Liederbuch (Hervorragend 160 Seiten Hinten Mit Index)

LIEDERBUCH
FUR
GITARRE
Inhaltsverzeichnis
All My Loving (The Beatles) . . . . . . . . . . . . . . . . . . . . . .
I Want to Hold Your Hand (The Beatles) . . . . . . . . . . . . . . .
And I Love Her (The Beatles) . . . . . . . . . . . . . . . . . . . . .
10
Eight Days a Week (The Beatles) . . . . . . . . . . . . . . . . . . .
11
Help! (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . . .
12
Norwegian Wood (The Beatles) . . . . . . . . . . . . . . . . . . . .
14
Girl (The Beatles)
. . . . . . . . . . . . . . . . . . . . . . . . . . .
15
In My Life (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . .
16
Eleanor Rigby (The Beatles) . . . . . . . . . . . . . . . . . . . . . .
17
Yellow Submarine (The Beatles) . . . . . . . . . . . . . . . . . . . .
18
A Day in the Life (The Beatles) . . . . . . . . . . . . . . . . . . . .
19
I am the Walrus (The Beatles) . . . . . . . . . . . . . . . . . . . . .
20
Strawberry Fields forever (The Beatles)
. . . . . . . . . . . . . . .
22
Hey Jude (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . .
24
The Continuing Story of Bungalow Bill (The Beatles) . . . . . . . .
26
Happiness is a Warm Gun (The Beatles) . . . . . . . . . . . . . . .
27
Rocky Raccoon (The Beatles) . . . . . . . . . . . . . . . . . . . . .
28
Come Together (The Beatles) . . . . . . . . . . . . . . . . . . . . .
29
Maxwells Silver Hammer (The Beatles)
. . . . . . . . . . . . . . .
30
Let it be (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . .
32
Get back (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . .
33
The Gnome (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . .
34
Fearless (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . .
35
Time (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . . .
36
Brain Damage (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . .
38
INHALTSVERZEICHNIS
Welcome to the Machine (Pink Floyd)
. . . . . . . . . . . . . . . .
39
Wish You were here (Pink Floyd) . . . . . . . . . . . . . . . . . . .
40
Another Brick in the Wall (Pink Floyd) . . . . . . . . . . . . . . . .
41
Mother (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . .
42
Comfortably Numb (Pink Floyd) . . . . . . . . . . . . . . . . . . .
44
The Sounds of Silence (Simon & Garfunkel) . . . . . . . . . . . . .
46
Mrs. Robinson (Simon & Garfunkel)
. . . . . . . . . . . . . . . . .
48
The Boxer (Simon & Garfunkel) . . . . . . . . . . . . . . . . . . . .
50
Its Good to be King (Tom Petty) . . . . . . . . . . . . . . . . . . .
52
Hard on Me (Tom Petty)
. . . . . . . . . . . . . . . . . . . . . . .
54
Blowin in the Wind (Bob Dylan) . . . . . . . . . . . . . . . . . . .
56
Knockin on Heavens Door (Bob Dylan) . . . . . . . . . . . . . . .
57
Father and Son (Cat Stevens) . . . . . . . . . . . . . . . . . . . . .
58
Morning has Broken (Cat Stevens) . . . . . . . . . . . . . . . . . .
59
Field of Mars (The Church) . . . . . . . . . . . . . . . . . . . . . .
60
Secret Corners (The Church)
. . . . . . . . . . . . . . . . . . . . .
61
Lola (The Kinks) . . . . . . . . . . . . . . . . . . . . . . . . . . . .
62
Hotel California (Eagles) . . . . . . . . . . . . . . . . . . . . . . . .
64
Sex and Candy (Marcy Playground)
. . . . . . . . . . . . . . . . .
66
House of the Rising Sun (Animals) . . . . . . . . . . . . . . . . . .
68
Lady in Black (Uriah Heep) . . . . . . . . . . . . . . . . . . . . . .
70
The Universal Soldier (Donovan)
. . . . . . . . . . . . . . . . . . .
72
Where have all the Flowers Gone? (Peter, Paul & Mary) . . . . . .
74
Suzanne (Leonard Cohen) . . . . . . . . . . . . . . . . . . . . . . .
76
Seasons in the Sun (Terry Jacks)
. . . . . . . . . . . . . . . . . . .
78
Streets of London (Ralph McTell) . . . . . . . . . . . . . . . . . . .
80
INHALTSVERZEICHNIS
Dust in the Wind (Kansas)
. . . . . . . . . . . . . . . . . . . . . .
82
. . . . . . . . . . . . . . . . . . . . . . .
83
. . . . . . . . . . . . . . . . . . . . . .
84
Nights in White Satin (The Moody Blues) . . . . . . . . . . . . . .
85
When a Blind Man Cries (Deep Purple) . . . . . . . . . . . . . . .
86
Marooned (Wire) . . . . . . . . . . . . . . . . . . . . . . . . . . . .
87
Venus (Shocking Blue) . . . . . . . . . . . . . . . . . . . . . . . . .
88
Killing Me Softly with his Song (Roberta Flack) . . . . . . . . . . .
89
Sailing (Rod Stewart)
90
The One I Love (R.E.M.)

Angie (The Rolling Stones)
. . . . . . . . . . . . . . . . . . . . . . . . .
Teach Your Children (Crosby, Stills, Nash & Young)
. . . . . . . .
91
Throw down the Sword (Wishbone Ash) . . . . . . . . . . . . . . .
92
Two oClock (F. Rainer Bechtold) . . . . . . . . . . . . . . . . . . .
93
Ick heff mol en Hamburg en Veermaster sehn
. . . . . . . . . . . .
94
What shall We do with the Drunken Sailor? . . . . . . . . . . . . .
96
Go down, Moses! . . . . . . . . . . . . . . . . . . . . . . . . . . . .
98
O Tannenbaum . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
99
Lat uns froh und munter sein . . . . . . . . . . . . . . . . . . . . . 100

Kling, Gl
ockchen, klingelingeling
. . . . . . . . . . . . . . . . . . . 101
Schneefl
ockchen, Weir
ockchen
. . . . . . . . . . . . . . . . . . . . 102
Schneefl
ockchen, Weir
ockchen
. . . . . . . . . . . . . . . . . . . . 103
Leise rieselt der Schnee . . . . . . . . . . . . . . . . . . . . . . . . . 104

Alle Jahre wieder . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Ihr Kinderlein, kommet
. . . . . . . . . . . . . . . . . . . . . . . . 106
. . . . . . . . . . . . . . . . . . . . . . . . 107
O du fr
ohliche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Stille Nacht, heilige Nacht! . . . . . . . . . . . . . . . . . . . . . . . 109
INHALTSVERZEICHNIS
Dicke (Marius M
uller-Westernhagen) . . . . . . . . . . . . . . . . . 110
Gr
u mir die Genossen (Marius M
uller-Westernhagen) . . . . . . . 112
Ja, so warn s die alten Rittersleut (Karl Valentin) . . . . . . . . . . 114
Ja, so warn s die alten Rittersleut
. . . . . . . . . . . . . . . . . . 116
Aloha Heja He (Achim Reichel) . . . . . . . . . . . . . . . . . . . . 118

Aloha Heja He
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Mein kleiner gr
uner Kaktus (Comedian Harmonists)
. . . . . . . . 122
Straen unserer Stadt (Christian Heilburg) . . . . . . . . . . . . . . 124

Und keiner soll sagen . . . (Willy Millowitsch) . . . . . . . . . . . . . 126
Wie sch
on, da du geboren bist (Rolf Zuckowski)
. . . . . . . . . . 128
Kinder (Bettina Wegener) . . . . . . . . . . . . . . . . . . . . . . . 130

Sieben Tage lang (Bots) . . . . . . . . . . . . . . . . . . . . . . . . 131
Marmor, Stein und Eisen (Drafi Deutscher)
Yenawe
. . . . . . . . . . . . . 132
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Die Affen rasen durch den Wald . . . . . . . . . . . . . . . . . . . . 134

Lustig ist das Zigeunerleben . . . . . . . . . . . . . . . . . . . . . . 136
Bolle reiste j
ungst zu Pfingsten . . . . . . . . . . . . . . . . . . . . 138
Pizza-Blues (Christof Schardt) . . . . . . . . . . . . . . . . . . . . . 140
Raucherhusten-Blues . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Microsoft-Blues (Hartmut Henkel)
. . . . . . . . . . . . . . . . . . 143
Wickie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Das Urmel-Lied . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
O du lieber Augustin . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Auf einem Baum ein Kuckuck sa . . . . . . . . . . . . . . . . . . . 147
Sabotage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Otto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
INHALTSVERZEICHNIS
Bruder Jakob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Creutzfeldt-Jakob (Elmar H
orig)
. . . . . . . . . . . . . . . . . . . 151
Negeraufstand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Scheie . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Gitarren-Griffe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
CD-Verzeichnis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Index
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
All My Loving
a
D7
Close your eyes and Ill kiss you,
G
e
tomorrow Ill miss you,
C
a
F
remember Ill always be true.
a
D7
And then while Im away,
G
e
Ill write home evry day,
C
D7
G
and Ill send all my loving to you.
a
D7
Ill pretend that Im kissing
G
e
the lips I am missing
C
a
F
and hope that my dreams will come true.
a
D7
And then while Im away,
G
e
Ill write home evry day,
C
D7
G
and Ill send all my loving to you.
e
H7 H+
G
All my loving I will send to you.
e
H7
H+
G
All my loving, darling, Ill be true.
(The Beatles)
I Want to Hold Your Hand

G
C
G
Oh yeh, Ill tell you something,
C
G
Then Ill say that something,
F
G
C
a
I wanna hold your hand,
(The Beatles)
e
I think youll understand.
a
e
I wanna hold your hand.
F
G
C
G
C
G
a
e
Oh please, say to me,
youll let me be your man.
C
G
a
e
And please, say to me,
youll let me hold your hand.
F
G
C
a F
G
C
Now let me hold your hand,
g7
C7
F
d
And when I touch you I feel happy inside.
g7
C7
F
G
Its such a feeling that my love I cant hide.
F
G F
G
I cant hide, I cant hide.
G C
G
a
e
Oh you got that something,
C
G
a
e
When I feel that something,
F
G
C
a F
G
C
g7
C7
F
d
And when I touch you I feel happy inside.
g7
C7
F
G
Its such a feeling that my love I cant hide.
F
G F
G
I cant hide, I cant hide.
G C
G
a
e
Oh you got that something,
C
G
a
e
When I feel that something,
F
G
C
a F
G
E
F
G
F
C
10
And I Love Her

a
e
I give her all my love,
a
e
thats all I do,
a
e
and if you saw my love,
C
D7 G
youd love her too, I love her.
a
e
She gives me evrything,
a
e
and tenderly,
a
e
the kiss my lover brings,
C
D7
G
she brings to me, and I love her.
e
h
e
h
A love like ours
could never die
e
h
D7
as long as I have you near me.
a
e
Bright are the stars that shine,
a
e
dark is the sky,
a
e
I know this love of mine
C
D7
G
will never die, and I love her.
(The Beatles)
11
Eight Days a Week
(The Beatles)
C
D7
F
C
Ooh I need your love babe, guess you know its true.
C
D7
F
C
Hope you need my love babe, just like I need you.
a
F
a
D7
Hold me, love me, hold me, love me.
C
D7
F
C
Aint got nothin but love babe, eight days a week.
C
D7
F
C
Love you evry day girl, always on my mind.
C
D7
F
C
One thing I can say girl, love you all the time.
a
F
a
D7
C
D7
F
C
Aint got nothin but love girl, eight days a week.
G
a
D7
F
G7
Eight days a week I love you. Eight days a week is not enough to show I care.
C
D7
F
C
Ooh I need your love babe, guess you know its true.
C
D7
F
C
Hope you need my love babe, just like I need you.
a
F
a
D7
C
D7
F
C
Aint got nothin but love babe, eight days a week.
G
a
D7
F
G7
Eight days a week I love you. Eight days a week is not enough to show I care.
C
D7
F
C
Love you evry day girl, always on my mind.
C
D7
F
C
One thing I can say girl, love you all the time.
a
F
a
D7
C
D7
F
C
Aint got nothin but love girl, eight days a week.
F
C F
C
Eight days a week. Eight days a week.
12
Help!
(The Beatles)
G
h
When I was younger, so much younger than today,
e
C
F
G
I never needed anybodys help in any way.
G
h
But now these days are gone, Im not so self assured.
e
C
F
G
Now I find Ive changed my mind, Ive opened up the doors.
a
Help me if you can, Im feeling down.
F
And I do appreciate you being round.
D
Help me get my feet back on the ground.
G
Wont you please, please, help me?
G
h
And now my life has changed in, oh, so many ways,
e
C
F
G
my independence seems to vanish in the haze.
G
h
But evry now and then I feel so insecure,
e
C
F
G
I know that I just need you like Ive never done before.
Help! (The Beatles)
a
F
D
G
G
h
When I was younger, so much younger than today,
e
C
F
G
I never needed anybodys help in any way.
G
h
But now these days are gone, Im not so self assured.
e
C
F
G
Now I find Ive changed my mind, Ive opened up the doors.
a
F
D
G
e
G
Help me! Help me! Oo!
13
14
Norwegian Wood (This Bird has Flown) (The Beatles)

D
C
D
I once had a girl, or should I say, she once had me.
D
C
D
She showed me her room, isnt it good, Norwegian wood?
d
G
She asked me to stay and she told me to sit anywhere.
d
G
So I looked around and I noticed there wasnt a chair.
D
C
D
I sat on a rug, biding my time, drinking her wine.
D
C
D
We talked until two, and then she said, Its time for bed.
d
G
She told me she worked in the morning and started to laugh.
d
G
A
I told her I didnt and crawled off to sleep in the bath.
D
C
D
And when I awoke, I was alone, this bird had flown.
D
C
D
So I lit a fire, isnt it good, Norwegian wood?
15
Girl
(The Beatles)
a
Is there anybody goin to listen to my story,
d
a
all about the girl who came to stay?
E
a
Shes the kind of girl you want so much it makes you sorry.
d
a
Still, you dont regret a single day.
F
C
Ah, girl!
d7 G 7
C
Girl!
d7 G 7
a
When I think of all the times Ive tried so hard to leave her,
d
a
she will turn to me and start to cry.
E
a
And she promises the earth to me and I believe her,
d
a
after all this time I dont know why.
F
C
Ah, girl!
d7 G 7
C
Girl!
d7 G 7
d
A7
Shes the kind of girl who puts you down when friends are there,
d
A7
you feel a fool.
d
A7
When you say shes looking good, she acts as if its understood,
d
shes cool, cool, cool, cool.
C
Girl!
d7 G7
C
Girl!
d7 G 7
a
Was she told when she was young that fame would lead to pleasure?
d
a
Did she understand it when they said,
E
a
that a man must break his back to earn his day of leisure?
d
a
Will she still believe it when hes dead?
F
C
Ah, girl!
d7 G 7
C
Girl!
d7 G 7
C
Girl!
d7 G7
C
Girl!
16
In My Life
(The Beatles)
A
f]
There are places Ill remember
A7
D
d
A
all my life,
though some have changed,
f]
some forever, not for better,
D
d
A
A7
some have gone
and some remain.
f]
D
All these places had their moments
G
A
with lovers and friends I still can recall,
f]
H7
some are dead and some are living,
Dd
A
in my life Ive loved them all.
A
f]
But of all these friends and lovers,
7
A
Dd
A
there is no one compares with you,
f]
and these memries lose their meaning,
A7
D
d
A
when I think of love as something new.
f]
D
Though I know Ill never lose affection
G
A
for people and things that went before,
f]
H7
I know Ill often stop and think about them,
Dd
A
in my life Ill love you more.
E
f]
D
Though I know Ill never lose affection
G
A
for people and things that went before,
f]
H7
I know Ill often stop and think about them,
Dd
A
in my life Ill love you more.
E
A
In my life Ill love you more.
17
Eleanor Rigby
(The Beatles)
C
e
Ah, look at all the lonely people!
C
e
Ah, look at all the lonely people!
e
Eleanor Rigby picks up the rice in the church where a wedding has
C
e
been, lives in a dream, waits at the window, wearing the face that she
C
e
keeps in a jar by the door. Who is it for?
e7
e6
C
e
All the lonely people, where do they all come from?
e7
e6
C
e
All the lonely people, where do they all belong?
e
C
Father McKenzie writing the words of a sermon that no one will hear.
e
No one comes near. Look at him working, darning his socks in the night
C
e
when theres nobody there. What does he care?
e6
C
e
e7
e7
e6
C
e
e
C
Eleanor Rigby died in the church and was buried along with her name.
e
Nobody came. Father McKenzie wiping the dirt from his hands as he
C
e
walks from the grave. No one was saved.
C
e
e6
e7
C
e
e6
e7
18
Yellow Submarine
G
F
In the town, where I was
C
G
F
C
And he told us of his life
(The Beatles)
C a
d
F
G
born, lived a man, who sailed to sea.
a
d
F
G
in the land of submarines.
C
G
F
C a
d
F
G
So we sailed up to the sun, till we found the sea of green.
C
G
F
C a
d
F
G
And we lived beneath the waves in our yellow submarine.
C
G
G
C
We all live in a yellow submarine, yellow submarine, yellow submarine.
C
G
G
C
C
G
F
C
a
d
F
G
And our friends are all on board, many more of them live next door.
C
G
F
C
a d7 G7 C
And the band begins to play:
C
G
G
C
C
G
G
C
C
G
F
C
a
d
F
G
As we live a life of ease, evry one of us has all we need.
C
G
F
C a
d
F
G
Sky of blue and sea of green in our yellow submarine.
C
G
G
C
C
G
G
C
19
A Day in the Life
(The Beatles)
G
h
e
I read the news today, oh boy,
C
e
a
about a lucky man who made the grade.
G
h
e
And though the news was rather sad,
C
F
e
well, I just had to laugh.
C
F
e
C
I saw the photograph.
h
e
G
He blew his mind out in a car.
C
e
a
He didnt notice that the lights had changed.
G
h
e
A crowd of people stood and stared,
C
F
e
theyd seen his face before.
e
C
Nobody was really sure if he was from the House of Lords.
G
h
e
I saw a film today, oh boy.
C
e
a
The English army had just won the war.
G
h
e
A crowd of people turned away,
C
F
e
but I just had to look.
e
C
h
G e
Having read the book, Id love to turn you on.
G
h
e
I heard the news today, oh boy,
C
e
a
four thousand holes in Blackburn Lancashire.
G
h
e
And though the holes were rather small,
C
F
e
they had to count them all.
e
C
Now they know how many holes it takes to fill the Albert Hall.
h
G e
Id love to turn you on.
20
I am the Walrus
(The Beatles)
A
A7
I am he as you are he as
C
D E
A A7
you are me and we are all together.
C
D
See how they run like pigs from a gun, see how they fly,
A
Im crying.
A
A7
D
Sitting on a cornflake
F
G
A
A7
waiting for the van to come.
F
Corporation tea shirt, stupid bloody Tuesday.
H
Man, you been a naughty boy, you let your face grow long.
C
D
I am the eggman, they are the eggman,
E
I am the walrus, goo goo g joob.
A
A7
Mister City pliceman sitting
C
D
E A
A7
pretty little pliceman in a row.
C
D
See how they fly like Lucy in the sky, see how they run,
A
Im crying.
I am the Walrus (The Beatles)
A
A7
D
Yellow matter custard
F
G
A
A7
dripping from a dead dogs eye.
F
Crabalocker fishwife pornographic priestess.
H
Boy, you been a naughty girl, you let your knickers down.
C
D
E
A
A7
Expert texpert choking smokers
C
D E
A
A7
dont you think the joker laughs at you?
C
D
See how they smile like pigs in the sty, see how they snied,
A
Im crying.
A
A7
D
Semolina Pilchards
F
G
A
A7
climbing up the Eiffel Tower.
F
Elementry penguin singing Hare Krishna.
H
Man, you should have seen them kicking Edgar Allen Poe.
C
D
E
21
22
Strawberry Fields forever
(The Beatles)
C
g7
Let me take you down cause Im goin to strawberry fields.
F
A7
A7
Nothing is real, and nothing to get hung about
F
C
strawberry fields forever.
G
h
G7
E7
Living is easy with eyes closed.
a
F
Misunderstanding all you see.
G7
C
a
Its getting hard to be someone, but it all works out,
F
G
F
C
it doesnt matter much to me.
C
g7
A7
F
A7
F
C
G
h
G7
E7
No one, I think, is in my tree.
a
F
I mean, it must be high or low.
G7
C
a
That is, you know, you cant tune in, but its all right,
F
G
F
C
that is, I think, its not too bad.
Strawberry Fields forever (The Beatles)
C
g7
A7
F
A7
F
C
G
h
G7
E7
Always know, sometimes think its me.
a
F
But you know and I know and its a dream.
G7
C
a
I think, I know of thee, ah, yes, but its all wrong,
F
G
F
C
that is, I think, I disagree.
C
g7
A7
F
A7
F
C
23
24
Hey Jude
(The Beatles)
G
D
Hey Jude, dont make it bad,
D7
G
take a sad song and make it better.
C
G
Remember to let her into your heart,
D7
G
then you can start to make it better.
G
D
Hey Jude, dont be afraid,
D7
G
you were made to go out and get her.
C
G
The minute you let her under your skin,
D7
G
then you begin to make it better.
G7
C
a7
And any time you feel the pain, hey Jude, refrain,
D7
G
dont carry the world upon your shoulders.
G7
C
a7
For now you know, that its a fool, who plays it cool
D7
G
by making his world a little colder.
G7
D7
Da da da da da, da da da da.
Hey Jude (The Beatles)
G
D
Hey Jude, dont let me down,
D7
G
you have found her, now go and get her.
C
G
Remember to let her into your heart,
D7
G
then you can start to make it better.
C
a7
G7
So let it out and let it in, hey Jude, begin,
D7
G
youre waiting for someone to perform with.
G7
C
a7
And dont you know, that its just you, hey Jude, youll do,
D7
G
the movement you need is on your shoulder.
G7
D7
Da da da da da, da da da da.
G
D
Hey Jude, dont make it bad,
D7
G
take a sad song and make it better.
C
G
Remember to let her under your skin,
D7
G
then youll begin to make it better,
better, better, better, better, better, oh.
G
F
C
G
Da da da da-da-da-da, da-da-da-da, hey Jude.
25
26
The Continuing Story of Bungalow Bill

