Electives SS14 02 03 14 V02

Tabelle1
Seite 1
ALL - offen fr FB Media
MO 5+6 Alexander
DM_E_Medienrecht Damm Felix
Block FR/SA Holger
T! 1+"
T! "+# Sabine
T$! "+#
Komik/Comic/Komdie: Text, Stimme und Aktion
Block FR/SA
MO %+5 Fr&'lic' Tor(ten
MO "+# Tor(ten Fr&'lic'
T! "+# Helm)t
T! 1+"
*!D 5+6
T! %+5 Streit+ Martin
*!D 5+6 ,a-ka+ ,at'arina
carla.#D-reelancing/de
MO %+5
*!D 5+6
MO "+#
MO "+#
T! "+#
FR "+# Schuster, Martin
Adaptive Interfaces MO %+5
Diita!e Kettenreaktion FR %+5
T! 2+3
Block SA
MO %+5
Electives AG, IMD, MP, SMP, Digital Media
im Sommersemester 2!"
#Stand vom 2$%$!"&
Beleg)ng der !lecti0e( -1r %/+ )nd 6/ Seme(ter DM (o2ie "/ Seme(ter A3+
SM4+$MD+M4 1ber da( Online5Beleg(6(tem 7OBS89
https://obs.fbi.h-da.de/obs/
Belegfrist:
Online Belegsystem - Belegfrist fr das Sommersemester:
18.03.2014 bis 21.03.2014
"!ectives #A!!e offen f$r A%,IMD,M&,SM& so'ie DM
Sch'erpunkte(:
Deta!!ierte Ana)en *u +,umen und -eiten finden
sich auch in den "!ective./eschrei)unen0
DM_E_MediaMonday ,e'r6 alexander.kehry@h-da.de
Mo 1+" -d.damm5rec't(an2aelte/de
Media '(eor) Electives- o--en -1r FB
Media9
Das Ich und die %ef$h!e 1 eine "inf$hrun in die
&hi!osophie
Dr/ Sc'enk holger.schenk@web.de
The transformation of the human self: Identity
in the age of technical r!e"olution
Mic'elle B)nn mmb)nn.2eb/de
2rerinnerunen: Die K!,ne der 2eimat 1 die
K!,ne der 3erne
Breit(ameter
Medien a!s 4m'e!ten Breit(amter
Sller-Eckert
Sabine
:la)dia
/reitsameter
/reuer
Sabine
Marlene
Media Informatics and Media
'ec(nolog) Electives - o--en -1r FB Media9
#ame $rogramming %ith &nity torsten.froehlich@h-da.de
'irtual (eality / )ugmented (eality torsten.froehlich@h-da.de
Electives organi*ed +) Animation ,
Game offen fr AG, IMD, SMP,MP, DM
*lassical Dra%ing *erre( helmut.werres@t-online.de
(acing + #ame and ,e"eldesgin Alex Ta)be +
S0en
Fa'ren2ald
alex.cr6tek/com
*haracter )nimation I + Body Mechanics ,o'l'aa(e Tilmann tilmann.kohlhaase@h-da.de
Motion Capturin 567
*haracter Design for )nimations - #ames ,at'arina/ka-ka.'5da/de
Mode!in and +iin for Animation and %ames T! #56 bi2eekl6 Hein;el+ :arla
App!ied %ame Deve!opment <ei((ler Martin martin/lei((ler.'5da/de
$rogramming #ames %ithout *oding using
*onstruct .
Sc'&bel+ =en( jens.schoebel@artipy.com;
Electives organi*ed +) Interactive Media
Design offen fr AG, IMD, SMP,MP, DM
4se!a) Andrea Kra8e'ski andrea.krajewski@h-da.de
Sound Desin for Interaction Martin 2aas martin/'aa(.'5da/de
Serious %ames C!audius Coenen mail@claudiuscoenen.de
/ack to the 'or!d . -ur$ck in die 9e!t (c')(ter.me(o/net
Deusche!,Ti!mann Tilman.Deuschel@h-da.de
:onas &a)st,
Sascha
Strohmeier
nui-lecture@sensory-minds.com
A Digital A((et Management 7DAM8 S6(tem
-or t'e '>da Media Fac)lt6
Martin ;eiss!er martin.leissler@h-da.de
e/ook Kon*eption,
Desin und technische 4mset*un
Seba(tian Haa(e haase.sebastian@me.com
Electives organi*ed +) So-nd , M-sic
Prod-ction
offen fr AG, IMD, SMP,MP, DM
Sound and Dramatur< Christina
K$hnreich
Thorsten %reiner
Tabelle1
Seite "
T! ? Barbara <1neb)rg
k/A/
"vent Manaement
k/A/ Morit; Berg-eld
0or/ FR "+#
:ar(ten ,1mmel
MO "+#
T! "+# Her;og Alexander
3i!m 1 Sound . S<nthese Her;og Alexander
K!eine "inheit 1 ro=e Ideen
FR "+#
T! "+# *ol-ram 3r)@
Soundart . The Diita! Musician n-o.barbara5l)eneb)rg/com
;ocation recordins and &ostproduction for 3i!m
and T>
Da0id RAdler
da0idraedler.gmx/de
FR "+# bi52eekl6 <)i( Bo(c'ang l)i(no(c'ang.6a'oo/com
Mixdo'n &ractice moritz_bergfeld@yahoo.de
Die Tona)tei!un am Theater 1 Sound,
Medientechnik und Kunst
Seba(tian Franke -ranke.'oerort/de
&op. und +ockmusik Mixdo'n blocked
carsten@tonmeister-online.de
%enerative A!orithms T'or(ten 3reiner
Electives organi*ed +) MP. /ideo
offen fr AG, IMD, SMP,MP, DM
Directin a Documentar< I MO "5% bi2eekl6 T'oma( :arle
&re.&roduction FR blocked B)rn'a)(er t'oma(/b)rn'a)(er.'5da/de
/read and /utter alexeherz@gmx.de,
MO #55 bi2eekl6
alexeherz@gmx.de,
blocked
3r)(c'a RodeC $0onne 3Arber
gr)(c'a.gr)(c'arode/deC
$0onne/gaerber.-reenet/de
Advanced &ostproduction :'ri(tian Stadac' c'ri(tian/(tadac'.'5da/de
&ractica! Sound +ecordin 3or >ideo And 3i!m *ol-ram/gr)((.'5da/de
Elective Course Description Summer Term 2014
Title
Media Monday
Cluster Title*
To be filed by focus managers
Event & Marketing (BA neu) / MM oder MC (BA alt)
Date of first course
event / first
organizational
meeting with
students*****/ Room
24.3.14, 17:45 Uhr NN NN
kind of room if not
indicated above
Hrsaal Seminarraum Noch
offen
Labor
Course Data credit points 5 credit points
workload/semester 125-150 h
presence/week on average** 4 SWS
max. course size 20 students
min. course size 8 students
time period (for DM:
21.10..2013
27.1.2014)
weekday of course MONDAY
frequency of course-events weekly x bi-weekly blocked x
prospective timeframe****
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
Block 5
16:00
x
Block 6
17:45
x
course language English German x
suitable for students of course/focus Dm,ag,im
d,smp,mp
x oj
x
wj x ise (ba)

Content(s):
(check one or more)
Design Informatics /
Technology
Economy /
Business
x
Culture
x
Time frame in case of
blocked event
Course Portrait
Lecturer(s) Name(s) Alexander Kehry
Lecturer(s) email alexander.kehry@h-da.de
Contact Prof. @ fbmd
Teaching Method lecture lecture + seminar seminar x project x
Course Contents
The lecture series MediaMonday is a special offer to the students of the
Hochschule Darmstadt and the public to gain insight in modern media
companies. The referees out of the many fields of new media give
opportunity to discuss their way of producing and designing. They show
structures within their companies and often invite media-students to work
with them in the IP or during their Bachelor.
The elective will deal with marketing strategies, possibilities of advertising
the event, hosting and evaluating the referees, questioning the audience,
catering and eventmanagement, planning the upcoming series of 2013/14,
videotaping the lectures and designing a DVD with booklet.
The participants of the course will work in specialised teams, like the desi-
gnteam, video-team, marketing-team, press-team or web-team. Teams will be
built in our first meetings.
Additionally students may join the course as listener and part of the
documentary-team: Those students have to visit each lecture and write a
summary-paper.
Type of Exam homework work+presentation paper x
12.05.14 MediaMonday #1
Presentation
Suitability X beginner course
X Intermediate course
X advanced course
Preconditions
no preconditions
Info about lecturer
(especially if guest) Alexander Kehry is Designer (Dipl. Des. FH) and teaches at HDA for
countless years. His focus is on filmdesign, interdisciplinary media, design,
design management, event design and exhibition design. Visit his site
www.21ct.de for further information
Other information
Cluster Title*
Media and Entertainment Law
event / first
organizational
meeting with
students
24.3.14 8.30 14.08 NN
MO 24.03. 8:30-11:45
MO 07.04. 8:30-11:45
MO 05.05. 8:30-11:45
MO 19.05. 8:30-11:45
MO 02.06. 8:30-11:45
MO 16.06. 8:30-11:45
weekday of course Monday
frequency of course-events weekly bi-weekly x blocked
prospective timeframe**** Block 1
x
Block 2
x
Block 3
8:30 h 9:45 h Block 4 Block 5 Block 6
course language English German
x
suitable for students of course/focus DM,AG,S
MP,IMD,M
P
x
oj wj
ise (ba)
Content(s):
(check one or more)
Technology
Economy /
Business
Culture
Course Portrait
Lecturer(s) Name(s) Felix Damm
Lecturer(s) email
Contact Prof. @ fbmd Prof. Katharina Kafka
Teaching Method lecture lecture + seminar x seminar project
Course Contents Rechtliche Fragestellungen im Zusammenhang mit der Entwicklung,
Herstellung und Verwertung von kreativen Leistungen in linearen und non-
linearen audiovisuellen Medienproduktionen, zB.:
Urheberrecht/Schutzfhigkeit von
Ideen/Werken/Produktionsleistungen/Software
Rechteklrung/erwerb von vorbestehenden Werken, (Stoffrechte,
Musikrechte, Remakes, Sequel, Spin-off etc.),
Gestaltung v. Lizenzvertrgen
Persnlichkeitsrechtliche Aspekte bei der Verwendung von realen oder
historischen Personen/Ereignissen
Spezifische Rechtsfragen d. Internet: zB. Creative Commons Lizenzen,
Haftung fr Inhalte
Type of Exam homework work+presentation paper other x
Milestones if known

