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A concise and information dense report on the functioning of the human voice, with an overview of the study of language, especially the IPA.
A synthesis of the articles linked to.
Оригинальное название
The Human Voice and IPA for Electroacoustic Musicians
A concise and information dense report on the functioning of the human voice, with an overview of the study of language, especially the IPA.
A synthesis of the articles linked to.
A concise and information dense report on the functioning of the human voice, with an overview of the study of language, especially the IPA.
A synthesis of the articles linked to.
Date of class: Sept 2 2014 Date submitted: Sept 10 2014
Key terms and definitions [5 15 words each]: Phonetics: The study of phones. IPA: Alphabet of phones and suprasegmentals. Vocal Tract: Lungs, larynx, mouth, and nose. Used to make and shape speech sounds. Articulatory Phonetics: The study of how phones are shaped in the vocal tract. Formant (a): A spectral envelope peak caused by a resonance. (I prefer this definition) Formant (b): A resonance that causes a spectral envelope peak.
Secondary terms and definitions [5 15 words each]: Phones: Speech sounds which combine to make language. Suprasegmentals: Variations in speech sound which occur simultaneously with other more distinct temporally separable segments. Manner of Articulation: How airflow is constricted in a consonant. Basically, how close are the articulators? Place of Articulation: Where in the mouth / which parts of the mouth constrict the airflow in a consonant. Consonant: A speech segment where the airflow is heavily restricted or completely stopped. Vowel: A speech segment where the airflow is less restricted. Orthography: The study of the way things are written in languages with writing.
Sources accessed [Name, URL]: English Phonemic Chart http://www.learnbritishenglish.co.uk/wp-content/uploads/2013/05/Phonetics.jpg
IPA for Language Learning - basic phonetics (Linguistics lessons for language learners) http://www.nativlang.com/linguistics/ipa-pronunciation-lessons.php
International Phonetic Alphabet - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/International_Phonetic_Alphabet
Glossary of Linguistic Terms n-z http://www.englishbiz.co.uk/grammar/main_files/definitionsn-z.htm
Phonetics - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Phonetics
What is a phone? http://www-01.sil.org/linguistics/glossaryOflinguisticTerms/WhatIsAPhone.htm
Acoustic phonetics - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Acoustic_phonetics
Phonology - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Phonology
Phoneme - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Phoneme
Morphology (linguistics) - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Morphology_(linguistics)
Morpheme - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Morpheme
Semiotics - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Semiotics
Syntax - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Syntax
Semantics - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Semantics
Pragmatics - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Pragmatics
Voice Acoustics: an introduction to the science of speech and singing http://www.phys.unsw.edu.au/jw/voice.html
What is a formant? http://newt.phys.unsw.edu.au/jw/formant.html
The National Center for Voice and Speech http://www.ncvs.org/ncvs/tutorials/voiceprod/tutorial/rules.html
Vocal tract - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Vocal_tract
Articulatory phonetics - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Articulatory_phonetics
Place of articulation - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Place_of_articulation
Manner of articulation - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Manner_of_articulation
Larynx - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Larynx#Sound_generation
Glottis - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Glottis
YouTube Videos watched: Sivu - Better Man Than He (Official Video), https://www.youtube.com/watch?v=_964dqQxQwY
Graphics [title, URL]: Location of vocal organs and possible places of articulation, http://www.britannica.com/EBchecked/media/3597/Location-of-vocal-organs-and-
Places of Articulation http://www-01.sil.org/mexico/ling/glosario/sup/E005ci-PlacesArticulation.gif
Executive Summary: Articulation and formants differentiate, and IPA notates, phones that make phonemes, morphemes, words, and languages.
The study of language is a vast and varied field, comprising many subfields, each with pet projects and areas of study. Language is made of discourse, utterances, sentences, and phrases, all of which are made of words. At this level, language is studied by the vast field of semiotics, which considers meaning, in a word. Words themselves are broken down into morphemes, lexemes, and phonemes, which are made of phones, which are made of sound. All of the -emes are distinguished by having meaning within specific languages, and are studied by corresponding -ologies (and lexis).
Phones are individual speech sounds, which when considered by themselves are meaningless, insofar as any given phone does not signify anything in particular, or at all. They are only meaningful when combined to make -eme things, and words. They are studied by phonetics, itself a fairly large field.
The International Phonetic Alphabet (IPA) attempts to give every phone a different letter, to allow languages to be transcribed phonetically, i.e. based on the sounds which are spoken rather than the meanings of the words or orthography of the language. The IPA is published in a series of useful charts, as well as a 200 page handbook. It gives symbols for meaningfully distinguishable speech segments, and suprasegmental sounds.
While very thorough, the IPA does not have a different symbol for every possible sound in all of human language. Sounds which are not known to distinguish meanings in any language are not included in the IPA, for example the spectrally very different possible variations of a velar plosive as demonstrated in class (Example 1) are not distinguished by the IPA, because they are not linguistically relevant.
Articulatory phonetics categorizes speech segments generated in the vocal tract. The vocal tract is the system which is used to produce and shape phones. It consists of the lungs, larynx, oral cavity and tongue, and nasal cavity. The lungs supply aerodynamic energy in the form of airflow to the larynx, where the vocal folds may or may not vibrate. Vocal fold vibration is called voicing in linguistics.. Air may then enter the oral cavity, or be redirected by the back tongue to the nasal cavity. The oral cavity is used as a rich filtering and articulating chamber that shapes voiced sounds to distinguish vowels and/or constricts air flow to generate turbulence making consonants, as described below. The nasal cavity resonates dissimilarly to the oral cavity, providing more unique phones, called nasals.
Consonants are categorized based on where the airflow originates (pulmonic, or non-pulmonic, see Example 4 for ), where in the mouth the articulators restrict the airflow (Examples 2), and in what way they restrict the airflow (Examples 3. See also, Sivu, link above, also see IPA charts, above). The combination of place and manner give rise to a wide variety of sounds, almost all of which are in the IPA charts. (See Interactive IPA Charts)
Vowels are classified by the shape of the oral cavity, which acts like a filter on the source sound of phonation. A vowel can be open or closed, front or back, or a vowel can be rounded or unrounded. See observations of the way changing vowels alters the formant quality of vowels in examples 5, 6, and 7. In general, F1 rises as a vowel is closed, and lowers as a vowel is constricted to the front, while F2 rises when a vowel is fronted. Both formants lower when a vowel is rounded. F3 and F4 and so on are not significant in distinguishing vowels, rather lending each voice their unique timbre.
Many trained singers learn to control the resonances that drive formants in order to achieve better efficiency, or a desired quality of tone. Operatic singers in particular are known for having a singer's formant at around 3 kHz, which helps them to be heard over the sound of the orchestra, in part because the orchestra takes up room much lower in the spectrum, and in part because the human auditory canal is especially sensitive to sound in this exact region. Sopranos may also learn to tune the resonance of their voice to the pitch that they are singing in the high register.
Personal Comments: In the end I gutted out almost half of what I wrote, mostly about more abstracted meaningful components of language in semiology etc. These topics are interesting to me, and offer potentially useful ways of thinking when considering the meaning of music, and especially electroacoustic and other more niche musics, but they are less relevant to the course directly. I guess I can probably look forward to gutting out more research next week in the name of brevity.
Of all the topics I researched, formants are the trickiest I think. In particular, the confusion over what exactly a formant is, whether it be a resonance, or a spectral peak. In my own sonograms in particular, I fairly uncertain whether I have the right idea of what constitutes a formant.