C G7
C
f
Hey, Bungalow Bill, what did you
A E7
A
d
Hey, Bungalow Bill, what did you
(Beatles)
C f
G7
kill, Bungalow Bill?
A d
E
kill, Bungalow Bill?
a
C
F
G
He went out tiger hunting with his elephant and gun,
a
C
F
G
in case of accidents, he always took his mom.
E
G
a
f
Hes the All American bullet headed Saxon mothers son.
C G7
C
f
C f
G7
All the children sing: Hey, Bungalow Bill, what did you kill, Bungalow Bill?
A E7
A
d
A d
E
Hey, Bungalow Bill, what did you kill, Bungalow Bill?
a
C
F
G
Deep in the jungle where the mighty tiger lies,
a
C
F
G
Bill and his elephants were taken by surprise.
E
G
a
f
So Captain Marvel zapped him right between the eyes.
C G7
C
f
C f
G7
A E7
A
d
A d
E
a
C
F
G
The children asked him if to kill was not a sin,
a
C
F
G
Not when he looked so fierce, his mother butted in.
E
G
a
f
If looks could kill it would have been us instead of him.
C G7
C
f
C f
G7
A E7
A
d
A d
E
C G7
C
f
C f
G7
A E7
A
d
A d
E
C G7
C
f
C f
G7
A E7
A
d
A d
E
27
Happiness is a Warm Gun
(The Beatles)
a
e
Shes not a girl who misses much,
a
e
do do do do do dooo,
oh yeah!
d
Shes well acquainted with the touch of the velvet hand
a
like a lizard on a window pane.
d
The man in the crowd with the multicolored mirrors
a
on his hobnail boots,
d
a
lying with his eyes while his hands are busy working overtime,
d
a soap impression of his wife which he ate and donated
a
A7
to the National Trust.
A7
I need a fix cause Im going down, down to the bits that I left up town.
C
A7
I need a fix cause Im going down.
A7
C
A7
G7
Mother Superior jump the gun, Mother Superior jump the gun.
G7
C
A7
A7
G7
C
A7
A7
a
F
G7 C
a
F
G7
Happiness is a warm gun!
C
a
F
G7 C
a
F
G7
C
a F G 7 C a F G7 C
Happiness is a warm, yes it is, gun!
28
Rocky Raccoon
(The Beatles)
a
a
D7
G7
C
Rocky Raccoon checked into his room only to find Gideons Bible.
C
G7
a
D7
Rocky had come equipped with a gun to shoot off the legs of his rival.
C
G7
D7
a7
His rival it seems had broken his dreams by stealing the girl of his fancy.
D7
G7
C
a7
Her name was Magill, she called herself Lil, but evryone knew her as Nancy.
a
D7
G7
C
Now she and her man who called himself Dan were in the next room at the hoedown.
a
D7
G7
C
Rocky burst in and grinning a grin, he said, Danny Boy, this is a showdown.
a7
D7
G7
C
But Daniel was hot, he drew first and shot and Rocky collapsed in the corner.
a
D7
G7
C
Now the doctor came in stinking of gin and proceeded to lie on the table.
a7
D7
He said, Rocky you met your match. And Rocky said, Doc, its only a scratch,
G7
C
and Ill be better, Ill be better Doc, as soon as I am able.
a
D7
G7
C
Now Rocky Raccoon, he fell back in his room only to find Gideons Bible.
a
D7
G7
C
Gideon checked out and he left it no doubt to help with good Rockys revival.
29
Come Together
(The Beatles)
d
d
d
Here come old flat top, he come grooving up slowly, he got Joo Joo
d
A7
eyeball, he one holy roller, he got
hair down to his knee.
7
G
d
Got to be a joker, he just do what he please.
d
d
d
He wear no shoeshine, he got toe jam football, he got monkey finger,
d
A7
he shoot coca cola, he say
I know you, you know me.
G7
One thing I can tell you is you got to be free.
h
G
A
d
Come together, right now,
over me.
d
d
d
He bag production, he got walrus gumboot, he got O-no sideboard,
d
A7
he one spinal cracker, he got
feet down below his knee.
G7
Hold you in his armchair, you can feel his disease.
h
G
A
d
over me.
d
d
d
He roller coaster, he got early warning, he got Muddy Water,
d
A7
One and one and one is three.
he one Mo-jo filter, he say
7
G
Got to be good looking cause hes so hard to see.
h
G
A
d
over me.
30
Maxwells Silver Hammer
(The Beatles)
D
H7
e
Joan was quizzical, studied pataphysical science in the home,
A7
D
A7
late nights all alone with a test tube, oh, oh, oh, oh.
e
D
H7
Maxwell Edison, majoring in medicine, calls her on the phone,
D
A7
A7
can I take you out to the pictures, Jo-o-o-oan?
E7
A7
But, as shes getting ready to go, a knock comes on the door:
D
E7
Bang! Bang! Maxwells silver hammer came down upon her head.
A7
e
A7
D
Clang! Clang! Maxwells silver hammer made sure, that she was dead.
D
H7
Back in school again, Maxwell plays the fool again,
e
teacher gets annoyed,
A7
D A7
wishing to avoid an unpleasant sce-e-e-ene.
D
H7
She tells Max to stay, when the class has gone away,
e
so, he waits behind,
D
A7
A7
writing fifty times I must not be so-o-o-o.
A7
E7
But, when she turns her back on the boy, he creeps up from behind:
Maxwells Silver Hammer (The Beatles)
31
D
E7
Bang! Bang! Maxwells silver hammer came down upon her head.
A7
e
A7
D
Clang! Clang! Maxwells silver hammer made sure, that she was dead.
D
H7
P. C. Thirty-One, said, Weve caught a dirty one,
e
Maxwell stands alone,
A7
D
A7
painting testimonial pictures, oh, oh, oh, oh.
D
H7
e
Rose and Valerie, screaming from the gallery, say he must go free,
A7
D
A7
the judge does not agree, and he tells them so-o-o-o.
E7
A7
But, as the words are leaving his lips, a noise came from behind:
D
E7
Bang! Bang! Maxwells silver hammer came down upon his head.
A7
e
A7
D
Clang! Clang! Maxwells silver hammer made sure, that he was dead.
32
Let it be
(The Beatles)
C
G
a
F
When I find myself in times of trouble, Mother Mary comes to me,
C
G
F
e D C
speaking words of wisdom, let it be.
C
G
a
F
And in my hour of darkness, she is standing right in front of me,
C
G
F
e D C
a
G
F
C
Let it be, let it be, let it be, let it be,
G
F
e
whisper words of wisdom, let it be.
C
G
a
F
And when the broken hearted people living in the world agree,
C
G
F
e D C
there will be an answer, let it be.
C
G
a
F
For though they may be parted, there is still a chance, that they will see,
C
G
F
e D C
a
G
F
C
G
F
e
C
G
a
F
And when the night is cloudy, there is still a light, that shines on me,
C
G
F
e D C
shine until tomorrow, let it be.
C
G
a
F
I wake up to the sound of music, Mother Mary comes to me,
C
G
F
e D C
a
G
F
C
G
F
e
whisper words of wisdom, let it be.
33
Get back
(The Beatles)
A
G D
A
Jo Jo was a man who thought he was a loner,
D
A
but he knew it couldnt last.
A
Jo Jo left his home in Tucson, Arizona,
D
A
for some California grass.
G
D A
D
A
Get back! Get back! Get back to where you once belonged.
G
D A
D
A
G D
A
Sweet Loretta Martin thought she was a woman,
D
A
but she was another man.
A
All the girls around her say shes got it coming,
D
A
but she gets it while she can.
G
D A
D
A
G
D A
D
A
G
34
The Gnome
G
(Pink Floyd)
D
D
A
D
C
A C A
I want to tell you a story bout a little man, if I can.
D
A
D
C
A
C
A
A gnome named Crimble-Cromble, a little gnome stay in their homes,
G D
B C
F C
A D
eating, sleeping, drinking their wine.
D
A
D
C
A
C
A
He wore a scarlet tunic, a blue green hood, it looked quite good.
D
A
D
C
A
C
A
He had a big adventure, a mist of grass, fresh air at last,
G D
BC
FC A D
winding, dining, biding his time.
G
And then one day,
G
D
huuuurray!
F
A
E
G
D
hurray, another way from gnomes to say,
D
A
D
Look at the sky, look at the river,
D
A
D
Look at the sky, look at the river,
G D B C
FC A D
Winding, finding places to go.
G
And then one day,
G
D
huuuurray!
G
D
Huuuuuuuurray!
C
A
isnt it good?
C
A
isnt it good?
F
A
E
G
D
hurray, another way from gnomes to say,
35
Fearless
G
(Pink Floyd)
G
C B G
C B G
C B G
C B G
G
You say the hills too steep to climb,
shining.
G
C B G
C B A
You say youd like to see me try,
climbing.
A
D
You pick the place and I choose the time,
G
C
and now I climb that hill in my own way.
G
C
Just wait a while for the right day.
G
C
And as I rise above the tree light and the clouds,
D
C
G
I look down, hear in the sound of the things you said today.
G
e2 e
e2 e
e 2 G6 G
C B G
C B G
G
C B G
C
Fearlessly the idiot face the ground,
smiling.
G
C B G
Massing as the mergest tree turns round,
founding.
A
D
And whos the fool who wears the ground?
G
C
Hoe down in your own way.
G
C
And evry day is the right day.
G
C
And as you rise above the fear lines in this ground,
D
C
G
you look down, hear in the sound of the faces in the ground.
G
C
36
Time
E
f]
f]
A
(Pink Floyd)
E
f]
E F f]
E F f]
E F f]
f]
A
Ticking away the moments that make up a dull day,
E
f]
you fritter and waste the hours in an off hand way.
f]
A
Kicking around on a piece of ground in your home town,
E
f]
waiting for someone or something to show you the way.
D
A
Tired of lying in the sunshine, staying home to watch the rain,
D
A
you are young and life is long and there is time to kill today.
D
c]
And then one day you find,
ten years have got behind you,
h
E
no one told you when to run,
you missed the starting gun.
f]
f]
D
A
A
A
E
E
D
f]
f]
A
f]
f]
D
A
A
c]
E
E
h
f]
f]
E
f]
A
And you run and you run to catch up with the sun, but its sinking,
E
f]
and racing around to come up behind you again.
f]
A
The sun is the same in the relative way, but youre older,
E
f]
shorter of breath and one day closer to death.
Time (Pink Floyd)
37
D
A
Every year is getting shorter, never seem to find the time,
D
A
plans that either come to naught or half a page of scribbled lines.
D
c]
Hanging on in quiet desperation is the English way,
h
D
F
the time is gone, the song is over, thought Id something more to say.
E
E7
A4
E7
A4
E7
A
A4 A
Home, home again,
E7
A
A4 A
I like to be here when I can.
E7
A
A4 A
When I come home cold and tired,
E7
A
A4 A
its good to warm my bones beside the fire.
C
Far away across the field,
h
the tolling of the iron bell
F
calls the faithful to their knees
G
F
c
h
to hear the softly spoken magic spells.
38
Brain Damage
(Pink Floyd)
D
G7
D
G7
The lunatic is on the grass,
the lunatic is on the grass.
D
E
Remembering games and daisy chains and laughs,
D
D2 D
A7
got to keep the loonies on the path.
D
G7
D
G7
The lunatic is in the hall,
the lunatics are in my hall.
D
E
The paper holds their folded faces to the floor,
A7
D
D2 D
and every day the paper boy brings more.
G
A
And if the dam breaks open many years too soon,
C
G
and if there is no room upon the hill,
G
A
and if your head explodes with dark forbodings too,
C
G
h e
Ill see you on the dark side of the moon.
D
G7
D
G7
The lunatic is in my head,
the lunatic is in my head.
D
E
You raise the blade,
you make the change,
7
A
D
D2 D
you re-arrange me till Im sane.
D
E
You lock the door and throw away the key,
A7
D
D2 D
theres someone in my head, but its not me.
G
A
And if the cloud bursts, thunder in your ear,
C
G
you shout and no one seems to hear.
G
A
And if the band youre in starts playing different tunes,
C
G
h e A
Ill see you on the dark side of the moon.
39
Welcome to the Machine

e
(Pink Floyd)
e
C
e
Welcome my son,
welcome to the machine.
C
a
e
Where have you been?
Its alright, we know where youve been.
C
Youve been in the pipeline, filling in time,
e
provided with toys and Scouting for Boys.
C
You bought a guitar to punish your ma,
e
and you didnt like school, and you know youre nobodys fool.
C
e
So welcome to the machine.
e
e
C
e
Welcome my son,
welcome to the machine.
C
a
e
What did you dream?
Its alright, we told you what to dream.
C
You dreamed of a big star,
e
he played a mean guitar.
C
He always ate in the Steak Bar,
e
he loved to drive in his Jaguar.
C
e
So welcome to the machine.
e
40
Wish You were here

a7 (e7 )
a7 (e7 )
C (G)
C (G)
a7 (e7 )
a7 (e7 )
C (G)
C (G)
(Pink Floyd)
a7 (e7 )
a7 (e7 )
F (C)
G (D)
So, so you think you can tell
d (a)
C (G)
heaven from hell, blue skies from pain.
G (D)
Can you tell a green field from a cold steel
d (a)
A smile from a veil? Do you think you can
D7 (A7 ) a7 (e7 )
D7 (A7 ) a7 (e7 )
D7 (A7 ) C (G)
D7 (A7 ) C (G)
F (C)
rail?
C (G)
tell?
C (G)
F (C)
G (D)
And did they get you to trade your heroes for ghosts?
d (a)
C (G)
Hot ashes for trees? Hot air for a cool breeze?
G (D)
F (C)
Cold comfort for change? And did you exchange
d (a)
C (G)
a walk on part in the war for a lead role in a cage?
a7 (e7 )
C (G)
a7 (e7 )
C (G)
a7 (e7 )
D7 (A7 ) a7 (e7 )
D7 (A7 ) C (G)
F (C)
G (D)
How I wish, how I wish you were here.
d (a)
C (G)
Were just two lost souls swimming in a fish bowl,
year after year,
G (D)
F (C)
running over the same old ground.
What have we found?
d (a)
C (G)
The same old fears. Wish you were here.
a7 (e7 )
a7 (e7 )
a7 (e7 )
C (G)
C (G)
C (G)
a7 (e7 )
a7 (e7 )
a7 (e7 )
C (G)
C (G)
C (G)
a7 (e7 )
a7 (e7 )
a7 (e7 )
D7 (A7 ) a7 (e7 )
D7 (A7 ) a7 (e7 )
D7 (A7 ) a7 (e7 )
D7 (A7 ) C (G)
D7 (A7 ) C (G)
D7 (A7 ) C (G)
41
Another Brick in the Wall (Part 2)

d
We dont need no education.
d
We dont need no thought control.
d
No dark sarcasm in the classroom.
d
G
Teacher leave the kids alone.
G
d
d
Hey teacher leave the kids alone.
(Pink Floyd)
F
C
d
All in all its just another brick in the wall.
F
C
d
All in all youre just another brick in the wall.
d
We dont need no education.
d
We dont need no thought control.
d
No dark sarcasm in the classroom.
d
G
Teachers leave the kids alone.
G
d
d
Hey teacher leave us kids alone.
F
C
d
F
C
d
d
42
Mother
(Pink Floyd)
G
C
G
Mother do you think theyll drop the bomb?
G
C
G
Mother do you think theyll like the song?
C
G
Mother do you think theyll try to break my balls?
D
C
G
Oooh aaah, mother should I build a wall?
G
C
G
Mother should I run for president?
G
C
G
Mother should I trust the government?
C
G
Mother will they put me in the firing line?
D
C
G
Oooh Ma, is it just a waist of time?
G
C
Hush now baby, baby dont you cry.
F
C
Mamas gonna make all of your nightmares come true.
F
C
Mamas gonna put all of her fears into you.
F
C
Mamas gonna keep you right here under her wing.
F
C
She wont let you fly but she might let you sing.
F
C
G
Mamas gonna keep baby cosy and warm.
D
C D
C
D
Ooooh babe, ooooh babe,
ooooh babe,
C
G
of course mamas gonna help build the wall.
Mother (Pink Floyd)
43
G
C
G
Mother do you think shes good enough for me?
G
C
G
Mother do you think shes dangerous to me?
C
G
Mother will she tear your little boy apart?
D
C
G
Oooh aaah, mother will she break my heart?
G
C
Hush now baby, baby dont you cry.
F
C
Mamas gonna check out all your girl friends for you.
F
C
Mama wont let anyone dirty get through.
F
C
Mamas gonna wait up until you get in.
F
C
Mama will always find out where youve been.
F
C
G
Mamas gonna keep baby healthy and clean.
D
C D
C
D
Ooooh babe, ooooh babe,
ooooh babe,
C
G
youll always be a baby to me.
G
C
Mother did it need to be so high.
44
Comfortably Numb
(Pink Floyd)
h
h
A
Hello, hello, hello, is there anybody in there?
G
e
h
Just nod if you can hear me,
is there anyone at home?
h
A
Come on, come on now, I hear youre feeling down.
G
e
h
But I can ease your pain and get you on your feet again.
h
A
Relax, relax, relax, Ill need some information first,
G
e
h
just the basic facts, can you show me where it hurts?
D
A
There is no pain, you are receding.
D
A
A distant ship smoke on the horizon.
C
G
You are only coming through in waves.
C
G
Your lips move but I cannot hear what youre saying.
D
A
When I was a child, I had a fever.
D
A
My hands felt just like two balloons.
C
G
Now Ive got that feeling once again, I cant explain,
C
G
you would not understand, this is not how I am.
A C
G
D
I
have become comfortably numb.
Comfortably Numb (Pink Floyd)
D
A
I
A
C
45
G
D
h
A
O.k., o.k., o.k., just a little pin prick.
G
e
h
Therell be no more aaaaaaaah! But you may feel a little sick.
h
A
Can you stand up, stand up, stand up? I do believe its working good.
G
e
h
Thatll keep you going through the show, come on its time to go.
D
A
There is no pain, you are receding.
D
A
A distant ship smoke on the horizon.
C
G
You are only coming through in waves.
C
G
Your lips move but I cannot hear what youre saying.
D
A
When I was a child, I caught a fleeting glimpse,
D
A
out of the corner of my eye.
C
G
I turned to look but it was gone,
C
G
I cannot put my finger on it now, the child is grown, the dream is gone.
A C
G
D
I
h
h
h
A
A
A
G e
G e
G e
h
h
h
h
h
h
A
A
A
G e
G e
G e
h
h
h
46
The Sounds of Silence
(Simon & Garfunkel)
a
G
Hello darkness, my old friend,
a
Ive come to talk with you again,
C
F
C
because a vision softly creeping,
F
C
left its seeds while I was sleeping,
F
C
and the vision that was planted in my brain
a C
G
a
still remains,
within the sound of silence.
a
G
In restless dreams I walked alone
a
narrow streets of cobblestone,
C
F
C
neath the halo of a street lamp
F
C
I turned my collar to the cold and damp,
F
C
when my eyes were stabbed by the flash of a neon light,
a C
G
a
that split the night,
and touched the sound of silence.
a
G
And in the naked light I saw
a
ten thousand people, maybe more,
C
F
C
people talking without speaking,
F
C
people hearing without listening,
F
C
people writing songs that voices never share . . .
a C
G
a
and no one dare,
disturb the sound of silence.
The Sounds of Silence (Simon & Garfunkel)