Examination
Examination / Presentation
Presentation
Suitability beginner course
Preconditions no preconditions
following preconditions are given:
Info about lecturer
(especially if guest)
Rechtsanwalt Felix Damm ist Fachanwalt fr Urheber- und Medienrecht in
Frankfurt. http://www.damm-rechtsanwaelte.de/anwalt_felix.html
Other information
Title
Das Ich und die Gefhle eine Einfhrung in die Philosophie
Cluster Title*
ME2_22
Media Ethics and Philosophy
event / first
organizational
meeting with
students*****/ Room
Kursdaten: jew. 10.15-18.30h
Fr, Sa: 11./12.4.14
Fr, Sa: 9./10.5.14
Fr, Sa: 23./24.5.14
Briefing/Anmeldebesttigung:
25.3.14, 10.00 Uhr, Raum
14_33
NN
kind of room if not
indicated above
Hrsaal Seminarraum X Labor
time period ( 24.03..2014
21.6.2014)
weekday of course
frequency of course-events weekly bi-weekly blocked X
(Block = 90 min)
Block 1
8:30
Block 2
10:15
X
Block 3
12:00
X
Block 4
14:15
X
Block 5
16:00
X
Block 6
17:45
X
X
suitable for students of course/focus
DM/SMP/MP/
AG/IMD
X
Xj X ise (ba)
X

Content(s):
(check one or more)
Technology
Economy /
Business
Culture
X
blocked event
Course Portrait
Lecturer(s) Name(s) Dr. Holger Schenk
Lecturer(s) email holgerschenk@gmx.net
Contact Prof. @ fbmd Sabine.breitsameter@h-da.de
Teaching Method lecture lecture + seminar seminar X project
Course Contents Sind Gefhle etwas Eigenes, Universales, Existenzielles? Oder entstehen
Sie erst durch kulturelle Muster und werden in der modernen Welt
insbesondere durch die Medien gemacht?
Anhand dieser Frage bietet dieses Elective eine Einfhrung in die Philosophie
von der Antike bis in die Gegenwart (Platon, Aristoteles, Kant, Hegel,
Nietzsche, Heidegger u.a.).
Das Seminar zeigt verschiedene Perspektiven auf, die Frage nach dem Ich
und den Gefhlen zu behandeln.
Auf spezielle Fragestellungen und Interessen der Teilnehmer/innen geht der
Dozent nach Absprache gerne ein.
Type of Exam homework work+presentation paper X
Milestones if known Werden gemeinsam mit den Studierenden entwickelt

Examination
Presentation
Suitability beginner course X
intermediate course X
advanced course X
Preconditions no preconditions X
Info about lecturer
Dr Holger Schenk ist langjhriger Philosophiedozent, Buchautor und
Radiomacher. Er lebt und arbeitet in Berlin.
Other information
Title
The transformation of the human self: Identity in the age of
technical (r)evolution
Cluster Title*
Media Art History
ME2_19
event / first
organizational
meeting with
students*****/ Room
1.4.14
kind of room if not
indicated above
21.6.2014)
weekday of course Tuesday
frequency of course-events weekly X bi-weekly blocked
(Block = 90 min)
Block 1
8:30
X
Block 2
10:15
X
Block 3
12:00
Block 4
14:15
Block 5
16:00
Block 6
17:45
DM/SMP/MP/
AG/IMD
Xj ise (ba)

Content(s):
(check one or more)
Design
X
Informatics /
Technology
X
Economy /
Business
Culture
X
blocked event
Course Portrait
Lecturer(s) Name(s) Michelle Bunn
Lecturer(s) email mmbunn@web.de
Teaching Method lecture lecture + seminar seminar project
Course Contents
Cybernetic forms of identity may be fiction or reality. They may
confine or liberate. One thing is certain, cybernetic forms of
identity expose possibilities of change, difference, evolution and
revolution. Based upon the texts of Vereni Kuni, Donna Haraway
and Hannah Arendt, students within this course are encouraged
to travel through time and explore the concept of the cyborg as a
transfigurative form of human evolution and revolution. The
fusion of technology with the communication of idea(l)s and
myths allow for a glimpse into human development as it shifts
into post-human existence. Critical assessment of cyber-
mythology help renew social interest of the human as a
transcendent and transfigured form.
Type of Exam homework X work+presentation paper X
Milestones if known Will be defined together with the course participants

Examination
Presentation
advanced course
Info about lecturer
Michelle Bunn has been working as a camera woman and researching within
the field of connecting human and technological evolution. She is currently
preparing her Master thesis on aspects of this topic.
Other information
Title
Hrerinnerungen: Die Klnge der Heimat die Klnge der
Ferne
In Zusammenarbeit mit SWR2, dem Magistrat der Stadt
Darmstadt und dem FB
Gesellschaftswissenschaften/Prof. Groterath
Cluster Title*
Media Experiments
ME2_08
event / first
organizational
meeting with
students*****/ Room
Dienstag, 1.4.14, 10.15 Uhr
Briefing: 25.3.14, 11 Uhr
(14_33)
Soundscape-& Environmental
Media Lab Raum 14_33
+ Studios des SWR
kind of room if not
indicated above
21.6.2014)
weekday of course Dienstag
frequency of course-events weekly bi-weekly X blocked X
(Block = 90 min)
Block 1
8:30
Block 2
10:15
X
Block 3
12:00
X
Block 4
14:15
Block 5
16:00
Block 6
17:45
X
DM/SMP/MP/
AG/IMD
X
Xj X ise (ba)
X

Content(s):
(check one or more)
Design
X
Informatics /
Technology
X
Economy /
Business
Culture
X
blocked event
Course Portrait
Lecturer(s) Name(s) Sabine Breitsameter
Lecturer(s) email Sabine.breitsameter@h-da.de
Teaching Method lecture lecture + seminar seminar project X
Course Contents Wie klingen unterschiedliche Kulturen in einer globalisierten Welt? Wie klingt
Heimat und woran erkennt man sie akustisch? Was bedeutet es fr das Ohr,
in der Fremde zu leben? Und welchen Stellenwert haben Hrerinnerungen?
Dieser Kurs wendet sich an Interessenten aller Disziplinen: Auf Einladung
der SWR2-Redaktion Tandem bzw. des Magistrats der Stadt Darmstadt re-
cherchieren die Teilnehmer/innen die Thematik des Kurses und produzieren
ein Radio-Feature bzw. eine Audioproduktion.
Im Dialog mit den Auftraggebern wird der Inhalt entwickelt. Die inhaltlichen
Vorbereitungen, Recherchen, Interviews, Schnitt u.a. finden an der HDA
statt . Produziert wird an zwei Tagen in den Hrspielstudios des SWR
Baden-Baden. Die Sendung wird dann im regulren Programm von SWR2
ausgestrahlt.
Die Teilnehmer/innen werden im April zu einem obligatorischen Vorgesprch
(ca. einen Nachmittag oder Vormittag lang;) zum SWR fahren sowie
zur Produktion zwei Tage im SWR verbringen (Anfang Juni).
Nach Einfhrungssitzungen ins Thema (dienstags), verabreden sich die
Kursteilnehmer/innen nach Absprache zum mehreren halb- oder
ganztgigen Blocksessions freitags und samstags.
Type of Exam homework work+presentation X paper
Milestones if known
1.4.14 10.15-13.30 Erstes Treffen: Kennenlernen, Vorbereiten der SWR-Fahrt
15.4.14 ab 10.15 Uhr Erstes Briefing im SWR Baden Baden
Dienstagstermine nach
Absprache

Fr, 9.5. n.V. Vorbereitungen im Block
Fr, 23.5.15 n.V. Vorbereitungen im Block
Dienstagstermine nach
Absprache
27. Mai
2./3. Juni
n.V. ganztgig
ganztgig (9-
18.30 Uhr)
Letztes Briefing im SWR
Produktion im SWR Baden-Baden
17. Juni 10.15-13.30
Uhr
Gemeinsames Hren, Auswertung und Abschlussdiskussion
Examination
Presentation
X intermediate course
X advanced course
Preconditions X no preconditions
following preconditions are given: kontinuierliche Mitarbeit im Team.
Info about lecturer
Sabine Breitsameter war von 1987-2006 hauptberuflich als Autorin,
Redakteurin und Regisseurin fuer die ARD ttig, namentlich fuer den SWR.
Sie hat in dieser Zeit mehr als 100 Hrspiele, Features und Kulturbeitrge
produziert.
Other information Zur Einfuehrung: R. Murray Schafer, Die Ordnung der Klnge,
herausgegeben, bersetzt und eingefhrt von Sabine Breitsameter, Mainz-
Berlin 2010. (Verlag Schott-International).
Title
"Medien als Umwelten". Vorbereitung einer Ausstellung im
Dieburger Museum Schloss Fechenbach
Cluster Title*
Media Events and Marketing
event / first
organizational
meeting with
students*****/ Room
25.3.14, 10.15 Uhr
weitere Termine dienstags 14-
tgig und im Block n.V.
Soundscape- & Environmental
Media Lab Raum 14_33
kind of room if not
indicated above
15.7.2014)
weekday of course Dienstag
frequency of course-events weekly bi-weekly X blocked X
(Block = 90 min)
Block 1
8:30
Block 2
10:15
X
Block 3
12:00
X
Block 4
14:15
Block 5
16:00
Block 6
17:45
X
DM/SMP/MP/
AG/IMD
X
Xj X ise (ba)
X

