X
X
11
X
X
X
X
X
X
11
11
*p
9
9
11
1/2
12
12
11
11
1/2
mf
let ring
11
11
12
9
9
11
10
X
X
X
X
4
4
*Vol. swell
1/2
1/2
9
11
12
Sorgdal
1/2
9
16
12
9
11
9
11
11
11
11
11
11
Interlude
Db7#9
Gtr. 2
Gb9/Bb
Db7#9
Fill 3
Gtr. 3
divisi
Gb9/Bb
Fill 3A
12
11
Gtr. 1
12
14
15
12
14
15
10
11
10
11
10
11
10
11
12
12
fuzz & ring modulator off
9
9
Gtr. 2
Gtr. 3
10
11
10
11

Gtrs. 1 & 4
Db7#9
End Fill 3
Gb9/Bb
12
14
15
12
14
15
Db7#9
12
12
11
10
11
10
11
10
11
Db7#9
10
11
12
13
10
11
12
13
10
Gb9/Bb
End Fill 3A
12
14
14
Fill 4A
End Fill 4A
12
14
15
12
14
15
11
3
End Fill 4

12
14
15
14
Gb9/Bb
Fill 4
13
Sorgdal
Gtrs. 2 & 3: w/ Fills 3 & 3A
Gtrs. 2 & 3: w/ Fills 4 & 4A
F7

Gtrs. 1 & 4
D7
A7
D.S. al Coda 2
D#5
F#5 G5
Gtr. 2
B5
G#5
C5
C#7
Gtr. 3
divisi
10
11
10
11
12
11
10
11
10
11
12
11
let ring
Dog
5
5
5
X
5
7
7
4
5
1/4
12
12
14
Sorgdal
12
12
let ring
12
14
12
12
C#7#11
F#5
G#5 A5 A#5 B5
5
X
5
7
X
7
5
5
X
X
X
5
4
3
X
X
X
X
12
12
12
12
X
X
12
11
5
4
3
A7
X
X
X
G5
let ring
X
X
par - ty!
X
X
Gtr. 4: w/ Fill 1
G#7#5
Outro-Guitar Solo
E7#9
12
13
E9
1/2
13
G5
Coda 2
D5 C#5
6
6
B7
16
14
16
12
Gtrs. 1 & 4
Bsus4
4
X
2
6
X
4
7
X
5
8
X
6
X
X
9
X
7
X
X
X
X
X
14
14
X
14
14
X
14
14
X
14
X
X
X
X
13
X
13
14
12
X
12
14
14
12
12
G#7#5
12
12
11
10
C#7#9
F#5
G#5
A5 A#5 B5
G5
E7#9
1 1/2
1
12
12
11
10
12
12
10
11
12
12
10
11
12
11
X
X
12
12
12
12
12
15
15
15
12
12
1/2
12
11
X
X
X
12
11
X
X
A5
12
1/2
14
14
12
12
11
14
12
12
A#5
B5
G5
12
14
12
14
12
12
14
12
12
12
15
14
E7#9
X
X
X
X
15
14
12
12
11
10
hold bend
15
15
14
X
X
14
15
12
12
15
12
15
X
X
X
X
15
14
12
A7
1/4
C#7#9
12
12
10
11
12
12
10
11
F#5
12
15
14

G#5
A5
X
X
14
G#7#5
15
X
E7#9
14
11
1/2
12
12
C#7#9
F#5

G#7#5
14
12
15
14
G#5
14
12
steady gliss.
12
11
14
14
12
12
12
12
11
10
A7
X
X
X
X
X
X
12
11
12
11
10
A7
14
12
12
12
10
11
1/2
11
14
14
G5
12
12
15
6
A#5 B5
14
14
14
X
X
X
X
14
14
X
X
X
X
12
12
14
14
12
12
14
12
12
14
12
G#7#5
15
15
14
14
0
0
0
11
15
Sorgdal
F#5
G#5
A5
A#5
B5
G5
C#7#9
1/2
11
12
12
1/4
12
11
11
E7#9
A7
8v a
15
17
X
X
X
X
X
X
X
X
G#5
A5
8v a
1/4
A#5
B5
15
17
17
15
17
G5
13
10
15
17
15
X
X
X
X
17
12
14
12
14
C#7#9
12
12
F#5
17
12
15
17
17
17
17
17
E7#9
A7
14
14
12
12
X
X
12
12
12
15
12
12
15
12
15
G#7#5
12
15
C#7#9
12
12
15
12
15
12
15
12
12
12
15
12
12
12
12
14
12
13
12
15
12
15
14
F#5
G#5
A5
A#5
B5
14
16
X
X
12
14
G5
X
X
X
X
E7#9
X
X
14
14
12
1/2
Sorgdal
11
G#7#5
17
17
14
steady
gliss.
15
12
1/2
17
loco
17
12
12
10
12
14
10
12
14
12
12
12
A7
12
12
X
X
X
X
12
12
12
12
12
11
12
11
X
X
X
X
12
11
X
X
0
A5
X
X
0
12
11
12
11
12
12
1/4
12
12
14
0
0
0

12
X
12
14
X
14
12
12
14
X
14
A5
15
15
X
X
0
0
12
12
12
12
X
X
X
X
A#5
B5
12
12
12
X
12
11
A7
8
X
8
8
X
8
12
12
C#7#9
9
X
9
E7#9
0
0
14
G5
14
X
14
1/4
12
12
11
0
0
0
0
1/4
14
G#7#5
1/4
X
X
X
G#5
12
11
Begin fade
E7#9
0
0
0
12
1/2
11
G5
9
9
11
1/2
9
9
F#5
11
B5
C#7#9
9
9
A#5
G#5
G#7#5
9
X
9
12
12
9
X
9
9
X
9
9
X
9
12
12
F#5
11
11
A7
*
1 1/2
12
12
12
12
15
1 1/2
15
15
15
grad. release
15
15
12
12
15
12
12
G#7#5
12
17
Fade out
C#7#9
F#5
**
1
15
17
17
1/2
17
17
**As before
17
Sorgdal
from Scott Henderson - Tore Down House
Dolemite
Tune down 1/2 step:
A
Moderately q = 132
Spoken: Dolemite. Its
real bad out there.

3 sec.
*A7
X
X
5
3
4
3
A7
X
0
X
X
5
4
4
3
A7
X
X
D7
5
4
4
3
A7
D7
1/4
X
X
5
4
4
3
5th time, To Coda 2
A7
A7sus4
A7
E7#9
1/4
X
5
X
X
4
3
5
4
D7#9
1/2
5
5

1
Sorgdal
To Coda 1
1.
2.
A7
E7#9
7
5
7
7
6
7
0
A7
A7
A7
mf
5
5
7
7
5
5
A7
Fill 1
Gtr. 1
X
X
X
X
1/4
1/2
10
10
11
12
12
5
4
X
X
5
4
X
X
X
X
4
3
7
7
5
5
5
4
5
4
D
A7
X
X
D7
D
A7
A7
Sorgdal
D7
1/4
A7
E7#9
7
7
11
10
D7
10
1/2
P.M.
5
5
7
7
X
X
A7
8
7
6
A7
X
X
X
X
12
12
10
7
7
6
5
5
4
7
7
X
X
X
1/4

X
X
X
X
5
5

X
X
F#7/E
X
X
X
X
X
X
7
7
X
X
X
X
X
X
X
X
X
5
5
5
4
X
X
X
X
4
3
D7
A7
E7#9
A7
11
10
A7
1/4
D7
11
A7
A7
D7
10
8
7
6
10
E7#9
let ring
A7
X
X
7
7
7
7
A7
C#7#9
11
X
X
X
steady gliss.
5
5
5
4
4
5
4
5
3
2
1
2
5
4
5
4
5
4
5
4
B5
B7#9
5
4
C5
5
4
3
4
X
X
X
F#7
5
4
Bb5
A5
3
Sorgdal
D.S. al Coda 1
(no repeats)
E9/F#
E7
2
0
G5
G#5
F#5
Coda 1
A7
F5
grad. bend
1/2
A7
1/2
1/2
mf
1
w/ pick
& finger
12
1/4
10
13
11
D7
10
X
X
X
10
12
11
10
13
1/2
10
13
E7#9
w/ pick & finger
11
4
Sorgdal
10
11
10
w/ pick
& finger
12
D7
1/4
10
13
13
A7
12
10
10
10
10
1/2
13
13
13
12
1/2
10
10
5
11
13
A7
1/4
13
w/ pick
& finger
13
w/ pick
& finger
8
8
E7#9
A7
8
7
6
grad. bend
1/2
1/2
12
12
E7#9
1/2
10
D7
1/4
E7#9
1/4
1/4
10
12
1/4
1/4
A7
D7
1/2
3
1
A7
10
10
10
1 1/2
1
1/2
12
12
10
A7
12
1/4
1/2
10
10
3
1
X 8
X
X
rake
10
10
rake
10
X 10
X
X
0
5
Sorgdal
3
1
10
1/2
1/2
1/2
1/2
10
10
10
10
10
15ma
rake
0
0
P.H.
14
D7
8
9
12
10
10
10
10
Sorgdal
10
12
10
10
17
15
12
13
13
16
12
14
w/ pick & finger

let ring
12
12
steady gliss.
11
12
10
11
10
A7
let ring
E7#9
A7
grad. bend
1 1/2
2
8
1
8
5
7
E7#9
12
1/2
11
11
A7
let ring
w/ pick & finger
12
1/4
w/ pick & finger

let ring
1/2
1/2
13
10
8
8
D7
loco
1/2
1/2
steady gliss.
19

3
rake
0
0
rake
10
12
10
13
10
12
10
11
10
10
11
15
13
14
13
12
14
15
12
12
10
10
13
10
D7
13
12
10
A7

let ring
8
9
8
9
8
9
8
9
7
8
8
9
10
7
8
8
9
8
9
8
9
12
7
7
12
15
13
15
12
15
X
X
8
7
6
7
A7
E7#9
13
13
10
6
1
12
1/2
13
2 1/2
10
E7#9
14
1
10
A7
grad. bend
10
10
12
rake
1/4
10
D7
8
7
6
7
8
7
6
7
8
7
6
7
8
7
6
7
let ring
9
X
X
7
7
0
7
Sorgdal
8
9
let ring
8
9
8
9
D7
8
9
8
9
7
8
8
9

8
9
10
11
10
11
10
11
10
11
10
11
10
11
10
11
9
10
10
11
10
11
10
11
10
11
10
11
8
9
8
9
8
9
0
0
8
9
7
7
5
6
13
14
14
13
14
14
13
14
13
14
13
14
13
14
X
X
let ring
8
9
8
9
11
10
12
12
10
A7

steady gliss.
2
3
13
14
13
14
12
13
14
12
13
12
14
13
12
14
13
15
17
16
17
15
16
17
D7
E7#9
17
18
19
A7
15
17
16
15
19
18
17
19
17
18
17
16
15
18
15
16
17
15
16
15
17
17
17
17
15
15
17
17
E7#9

8v a

5
5
2 1/2
17
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
16
14
A7
8v a
grad. bend
grad. release
1 1/2
17
17
8
Sorgdal
15
17
20
20
20
20
17
17
17
20
15
19
16
19
18
17
17
19
19
2
1
20
15
15
8v a
grad. bend
8v a
17
17
19
let ring
17
D7
20
17
20
17
17
17
19
19
20
19
17
19
17
19
17
17
grad. bend
1 hold bend
20
17
20
19
w/ bar
20
19
19
19
20
19
17
20
19
20
20
19
19
19
19
20
17
20
17
18
17
20
17
19
17
20
18
17
18
17
A7
20
E7#9
*
1 1/2
1
1
20
D7
17
17
8v a
19
17
E7#9
w/ bar
1
19
20
20
19
19
8v a
20
17
A7
3
1/4
19
loco
gliss.
steady
w/ bar
1/2
17
20
20
20
20
20
19
17
17
19
19
17
17
17
19
19
17
19
17
19
X
X
X
17
19
E
C#7#9
5
4
3
4

C5
B5
F#7/E
Bb5
F#7
B7#9
3
2
1
2
D.S. al Coda 2
(take repeat)
A5
E9/F#
E7

2
3
3
4
4
3
5
4
F5
F#5
G5
G#5
3
4
1
9
Sorgdal
D7#9
loco

E7#9
P.H.
1/4
X
2
15ma
A7
Coda 2
10
3
10
13
A7
14
D7#9
steady gliss.
10
10
E7#9
10
10
10
10
A7
10
10
let
ring
10
Sorgdal
1/2
1/4
A7#9
0
3
1/2

6
5
D7#9
w/ pick
& finger
Free time
8
8
8
8
8
8
8
8
1/2
13
12
11
12
13
12
11
12
Hole Diggin
Tune down 1/2 step:

=
*Gtr. 1 (slight dist.)
__
Fast q = 210
** E
mf
let ring
w/ pick & fingers
*Use neck pickup.