a
G
Fools! said I, you do not know,
a
silence like a cancer grows.
C
F
C
Hear my words that I might teach you,
F
C
take my arms that I might reach you.
F
C
But my words like silent raindrops fell,
a C
G
a
...
and echoed in the wells of silence.
a
G
And the people bowed and prayed
a
to the neon god they made,
C
F
C
and the sign flashed out its warning
F
C
in the words that it was forming,
F
C
and the signs said, The words of the prophets are written on the subway walls
a C
G
a
and tenement halls,
and whisperd in the sounds of silence.
47
48
Mrs. Robinson
(Simon & Garfunkel)
C
a
And heres to you, Mrs. Robinson,
C
a
F
G
Jesus loves you more than you will know, wo, wo, wo.
C
a
God bless you, please, Mrs. Robinson,
C
a
F
d
A
heaven holds a place for those who pray, hey, hey, hey, hey, hey, hey.
A
Wed like to know a little bit about you for our files.
D
Wed like to help you learn to help yourself.
G
C
F
d
Look around you, all you see are sympathetic eyes,
A
G
stroll around the grounds until you feel at home.
C
a
And heres to you, Mrs. Robinson,
C
a
F
G
C
a
C
a
F
d
A
A
Hide it in a hiding place where no one ever goes.
D
Put it in your pantry with your cupcakes.
G
C
F
d
Its a little secret, just the Robinsons affair.
A
G
Most of all, youve got to hide it from the kids.
Mrs. Robinson (Simon & Garfunkel)
49
C
a
Coo, coo, ca-choo, Mrs. Robinson,
C
a
F
G
C
a
C
a
F
d
A
A
Sitting on a sofa on a sunday afternoon,
D
going to the candidates debate.
G
C
F
d
Laugh about it, shout about it, when youve got to choose,
A
G
evry way you look at it, you lose.
C
a
Where have you gone, Joe Di Maggio?
C
a
F
G
A nation turns its lonely eyes to you, woo, woo, woo.
C
a
Whats that you say, Mrs. Robinson?
C
a
F
d
A
Joltin Joe has left and gone away, hey, hey, hey, hey, hey, hey.
50
The Boxer
(Simon & Garfunkel)
G
e
I am just a poor boy though my storys seldom told,
D
a
D
G
I have squandered my resistance for a pocket full of mumbles, such are promises.
e
D
C
G
All lies and jest, still a man hears what he wants to hear and disregards the rest.
D
G
Hmm hmm hmmmm, hmmmm hmm hmm hmmmm.
G
e
When I left my home and my family, I was no more than a boy,
D
a
D
G
in the company of strangers, in the quiet of the railway station running scared.
e
D
C
G
Laying low, seeking out the poorer quarters where the ragged people go,
D
G
looking for the places only they would know.
e
D
e
D
C
G
Lie la lie, lie la lie la lie la lie, lie la lie, lie la lie la lie la lie la la la la lie.
G
e
Asking only workmans wages I come looking for a job,
D
a
D
G
but I get no offers, just a come-on from the whores on Seventh Avenue.
e
D
C
G
I do declare, there were times when I was so lonesome I took some comfort there.
D
G
Ula la lah, lah la la lah.
The Boxer (Simon & Garfunkel)
51
G
e
Now the years are rolling by me, they are rocking evenly,
D
a
D
G
I am older than I once was, younger than Ill be, but thats not unusual.
e
D
C
G
No it isnt strange, after changes upon changes we are more or less the same,
D
G
after changes we are more or less the same.
e
Lie la lie, lie la
e
Lie la lie, lie la
D
e
D
lie la lie la lie, lie la lie, lie la lie la lie la
D
e
D
lie la lie la lie, lie la lie, lie la lie la lie la
C
G
lie la la la la lie.
C
G
lie la la la la lie.
G
e
Then Im laying out my winter clothes and wishing I was gone,
D
a
D
G
going home, where the New York City winters arent bleeding me,
h
e
leading me,
D
G
going home.
G
e
In the clearing stands a boxer and a fighter by his trade,
D
a
D
and he carries the reminders of evry glove that laid him down
G
e
or cut him till he cried out, in his anger and his shame:
D
C
G
I am leaving, I am leaving!, but the fighter still remains.
D
G
Hmm hmm hmmmm.
e
D
e
D
C
G
e
D
e
D
C
G
e
D
e
D
C
G
52
Its Good to be King

a
(Tom Petty)
a
a
d
Its good to be king, if just for a while.
G
a
To be there in velvet, yeah; to give em a smile.
a
d
Its good to get high and never come down.
G
a
Its good to be king of your own little town.
aaCCee
D2
D2 G
C
Yeah, the world would swing if I were king.
FeDCDe G
G
Can I help it if I
FeDCDe a
D2
D4 D
still dream time to time?
a
d
Its good to be king and have your own way.
G
a
Get a feeling of peace at the end of the day.
a
d
And when your bulldog barks and your canary sings,
G
a
youre out there with winners, its good to be king.
Its Good to be King (Tom Petty)
53
aaCCee D2
D2
G
C
Yeah Ill be king when dogs get wings.
FeDCDe G
G
Can I help it if I
FeDCDe a
D2
D4 D
still dream time to time?
a
a
d
Its good to be king and have your own world.
G
a
It helps to make friends, its good to meet girls.
a
d
A sweet little queen, who cant run away.
G
a
Its good to be king, whatever it pays.
FeDCDe G
G
Excuse me if I
FeDCDe G
G
have some place in my mind,
FeDCDe a
D2
D4 D D4 D D4 D
where I go time to time.
a
54
Hard on Me
d
(Tom Petty)
d
d
G
a
Its all I can do, to keep that little girl smiling,
d
G
a
and keep my faith alive.
d
G
a
Takes all I got to hold on to tomorrow.
G
F4
F
And you want to make it hard.
G
F4
F
Yeah, you want to make it hard on me.
d
G a
Some other time, Id be understanding,
d
G
a
you were supposed to be
d
G
a
the friend that I needed when I was down and now.
G
F4
F
You want to make it hard,
G
F4
F
you want to make it hard on me.
e
a
e
C
Maybe if I tried, I could turn the other cheek.
e
a
D
G
D G
Maybe, but how big do I have to be?
Hard on Me (Tom Petty)
55
G
F4
F
Now you want to make it hard.
G
F4
F
Yeah, you want to make it hard on me.
e
a
e
C
Maybe if I tried, I could turn the other cheek.
e
a
D
G
D G
Maybe, but how big do I have to be?
d
G
a
I need someone to put their arm around me,
d
G
a
shelter me from all harm
d
G a
just as I find something to believe in.
G
F4
F
You want to make it hard,
G
F4
F
G
F4
Yeah, you want to make it hard,
G
F4
F
d
56
Blowin in the Wind
(Bob Dylan)
C
F
C
C
F
G
How many roads must a man walk down, before you call him a man?
C
F
C
a
C
F
G
How many seas must a white dove sail, before she sleeps in the sand?
C
F
C
C
F
G
How many times must a cannon ball fly, before they forever are banned?
C
a
F
G7
The answer, my friend, is blowin in the wind,
C
F
G7
the answer is blowin in the wind.
C
F
C
C
F
G
How many times must a man look up, before he can see the sky?
C
F
C
a
C
F
G
How many ears must one man have, before he can hear people cry?
C
F
C
C
F
G
How many deaths will it take, till he knows, that so many people have died?
F
G7
C
a
F
G7
C
C
F
C
C
F
G
How many years can a mountain exist, before it is washed to the sea?
C
F
C
a
C
F
G
How many years can some people exist, before theyre allowed to be free?
C
F
C
C
F
G
How many times can a man turn his head, pretending he just didnt see?
F
G7
C
a
F
G7
C
57
Knockin on Heavens Door
(Bob Dylan)
D
a
G
D
C
Mama, take this badge from me.
I cant use it anymore.
G
D
a
G
D
C
Its getting dark, too dark to see,
feels like Im knockin on heavens door.
G
D
a
Knock, knock, knockin on heavens door,
G
D
C
knock, knock, knockin on heavens door.
G
D
C
Hey, hey, hey, hey, yeah. Knock, knock, knockin on heavens door.
G
D
C
Knock, knock, knockin on heavens door.
G
D
C
G D a
G D C
G
D
a
G
D
C
Mama, put those guns to the ground,
cause I cant shoot them anymore.
G
D
a
G
D
C
That cold black cloud is comin down, feels like Im knockin on heavens door.
G
D
a
G
D
C
G
D
C
G
D
C
G
D
C
G D a
G D C
G
D
a
G
D
C
Mama, whats about from my face,
I cant see to it anymore.
G
D
a
G
D
C
Its a feeling that I just cant train.
I feel like Im knockin on heavens door.
G
D
a
G
D
C
G
D
C
G
D
C
G
D
C
G D a
G D C G
58
Father and Son
(Cat Stevens)
G
D
C
a7
Its not time to make a change, just relax take it easy,
G
e
a
D
youre still young, thats your fault, theres so much you have to know.
G
D
C
a7
Find a girl, settle down, if you want you can marry,
G
e
a
D
look at me, I am old but Im happy.
G
h7
C
a7
I was once like you are now and I know that its not easy
G
e
a
D
to be calm when youve found something going on.
G
h7
C
a7
But take your time, think a lot, think of evrything youve got,
G
e
D
G
C G C
for you will still be here tomorrow, but your dreams may not.
G
h7
C
a7
How can I try to explain? When I do he turns away again.
G
e
a
D
Its always been the same, same old story.
G
h7
C
a7
From the moment I could talk I was ordered to listen
G
e
D
G
D
C
G
now theres a way and I know that I have to go away. I know, I have to go.
G
D
C
a7
Its not time to make a change, just sit down take it slowy,
G
e
a
D
youre still young, thats your fault, theres so much you have to go through.
G
D
C
a7
Find a girl, settle down, if you want you can marry,
G
e
a
D
look at me, I am old but Im happy.
G
h7
C
a7
All the times that Ive cried, keeping all the things I knew inside,
G
e
a
D
its hard but its harder to ignore it.
G
h7
C
a7
If they were right Id agree but its them they know not me,
G
e
D
G
D
C
G
now theres a way and I know that I have to go away. I know I have to go.
59
Morning has Broken

D
F]
(Cat Stevens)
h
G7
A7
Cd G
F C
Morning has broken like the first morning,
e a D4
D G
G7
blackbird has spoken like the first bird.
C
F
C
a D
Praise for the singing, praise for the morning,
G
C F
G7
C
praise for them springing, fresh from the world.
F
G7
C d G
F C
Sweet the rains new fall, sunlit from heaven,
e a D4
D
G
G7
like the first dewfall on the first grass.
C
F
C
a D
Praise for the sweetness of the wet garden,
G
C F
G7
C
sprung in completeness where his feet pass.
F
F]
D e
A
G D
Mine is the sunlight, mine is the morning.
A
f] h
E7
Born of the one light, Eden saw play.
D
G
D
h E
Praise with elation, praise evry morning,
D
A
D G A7
Gods recreation of the new day.
G
F]
G7
F]
A7
60
Field of Mars
C4
C4
(The Church)
C4
C
Its a long way home from the field of Mars.
C
C4
Distant, alone, beneath the platinum stars.
G
F
And I turn to look, and Im never any closer.
G
F
Only just the rain makes the skin feel colder.
a
G
a
G
All my life seems so far away,
all my life seems so far away.
C4
C
The air is soft in the field of Mars.
C4
C
Tears and loss feed the overgrown grass.
G
F
And I have to leave, but I never seem to go.
G
F
Only more sad clouds, where autumn winds will blow.
a
G
a
G
All my dreams seem so long ago,
all my dreams seem so long ago.
C
F
C
F
Ooooh, field of Mars, ooooh, field of Mars.
C4
C
The time is past in the field of Mars.
C4
C
Grief wont last in the departing cars.
G
F
And I call her name, but she never, ever hears.
G
F
And I call again to the cruelty of the years.
a
G
a
G
Oh, my love, shes so far away,
oh, my love, shes so far away.
C
F
C
F
C4
C4
C
F
C
F
F
C
61
Secret Corners
C
C
G4
G4
F2
F2
(The Church)
a
a
G
G
C
G4
Lying alone, isnt that you?
F2
a
G
Drifting away is the only thing left to do.
C
G4
Such a sad place, such a lost world,
F2
a
G
F
but nothing is sadder than the tears of a make-believe girl.
C
G4
Who is this child, who is this man?
F2
a G
Only two people who are doing all they can.
C
G4
Frost on the ground, the cruel winds of fate
F2
a
G
F
blow us forever and I know theres just no escape.
a
Run to the secret corners

of your room,
G
F
Ill still be waiting, Ill still be waiting.
C
G4
F2
62
Lola
C
(The Kinks)
C
E
I met her in a club down in old Soho,
A
D
E
where you drink champagne and it tastes like coca cola,
A
see oh el aye cola.
E
She walked up to me and she asked me to dance,
A
D
E
I asked her her name and in a dark brown voice, she said Lola,
A
D
C
C D E
el oh el aye Lola,
la la la la Lola.
E
Well, Im not the worlds most physical guy,
A
D
E
but when she squeezed me tight she nearly broke my spine, oh my Lola,
A
la la la la Lola.
E
Well, Im not dumb, but I cant understand,
A
D
E
why she walked like a woman and talked like a man, oh my Lola,
A
D
C
C D E
la la la la Lola,
la la la la Lola.
H
Well, we drank champagne and danced all night
F]
under electric candle light.
A
She picked me up and sat me on her knee
A
and said:
Dear boy, wont you come home with me?
E
Well, Im not the worlds most passionate guy,
A
D
E
but when I looked in her eyes, well, I almost fell for my Lola,
Lola (The Kinks)

A
D
la la la la Lola,
E
A
Lola, la la la la Lola,
63
C
C
la la la la Lola.
D
C
la la la la Lola.
D
C
A
E
H
A
E
H
I pushed her away, I walked to the door,
c]
A E
H
E G] 7
I fell to the floor, I got down on my knees,
H
then I looked at her, and she at me.
E
Well, thats the way that I want it to stay,
A
D
E
and I always want it to be that way for my Lola,
A
la la la la Lola.
E
Girls will be boys and boys will be girls,
A
D
E
its a mixed up, muddled up, shook up world except for Lola,
A
la la la la Lola.
H
Well, I left home just a week before
F]
and Id never ever kissed a woman before.
A
But Lola smiled and took me by the hand
A
and said:
Dear boy, Im gonna make you a man.
E
Well, Im not the worlds most masculine man,
A
D
E
but I know what I am, and Im glad Im a man and so is Lola,
A
D
C
C D
la la la la Lola,
la la la la Lola.
E
A
D
C
C D
la la la la Lola.
E
A
D
C
C D E
la la la la Lola.
64
Hotel California
a
a
E
E
G
G
D
D
(Eagles)
F
F
a
On a dark desert highway,
G
D
warm smell of colitas
F
Up ahead in the distance,
d
My head grew heavy and my
C
C
d
d
E
E
E
cool wind in my hair,
rising up through the air.
C
I saw a shimmering light.
E
sight grew dim,
I had to stop for the night.
a
E
There she stood in the doorway,
I heard the mission bell.
G
D
And I was thinking to myself, this could be heaven or this could be hell.
F
C
Then she lit up a candle
and she showed me the way.
d
E
There were voices down the corridor,
I thought I heard them say . . .
F
C
Welcome to the Hotel California.
E
a
Such a lovely place, such a lovely place, such a lovely face.
F
C
Plenty of room at the Hotel California.
d
E
Any time of year, any time of year, you can find it here.
a
E
Her mind is Tiffany-twisted,
she got the Mercedes bends.
G
D
She got a lot of pretty, pretty boys,
that she calls friends.
F
C
How they dance in the courtyard, sweet summer sweat.
d
E
Some dance to remember,
some dance to forget.
Hotel California (Eagles)
65
a
E
So I called up the captain,
please bring me my wine.
G
D
He said,
we havent had that spirit here since
nineteen sixty nine.
F
C
And still those voices are calling from far away,
d
E
wake you up in the middles of the night,
just to hear them say . . .
F
C
Welcome to the Hotel California.
E
a
Such a lovely place, such a lovely place, such a lovely face.
F
C
They livin it up at the Hotel California.
d
E
What a nice surprise, what a nice surprise, bring your alibis.
a
E
Mirrors on the ceiling,
the pink champagne on ice.
G
D
And she said,
we are all just prisoners here,
of our own device.
F
C
And in the masters chambers,
they gathered for the feast.
d
E
They stab it with their steely knives, but they just cant kill the beast.
a
E
Last thing I remember, I was
running for the door.
G
D
I had to find the passage back to the place I was before.
F
C
Relax! said the night man, we are
programmed to receive.
d
E
You can check out any time you like,
but you can never leave.
a
a
E
E
G
G
D
D
F
F
C
C
d
d
E
E
66
Sex and Candy
(Marcy Playground)
G
F]
Hangin round downtown by myself,
h
G
F]
and I had so much time to sit and think about myself,
h
G
F]
and then there she was like double cherry pie,
h
G
F] F]
yeah, there she was like disco superfly.
h
I smell sex and
candy
here.
h
G
A
Whos that lounging
in my
chair?
h
G
A
devious stares in my direction?
Whos that casting
A
D
A
h
Mama this surely is a dream, yeah.
G
D
A h G F]
Yeah, Mama this surely is a dream.
G
F]
Hangin round downtown by myself,
h
G
F]
and I had too much caffeine and I was thinkin bout myself,
h
G
F]
and then there she was in platform double suede,
h
G
F]
F]
yeah, there she was like disco lemonade.
h
Sex and Candy (Marcy Playground)
67
I smell sex and
candy
here.
h
G
A
Whos that lounging
in my
chair?
h
G
A
Whos that casting
A
D
A
h
Mama this surely is a dream, yeah.
G
D
A h
G
D
A
h G F]
Yeah, Mama this surely is a dream, yeah.
h
I smell sex and
candy
here.
h
G
A
Whos that lounging
in my
chair?
h
G
A
Whos that casting
A
D
A h
Mama this surely is a dream.
G
D
A h
G
D
A
h
Yeah, Mama this surely is a dream, yeah.
G
D
Yeah, Mama this must be my dream.
68
House of the Rising Sun

a
(Animals)
E
a
C
D
F
There is a house in New Orleans,
a
C
E
they call The Rising Sun.
a
C
D
F
And its been the ruin for many poor boys,
a
E
a
C D F a
and God I know Im one.
a
C D
F
My mother was a tailor,
a
C
E
she sewed my new blue jeans.
a
C
D
F
My father was a gamblin man,
a
E
a
C
way down in New Orleans.
D F
a
C
D
F
The only things a gambler needs
a
C
E
are a suitcase and a trunk.
a
C
D
F
And the only time, hes satisfied,
a
E
a
C D F
is when hes on a drunk.
House of the Rising Sun (Animals)
69
a
C
D
F
Oh mother,
tell your children,
a
C
E
not to do the things Ive done.
a
C
D
F
Spend your live in sin and misery
a
E
a
C D F a
in the house of the rising sun.
a
C
D
F
With one foot on the platform,
a
C
E
the other put on the train,
a
C
D
F
Im going back to New Orleans,
a
E
a
C D F
to wear that ball and chain.
a
C
D
F
There is a house in New Orleans,
a
C
E
they call The Rising Sun.
a
C
D
F
And its been the ruin for many poor boys,
a
E
a
C D F a
and God I know Im one.
70
Lady in Black
(Uriah Heep)
e
She came to me one morning, one lonely Sunday morning,
D
e
her long hair flowing in the mid-winter wind.
e
I know not how she found me, for in darkness I was walking,
D
e
and destruction lay around me from a fight I could not win.
e
G
D
eG
D
e
Ahahahahahahahaha ahahahahahaha.
e
She asked me name my foe then. I said the need within some men
D
e
to fight and kill their brothers without thought of love or God.
e
And I begged her, give me horses to trample down my enemy!
D
e
So eager was my passion to devour this way of life.
e
G
D
eG
D
e
e
But she would not think of battle that reduces men to animals,
D
e
so easy to begin and yet impossible to end.
e
For she, the mother of all men, did counsel me so wisely then,
D
e
I feared to walk alone again and asked if she would stay.
e
G
D
eG
D
e
Lady in Black (Uriah Heep)
71
e
Oh, lady, lend your hand! I cried, oh, let me rest here at your side!
D
e
Have faith and trust in me! she said and filled my heart with pride.
e
There is no strength in numbers, have no such misconception,
D
e
but when you need me, be assured, I wont be far away.
e
G
D
eG
D
e
e
Thus having spoke she turned away, and tho I found no words to say,
D
e
I stood and watched until I saw her black cloak disappear.
e
My labour is not easier, but now I know Im not alone,
D
e
I find new heart each time I think upon that windy day.
e
And if one day she comes to you, drink deeply from her words so wise,
D
e
take courage from her as your prize and say hello for me.
e
G
D
eG
D
e
e
G
D
eG
D
e
e
G
D
eG
D
e
e
G
D
eG
D
e
72
The Universal Soldier
(Donovan)
D C
D
G
e
He is five feet two, and hes six feet four,
C
D
G
he fights with missiles and with spears,
C
D
G
e
he is all of thirty-one, and hes only seventeen,
C
a
D
D7
s been a soldier for thousand years.
C
D
G
e
Hes a Catholic, a Hindu, an atheist, a Chein,
C
D
G
a Buddhist and a Baptist and a Jew,
C
D
G
e
and he knows, he shouldnt kill, and he knows, he always will,
C
a
D
D7
care for me, my friend, and I will care for you.
C
D
G
e
And hes fighting for Canada, hes fighting for France,
C
D G
hes fighting for the U.S.A.,
C
D
G
e
and hes fighting for the Russians, hes fighting for Japan,
C
a
D
D7
and he thinks we put an end to war this way.
The Universal Soldier (Donovan)
73
C
D
G
e
And hes fighting for democracy, hes fighting for the Reds,
C
D
G
he says its for the peace of all,
C
D
G
e
hes the one, who must decide, whos to live and whos to die,
C
a
D
D7
and he never sees the writing on the wall.
C
D
G
e
And without him, how would Hitler kill the people at Dachau,
C
D
G
without him Caesar would have stood alone,
C
D
G
e
hes the one, who gives his body as a weapon of the war,
C
a
D
D7
and without him always killing cant go on.
C
D
G
e
Hes the universal soldier, and he really is to blame,
C
D
G
his orders came from far away, no more.
C
D
G
e
They came from here and there, and you and me aint brothers,
C
a
cant you see, this is not the way we put an end to war!
74
Where have all the Flowers Gone?

