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IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMSI: FUNDAMENTAL THEORY AND APPLICATIONS, VOL. 50, NO. 3, MARCH 2003
(a)
(b)
Fig. 1. Nonlinear amplifier in (a) open-loop; (b) closed-loop configuration.
I. INTRODUCTION
The second and third harmonic-distortion factors versus either input or output fundamental amplitudes (remember that
) are then
(4)
(5)
(2)
(6)
(1)
Manuscript received November 21, 2001; revised September 21, 2002. This
paper was recommended by Associate Editor P. V. A. Mohan.
The authors are with the Dipartimento Elettrico Elettronico e Sistemistico (DEES), Universita di Catania, I-95125 Catania, Italy (e-mail:
gpalumbo@dees.unict.it; spennisi@dees.unict.it).
Digital Object Identifier 10.1109/TCSI.2003.808835
exact representation is
x = RefX e
g.
329
by a factor (
) of the harmonic-distortion terms referred
to the output signal magnitude. A more accurate analysis yields
the following result [6]:
(7)
(8)
Fig. 2. Amplifier with feedback in the frequency domain.
showing that even if coefficient is negligible, third-order harmonic distortion is still generated via coefficient . We can take
on
by considering an equivinto account the effect of
alent coefficient
(9)
This theory has been extended by the authors to the case
where also a nonlinear feedback network is employed [7]. However, in all these developments, both the amplifier and the feedback network were assumed to be frequency independent. This
hypothesis is clearly only a simplification. Indeed, a real amplifier must be frequency compensated to ensure closed-loop
stability, while the feedback network can include reactive (usually capacitive) components. Therefore, the previous expressions can be used with reasonable accuracy only under the hypothesis of low-frequency input signals.
The exact evaluation of harmonic distortion of a dynamic
system requires complex calculation involving Volterra series
or even Wiener series [8], [9]. An effort to perform the analysis
from a circuit-level point of view was given by Sansen et al.
[10][12], that however requires a huge algebraic manipulation.
In this paper, a simplified approach for the evaluation of the
second and third harmonic-distortion factors as a function of
frequency, for a feedback circuit involving nonlinear amplifiers
(and linear feedback), is carried out in Section II. The analysis
provides simple closed-form equations that are a direct extension of (7) and (8). These results are applied to single-stage
and two-stage amplifiers in Sections III and IV, respectively.
Moreover, they are used to evaluate the impact on linearity
of the kind of frequency compensation utilized. Section V
reports some validation results and Section VI summarizes the
authors conclusion.
II. PROPOSED ANALYSIS
The assumption of low-distortion conditions means, in practice, that the amplifier output is not saturated and transistors do
not leave their active region of operation. In addition, let us assume that no slew-rate limitations occur. Otherwise, the output
would not be able to adequately follow the input signal resulting
in additional high-frequency distortion. Under these conditions
and as already mentioned, we can use linearization around the
dc operating point to achieve reasonably accurate results.
Consider again the nonlinear closed-loop amplifier in
and the feedback factor are now frequency
Fig. 1(b) where
be characterized by the
dependent. Specifically, let block
frequency-dependent coefficients
,
and
and denote as
the transfer function of linear feedback
block, as illustrated in Fig. 2.
. Due
Apply now a sinusoidal input tone
to the nonlinear block in the direct path the output signal will
include harmonic components that can be described in terms
of the source signal through closed-loop nonlinear coefficients,
,
and
(10)
To derive the above closed-loop coefficients, we will follow first
an intuitive approach that is explained in the next subsection. To
our opinion, compared to the analytical approach which is reported in Section II-B, the intuitive one gives additional details
for the comprehension of the high-frequency nonlinear generation mechanisms. A further generalization of the analysis and
results is carried out in Section II-C.