**Chord symbols reflect implied harmony.
let ring
A7
0
0
2
3
Asus4
B7(no3rd)
E7
0
5
1/2
Badd4
6
3
let ring
2
0
E7
2
2
0
B
(iq = iq)
E7
2
2
0

2
2
0
4
4
let ring

1
Sorgdal
A7
let ring
E7
let ring
1/4
0
3
C#7#9
let ring
0
3
B7b13
let ring
E7
0
0
2
3
A7
8
8
7
let ring
Sorgdal
E7
let ring

let ring
C#7#9
0
3
E7
1/4

let ring
8
8
7
let ring
B7#5
5
4
3
4
0
0
5
4
3
4
F#7b13
let ring
5
4
3
4
5
4
3
4
F#7b13
0
4
T o Coda
B7b13
E7
let ring
B7#5
0
0
E7
8
8
7
let ring
8
8
7
C
E7
let ring
A7
let ring
E7
12
0
12
12
12
14
(14)
hold bend
15
15
9
7
B7
12
12
14
14
12
12
12
12
7
0
B7
14
14
12
13
15
12
12
12
12
14
1
15
X
E7
12
15
14
A7
14
14
E7
1/2
14
2
2
14
0
2
slight P.M.
3
1
14
1/2
1/2
15
w/ pick
12
0
3
3
3
let ring
15
14
3
1
12
15
12
12
14
12
3
Sorgdal
A7
14
12
11
12
11
15
14
15
14
X
X
E7
X
X
12
11
X
X
12
11
X
X
11
10
12
11
B7
16
15
X
X
16
15
17
16
17
16
X
X
16
15
17
16
17
16
X
X
3
3
5
4
5
4
5
4
12
12
14
14
12
16
15
16
15
X
X
16
15
16
15
X
X
16
15
E7

15
14
15
14
X
X
15
14
15
14
X
X
X
X
10
9
10
9
15
14
X
X
15
14
16
15
16
15
B7
X
X
14
14
15
14
A7
14
13
E7
1/4 1/2
1/2
4
Sorgdal
10
9
1/2
5
5
let ring
3
let ring
1/4
0
0
A7
1/4
E7
1/2
1/2
0
2
A7
let ring
B7
let ring
let ring
9
8
1/2
10
9
10
9
14
13
E7

0
3
4
3
4
0
3
4
0
3
4
0
3
4
0
3
4
15
16
15
16
15
16
15
16
15
16
15
16
15
16
5
6
0
5
6
15
16
17
18
17
18
17
18
21
21
19
19
15
19
19
0
5
6
17
18
17
18
17
12
12
12
12
20
21
20
21
20
21
20
21
B7
12
12
let ring
17
18
12
12
12
14
14
12
12
10
10
22
15
B7
14
14
12
14
14
3
1/4
14
14
12
14
14
14
3
1/2
1 1/4
12
12
12
12
13
12
1 1/2
12
2
3
3
4
12
12
16
12
12
12
12
20
21
20
21
E7
20
20
A7
15
X
E7
14
12
14
14
3
*
1 1/2
1
12
0
0
12
12
15
16
14
15
16
17
E7
12
17
18
steady gliss.
21
21
E7
1/4
0
5
6
A7
0
0
0
3
4
let ring
1/2
B7
let ring
12
12
12
12
12
12
12
11
10
12
12
*3rd string caught under bend finger.
5
Sorgdal
A7
12
12
12
11
10
12
10
12
12
14
12
13
14
12
12
11
14
14
12
12
12
12
12
12
12
14
12
12
X
X
12
12
14
X
X
12
12
14
14
12
12
12
12
12
12
12
12
A7
3
3
12
12
12
12
14
let ring
12
12
12
12
12
12
13
14
15
16
12
14
12
12
14
12
12
12
12
15
X
16
15
X
16
15
X
16
17
X
18
11
11
11
11
14
13
A7
12
14
13
13
13
B7
12
E7
**
steady gliss.
12
12
12
12
12
12
15
12
12
12
12
12
11
14
12
12
14
12
12
12
12
12
12
E7

11
**Switch to bridge pickup.
12
13
10
12
12
12
11
17
X
18
17
X
18
15
X
16
15
X
16
15
X
16
14
X
14
14
X
14
14
X
14
1/4
0
0
12
X
12
B7
0
0
12
12
12
12
X
X
11
1/4
12
12
14
let ring
15
E7
12
B7
12
3
1/2
14
12
11
E7
1/4
12
12
12
X
12
12
X
12
14
X
14
14
X
14
14
X
14
1/2
3/4
12
12
12
***
1/4
12
X
12
12
X
12
12
X
12
10
X
11
10
X
11
1
12
11
A7
1 1/2
12
***3rd string caught under bend finger.
6
Sorgdal
12
11
12
12
14
10
12
12
12
12
12
12
let ring
B7
12
E7
11
12
12
12
12
14
12
12
12
12
12
12
12
12
12
14
grad. bend
0
0
12
12
12
12
12
12
12
12
12
12
12
12
12
12
15
15
15
12
15
15
B7
12
12
12
15
12
12
E7
15
12
12
12
12
14
12
14
12
13
12
12
15
15
12
12
12
14
B7
8v a
12
12
12
17
12
14

( )

12
14
12
12
14
14
E7
17
14
17
17
X
1
1
17
17
12
8v a
1/2
12
1 1/2
semi-harm.
1
A7
15
E7
15
14
12
12
grad. bend
12
12
12
15
14
12
12
12
1
1/2
14
A7
14
14
14
X
X
14
E7
17
17
17
16
17
17
16
17
1/2
17
17
*Played ahead
of the beat.
7
Sorgdal
A7
8v a
E7
grad. bend
17
17
15
1/2
15
15
loco
15
12
15
15
15
8v a
1 1/2
15
15
15
B7
1
1/2
A7
15
15
12
17
15
12
14
14
12
14
1
2
1
2
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
10
11
11
B7
E7
3
4
14
14
E7
12
3
4
3
4
3
4
3
4
3
4
steady gliss.
3
4
3
4
10
X
11
10
X
11
10
X
11
12
X
12
12
X
12
12
X
12
14
X
14
14
X
14
14
X
14
15
X
15
15
X
15
15
X
15
16
X
16
16
X
16
16
X
16
15
X
15
15
X
15
15
X
15
14
X
14
14
X
14
14
X
14
12
X
13
12
X
13
12
X
13
10
X
11
10
X
11
10
X
11
12
X
13
12
X
13
12
X
13
10
X
11
10
X
11
10
X
11
9
X
9
9
X
9
9
X
9
A7
E7

7
X
7
7
X
7
7
X
7
9
X
9
9
X
9
9
X
9
7
X
7
7
X
7
7
X
7
5
X
6
5
X
6
5
X
6
3
X
4
3
X
4
3
X
4
5
X
6
5
X
6
5
X
6
7
X
7
7
X
7
7
X
7
8
X
8
8
X
8
8
X
8
9
X
9
9
X
9
9
X
9
8
X
8
8
X
8
B7
4
X
4
8
Sorgdal
5
X
5

5
5
6
X
6
7
X
7
9
X
9
10
X
10
8
X
8
7
X
7
7
X
7
7
X
7
5
X
6
5
X
6
10
X
10
11
X
11
12
X
12
13
X
13
14
X
14
16
X
16
17
5
X
6
A7
1/2
17
E7
15
12
12
14
14
15
14
15
12
B7
12
12
12
14
0
E7
12
12
12
0
0
12
12
14
*Switch to neck pickup.

3
3
3
12
15 12
14
14
15 12
12
14
14 12
14
14
14 12
14 12 12 14 12 10
12 10
12
12
14
10 12 14
12
grad. bend
1/2
14
14
12
12
12
14 12 14
14
12
15 12
14
12 12 12 12
12 12 12 12
14 12 12 12
12
12
12
12
8v a
grad. bend
12
12
12
15 12
15
12
14
15
14
15
15
15
12
grad. release
15
E7
1/2
12
A7
loco
12
15
1/2
12
12
14
12
15
12
1/4
12
14
14
14
12
14
14
12

B7
15
12
15
14
12
B7
12
12 14
A7
E7

1/2
15
14 12
14 12
14
12
12
12
E7
*Switch to bridge
pickup.
15
15
16
15
15
16
16
15
15
16
15
15
16
15
15
16
15
15
16
12
14
14
14
14
14
14
15
15
16
15
15
16
15
15
16
15
15
16
15
15
16
9
Sorgdal
3
1
15
15
16
A7
1/2
14
14
12
14
15
15
16
15
15
16
15
14
X
X
X
14
X
X
15
15
16
15
15
16
X
X
12
let ring
let ring
let ring
10
Sorgdal
let ring
4
A7
let ring
let ring
10
11
0
4
12
13
let ring
0
4
14
14
E7
12
14
12
12
12
12
14
15
16
let ring
0
9
17
16
17
16
15
14
A7
let ring
12
13
let ring
5
B7
let ring
14
15
let ring
0
6
X
X
let ring
13
14
0
11
10
14
15
10
11
11
15
16
let ring
B7
let ring
0
8
let ring
11
10
11
17
16
X
X
12
let ring
14
14
14
14
12
B7
15
14
let ring
12
13
let ring
11
15
14
11
10
11
12
10
11
12
12
14
12
14
w/ pick & fingers

let ring
13
E7
X
X
12
14
D
E7

15
14
15
14
12
11
15
14
14
1/2
12
14
13
12
E7
let ring
A7
let ring
0
6
E5
D.S. al Coda
let ring
let ring
5
4
3
4
2
2
0
C#7#9
5
4
3
4
F#7b13
5
4
3
4
E7
let ring
0
3
C#7#9
let ring
0
4
B7b13
let ring
F#7b13
0
1
0
0
5
4
3
4
B7
let ring
5
4
3
4
let ring
2
Coda
E7
5
4
3
4
Bb13
let ring
0
4
0
3
Free time
E7#9
0
3
1/2
14
14
12
14
12
13
12
12
E7#9
w/ pick
8
7
6
10
10
12
12
12
10
3
1
12
12
12
15
12
12
14
steady gliss.
10
20
12
14
14
7
6
7
0
7
6
7
11
Sorgdal
Lady P
E7#9
C#7#9
6fr
123
Tune down 1/2 step:

Intro
Moderately q = 90
__ = __3
_
*E
mf
1/2
1/2
A7/C#
w/ pick & fingers
123
w/ bar
let ring
5
0
7
4
0
*Chord symbols reflect overall harmony.
C#5
w/ bar
P.M.
let ring
6
6
4
4
G6
5
0
7
4
0
6
A7/C#
w/ bar
Bb13sus4
2
0
mf
8

w/ bar
1/4
w/ bar
let ring
1/4
1
3
0
4
3 2
w/ bar
5
0
7
2
0
let ring
4
6

let ring
C#m
w/ pick & finger
Gtr. 1
A7/C#
6
6
4
4
4
-1/2

1
Sorgdal
Verse
Gtr. 2 tacet
A7/C#
E7#9
Gtr. 1
5
0
7
C#5
aint
gon
let ring
na
C#7
change,
my
9
9
9
9
7
7
La
E7#9
dy
1/2
P.
1/2
name
Em6
your
5
4
3
know
E7sus4
1. I
let ring
w/ bar
C#7#9
let ring
6
5
2
0
A7/C#
E7#9
C#7#9
5
0
7
C#5
guilt
let ring
as
6
6
2
0
let
you
C#7
5
4
E7sus4
in,
9
9
7
7
9
9
Em6
sin,
1
7
Wont
let ring
w/ bar
my
E7#9
La
dy
P.
1/2
1/2
let ring
2
0
2
Sorgdal
A7/C#
G#[b6]/E
5
4
9
9
-1
Gtr. 1
w/ bar
w/ bar
C#m
Gtr. 2
let ring
4
0
P.M.
5
0
7
6
6
4
let ring
Gtr. 2 tacet
A7/C#
0
9
F#sus4
C#m11
w/ bar
11
11
11
0
11
11
0
11

w/ bar
4
4
11
0
11
7
0
let ring
F#sus4
w/ bar
w/ bar
w/ bar
let ring
+1
6
6
F#m7
let ring
3
3
F#sus4
2
0
2
0
-1/2
C#m11
C#m11
4
4
4
11
0
11
w/ bar
4
4
4
11
0
11
-1/2
C#m11
let ring
1/4
5
0
7
w/ bar
Gtr. 1
4
4
4
4
0
4
4
0
2
2
2
0
2
C#m11
9
0
9
9
0
9
11
11
11
0
11
F#sus4
w/ bar
11
0
11
11
0
11
11
0
11
11
0
11
9
9
7
0
let ring
0
2
3
Sorgdal
F#sus4

let ring
w/ bar
C#m11
w/ bar
98
4
4

w/ bar
+1/2
F#sus4
w/ bar
1/4

w/ bar

E
C#m11
0
0
0
-1
Verse
A7/C#
E7#9
5
0
7
C#5
dream
in
black
and
5
4
3
C#7
white
what
E7sus4
night,
9
9
7
7
7
7
9
9
Em6
0
0
2. Oo,
let ring
w/ bar
C#7#9
E7#9
call
in
to
me.
1/2
3
let ring
2
0
A7/C#
E7#9
4
Cant
5
0
7
Sorgdal
C#m7
let ring
look
9
9
9
X
9
9
X
9
3
1/2
9
9
7
X
7
6
X
6
6
6
way,
1/2
7
X
7
4
X
4
C#5
it
aint
day,
C#7
my
Em6
my
La
dy
3
1/2
let ring
6
5

P.
E7#9
let ring
2
0
A7/C#
E7#9
A7sus4
dont
want
to
Gtr. 1
Gtrs. 3 & 4
(clean)
divisi
say
mf
let ring
w/ chorus
3
1
3
3
0
0
Well,
w/ bar
0
0
Chorus
Gtr. 1 tacet
A7sus4
C#7sus4
let

Gtrs. 3 & 4
her
D%
go.
2
0
3
nn - know.
0
4
0
2
let ring
let ring
let ring
0
0
w/ bar
look a - way?
let ring
0
Eyes
_ 1/2