Content(s):
(check one or more)
Design
X
Informatics /
Technology
X
Economy /
Business
X
Culture
X
blocked event
n.V.
Course Portrait
Lecturer(s) Name(s) Prof. Sabine Breitsameter, Prof. Claudia Sller-Eckert
Lecturer(s) email Sabine.breitsameter@h-da.de:; Claudia.soeller-eckert@h-da.de
Course Contents Im Oktober/November 2014 findet im Schloss Fechenbach/Dieburg auf
Einladung des Dieburger Brgermeisters erstmals eine 4-wchige Ausstellung
statt, in welcher sich unter dem Thema Medien als Umwelten der
Mediencampus Dieburg mit ausgewhlten, innovativen Arbeiten prsentiert.
Die Ausstellung beinhaltet darber hinaus Fhrungen, Workshops und weitere
aktivierende Elemente fr das Publikum. Sie endet mit einem internationalen
Kolloquium, in welchem weltbekannte WissenschaftlerInnen und
KnstlerInnen ihre Positionen zur Thematik austauschen und diskutieren. Wir
rechnen hier mit einer grossen ffentlichen Aufmerksamkeit (Publikum,
Presse, TV etc.).
Die LV dient zur Vorbereitung der Gesamtveranstaltung: kuratorisch,
organisatorisch, publizistisch, technisch, und auf Marketingaufgaben bezogen.
Aufgrund des Projektverlaufs, der ja auf eine Ausstellung im Herbst zielt, wird
die LV sich in 2-3wchigen Abstnden ber das gesamte Semester verteilen
und sich bis zum Juli hinziehen.
Das diesbezgliche Timing wird mit den TeilnehmerInnen in der ersten
Sitzung besprochen und gemeinsam weiterentwickelt. Fixpunkt bleibt dabei
der Dienstag. Zeit n.V.
Milestones if known

Examination
Presentation
X advanced course
kontinuierliche und zuverlssige Mitarbeit im Team
Info about lecturer
Other information
Title Komik/Comic/Komdie: Text, Stimme und Aktion
in Zusammenarbeit mit der Schauspielklasse der HfMDK , dem Hessischen
Rundfunk und Studierenden des hFMA-Netzwerks
Cluster Title*
ME2_24 - Media Philosophy
Play, Game, Act, Use: Concepts, History and Practices
event / first
organizational
meeting with
students*****/ Room
Einfhrung: Fr, 11.4.14,
10.15-13.30 Uhr, Dieburg,
Raum 14_33
Fr, 25.4.14, im HR Frankfurt
(10.15-13.30 Uhr)
19.-22.6.14 ganztgig:
Dieburg, Radio- und
Audiostudio sowie 14_33
Briefing/Anmeldebesttigung:
Di, 25.3.14, 10.45 Uhr,
Dieburg, Raum 14_33
kind of room if not
indicated above
Hrsaal Seminarraum Labor
X
21.6.2014)
weekday of course
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
Block 5
16:00
Block 6
17:45
X
DM/SMP/MP/
AG/IMD
X
Xj X ise (ba)
X

Content(s):
(check one or more)
Design
X
Informatics /
Technology
X
Economy /
Business
X
Culture
X
blocked event
s.o.
Course Portrait
Lecturer(s) Name(s) Prof. Sabine Breitsameter, Marlene Breuer M.A.
Lecturer(s) email Sabine.breitsameter@h-da.de; Marlene Breuer <Marlene.Breuer@hr.de>
Course Contents Was bringt uns zum Lachen? Was ist komisch? Wodurch zeichnet sich eine
Komdie aus? Und was unterscheidet sie von einem Comic? In
Zusammenarbeit mit einer Schauspielklasse von der HfMDK Frankfurt, dem
Hessischen Rundfunk und gemeinsam mit Medien-Studierenden aus ganz
Hessen (im Rahmen der HfMA) erabeitet die Lehrveranstaltung kleine
Szenen, die an bekannte Comics anknpfen, ihre Charaktere, Inhalte und
komisch-komdiantischen, dramaturgischen Prinzipien.
Text, Stimme und Aktion sind dabei die Grundbausteine, die erarbeitet,
diskutiert und verfeinert werden, um das maximal Geistreiche mit dem
maximal Komischen erfolgreich zusammenzubringen. Ziel ist, eine Produktion
zu gestalten, die im Hessischen Rundfunk ausgestrahlt und auf diversen
ffentlichen Veranstaltungen aufgefhrt werden soll.
Dieser Kurs arbeitet mit verteilten Rollen und sucht Autor/innen,
Mitarbeiter/innen in den Bereichen Regie, Dramaturgie, Technik, Produktions-
und Stagemanagement, fr die filmische und/oder fotografische
Dokumentation des Making of und fr die externe wie interne
Kommunikation.
Gearbeitet wird genau so wie in professionellen, trans- und interdisziplinren
Produktionsteams.
Vielfache Blicke ber den Tellerrand, spannende Begegnungen mit
Kommilitonen von anderen Kunsthochschulen und Hochschulen, interessante
professionelle Kontakte fr die Teilnehmer/innen der LV sind dabei
unausweichlicher Teil des Programms!
Milestones if known
11.4.14, 10.15-13.30h
Dieburg
Einfhrung
25.4.14, 10.15-13.30h Treffen im HR-
Studio
Frankfurt
n.V.:
Skriptbesprechungen
und Regiekonzept-
Besprechungen
19.-22.6.14, jew.
10.15-18.30h
Skriptbesprech
ungen und
Regiekonzept-
Besprechunge
n
Produktion
Anfang Juli (nach
Absprache)

Abschlussprs
entation und
diskussion im
HR
Examination
Presentation
advanced course X
X
Preconditions no preconditions X
Da es sich um ein Blockseminar handelt, sollten sie sich alle genannten
Termine frei halten. Ein detaillierteres Timing der einzelnen Rollen und ihrer
zeitlichen Anforderungen legen wir gemeinsam in der Lehrveranstaltung fest.
Info about lecturer
Marlene Breuer M.A. arbeitet als Regisseurin und Redakteurin beim
Hessischen Rundfunk sowie fr div. Theater. Seit vielen Jahren unterrichtet
sie im Bereich Schauspiel an der HfMDK Frankfurt. Sabine Breitsameter hat
zwei Jahrzehnte als Autorin, Regisseurin und Redakteurin fr ARD-Anstalten
gearbeitet, bevor sie Professorin wurde.
Other information
Title
Game Programming with Unity
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
24.3.14:15
3D-Lab (17-023)
NN NN
kind of room if not
indicated above
Hrsaal Seminarraum Labor F17-23
21.6.2014)
frequency of course-events weekly x bi-weekly blocked
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
x
Block 5
16:00
x
Block 6
17:45
course language English x German
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)
x

Content(s):
(check one or more)
Technology
x
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Torsten Frhlich
Lecturer(s) email Torsten.Frhlich@h-da.de
Contact Prof. @ fbmd Torsten.Frhlich@h-da.de
Course Contents This course teaches the basics of game development. Although the focal topic
of the course is games, all students with an interest on interactive 3D graphics
will find visiting the course worthwhile.
The planned topics are as follows:
Repetition of basics and introduction of advanced concepts of object-
oriented software development
Principles of real-time 3D computer graphics
Animation and sound
Game physics and collision detection
Game interaction (mouse, touch, immersive 3D)
Game mechanics (logic, game-rules, event-handling)
Games in networks
Each week consists of a lecture on above topics and subsequent work on
practical tasks. There will be no additional semester project.
In this course we use the free game engine Unity, for its ease of use, high-end
features and very good documentation. Unity Pro versions are available in the
3D-Lab.
More detailed and illustrated information on this course can be found at
http://www.torstenfroehlich.de/courses .
Students of all study areas of Digital Media and ISE are encouraged to take
part, if fulfilling the preconditions (see below).
Type of Exam homework work+presentation paper written test x
Milestones if known

Examination
Presentation
intermediate course
advanced course
Preconditions Strong interest in programming of games and/or interactive 3D applications.
Basic math and scripting (C#, JavaScript or Python) knowledge are
mandatory.
Info about lecturer
www.torstenfroehlich.de
Other information
Title
Virtual Reality / Augmented Reality
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
25.3.2014, 10:15
3D-Lab (F17/23)
NN NN
kind of room if not
indicated above
Hrsaal Seminarraum Labor F17/23
21.6.2014)
(Block = 90 min)
Block 1
8:30
Block 2
10:15
x
Block 3
12:00
x
Block 4
14:15
Block 5
16:00
Block 6
17:45
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)
x

Content(s):
(check one or more)
Technology
x
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Torsten Frhlich
Lecturer(s) email Torsten.Frhlich@h-da.de
Contact Prof. @ fbmd Torsten.Frhlich@h-da.de
Teaching Method lecture lecture + seminar seminar project x
Course Contents Virtual Reality (VR) relocates users into synthetic computer generated worlds.
Instead of watching a computer screen, one dives into a three-dimensional
audio-visual environment. Interaction happens intuitively by hand and head
movements.
Augmented Reality (AR) superimposes virtual images onto the real
environment. Most notable are mobile applications on smartphones and
tablets (e.g.Layar, Wikitude, etc).
For VR projects an Oculus Rift development kit is provided and can be used
for student projects. For AR we use the free Vuforia toolkit by Qualcomm
running on iOS and Android. For general development we use the game
engine Unity.
More detailed and illustrated information on this course can be found at
http://www.torstenfroehlich.de/courses .
Students of all study areas of MA&S and ISE are encouraged to take part, if
fulfilling the preconditions (see below).
Type of Exam homework work+presentation x paper
Milestones if known

Examination
Presentation
intermediate course
advanced course
Preconditions Basic math and scripting (C#, JavaScript or Python) knowledge are required,
basic understanding in 3D graphics is helpful, 3D modeling/animation skills
are a plus.
Info about lecturer
www.torstenfroehlich.de
Other information
Title
Classical Drawing
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
TUE 25.03.2014
Room F 17-107
10:15 h 13:15 h
NN NN
kind of room if not
indicated above
Hrsaal Seminarraum x Labor
21.6.2014)
(Block = 90 min)
Block 1
8:30
Block 2
10:15
x
Block 3
12:00
x
Block 4
14:15
Block 5
16:00
Block 6
17:45
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology
Economy /
Business
Culture
blocked event
Blocked days on 27.05. and 03.06. (to be
confirmed). Final presentation on 17.06.
Course Portrait
Lecturer(s) Name(s) Helmut Werres
Lecturer(s) email
helmut.werres@t-online.de
Contact Prof. @ fbmd Prof. Katharina Kafka
Course Contents
The students attending this course will learn principles of
drawing and sketching. They will train their ability to perceive
and represent perspective and proportion. This semester a
special focus will be on landscape and interior drawing to
improve a feeling of space. The elective will include some life
drawing sessions (studies of nude models) as well.
Type of Exam homework work+presentation paper
Milestones if known