A. Intuitive Approach
is responsible for the linear closed-loop
Coefficient
behavior and is customarily evaluated. It equals the for, divided by 1 plus the
ward-path transfer function,
loop-gain transfer function
(11)
and
The above equation implies computation of
at the frequency of the input tone (i.e., the fundamental
frequency).
we have to
To evaluate the second-order coefficient
follow a simple, but not trivial, reasoning. The second harmonic
component at the output is produced by the nonlinear block
when a signal at the fundamental frequency is presented to its
input. Now observe that the second harmonics is proportional to
. If the circuit is perfectly linear (i.e.,
),
in module would be equal to
. Therefore, the
nonlinear block produces a second harmonic component with
. This
amplitude equal to
can be viewed as a spurious signal injected at the output of the
nonlinear block, as depicted in Fig. 3, in which the phase variation is neglected for simplicity. The signal is subsequently processed by the feedback loop and appears at the output terminal
330
IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMSI: FUNDAMENTAL THEORY AND APPLICATIONS, VOL. 50, NO. 3, MARCH 2003
(18c)
,
, and
Solving the above system for
exactly yields (11) and (12), while (13) slightly modifies to
(12)
A similar procedure can be applied to derive coefficient
. Neglecting the contribute of
we get
.
where the approximation presumes
Using the definition of the harmonic-distortion factors given
in (4)(5) we get
(13)
could be included approximately by substiThe effect of
with the equivalent coefficient
defined
tuting
in (9).
(20)
B. Symbolic Approach
With the representation given in (10), we have separate information regarding the module and the phase of the coeffi. A compact mathematical representation can be
cients
obtained by considering the following input signal [3]
(21)
(14)
and the output signal will be of the form
(15)
The error signal, , is the difference of the source signal and
the output signal times the value of the feedback factor evaluated
at the appropriate frequency
(16)
then, it is processed by the nonlinear block whose output signal
is
(17)
These results are coherent with (7)(8), valid in the case of frequency-independent loop gain or, that is the same for low-frequency input signals (more precisely, for frequencies lower than
the dominant pole of the loop gain). In the present case, distortion of a feedback network in terms of the output signal is reduced of a quantity still equal to the return ratio but evaluated at
the considered harmonic frequency.
C. Further Generalization
It is useful for our purposes to extend the above results to a
more general model in which we put the nonlinear block between two linear blocks in the forward path, as shown in Fig. 4.
To obtain distortion factors of the system in Fig. 4, we can
follow the same intuitive procedure described in Section II-A.
to
Let us first evaluate the nonlinear coefficients that relate
. Being
, the firstorder coefficient is
(22)
331
Fig. 4. General model of closed-loop nonlinear amplifier for evaluation of harmonic distortion in the frequency domain.
Fig. 5.
Equivalent representation to evaluate the second harmonic distortion for system in Fig. 4.
(24)
Hence, the harmonic-distortion factors are expressed by
(25)
(26)
The obtained results can be usefully applied to investigate
the high-frequency distortion properties of closed-loop singlestage and two-stage amplifiers and to highlight the effects of the
chosen frequency compensation technique on linearity.
332
IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMSI: FUNDAMENTAL THEORY AND APPLICATIONS, VOL. 50, NO. 3, MARCH 2003
(28)
(37)
(29)
(38)
(32)
(33)
where only dominant terms were included. The above coefficients could be used to directly find the closed-loop harmonicdistortion coefficients using (20) and (21). However, we prefer
to perform a further decomposition leading to a system model
in which linear and nonlinear blocks are isolated. After normaland given that
izing the second and third coefficient to
, we get
(34)
(35)
(39)
Distortion due to the nonlinear output conductance is effective at low frequencies. Indeed, so long as the loop gain is high,
(the error signal) is small and distortion is mainly
signal
due to nonlinearities arising in the output resistance which is
operated under large-signal conditions. For increasing frequencies, the compensation capacitor shunts the output impedance
to ground, thereby reducing the weight of nonlinearities due to
the output resistance. Moreover, signal increases (due to the
reduction in the loop gain) and the nonlinear effects of the input
transconductance become more pronounced. Thus, at high frequencies, the amplifier is more adequately modeled by the block
diagram in Fig. 8, which includes normalized nonlinear coeffiand
and ascients of the input transconductance
sumes the output resistance to be linear.