G
(P., P. & M.)
G
e
a7
D
Where have all the flowers gone, long time passing?
G
e
a
D7
Where have all the flowers gone, long time ago?
G
e
Where have all the flowers gone?
a7
D7
Young girls have picked them everyone.
C
G
a
D G
When will they ever learn? When will they ever learn?
G
e
a7
D
Where have all the young girls gone, long time passing?
G
e
a
D7
Where have all the young girls gone, long time ago?
G
e
Where have all the young girls gone?
a7
D7
Gone to husbands everyone.
C
G
a
D G
D
G
e
a7
Where have all the husbands gone, long time passing?
G
e
a
D7
Where have all the husbands gone, long time ago?
G
e
Where have all the husbands gone?
D7
a7
Gone to soldiers everyone.
C
G
a
D G
Where have all the Flowers Gone? (Peter, Paul & Mary)
G
e
a7
D
Where have all the soldiers gone, long time passing?
G
e
a
D7
Where have all the soldiers gone, long time ago?
G
e
Where have all the soldiers gone?
a7
D7
Gone to graveyards everyone.
C
G
a
D G
G
e
a7
D
Where have all the graveyards gone, long time passing?
G
e
a
D7
Where have all the graveyards gone, long time ago?
G
e
Where have all the graveyards gone?
a7
D7
Covered with flowers everyone.
C
G
a
D G
G
e
a7
D
Where have all the flowers gone, long time passing?
G
e
a
D7
Where have all the flowers gone, long time ago?
G
e
Where have all the flowers gone?
D7
a7
Young girls have picked them everyone.
C
G
a
D G
75
76
Suzanne
(Leonard Cohen)
G
Suzanne takes you down to her place near the river,
a
you can hear the boats go by, you can spend the night beside her,
G
and you know that shes half crazy,
but thats why you want to be there,
h
C
and she feeds you tea and oranges that come all the way from China,
G
a
and just when you mean to tell her that you have no love to give her,
G
a
then she gets you on her wavelength, and she lets the river answer
G
that youve always been her lover.
G
h
C
And you want to travel with her, and you want to travel blind,
G
and you know she will trust you
a
G
for youve touched her perfect body with your mind.
G
And Jesus was a sailor when he walked upon the water,
a
and he spent a long time watching from his lonely wooden tower,
G
and when he knew for certain, only drowning men could see him,
h
C
he said, All men will be sailors then until the sea shall free them.
G
a
But he himself was broken long before the sky would open,
G
a
forsaken, almost human, he sank beneath your wisdom
G
like a stone.
Suzanne (Leonard Cohen)
G
h
C
And you want to travel with him, and you want to travel blind,
G
and you think maybe youll trust him
a
G
for hes touched your perfect body with his mind.
G
Now Suzanne takes your hand and she leads you to the river,
a
she is wearing rags and feathers from Salvation Army counters,
G
and the sun pours down like honey on our lady of the harbour,
h
C
and she shows you were to look among the garbage and the flowers.
G
a
There are heroes in the seaweed, there are children in the morning,
G
a
they are leaning out for love and they will lean that way forever,
G
while Suzanne holds the mirror.
G
h
C
And you want to travel with her, and you want to travel blind,
G
and you know that you can trust her
a
G
for shes touched your perfect body with her mind.
77
78
Seasons in the Sun
(Terry Jacks)
D
Good-bye to you, my trusted friend,
e
weve known each other since we were nine or ten.
D
Together weve climbed hills and trees,
A
learned of love and ABCs,
D
skinned our hearts and skinned our knees.
D
Good-bye, my friend, its hard to die,
e
when all the birds are singing in the sky.
D
A
Now that the spring is in the air, pretty girls are evrywhere,
D
think of me and Ill be there.
D
e
We had joy, we had fun, we had seasons in the sun,
A
D
but the hills that we climbed were just seasons out of time.
A
e
A
D
but the wine and the song like the seasons all have gone.
D
Good-bye, Papa, please pray for me,
e
I was the black sheep of the family.
D
You tried to teach me right from wrong,
A
too much wine and too much song,
D
wonder how I got along.
Seasons in the Sun (Terry Jacks)
D
Good-bye, Papa, its hard to die,
e
D
A
Now that the spring is in the air, little children evrywhere,
D
when youll see them Ill be there.
D
e
A
D
but the hills that we climbed were just seasons out of time.
A
e
A
D
but the wine and the song like the seasons all have gone.
D
Good-bye, Michelle, my little one,
e
you gave me love and helped me find the sun.
D
And evry time that I was down,
A
you would always come around
D
and get my feet back on the ground.
D
Good-bye, Michelle, its hard to die,
e
D
A
Now that the spring is in the air, with the flowers evrywhere,
D
I wish that we could both be there.
D
e
All our lives we had fun, we had seasons in the sun,
A
D
but the stars we could reach were just starfish on the beach.
79
80
Streets of London
(Ralph McTell)
C
G
a
e
Have you seen the old man in the closed down market,
F
C
d
G
kicking up the papers with his worn out shoes?
C
G
a
e
In his eyes you see no pride, hand held loosely by his side,
F
C
G
C
yesterdays papers telling yesterdays news.
F
C
G a
So how can you tell me youre lonely
D
G
G7
and say for you that the sun dont shine?
C
G
a
e
Let me take you by the hand and lead you through the streets of London,
F
C
G
C
Ill show you something to make you change your mind.
C
G
a
e
Have you seen the old girl who walks the streets of London,
F
C
d
G
dirt in her hair and her clothes in rags?
C
G
a
e
Shes no time for talkin, she just keeps right on walkin,
F
C
G
C
carrying her home in two carrier bags.
F
C
G a
D
G
G7
C
G
a
e
F
C
G
C
Streets of London (Ralph McTell)

C
G
a
e
In the all night cafe at a quarter past eleven,
F
C
d
G
same old man sitting there on his own.
C
G
a
e
Looking at the world over the rim of his tea cup,
F
C
G
C
each tea lasts an hour and he wanders home alone.
F
C
G a
D
G
G7
C
G
a
e
F
C
G
C
C
G
a
e
Have you seen the old man outside the seamans mission,
F
C
d
G
memory fading with the medal ribbons that he wears?
C
G
a
e
In our winter city the rain cries a little pity
F
C
G
C
for one more forgotten hero and a world that doesnt care.
F
C
G a
D
G
G7
C
G
a
e
F
C
G
C
81
82
Dust in the Wind

C
C2
C7+
C
C2
C7+
C
C2
(Kansas)
a2
a
a4
a2
a
a4
a2
a
C
e7 a
G
d
a
I close my eyes only for a moment and the moments gone.
C
e7 a
G
d
a
All my dreams pass before my eyes and curiosity.
D
Dust
a
in the wind,
D
G
a
all they are is dust in the wind.
C e7 a
G
d
a
Same old song, just a drop of water in an endless sea.
C e7 a G
d
a
All we do crumbles to the ground though we refuse to see.
D
Dust
C
C2
C7+
C
a
in the wind,
C2
C7+
C
C2
a2
a
D
G
a
all we are is dust in the wind.
a4
a2
a
a4
a2
a
C
e7 a
G
d
a
Dont hang on, nothing lasts forever but the earth and sky.
G
d
a
C e7 a
It slips away and all your money wont another minute buy.
D
Dust
D
Dust
a
a4
a2
G
G
a2
a
a4
a
in the wind,
a
in the wind,
a4
a2
a
a
a4
a2
G
G
a2
a
a4
D
G
a
all we are is dust in the wind.
D
G
a
evrything is dust in the wind.
a4
a2
a
a
a4
a2
a2
a
a4
83
The One I Love

a (e)
G (D2 )
(R.E.M.)
a (e7 )
a (e)
a (e)
G (D2 )
a (e)
a (e7 )
a (e)
G (D2 )
a (e7 )
This one goes out to the one I love.
a (e)
G (D2 )
a (e7 )
This one goes out to the one Id left behind.
C (G)
G (D) d (a)
F (C)
A simple prob
to occupy my time.
2
a (e)
G (D )
a (e7 )
a (e) G (D2 ) a (e) a (e7 )
a (e) G (D2 ) a (e) a (e7 )
Fire!
Fire!
a (e)
G (D2 )
a (e7 )
a (e)
G (D2 )
a (e7 )
This one goes out to the one Id left behind.
C (G)
G (D) d (a)
F (C)
A simple prob
to occupy my time.
a (e)
G (D2 )
a (e7 )
a (e) G (D2 ) a (e) a (e7 )
a (e) G (D2 ) a (e) a (e7 )
Fire!
Fire!
C (G)
G (D)
C (G)
F (C)
a (e)
G (D2 )
a (e)
a (e)
a (e)
G (D2 )
a (e7 )
a (e)
G (D2 )
a (e7 )
This one goes out to the one Id left . . . behind.
C (G)
G (D) d (a)
F (C)
Another prob has occupied my time.
a (e)
G (D2 )
a (e7 )
a (e) G (D2 ) a (e) a (e7 )
a (e) G (D2 ) a (e) a (e7 )
Fire!
Fire!
a (e) G (D2 ) a (e) a (e7 )
a (e) G (D2 ) a (e) a (e7 )
Fire!
Fire!
a (e)
C (G)
C] (G])
d (a)
G (D)
G] (D])
a (e)
84
Angie
(The Rolling Stones)
a
E
G
F
C
Oh Angie, oh Angie,
when will those dark clouds disappear?
a
E
G
F
C
Angie, Angie,
where will it lead us from here?
G
d
a
With no loving in our souls and no money in our coats,
C
F
G
you cant say were satisfied.
a
E
G
F
C
But Angie, Angie,
you cant say we never tried.
F
C
but aint it time we said goodbye?
E
G
F
C
I still love you,
remember all those nights we cried.
G
d
a
All the dreams we held so close seemed to all go up in smoke,
C
F
G
let me whisper in your ear.
a
E
G
F
C
Angie, Angie,
where will it lead us from here?
a
Angie,
a
Angie,
youre beautiful,
G
d
a
Oh Angie, dont you weep, ah your kisses still taste sweet,
C
F
G
I hate that sadness in your eyes.
a
E
G
F
C
But Angie, Angie,
aint it time we said goodbye?
G
d
a
With no loving in our souls and no money in our coats,
C
F
G
you cant say were satisfied.
d
a
d
a
But Angie, I still love you baby!
Evrywhere I look I see your eyes.
d
a
There aint a woman that comes close to you.
C
F
G
Come on, baby, dry your eyes.
a
E
But Angie, Angie,
a
E
G
Angie, Angie,
F
C
aint it good to be alive?
F
C
they cant say we never tried.
85
Nights in White Satin

h
(The Moody Blues)
h
A
h
A
Nights in white Satin,
never reaching the end.
G
D
C
h
Letters Ive written,
never meaning to send.
h
A
h
A
Beauty Ive always missed,
with these eyes before.
G
D
C
h
Just what the truth is,
I cant say anymore.
E
G
h
Yes I love you, yes I love you, oh how I love you.
h
A
h
A
Gazing the people,
some hand in hand.
G
D
C
h
Just what Im going through,
they cant understand.
h
A
h
A
Some try to tell me,
thoughts they cannot defend.
G
D
C
h
Just what you want to be,
youll be in the end.
E
G
h
h
h
h
A
G
A
G
h
D
F]7
G
h
h
A
e
F ]7
D A h
G
F ]7
e
F]7
D A h
E
G
h
E
G
h
86
When a Blind Man Cries
(Deep Purple)
h
h
If youre leaving, close the door,
A
h
Im not expecting people
anymore.
h
Hear me greeding lying on the floor,
A
h
whether Im drunk or dead, I really aint so sure.
h
D
G
e
Im a blind man,
Im a blind man,
and my world is pale.
h
D
G De
D
When a blind man cries,
Lord, you know, there aint a sadder
h
h
h
A
D
D
h
A
h
G
e
G D e D h
h
Had a friend once in a room,
A
h
had a good time, but it ended much to soon.
h
In a cold month, in that room,
A
h
found the reasons for the things we had to do.
h
D
G
e
Im a blind man,
Im a blind man,
now my room is cold.
h
D
G
D e
D h
When a blind man cries,
Lord, you know, you feeled it from his soul.
h
tale.
87
Marooned
d
(Wire)
e
D
G
e
An unwilling sailor adrift from arctic waters, aha.
e
D
G
e
As the water gets warmer my iceberg gets smaller, aha.
h
f]
As he pours more petrol on he feels no fear.
e
A
D
e
As the flames get nearer its thoughts gets clearer, aha.
e
D
G
e
A blue white polar bear arrives at the end, aha,
e
D
G
e
diverting his attention, his feelings froze over, aha.
h
f]
Im only a runaway A W O L
e
A
D
h
at the logical start
not present in the present
e
A D
e
overboard with limited future,
future.
h
f]
And Im standing alone, still getting a thrill
e
A
D
e
while the ship is afloat, hes losing his boat, aha.
f]
88
Venus
(Shocking Blue)
H7
e
A
e A
e
A
e
A
A goddess on a mountain top
was burning like a silver flame.
e
A
e
A
e
A
e
A summit of beauty and love
and Venus was her name.
a
D a
D
e
A
Shes got it,
oh baby, shes got it.
C
H7
e
A
Well, Im your Venus, Im your fire, at your desire.
C
H7
e
A
e
A
e
A e
A e
Her weapon were her crystal eyes.
Making evry man mad.
e
A
e
A
e
A
Black as the dark night she was,
got what no one else had.
a
D a
D
e
A
Shes got it,
oh baby, shes got it.
7
C
H
e
A
C
H7
e
A
e
Ah!
e
Ah!
e
Ah!
e
Ah!
A
e
89
Killing Me Softly with his Song
(Roberta Flack)
e
a
D7
G
Strumming my pain with his fingers, singing my life with his words.
e
A
D
C
Killing me softly with his song, killing me softly with his song.
E
G
C
E4
Telling my whole life with his words, killing me softly with his song.
a7
D
G
C
I heard he sang a good song,
I heard he had a style.
a7
D
e
And so I came to see him and listen for a while.
a7
D7
G
H7
And there he was, this young boy,
a stranger to my eyes.
7
e
a
D
G
e
A
D
C
G
C
E4
E
a7
D
G
C
I felt all flushed with fever,
embarrassed by the crowd.
a7
D
e
I felt he found my letters and read each one out loud.
7
a
D7
G
H7
I prayed that he would finish,
but he just kept right on.
7
e
a
D
G
e
A
D
C
G
C
E4
E
a7
D
G
C
He sang as if he knew me
in all my dark despair,
a7
D
e
and then he looked right through me, as if I wasnt there.
a7
D7
G
H7
And he just kept on singing,
singing clear and strong.
7
e
a
D
G
e
A
D
C
G
C
E4
E
90
Sailing
(Rod Stewart)
C
a
F
C
I am sailing, I am sailing, home again, cross the sea.
D
a
d
C
I am sailing, stormy waters, to be near you, to be free.
C
a
F
C
I am flying, I am flying, like a bird, cross the sky.
D
a
d
C G
I am flying, passing high clouds, to be with you, to be free.
C
a
Can you hear me, can you hear me,
F
C
through the dark night, far away.
D
a
d
C
I am dying, forever trying, to be with you, who can say.
C
a
Can you hear me, can you hear me,
F
C
through the dark night, far away.
D
a
d
C
I am dying, forever trying, to be with you, who can say.
C
a
F
C
We are sailing, we are sailing, home again, cross the sea.
D
a
d
C
We are sailing, stormy waters, to be near you, to be free.
G
d
C
Oh Lord, to be near you, to be free.
G
d
C
Oh Lord, to be near you, to be free.
91
Teach Your Children (Crosby, Stills, N. & Young)

G
C
G
D
You were on the road, must have a code, that you can live by.
G
C
G
D
And so become yourself, because the past is just a goodbye.
G
C
G
D
Teach your children well, their fathers hell will surely go by.
G
C
G
D
And feed them on your dreams, the one they picks, the one they go by.
G
C
G
Dont you ever ask them why, if they told you, you would cry.
e CD
G
C G
So just look at them and siiiiiigh, and say, they love you.
G
C
G
And you on tender years, after all the fears,
D
that youve had as a schoolboy.
G
C
G
And so please help them with your tears, they see the truth,
D
before they can die.
G
C
G
D
Teach your parents well, their childrens hell will slowly go by.
G
C
G
D
And feed them on your dreams, the one they picks, the one they go by.
G
C
G
Dont you ever ask them why, if they told you, you would cry.
e CD
G
C G
So just look at them and siiiiiigh, and say, they love you.
G
92
Throw down the Sword

a
a
G
G
d
a
d
a
C d F
C d F
C
C
G
G
(Wishbone Ash)
e
e
e
e
F
G4 G
a
C
G
D
Throw down the sword, the fight is done and over,
F
C
G4
G
neither lost and neither won.
a
C
G
D
To cast away the fury of the battle,
F
C
D
and turn my weary eyes for home.
F
C
C
There were times when I stood at deaths own door,
G
F
only hoping for an answer.
a
G4 G
a
C
G
D
Throw down the sword,
and leave the glory,
G
F
C
G4
a story time can never change.
a
C
G
D
To walk the road, the load I have to carry,
F
C
D
a journeys end, a world thats old.
F
C
C
There were times when I stood at deaths own door,
G
F
only searching for an answer.
93
Two oClock
(F. Rainer Bechtold)
c
G4
G
Two oclock in the morning,
alone in my bed,
f
A[
G
no ones here to say: You havent to be sad!
Fdim
c
G4
waiting for a dream,
I rummage my pillow,
D[
A[
G
to tell me lies of a love never seen.
c
f
There has to be something
Im waiting for,
G
A[
something to pray,
Im belonging for.
c
G4
G
I stand up every morning,
go to work day by day.
[
f
A
G
I get money and I spend it by the way.
c
G4
Fdim
Theres nothing to live or die for,
its true and I know why,
D[
A[
G
no reason to laugh and no reason to cry.
c
f
There has to be something
Im waiting for,
[
A
G
something to pray,
Im belonging for.
C
F
F7+
One day she will come to make everything change.
C
F
F7+
She will be the one to help me rearrange.
C
F
I will be lucky by day and night Ill be glad.
F
G
One day shell be there.
F
So lets go and look for her,
C
lets go and look, lets go and look for her.
94