Examination
Presentation
advanced course
Info about lecturer
Helmut Werres is a painter and draftsman. "Meisterschler" from HBK
Braunschweig, participated in numerous art shows in Germany and abroad.
Other information Material required: Plain spiral drawing pad, min. A 2 size or bigger, pencils
B, 2B, 3B, kneaded eraser, hard eraser, ply wood drawing board and clips.
Title
Racing Game and Leveldesgin
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
25.3.2014 17/121 und 17/103 NN
kind of room if not
indicated above
21.6.2014)
(Block = 90 min) 9:00-12:00
Block 1
9:00
X
Block 2
10:15
X
Block 3
12:00
Block 4
14:15
Block 5
16:00
Block 6
17:45
course language English X German
DM/SMP/MP/
AG/IMD
Xj ise (ba)

Content(s):
(check one or more)
Design
X
Informatics /
Technology
X
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Sven Fahrenwald, Alex Taube
Lecturer(s) email
Course Contents The students will learn to:
Research an game context
Create a game concept and treatment
Use the Cryengine
Create a working prototype with the Cryengine
Refine the design in terms of game and level
Milestones if known

Examination
Presentation
intermediate course
advanced course
Info about lecturer
Other information
Title Character Animation I Body Mechanics
Cluster Title*
Advanced Animation (ME)
event / first
organizational
meeting with
students*****/ Room
26.03.14 17/105 NN
kind of room if not
indicated above
21.6.2014)
weekday of course Wednesday
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
Block 5
16:00
X
Block 6
17:45
X
DM/SMP/MP/
AG/IMD
X
Xj ise (ba)

Content(s):
(check one or more)
Design
X
Informatics /
Technology
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Tilmann Kohlhaase
Lecturer(s) email Tilmann.Kohlhaase@h-da
Course Contents In this elective project students appreciation of the principles of animation will
be augmented by a fuller understanding of advanced concepts and processes
in the field of character animation.
They will learn how to create believable and lively characters through design
and animation.
They will understand the art of animation and develop an own personal and
individual approach injecting feelings, thought process, and emotion into a
character.
The course will incorporate strong components of character / story
development, character design, animation, 3D skills, and acting fundamentals.
It will cover the topics:
- brief introduction into Maya (hands-on)
- character/story development
- character design
- principles of traditional animation applied to 3D computer animation
- basic understanding of character set-up / rigging /scripting
(animating with forward/inverse/full body kinematic)
- animation workflow
- body mechanics of standard movements
Additional topics to be covered are effective use of camera, multiple
characters with interaction for a film or video game sequence and cycling of
animation for video games/ film.
Students apply techniques learned to create a short (interactive) animation
with a purpose.
We will use Autodesk-Maya as software tool. Other applications or hand
drawn animation might be used by arrangement.
Beside regularly attendance and delivery of the weekly exercises (learning
animation needs lot of practising so plan some time for the weekly
exercises) the final task to deliver to the end of the semester might be:
- a 5 -10 second animation with a given human
character showing body mechanics and some emotional acting
To deliver: A DVD (PAL) hard-cover!, playable on a consumer DVD-Player,
containing the final.
In addition the DVD has to contain a ROM part including a quicktime version
of the final movie (PAL), a short documentation concerning the production and
its development as PDF-document, as well as all exercises done during the
class (quicktime).
Other formats and ways of delivery will not be accepted!
.
Milestones if known

Examination
Presentation
Suitability
intermediate course
advanced course
Preconditions
Basic Maya Knowledge
Info about lecturer
Other information
Title Motion Capture 102 Planning, Data Acquisition, Processing
Cluster Title*
Date of first
course event /
first
organizational
meeting with
students*****/
Room
27.03.14 F17/23
kind of room if
not
indicated above
X
time period ( 24.03.2014
21.6.2014)
weekday of course Thursday
frequency of course-
events
weekly bi-
weekly
X blocked
prospective
timeframe**** (Block =
90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
X
Block 5
16:00
X Block 6
17:45
DM/SMP/MP/
AG/IMD
X
Xj ise (ba)

Content(s):
(check one or
more)
Technology
X
Econom
y /
Busines
s
Culture
Time frame in
case of blocked
event
Course Portrait
Lecturer(s)
Name(s)
Martin Streit
Lecturer(s) email Martin.Streit@h-da.de
Contact Prof. @
fbmd
Prof. Tilmann Kohlhaase
Teaching Method lecture lecture +
seminar
seminar project
X
Course Contents Motion Capture 101 is designed to give you an insight into the
motion capture pipeline and processes. Further to allow you to
plan and execute a motion capture shoot. In this course we will
use a passive optical motion capture system. Post processing
steps required after capturing are included as well as working
with different prerecorded files and formats. The result from this
course should be an animated humanoid character driven by
motion capture data that has been recorded by oneself.
Type of Exam homework work+presentati
on
X
paper
Milestones if
known
History of Motion Capture
Motion Capture Systems
Getting to know the Motion Capture System of
fbmd
Recording Motion
Motion Capture Data Post Processing
Solving, Retargeting, Motion Editing
Advanced Methods
Examination
Presentation
Info about lecturer
Other information
Title
Character Design for Animations & Games
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
WED 26.03.2014
16:00 h
17/102 NN
kind of room if not
indicated above
21.6.2014)
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
Block 5
16:00
x
Block 6
17:45
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Prof. Katharina Kafka
Lecturer(s) email katharina.kafka@h-da.de
Teaching Method lecture lecture + seminar seminar x project
Course Contents In this elective students will learn methods and techniques of character design
for animations and games from first concepts to a character bible. We will
examine different types of characters and different design styles. Further
subjects will be historic and contemporary examples of character
representation in the visual arts as well as character models and
characterization in storytelling. The elective will involve practical work in class
(mainly drawing) as well as some homework.

Type of Exam homework x work+presentation x paper
Milestones if known

Examination
Presentation
Intermediate course
advanced course
following preconditions are given: solid drawing skills recommended
Info about lecturer
Other information
Title
Modeling and Rigging for Animation
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
03.04.14 17/105 NN
kind of room if not
indicated above
21.6.2014)
weekday of course Thursday
frequency of course-events weekly bi-weekly X blocked
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
x
Block 4
14:15
X
Block 5
16:00
X
Block 6
17:45
X
DM/SMP/MP/
AG/IMD
X
Xj ise (ba)

Content(s):
(check one or more)
Technology
X
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Carla Heinzel
Lecturer(s) email carla@3Dfreelancing.de
Teaching Method lecture lecture + seminar X seminar project
Course Contents Modeling and Rigging a Character for Animation:
Modeling-Content:
- translating 2D-Design to 3D-Model
- suitable loop-structure for rigging and animation
Rigging-Content:
- basic technical knowledge
- working with autorigs (advanced-skeleton)
- creating appealing deformation
Type of Exam homework X work+presentation paper
Milestones if known Modeling a Character
Rigging the Character

Examination
Presentation
intermediate course
advanced course
Basic knowledge about modeling and rigging in Maya
Info about lecturer
Other information
Title Applied Game Development
Cluster Title*
Date of first
course event /
first
organizational
meeting with
students*****/
Room
24.03.14 17/103 NN
kind of room if
not
indicated above
x
21.6.2014)
events
weekly
x
bi-
weekly
blocked
prospective
90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
x
Block 5
16:00
x Block 6
17:45
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or
more)
Technology
x
Econom
y /
Busines
s
Culture
Time frame in
case of blocked
event
Course Portrait
Lecturer(s)
Name(s)
Martin Leissler
Lecturer(s) email Martin.leissler@h-da.de
Contact Prof. @
fbmd
seminar
x
seminar project
Course Contents
The course covers practical approaches to several real-world
game development challenges in modern game engines, such as
Character Animation, 2D-Games, networking, or pathfinding,
using Unity3D as a game engine.
Practical and homework projects will allow students to apply the
learned approaches to real game scenarios, providing the
freedom to create their own solutions, thus optimally preparing
them for the upcoming challenges at campus and industry.
The course addresses several topics, useful for aspiring game
developers:
- Character Animation with Mecanim
- Creating 2D Games with Unity3D 4.3+
- Basic AI and Pathfinding
- Multiplayer Network Games with Unity and Photon
- Structure and architecture of games, assets, and scripts in
Unity3D projects
- Collaboration tools for game projects
- Using container data structures to handle game complexity
- Implementing flexible GUIs
- Planning, implementing, and deploying for mobile devices
- Scripting Camera Control
- Supporting multiple Input Devices
After successfully attending this course, students will be able to
- develop games in a team using state-of-the-art collaboration
tools and approaches
- organize assets and code in game projects
- contribute several advanced game development techniques to
their projects
- be optimally prepared for upcoming game development
challenges
Type of Exam homework
x
work+presentati
on
paper Oral
exam
x
Milestones if
known

Oral Exam Examination
Presentation
intermediate course
advanced course
Preconditions Prerequisites:
- Interest in Game Development
- Basic knowledge of programming/scripting techniques
- Basic skills with Unity3D editor and tools
- Scripting basics with Unity3D
Info about lecturer
Other information Ideal for aspiring game developers striving to optimally prepare
themselves for upcoming projects.
Title
Programming Games without Coding using Construct 2
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
WED 25.03.2014
16:00 h
17/103 NN
kind of room if not
indicated above
21.6.2014)
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
Block 5
16:00
x
Block 6
17:45
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Technology
x
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Jens Schbel
Lecturer(s) email jens.schoebel@artipy.com;
Course Contents
In this Elective students will learn how to plan a game and
develop it using Consturct 2. The course is a rather technical one
where we work is prepared/simple graphics. Construct 2 is
perfect for developing 2D games on the base of HTML5.
The aim of this Elective is giving you an idea about HTML5
development and logigal, algorithmic thinking. Therefore I'll
shortly introduce HTML5. But I'll just scratch on the surface. The
Fokus will be the development of a simple game.
You don't need knowledge in a common programming language.
Nonetheless logic thinking might help. :)