Can
0
0
2
A7sus4
0
0
F#7b9
can change
let ring
0
2
2
Badd4
let ring
She
G13
_ 1/2
let ring
C#7sus4
blue,
let ring
0
2
2
2
4
4
D%
G13
not
to - day.
let ring
2
0
3
0
0
2
3
3
5
Sorgdal
Gtrs. 3 & 4 tacet
C#7sus2
C7sus
C7/Bb
let ring
_ 1/2
4
4
4
4
3
3
3
3
4
4
w/ bar
A7/C#
C5
_ 1/2
5
5
5
5
5
5
5
5
5
5
5
5
Guitar Solo
Gtr. 1
G7sus4
Oo.
Gm
5
0
7
A7/C#
5
5
6
6
_ 1/2
2
0
2
0
w/ bar
4
0
6
w/ bar
_ 1/2
0
2
0
4
2
X
4
w/ bar
_ 1/2
_ 1/2
1/4
Em%
w/ bar
5
0
7
w/ bar
E7#9
1
0
3

w/ bar
w/ bar
1/4
3
0
C#5
Emaj7#9
3
3
0
2
0
4
2
0
4
C#7#9
w/ bar
let ring
w/ bar
+1/2
5
E7#9
1/4
5
w/ bar
3
4
4
let ring
C#7#9
E7#9
2
2
-1/2
-1
C#7#9
E7#9
Harm.
w/ bar
let ring
5
0
0
7
0
4
5
Pitch: G
6
Sorgdal
C#7#9
0
4
5
-1
E7#9
w/ bar
4
6
P.M.
4
9
C#7#9
Harm.
Pitch: A
1/2
E7#9

1/4

1/2
C#7#9
X
X
X
X
X
X
C#7#9
E7#9
E7#9
C#7#9
1/2
1/4
E7#9
**
7
6
let ring
X
X
Pitch: D
C#7#9
string noise
E7#9
Harm.
E7#9
3
*Played as straight sixteenth-notes.
C#7#9
4
5
C#7#9
1/2
E7#9
5
3
E7#9
1/2
C#7#9
w/ bar
_ 1/2
C#7#9
_ 1/2
E7#9
let ring
C#7#9
E7#9
E7#9
C#7#9
1
1
7
7
4
4
6
**Played behind the beat.
7
Sorgdal
C#7#9
E7#9
1/2
w/ bar
11
11
12
13
E7#9
11
11
9
9
12
13
10
11
13
11
9
9
13
3
3
C#m7
1/4
1/2
C#m7
w/ bar
w/ bar
w/ bar
1/4
w/ bar
w/ bar
w/ bar
w/ bar
w/ bar
1/4
9
9
12
13
C#m7
12
13
w/ bar
9
9
1/4
let ring
1/2
9
9
-1/4
10
11
C#m7
w/ bar
11
11
12
-1
C#m7
E7#9
w/ bar
1/4
9
9
1/4
C#7#9
C#7#9
E7#9

C#7#9
12
11
12
hold
1 bend
12
-1/2
Gtr. 1

_ 1/2
18
_ 1/2
14
16
C#m7
w/ bar
1/2
18
16
14
16
14
1
16
14
16
Em%
14
Gtr. 2
w/ bar
T
1
12
C#m7
0
2
0
4
8
Sorgdal
Esus2
1/4
14
16
20
14
16
14
16
14
11
12
1/2
13 11
w/ bar
0
2
0
4
11
-1/2
slack
3
1
5
16
+1/2
13
13
14
w/ bar
+1
7
4
4
(cont. in slashes)
7
4
4
-1/4
Gtr. 2
Gtr. 1
3

E7#9
C#7#9
w/ bar
X
X
w/ bar
X
X
X
1/2
1/2
1/2
E7#9
2
3
C#7#9
Rhy. Fig. 1
-1
End Rhy. Fig. 1
3
**
w/ bar
1/2
6
3

1/4
C#7#9
1/2
slack
E7#9
*Vibrato w/ bar (next 6 meas.)
1/2
12
w/ bar
1/2
12
12
14
14
12
14
w/ bar
12
14
-1

1
1/2
12
15
14
-1/2
15
14
-1/4
9
Sorgdal
C#7#9
E7#9
12
12
14
14
13
w/ bar
+2
C#7#9
w/ bar
12
9
9
14
9
9
11
11
E7#9
w/ bar
9
9
11
+1 1/2
-1/2
w/ bar
w/ bar
-1/2
E7#9
11
11
slack
C#7#9
w/ bar
+1 1/2
-1/2
C#7#9
w/ bar
-1/2
w/ bar
6
w/ bar
+1
+1 1/2
E7#9
+1/2
7
8
6
8
11
12
12
12
12
12
12
12
12
13
12
12
-1
C#7#9
E7#9
14
12 15 12
12
15 12
12
12 14
12
C#7#9
14
14
C#7#9
16
16
14
14
14
17
E7#9
E7#9
1/4
14
17
1/4
17
17
16
w/ bar
1 1/2
1/2
14
16
16
14
16
C#7#9
16
E7#9
w/ bar
1/2
16
1/2
14 17
1/2
14
14
14 16 14 15 14
17
17 14
14
17 14
16
14 16
14
14 16
14
19
-1/2
10
Sorgdal
19
14
17
14
14
13 13
13 16
13 13
13 16
13
14
13 16
14
14
14
14 14 19
Interlude
C#7#9
Gtr. 1
F#m7
23
-1/2
Emaj7
w/ bar
+1
21
14
14
14
21
14
14
14
14
14
14
12
12
13
Rhy. Fig. 2A
14
14
14
14
14
14
14
14
14
5
4
3
0
F#6
loco
16
14
16
15
14
16
15
14
16
-1
14
w/ bar
12
14
16
15
12
14
13
12
14
13

0
4
4
0
4
4
0
4
4
0
4
4
0
2
2
0
2
2
4
4
2
2
12
14
12

3
3
11
13
12
14
0
3
3
4
4
-1
E6#11
12
12
X
X
0
4
4
w/ bar
-1
2
2
14
16
15
0
2
2
C#m7
w/ bar
16
0
2
2
E6
let ring
0
4
4
let ring
0
2
2
16
12
14
13
17
-1
w/ bar
14
14
14
14
16
Rhy. Fig. 2
Gtr. 3
1/2
w/ bar
w/ bar
19
16

8v a
End Rhy. Fill 1
Gtr. 4
Riff A
18
Rhy. Fill 1
Gtr. 2
F#m7
23
w/ bar
21
Gtr. 2 tacet
w/ bar
14
12
11
11
w/ bar
9
-1/2
12
14
12
14
12
14
12
14
12
14
12
14

0
4
4
0
4
4
0
4
4
0
4
4
0
2
2
12
14
9
11
9
11

0
2
2
0
2
2
5
4
3
11
Sorgdal
C#7#9
F#m7
+1
21
12
14
12
14
12
14
12
14
5
4
3
12
14
14
16
13
13
13
1/4
5
4
3
0
15
2
0
12
15
0
2
2
0
4
4
0
2
2
0
2
2
0
2
2
15
15
12
12
15
14
15
14
15
14
15
14
w/ bar
15
14
15
14
15
14
0
2
2
0 0
2 2
2 2
4
4
8
7
6
0
1/4
2
0
12
12
12

2
2
0
4
3
5
4
3
w/ bar
12
15
14
15
14
12
15
14

5
4
3
8
7
6
12
14
X
X
X
2
2
0
E7#9
15
14
w/ bar
-1
w/ bar
12
16
12
12
13
-1/2
Sorgdal
14
14
14
17
-1
16
w/ bar
16
End Riff A
w/ bar
-1/2
12
w/ bar
let ring
w/ bar
8
7
6
14
14
14
C#7#9
loco
15
14
14
14
14
E7#9
14
19
15
14
15
12
15
14
15
14
11
13
21
18
w/ bar
Emaj7
8v a
5
4
3
0
let ring
1/4
4
4
0
Aadd9#11
Aadd9#11
w/ bar
+1
12
21
21
21
21
19
w/ bar
w/ bar
16
18
12
X
12
14
14
14
X
14
14
X
14
14
X
14
12
12
12
12
14
X
14
X
X
X
X
X
X
12
X
12
14
14
X
14
14
14
X
14
14
X
14
14
X
14
12
12
12
12
let ring
0
4
4
0
4
4
0
4
4
0
4
4
0
4
4
0
2
2
2
2
0
2
2
0
4
4
0
4
4
0
4
4
0
4
4
0
4
4
0
4
4
0
4
4
0
4
4
0
4
4
E6
w/ bar
16
C#m7
w/ bar
14
16
16
w/ bar
14
12
12
16
12
14
13
-1
14
16
15
let ring
0
4
4
X
0
14
16
15
14
16
15
14
16
15
12
14
13
0
4
4
0
4
4
0
2
2
X
0
12
12
14
12
12
14
13
0
2
2
11
13
12
14
-1
X
X
12
11
9
9
11
let ring
w/ bar
14
X
X
E6#11
w/ bar
9
9
9
9
-1/4
12
14
12
14
12
14
12
14
12
14
12
14
9
11
9
11
let ring
0
4
4
0
-1
0
2
2
w/ bar
-1
14
16
15
14
F#6
16
17
0
4
4
0
4
4
0
4
4
0
2
2
X
0
0
2
2
0
2
2

X
X
X
X
X
X
13
Sorgdal
C#7#9
+1
21
11
13
12
14
12
14
12
14
12
14
12
14
14
16

w/ bar
12
15
15
15
12
12
X
12
14
14
X
14
14
X
14
14
X
14
14
X
14
let ring
12
12
Sorgdal
12
12
13
0
2
2
0
2
2
14
X
14
12
Gtr. 3
let ring
3
0
14
14
14
0
2
2
0
2
2
0
2
2
2
2
14
16
14
0
4
4
4
4
3
0
divisiFill 1
12
12
12
X
12
12
X
12
15
12
12
12
12
X
12
12
X
12
Gtr. 2
0
0
w/ bar
1/4
12
10
X
10
12
14
14
14
12
12
12
14
14
14
w/ bar
-1
End Rhy. Fig. 2A
10
10
End Rhy. Fig. 2

1/2
3
3
12
12
13
w/ bar
-1/2
14
14
14
14
14
14
14
17
G13
14
w/ bar
-1
16
w/ bar
16
let ring
w/ bar
19
13
13
13
5
4
3
-1/2
21
1/2
15
21
18
21
A7sus4
w/ bar
9
9
Emaj7
F#m7
Gtr. 3 tacet
A7
A6sus2
C#7#9
Gtr. 1
La
- dy
P,
12

Gtr. 4
let ring
5
4
3
0
1
0
2
2
5
4
4
End Fill 1
Gtr. 2
let ring
w/ bar
0
0
4
4
0
2
3
0
0
4
4
0
0
4
4
0
0
4
4
X
X
X
let ring
X
X
X
5
4
3
1
0
2
0
2
3
-1/2
Bridge
Cm
G5
set
Gtr. 1
me
18
18
G7sus4
Cm
La
dy
P,
got

let ring
let ring
3
0
5
2
0
4
1
1
*Gtrs. 2 & 4
1
0
3
w/ bar
1
0
3
1
2
1
0
2
Gmaj7#11
of
w/ bar
me.
w/ bar
18 15
18
hold
17
G5
free.
Gmaj7#11
17
w/ bar
17
17
15
-1
let ring
1
1
let ring

3
0
5
2
0
4
*Composite arrangement
15
Sorgdal
G7sus4
Cmaj7
Got
no train - ing,
Abmaj9[no3rd]
3
w/ bar
w/ bar
yeah,
Gsus2
its

w/ bar
1
G7sus4
true.
w/ bar
F#sus2
There she
goes.
1 1/2
17
15
15
17
17
15
-1/2
15
17
17
17
17
-1/2
slack
-1 1/2
let ring
2
0
4
1
0
3
3
4
3
6
5
3
0
5
3
0
5
4
2
X
4
3
1
0
3
let ring
P.M.
0
0
4
5
3
3
1
0
3
3
3
Gtrs. 2 & 4 tacet
C#7sus2
C7sus
C7/Bb
G7sus4
C5
E5
Oo.
17
17

let ring
16
Sorgdal
15
_ 1/2
15
3
3
3
3
4
4
5
5
5
5
5
5
5
5
5
5
5
5
5
5
3
3
3
0
1
0
3
know
_ 1/2
4
4
w/ bar
4
4
3. I
1/2
15
E7sus4
Gm
7
7
7
7
Verse
C#5