C
F G
C
Ick heff mol en Hamburg en Veermaster sehn,
C
G C
G
to my hoodah, to my hoodah.
C
F G
C
De Masten so scheep as den Schipper sien Been,
C
G C G C
to my hoodah hoodah ho.
C
F
C
F
Blow, boys, blow, for Californio, there is plenty of gold,
G C
a7
G7 C
so I am told, on the banks of Sacramento.
C
F G
C
Dat Deck weer von Isen, vull Schiet und vull Schmeer,
C
G C
G
C
F G
C
Dat weer de Schietgang eer schonstes Plaseer,
C
G C G C
C
F
C
F
G C
a7
G7 C
C
F G
C
Dat Logis weer vull Wanzen, de Kombu
s weer vull Dreck,
C
G C
G
C
F
G C
De Beschu
ten, de leupen von su
lven all weg,
C
G C G C
C
F
C
F
G C
a7
G7 C

C
F
G
C
Dat Saltfleesch weer gron, und de Speck weer vull Moden,
C
G C
G
C
F G C
Und Kohm gev dat blots an Wiehnachtsobend,
C
G C G C
C
F
C
F
G C
a7
G7 C
C
F
G
C
Und wulln wi mol seiln, ick segg dat ja nur,
C
G C
G
C
F
GC
Denn loop he dree vorut und veer wedder retur,
C
G C G C
C
F
C
F
G C
a7
G7 C
C
FG C
As dat Schipp, so weer ok de Kaaaaptain,
C
G C
G
C
F
G C
De Lu
d f
ur dat Schipp weern ok blots schangheit,
C
G C G C
C
F
C
F
G C
a7
G7 C
95
96
What shall We do with the Drunken Sailor?

a
G
What shall we do with the drunken sailor? What shall we do with the drunken sailor?
a
e
G
a
What shall we do with the drunken sailor early in the morning?
a
G
Hooray, and up she rises, hooray, and up she rises,
a
e
G
a
hooray, and up she rises early in the morning?
a
G
Take him and shake him and try to awake him, take him and shake him and try to
a
e
G
a
awake him, take him and shake him and try to awake him early in the morning?
a
G
a
e
G
a
a
G
Give him a dose of salt and water, give him a dose of salt and water,
a
e
G
a
give him a dose of salt and water early in the morning?
a
G
a
e
G
a
a
G
Give him a dash with a bosoms rubber, give him a dash with a bosoms rubber,
a
e
G
a
give him a dash with a bosoms rubber early in the morning?
a
G
a
e
G
a
a
G
Put him in a long-boat till hes sober, put him in a long-boat till hes sober,
a
e
G
a
put him in a long-boat till hes sober early in the morning?
a
G
a
e
G
a
a
G
Pull out the plug and wet him all over, pull out the plug and wet him all over,
a
e
G
a
pull out the plug and wet him all over early in the morning?
What shall We do with the Drunken Sailor?
97
a
G
a
e
G
a
a
G
Heave him by the leg in a running bowline, heave him by the leg in a running bowline,
a
e
G
a
heave him by the leg in a running bowline early in the morning?
a
G
a
e
G
a
a
G
Put him in the scuppers with a hose pipe on him, put him in the scuppers with a hose
a
e
G
a
pipe on him, put him in the scuppers with a hose pipe on him early in the morning?
a
G
a
e
G
a
a
G
Shave his belly with a rusty razor, shave his belly with a rusty razor,
a
e
G
a
shave his belly with a rusty razor early in the morning?
a
G
a
e
G
a
a
G
Put him in the bed of the captains daughter, put him in the bed of the captains
a
e
G
a
daughter, put him in the bed of the captains daughter early in the morning?
a
G
a
e
G
a
a
G
Thats what to do with a drunken sailor, thats what to do with a drunken sailor,
a
e
G
a
thats what to do with a drunken sailor early in the morning?
a
G
a
e
G
a
98
Go down, Moses!
e
H7 e
a
H7
e
When Israel was in Egypts land: let my people go!
e
H7
e
a
H7
e
Oppressed so hard they could not stand: let my people go!
e
e
H7
e
C7
e
a
H7
Go down, Moses, way down in Egypts land, tell ol Pharaoh: let my people go!
e
H7
e
a
H7
e
Thus spoke the Lord, bold Moses said: let my people go!
e
H7
e
a
H7
e
If not, Ill smite your first-born dead: let my people go!
e
a
H7
e
C7
e
H7
e
e
H7 e
a
H7
e
Your foes shall not before you stand: let my people go!
e
H7
e
a
H7
e
And youll possess fair Canaans land: let my people go!
e
a
H7
e
C7
e
H7
e
e
H7
e
a
H7
e
Youll not get lost in the wilderness: let my people go!
e
H7 e
a
H7
e
With a lighted candle in your breast: let my people go!
e
a
H7
e
C7
e
H7
e
e
H7
e
a H7
e
No more shall they in bondage toil: let my people go!
e
H7
e
a H7
e
Let them come out with Egypts spoil: let my people go!
e
a
H7
e
C7
e
H7
e
e
H7
e
a H7
e
Oh let us all from bondage flee: let my people go!
e
H7
e
a H7
e
And let us all in Christ be free: let my people go!
e
a
H7
e
C7
e
H7
e
99
O Tannenbaum
G
O Tannenbaum, o Tannenbaum,
D
G
wie treu sind deine Blatter!
G
C
Du gru
nst nicht nur zur Sommerszeit,
D
G
nein auch im Winter, wenn es schneit.
G
D
G
wie treu sind deine Blatter.
G
D
G
du kannst mir sehr gefallen!
G
C
Wie oft hat nicht zur Weihnachtszeit,
D
G
ein Baum von dir mich hocherfreut!
G
D
G
du kannst mir sehr gefallen.
G
D
G
dein Kleid will mich was lehren:
G
C
Die Hoffnung und Bestandigkeit
D
G
gibt Mut und Kraft zu jeder Zeit.
G
D
G
dein Kleid will mich was lehren.
100
Lat uns froh und munter sein

C
d
G
Lat uns froh und munter sein und uns recht von Herzen freun.
C
G
C
G
C C
G
C
Lustig, lustig, traleralala, bald ist Nikolausabend da, bald ist Nikolausabend da.
C
d
G
Bald ist unsre Schule aus, dann ziehn wir vergnu
gt nach Haus.
C
G
C
G
C C
G
C
C
d
G
Dann stell ich den Teller auf, Niklaus legt gewi was drauf.
C
G
C
G
C C
G
C
C
d
G
Steht der Teller auf dem Tisch, sing ich nochmals froh und frisch.
C
G
C
G
C C
G
C
C
d
G
Wenn ich schlaf, dann traume ich: Jetzt bringt Niklaus was f
ur mich.
C
G
C
G
C C
G
C
C
d
G
Wenn ich aufgestanden bin, lauf ich schnell zum Teller hin.
C
G
C
G
C C
G
C
C
d
G
Niklaus ist ein guter Mann, dem man nicht genug danken kann.
C
G
C
G
C C
G
C
101
Kling, Gl
ockchen, klingelingeling
C
G
C
Kling, Glockchen, klingelingeling, kling, Glockchen, kling!
G
C
C G d
G
G7 C
Lat mich ein ihr Kinder, ist so kalt im Winter,
D
G
D
G
offnet mir die Turen, lat mich nicht erfrieren.
C
G
C
C
G
C
G
C
C G d
G
G7 C
Madchen, hort, und Bubchen, macht mir auf das Stubchen,
D
G
D
G
bring euch viele Gaben, sollt euch dran erlaben.
C
G
C
C
G
C
G
C
CG d
G
G7 C
Hell ergluhn die Kerzen, offnet mir die Herzen,
D
G
D
G
will drin wohnen frohlich, frommes Kind, wie selig!
C
G
C
102
Schneefl
ockchen, Weir
ockchen
C
G
d
C
Schneeflockchen, Weirockchen, wann kommst du geschneit?
C
F
G
C
Du wohnst in den Wolken, dein Weg ist so weit.
C
G
d
C
Komm, setz dich ans Fenster, du lieblicher Stern,
C
F
G
C
malst Blumen und Blatter, wir haben dich gern.
C
G
d
C
Schneeflockchen, du deckst uns die Blumelein zu.
C
F
G
C
Dann schlafen sie sicher, in himmlischer Ruh.
C
G
d
C
Schneeflockchen, Weirockchen, komm zu uns ins Tal.
C
F
G
C
Dann baun wir den Schneemann und werfen den Ball.
103
Schneefl
ockchen, Weir
ockchen (Floten, Klarinette)
C
I G 3
4

II G 3
4
4
III G 3
4

G
G
4
4

F

G

G
4
4

d
G

C
>

>
>
104
Leise rieselt der Schnee

e
G
Leise rieselt der Schnee,
C
G
still und starr liegt der See,
D
e
weihnachtlich glanzet der Wald,
a
G
freue dich, Christkind kommt bald!
e
G
In den Herzen wirds warm,
C
G
still schweigt Kummer und Harm,
D
e
Sorge des Lebens verhallt,
a
G
e
G
Bald ist Heilige Nacht,
C
G
Chor der Engel erwacht,
D
e
hort nur, wie lieblich es schallt,
a
G
105
Alle Jahre wieder

C
G C
G
Alle Jahre wieder kommt das Christuskind
C
F
G
C
auf die Erde nieder, wo wir Menschen sind.
C
GC
G
Kehrt mit seinem Segen ein in jedes Haus,
C
F
G
C
geht auf allen Wegen mit uns ein und aus.
C
G C
G
Steht auch mir zur Seite, still und unerkannt,
C
F G
C
da es treu mich leite an der lieben Hand.
106

C
G
C
Ihr Kinderlein, kommet, o kommet doch all!
C
G
C
Zur Krippe her kommet in Bethlehems Stall.
G
d
a
F
Und seht, was in dieser hochheiligen Nacht
G
C
G
C
der Vater im Himmel f
ur Freude uns macht.
C
G
C
O seht in der Krippe im nachtlichen Stall,
C
G
C
seht hier bei des Lichtleins hellglanzendem Strahl
G
d
a
F
in reinlichen Windeln das himmlische Kind,
G
C
G
C
viel schoner und holder als Engel es sind.
C
G
C
Da liegt es, das Kindlein, auf Heu und auf Stroh;
C
G
C
Maria und Joseph betrachten es froh.
G
d
a
F
Die redlichen Hirten knien betend davor;
G
C
G
C
hoch oben schwebt jubelnd der Engelein Chor.
C
G
C
O beugt wie die Hirten anbetend die Knie,
C
G
C
erhebet die Handlein und danket wie sie.
G
d
a
F
Stimmt freudig, ihr Kinder wer sollt sich nicht freun? ,
G
C
G
C
stimmt freudig zum Jubel der Engel mit ein!
C
G
C
Was geben wir Kinder, was schenken wir dir,
C
G
C
du bestes und liebstes der Kinder, dafu
r?
G
d
a
F
Nichts willst du von Schatzen und Reichtum der Welt,
G
C
G
C
ein Herz nur voll Demut allein dir gefallt.
107
Ihr Kinderlein, kommet (Floten, Klarinette)

G
C
I G 4
4

4
II G 4
4
44
III G 4
C
G
G

4
4
G
G
d

4
4
C

G
G
G
4
4
G
G

>
>
>
108
O du fr
ohliche
C
G
C
G
O du frohliche, o du selige,
C
a
D
G
gnadenbringende Weihnachtszeit!
d
C
Welt ging verloren, Christ ist geboren:
C
F
G
C
Freue, freue dich, o Christenheit!
C
G
C
G
C
a
D
G
d
C
Christ ist erschienen, uns zu versuhnen:
C
F
G
C
C
G
C
G
C
a
D
G
d
C
Himmlische Heere jauchzen dir Ehre:
C
F
G
C
109
Stille Nacht, heilige Nacht!

G
D
G
Alles schlaft, einsam wacht
C
G
nur das traute hochheilige Paar,
C
G
holder Knabe im lockigen Haar,
D
G
G
D
G
schlaf in himmlischer Ruh, schlaf in himmlischer Ruh!
G
D
G
Hirten erst kundgemacht
C
G
durch der Engel Halleluja
C
G
tont es laut von fern und nah:
D
G
G
D
G
Christ, der Retter ist da, Christ, der Retter ist da.
G
D
G
Gottes Sohn, o wie lacht
C
G
Lieb aus deinem gottlichen Mund,
C
G
da uns schlagt die rettende Stund:
D
G
G
D
G
Christ in deiner Geburt, Christ in deiner Geburt!
110
Dicke
(Marius M
uller-Westernhagen)
a
Ich bin froh, da ich kein Dicker bin,
G
denn Dicksein ist ne Qualerei.
F
Ich bin froh, da ich son d
urrer Hering bin,
E
denn du
nn bedeutet, frei zu sein.
a
G
Mit Dicken macht man gerne Spae, Dicke haben Atemnot.
F
E
F
ur Dicke gibts nichts anzuziehn, Dicke sind zu dick zum Fliehn.
a
G
Dicke haben schrecklich dicke Beine, Dicke ham n Doppelkinn.
F
E
Und Dicke schwitzen wie die Schweine, stopfen, fressen in sich rinn.
a
Und darum bin ich froh, da ich kein Dicker bin,
G
F
urrer Hering bin,
E
denn du
a
G
Yeah, Dicke haben Blahungen, Dicke ham n dicken Po.
F
E
Und von den ganzen Abf
uhrmitteln rennen Dicke oft aufs Klo.
Dicke (Marius M
uller-Westernhagen)
111
a
Und darum, ja darum bin ich froh, da ich kein Dicker bin,
G
F
urrer Hering bin,
E
denn du
a
G
Dicke m
ussen standig fasten, damit se nicht noch dicker wern.
F
Und ham se endlich zehn Pfund abgenommn,
E
ja dann kann man es noch nicht mal sehn.
a
Dicke hams auch schrecklich schwer mit Fraun,
G
denn Dicke sind nicht angesagt.
F
Drum mu
ssen Dicke auch Karriere machen,
E
mit Kohle ist man auch als Dicker gefragt.
a
Und darum bin ich froh, da ich kein Dicker bin,
G
F
urrer Hering bin,
E
denn du
. . . Dicke, Dicke, Dicke, Dicke, Dicke, Dicke, Dicke, Dicke, Dicke, . . .
a
Na, du fette Sau!
112
Gr
u mir die Genossen (M. M
uller-Westernhagen)
E
E
Neulich sechs Uhr fr
uh tritt man mir die T
ur ein.
E
Ich spring aus dem Bett, da st
urmt die Polizei rein.
A
Los, stelln sich an die Wand, man hat Sie erkannt,
E
ein Nachbar rief uns an, Sie sind ein Sympathisant.
F]
E
C
E
Ich sag, das mu ein Irrtum sein, ich bin doch blo ein Bu
rger.
F]
E
C
H
Doch die pflu
gen mir die Wohnung um, als ware ich ein Wu
rger.
E
In dem groen gr
unen Wagen darf ich dann mitfahren.
E
Ich frag nochmal, wieso? Das wern Sie schon erfahren.
A
Im Prasidium dann Verhore, ich wei von nichts, ich schwore.
E
Da bru
llt mich einer an, da ich die Ordnung store.
F]
E
C
E
Morgen kommt Ihr Anwalt, jetzt bleiben Sie erst mal hier.
F]
E
C
H
Sie kriegen n schones Einzelzimmer, Zelle Nummer vier.
Gr
u mir die Genossen (Marius M
uller-Westernhagen)
113
E
Irgendwelche Verr
uckte entf
uhrn in dieser Nacht
E
einen D
usenjet und legen sich mit Helmut an.
A
Mein Anwalt darf nicht kommen, die Sicherheit geht vor.
E
Da lieg ich nun auf Eis und quatsche meine Wand an.
E
C
E
F]
Nach Wochen stellt sich endlich raus, mein Nachbar ist bekannt.
F]
E
C
H
Er zeigt fast taglich Leute an, als Pensionar da wurd er Denunziant.
E
Wir tun nur unsre Pflicht. Das Tor wird aufgeschlossen.
E
Der Schlieer sagt noch grinsend, gr
u mir die Genossen.
A
Eines wird mir klar, wenn irgendjemand schreit,
E
Gesetze m
ussen her, dem hau ich auf die Flossen.
F]
E
C
E
Ja eines ist mir sonnenklar, falls wir glauben sollten,
F]
E
Terror konnt man mit Terror bremsen,
C
H
dann sind wir bald wieder so weit . . .
114
Ja, so warn s die alten Rittersleut (Karl Valentin)

C
a
In Gr
unwald im Isartal, glaubts es mir, es war amal,
d
G7
C
da habn edle Ritter ghaust, denen hats vor gar nix graust.
C
F
C
Ja, so warn s, ja, so warn s, ja, so warn s, die alten Rittersleut,
C
C
G7
ja, so warn s, ja, so warn s, die alten Rittersleut.
C
a
Gsuffa ham s und des net wia, aus die Eimer Wein und Bier,
d
G7
C
habn s dann alls zamgsuffa ghabt, dann san s unterm Tisch drunt gflackt.
C
F
C
C
G7
C
C
a
So ein fr
uhrer Rittersmann hatte so viel Eisen an,
d
G7
C
die meisten Ritter, i mua sagn, hat deshalb da Blitz daschlagn.
C
F
C
C
G7
C
C
a
Jeder Ritter allbekannt, trug a ganz a blecherns Gwand,
d
G7
C
hat er sich a Loch neigrissen, hats der Spangler loten m
ussen.
C
F
C
C
G7
C
C
a
Ritt ein Ritter auf dem Ro, war das Risiko oft gro,
d
G7
C
hat so a Ro an Hupferer do, lag im Dreck der guate Mo.
C
F
C
C
G7
C
Ja, so warn s die alten Rittersleut (Karl Valentin)

C
a
Hat ein Ritter den Katharr, damals warn die Mittel rar,
d
G7
C
er hat der Erkaltung trotzt, er hat grauschpert, gschnauzt und grotzt.
C
F
C
C
G7
C
C
a
D Ritter, die warn lustge Leut, in der guaten alten Zeit,
d
G7
C
s war ja no a schonres Lebn, s hat no koa Finanzamt gebn.
C
F
C
C
G7
C
C
a
D Ritter waren auch sehr reinlich, jeder Dreck war ihnen peinlich,
d
G7
C
waren auf sich selbst bedacht, selten habns in d Hosen gmacht.
C
F
C
C
G7
C
C
a
Und der Ritter Habenichts, der hat namlich wirklich nichts,
d
G7
C
s einzge, was der Ritter hat, ist ein chronischer Bankrott.
C
F
C
C
G7
C
C
a
Vom Farbergrabn die Rittersleut, lebn nicht mehr, seit langer Zeit,
d
G7
C
nur die Geister von densolben, spuken nachts in den Gewolben.
C
F
C
C
G7
C
115
116

C
a
Und der Ritter Alexander rutschte u
bers Stiegnglander,
d
G7
C
unten stand ein Nagel vor seitdem singt er im Knabenchor.
C
F
C
C
C
G7
C
a
Schifoan dort im Rittersland wart den Rittern unbekannt,
d
G7
C
sie rutschten mit hihi hoho hinunter auf dem Blechpopo.
C
F
C
C
G7
C
C
a
Und der Ritter Kunibert setzte sich verkehrt aufs Pferd,
d
G7
C
wollte er nach hinten sehn, braucht er sich nicht umzudrehn.
C
F
C
C
G7
C
C
a
Und der Ritter Kuniblau hat ne tatowierte Frau,
d
G7
C
wenn er nachts net schlafa ko, schaut er sich die Buildn o.
C
F
C
C
G7
C
C
a
Mut ein Ritter einmal pieseln, lie ers einfach ober rieseln,
d
G7
C
hatt er sein Visier nicht offen, ist der arme Kerl dersoffen.
C
F
C
C
G7
C