Milestones if known

Examination
Presentation
Intermediate course
advanced course
following preconditions are given: solid drawing skills recommended
Info about lecturer
Other information

Title
Uselab

Cluster Title*
Interaction & Interface Design
Date of first course 24.3.14, 10:15 Uhr, Raum 17-126
kind of room

x

time period ( 24.03. 2014
21.6.2014)

(Block = 90 min)
Block 1
8:30

Block 2
10:15
x
Block 3
12:00
x
Block 4
14:15

Block 5
16:00

Block 6
17:45

x
DM/AG/IMD/
MP/SMP
x

Xj x ise (ba)
x
Content(s):
(check one or more)
Design
x
Informatics /
Technology

Economy /
Business

Culture

blocked event

Course Portrait
Lecturer(s) Name(s) Prof. Andrea Krajewski, Holger Bassarek
Lecturer(s) email andrea.krajewski@h-da.de, holger.bassarek@h-da.de
Contact Prof. @ fbmd andrea.krajewski@h-da.de
Teaching Method lecture

lecture + seminar
x
seminar

project

Course Contents

The involvement of the user into the design process right from the beginning of
a project is called "User Centred Design". This method enhances the usability
and user experience of a product to be developed, if the designer is able to
interpret the input of the users in the right way. This course offers two topics:
a) Introduction to usability testing for usability beginners
b) Usability-testing with paper prototypes for the more advanced students

Any other usability projects of usability-advanced students are welcome!

Milestones if known
Presentation
Suitability Beginner course
Intermediate course
Advanced course

Preconditions
Info about lecturer

Other information


Title
Sound for Interaction
Cluster Title*
Music & Technology
kind of room

Hrsaal Seminarraum Labor 17-120

21.6.2014)
weekday of course MONDAY
frequency of course-events weekly x bi-weekly blocked x
(Block = 90 min)
Block 1
8:30

Block 2
10:15
x
Block 3
12:00
x
Block 4
14:15

Block 5
16:00

Block 6
17:45

course language English x German x
suitable for students of course/focus imd x oj

wj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology

Economy /
Business

Culture

Course Portrait
Lecturer(s) Name(s) Martin Haas
Lecturer(s) email martin.haas@h-da.de
Course Contents

Often enough, in interactive projects sound is missing out although it plays a
big role for creating the users experience as well as guiding the user through
the navigation of an interactive system. Another topic oft he course is sound
recording for project trailers (that are obligatory for IMD students) .

The course offers:
- introduction to Protools
- (introduction to) sound design and sound recording
- music theory
- audio post production and project coaching.
- legal aspects of using availaable sound and music

Milestones if known Datum!
Falls
zutreffend
Examination
Presentation
X advanced course
Preconditions
Basic knowledge in interactive media design and/or running project in the
field of interactive media that can be accompanied by this course. The course
is not meant for linear productions.

Info about lecturer
(especially if guest) Martin Haas is musician, composer and music producer. He produced
amongst others Glashaus, Xavier Naidoo, Udo Lindenberg, Sabrina Setlur,
Moses P. His productions have been awarded a number of times with Gold
and Platinum. 1999 he has been awarded with the Echo as producer of the
year. Beyond the production of music he as well composes film music.

Other information
The course in first line is a course tailored for the students with projects in the
field of interactive media. It can be booked as parallel supervision of the
sound part of the projects P3 and P5, as coaching of the sound recording of
your project trailers or for separate projects.


Title
Serious Games

Cluster Title*
Advanced Game Design
Date of first course 25.3.14, 10:15 Uhr, Raum: 17-124
kind of room

Hrsaal x Seminarraum Labor

21.6.2014)

(Block = 90 min)
Block 1
8:30

Block 2
10:15
x Block 3
12:00
x
Block 4
14:15

Block 5
16:00

Block 6
17:45

x
suitable for students of course/focus IMD x

Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology
x
Economy /
Business

Culture

Course Portrait
Lecturer(s) Name(s) Claudius Coenen
Lecturer(s) email mail@claudiuscoenen.de
Teaching Method lecture x lecture + seminar seminar project x
Course Contents

Games are a form of cultural expression. Like other forms, they are not limited
to entertainment. Even games that focus solely on entertainment may be
educational or thought-provoking to a degree.

This Elective is going to give you a broad definition and a selection of
examples of serious games. You will also need to apply this line of thinking to a
product of your own. The group will decide on a topic and work as on a serious
game.

We will get together once a week and discuss the progress.

Milestones if known KW13 + KW14 Mostly lectures + deciding on Teams and Topic
KW15 KW18 Shorter lectures + product planning/conceptual
design

KW19 KW24 Production and tailored input/lectures if needed
KW25 Delivery of final Serious Game
Presentation
Preconditions following preconditions are given:
- Interest in games and game-mechanics.
- Ability to apply methods out of context.

Info about lecturer
Claudius Coenen studied Media System Design at Hochschule Darmstadt.
He is a freelance developer with focus on web and emerging technologies. His
clients include companies like MESO Web Scapes and 3spin where he works
mostly as a programmer. His other passions include games (obviously) and
open source.

Other information


Title Back to the world - Zurck in die Welt
Cluster Title*
Media Experiments
kind of room if not
indicated above
x

21.6.2014)

weekday of course Friday
(Block = 90 min)
Block 1
8:30

Block 2
10:15
x
Block 3
12:00
x
Block 4
14:15

Block 5
16:00

Block 6
17:45

x
suitable for students of course/focus IMD x

Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology

Economy /
Business

Culture

Course Portrait
Lecturer(s) Name(s) Martin Schuster
Lecturer(s) email schuster@meso.net
Course Contents

During the last years, many things we used to do in the physical world were
translated into some virtual digital process. Also, many new pastimes and
activities developed in the realms of the digital. After the first excitement and
euphoria maybe it is about time to rethink: will some of the things we do
virtually probably better be done in the physical world? Will we be able to do
things better, quicker or more exciting with real world tools, created for a
specific task?
We will try to identify activities that take up some time every day and will build
interactive physical (most probably somehow digitally equipped)
representations for them.

Milestones if known
Presentation
X advanced course

Preconditions Basic Knowledge in one of the following skills are mandatory:
- programming basics
- electronics/electrics
- model making or respectively material workmanship (wood, foam,
metal, paper, cardboard)

Info about lecturer
Martin Schuster studied Industrial Design at HfG Offenbach. Since 2004 he is
an associate at the MESO group and responsible for MESO Web Scapes.

Other information


Title
Adaptive Interfaces

Cluster Title*
event / first
organizational
meeting with
students*****/ Room
24.3.14, 14:15 Uhr, 17-101
kind of room if not
indicated above

21.6.2014)

(Block = 90 min)
Block 1
8:30

Block 2
10:15
Block 3
12:00

Block 4
14:15
x
Block 5
16:00
x
Block 6
17:45

x
DM/AG/IMD/
MP/SMP
x

Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology

Economy /
Business

Culture

blocked event

Course Portrait
Lecturer(s) Name(s) Tilman Deuschel
Lecturer(s) email Tilman.Deuschel@h-da.de

Course Contents

Adaptive User Interfaces (AUI) are web sites, that adapt to each user
individually based on user input. During the elective we will examine AUI
examples and get hands on to perform such adaptations in exercises.
In addition this course tangles design aspects of future websites.

Milestones if known
Examination
Presentation
Suitability intermediate course
Knowledge in HTML, MySQL, PHP is not mandatory, but will make things
easier.

Info about lecturer
Tilman Deutschel is a PhD-Student at the faculty.
Other information


Title Digitale Kettenreaktion
Cluster Title*
Date of first course 28.3.14 organisatorisches Treffen mit Andrea Krajewski zur Einschreibung
und Restplatzvergabe, 14:15 Uhr, Raum 17-101
kind of room if not
indicated above
Hrsaal Seminarraum Labor 17-101

time period ( 24.03.2014
21.6.2014)
weekday of course Friday
(Block = 90 min)
Block 1
8:30

Block 2
10:15

Block 3
12:00

Block 4
14:15
x
Block 5
16:00
x
Block 6
17:45

course language English x German x
suitable for students of course/focus IMD x oj
wj ise (ba)
Content(s):
(check one or more)
Design
x
Informatics /
Technology
x
Economy /
Business

Culture

Course Portrait
Lecturer(s) Name(s) Jonas Pabst, Sascha Strohmeier
Lecturer(s) email nui-lecture@sensory-minds.com
Course Contents

Das was die OK Go Jungs machen bringen wir in die digitale Welt.
http://youtu.be/qybUFnY7Y8w oder Youtube -> Ok Go
Jede Gruppe/Person erstellt ein digitales Mini-Exponat, welches eine kleine
Animation/Visualisierung etc. sein kann. Die Exponate werden jeweils am
Ende eine Aktion ausfhren die ein anderes Exponat starten. Die Aktion kann
auch analog mit Arduino, Webcam, Mikrofon und Co. ausgelst bzw.
entgegen genommen warden oder auf digitalem Weg ber Bluetooth,
Netzwerk etc. erfolgen.

Milestones if known Datum! Die LV mit den Dozenten startet am 4.4.
Presentation
Suitability x beginner course
x Intermediate course
x advanced course
Preconditions
Preconditions:
Basic Knowledge in one of the following topics are helpful:
- programming basics
- electronics/electrics
- model making or respectively material workmanship (wood, foam,
metal, paper, cardboard)

Info about lecturer
Sascha Strohmeier (Developer/Designer) &
Jonas Pabst (Developer/Designer)
sensory-minds.com
Other information Kursinfo: sensory-minds.com/download/nui-lecture


Title A Digital Asset Management (DAM) System for the h_da Media Faculty
Cluster Title*
Advanced Media Systems
event
25.3.14, 10:15 Uhr, Raum 17-103 oder 17-105
kind of room

x

21.6.2014)

weekday of course
(Block = 90 min)
Block 1
8:30

Block 2
10:15
Block 3
12:00

Block 4
14:15
x
Block 5
16:00
x Block 6
17:45

DM/SMP/MP/
AG/IMD
x
Xj ise (ba)
Content(s):
(check one or more)
Design

Informatics /
Technology
x
Economy /
Business

Culture

Course Portrait
Lecturer(s) Name(s) Martin Leissler
Lecturer(s) email Martin.leissler@h-da.de
Course Contents

The goal of this course is the development of a prototypical system for
handling the media facultys growing demand to systematically archive
student projects including all associated digital media assets.