Again, by comparing this scheme with that in Fig. 4 and utilizing (25) and (26) we get
Hence, the single-stage amplifier in feedback can be schematized by the block diagram in Fig. 7, where the blocks inside the
dashed area represent the linear and nonlinear contributes of the
RC output node, with the nonlinear coefficients given by
(36)
(40)
333
As a final analysis step, we consider the two distortion mechanisms together in the same block scheme as depicted in Fig. 10.
The exact resolution of this nonlinear system can be avoided
by considering that the two distortion mechanisms are dominant over different frequency ranges, as previously stated. Consequently, expressions of complete distortion factors
and
which provide asymptotic approximation can be found by
combining (38) with (40) and (39) with (41), as shown in (42)
and (43) at the bottom of the page.
These relationships have simply been obtained by algewith
braically adding, before taking their modules,
and
with
. It is confirmed that at low
frequency second- and third-order distortion components due to
the input transconductance are negligible since they are divided
and
, respectively. These contributions can
by
become dominant at high frequency, as they start to increase at
the frequency of the dominant pole.
IV. TWO-STAGE AMPLIFIERS
HD
HD
(41)
Both the above distortion factors increase for frequencies
higher than the amplifier pole. As a consequence, their effects
can be significant at high frequencies.
To qualitatively compare the effects on output distortion due
to the output resistance and the input transconductance, let us
consider the plots in Fig. 9. They illustrate the typical behavior
of second harmonic-distortion factors due to the nonlinear
and due to the input transconductance,
output resistance,
. The frequency determining which contribution is
and
and is close to
dominant is located between
if
approaches
. Similar plots can also be
deduced for the third harmonic-distortion factors.
(42)
(43)
334
Fig. 10.
IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMSI: FUNDAMENTAL THEORY AND APPLICATIONS, VOL. 50, NO. 3, MARCH 2003
Model of a single-stage amplifier with both nonlinear input transconductance and output resistance.
(a)
and
(46)
(b)
Fig. 12. Models of a Miller-compensated two-stage amplifier with a nonlinear
second stage: Norton equivalent input stage a), Thvenin equivalent input stage.
(47)
Second- and third-order harmonic-distortion factors start
to linearly increase (from their low-frequency values) at a
and
, respectively. Moreover,
frequency equal to
and
they become constant at frequencies equal to
, respectively. At
they begin to decrease. Note
represents the upper limit for the frequency range
that
Let us evaluate the harmonic distortion of a two-stage amplifier employing Miller compensation. At this purpose, to simplify calculations and to focus only on the parameters of interest, we rearrange the model in Fig. 11, first as in Fig. 12(a)
and then as in Fig. 12(b). In the last model, voltage-controlled
voltage-sources are utilized to model both gain stages. Again,
the (open-loop) output voltage is expressed in terms of voltage
by (45).
A block representation of the circuit in Fig. 12(b) can be
obtained by adopting different techniques. One of these is the
Rosenstark approach [13], [14] which requires computation of
335
we get the
(54)
Fig. 13.
(48a)
(48b)
(48c)
(55)
To better compare the above results with those obtained in the
case of dominant-pole compensation we must express (54)(55)
and
in terms of , that is now equal to
equal to
(56)
(57)
(49)
(50)
Then, from (22)(24) we get the equivalent nonlinear coeffi,
and
which relate to
cients
in Fig. 13, as shown in(51)(53) at the bottom of the page.
The closed-loop Miller-compensated amplifier can then be
modeled with the scheme depicted in Fig. 14(a), where the amplifier studied above is closed in a loop with feedback factor .
Note that to further simplify the scheme, Fig. 14(b) includes
, with its nonlinear coefficients
the new nonlinear block
,
and
defined above. Moreover,
for conformity with the notation used in the previous subsecas equal to
tion, we define the gain of the first block
.