C
a
Mut ein Ritter mal verreisen, legt er seine Frau in Eisen,
d
G7
C
doch der Knappe Friederich hatte einen Dieterich.
C
F
C
C
G7
C
C
a
Fru
her habn die Rittersleut niemals gfrorn zur Winterszeit,
d
G7
C
ihre R
ustung selbst im Kampf, heizten sie mit eignem Dampf.
C
F
C
C
G7
C
C
a
Auf dem Burgturm steht ein Wachter, weit hinaus ins Land da specht er,
d
G7
C
da sich keiner je erdreist, und in den Burghof einisch . . . schaut.
C
F
C
C
G7
C
C
a
Und der Ritter Friederich wu
tete ganz f
urchterlich,
7
d
G
C
weil in seinem Blechgewand eine Wespe sich befand.
C
F
C
C
G7
C
C
a
Das Burgfraulein Kunigunde roch gar schrocklich aus dem Munde,
d
G7
C
bis ihr dereinst beim Minnedienste ein Bandwurm aus dem Halse grienste.
C
F
C
C
G7
C
117
118
Aloha Heja He
a
a
(Achim Reichel)
a
a
von Singapur bis Aberdeen.
a
C
G
a
Wenn Du mich fragst, wos am schonsten war, sag ich Sansibar.
a
C
Es war ne harte Uberfahrt,

G
a
zehn Wochen nur das Deck geschrubbt.
a
C
Hab die Welt verflucht, in den Wind gespuckt
G
a
a C G G
und salziges Wasser geschluckt.
a
C
Hab die ganze Welt gesehn
C
G
C
Als wir den Anker warfen, war es himmlische Ruh
G
a
und die Sonne stand senkrecht am Himmel.
a
C
Als ich u
ber die Reeling sah, da glaubte ich zu traumen:
G
a
Da warn tausend Boote und sie hielten auf uns zu.
a
C
In den Booten waren Manner und Fraun,
G
a
ihre Leiber glanzten in der Sonne.
a
C
Und sie sangen ein Lied, das kam mir seltsam bekannt vor,
G
a
aber so hab ichs noch nie gehort,
C
G
a
uuuh, so hab ichs noch nie gehort.
Aloha Heja He (Achim Reichel)
119
a
C
G
a
Aloha Heja He Aloha Heja He Aloha Heja He.
a
C
G
a
a
C
Ihre Boote machten langsseits fest
G
a
und mit dem Wind wehte Gelachter heru
ber.
a
C
G
a
Sie nahmen ihre Blumenkranze ab und warfen sie zu uns heru
ber,
C
G
a
heeeh, und schon war die Party im Gange.
a
C
G
a
a
C
G
a
C
G
a
Ich hab das Paradies gesehn, es war um neunzehnhundertzehn.
a
C
Der Steuermann hatte Matrosen am Mast
G
a
und den Zahlmeister ham die Gonokokken vernascht,
C
G
aber sonst warn wir bei bester
...
Gesundheit.
a
Aloha
a
Aloha
a
Aloha
a
Aloha
a
Aloha
a
Aloha
Heja
Heja
Heja
Heja
Heja
Heja
C
He Aloha
C
He Aloha
C
He Aloha
C
He Aloha
C
He Aloha
C
He Aloha
Heja
Heja
Heja
Heja
Heja
Heja
G
He Aloha
G
He Aloha
G
He Aloha
G
He Aloha
G
He Aloha
G
He Aloha
Heja
Heja
Heja
Heja
Heja
Heja
a
He.
a
He.
a
He.
a
He.
a
He.
a
He.
120
Aloha Heja He
a
a
a
a
C
G
a
Hort euch mal die Geschichte an, mein Opa war ein toller Mann.
C
G
a
Der hat die ganze Welt gesehn aufm Segelschiff als Kapitan.
C
Da war maln Sturm auf hoher See,
G
a
rundherum nur schwarze Nacht.
C
Und der Mast zerbrach und das Segel ri
G
a
a C G G
und alle hatten groen Schi.
C
Als dann irgendwann der Morgen kam,
G
a
wute keiner mehr, wo sie warn.
a
C
Plotzlich schrie der Steuermann und zeigte an den Horizont.
G
a
Da warn tausend Boote und sie kamen immer naher.
a
C
In den Booten waren Manner und Fraun
G
a
und sie winkten mit bunten Tu
chern.
a
C
Und sie sangen ein Lied, das hat ein jeder gekannt,
G
a
aber so hats noch keiner gehort,
C
G
a
aber so hats noch keiner gehort.
Aloha Heja He
121
a
C
G
a
a
C
G
a
a
C
G
a
Und es gab ein groes Fest, alle feierten unsre Rettung.
a
C
Man horte die Trommeln den ganzen Tag,
G
a
alle tanzten bis spat in die Nacht,
C
G
a
und dann war da wieder dieses Lied.
a
C
G
a
a
C
G
a
a
C
G
a
Der Kaptn sah ne schone Frau, das war die Hauptlingstochter.
a
C
G
a
Er fu
hrte sie zum Traualtar, der in einer Bambushu
tte war,
C
G
und heut ist sie meine Omma.
a
Aloha
a
Aloha
a
Aloha
a
Aloha
a
Aloha
a
Aloha
Heja
Heja
Heja
Heja
Heja
Heja
C
He Aloha
C
He Aloha
C
He Aloha
C
He Aloha
C
He Aloha
C
He Aloha
Heja
Heja
Heja
Heja
Heja
Heja
G
He Aloha
G
He Aloha
G
He Aloha
G
He Aloha
G
He Aloha
G
He Aloha
Heja
Heja
Heja
Heja
Heja
Heja
a
He.
a
He.
a
He.
a
He.
a
He.
a
He.
122
Mein kleiner gr
uner Kaktus (Comed. Harmonists)
A
E+
A
E+
Blumen im Garten,
so zwanzig Arten
A
F]7
von Rosen, Tulpen und Narzissen,
h
F]7
h
F]7
die kleinsten Leute,
leisten sich heute
H7
E7
das will ich alles gar nicht wissen.
A
E
Mein kleiner gr
uner Kaktus steht drauen am Balkon.
A
Hollari, hollari, hollaro.
A
E
Was brauch ich rote Rosen, was brauch ich roten Mohn?
A
D
A
Und wenn ein Bosewicht was Ungezognes spricht,
H7
E
dann hol ich meinen Kaktus und der sticht, sticht, sticht.
A
E
Mein kleiner gr
A
A
E+
A
E+
die Frauen ahnlich
Man findt gewohnlich
A
F]7
den Blumen, die sie gerne tragen.
h
F]7
h
F]7
Doch ich sag taglich,
das ist nicht moglich.
7
E7
H
Was solln die Leut sonst von mir sagen?
A
E
Mein kleiner gr
A
Mein kleiner gr
uner Kaktus (Comedian Harmonists)
A
E
Was brauch ich rote Rosen, was brauch ich roten Mohn?
A
D
A
Und wenn ein Bosewicht was Ungezognes spricht,
H7
E
dann hol ich meinen Kaktus und der sticht, sticht, sticht.
A
E
Mein kleiner gr
A
A
E+
A
E+
Heute um viere
klopfts an die Tu
re.
A
F]7
Nanu, Besuch so fr
uh am Tage?
7
h
F]
h
F]7
Es war Herr Krause
vom Nachbarhause,
H7
E7
der sagt: Verzeihn Sie, wenn ich frage:
A
E
Sie habn doch einen Kaktus auf Ihrem kleinn Balkon?
A
A
E
Der fiel soeben runter, was halten Sie davon?
A
D
A
Der fiel mir aufs Gesicht, ob s glauben oder nicht.
H7
E
Nun wei ich, da Ihr kleiner gr
uner Kaktus sticht.
A
E
Bewahrn Sie Ihren Kaktus gefalligst anderswo!
A
123
124
Straen unserer Stadt
(Christian Heilburg)
C
G
a
e
Siehst du dort den alten Mann, mit ausgetretnen Schuhn
F
C
d
G
schlurft er u
bers Pflaster und er sieht so m
ude aus.
C
G
a
e
Hin und wieder halt er an, nicht nur um sich auszuruhn,
F
C G
C
denn er hat kein Ziel und auch kein Zuhaus.
F
C
G
a
Doch du redest nur von Einsamkeit,
D
G
G7
und da die Sonne f
ur dich nicht scheint.
C
G
a
e
Komm und gib mir deine Hand, ich fu
hre dich durch unsre Straen.
F
C
G
C
Ich zeig dir Menschen, die wirklich einsam sind.
C
G
a
e
Kennst du die alte Frau, die auf dem Marktplatz steht
F
C
d
G
mit schneeweiem Haar, welke Blumen in der Hand?
C
G
a
e
Die Leute gehn vorbei, sie merkt nicht, wie die Zeit vergeht.
F
C
G
C
So steht sie jeden Tag, und niemand stort sich dran.
F
C
G
a
D
G
G7
und da die Sonne f
C
G
a
e
F
C
G
C
Straen unserer Stadt (Christian Heilburg)
125
C
G
a
e
Im Bahnhofsrestaurant sitzt um ein Uhr in der Fru
he
F
C
d
G
derselbe alte Mann und er sitzt ganz allein.
C
G
a
e
Er ist der letzte Gast, und das Aufstehn macht ihm Mu
he,
F
C
G
C
fu
nf leere Stunden, f
unf leere Glaser Wein.
F
C
G
a
D
G
G7
und da die Sonne f
C
G
a
e
F
C
G
C
C
G
a
e
Siehst du dort den alten Mann, mit ausgetretnen Schuhn
F
C
d
G
schlurft er u
bers Pflaster und er sieht so m
ude aus.
C
G
a
e
Denn in einer Welt, in der nur noch Jugend zahlt,
F
C
G
C
ist f
ur ihn kein Platz mehr und auch kein Zuhaus.
F
C
G
a
D
G
G7
und da die Sonne f
C
G
a
e
F
C
G
C
126
Und keiner soll sagen . . .
(Willy Millowitsch)
C
G
F
C
Und keiner soll sagen, wer da trinkt, der sei schlecht.
a
d
G7
C
Denn f
ur alle, die da trinken, wachst der Hopfen erst recht.
C
G
F
C
Und der eine trinkt Champagner, den der Himmel ihm beschert.
C
a
d
G7
Und der andre all die kleinen Ku
mmelchen, die er findt auf der Erd.
C
a
d
G7
Und der andre all die kleinen Ku
mmelchen, die er findt auf der Erd.
C
G
F
C
Und keiner soll sagen, wer da it, der sei schlecht.
a
d
G7
C
Denn f
ur alle, die da essen, wachst der Weizen erst recht.
C
G
F
C
Und der eine it die Torte, die der Himmel ihm beschert.
a
d
G7
C
Und der andre all die kleinen Kru
melchen, die er findt auf der Erd.
a
d
G7
C
Und der andre all die kleinen Kru
melchen, die er findt auf der Erd.
C
G
F
C
Und keiner soll sagen, wer da raucht, der sei schlecht.
a
d
G7
C
Denn f
ur alle, die da rauchen, wachst der Tabak erst recht.
C
G
F
C
Und der eine raucht Havanna, die der Himmel ihm beschert.
a
d
G7
Und der andre all die kleinen Stu
mmelchen, die er findt auf der
a
d
G7
Und der andre all die kleinen Stu
C
G
F
C
Und keiner soll sagen, wer da fahrt, der sei schlecht.
a
d
G7
C
Denn f
ur alle, die da fahren, baut man Autos erst recht.
C
G
F
C
Und der eine fahrt Mercedes, den der Himmel ihm beschert.
a
d
G7
Und der andre all die kleinen Goggochen, die er findt auf der
a
d
G7
Und der andre all die kleinen Goggochen, die er findt auf der
C
Erd.
C
Erd.
C
Erd.
C
Erd.
Und keiner soll sagen . . . (Willy Millowitsch)
127
C
G
F
C
Und keiner soll sagen, wer da tanzt, der sei schlecht.
a
d
G7
C
Denn f
ur alle, die da tanzen, gibts Musik erst recht.
C
G
F
C
Und der eine tanzt den Walzer, den der Himmel ihm beschert.
a
d
G7
C
Und der andre all die Rockn-Rollekens, die er findt auf der Erd.
a
d
G7
C
Und der andre all die Rockn-Rollekens, die er findt auf der Erd.
C
G
F
C
Und keiner soll sagen, wer da badet, der sei schlecht.
a
d
G7
C
Denn f
ur alle, die da baden, fliet das Wasser erst recht.
C
G
F
C
Und der eine badet im Swimmingpool, den der Himmel ihm beschert.
a
d
G7
C
Und der andre in all den kleinen Tu
mpelchen, die er findt auf der Erd.
a
d
G7
C
Und der andre in all den kleinen Tu
mpelchen, die er findt auf der Erd.
C
G
F
C
Und keiner soll sagen, wer da liebt, der sei schlecht.
a
d
G7
C
Denn f
ur alle, die da lieben, bl
uht das Leben erst recht.
C
G
F
C
Und der eine liebt die Einzge, die der Himmel ihm beschert.
a
d
G7
Und der andre all die kleinen Lu
a
d
G7
Und der andre all die kleinen Lu
C
Erd.
C
Erd.
128
Wie sch
on, da du geboren bist
(Rolf Zuckowski)
C
G7
Heute kann es regnen, stu
rmen oder schnein,
7
G
C
denn du strahlst ja selber wie der Sonnenschein.
C
F
Heut ist dein Geburtstag, darum feiern wir,
F
C
G7
C
alle deine Freunde freuen sich mit dir,
F
C
G7
C
alle deine Freunde freuen sich mit dir.
G
C
Wie schon, da du geboren bist,
G
C
wir hatten dich sonst sehr vermit.
G
C
Wie schon, da wir beisammen sind,
G
C
wir gratulieren dir, Geburtstagskind!
G
C
G
C
G
C
G
C
C
G7
Unsre guten W
unsche haben ihren Grund:
7
C
G
cklich und gesund.
Bitte bleib noch lange glu
C
F
Dich so froh zu sehen ist, was uns gefallt,
C
F
C
G7
Tranen gibt es schon genug auf dieser Welt,
C
F
C
G7
Tranen gibt es schon genug auf dieser Welt.
Wie schon, da du geboren bist (Rolf Zuckowski)
G
C
G
C
G
C
G
C
G
C
G
C
G
C
G
C
C
G7
Montag, Dienstag, Mittwoch, das ist ganz egal,
G7
C
dein Geburtstag kommt im Jahr doch nur einmal.
C
F
Darum la uns feiern, da die Schwarte kracht,
G7
C
F
C
heute wird getanzt, gesungen und gelacht,
G7
C
F
C
heute wird getanzt, gesungen und gelacht.
G
C
G
C
G
C
G
C
129
130
Kinder
(Bettina Wegener)
a
Sind
a
Darf
C
Sind
C
Darf
d
E
a
so kleine Hande, winzge Finger dran.
d
E
a
man nie drauf schlagen, die zerbrechen dann.
G
G
a
so kleine Fu
e mit so kleinen Zehn.
G
G
a
man nie drauf treten, konn sie sonst nicht gehn.
a
Sind
a
Darf
C
Sind
C
Darf
d
E
a
so kleine Ohren, scharf, und ihr erlaubt.
d
E
a
man nie zerbru
llen, werden davon taub.
G
G
a
so schone Mu
nder, sprechen alles aus.
G
G
a
man nie verbieten, kommt sonst nichts mehr raus.
C
Sind
C
Darf
a
Sind
a
Darf
G
G
a
so klare Augen, die noch alles sehn.
G
G
a
man nie verbinden, konn sie nichts verstehn.
d
E
a
so kleine Seelen, offen und ganz frei.
d
E
a
man niemals qualen, gehn kaputt dabei.
C
G
G
a
Ist son kleines Ru
ckgrat, sieht man fast noch nicht.
C
G
G
a
Darf man niemals beugen, weil es sonst zerbricht.
a
d
E
a
Grade, klare Menschen warn ein schones Ziel.
a
d
E
a
Leute ohne Ru
ckgrat habn wir schon zuviel.
131
Sieben Tage lang

a
G
Was wollen wir trinken, sieben Tage lang,
F
G
a
was wollen wir trinken, so ein Durst.
C
G C
Es wird genug f
ur alle sein,
a
G
wir trinken zusammen, roll das Fa mal rein,
F
G
a
wir trinken zusammen, nicht allein.
a
G
Dann wollen wir schaffen, sieben Tage lang,
F
G
a
dann wollen wir schaffen, komm fa an.
C
G C
Und das wird keine Plackerei.
a
G
Wir schaffen zusammen, sieben Tage lang,
F
G
a
ja, schaffen zusammen, nicht allein.
a
G
Jetzt m
ussen wir streiten, keiner wei wie lang,
F
G
a
ja, f
ur ein Leben ohne Zwang.
C
G
C
Dann kriegt der Frust uns nicht mehr klein.
a
G
Wir halten zusammen, keiner kampft allein,
F
G
a
wir gehen zusammen, nicht allein.
(Bots)
132
Marmor, Stein und Eisen
(Drafi Deutscher)
A
E
A
Weine nicht, wenn der Regen fallt, dam dam, dam dam.
A
E
A
Es gibt einen, der zu dir halt, dam dam, dam dam.
A
D
E
A
Marmor, Stein und Eisen bricht, aber unsere Liebe nicht.
A
D
E
A
Alles, alles geht vorbei, doch wir sind uns treu.
A
E
A
Kann ich einmal nicht bei dir sein, dam dam, dam dam.
A
E
A
Denk daran, du bist nicht allein, dam dam, dam dam.
A
D
E
A
A
D
E
A
A
E
A
Nimm den goldenen Ring von mir, dam dam, dam dam.
A
E
A
Bist du traurig, dann sagt er dir, dam dam, dam dam.
A
D
E
A
A
D
E
A
A
D
E
A
A
D
E
A
133
Yenawe (c-Moll)

= 80
2
G2 2 2
4>

Ye- na
we
ni- ma- wi- e

2
G2 2 >
ye- na
2
G2 2 >

ni- ma- wi- e

we

ne
we
ye- na

ne

ni- ma- wi- e
ne
ye- na-
we,
ye- na-
we,
ye- na-
we.
Yenawe (d-Moll)
G2 2
4>

Ye- na
we
ni- ma- wi- e

G2 >
ye- na
G2 >

ni- ma- wi- e

we

ne

ni- ma- wi- e
ne
ye- na-
ne
we
ye- na

we,
ye- na-
we,
ye- na-
we.
Yenawe (a-Moll)
G2
4>

Ye- na

G
>
ye- na
G

we
ni- ma- wi- e

we

ne
ni- ma- wie

ne
we
ni- ma- wi- e
ne
ye- na-
we,
ye- na-
we,
>
ye- na
ye- na-
we.
134
Die Affen rasen durch den Wald

C
a
C
a
Die Affen rasen durch den Wald,
C
a
C
a
der eine macht den andern kalt.
G
C
Die ganze Affenbande bru
llt:
F
C
G
C
Wo ist die Kokosnu, wo ist die Kokosnu, wer hat die Kokosnu geklaut?
F
C
G
C
C
a
C
a
Die Affenmama sitzt am Flu
C
a
C
a
und angelt nach der Kokosnu.
G
C
llt:
F
C
G
C
F
C
G
C
C a
C
a
Der Affenonkel, welch ein Graus,
C a
C
a
reit ganze Urwaldbaume aus.
G
C
llt:
F
C
G
C
F
C
G
C
C
a
C
a
Die Affentante kommt von fern,
C
a
C
a
sie it die Kokosnu so gern.
G
C
llt:
F
C
G
C
F
C
G
C
Die Affen rasen durch den Wald

C
a
C
a
Der Affenmilchmann, dieser Knilch,
C
a
C
a
der wartet auf die Kokosmilch.
G
C
llt:
F
C
G
C
F
C
G
C
C
a
C
a
Das Affenbaby voll Genu
C
a
C
a
halt in der Hand die Kokosnu.
G
C
llt:
F
C
G
C
Da ist die Kokosnu, da ist die Kokosnu, es hat die Kokosnu geklaut!
F
C
G
C
C a
C
a
Die Affenoma schreit: Hurra!
C
a
C
a
Die Kokosnu ist wieder da!
G
C
llt:
F
C
G
C
F
C
G
C
C
a
C
a
Und die Moral von der Geschicht:
C
a
C
a
Klaut keine Kokosnu
sse nicht,
G
C
weil sonst die ganze Bande bru
llt:
F
C
G
C
F
C
G
C
135
136
Lustig ist das Zigeunerleben