Gtr. 1
just
where
w/ bar
Em6
shell
C#7
go,
my
La
w/ bar
E7#9
dy
P.
1/2
1/2
let ring
7
6
6
6
6
6
5
2
0
-1/2
A7/C#
E7#9
You
let ring
1/2
0
0
C#5
my
floor
6
6
7
X
7
bet,
3
1/2
9
X
9
6
X
6
6
6
4
X
4
4
4
C#7
wet,
1
7
6
6
is
w/ bar
9
X
9
na
1/2
wan -
w/ bar
C#m7
my
_ 1/2
La
w/ bar
_ 1/2
E7#9
1/2
dy
P.
let ring
1/2
1/2
Outro
Gtr. 4: w/ Rhy. Fill 1
A7/C#
w/ bar
F#m7
Gtr. 1: w/ Riff A
Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A
1/2
5
0
7
0
Emaj7
F#6
E6
1/4
4
3
F#m7
17
Sorgdal
C#m7
Ah,
ha,
C#7#9
E6#11
C#7#9
F#m7
Aadd9#11
E7#9
Gtr. 1
12
w/ bar
Aadd9#11
Yeah,
12
Emaj7
ha.
E7#9
jin - gle you
on
your
+1
+1
14
12
12
21
21
phone.
w/ bar
15
21
19
w/ bar
w/ bar
16
12
18
17
16
14
-1
F#6
E6
C#m7
w/ bar
14 16
16
16
14
12
12
-1
hee,
Emaj7
12
12
Sorgdal
12
11
11
21
21
21
19
hoo,
ha,
w/ bar
9
-1/4
-1
A7sus4
G13
3
w/ bar
+1
w/ bar
14
14
12
w/ bar
w/ bar
16
16
-1
w/ bar
18
18
yeah.
w/ bar
+1
21
-1
Woo,
w/ bar
16
F#m7
C#7#9
w/ bar
E6#11
w/ bar
15
w/ bar
_1
w/ bar
w/ bar
_1
17
15
14
15
12
15
12
16
-1
-1/2
15
12
12
12
12
-1
Gtr. 2: w/ Fill 1
A7
Yeah,
F#m7
Emaj7
hey.
Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A
w/ bar
12
14
14
12
12
12
w/ bar
15
12
12
19
19
-1
F#6
E6
w/ bar
14
14
w/ bar
14
12
9
14
13
12
12
14
14
12
12
12
18
11
11
w/ bar
9
-1/2
Emaj7
w/ bar
+1
16
14
w/ bar
14
16
-1
w/ bar
18
w/ bar
F#m7
17
-1
14
-1
w/ bar
21
w/ bar
19
21
w/ bar
E6#11
14
-1 1/2
19
w/ bar
-1
12
14
19
C#m7
w/ bar
16
C#7#9
17
w/ bar
-1
let ring
19
18
16
21
21
21
19
w/ bar
w/ bar
16
18
16
17
14
-1
E7#9
w/ bar
15
w/ bar
15
12
15
12
16
15
C#7#9
12
w/ bar
12
w/ bar
12
12
14
12
E7#9
-1/2
-1
-1
14
12
w/ bar
grad. dive
15
12
12
-1/4
-1
-1/2
19
Sorgdal
Aadd9#11
Aadd9#11
+1 1/2
12
21
w/ bar
+1
21
21
19
w/ bar
w/ bar
16
18
16
17
16
-1
F#6
_1
E6
w/ bar
_1
16
19
w/ bar
14
12
12
12
12
grad/ bend
Emaj7
w/ bar
w/ bar
3/4
1 1/2
1/2
12
19
12
w/ bar
w/ bar
16
18
11
16
w/ bar
1
12
15
14
-1
20
Sorgdal
14
12
12
11
w/ bar
w/ bar
1 1/2
17
12
15
15
14
G13
1 1/2
12
15
15
12
12
16
12
12
-1
-1
11
w/ bar
-1
w/ bar
A7sus4
19
Gtr. 2: w/ Fill 1
w/ bar
-1
19
19
_1
14
14
w/ bar
-1
F#m7
C#7#9
_1
18
1 1/2
E6#11
w/ bar
19
C#m7
A7
F#m7
w/ bar
1/2
15
15
12
12
12
15
12
12
+1
21
Gtr. 3: w/ Rhy. Fig. 2 (last 3 meas.)
w/ bar
+1
21
A7sus4
21
19
G13
w/ bar
16
18
16
w/ bar
w/ bar
17
15
13
13
13
14
14
14
14
14
14
14
14
14
14
14
14
12
12
13
14
12
15
w/ bar
15
15
12
12
12
12
-1/2
-1
12
X
12
14
14
X
14
14
X
14
14
14
X
14
14
X
14
12
14
X
14
12
12
12
12
12
13
Gtr. 1
14
14
14
w/ bar
-1/2
16
14
-1
Gtr. 4
w/ bar
1/4
12
15
12
12
12

Gtr. 2
Gtr. 1
Emaj7
w/ bar
1/2
2
3
0
0
1
2
2
0
-1/2
10
X
10
12
12
12
X
12
12
X
12
12
X
12
12
X
12
10
10
Gtr. 4
0
0
1
2
2
0
21
Sorgdal
Meter Maid
D5
C5
F5
5fr
134
Tune down 1/2 step:

134
134
G/B
134
C5
com
134
1. Im
A5
10fr
12fr
134
* D5
G5
9fr
__ = __3
Verse
Moderately q = 105
F#5
8fr
- ing
to
ru - in your
D5
day.
Im a
bad
7
5
7
5
7
5
X
X
X
X
5
2
5
2
5
3
old
ug - ly
me
D5
ter
maid.
mf
F5
7
5
7
5
7
5
X
X
7
7
5
3
3
1
3
1
*Chord symbols reflect basic harmony.
D5
Just
G/B
go
and
ask
7
5
E7#9
mean
G7#9
work - ing but Im mean - er
at
8
7
6
1/4
11
10
9
for
my
C5
7
7
5
7
5
D5
man,
Je - rome,
5
2
G/B
he
5
3
C5
says Im
5
2
home.
1/4
11
10
9
7
7
5
0
0
5
2
5
2
5
3
X
X
X
X
X
X
X
X
X 10
10
X
X
X
X
X
X 10
10
X
X
10 X
X
X
X 10

1
Sorgdal
Verse
G/B
2. Heres
man
C5
with - out
no
change.
wait
right
here

till
hes
7
7
5
7
5
5
2
5
5
3
5
2
F5
5
2
ta
X
X
3
3
1
3
1
fore
he
comes
X
X
7
7
5
X
X
X
X
X
X
7
7
5
X
X
X
X
G5
5
5
3
2
Sorgdal
tick - et
and
Ill

X
X
X
5
5
3
5
5
3
5
2

give him
X
X
5
5
3
C5
5
2
5
2
12
tow
him
X
X
X
7
7
5
X
X
X
5
5
3
13
9
1/4
13
13
9
12
10
Ill
1/4
13
9
13
9
C5
12
well,
1/4
13
9
11
D5
- way,
10
be -
5
3
D5
10
10
X
X
X
1/4
7
7
5
12
pay,
12
to
C5
back
10
And
3
3
1
12
range.
G/B
12
out
12
12
D5
7
5
X
X
X
D5
X
X
X
7
7
5
7
7
5
7
7
7
5
Gon - na
D5
yeah.
7
7
5
X
X
7
7
5
7
7
5
7
7
5
X
X
X
X
X
X
X
X
X
5
5
3
5
5
3
5
5
3
Interlude
F5
Yeah,
Riff A
F5
8
8
8
X
8
8
X
8
9
X
9
8
X
8
8
X
8
8
X
8
8
X
8
8
X
8
9
X
9
16
X
16
16
X
16
16
X
16
8
X
8
8
X
8
9
X
9
15
X
15
13
X
13
15
15
15
X
15
16
16
16
X
16
16
X
16
16
X
16
15
X
15
13
X
13
15
13
15
13
C5
X
X
16
X
X
X
X
15
X
15
16
16
16
X
16
16
X
16
16
X
16
16
C5
C5
15
X
15
10
X
10
10
X
10
10
X
10
9
X
9
7
X
7
yeah.
F5
7
X
7
7
X
7
F5
C5
7
X
7
15
X
15
13
X
13
15
15
3. Oh,
10
X
10
8
X
X
X
X
X
X
10
X
11
11
12
11
X
12
11
X
12
11
X
12
10
X
10
8
X
8
End Riff A
10
10
3
Sorgdal
Verse
D5
G/B
C5
gim - me your
mon
ey
and
lets
call
it
deal
stick
7
7
5
X
X
X
X
X
X
boot
on
7
7
7
5
X
X
5
2
F5

my
X
X
X
5
2
your left
front
X
X
X
X
X
3
3
1
3
3
1
3
3
1
5
5
3
5
2
caught

my
man
run - ning round
7
7
5
1/2
hold bend
7
7
5
X
X
0
5
2
G5
4
Sorgdal
5
2
to
put
5
3
5
2
on
his
you
5
0
know
10
1/2
1 1/2
1/4
5
5
3
5
5
3
7
7
5
1/2
6
You know he
1/4
10
13
13
7
7
5
X
X
X
7
7
5
what,
5
5
3
10
3
1
13
1/2
10
10
10
10
10
10
12
10
12
D5
12
mutt.
needs
5
2
C5
12
5
2
10
10
X
X
12
12
7
7
5
13
You know
like
Ill
1/2
wheel.
X
X
X
X
C5
X
X
12
D5
G/B
X
X
7
7
5
X
X
or
7
7
5
C5
D5
yeah.
X
X
5
5
3
5
5
3
5
5
3
7
7
5
12
10
3
1/2
10
10
10
1/2
10
12
12
12
10
12
12
10
12
E5
G5
know
12
E7#9
your
1/2
10
12
G5
name.
X
X
X
let ring
1/4
8
7
6
13
Chorus
D5
C5
X
8
Gtr. 2 tacet
Bb5
Bbmaj7#11(no3rd)
Bb6 Bbsus2
Gtr. 2 (dist.)
10
10
12
10
10
8
Bbm7
10
9
7
10
8
X
X
12
10
10
10
8
12
10
10
8
10
8

X
X
X
6
6
G5
got
your num
- ber.
let ring
X
X
X
E5
6
5
4
G5
treat
me
6
5
6
5
E7#9

nice,

let ring
1/2
1/2
You
Gtr. 1
10
Gtr. 1
D7#9
mf
10
8
B6(no3rd)
X
X
8
7
6
6
5
10
13
X
13
5
Sorgdal
Eb5
Ebmaj7#11(no3rd)
Gtr. 2
Ebsus2
15
15
Gtr. 1
14
15
13
15
15
14
12
17
15
15
13
X
X
15
13
17
15
15
13
17
15
17
15
A5
Eb7#9
X
X
X
7
5
X
X
X
pay
the
price.
X
X
X
11
X
X
X
X
X
X
X
X
X
X
X
X
Em7
11
10
9
X
X
X
0
D#m7
12
11
12
12
11
11
Cm7
13
11
11
10
w/ bar
11
Am7
10
let ring
7
6
5
G7#9
15
13
11
or
15
15
13
T o Coda
A5
17
15
15
13
Eb6
8
8
7
7
5
5
5
5
Guitar Solo
Gtr. 2 tacet
Gtr. 1
w/ bar
5
5
Sorgdal
5
5
-1
Am7
1/2
5
7
rake
grad. bend
5
X
7
7
X
X

rake
grad. bend
1/2
1/2
1/2
X
X
rake
D5
1/2
13
X
X
10
C5
D5
X
X
X
D5
12
12
15
12
15
12
15
12
15
11
13
11
12
12
C5
D5

6
1
12 10
12
12 10
12 10 12 10
8v a
grad. bend 1
1/2
13 10 13 10
12
G5
G#5
12
loco
12
10
12
11
12
15
10
10
12
1/2
10
12
12
D5
10
12
9 10
10
rake
10
10
D5
13
15
1/4
C5
10
1/4
A5
13
grad. bend
let ring
P.H.
10
C5
12
12 11 10
12
D5
12
13
13
13
C5
3/4
C5
13
X
1/2
13
C5
10
13
13
13
1/4
10
10
12
C5
D5
17
15
12
12
13
12
12
10
Pitch: A
7
Sorgdal
rake
17
17
1/4
13
10
15
10
13
C5
C5
D5
1/2
13
13
13
D5
X
X

A5
F5
C5
1/2
10
10
1/4
10
13
10
13
10
10
13
10
13
13
10
10
13
C5
10
13
13
13 10
10
13 10
13
10
10
13
C5
13
10
13
10
1 1/2
12
12
12
12
10
10
13
10
12
12
F5
G5
G#5
10
A5
12
12
X
X
14
1 1/2
14
14
13
13
w/ slight dist.
13
D5
8v a
17
17
1 1/2
17
17
*
1 1/2
1
1 1/2
17
17
17
17
17
1 1/2
1
17
17
1 1/2
1
17
17
Sorgdal
14
D5
8v a
1 1/2
0
0
0
17
C5
D5
End Rhy. Fig. 1
1 1/2
1
17
17
14
13
1 1/2
14
12
C5
14
X
X
10 12
D5
C5
14
14
12
13 10 13
D5
Gtr. 2
X
X
12
Rhy. Fig. 1
10
13
3
1/2
13 10
13
D5
11
D5
7
1
10
C5
17
17
17
0
16
15
18
15
16 15
18
15
16
15
18
15
18
F5
F#5
G5
8v a
18
18
15
1/2
rake
16
15
18
12
12
12
10
12
13
1/2
10
10
C5 D5
13
13
13
10
12
10
let ring
1
10
10
10
10
13
13
13
12
10
12
12
12
C5
10
D5
let ring
13
12
D5
10
13
12
1 hold bend
1 1/2
12
C5
15
10
12
15
D5
loco
A5
10
13
10
10
10
12
1/2
12
13
12
12
12
12
10
12
10
12
Interlude
Gtr. 1: w/ Riff A
Gtr. 2 tacet
D5
Gtr. 2
F5
10
10
12
1/2
12
12
F5
10
12
13
12
10
12
10
C5
10
F#5
G5
F5
12
12
F5
C5
C5
Verse
Gtr. 2 tacet
F5
Gtr. 2
10
8
C5
8
8
D5
4. Ah,
5
3
3
3
C5
all
day.
7
7
5
X
X
X
5
2
5
2
X
X
my mans
Gtr. 1
G/B
work
7
7
5
X
X
X
ing
X
X
X
hard
5
2
5
2
5
3
X
X
9
Sorgdal
Uh,
10
13
13
10
12
1 1/2
1
let ring
13
13
13
10
10
10
10
10
in
the
X
X
X
7
7
5
13
**
12
12
D5
me - ter
if
you want
to
stay.
X
X
X
X
X
3
3
1
3
3
1
3
3
1
3
1
on
3
3
1
the
ta
ble,
7
7
5
X
X
X
X
C5
bring
home
the
bread
X
X
X
5
2
X
X
10
7
7
5
7
7
5
G5
you
want
10
10
X
X
X
to
5
5
3
X
X
X
park
X
X
X
5
3
5
2
5
2
5
2
C5
12
12
12
12
1 1/2
1
F5
G/B
if
mon - ey
13
7
7
5
12
10
Food
2 1/2
1/2
your
put
D5
it
in
my
X
X
5
3
X
X
X
X
D5