The course will therefore occur in the form of a project, which is split into
several sub-projects distributed to students or groups. The whole development
cycle will be covered, from requirement analysis through data-modeling and
user interface design down to implementation of several components of the
system.

The areas of work (topics) potentially stem from several different areas:
- Defining list (backlog) of user stories (use cases) from requirement analysis
- Architectural design of the system based on requirement analysis
- Data modeling and database schema definition
- Web GUI development with HTML/CSS/JS for front and backend
- CMS plugin development (Wordpress)
- Search Engine integration
- Faceted browsing (filters)
- Integration of recommendation system
- Access and usage analytics
- Community functions (comments, ratings, etc.)
- Social network integration
- Media streaming and play-out

The outcome of this course is (ideally)
- Complete list of user stories

- a complete system specification with all features
- a fully working and demonstratable prototype with archive and CMS
components for front- and backend
Type of Exam homework x work+presentation paper Oral exam x
Milestones if known
Oral Exam Examination
Presentation
intermediate course
advanced course

Preconditions Prerequisites:
Students participating in this elective course should bring in one or
more of the following:
- Strong interest in developing web based systems
- Some experience in data modeling and database schema design
- Some programming skills in JavaScript
- Basic knowledge of Wordpress (plugin development is a plus)
- Basic knowledge of search engine and category-browsing mechanisms
- Some knowledge on media streaming implementations
- Understanding of the importance of a universal archival effort in the
area of digital media

Info about lecturer

Other information


Title eBook Konzeption, Design und technische Umsetzung
Cluster Title*
event / first
organizational
meeting with
students
27.3.14, 16:00 Uhr, Raum 17-126

kind of room if not
indicated above

21.6.2014)

weekday of course Samstag
(Sonntag)

frequency of course-events weekly bi-weekly blocked x
(Block = 90 min)
Block 1
8:30

Block 2
10:15

Block 3
12:00

Block 4
14:15

Block 5
16:00

Block 6
17:45

x
AG/IMD/MP/
SMP
x

Content(s):
(check one or more)
Design
x
Informatics /
Technology
x
Economy /
Business

Culture

blocked event
Die genauen Zeiten werden bei der
Einfhrungsveranstaltung abgestimmt

Course Portrait
Lecturer(s) Name(s) Sebastian Haase
Lecturer(s) email haase.sebastian@me.com
Teaching Method lecture

lecture + seminar
x
seminar

project
x
Course Contents

Creating concepts in order to bring traditional book or documentation content
into juxtaposition with interactive elements and their relevance to the medium.
The goal is to learn by creating an interactive solution tailored to the demands
of the students university projects.
Die Erstellung und Umsetzung von Konzepten um traditionelle Buch- und oder
Dokumentationsinhalte in Zusammenklang mit interaktiven Inhalten und deren
Relevanz zum Medium zu bringen. Es wird eine interaktive Lsung entwickelt,
zugeschnitten auf die Anforderungen der jeweiligen studentischen Projekte.

Milestones if known
Presentation
Suitability Beginner course
Intermediate course
Advanced course

Preconditions
Info about lecturer
Sebastian Haase studierte im Schwerpunkt Interactive Media Design und
arbeitet heute als Art Director fr paij eine mobile payment Anwendung.

Other information Das Elective eignet sich besonders fr Studierende des 4. Semesters IMD,
die zum Abschluss des Projekts eine interaktive Dokumentation abgeben
mssen.

Elective Course Description summer Term 14
Sound and Dramaturgy
Cluster Title*
event / first
organizational
meeting with
students
Mo 24.03.14
14:15Uhr -16:45 Uhr
Raum: F14-32
NN NN
21.6.2014)
weekday of course: Monday
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
x
Block 5
16:00
x
Block 6
17:45
x
SMP/AG/IMD
/MP
x
oj wj
ise (ba)
Content(s):
(check one or more)
Design
x
Informatics /
Technology
Economy /
Business
Culture
x
Course Portrait
Lecturer(s) Name(s) Christina Khnreich, Thorsten Greiner
Lecturer(s) email
Course Contents In this course we will analyse scenes from theater plays, films and games,
develop soundconcepts and implement them.
Milestones if known

Examination: project presentation x
Presentation
Suitability beginner course x
intermediate course x
advanced course
Preconditions Know How with DAW , Experiences with Storytelling and Dramaturgy.
Info about lecturer
Other information
Title
Soundart - The Digital Musician
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
25.3. NN NN
kind of room if not
indicated above
time period (24.03..2014
21.6.2014)
frequency of course-events weekly bi-weekly blocked
(Block = 90 min)
every two
to three
weeks
course language English/
German
DM/SMP/MP/
AG/IMD
x DM
Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology
Economy /
Business
Culture
x
blocked event
Course Portrait
Lecturer(s) Name(s) Dr. Barbara Lneburg
Lecturer(s) email info@barbara-lueneburg.com
Teaching Method lecture lecture + seminar x seminar project x
Course Contents The goal of this course is to get an understanding of artistic thinking and
creative processes over the last century and to develop your own piece of
sound art in the form of an audio installation/performance or music for
experimental visuals.
Theory and practical exercises will be interwoven. A few topics:
Creative Identity
Listening exercises (psychoacoustic fatigue, selective lsitening, auditory
scene analysis, soundwalks)
Practical exercises to sound structures, extended duration, incomplete
silence, cut-up techniques,
Examples of soundscapes, drone, minimal music, (almost) silent pieces,
plunderphonics
semester task: composition or creation of a sound art piece
Milestones if known

Examination
Examination / Presentation:
Presentation: developing of a soundart composition
Suitability beginners to advanced course
every level is welcome
Experience with DAW
Info about lecturer
Dr. Barbara Lneburg is an international soloist and sound artist in multimedia
art and new music. Recent projects encompass the multimedia recital of
Weapon of Choice that includes live processing of sound and video, motion
tracking, laser and light.

Her new research project TransCoding funded by the Austrian Science Fund
is conceived as a participatory arts project that aims to create and include a
digital community in the creation of several art works via social media. It is
inspired by thinkers and artists such as Gender sociologist Judith Butler, pop
icon Madonna, and performance artist Laurie Anderson as well as sociologist
John Fiske (Understanding Popular Culture) and media-theorist David
Gauntlett (Creative Explorations: New approaches to identities and audiences;
Community-Powered Transformations). For this project Barbara and her team
of artists and researchers will develop a web-arts-culture, a multimedia show
and an audio-visual installation over the next three years.
Other information Accompanying literature:
The Digital Musician
Andrew Hugill, Routledge 2012
(includes online course provided by the publisher)
Title
Location recordings and Postproduction for Film and TV
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
NN NN NN
kind of room if not
indicated above
x
21.6.2014)
weekday of course
(Block = 90 min)
Block 1
8:30
Block 2
10:15
x
Block 3
12:00
x
Block 4
14:15
x
Block 5
16:00
Block 6
17:45
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology
x
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) David Rdler
Lecturer(s) email davidraedler@gmx.de
Course Contents Der Kurs soll die Teilnehmer in die Grundlagen der professionellen
Tonaufnahme sowie -bearbeitung in der Film und TV Branche einfhren.
Dabei werden u.a. folgende Bereiche in Theorie und Praxis unterrichtet:
Grundlagen der Aufnahmeformen am Filmset bezglich
Zusammenarbeit, technischer Umsetzung und Equipment
Technische Ablufe und Arbeitsweisen am Filmset (z.B.
Timecodeverfahren)
Postproduktions-Workflows in den Bereichen Film- und TV
Knstlerische und technische Grundlagen in den Themengebieten
Tonschnitt, Sounddesign sowie Mischung fr Film und TV
Milestones if known

Examination
Presentation
Suitability beginner course x
intermediate course
advanced course
Info about lecturer
Dipl. Filmtonmeister (Filmakademie Baden-Wrttemberg)
Other information
Title
Event Management
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
28.03.14 NN NN
kind of room if not
indicated above
Hrsaal X Seminarraum Labor
21.6.2014)
weekday of course Freitag/Friday
(Block = 90 min)
Block 1
8:30
Block 2
10:15
x
Block 3
12:00
x
Block 4
14:15
Block 5
16:00
Block 6
17:45
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Technology
Economy /
Business
x
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Luis Noschang
Lecturer(s) email lnoschang@hs-harz.de
Contact Prof. @ fbmd Prof. Moritz Bergfeld
Teaching Method lecture x lecture + seminar seminar project
Course Contents Definition of Events and Event Management
Categorization of events
The structure of the events industry
Conceptualizing the event
The impacts of events
The Event Managers Job
Events Planning
Project management for events
Budget and Costs
Marketing for Events
Sponsoring
Media on Events and Events on Media
Quality Control
Risk Management
Logistics
Milestones if known

Examination
Presentation
Info about lecturer
Other information
Dates of lectures will be decided on the 1st meeting with the
students on 28.03.14 at 10:15
Title
Mixdown Practice
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
NN NN NN
kind of room if not
indicated above
x
21.6.2014)
weekday of course
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
Block 5
16:00
x
Block 6
17:45
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology
x
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Prof. Moritz Bergfeld
Lecturer(s) email moritz_bergfeld@yahoo.de
Course Contents Mixdown of acoustic recordings
Handling and Knowledge on the surround studio
Milestones if known