C
G7
C
Lustig ist das Zigeunerleben, faria faria ho.
C
G7
C
Brauchn dem Kaiser kein Zins zu geben, faria faria ho.
F
C
F
G7
C
Lustig ist es im gru
nen Wald, wo der Zigeuner Aufenthalt.
7
a
F
G7 C
C G
Faria faria, faria faria, faria faria ho.
C
G7
C
Sollt uns einmal der Hunger plagen, faria faria ho,
C
G7
C
gehn wir uns ein Hirschlein jagen, faria faria ho.
F
C
F
G7
C
Hirschlein nimm dich wohl in acht, wenn des Jagers Bu
chse kracht.
C G7 a
F
G7 C
C
G7
C
Sollt uns einmal der Durst sehr qualen, faria faria ho,
C
G7
C
gehn wir zu den Wasserquellen, faria faria ho.
F
C
Trinken das Wasser vom moosgen Stein,
C
F
G7
meinen es m
usse Champagner sein.
F
G7 C
C G7 a
Lustig ist das Zigeunerleben
137
C
G7
C
Wenn uns tut der Beutel hexen, faria faria ho,
C
G7
C
lassen wir unsere Taler wechseln, faria faria ho.
C
F
C
F
G7
Treiben wir die Zigeunerkunst, kommen die Taler all wieder zu uns.
F
G7 C
C G7 a
C
G7
C
Wenn wir auch kein Federbett haben, faria faria ho,
C
G7
C
tun wir uns ein Loch ausgraben, faria faria ho.
F
C
F
G7
C
Legen Moos und Reisig drein, das soll unser Federbett sein.
C G7 a
F
G7 C
C
G7
C
Und geht die Sonne nieder, faria faria ho,
C
G7
C
brennt das Lagerfeuer wieder, faria faria ho.
F
C
F
G7
C
Reich mir schnell die Fiedel zu, schwarzbraun Madel tanz dazu.
C G7 a
F
G7 C
138
Bolle reiste j
ungst zu Pfingsten
G
C
D7
G
Bolle reiste j
ungst zu Pfingsten, nach Pankow war sein Ziel.
G
C
D7
G
Da verlor er seinen Ju
ngsten ganz plotzlich im Gewu
hl.
D
A7
D
Ne volle halbe Stunde hat er nach ihm gespu
rt,
7
G
G
C
D
usiert,
aber dennoch hat sich Bolle ganz kostlich am
7
G
G
C
D
usiert.
G
C
D7
G
Zu Pankow gabs kein Essen, zu Pankow gabs kein Bier.
G
C
D7
G
War alles aufgefressen von fremden Leuten hier.
D
A7
D
Nicht mal ne Butterstulle hat man ihm reserviert,
G
C
D7
G
usiert,
7
G
C
D
G
usiert.
G
C
D7
G
Auf der Schonholzer Heide, da gabs ne Keilerei.
G
G
C
D7
Und Bolle, gar nicht feige, war mittenmang dabei.
D
D
A7
nfe massakriert,
Hats Messer rausgerissen und fu
G
G
C
D7
usiert,
7
G
G
C
D
usiert.
Bolle reiste j
ungst zu Pfingsten
G
C
D7
G
Es fing schon an zu tagen, als er sein Heim erblickt.
G
C
D7
G
Das Hemd war ohne Kragen, das Nasenbein zerknickt.
D
D
A7
Das linke Auge fehlte, das rechte marmoriert,
G
G
C
D7
usiert,
7
G
G
C
D
usiert.
G
C
D7
G
Zu Hause angekommen, da gings ihm aber schlecht.
G
C
D7
G
Da hat ihn seine Olle ganz morderisch verdrescht.
D
A7
D
Ne volle halbe Stunde hat sie auf ihm poliert,
G
C
D7
G
usiert,
G
C
D7
G
usiert.
G
C
D7
G
Bolle wollte sterben, er hat sichs u
berlegt.
G
C
D7
G
Er hat sich auf die Schienen der Bimmelbahn gelegt.
D
D
A7
Die Bahn, die hat Verspatung, und vierzehn Tage drauf
G
G
C
D7
da fand man unsern Bolle als Schimmel wieder auf,
G
G
C
D7
da fand man unsern Bolle als Schimmel wieder auf.
139
140
Pizza-Blues
(Christof Schardt)
E
E
Das ist der Pizza-Blues,
das ist der Pizza-Blues.
A
E
Das ist der Pizza-Blues,
das ist der Pizza-Blues.
H
A
E
Das ist der Pizza- Pizza- Pizza- Pizza- Pizza- Pizza- Pizza-Blues.
E
Letzte Woche a ich eine Pizza
E
irgendwo in Rom oder in Nizza.
A
Das war ne Pizza mit Salami,
E
die Pilze, die a meine Mami.
H
A
E
Die Pilze Pilze Pilze Pilze Pilze Pilze Pilze a meine Mami.
E
Heut ist mir alles egal,
E
heut geh ich in n Pizza-Lokal.
A
Heut ist mir alles egal,
E
heut brauch ich ne Pizza Spezial.
H
A
E H
Ich brauch ne Pizza Pizza Pizza Pizza Pizza Pizza Pizza Spezial.
Pizza-Blues (Christof Schardt)
E
Da kommt der Ober rein
E
und fragt: Was darfs denn sein?
A
Ich sag: Ne Pizza Spezial,
E
denn wissen Sie,
heut ist mir alles egal!
H
A
E
Heut ist mir alles alles alles alles alles alles alles egal!
141
E
Ja so ne Pizza bringt mich auf Trab,
E
schon schneid ich den ersten Bissen ab.
A
Doch was ist das f
ur ein Fiasko?
E
Herr Ober! Es fehlt Tabasko!
H
A
E
Herr Ober Ober Ober Ober Ober Ober Ober, es fehlt Tabasko!
E
Schon kommt der Ober her,
E
jedoch die Flasche ist leer.
A
Da ist er wirklich ganz betroffen
E
und fragt:
Wer hat den Tabasko ausgesoffen?
H
A
E
H
Wer hat n Tabasko basko basko basko basko basko basko ausgesoffen?
E
E
Das war der Pizza-Blues,
das war der Pizza-Blues.
A
E
Das war der Pizza-Blues,
das war der Pizza-Blues.
H
A
E E7
Das war der Pizza- Pizza- Pizza- Pizza- Pizza- Pizza- Pizza-Blues.
142
Raucherhusten-Blues
E
Das ist der Raucherhusten-Blues (hust, hust),
E
das ist der Raucherhusten-Blues (hust, hust).
A
Das ist der Raucherhusten-Blues (hust, hust),
E
das ist der Raucherhusten-Blues (hust, hust).
H
Das ist der Raucherhusten- RaucherhustenA
E
H
Raucherhusten- Raucherhusten-Blues.
E
Das war der Raucherhusten-Blues (hust, hust),
E
das war der Raucherhusten-Blues (hust, hust).
A
Das war der Raucherhusten-Blues (hust, hust),
E
das war der Raucherhusten-Blues (hust, hust).
H
Das war der Raucherhusten- RaucherhustenA
E
E7
Raucherhusten- Raucherhusten-Blues.
143
Microsoft-Blues
(Hartmut Henkel)
E
E
Das ist der Microsoft-Blues,
das ist der Microsoft-Blues.
A
E
Wo der arme PC
neu gebootet werden mu.
H
A
E
H
Wo der arme PC
neu gebootet werden mu.
E
E
Das ist die Microsoft-Ballade,
das ist die Microsoft-Ballade.
A
Um jeden Speicher tuts mir leid,
E
um jede Hard-Disc ist es schade.
H
Um jeden Speicher tuts mir leid,
A
E
H
um jede Hard-Disc ist es schade.
E
E
Bei diesem Software-Verhau
wird sogar mein Monitor blau.
A
E
Bei diesem Software-Verhau
wird sogar mein Monitor blau.
H
A
E
H
Bei diesem Software-Verhau wird sogar
mein Monitor blau.
E
E
Das ist das Microsoft-Drama,
das ist das Microsoft-Drama.
A
E
So ein doofes Programm
ist sogar zu doof f
ur ein Lama.
H
A
E
H
So ein doofes Programm ist sogar zu doof f
ur ein Lama.
E
E
Zahl keine Microsoft-Steuer,
die ist doch viel zu teuer.
A
E
Nimm lieber Linux kostenlos,

das spart dir Arger
und Moos.
E
E7
H
A
und viel Moos.

Nimm lieber Linux kostenlos, das spart dir Arger
144
Wickie
E E E E
E E E E
E E E E
E E E E
E
E
E
Hey hey Wickie, hey Wickie hey,
zieh fest das Segel an.
A
A
E
Hey hey Wickie, die Wickinger
sind hart am Winde dran.
H
A
E
H
Na na naa na,
na na na na naa na naa, Wickie.
E
E
E
so heit der kleine Held.
A
A
E
Er denkt kurz nach und hat ihn dann,
den Trick, der ihm gefallt.
H
A
E
E
Na na naa na,
na na na na naa na naa, Wickie.
F
Die Angst vorm Wolf macht ihn nicht froh
E
und im Taifun ists ebenso,
F
doch Wolfe hin, Taifune her,
H
die Losung fallt ihm gar nicht schwer.
E
E
E
zieh fest das Segel
A
A
E
Hey hey Wickie, die Wickinger
sind hart am Winde
H
A
E
Na na naa na,
na na na na naa na naa, Wickie,
an.
dran.
E
hey!
145
Das Urmel-Lied
C
F
G
C
Alle Mamis sagen immer Tindlein gib son acht,
F
G
G
C
bleib son brav in Deinem Zimmer und slaf: Gute Nacht!
C
F
G
C
Aber wenn das Tindlein groer, darfs spazieren gehn,
F
G
G
C
weil sonst tonnt das tleine Tindlein gar nie sone Sachen sehn,
F
G
G
C
weil sonst tonnt das tleine Tindlein gar nie sone Sachen sehn.
C
F
G
C
Alle Tindlein sagen immer, Mami, la mich raus!
F
G
G
C
Bleib ganz lieb in Deinem Zimmer, ich tomm bald nach Haus.
C
F
G
C
Aber wenn das Tindlein fort ist, denkt es nicht mehr dran,
F
G
G
C
weil es doch so viele wundersone Sachen sehen tann,
F
G
G
C
weil es doch so viele wundersone Sachen sehen tann.
C
F
G
C
Wenn das tleine Tindlein dann nach Hause frohlich geht,
F
G
G
C
simpft die Mami gleich das Tindlein, Du tommst viel zu spat!
C
F
G
C
Liebe Mami, sei nicht bose und merk Dir zum Slu,
F
G
G
C
da das tleine Tindlein doch die sonen Sachen sehen mu,
F
G
G
C
da das tleine Tindlein doch die sonen Sachen sehen mu.
146
O du lieber Augustin
C
G
C
O du lieber Augustin, Augustin, Augustin.
C
G7
C
O du lieber Augustin, alles ist hin.
G
C
G
C
Geld ist weg, Madl ist weg, alles weg, alles weg.
C
G7
C
C
G
C
O du lieber Augustin, Augustin, Augustin.
C
G7
C
G
C
G
C
Rock ist weg, Stock ist weg, Augustin liegt im Dreck.
C
G7
C
147
Auf einem Baum ein Kuckuck sa

C
G
C
G
Auf einem Baum ein Kuckuck, sim salabim bamba saladu saladim,
C
G7
C
auf einem Baum ein Kuckuck sa.
C
G
C
G
Da kam ein junger Jager, sim salabim bamba saladu saladim,
C
C
G7
da kam ein junger Jagersmann.
C
G
C
G
Der scho den armen Kuckuck, sim salabim bamba saladu saladim,
C
G7
C
der scho den armen Kuckuck tot.
C
G
C
G
Und als ein Jahr vergangen, sim salabim bamba saladu saladim,
C
G7
C
und als ein Jahr vergangen war,
C
G
C
G
da war der Kuckuck wieder, sim salabim bamba saladu saladim,
C
G7
C
da war der Kuckuck wieder da.
C
G
C
G
Da freuten sich die Leute, sim salabim bamba saladu saladim,
C
G7 C
da freuten sich die Leute sehr.
148
Sabotage
A
E
In Peru, in Peru in den Anden
E
A
steht ne Kuh, steht ne Kuh kann nicht landen.
A
E
In der Nacht, in der Nacht kamen Diebe
E
A
stahlen ihr, stahlen ihr das Getriebe.
A
A
Sabotaaaaaage! Sabotaaaaaage!
A
E
In Peru, in Peru in den Anden
E
A
steht ne Kuh, steht ne Kuh kann nicht landen.
A
E
In der Nacht, in der Nacht kamen Geier
E
A
bissen ihr, bissen ihr in die Knie.
A
A
Sabotaaaaaage! Sabotaaaaaage!
149
Otto
C
G
C
O, O, O, der Otto hat zwei O.
G
C
G
C
Hinten eins und vorne eins, in der Mitte hat er keins.
C
G
C
O, O, O, der Otto hat zwei O.
C
G
C
Ka, Ka, Ka, der Lukas hat ein Ka.
G
C
G
C
Hinten keins und vorne keins, in der Mitte hat er eins.
C
G
C
Ka, Ka, Ka, der Lukas hat ein Ka.
C
G
C
El, El, El, die Leila hat zwei El.
G
C
G
C
Hinten keins und vorne eins, in der Mitte hat sie eins.
C
G
C
El, El, El, die Leila hat zwei El.
C
G
C
A, A, A, die Annika hat zwei A.
G
C
G
C
Hinten eins und vorne eins, in der Mitte hat sie keins.
C
G
C
A, A, A, die Annika hat zwei A.
C
G
C
Ka, Ka, Ka, der Jakob hat ein Ka.
G
C
G
C
Hinten keins und vorne keins, in der Mitte hat er eins.
C
G
C
Ka, Ka, Ka, der Jakob hat ein Ka.
150
Bruder Jakob
C
C
C
C
Bruder Jakob! Bruder Jakob! Schlafst Du noch? Schlafst Du noch?
C
C
Horst Du nicht die Glocken? Horst Du nicht die Glocken?
C
C
Ding! Dang! Dong! Ding! Dang! Dong!
C
C
C
C
Frère Jacques! Frère Jacques! Dormez-vous? Dormez-vous?
C
C
Sonnez les matines. Sonnez les matines.
C
C
C
C
C
C
Are you sleeping? Are you sleeping? Brother John! Brother John!
C
C
Morning bells are ringing. Morning bells are ringing.
C
C
C
C
C
C
Montanero! Montanero! Sale el sol. Sale el sol.
C
C
Suenan las campanas. Suenan las campanas.
C
C
C
C
C
C
Broeder Jakob! Broeder Jakob! Slaap je nog? Slaap je nog?
C
C
Alle Klokken luiden. Alle Klokken luiden.
C
C
C
C
C
C
Mester Jakob! Mester Jakob! Sover du? Sover du?
C
C
Hrer du ej klokken? Hrer du ej klokken?
C
C
151
Creutzfeldt-Jakob
(Elmar H
orig)
C
C
Creutzfeldt-Jakob! Creutzfeldt-Jakob!
C
C
Schlafst Du noch? Schlafst Du noch?
C
C
Fangt schon an zu zucken! Fangt schon an zu zucken!
C
C
BSE! BSE!
C
C
Creutzfeldt-Jakob! Creutzfeldt-Jakob!
C
C
Schlafst Du noch? Schlafst Du noch?
C
C
Fangt schon an zu zucken! Fangt schon an zu zucken!
C
C
BSE! BSE!
152
Negeraufstand
a
E
F
E
Negeraufstand ist in Kuba, Sch
usse hallen durch die Nacht,
d
C
G
a
Weiber werden hingerichtet und in Dosen eingemacht.
a
a
E
a
Humba humba assa humba humba assa humba ha oha oho.
a
a
E
a
a
E
F
E
In den Straen fliet der Eiter, der Verkehr geht nicht mehr weiter,
d
C
G
a
an den Ecken sitzen Knaben, die sich an dem Eiter laben.
a
a
E
a
a
a
E
a
a
E
F
E
In dem Keller sitzt der Hauptling und er nagt an einem Saugling,
d
C
G
a
seiner Frau gibt er die Knochen, eine Suppe draus zu kochen.
a
a
E
a
a
a
E
a
a
E
F
E
In den Flu
ssen schwimmen Leichen mit weit aufgeschlitzten Bauchen,
d
C
G
a
in den Bauchen stecken Messer von den bosen Menschenfressern.
a
a
E
a
a
a
E
a
a
E
F
E
In dem Keller auf den Kohlen sitzen Schwarze mit Pistolen
d
C
G
a
und sie schieen auf die Weien, die mit Totenkopfen schmeien.
a
a
E
a
a
a
E
a
153
Scheie . . .
C
Scheie durch ein Sieb geschossen,
G
gibt die schonsten Sommersprossen,
G
elaaa elalalaaa,
G
C
elaaa elalalaaa.
C
C
Scheie an den Fahrradreifen,
G
gibt beim Bremsen braune Streifen,
G
elaaa elalalaaa,
G
C
elaaa elalalaaa.
C
C
G
Scheie auf dem Autodach,
elaaa elalalaaa,
G
G
C
wird bei 180 flach,
elaaa elalalaaa.
C
C
G
Scheie im Kanonenrohr,
elaaa elalalaaa,
G
G
C
kommt zum Gl
uck recht selten vor,
elaaa elalalaaa.
C
Scheie auf der Friedhofsmauer,
G
stort die Leute bei der Trauer,
C
G
G
elaaa elalalaaa,
C
elaaa elalalaaa.
C
C
G
Scheie auf der Kirchturmspitze,
elaaa elalalaaa,
G
G
C
brockelt ab bei groer Hitze,
elaaa elalalaaa.
C
C
G
Scheie im Trompetenrohr,
elaaa elalalaaa,
G
G
C
klebt sehr schnell am Lauscher-Ohr,
elaaa elalalaaa.
C
Scheie in der Lampenschale,
G
gibt gedampftes Licht im Saale,
C
Scheie in der Kuchenform,
G
andert den Geschmack enorm,
G
elaaa elalalaaa,
G
C
elaaa elalalaaa.
G
elaaa elalalaaa,
G
C
elaaa elalalaaa.
154
Gitarren-Griffe
Die zehn wichtigsten Gitarren-Griffe sind:
1) A (A-Dur, Seite 154)
6) E (E-Dur, Seite 160)
2) a (a-Moll, Seite 155)
7) e (e-Moll, Seite 161)
3) C (C-Dur, Seite 157)
8) F (F-Dur, Seite 161)
4) D (D-Dur, Seite 158)
9) G (G-Dur, Seite 163)
5) d (d-Moll, Seite 159)
10) h (h-Moll, Seite 165)
Legende:
Z d
M d
= Zeigefinger
D d
= Mittelfinger
d abged
ampft
=
= Daumen
Z
Z
e
h
g
D
A
E
A2 (A-Dur2)
e
h
g
D
A
E
K d
= Kleiner Finger
Z
R

A4 (A-Dur4)
= Ringfinger
A+ (A-Dur+)
A (A-Dur)
e
h
g
D
A
E
R d
e
h
g
D
A
E
M
R
Z
Z
Gitarren-Griffe
155
A6 (A-Dur6)
A6 (A-Dur6)
e
h
g
D
A
E
Z
Z
e
h
g
D
A
E
Z
Z
Z
Z
A7 (A-Dur7)
R
Z
Z
e
h
g
D
A
E
e
h
g
D
A
E
Z
K
a6 (a-Moll6)
a4 (a-Moll4)
e
h
g
D
A
E
a2 (a-Moll2)
a (a-Moll)
e
h
g
D
A
E
Z
R
Z
Z
t
Z
Adim (A-Durdim)
e
h
g
D
A
E
A7+ (A-Dur7+)
e
h
g
D
A
E
A7 (A-Dur7)
e
h
g
D
A
E
e
h
g
D
A
E
156
Gitarren-Griffe
a7 (a-Moll7)
a7 (a-Moll7)
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
A[ (A[-Dur)
Z
Z
M
Z
K
Z
Z
R
a[ (a[-Moll)
Z
Z
Z
Z
Z
Z
e
h
g
D
A
E
Z
Z
M
Z
Z
Z
R
7
a[7 (a[-Moll
)
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
b7 (b-Moll7)
Z
M
Z
K
Z
R
Z
Z
b (b-Moll)
e
h
g
D
A
E
B7 (B-Dur7)
Z
Z
Z
Z
Z
Z
7
A[7 (A[-Dur
)
B (B-Dur)
e
h
g
D
A
E
e
h
g
D
A
E
Z
M
Z
R
Z
Z
Gitarren-Griffe
157
C (C-Dur)
C (C-Dur)
e
h
g
D
A
E
e
h
g
D
A
E
C2 (C-Dur2)
e
h
g
D
A
E
e
h
g
D
A
E
Z
Z
M
K
e
h
g
D
A
E
C7+ (C-Dur7+)
e
h
g
D
A
E
Cdim (C-Durdim)
e
h
g
D
A
E
Z
M
Z
K
Z
R
Z
Z
c7 (c-Moll7)
c (c-Moll)
e
h
g
D
A
E
C7 (C-Dur7)
t
M
C6 (C-Dur6)
e
h
g
D
A
E
C4 (C-Dur4)
e
h
g
D
A
E
Z
M
Z
R
Z
Z
158
e
h
g
D
A
E
e
h
g
D
A
E
Gitarren-Griffe
C] (C]-Dur)
Z
Z
Z
Z
Z
Z
c] (c]-Moll)
Z
M
Z
K
Z
t
R
Z
Z
Z
e
h
g
D
A
E
7
C]7 (C]-Dur
)
e
h
g
D
A
E
e
h
g
D
A
E
D2 (D-Dur2)
e
h
g
D
A
E
e
h
g
D
A
E
D6 (D-Dur6)
e
h
g
D
A
E
Z
M
Z
Z
t
R
Z
Z
Z
K
R
Z
M
K
D7 (D-Dur7)
D4 (D-Dur4)
D+ (D-Dur+)
R