5
3
5
3
5
3
5
3
bed,
yeah.
7
5
**As before
D.S. al Coda
D5
10
10
7
7
5
10
Sorgdal
X
X
X
7
7
5
7
7
5
X
X
X
X
X
X
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
7
7
7
5
X
X
X
X
12
C5
10
10
10
10
13
D5
13
10
10
12
12
10
10
Coda
Gtr. 2 tacet
Em7
D#m7
Gtr. 1
Cm7
Am7
3
1
12
12
10
10
11
11
8
8
7
7
X
X
Verse
D5

you
want
to
ru - in
7
7
5
X
X
X
7
7
5
D5
X
X
X
5
2
F5

bad, old
me - ter maid
for
your
X
X
5
5
5
3
7
7
5
X
X
X
X
X
X
3
3
1
3
3
1
3
3
1
go
and
ask,
mm, my
17
10
Bbmaj7
7
7
5
X
X
X
X
X
X
5
2
5
2
12
X
X
17
5
2
take

X
0
10
5
5
3
5
5
3
X
X
15
15
X
19
18
0
says Im
(18) (18)
1/2
(18)
he
3
2
yeah,
18
7
7
5
X
X
X
10
X
X
Je - rome,

X
X
X
X
X
1/2
7
7
5
6

6

6
6
man,
Uh, just
C5
1/2
5
5
wife.
G/B
7
7
5
3
3
1
X
X
X
string
noise
0
7
7
5
5
5
5
2
life
D5
your
5
2
5
5

X
X
X
5
5
G/B
5. If
X
X
19
11
Sorgdal
G5
D5
er
at
home.
7
7
5
X
X
X
7
7
7
5
X
X
X
X
7
7
7
5
X
X
X
X
7
7
7
5
X
X
X
mean
C5
work
ing
but
Im
mean
5
5
3
5
5
3
E7#9
mean
work
8
7
6
7
0
8
7
6
8
7
6
ing
but
Im
mean
let ring
er
at
11
10
9
8
11
10
9
8
11
10
9
8
10
10
10
13
X
X
X
X
5
5
3
5
5
3
5
5
3
G/B
5
2
E7#9
He says Im
mean
12
10
13
12
10
12
12
5
2
5
2
5
2
10
5
5
3

work
ing
8
7
6
8
7
6
10
12
but Im mean - er.
8
7
6
0
11
10
9
10
11
10
9
10
X
X
X
X
X
X
X
X
13
X
X
X
G7#9
1 1/2
13
says Im
13
13
10
13
13
10
10
12
12
8
7
6
7
0
10
13
13
13
C5
Sorgdal
7
7
7
5
7
7
7
5
He
D5
home.
C5
C5
1
1
let ring
10
X
X
X
8
7
6
12
D5
5
5
3
G7#9
12
12
10
12
10
12
10
12
10
11
10
9
10
11
10
9
10
Same As You
Gtrs. 1 & 3: Tune down 1/2 step:
Gtr. 2: Tuning:
(low to high) Eb-Ab-Db-Gb-Bb-Db
Intro
Moderately slow q = 70
* E7
Gtr. 2 (acous.)
=
3
__
E5
mf
w/ slide

E6
E5
E5
mf
E5
E6
9
9
Rhy. Fig. 1
End Rhy. Fig. 1

3
let ring
E6
Gtr. 1 (acous.)
E6
let ring
let ring
2
0
2
0
2
0
0
4
4
0
4
0
2
0
2
0
4
0
4
0
2
0
4
0
4
0
2
0
2
0
4
0
4
0
Verse
E5
E6
E5
E6
E5
E6
E5
E6
E5
E6
let ring
E6

1. Feed
E5
me once
in
the mor -
Rhy. Fig. 2
End Rhy. Fig. 2
Rhy. Fig. 3
let ring
let ring
2
0
2
0
4
0
2
0
2
0
4
0
4
0
2
0
2
0
4
0
2
0
4
0
4
0
2
0
2
0
4
0
4
0

2
0
4
0
4
0
2
0
2
0
4
0
4
0
1
Sorgdal
E5
E6
E5
E6
E5
ning,
E5
E6
2
0
2
0
2
0
4
0
E5
4
0
2
0
E6
4
0
E5
3
Dont
turn
me
loose
E5
3
3
let ring
let ring
2
0
4
0
2
0
4
0
2
0
2
0
2
0
E6
in
4
0
the
day
2
0
2
0
4
0
E5
2
0
4
0
E6
3

-
4
0
E5
time
2
0
2
0
4
0
4
0
2
0
2
0
E5
E6
4
0
Ill
eat
ev - ry - thing
cause
you
let ring
4
0
2
0
2
0
4
0
4
0
2
0
2
0
4
0
in
sight.
Well,
4
0
Rhy. Fig. 4
2
0
2
0
4
0
4
0
2
0
2
0
2
Sorgdal
4
0
4
0
2
0
2
0
2
0
2
0
2
0
2
0
let ring
End Rhy. Fig. 4
4
0
E5
E6
know
let ring
E5
4
0
E6
7
End Rhy. Fig. 3
3
E6
let ring
4
0
night.
E6
in the
E5
3
feed me once
E6
1/4
Chorus
Gtr. 2 tacet
A5
A6
A5
dont
A6
wan - na
F#m7
ride
for
A5
noth
A6
want
4
0
2
0
2
0
4
0
what
do
you
2
2
0
2
0
4
0
me
to
End Rhy. Fig. 5
*Gtrs. 1 & 3
2
2
0
A5
- ing,
Rhy. Fig. 5
A6
2
0
4
0
4
0
2
2
0
2
0
4
0
2
2
2
4
2
2
0
let ring
2
2
2
2
0
2
0
*Gtr. 3 (elec.) w/ clean tone, played mf .

Composite arrangement
Gtr. 2 tacet
E5
E6
E5
E6
But when I
do
2
0
2
0
what
Am7
I should,
E7#9
just
tell
me
that Im
do - ing good
cause
2
0
4
0
4
0
2
2
0
2
2
2
X
2
2
0
Gtr. 3
Gtr. 1
G#m7b13
3
do?
Gtr. 2
F#m7
2
0
4
0
4
0
2
2
0
2
0
2
2
2
2
2
2
X
2
2
2
2
X
2
let ring
5
4
4
X
4
5
4
4
X
4
5
4
4
5
5
5
5
5
5
8
7
6
7
8
7
6
0
0
0
1
0
3
3
1
2
3
3
1
2
3
Sorgdal
Fm9b5[no3rd]
may
G#7#5
- be
Im
the
let ring
9
9
10
9
Gtr. 1
9
9
9
9
10
9
C#m7
C#m7
same
as
you.
5
5
4
X
4
5
5
4
X
4
3
1
12
3
1/2
12
11
11
5
4
5
4
0
0
Rhy. Fill 1
11
End Rhy. Fill 1
6
4
Interlude
Verse

Gtr. 3 tacet
E5
5
4
6
4

Gtr. 3
E6

Gtr. 2
E5
E6
E5
E5
7.5
E6
E6
11
12
E6
2. Mm,
12
E5
E5
E6
got
bad
li
bi -
*Place slide between 7th & 8th frets.
E5
E6
E5
E6
E5
E6
4
Sorgdal
7
7
7
7
7
9
9
9
al - ways
E6
do,
E5
in
E5
3
the
groove.
E6
E5
E6
11
11
12
12
12
12
12
12
12
10
E5
E5
E6

get
me
E5
all
ex
E6
Just
E6
- cit
ed,
E5
E6
E5
E6
E5
hop
on
an - y - thing
Gtrs. 1 & 3: w/ Rhy. Fig. 5
12
10
12
12
12
12
A6
A5
what do you
12
Well,
12
10
ride
for
noth
- ing,
E6
E5
E6
do?
3
let ring
10
12
10
2
2
0
Fill 2
Gtr. 2
2
0
4
0
4
0
2
0
11
11
2
0
13
14
4
0
2
0
2
0
2
0
11
11
2
0
4
0
no,
4
0
2
2
0
2
0
do
what I should,
2
2
2
X
2
5
4
4
X
4
just
G#m7b13
8
12
Gtrs. 1 & 3
hey,
F#m7
3
But when I
3
let ring
to
wan - na
F#m7
me
A6
9
9
E5
3
want
dont
A5
A6
A6
12
A5
Gtr. 2
let ring
A5
moves.
that
Chorus
E5
14
E6
3
5
Sorgdal
T o Coda
Gtr. 2 tacet
Am7
E7#9
F#m9b5[no3rd]
3
3
tell
me that Im do - ing good
5
5
5
X
5
8
7
6
7
Interlude
E5

Gtr. 2
2
0
2
0
4
0
E5
let ring
12
12
Im the
same
5
4
6
4
12
3
1/2
12
11 9
11
E5
Well, theres
3
1
10
12
10
4
0
2
0
2
0
4
0
4
0
2
0
2
0
4
0
2
0
7
7
9
9
9
9
11
11
12.5
12.5
X
X
E6
you.
5
5
4
X
4
E5
Gtr. 1
3
5
5
4
X
4
as
E6
11
11
may - be
9
9
9
9
10
9
E6
C#m7 C#m7
3
Gtrs. 1 & 3
G#7#5
3
cause
10
11
no
9
9
Gtrs. 1 & 3
2
0
2
0
2
0
2
0
2
0
2
0
2
0
Bridge
Gtr. 2 tacet
Am7
doubt

in

my
mind
5
5
5
X
5
5
5
5
5
Gtrs. 1 & 3
6
Sorgdal
D9sus4
3
E7#9
where Im
Am7
got
in
go - ing,
8
7
6
7
8
7
6
7
8
7
6
7
8
7
6
7
8
7
6
7
8
7
6
7
my
D9sus4
stincts to
guide
5
5
5
X
5
5
5
5
6

my
way.
E7#9
Am7
8
7
6
7
8
7
6
7
8
7
6
7
no
got
8
7
6
7
8
7
6
7
8
7
6
7
8
7
6
7
Fmaj7
Am7
time
to
see
if theres
5
5
5
X
5
5
5
5
X
5
5
5
7
8
Fmaj7
fu - ture
let ring
for
me,
5
5
5
X
5
5
5
5
X
5
5
5
7
8
5
5
7
8
7
8
Verse
Gtr. 3 tacet
C#m7b5
3
3
3
C13
B13
Ill
way,
just keep go - ing
3
5
4
X
4
3
5
4
X
4
3
5
4
X
4
5
5
3
5
E5
E5
my
5
5
3
5
5
5
3
5
E5
12
12
15
12
say
3. They
E5
E6
Im
al
ways
friend -
E5
E6
14
E6
steady gliss.
E6
E5
4
4
2
4
2
E6
mm.
E6
ly,
Gtr. 2
on
got
no
rea
E5
son
to
be
E5
bad.
E6
9
8
E6
Gtr. 1: w/ Rhy. Fig. 3 (last 2 meas.)
E5
E6
But
E5
stay
E6
E5
E6
3
way
from
my
yard,
E5
E6
boy,
cause
you
7
Sorgdal
D.S. al Coda
E5
E6
E5
dont
wan
E6
- na
see
me
E5
when
Im

mad.
Well,
mf
12
12
12
12
12
12
11
11
12
12
12
12
11
11
12
12
12
12
12
12
12
12
11
11
12
12
12
12
10
12
9
9
Coda
Gtr. 3 tacet
C#m7
F#m7
you.
But when
11
11
9
9
8
8
do
what I
9
9
11
11
5
4
6
4
5
4
6
4
5
4
6
4
5
4
6
4
2
2
2
X
2
2
2
2
2
2
E5
E6
E5
E6
let ring
10
12
12
12
12
12
12
12
may - be
Im
the
same
as, uh,
12
12
12
12
12
12
12
12
12
12
12
12
10
10
5
4
4
X
4
5
4
4
X
4
7
6
7
5
4
5
5
4
5
X
5
14
5
4
5
X
5
5
6
7
X
7
5
6
7
X
7
E5
E6
X
X
X
E6
But
when
14
12
12
10
10
12
2
0
2
0
4
0
4
0
2
0
2
0
4
0
4
0
2
0
2
0
4
0
4
0
2
0
2
0
4
0
8
Sorgdal
12
should
E5
you.
A/B
11
11
Rhy. Fig. 6
let ring
A6 A9
steady gliss.
Gtr. 1
G#m7b13
Gtr. 2
End Rhy. Fig. 6

3
2
0
Gtr. 1: w/ Rhy. Fig. 6 (till fade)

Gtr. 2 tacet
F#m7
G#m7b13
do
what
A6
A9
A/B
should
may
be
Im
the
same
as,
uh,
*Sung as straight eighth-notes.
E5
E6
E5
3
E6
E5
E6
you.