Examination
Presentation
Info about lecturer
Other information
Title Die Tonabteilung am Theater Sound, Medientechnik und Kunst
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
Fr., 28.03.2014
10.15 Uhr
Fr., 28.03.2014
10.15 Uhr
14-32 (ProTools-
Labor)
kind of room if not
indicated above
21.6.2014)
weekday of course: voraussichtlich Freitags Block 2 + 3
(Block = 90 min)
Block 1
8:30
Block 2
10:15
x
Block 3
12:00
x
Block 4
14:15
Block 5
16:00
Block 6
17:45
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Technology
x
Economy /
Business
Culture
x
blocked event
Course Portrait
Lecturer(s) Name(s) Sebastian Franke
Lecturer(s) email franke@hoerort.de
Course Contents In diesem elective werden wir die Arbeit des Tonmeisters/der Tonmeisterin an
einem groen ffentlichen Theater kennen lernen, die neben vielen, teils auch
berraschenden Ton-Aufgaben im Bereich Produktion und Beschallung auch
viele Ttigkeitsfelder in der Video- und Projektionstechnik und
Medienintegration einschliet. Dabei soll herausgearbeitet werden, welche
Qualifikationen hierfr notwendig sind, wie Karriereverlufe aussehen knnen
und welche Mglichkeiten es gibt, persnliche technische und/oder
knstlerische Schwerpunkte in der tglichen Arbeit zu setzen. Hierbei werden
auch einige Grundlagen der Beschallungstechnik u.a. wiederholt bzw.
vermittelt. Ein Hauptschwerpunkt liegt auf dem sounddesign
(beschallungstechnisch wie klangerfinderisch). Wesentliche Teile des
Seminars sind, neben den Vorlesungen/Gesprchen in der Hochschule, ein
gemeinsamer Theaterbesuch mit Fhrung sowie mindestens ein individuelles
sounddesign-Projekt pro Studierendem, das auch im Seminar vorgestellt
werden muss.
Milestones if known

Examination
Presentation
advanced course
Info about lecturer
Sebastian Franke ist Leiter Ton Schauspiel am Staatstheater Darmstadt, Dipl.-
Audio Engineer, Dipl.-Pdagoge, sounddesigner und Hrspielmacher.
Other information
Title
Pop- und Rockmusik Mixdown
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
NN NN NN
kind of room if not
indicated above
x
21.6.2014)
weekday of course
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
Block 5
16:00
Block 6
17:45
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology
x
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Carsten Kmmel
Lecturer(s) email carsten@tonmeister-online.de
Course Contents Mixdown of Rock and Pop music.
Handling and Knowledge on Lawo mc 56
Milestones if known

Examination
Presentation
Info about lecturer
Carsten Kmmel ist ein renommierter Rock- und Pop-Tonmeister mit viel
Erfahrung im Live- und Studiobetrieb.
Other information
Elective Course Description summer Term 14
Generative Algorithms
Cluster Title*
Me2_10
event / first
organizational
meeting with
students
Mo 24.03.14
10:15Uhr -12:45 Uhr
Raum: F14-32
NN NN
21.6.2014)
weekday of course: Monday
8:30
Block 2
10:15
x
Block 3
12:00
x
Block 4
14:15
Block 5
16:00
Block 6
17:45
x
suitable for students of course/focus Sound+Mu
sic
x
MP/AG/IMD
x
oj wj
ise (ba)
Content(s):
(check one or more)
Design
x
Informatics /
Technology
x
Economy /
Business
Culture
x
Course Portrait
Lecturer(s) Name(s) Thorsten Greiner
Lecturer(s) email
Course Contents In this course we will explore acoustic as well as visual algorithms and
experiment with interfaces to control and represent them.
We will work theoretically as well as develop our own programs in Max/MSP
,Ableton Live and Processing
Milestones if known

Examination: project presentation
Presentation
advanced course x
Preconditions Experiences with programming languages are helpful , but some of the used
technologies like Max/MSP are easy to master without being an expert.
We will adopt the Projects to the individual know-how.
Info about lecturer
Other information
Title Directing a documentary I
Cluster Title*
ME2_03 Advanced Video Production
Date of first
course event /
first
organizational
meeting with
students*****/
Room
Kickoff 28.03.14 at 2:00
PM in Room 15-03 (Kino)
NN NN
kind of room if
not
indicated above
Hrsaal Seminarraum Kino Labor
21.6.2014)
weekday of course
Monday
events
weekly bi-
weekly
X blocked
prospective
90 min)
Block 1
8:30
Block 2
10:15
X Block 3
12:00 X
Block 4
14:15
X
Block 5
16:00
Block 6
17:45
course language English X German X
DM/SMP/MP/
AG/IMD
X
Xj X ise (ba)

Content(s):
(check one or
more)
Design
X
Informatics /
Technology
X
Econom
y /
Busines
s
X
Culture
X
Time frame in
case of blocked
event
Course Portrait
Lecturer(s)
Name(s)
Prof. Thomas Carl
Lecturer(s) email tcfilm@t-online.de
Contact Prof. @
fbmd
seminar
seminar project
Course Contents
Directing the Documentary
This seminar for more experienced students is meant to
introduce you into the concepts relating to contemporary
documentary filmmaking
Once again you will work in a small crew. Each group will at
least complete one project during the summer term in order to
gain experience in research, camera handling, sound
design, directing, organizing, editing.
Other pre-production, production and post-production tasks will
be included and addressed if needed. The emphasis is on
mediamaking as a creative and complete process, from initial
concept to finished presentation. Well shoot, watch some dailies,
talk about it and collect proposals for solutions or improvements .
Furthermore we will focus our attention on the historical,
theoretical hinterland from Nanook to Nomi. How did the
colleagues work years ago, how did things change and whats
actually state of the art in the everlasting interdependence
between our sophisticated tools and our visions. Hows
technology influencing aesthetics ?
Well try to develop working hypotheses about the structures,
techniques and principles of landmark setting documentaries
and short feature films. What could be the spine, the perspective,
the tone or the message ?
Its about plots , fake-plots and sujets.
X
work+presentati
on
X
paper
Milestones if
known
Assessment
Your evaluation will be based upon a number of
factors
which take into account your participation in class
and
in student teams and the strength and creativity of
your
groups final product .

Examination
Presentation
Suitability intermediate course
advanced course
Preconditions flollowing preconditions are given: bring your footage obsessions
and ideas
Info about lecturer
Other information
Title Pre Production
Cluster Title*
Advanced Video Production, ME2_03
Date of first
course event /
first
organizational
meeting with
students*****/
Room
Kickoff 28.03 at 12:45
AM in Room 18-04
NN NN
kind of room if
not
indicated above
21.6.2014)
weekday of course
Friday
events
weekly bi-
weekly
blocked
X
prospective
90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
Block 5
16:00
Block 6
17:45
course language English X German X
DM/SMP/MP/
AG/IMD
X
Xj ise (ba)

Content(s):
(check one or
more)
Design
X
Informatics /
Technology
X
Econom
y /
Busines
s
X
Culture
Time frame in
case of blocked
event
Course Portrait
Lecturer(s)
Name(s)
Prof. Thomas Burnhauser
Lecturer(s) email burnhauser@mac.com
Contact Prof. @ Prof. Thomas Burnhauser
fbmd
seminar
seminar project
X
Course Contents
The Pre Production Workshop (Winter Term) offers students of the 3. and 5.
term the possibility to participate in the production of bachelor films.
Participants of this workshop have to be accepted as member of crew of such
films by the responsable bachelor candidate.
X
work+presentati
on
paper
X
Milestones if
known
Become part of the crew of a bachelor production
Bring written comittement with bachelor candidate
responsible
Take part in the production
Bring written report about your work (about 12
pages)

Examination
Presentation
intermediate course
advanced course
Info about lecturer
Other information
Title
Bread and Butter
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
Kickoff 26.03.14 at 9:15 AM in
Room 15-03 (Kino)
NN NN
kind of room if not
indicated above
Hrsaal Seminarraum
R15-03 (Kino)
X Labor
21.6.2014)
weekday of course
Tuesday
(Block = 90 min)
Block 1
8:30
Block 2
10:15
X
Block 3
12:00
X
Block 4
14:15
Block 5
16:00
Block 6
17:45
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Alexander Herzog
Lecturer(s) email alexeherz@gmx.de,
Contact Prof. @ fbmd Prof. Alexander Herzog
Teaching Method lecture x lecture + seminar seminar x project
Course Contents Konzeptionierung und Realisierung von Werbe-, Industrie- und Messefilmen.
Wir arbeiten mit echten Kunden zusammen wie z.B.: Lufthansa, Dieburger
Dreiecksrennen und einem Baumaschinenhersteller. Die Thematik wird mit
allen Licht und Schattenseiten am realen Projekt durchlebt.
Milestones if known Konzeption
Reserge
Preproduction
Shooting
Postproduction, Grading and Edit
Musik ans Sounddesign
Examination
Presentation x
advanced course x
following preconditions are given: Groe Motivation
Info about lecturer
Other information
Title
Film Sound - Synthese
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
Kickoff 26.03.14 at 9:15 AM in
Room 15-03 (Kino)
Regular: R15-03 and R18-03
NN NN
kind of room if not
indicated above
Hrsaal Seminarraum
15-03 and 18-03
X Labor
21.6.2014)
weekday of course
Monday
frequency of course-events weekly bi-weekly X blocked
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
X
Block 4
14:15
X
Block 5
16:00
X
Block 6
17:45
x
DM/SMP/MP/
AG/IMD
x
Xj ise (ba)

Content(s):
(check one or more)
Design
x
Informatics /
Technology
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Alexander Herzog, Thorsten Greiner
Lecturer(s) email alexeherz@gmx.de, thorsten.greiner@h-da.de
Contact Prof. @ fbmd Prof. Alexander Herzog
Teaching Method lecture x lecture + seminar seminar x project
Course Contents
In einem Experimentellen Ansatz treffen 2 Medien aufeinan-
der. Die Studenten fertigen dreimintige Filme an in denen
es um die Synthese zwishen S!und" Musi#"
$er%ushen"Sprahe und &ewegt'ild geht.
Die (!nzepte starten )!n einer textlihen Szene* +heater-S-
ript. Daraus wird ein Audi!)isuelles (!nzept ,enseits #!n-
)enti!neller narrati)er Erz%hlstru#turen Entwi#elt. Das (!n-
zept ist Ausgangspun#t fr einen #reati)en Feed'a#zy#lus
zwishen &ild und +!n.
Milestones if known
(!nzepti!nierung eines S!undfiles aus einer
+extlihen Szene