Z
7
c]7 (c]-Moll
)
D (D-Dur)
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
e
h
g
D
A
E
Gitarren-Griffe
159
Ddim (D-Durdim)
D7+ (D-Dur7+)
e
h
g
D
A
E
e
h
g
D
A
E
Z
Z
Z
e
h
g
D
A
E
d (d-Moll)
e
h
g
D
A
E
K

M
d2 (d-Moll2)
e
h
g
D
A
E
e
h
g
D
A
E
d6 (d-Moll6)
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
D[ (D[-Dur)
Z
Z
Z
Z
Z
Z
d (d-Moll)
d7 (d-Moll7)
Z
K
R
Z

Z
M
d4 (d-Moll4)
e
h
g
D
A
E
Z
Z
7
D[7 (D[-Dur
)
Z
Z
Z
Z
Z
Z
160
e
h
g
D
A
E
Gitarren-Griffe
d[ (d[-Moll)
Z
M
Z
K
Z
t
R
Z
Z
Z
7
d[7 (d[-Moll
)
e
h
g
D
A
E
E+ (E-Dur+)
E (E-Dur)
e
h
g
D
A
E
e
h
g
D
A
E
E2 (E-Dur2)
e
h
g
D
A
E
e
h
g
D
A
E
E7 (E-Dur7)
e
h
g
D
A
E
E7 (E-Dur7)
E7 (E-Dur7)
K

Z
e
h
g
D
A
E
E6 (E-Dur6)
e
h
g
D
A
E
E4 (E-Dur4)
Z
M
Z
Z
t
R
Z
Z
Z
e
h
g
D
A
E
Gitarren-Griffe
161
Edim (E-Durdim)
E7+ (E-Dur7+)
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
F2 (F-Dur2)
F (F-Dur)
Z
Z
Z
M
Z
K
Z
R
e7 (e-Moll7)
e
h
g
D
A
E
e7 (e-Moll7)
e
h
g
D
A
E
M

Z
e6 (e-Moll6)
e
h
g
D
A
E
e4 (e-Moll4)
e
h
g
D
A
E
e2 (e-Moll2)
e (e-Moll)
e
h
g
D
A
E
e
h
g
D
A
E
162
Gitarren-Griffe
F6 (F-Dur6)
F4 (F-Dur4)
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
e
h
g
D
A
E
F7 (F-Dur7)
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
F] (F]-Dur)
e
h
g
D
A
E
Z
K
M
Z
t
Z
Z
R
Z
K
Z
R

Z
M
Z
Z
Z
Z
Z
Z
F]7 (F]-Dur7)
Z
Z
Z
M
Z
K
Z
R
f 7 (f-Moll7)
f (f-Moll)
Z
Z
Z
Z
Z
Z
Fdim (F-Durdim)
F7+ (F-Dur7+)
e
h
g
D
A
E
F7 (F-Dur7)
Z
Z
M
Z
t
Z
Z
R
e
h
g
D
A
E
Z
Z
Z
M
Z
R
Gitarren-Griffe
163
f ]7 (f ]-Moll7)
f ] (f ]-Moll)
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
e
h
g
D
A
E
G6 (G-Dur6)
e
h
g
D
A
E
e
h
g
D
A
E
Gdim (G-Durdim)
G7 (G-Dur7)
G7+ (G-Dur7+)
e
h
g
D
A
E
G4 (G-Dur4)
e
h
g
D
A
E
G2 (G-Dur2)
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
G (G-Dur)
G (G-Dur)
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
M

Z
164
Gitarren-Griffe
g7 (g-Moll7)
g (g-Moll)
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
Z
Z
Z
M
Z
K
Z
R
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
e
h
g
D
A
E
G] (G]-Dur)
Z
Z
Z
M
Z
K
Z
R
g] (g]-Moll)
Z
Z
Z
Z
Z
Z
Z
Z
Z
M
Z
R
g[7 (g[-Moll7)
g[ (g[-Moll)
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
G[7 (G[-Dur7)
G[ (G[-Dur)
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
7
G]7 (G]-Dur
)
Z
Z
Z
M
Z
Z
R
7
g]7 (g]-Moll
)
Z
Z
Z
Z
Z
Z
Gitarren-Griffe
165
H+ (H-Dur+)
H (H-Dur)
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
e
h
g
D
A
E
Z
Z
Z
Z
Z
Z
e
h
g
D
A
E
Z
M
Z
K
Z
R
Z
Z
h7 (h-Moll7)
h (h-Moll)
e
h
g
D
A
E
H7 (H-Dur7)
H2 (H-Dur2)
e
h
g
D
A
E
e
h
g
D
A
E
Z
M
Z
t
Z
R
Z
Z
166
CD-Verzeichnis
Ein Teil der St
ucke in diesem Liederbuch ist auf folgenden Alben zu finden:
Titel
Gruppe/Interpret
Album
Nr.
All My Loving
The Beatles
With the Beatles
I Want to Hold Your

Hand
And I Love Her
The Beatles
19621966, CD I
The Beatles
A Hard Days Night
Eight Days a Week
The Beatles
Beatles for Sale
Help!
The Beatles
Help!
Norwegian Wood (This

Bird has Flown)
Girl
The Beatles
Rubber Soul
The Beatles
Rubber Soul
In My Life
The Beatles
Rubber Soul
11
Eleanor Rigby
The Beatles
Revolver
Yellow Submarine
The Beatles
Revolver
A Day in the Life
The Beatles
13
I am the Walrus
The Beatles
Sgt. Peppers Lonely

Hearts Club Band
Magical Mystery Tour
Strawberry Fields
forever
Hey Jude
The Beatles
Magical Mystery Tour
The Beatles
19671970, CD I
The Continuing Story of

Bungalow Bill
Happiness is a Warm
Gun
Rocky Raccoon
The Beatles
White Album, CD I
The Beatles
White Album, CD I
The Beatles
White Album, CD I
13
Come Together
The Beatles
Abbey Road
Maxwells Silver
Hammer
Let it be
The Beatles
Abbey Road
The Beatles
Let it be
Get back
The Beatles
Let it be
12
The Gnome
Pink Floyd
Fearless
Pink Floyd
The Piper at the Gates

of Dawn
Meddle
Time
Pink Floyd
Dark Side of the Moon
Brain Damage
Pink Floyd
Dark Side of the Moon
13
CD-Verzeichnis
Titel
167
Gruppe/Interpret
Album
Nr.
Welcome to the
Machine
Wish You were here
Pink Floyd
Wish You were here
Pink Floyd
Wish You were here
Another Brick in the

Wall (Part 2)
Mother
Pink Floyd
The Wall, CD I
Pink Floyd
The Wall, CD I
Comfortably Numb
Pink Floyd
The Wall, CD II
Simon & Garfunkel
Sounds of Silence
Mrs. Robinson
Simon & Garfunkel
Bookends
The Boxer
Simon & Garfunkel
Its Good to be King
Tom Petty
Bridge over Troubled

Water
Wildflowers
Hard on Me
Tom Petty
Wildflowers
Blowin in the Wind
Bob Dylan
Knockin on Heavens
Door
Father and Son
Bob Dylan
The Freewheelin
Bob Dylan
Before the Flood, CD I
Cat Stevens
Tea for the Tillerman
10
Morning has Broken
Cat Stevens
Teaser and the Firecat
Field of Mars
The Church
The Blurred Crusade
Secret Corners
The Church
The Blurred Crusade
Lola
The Kinks
Hotel California
Eagles
Lola versus
Powerman and
the Moneygoround
Hotel California
Sex and Candy
Marcy Playground
Marcy Playground
Animals
Lady in Black
Uriah Heep
The Most of the

Animals
Salisbury
Where have all the

Flowers Gone?
Suzanne
Peter, Paul & Mary
Peter, Paul & Mary
Leonard Cohen
Songs of Leonard Cohen
Dust in the Wind
Kansas
Point of Know Return
The One I Love
R.E.M.
Document
Angie
The Rolling Stones
Goats Head Soup
The Moody Blues
Days of Future Passed
10
4
12
168
CD-Verzeichnis
Titel
Gruppe/Interpret
Album
Nr.
When a Blind Man

Cries
Marooned
Deep Purple
Singles As & Bs
Wire
Chairs Missing
Killing Me Softly with

his Song
Sailing
Roberta Flack
Killing Me Softly
Rod Stewart
Atlantic Crossing
10
Teach Your Children
Crosby, Stills, Nash &

Young
Wishbone Ash
Dejà vu
Argus
Marius
M
uller-Westernhagen
Marius
M
uller-Westernhagen
Achim Reichel
Mit Pfefferminz bin ich

dein Prinz
Mit Pfefferminz bin ich
dein Prinz
Melancholie und
Sturmflut

Dicke
Gr
u mir die Genossen
Aloha Heja He
14
9
5
169
Index
A
A Day in the Life
(The Beatles), 19
Die Affen rasen durch den Wald, 134
All My Loving
(The Beatles), 8
Alle Jahre wieder, 105
Aloha Heja He, 120
Aloha Heja He
(Achim Reichel), 118
And I Love Her
(The Beatles), 10
Angie
(The Rolling Stones), 84
Another Brick in the Wall
(Pink Floyd), 41
Auf einem Baum ein Kuckuck sa, 147
O du lieber Augustin, 146
B
(Deep Purple), 86
Blowin in the Wind
(Bob Dylan), 56
Bolle reiste j
ungst zu Pfingsten, 138
The Boxer
(Simon & Garfunkel), 50
Brain Damage
(Pink Floyd), 38
(Pink Floyd), 41
Bruder Jakob, 150
(The Beatles), 26
C
Hotel California
(Eagles), 64
CD-Verzeichnis, 166
Come Together
(The Beatles), 29
Comfortably Numb
(Pink Floyd), 44

(The Beatles), 26
Creutzfeldt-Jakob
(Elmar Horig), 151
D
Das Urmel-Lied, 145
A Day in the Life
(The Beatles), 19
Dicke
(M
uller-Westernhagen), 110
Die Affen rasen durch den Wald, 134
What shall We do with the Drunken
Sailor?, 96
Dust in the Wind
(Kansas), 82
E
Eight Days a Week
(The Beatles), 11
Eleanor Rigby
(The Beatles), 17
F
Father and Son
(Cat Stevens), 58
Fearless
(Pink Floyd), 35
Field of Mars
(The Church), 60
(Peter, Paul & Mary), 74
O du frohliche, 108
G
Wie schon, da du geboren bist
(Rolf Zuckowski), 128
Get back
(The Beatles), 33
Girl
(The Beatles), 15
Gitarren-Griffe, 154
Kling, Glockchen, klingelingeling, 101
The Gnome
(Pink Floyd), 34
170
Go down, Moses!, 98
Gr
u mir die Genossen
(M
uller-Westernhagen), 112
H
Ick heff mol en Hamburg en Veermaster
sehn, 94
(The Beatles), 9
(The Beatles), 27
Hard on Me
(Tom Petty), 54
(Bob Dylan), 57
Help!
(The Beatles), 12
Hey Jude
(The Beatles), 24
Hotel California
(Eagles), 64
(Animals), 68
I
I am the Walrus
(The Beatles), 20
(The Beatles), 9
sehn, 94
Ihr Kinderlein, kommet, 106
(Floten, Klarinette), 107
In My Life
(The Beatles), 16
Its Good to be King
(Tom Petty), 52
J
Ja, so warn s die alten Rittersleut, 116
(Karl Valentin), 114
Alle Jahre wieder, 105
Bruder Jakob, 150
Hey Jude
(The Beatles), 24
INDEX
K
Mein kleiner gr
uner Kaktus
(Comedian Harmonists), 122
(Willy Millowitsch), 126
Killing Me Softly with his Song
(Roberta Flack), 89
Kinder
(Bettina Wegener), 130
Ihr Kinderlein, kommet, 106
Its Good to be King
(Tom Petty), 52
Kling, Glockchen, klingelingeling, 101
(Bob Dylan), 57
L
Lat uns froh und munter sein, 100
Lady in Black
(Uriah Heep), 70
Leise rieselt der Schnee, 104
Let it be
(The Beatles), 32
Lola
(The Kinks), 62
Streets of London
(Ralph McTell), 80
Lustig ist das Zigeunerleben, 136
M
Marmor, Stein und Eisen
(Drafi Deutscher), 132
Marooned
(Wire), 87
Field of Mars
(The Church), 60
Maxwells Silver Hammer
(The Beatles), 30
Mein kleiner gr
uner Kaktus
(Comedian Harmonists), 122
Microsoft-Blues
(Hartmut Henkel), 143
Morning has Broken
(Cat Stevens), 59
INDEX
Go down, Moses!, 98
Mother
(Pink Floyd), 42
Mrs. Robinson
N
Stille Nacht, heilige Nacht!, 109
Negeraufstand, 152
(The Moody Blues), 85
Norwegian Wood
(The Beatles), 14
O
O du frohliche, 108
O du lieber Augustin, 146
O Tannenbaum, 99
The One I Love
(R.E.M.), 83
Otto, 149
P
Pizza-Blues
(Christof Schardt), 140
R
Raucherhusten-Blues, 142
(Animals), 68
Ja, so warn s die alten Rittersleut, 116
(Karl Valentin), 114
Mrs. Robinson
Rocky Raccoon
(The Beatles), 28
S
Sabotage, 148
Sailing
(Rod Stewart), 90
(The Moody Blues), 85
Scheie . . . , 153
Leise rieselt der Schnee, 104
Schneeflockchen, Weirockchen, 102
171
Schneeflockchen, Weirockchen
Seasons in the Sun
(Terry Jacks), 78
Secret Corners
(The Church), 61
Sex and Candy
(Marcy Playground), 66
Sieben Tage lang
(Bots), 131
Stille Nacht, heilige Nacht!, 109
Straen unserer Stadt
(Christian Heilburg), 124
Strawberry Fields forever
(The Beatles), 22
Streets of London
(Ralph McTell), 80
Yellow Submarine
(The Beatles), 18
Suzanne
(Leonard Cohen), 76
T
O Tannenbaum, 99
Teach Your Children
(Crosby, Stills, Nash & Young),
91
The Boxer
(The Beatles), 26
The Gnome
(Pink Floyd), 34
The One I Love
(R.E.M.), 83
(Donovan), 72
(Wishbone Ash), 92
Time
(Pink Floyd), 36
Two oClock
(F. Rainer Bechtold), 93
172
U
(Willy Millowitsch), 126
(Donovan), 72
Das Urmel-Lied, 145
V
sehn, 94
Venus
(Shocking Blue), 88
W
(Pink Floyd), 41
I am the Walrus
(The Beatles), 20
(The Beatles), 27
Welcome to the Machine
(Pink Floyd), 39
What shall We do with the Drunken
Sailor?, 96
(Deep Purple), 86
(Peter, Paul & Mary), 74
Wickie, 144
Wie schon, da du geboren bist
(Rolf Zuckowski), 128
Blowin in the Wind
(Bob Dylan), 56
Dust in the Wind
(Kansas), 82
Wish You were here
(Pink Floyd), 40
Y
Yellow Submarine
(The Beatles), 18
Yenawe, 133
Z
Lustig ist das Zigeunerleben, 136
INDEX

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LIEDERBUCH

I Want to Hold Your Hand (The Beatles) . . . . . . . . . . . . . . .

And I Love Her (The Beatles) . . . . . . . . . . . . . . . . . . . . .

Eight Days a Week (The Beatles) . . . . . . . . . . . . . . . . . . .

Help! (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . . .

Norwegian Wood (The Beatles) . . . . . . . . . . . . . . . . . . . .

Girl (The Beatles)

In My Life (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . .

Eleanor Rigby (The Beatles) . . . . . . . . . . . . . . . . . . . . . .

Yellow Submarine (The Beatles) . . . . . . . . . . . . . . . . . . . .

A Day in the Life (The Beatles) . . . . . . . . . . . . . . . . . . . .

I am the Walrus (The Beatles) . . . . . . . . . . . . . . . . . . . . .

Strawberry Fields forever (The Beatles)

Hey Jude (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . .

The Continuing Story of Bungalow Bill (The Beatles) . . . . . . . .

Happiness is a Warm Gun (The Beatles) . . . . . . . . . . . . . . .

Rocky Raccoon (The Beatles) . . . . . . . . . . . . . . . . . . . . .

Come Together (The Beatles) . . . . . . . . . . . . . . . . . . . . .

Maxwells Silver Hammer (The Beatles)

Let it be (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . .

Get back (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . .

The Gnome (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . .

Fearless (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . .

Time (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . . .

Brain Damage (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . .

Welcome to the Machine (Pink Floyd)

Wish You were here (Pink Floyd) . . . . . . . . . . . . . . . . . . .

Another Brick in the Wall (Pink Floyd) . . . . . . . . . . . . . . . .

Mother (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . .

Comfortably Numb (Pink Floyd) . . . . . . . . . . . . . . . . . . .

The Sounds of Silence (Simon & Garfunkel) . . . . . . . . . . . . .

Mrs. Robinson (Simon & Garfunkel)

The Boxer (Simon & Garfunkel) . . . . . . . . . . . . . . . . . . . .

Its Good to be King (Tom Petty) . . . . . . . . . . . . . . . . . . .

Hard on Me (Tom Petty)

Blowin in the Wind (Bob Dylan) . . . . . . . . . . . . . . . . . . .

Knockin on Heavens Door (Bob Dylan) . . . . . . . . . . . . . . .

Father and Son (Cat Stevens) . . . . . . . . . . . . . . . . . . . . .

Morning has Broken (Cat Stevens) . . . . . . . . . . . . . . . . . .

Field of Mars (The Church) . . . . . . . . . . . . . . . . . . . . . .

Secret Corners (The Church)

Lola (The Kinks) . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Hotel California (Eagles) . . . . . . . . . . . . . . . . . . . . . . . .

Sex and Candy (Marcy Playground)

House of the Rising Sun (Animals) . . . . . . . . . . . . . . . . . .

Lady in Black (Uriah Heep) . . . . . . . . . . . . . . . . . . . . . .

The Universal Soldier (Donovan)

Suzanne (Leonard Cohen) . . . . . . . . . . . . . . . . . . . . . . .

Seasons in the Sun (Terry Jacks)

Streets of London (Ralph McTell) . . . . . . . . . . . . . . . . . . .

Dust in the Wind (Kansas)

Nights in White Satin (The Moody Blues) . . . . . . . . . . . . . .

When a Blind Man Cries (Deep Purple) . . . . . . . . . . . . . . .

Venus (Shocking Blue) . . . . . . . . . . . . . . . . . . . . . . . . .

Killing Me Softly with his Song (Roberta Flack) . . . . . . . . . . .

Sailing (Rod Stewart)

The One I Love (R.E.M.)

Teach Your Children (Crosby, Stills, Nash & Young)

Throw down the Sword (Wishbone Ash) . . . . . . . . . . . . . . .

Two oClock (F. Rainer Bechtold) . . . . . . . . . . . . . . . . . . .

Ick heff mol en Hamburg en Veermaster sehn

What shall We do with the Drunken Sailor? . . . . . . . . . . . . .

Lat uns froh und munter sein . . . . . . . . . . . . . . . . . . . . . 100

Leise rieselt der Schnee . . . . . . . . . . . . . . . . . . . . . . . . . 104