Gtr. 2
E5
E6
Lord,
but
when
3
steady gliss.
12
12
12
11
11
11
12
12
12
12
11
11
12
12
11
11
12
12
11
11
12
12
12
12
12
12
12
12
11
11
12
12
9
9
8
8
Gtr. 2 tacet
F#m7
do
what
E5
should
E6
A6
A9
A/B
G#m7b13
3
may - be
E5
E6
Im
E5
same
E6
E5
oo.
Gtr. 2
mf
let ring
the
as,
uh,
E6
you,
Gtr. 2 tacet
F#m7
G#m7b13
Oo,
yeah,
A6
A7sus2
A/B
may - be
Im
the
same
as
9
Sorgdal
E5
E6
E5
E6
3
3

9
9
9
E6
E5
E6
F#m7
G#m7b13
you.
Gtr. 2
E5
9
9
8
8
9
9
9
9
11
Begin fade
A6 A9
A/B
May
be Im the
same
E6
3
E5
E6
E5
E6
E5
E6
as, uh, you.
But when
E5
**
12
12
12 12
12 12
11
11
12
12
12
12
12
12
11
11
12
12
11
11
12
12
11 12
11 12
11
11
12
12
11
11
10
10
8
8
9
9
steady gliss.
9
9
**Sung behind the beat.
Gtr. 2 tacet
F#m7
do
what
G#m7b13
A6
A9
should
may
A/B
be
Im
the
same
as
Fade out
E5
E6
you,
Gtr. 2
12
10
Sorgdal
14
E5
E6
E5
E6
E5
3
12
12
12
12
8
8
9
9
let ring
yeah.
12
E6
That Hurts
Tune down 1/2 step:

Slowly q = 60
* F#7
(Drums & bass)
=
3
__
mf
1/2
w/ slap-back delay
w/ pick & fingers
1
1/2 1
1/2
1/2
1/2
w/ bar
w/ bar
1
4
3
C#7
10
3
w/ bar
_1
0
9
10
_1
F#7
_1
3
w/ bar
11
10
11
11
_1
11
11
w/ bar
let ring
9
9
9
C7#11
16
2

0
9
10
9
w/ bar
10
5
5
Cmaj7#11
10
Em

3
let ring
let ring
F#7b9
w/ bar
w/ bar
9
7
10
11
1
4
3
w/ bar
4
-1
G11
_1
w/ bar
-1 1/2
A7
_1
1/2
2
2
0
4
w/ bar
-1 1/2
1
Sorgdal

Bm11
E7#9
3
3
w/ bar
3
2
2
2
3
2
2
2
1/2
3
let ring
0
0
2
2
0

F#7#9
w/ bar
w/ bar
let ring
G13
3
1/2
3
2
let ring
1
4
3
11
10
11
10
10
1
0
2
C7#11
w/ bar
10
10
10
10
1
4
3
_ 1/2
_ 1/2
Cmaj7#11
1
4
3
let ring
w/ bar
w/ bar
G11
5
6
5
Em
0
9
10
9
0
9
10
0
3
w/ bar
4
4
w/ bar
5
5
5
F#7b9
4
-1 1/2
A7
-1
C#7#9
_ 1/2
w/ bar
_ 1/2
5
4
3
5
4
3
5
4
3
5
4
3
3
w/ bar
12
11
12
F#7b9
_ 1/2
12
12
w/ bar
_ 1/2
12
10
11
12
2
Sorgdal
19
2
-1
0
5
Bm11
3
6
w/ bar
0
7
6
4
6
9
8
10
11
w/ bar
11
11
11
8
8
8
6
6
6
A#m7
w/ bar
w/ bar
88
88
8
+1
6
6
6
6
6
6
10
9
9
9
9
9
9
8
8
8
A#m7
4
4
5
6
6
G#/A#
w/ bar
w/ bar
6
6
4
5
Free time
B7b13

3
w/ bar
40 40 4 5 7
_1
8
8
8
8
8
8
10
10
8
8
8
G#/A#
w/ bar
10
10
8
8
6
6
10
9
9
8
9
G#maj7
3
3
w/ bar
w/ bar
w/ bar
2
2
7
10 10 10 10 10 9 7 9
3
10
9
9
8
9
w/ bar
6
6
6
F#7
6
6
6
w/ bar
w/ bar
8
8
8
D#/A#
A#m
11 11
X X
11 11
w/ bar
11
9
9
8
9
_1
w/ bar
G#maj7
3
9
9
8
9
A#m7
3
D#/A#
99
6
w/ bar
+1
10

3
w/ bar
w/ bar
let ring
1/2
3
w/ bar
let ring
let ring
F#9
3

_1
_1
C#m7b5
w/ bar
7
7
7
7
w/ bar
_1
_1
10
10
11
10
11
10
10
10
11
10
10 11
10
7
7
7
7
3
Sorgdal
let ring
w/ bar
42
w/ bar
10
10
10
10
11
11
10
0
2
0
2
0
2
-1
C
G#m7
rake
A tempo
rake
1/2
6
X
3
rake
1
1/2
1/2
2
1
w/ bar
12
11
slack
1 1/2
11
11
3
3
w/ bar
+1
+1
+1
+1
Gadd9
w/ bar
1
3
3
1
3
3
G#m7
_ 1/2
w/ bar
_ 1/2
0
2
4
-1
w/ bar
+1/2
C#maj7
3

7
w/ bar
w/ bar
w/ bar
-2
C#m11
w/ bar
4
Sorgdal
G%
7
9
9
let ring
5
7
G#m11
5
6
4
6
_ 1/2
_ 1/2
4
6
6
4
6
6
4
6
6
_ 1/2
w/ bar
_ 1/2
15
15
12
C#7sus4
1512
w/ bar
12
15
15
15
12
15
15
15
15

G%
14
14
12
12
10
14
12
12
3
w/ bar
w/ bar
14
12
15
w/ bar
15
13
G#m7
w/ bar
12
10
11
9
119
4
2
12
11
11
4
2
w/ bar
11
4
*Played as straight
sixteenth-notes.
w/ bar

C#7sus4
_1
G%
G#m11
_1
11
11
7
7
5
5
7
C#7sus4
string noise
4
6
6
X
X
X
w/ bar
5
6
G%
3
3
w/ bar
w/ bar
4
4
6
6
11
-1/4
-1/2
-1/2
-1
-1/2
G#m7
10
3
w/ bar
w/ bar
w/ bar
11
+1 1/2
-1 1/2
w/ bar
C#7sus4
3
w/ bar
G%
+1
+1 1/2
9
+1/2
-2 1/2
4
6
-1/2
5
Sorgdal
G#m7
3
+1/2
+1/2
w/ bar
+1
w/ bar
G%
3
w/ bar
_1
_1
w/ bar
w/ bar
C#7sus4
3
3
3
+1/2
9
11
G#m7
3
3
w/ bar
+1
1/2
rake
C#7sus4
rake
rake
7
X
5
5
4
4
1/2
X
X
X
X
G%
w/ bar
w/ bar
3
string
noise
-1/2
G#m7
3
3
3

3
1
Sorgdal
1/2
4
6
C#5 F#5 D#5
C#7#9
G6
E5
A5
F#5
D6sus4
11
X
9
8
X
6
F#7/E
8
X
6
X
X
X
5
4
5
4
5
4
3
9
X
7
5
4
3
6
X
4
14
X
12
11
X
9
11
X
9
C#7b5
0
12
10
10
0
12
9
3
+1/2
14
11
11
11
11
13
14
16
14
16
14
0
12
9
11
w/ bar
14
0
12
9
let ring
w/ bar
13
13
11
11
13
11
9
9
11
13
13
11
11
13
-2 1/2
D7

9 7
7
E7
G5
*T
2
X
2
**
F#7#9
C5
*T = Thumb on 6th string
1
4
3
6
3
let ring
3
1
1/2
1
1/2
1
1/2
1/2
1 hold bend
1/2
2
4
2
2
2
4
1/2
2
4
7
Sorgdal
3
1
2
2
*
1/2
5
5
3
1
1/2
3
1
1/2
4
1
7
7
14
14
0
0
X
X
12
12
13
1 1/2
1 1/2
7
7
w/ bar
12
12
14
14
14
11
11
-3 1/2
slack
1 1/2
w/ bar
+2
14
2
4
11
11
14
14
12
15
12
12
12
15
12
3
w/ bar
+1/2
15
12
12
12
12
w/ bar
11
14
11
11
14
14
11
11
11
11
11
14
11
11
11
14
11
12
3
3
w/ bar
w/ bar
16
+1
11
11
15
w/ bar
11
12
3
1
+1/2
12
12
3
3
12
11
11
12
9
3
14
14
11
14
14
17
14
17
17
17
14
14
-2 1/2
3
3
3
let ring
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
16
8
Sorgdal
G#m11
C#maj13
let ring
3
let ring
14
14
16
14
14
16
16
16
G#m11
15
w/ letbarring
12 12
15
13
13
14
let ring
2
2
let ring
11
13
11
let ring
10
10
8
X
6
8
X
6
11
X
9
G#m7
G%
w/ bar
11
9
8
X
6
8
X
6
11
9
11
X
9
12
11
10
12
12
12
12
12
12
12
12
12
8v a
12
19
19
0
16
21
19
19
-2 1/2
G%
**
3
3
-2
C#7sus4
16
12
12
G#m7
8v a
G%
12
8
X
6
11
w/ bar
1

C#7sus4
C#7sus4
w/ bar
G%
12
G7sus4
C#7sus4
let ring
w/ bar
let ring
3
3

G#m7
99
w/ bar
let ring
G#m7
C#maj7#11
11
11
13
13
G%
let ring
14
4
6
6
G#m11
C#maj13
w/ bar
let ring
G%
1/2
16
16
1/2
16
16
19
16
18
19
16
19
16
19
18
16
18
**As before
G#m7
8v a
18
18
18
16
18
1/2
16
16
16
16
19
16
1 1/2
16
19
21
1 1/2
21
loco
1/2
21
21
w/ bar
1 1/2
1/2
21
21
21
21
21
21
21
18
18
-1/2
9
Sorgdal
D#/A#
A#m7
8
8
8
w/ bar
8
8
8
6
6
6
6
6
6
6
6
6
4
0
5
4 4
0 0
5 5
2
0
3
2
0
3
10
X
10
10
10
X
10
10
X
10
10
X
10
11
X
11
11
X
11
11
11
D#/A#
3
3
3
3
3
3
3
w/ bar
w/ bar
1
3
w/ bar
1
1
1/2
6
8 6
6
A#m7
+1/2
w/ bar
w/ bar
66
+1/2
8
8
8
8
8
8
3
3
let ring
6
6
6

()
8
8
8
6
6
6
3
0
4
4
0
5
4
0
5
2
0
3
6
-1/4
-2 1/2
Bmaj7
w/ bar
11
11
11
11
let ring
11
11
11
11
F#7/E
0
0
4
4
0
X
3
4
0
X
1
2
1
2
16
16
15
16
16
15
16
16
16
14
16
16
13 14
13
11
12 14
A7
12
14
10
Sorgdal
5
5
let ring
16
15
16
15
16
13
14
14
13
14
14
3

E7
14
13
G5 C5
14
14
Em7
D6
3
3
let ring
16
8
6
15
16
3
4
13
w/ bar
15
16
16
0
15
16
w/ bar
14
15
16
16
0
16
16
-1
w/ bar
3
3
14
w/ bar
-2
15
16
16
13
15
14
w/ bar
15
16
w/ bar
14

Bmaj7
D7
14
steady gliss.
0
X
4
4
F#7/E

F#7/E
11
11
X
X
0
4
0
0
5
3
w/ bar
Cmaj7#11
0
0
5
3
3
w/ bar
5
3
w/ bar
3
3
let ring
w/ bar
G13sus4
3
0
4
3
let ring
w/ bar
-1/4
C#7#9
1 1/2
7
9
1 1/2
5
4
3
5
4
3
w/ bar
w/ bar
F#7b9
8v a
10
1 1/2
10
1 1/2
10
P.H.
+1
loco
2
-2 1/2

Bm11
E7#9
7
7
7
Free time
C9
w/ bar
w/ bar
10
10
11
10
10
11
10
12
0
7
0
7
5
5
5
10
_ 1/2
_ 1/2
8v a
3

3
9
Harm.
w/ bar
w/ bar
w/ bar
3
3
let ring
3
1/2
0
5
7
7
7
7 9
12
7
7
_ 1/2
3
4
5
0
w/ bar
_ 1/2
3
4
5
0
10
10
0
3
_ 1/2
1/2
rit.
3
3
3
3
G/A
let ring
1/2
_ 1/2
3
3
3
3
G13
3
3
w/ bar
7
7
7
-1

+1 1/2
+1 1/2
5
5
5
5
5
5
5
5
5
Pitch: B
G
D
slack
11
Sorgdal
Tore Down House

Cm
Ab9
Am7
Fsus2
C/E
5fr
1342
2 314
13111
3 1
3211
2 14
Tune down 1/2 step:

Intro
3
Moderately slow q. = 57 ( jq = iq )
**Ab6#11
Cm/G
Gb6
A7
Riff A
*Gtrs. 1 & 2
let ring
mf
let ring
let ring
let ring
*Gtr. 1 (elec.) w/ slight dist.;

Gtr. 2 (acous.)
**Chord symbols reflect implied harmony.
Ebm/Bb
G7
Cm
Ab9
Rhy. Fill 1
Gtr. 2
End Riff A
let ring
let ring
Gtr. 1
let ring
let ring
(Gtr. 2, cont. in slashes)
4
5
5
3
4
5
6
5
Verse
Gtr. 2 tacet
Cm
G7
*** Cm7
End Rhy. Fill 1
1. They tore
w/ bar
9
9
10
10
X
X
9
9
10
10
10
11
10
8
8
7
7
3
***Chord symbols reflect basic harmony.
Sung as straight
sixteenth-notes.