(!nzepti!nierung einer Filmszene aus einer
+extlihen Szene
Dekonstruktion von Foundfootage
Strukturalismus
Inszenierung
Collage und Abstraktion im Schnitt
$ranularsynthese* S!undshaping* Faltungshall*
-es!nante Filter
Einsatz )!n intera#ti)en +ehni#en ./i)e)ide! in
S!und umwandeln* (0rper als Instrument1
Examination
Presentation x
advanced course x
following preconditions are given: Groe Motivation
Info about lecturer
Other information
Title
Kleine Einheit groe Ideen
Cluster Title*
event / first
organizational meeting
with students*****/
Room
Kickoff 25.03.14 in R18-19
(AV Studio) at 9:30 AM.
Blockseminar 28.04-04.05.14
in Room 18-19 and 15-03
NN NN
kind of room if not
indicated above
Hrsaal

Seminarraum
X
Labor
21.6.2014)
weekday of course
(Block = 90 min)
Block 1
8:30
Block 2
10:15
Block 3
12:00
Block 4
14:15
Block 5
16:00
Block 6
17:45
X
DM/SMP/MP/
AG/IMD
X
Xj ise (ba)

Content(s):
(check one or more)
Design
X
Informatics /
Technology
X
Economy /
Business
Culture
blocked event
Course Portrait
Lecturer(s) Name(s) Gruscha Rode; Ivonne Grber
Lecturer(s) email gruscha@gruscharode.de; ivonne.gaerber@freenet.de
Course Contents
KLEINE EINHEIT - GROSSE IDEE
Erstellung eines Portraits in dokumentarischer oder fiktionaler Film-
Form.
Ziel des Seminars ist es sich auf die unterschiedlichsten Drehsituatio-
nen optimal vorzubereiten und trotzdem flexibel zu bleiben fr alles
nicht Geplante. Unsere Aufmerksamkeit liegt dabei besonders auf dem
Gerstet sein fr die vorhandenen Gestaltungsmglichkeiten fr Ka-
mera- Licht- und Ton an Originalschaupltzen. Voraussetzung dafr
sind: Grndliche Recherche, Vorbesichtigung unter knstlerischen und
technischen Aspekten, genaue Drehplanung etc.
Es werden kreative und technisch einwandfreie Lsungen fr sowohl
fiktionale als auch dokumentarische Filmszenen gesucht und umge-
setzt. Standardisierte Ablufe und die Zusammenarbeit der Abteilun-
gen werden weiter gebt und vertieft.
Zur Einfhrung werden Film-Ausschnitte analysiert und diskutiert.
Milestones if known

Examination
Presentation
intermediate course Offen fr alle Studenten.
advanced course
following preconditions are given: Gertefhrerschein wird
vorausgesetzt.
Info about lecturer
Other information
Schon bei der Anmeldung bitte unbedingt eine valide Mail-Adres-
se angeben.
Es handelt sich um ein Blockseminar, bitte beim
Zeitmanagement beachten!!
Am 1.und 6.Seminartag ist Anwesenheitspflicht fr die ge-
samte Gruppe!
An den anderen Seminartagen wird nach Drehplan in Grup-
pen gearbeitet!

Title
Advanced Postproduction

Cluster Title*
Advanced Post Production, ME2_04
event / first
organizational
meeting with
students*****/ Room
Kickoff 28.03 at 10:15 AM in
Room 18-03

Regular: Friday, 10:15 AM in
Room 18-03

NN NN
kind of room if not
indicated above
X

21.6.2014)

weekday of course
Friday

(Block = 90 min)
Block 1
8:30

Block 2
10:15
X
Block 3
12:00
X
Block 4
14:15

Block 5
16:00

Block 6
17:45


DM/SMP/MP/
AG/IMD
X

Xj ise (ba)

Content(s):
(check one or more)
Design
X
Informatics /
Technology
X
Economy /
Business

Culture

blocked event

Course Portrait
Lecturer(s) Name(s) Christian Stadach
Lecturer(s) email christian.stadach@h-da.de
Course Contents

! After Effects 3D Space
! Advanced keying
! Motion tracking
! Scripting in Adobe After Effects
! Data handling & Project organisation
! Folderstructures & advanced workflows
! Understanding codecs
! The rules of compositing

Milestones if known

Presentation
Suitability intermediate course / advanced course
- basic knowledge of Adobe After Effects, Photoshop & Premiere

Info about lecturer

Other information

please consider these constraints :

31.3.14 Rosenmontag
17.4. - 22.4. Easter Holidays
1.5.,29.5.,9.6.19.6. holiday
22.4. - 28.4. fmx (some
programs only)

* According to our examination law, the course titles have to be matched to a given catalogue with common
course titles. This title will appear in the Transcript of Record and the Bachelor Certificate. Field has to be filed
by Focus Managers
** The official presence-time is 3 SWS for the whole semester. As the elective period is condensed to 12
weeks instead of 16 weeks, the presence time for the electives is 4 SWS.
*** Courses and focal points: dm = Digital Media , oj = Online Journalismus; wj = Wissenschaftsjournalismus,
blank field = please insert appropriate course. (check as many as apply)
**** Block 1 = 8.30 - 10.00 Uhr, Block 2 = 10.15 - 11:45 Uhr, Block 3 = 12.00 - 13.30 Uhr, Block 4 = 14.15 -
15.45 Uhr, Block 5 = 16.00 - 17.30 Uhr, Block 6 = 17.45 - 19.15 Uhr
***** In case that the course does not start in the first week 21.10.2013 there has to be a first organisational
meeting to finalize the application process

Please deliver in editable format like i.e. .doc

to be filed by lecturer
to be filed by focus manager

An die Schwerpunktleiter: Bitte auch die Folgeseite beachten.

Die folgenden Angaben sind nicht zur Verffentlichung bestimmt. Ich bitte, die Schwerpunktleiter
oder die Referenten selbst um Ausfllen der folgenden Felder. Stundensatz fllt Schwerpunktleiter
aus :-)

Personaldaten des Lehrbeauftragten (falls diese dem Sekretariat noch nicht vorliegen)
Postadresse Bessunger Str. 29, 64347 Griesheim
Telefon 0171/2819527
Mailadresse Christian.stadach@googlemail.com
Stundensatz in EUR


Title Practical Sound Recording For Video And Film
Cluster Title*
event / first
organizational
meeting with
students*****/ Room
Kickoff 27.03 at 9:15 AM in
Room 18-01

Regular: R18-19
NN F18-19
kind of room if not
indicated above
X

21.6.2014)

weekday of course
Tuesday

(Block = 90 min)
Block 1
8:30

Block 2
10:15
X
Block 3
12:00
X
Block 4
14:15

Block 5
16:00

Block 6
17:45


DM/SMP/MP/
AG/IMD
X

Xj ise (ba)

Content(s):
(check one or more)
Design
X
Informatics /
Technology

Economy /
Business

Culture

blocked event

Course Portrait
Lecturer(s) Name(s) Wolfram Gru
Lecturer(s) email Wolfram.gruss@h-da,de
Contact Prof. @ fbmd Prof Gabler
Teaching Method lecture lecture + seminar X seminar project X
Course Contents

The elective Practical Sound Recording For Video And Film deals with
numerous methods and possibilities to record sound for fictional film as well
as for documentaries. Besides theoretical background knowledge about
acoustics, microphones, recorders etc. the elective especially focuses on
practical exercises in form of small group projects with conditions like students
will face them in real life: instead of setting up tons of expensive equipment,
the focus is on what is really necessary and how can it be applied creatively to
achieve the best possible results. Sound post production to finalise the
exercises, will also be part of of the elective.

Type of Exam homework X work+presentation X paper
Milestones if known

Examination
Presentation

Preconditions following preconditions are given: equipment license, basic idea about camera
and sound work, beginner editing skills

Info about lecturer

Other information

please consider these constraints :

31.3.14 Rosenmontag
17.4. - 22.4. Easter Holidays
1.5.,29.5.,9.6.19.6. holiday
22.4. - 28.4. fmx (some
programs only)

* According to our examination law, the course titles have to be matched to a given catalogue with common
course titles. This title will appear in the Transcript of Record and the Bachelor Certificate. Field has to be filed
by Focus Managers
** The official presence-time is 3 SWS for the whole semester. As the elective period is condensed to 12
weeks instead of 16 weeks, the presence time for the electives is 4 SWS.
*** Courses and focal points: dm = Digital Media , oj = Online Journalismus; wj = Wissenschaftsjournalismus,
blank field = please insert appropriate course. (check as many as apply)
**** Block 1 = 8.30 - 10.00 Uhr, Block 2 = 10.15 - 11:45 Uhr, Block 3 = 12.00 - 13.30 Uhr, Block 4 = 14.15 -
15.45 Uhr, Block 5 = 16.00 - 17.30 Uhr, Block 6 = 17.45 - 19.15 Uhr
***** In case that the course does not start in the first week 21.10.2013 there has to be a first organisational
meeting to finalize the application process

Please deliver in editable format like i.e. .doc

to be filed by lecturer
to be filed by focus manager

An die Schwerpunktleiter: Bitte auch die Folgeseite beachten.

Die folgenden Angaben sind nicht zur Verffentlichung bestimmt. Ich bitte, die Schwerpunktleiter
oder die Referenten selbst um Ausfllen der folgenden Felder. Stundensatz fllt Schwerpunktleiter
aus :-)

Postadresse
Telefon
Mailadresse
Stundensatz in EUR

Postadresse
Telefon
Mailadresse
Stundensatz in EUR

Postadresse
Telefon
Mailadresse
Stundensatz in EUR

Electives SS14 02 03 14 V02

Загружено:

Сведения о документе

Исходное описание:

Оригинальное название

Авторское право

Доступные форматы

Поделиться этим документом

Поделиться или встроить документ

Параметры публикации

Этот документ был вам полезен?

Это неприемлемый материал?

Авторское право:

Доступные форматы

Electives SS14 02 03 14 V02

Загружено:

Авторское право:

Доступные форматы

Tabelle1

Вам также может понравиться