(51)
(52)
(53)
336
IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMSI: FUNDAMENTAL THEORY AND APPLICATIONS, VOL. 50, NO. 3, MARCH 2003
(a)
(b)
Fig. 14.
Models of two-stage Miller-compensated closed-loop amplifier with nonlinear second stage. Coefficients a
(58)
(59)
Fig. 15. Typical behavior of second-order distortion factors in two-stage
amplifiers with dominant-pole compensation (curve a) and Miller compensation
(curve b). Distortion caused by the second stage only is assumed in both cases.
V. VALIDATION
The proposed analysis was first validated through extensive
simulations with Spectre on the ideal circuit models in Figs. 6
and 11 and using nonlinear controlled generators to simulate
the nonlinear circuit elements. All schemes were simulated in
open- and closed-loop conditions and under different degrees of
nonlinearity. Moreover, the sources of distortion were first simulated separately and then altogether. The error between simulated and calculated data was always within the simulator relative tolerance for a wide range of frequencies, even above the
gain-bandwidth product of the loop.
The same amplifier architectures were subsequently simulated at the transistor level, using the schematic circuits illustrated in Figs. 16 and 17 and implemented in a 0.35- m CMOS
process.
Supply voltages, bias currents, transistors dimensions, and
compensation capacitors of the two schemes were set according
to Tables I and II. Note that rather large quiescent currents were
used to avoid slew-rate limitations in the frequency range of
interest.
337
TABLE II
DESIGN PARAMETERS OF CIRCUIT IN FIG. 17
TABLE III
PERFORMANCE PARAMETERS OF CIRCUIT IN FIG. 16
Fig. 16.
Fig. 17. CMOS two-stage OTA used for the simulations. Capacitors C and
C are alternatively used to provide dominant-pole and Miller compensation,
respectively.
TABLE IV
PERFORMANCE PARAMETERS OF CIRCUIT IN FIG. 17
TABLE I
DESIGN PARAMETERS OF CIRCUIT IN FIG. 16
distortion factors of the second stage only. The last two rows of
the open-loop section in Table IV report the values of these
parameters (note that they are not normalized).
The low-frequency open-loop parameters were used to
evaluate the frequency behavior of harmonic-distortion factors
for the amplifiers in closed-loop configuration with a feedback
factor, , equal to 1/11. To be more precise, the amplifiers were
used in noninverting configuration, feedback was accomplished
by an ideal voltage-controlled voltage source and a 100-mV
input signal was applied. Fig. 18 shows predicted (in solid
and
lines) and simulated (marked points) values of
for the single-stage amplifier. An excellent agreement
is found between calculated and simulated data within the
338
Fig. 18.
IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMSI: FUNDAMENTAL THEORY AND APPLICATIONS, VOL. 50, NO. 3, MARCH 2003
339
(60)
(61)
340
IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMSI: FUNDAMENTAL THEORY AND APPLICATIONS, VOL. 50, NO. 3, MARCH 2003
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(63)
[9] R. Meyer, M. Shensa, and R. Eschenbach, Cross modulation and intermodulation in amplifiers at high frequency, IEEE J. Solid-State Circuits, vol. SC-7, pp. 1623, Feb. 1972.
[10] P. Wambacq and W. Sansen, Distortion Analysis of Analog Integrated
Circuits. Norwell, MA: Kluwer, 1998.
[11] P. Wambacq, G. Gielen, P. Kinget, and W. Sansen, High-frequency distortion analysis of analog integrated circuits, IEEE Trans. Circuits Syst.
II, vol. 46, pp. 335344, Mar. 1999.
[12] W. Sansen, Distortion in elementary transistor circuits, IEEE Trans.
Circuits Syst. II, vol. 46, pp. 315324, Mar. 1999.
[13] G. -. Palumbo and S. Pennisi, Feedback Ampilfiers: Theory and Design. Norwell, MA: Kluwer , 2002.
[14] S. Rosenstark, A simplified method of feedback amplifier analysis,
IEEE Trans. Educ., vol. E-17, pp. 192198, Nov. 1974.