1
Sorgdal
down the whole
8
8
Fm7
house,
8
8
10
ba
10
10
by,
6
8
aint
w/ bar
let ring
6
8
X
X
5
7
6
8
6
8
10
11
8
10
6
8
Cm7
noth - ing,
noth - ing
5
6
5
6
8
8
X
X
7
7
but
8
8
8
8
10
a patch
of
10
8
8
land.
11
8
8
10
10
8
*Played as straight
sixteenth-notes.
Fm7
3
1
10
10
ba
10
X
X
10
10
w/ bar
2
Sorgdal
let ring
X
X
6
8
9
8
9
8
down
Cm7
w/ bar
house,
let ring
9
8
11

aint
my whole
8
10
noth - ing,
w/ bar
tore
w/ bar
8
10
10
8
10
They
w/ bar
by,
8
8
8
8
10
8
8
8
8
8
8
7
7
noth - ing
w/ bar
11
8
8
10
but
of
land.
10
a patch
10
10
10
10
8
8
8
8
10
6
6
10
10
And you know
8
8
10
10
*Sung as straight sixteenth notes.
Gtrs. 1 & 2: w/ Riff A (1st 3 meas.)
Ab6#11
Cm/G
all
Gb6
3
thats
left,
ba
A7
**
by,
is
some
let - ters
in
the
mail
box,
**As before
Interlude
Ebm/Bb
G7
ly

Gtr. 1
let ring
let ring
in
in
the
sand.
***
let ring
let ring
let ring
4
5
5
3
4
5
8
5
10
11
11
10
***Played behind the beat.
9
8

11
11
Ab9
Cm
Cm
3
1
11
11
10
10
10
G7
steady gliss.
8
10
10
10
10
10
10
8
8
10
17
Verse
Cm7
2. I
got
of
ad - dress,
ba
by,
change
w/ bar
8
8
Fm7
1/2
8
8
8
7
7
X
X
6
w/ bar
11
8
8
8
10
8
9
10
11
10
13
3
Sorgdal
Cm7

long,
long,
13
12
11
10
8
8
long
8
8
10
8
8
far
a - way.
w/ bar
X
X
and
7
7
10
10
10
change
of
ad - dress,
steady gliss.
6
8
8
10
long,
w/ bar
8
8
8
10
4
Sorgdal
X
X
X
10
7
7
10
10
X
X
10
10
10
11
10
11
8
8
10
oh,
8
8
10
10
11
w/ bar
10
10
11
10
got
w/ bar
8
8
8
10
long,
8
8
10
6
8
6
8
so
far
8
8
10

a - way.
5
6
X
10
and,
by,
w/ bar
8
8
X
X
long
w/ bar
ba
10
10
w/ bar
Cm7
11
10
11
10
3
3
rake
1
8 1
8
Fm7
10
8
8
10
10
Bridge
Bb5
Am7
Gtr. 2
10
10
10
Am7
mat
to
leave
you
5
5

the
5
5
5
5
5
5
cause.
Gtrs. 1 & 2
5
5
5
8
8
6
7
8
9
6
5
5
5
5
no
Fsus2
10
10
8
8
5
5
5
(cont. in notation)
what
5
5
5
let ring
On - ly
ev - ry - thing
0
0
0
0
1
0
let ring
let ring
0
2
3
6
5
G/B
let ring
5
5
5
had
Fsus2
(Gtr. 2, cont. in slashes)
8
X
6
know
Gtr. 1
ter
Well, you
Am7
5 fr
let ring
knew

3
0
*Sung as straight
sixteenth-notes.
Gtr. 2 tacet
Bb6
in
love
3
0
let ring
5
3
0
lost.
1
0
3
8
8
10
8
8
w/ bar
let ring
X
X
3
4
3
2
3
4
3
4
3
4
2
5
2
5
Gtr. 1
Fsus2
was
let ring
10
8
7
10
w/ bar
let ring
3
2
5
Sorgdal
Guitar Solo
Am7
3
2
w/ bar
1
10
grad. release
10
10
10
1/2
10
8
9
Bb
X
0
10
6
6
10
w/ bar
6
6
6
6
6
6
10
10
1/2
10
3
let ring
10
10
5
0
3
w/ bar
3
2
5
w/ bar
5
4
7
3
2
5
w/ bar
3
5
*Played as straight
sixteenth-notes.
8
5
6
Sorgdal
3
3
3
3
3
3
let ring
1
8
3
3
10
8
8
10
8
9
8
7
Bridge
Well, you
know
had
to
leave
9
7
5
9
7
5
Fmaj7#11
you
10
8
X
10
no
Fsus2
10
8
10
5
3
1
7
5
X
7
Am11
Asus2
X
X
X
5
3
1
X
X
X
*Switch to bridge pickup.
9
7
5
what
the
X
X
X
9
7
5
10
8
X
10
X
X
X
cost.
On
- ly
5
3
1
X
X
X
5
3
1
G/B
ev - ry - thing
- ter
Fmaj7#11
7
5
X
7
X
X
X
14
14
0
2
3
knew
in
0
2
love
let ring
let ring
mat
Fsus2
Am11

**
Asus2
3
0
**Sung behind the beat.
Bb6
was
let ring
3
0
let ring
3
0
let ring
let ring
1
1
F7
Ba
- by,
1
3
3
5

ba - by,
1
2
ba - by.
let ring
1
1
G7
let ring
1
1
Gb7
Riff B
lost.
Cm/G
Fsus2
3
1
3
1
7
Sorgdal
Ab7
A7
let ring
let ring
8
8
8
Fm9[maj7]
End Riff B

let ring
8
9
6
8
let ring
4
1
mf
**
w/ bar
8
9
6
8
G7b9
let ring
8
8
Abmaj7
3
5
yeah.
let ring
hey,
Bb6
let ring
Ah,
G7
4
4
let ring
4
4
C7
Ebm/Bb
8
9
6
8
11
11

**Vol. swell
***
Guitar Solo
Cm7
3
1
11
10
10
10
10
10
11
10
10
10
8
8
10
***Played as straight sixteenth-notes.
10
10
Fm7
8
8
w/ pick & finger
15
12
13
13
15
15
13
16
15
13
11
13
Vibrato top note only.
8
Sorgdal
13
11
12
13
13
13
12
13
Played as straight sixteenth-notes.
11
Cm7
1/2
13
11
11
13
13
11
12
10
10
10
11
8
10
X
10
10
8
11
11
Fm7
10
X
X
X
10
**Played as straight sixteenth-notes.
***
13
11
13
11
15
13
**
11
11
2
1/4
11
13
1/4
1/2
15
13
13
11
13
11
13
12
***As before
11
11
loco
8v a
11
11
grad. bend
1 1/2
1
13
12
11
11
8v a

P.H.
1
11
11
13
Cm7
11
12
11
13
11
3
1
11
12
11
1/2
1/2
11
13
12
12
10
10
10
Sustain vibrato while releasing bend.
10
10
10
8
8
8
8
8
8
10
10
Played as straight sixteenth-notes.
Ab6#11
Cm7/G
3
1
X
X
X
10
11
11
11
8
8
8
8
8
8
8
8
10
10
9
Sorgdal
Gb6
A7
9
11
7
9
8
10
10
13
11
13
10
8
8
9
9
8
8
10
10
11
11
11
*Played as straight sixteenth-note.
Ebm/Bb
G7
Cm7
3
1
**
11
13
11
13
11
13
11
13
9
11
10
12
X
X
12
13
13
13
13
**Switch to bridge pickup.
***
1
1/2
1
1/2
13
13
13
13
1 1/2
13
15
X
X
***2nd string caught under bend finger.

Played as straight
sixteenth-notes.
Ab7
Cm7
1 1/2
15
15
15
13
rake
1/2
15
11
13
rake
1
1/2
11
12
12
10
10
10
10
10
Played as straight sixteenth notes, next 9 meas.

G7
Fm7
10
1
1
3/4
1/2
1/2
1/2
11
1/2
1/2
11
11
11
11
11
11
11
11
11
11
11
11
11
11
10
10
10
10
10
10
10
10
Cm7
1 1/2
1 1/2
1 1/2
1
11
1 1/2
1 1/2
1
1
11
11
11
11
11
11
11
13
11
11
11
1/4
13
16
2nd string caught under bend finger.
10
Sorgdal
1/2
grad. bend
1/2
11 11
11 11
10
10
Cm7
1 1/2
1
10
10
10
10
10
10
11
8
8
1 1/2
1
1 1/2
1
10
10
11
11
10
1 1/2
11
1/2
11
11
10
***Played as straight sixteenth-notes, next 14 meas.

Switch to bridge pickup.
Cm7
11
11
11
11
1 1/2
1
1/2
11
11
10
10
11
10
***


**Played as straight sixteenth-notes.
3
1
1 1/2
**
1 1/2
10
Fm7
11
11
11
10
11
11
11
10
10
10
10
10
10
2nd string caught under bend finger.
10
10
8
10
15
15
15
13
15
10
10
1 1/2
13
15
11
11
Ab6#11
1 1/2
15
1 1/2
1 1/2
11
X
X
Cm7/G
15
13
Gb6
15
14
13
16
13
16
13
13
11
11
11
13
13
12
15
11
10
12
8
8
10
11
11
13
Played behind the beat.
11
Sorgdal
A7
Ebm/Bb
G7
8
8
11
6
6
10
10
10

Ab7
10
10
10
8
8
10
10
10
10
1/2
10
G7
1/2
1/2
11
10
Cm7
8
8
10
10
1/2
11
11
let ring
1
Cm7
10
X
X
X
9
9
9
10
10
10
10
10
10
8
8
10
10
X
10
10
10
10
10
10
8
8
8
9
9
9
10
10
10
Verse
Cm7
3. They tore
down
my
Sorgdal
it
8
8
ba
by,
X
X
X
7
7
7
8
8
8
aint
X
8
10
noth - ing,
noth
8
8
X
X
10
10
9
8
8
8
10
10
8
8
but
8
8
10
a patch
of

1/2
10
0
- ing
9
8
10
1/4
1/4
1/4
6
8
8
w/ bar
w/ bar
8
8
let ring
1/4
X
X
X
w/ bar
12
house,
Cm7
and
8
8
old
w/ bar
8
8
8
8
8
w/ bar
8
8
Fm7
8
10
11
land,
no
it aint.
8
8
8
8
8
8
8
8
8
11
10
Fm7
11
They tore
11
11
11
11
11
11
10
down

my
house,
ba
by,
10
10
10
10
old
10
let ring
10
11
10
11
10
11
8
8
8
8
10
10
aint
8
8
10
noth
6
6
6
6
6
6
6
5
5
6
6
8
Cm7
X
X
8
5
6
6
5
X
X
X
X
X
6
5

noth - ing but
8
5
6
5
6
7
X
8
6
X
8
6
X
8
7
8
6
7
6
7

patch of land.
8
5
6
oh,
let ring
8
5
X
X
- ing,
6
8
7
8
7
8
X
X
11
10
Gtr. 1: w/ Riff A
Bb5
11
3
1
8
8
10
10
10
8
8
10
8
8
10
8
8
10
8
10

And you know
Ab6#11
Cm/G
all

thats left,
8
6
13
Sorgdal
Gb6
ba
by,
is
some
sand,
12
11
12
13
12
13
13
12
13
ly
in
9
8
15
14
15
tore
it
down,
16
15
16
12
11
12
the
down
with
it.
13
12
13
9
7
10
8
15
14
15
13
12
13
15
14
15
15
14
15

10
8
Ab7
13
12
13
16
15
16
16
15
16
babe.
Cm
They
15
14
15
ing
15
14
15
13
12
13
Cm
Ab7
8
7
the mail - box
in
G7
Ab7

Gtr. 1
Ebm/Bb
let - ters
Cm
A7
9
7
10
8
10
8
16
15
16
16
15
16
16
15
16
Gtr. 1: w/ Riff B
Cm
Gb/Bb
Aint
7
9
9
8
10
10
8
10
10
Oh.
14
Sorgdal
8
10
10
10
12
12
10
12
12
11
11
13
F7
noth - ing
but

11
11
13
11
11
13
patch
Cm/G
of
land,
ba
Gb7
by.
steady
gliss.
12
G7
Ab7
Oo.
A7
Ebm/Bb
G7
C7
Bb6
Free time
Abmaj7
Oo,
hoo,
G7b9
Fm9(maj7)
hoo,
oh,
ah,
yeah.
Outro
(jq = jq)
Cm/G

Gtr. 1
8
9
6
8
8
9
6
8
E7
let ring
Am9
8
5
5
5
5
X
5
10
1 1/2
8
10
10
w/ bar
5
5
7
7
5
5
3
3

5
5
1
1
3
1
let ring
w/ bar
F7
Am7
Gb7
7
8
7
7
5
5
5
5
5
5
5
5
8
w/ bar
let ring
0
0
3
1
15
Sorgdal
let ring
w/ bar
8
X
10
G/B
*T
10
12
10
12
12
8
12
8
Bb6
let ring
12
X
10
6
10
8
8
10
*T = Thumb on 6th string
10
10
11
10
10
10
10
w/ bar
10
8
2
10
10
10
10
10
12
10
F/A
3
3
3
3
3
3
10

Bb/D
w/ bar
let ring
8
3
3
12
3
3
w/ bar
3
3
Gtr. 3
(elec.)
16
Sorgdal
mf
w/ clean tone
w/ bar
0
1
0
0
3
w/ bar
C/E
5
5
Well to the Bone

Intro
Moderately q = 100
* Bb6
__
3
3
mf
=
3
0
X
1
3
0
Em7
let ring
3
0
D5
1/2
5
0
5
0
3
2
0
0
3
2
0
0
Tune down 1/2 step:

1/4
0
0
0
0
1/2
1/2
3
4
3
4
5
6
5
6
3
4
3
4
0
0
Em7
5
6
0
0
0
D5
3
3
1
P.M.
1/2
1/2
5
0
3
3
3
3
**
1/2

3
4
2
2
0
Em7
5
6
6
7
D5
5
6
D5
1/2
5
5
5
5
0
**2nd string caught under bend finger.
Verse
E5
2
2
0
2
2
0
0
0
3
0
0
0
X
3
2
3
2
0
Bb6
0
0
3
0
X
1
D5
0
0
E5
5
0
X
3
5
0
X
3
5
0
X
3
5
0
X
3

1. Hot,
2. Flame
cold
eyed,
w/ chorus
2
2
0
2
2
0
1
Sorgdal
Dadd4
C[#4]
up
bar
to
be - que
my
knees.
wing.
let ring
E5
3
Uh,
4
3
smoke
fume
2
2
white
Per
4
3
and
2
2
2
2
2
2
*Sung behind the beat.
Dadd4
C[#4]
blind
ker
ing
me.
3

let ring
E5
4
3
4
3
2
2
C[#4]
quite,
sauce,
Red
Mes
sene.
3
Dadd4
**
2
2
2
2
4
4
2
2
0
Bb6
3

3
know.
know.
2
2
0
3
0
0
0
X
3
2
3
2
0
0
0
Chorus
4
4
Dadd4
Yeah, well, its (1., 3.) al

Well,
its
(2.) al
***As before
Dsus4
be?
let ring
2
2
where
can
I
whats cov - er - ing me?
**As before
E5
Cmaj7#4
***
3
right,
right,
3
let ring
0
0
3
0
3
0
5
0
5
0
5
0
3
0
3
5
Sung as straight eighth-notes.
Fill 1
Gtr. 1
3
3

3
let ring
let ring
3
2
Sorgdal
2
3
2
2
0
2
2
0
2
2
0
2
2
3
3

let ring
3
3
4
3
2
2
0
2
2
0
0
0
0
0
0
X
3
2
3
2
0
Csus4
take
screw
the
a
lid
lit - tle
on
Dadd4
dont pay
like
no
it
You
let ring
bite,
tight.
3
C[#4]
3
let ring
mind
hard,
if
I

Em7
I
should
moan.
have known.
So
just
So
3
Bm7[no3rd]
3
just
toss
me
on
the
1/2
bar - be - que,
A7
youre cook - ing me
well
3
2
3
2
3
2
3
2
3
2
to
the
bone.
2.
1., 3.
3
2
0
0
1
2
3
4
0
3
4

1/4
3
3
0
0
2
3
2
0
Bb6
0
0
3
0
3
0
3
0
5
0
5
0
5
0
3
D5

3
1
1
6
1/2
0 3
3
3
0
0
Fill 3
Gtr. 1
1/2
Ee,
1.
2
2
Fill 2
Gtr. 1
2
2
T o Coda
let ring
3
2
let ring
0
0
1/2
3
Sorgdal
2.
Guitar Solo
Bb6

yeah,
D5
hey,
0
0
3
3
0
3
3
0
5
0
0
0
3
4
5
6
0
0
5
6
6
7
5
6
56
3
4
5
6
3
4
5
6
3
4
5
6
3
4
5
6
3
3
w/ bar
10
11
11 10
12 11
8
9
8
9
1011 1011
8
9
7
8
7
8
7
9
7
8
8
9
3
4
7
9
Bb6
7
8
7
8
7
9
7
8
7
8
5
6
7
9
D5
0
0
4
Sorgdal
3
0
3
0
3
4
5
6
3
4
w/ bar
5
6
0
0
0
6
7
3
0
5
0
6
7
5
6
3
4
5
6
3
4
5
6
6
7
6
7
8
9
3
4
56
5
6
3
4
A7
3
4
10
11
w/ bar
8
9
89
8
9
11 10
12 11
10
11
8
9
8
9
10
9
8
9
8
9
10
9
8
9
w/ bar
5
6
8
9
10
9
8
9
6
7
5
6
3
w/ bar
let ring
8
9
12
3
4
3
4
56
5
6
3
4
G

3
P.M.
10
11
A7
5
6
w/ bar
10
11
w/ bar
w/ bar
5
56 34 34
6
0
3
4
1212
10
9
12
3
4
5
6
0
0
P.M.
13
12
12
12
12
12
13
12
12
12
3
0
0
2
3
2
0
Em7
3
1/2
0
0
0
5
6
5
6

2
3
2
0
3
4
7
8
w/ bar
B7
3
4
Em7
5
6
3
4
6
7
5
6
w/ bar
w/ bar
6
7

5
6
Em7
D5
whoa.
chorus off
hey,
2
3
2
0
Em7
hey,
D5
0
4
3
let ring
0
3
let ring
0
0
2
0
0
1
let ring
0
0
1
X
0
A7
0
0
Em7
4
4
1/2
0
0
0
0
1
2
steady gliss.
0
3
4
3
4
3
4
1/2
15
1
2
1/2
3
4
0
3
4
0
3
4
0
3
4
0
3
4
0
3
B7
3
let ring
0
3
4
1/2
0
0
0
0
0
1/4
1/2
0
0
1/2
let ring
1/2
1/2
3

0
2
2
0
1/2
0
0
0
3
let ring
2
4
12
A7
0
0
0
0
G7
3
3
Bb6
D5
3
3
3
0
0
Em7
*
1
0
0
0
3
0
3
0
5
0
0
0
0
0
0
5
5
5
6
7
8
8
8
8
3
3
0
0
2
3
2
0
**
1 1/4
1/2
grad. bend
3
0
0
0
X
3
1
1/2
8
8
8
8
*3rd string caught under bend finger.
**
0
0
2 grad. release
1 1/2
1 1/2
2
3
2
0
1/2
10
1/2
10
10
10
5
Sorgdal
hold bend
1/2
1/2
10
0
0
0
(7)
3
let ring
B7
A7
0
0
Bb6
D5
let ring
5
0
5
0
0
0
3
0
0
0
Em7
3
3
3
3
12
12
12
12
0
0
4
4
X
X
X
14
12
12
5
5
3
3
0
0
3
0
0
2
3
2
0
1/4
X
X
X
X
12
5
5
0
0
Sorgdal
G7
0
0
let ring
1/2
1/4
1/2
0
0
grad. bend
0
0
0
1/2
0
0
0
0
**2nd string bumped w/ pull-off finger.
3
X
3
**
0
0
0
Em7
0
2
1/2
12
12
1/2
1/4
5
5
10
10
2
3
2
0
3
1
*
6
0
0
10
0
0
10
A7
3
12
14
1/2
X
X
X
14
X
12
14
X
12
12
X
X
X
12
12
14
14
14
A7

3
3
3
3
3
12
14
1/2
0
0
0
12
14
0
14
14
1/2
14
14
14
14
12
12
1/2
14
14
14
14
Em7
12
12
14
14
14
14
14
14
14
12
12
12
0
0
14
14
14
12
12
12
0
0
0
14
14
14
15
15
15
14
14
14
12
12
12
3
2
3
3
2
3
4
3
4
14
14
14
4
3
4
3
2
3
3
2
3
4
3
4
4
3
4
X
X
5
5
3
2
3
4
3
4
4
3
4
4
3
4
3
2
3
4
3
4
4
3
4
4
3
4
3
2
3
4
3
4
3
let ring
5
5
4
3
4
2
1
2
4
3
4
3
2
3
12
12
12
12
5
5
6
7
5
6
5
5
6
5
4
3
0
0
0
5
0
0
3
0
3
5
0
14
14
0
0
12
12
3
2
3
4
3
4
4
3
4
4
3
4
5
4
4
3
4
3
2
3
3
2
3
4
3
4
4
3
4
5
4
4
3
5
4
5
4
5
4
4
3
5
4
5
4
5
4
5
4
15
4
3
4
0
0
3
0
0
0
X
3
2
3
2
0
0
Em7
15
0
0
D5
12
12
1 1/2
14
14
0
0
4
3
let ring
2
3
2
0
0
B7
3
2
3
0
0
0
0
2
1
2
3
1/4
7
5
6
Bb6
14
14
0
0
G7
10 10
A7
5
5
3
2
3
12
12
12
12
12
14
14
12
12
12
12
12
1/4
0
0
E7
1/2
15
15
1/2
(15)
*Switch to bridge pickup.
7
Sorgdal
3
1
12
12
15
1/2
12
12
14
14
12
14
12
12
A7
12
12
12
10
0
0
0
0
0
0
0
0
0
X
X
X
12
12
12
12
12
14
13
12
10
3
3
1 1/2
0
0
0
0
0
14
12
12
1 1/2
0
0
0
13
10
14
1/2
12
0
0
0
15
15
17
15
15
15
17
15
15
17
16
1/2
15
17
17
rake
19
19
18 17 15 17
17 15
15
16
15
15
12
3
3
7
3
6
1
1
12
Em7
12 15 12
12
14
_ 1/2
B7
w/ bar
12
10
10
12
14
11
13
12
0
0
12
12
12
14
0
0
12
14
0
1/2
12
12
12
1/2
(2)
14
0
0
12
14 12
1/2
1/2
0
0
14 12
_ 1/2
14
0
0
0
2
D.S. al Coda
A7
E5
Bb6
Dsus4
Yeah,
1/2
1/2
1/2
0
0
Sorgdal
0
0
2
3
0
0
0
2
0
its
2
3
2
0
0
0
3
0
3
0
5
0
5
0
5
0
0
0
3
0
Coda
Bb6
2
3
2
0
0
0
0
3
3
0
X
1
3
0
yeah,
Ee,
yeah,
yeah,
Em7
0
0
3
4
5
6
0
0
6
7
5
6
3
4
3
4
5
6
3
4
3
4
Em7
oh.
w/ bar
D5
5
6

whoa,
5
0
ho,
Outro
D5
D5
5
6
0
0
0
3
4
5
6
2
3
34
w/ bar
5
6
6
7
5
6
3
4
7
8
8
9
8
9
8
9
1/2
0
0
0
0
0
5
6
D5
6
7
0
0
0
11
12
11
12
11
12
1/2
(14)
14
5
6
3
4
3
1
12
15
1/2
0
5
C[#4]
3
0
2
12
15
14
3
1
12
14
Em7
3
4
Em7
3
1
10
11
5
6
let ring
5
6
0
0
Dsus4
8
9
3
4
15
3
4
D5
1 1/2
5
6
0
0
5
6
3
4
4
3
E5
4
3
2
2
0
w/ bar
2
2
0
2
2
0
2
2
0
9
Sorgdal

Scott Henderson-Blues Guitar Collection

Загружено:

Сведения о документе

Авторское право

Доступные форматы

Поделиться этим документом

Поделиться или встроить документ

Параметры публикации

Этот документ был вам полезен?

Это неприемлемый материал?

Авторское право:

Доступные форматы

Scott Henderson-Blues Guitar Collection

Загружено:

Авторское право:

Доступные форматы

from Scott Henderson - Well to the Bone

Tune down 1/2 step:

Spoken: That skinny dog! Ashes for that skinny dog.

*Chord symbols reflect implied harmony.

w/ pick & fingers

2002 MANGO PROM MUSIC (BMI)/Administered by BUG MUSIC

*Played as straight eighth-notes.

Gtr. 3 (slight dist.)

Gtrs. 2 & 3 tacet

**Played as straight eighth-notes.

***Played as straight eighth-notes.

w/ pick & fingers

Played behind the beat.

w/ pick & fingers

*Played behind the beat.

*Played behind the beat.

*2nd string caught under bend finger.

*Played as straight eighth-notes.

**Played ahead of the beat.

End Rhy. Fig. 1

End Rhy. Fig. 2

Gtr. 3: w/ Rhy. Fig. 1

Gtr. 3: w/ Rhy. Fig. 2

Gtrs. 2 & 3: w/ Riffs A & A1

*Bass plays G pedal, next 3 meas.

*Played as straight eighth-notes.

*Played as straight eighth-notes.

from Scott Henderson - Dog Party

Tune down 1/2 step:

*Horns arr. for gtr.

**Chord symbols reflect overall harmony.

Spoken: What you gon - na

1994 MANGO PROM MUSIC (BMI)/Administered by BUG MUSIC

w/ pick & finger

*Gtr. 4 (slight dist.), played mf .

Youre in - vit - ed.

3rd time, Gtrs. 2 & 3 tacet

2nd time, Gtr. 1: w/ Fill 2

Said youre in - vit - ed.

3rd time, Gtr. 4: w/ Fill 1

were re - lat - ed,

*Sung ahead of the beat.

End Rhy. Fig. 1

*2nd string caught under bend finger.

Gtr. 4: w/ Rhy. Fig. 1 (5 times)

End Rhy. Fig. 2

Gtr. 4: w/ Rhy. Fig. 2 (4 times)

Gtr. 4: w/ Rhy. Fig. 1 (4 times)

*2nd string caught under bend finger.

w/ fuzz & ring modulator

fuzz & ring modulator off

Gtrs. 2 & 3: w/ Fills 3 & 3A

Gtrs. 2 & 3: w/ Fills 4 & 4A

*2nd string caught under bend finger.

from Scott Henderson - Tore Down House

Gtr. 1 (slight dist.)

*Chord symbols reflect implied harmony.

5th time, To Coda 2

1997 MANGO PROM MUSIC (BMI)/Administered by BUG MUSIC

2nd time, Gtr. 1: w/ Fill 1

w/ pick & finger

w/ pick & finger

w/ pick & finger

w/ pick & finger