Belongng Essay HSC Final

Belonging Essay HSC Final
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It is our connection to family and home that almost completely shapes out belonging and determines the extent to
which we belong, however it is also the state of mind with which we establish these connections that is the
decisive factor. Peter Skrzynecki both highlight how a lack of connection to both our home and our family can
lead to exclusion from both and an inability to communicate with others. On the other hand, Kay Pollaks film As
It Is in Heaven (2004), demonstrates that by connecting well with others through acceptance and collaboration,
individuals can create a family and home in which they belong.
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A strong connection to and relationship with ones cultural heritage is essential to develop a definite sense of self.
Skrzyneckis poem Post card highlights how his detachment from his fatherland has prevented him from
developing a strong sense of identity and connecting effectively with others. The poet explicitly rejects a connection
with his fathers homeland, Poland, but the poem suggests a subliminal connection exists through the
personification of the place haunting him. The repetition of I never knew you stresses the lack of attraction for
him and his detachment, which starkly contrasts his father who is proud of [Polands] domes and mother who
speak[s] of her Beloved Ukraine. His fierce denial of his heritage is highlighted through imperative tone in Let
me be but also reveals betrays his inability to forego sever his connection. T ashe form of the poem is a dramatic
monologue in which he addresses the absent Poland, which is seen to be relentlessly intruding upon his thoughts,
almost like a nemesisspeaks directly with it.. This combative relationship between his divided self is reiterated in
the rhetorical question whats my choice to be?, underlining the poets uncertainty over his feeling towards
Poland. However, Skrzynecki eventually recognizes the inevitable connection to his fatherland, conveyed through
the personification in a lone tree whispers: We will meet Before you die. Therefore, our ties with place and
heritage, it is suggested, cannot with ease be ignored, and will enhance or hinder our development of identity and
determine to what extent we belong.
Although we can inevitably form strong bonds with those who share similar cultural background, it is also possible
for owever, all people individuals to develop a sense of belonging by seekdeveloping recognition from
othersconnections with a diversity of people. , and a sense of belonging can only be achieved by having familial
strong connections with those around us. Kay Pollaks film As It Is in Heaven (2004) follows the journey of a
successful but lonely internationally renowned conductor, . Daniel Darius, as he is involuntarily thrust into the
role as church choir choirmaster of his hometown,; to which he retreats after a heart attack. At the start of his
journey with the choir, the crosscutting between Daniel and the choir echoes the montage of Daniel and the
orchestra at the beginning of the film, suggestive in each case of his separation,establishing that as even in his
hometown, a place he should feel at home in, he does not belongbelong as ________________. However, in
later scenes as Daniel relinquishes power as conductor and instead accepts his role as ____________ and
nurtures the choir, a slow panning shot of the choir singing with Daniel in their midst in the church includes
Daniel standing in the choir, not conducting; thus demonstrates ting that his connections with the members of the
choir has allowed him to form a family in which he belongshe has forged bonds that are almost familial. Daniel
learning to ride a bicycle in several different scenes and joyously at the end, is a metaphor for his gaining control of
his life Aas he finally begins to to feel the sense of belonging connect with his joyous child self through his
discovery of identityhe had as a child, Daniel in the dream sequence at the end of the film embraces his bullied,
child self; the bullied child who has returned to this place to find himself again and thereby escape exclusion by
developing new bonds. with his mother, which is established through the mid shot of their embrace in the opening
scenes. The completion of his journey of connection and reconnection is mirrored in m Many other characters in the
filmwho experience a experience a parallel journey;: the abused wife of Daniels erstwhile bully, the neglected wife
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of the repressed vicar, the local Mary Magdalan figure, each all find their note which will open a persons
heart, a reoccurring symbol Darius employs to identify eachth individuals eir unique contribution to the choir
which precipitates their belonging and brings them together as a family. The final scene, where many choirs join to
create a single soaring voice, is both visually and aurally uplifting, and epitomises the extent of both Daniel and
the members of his choirs success with communicating effectively with each other to form a family where they all
belong. The films storyline establishes a conflict between two types of belonging, to religion or to music: proposing
that the choir is more human and more inclusive than traditional religion (represented as another form of repressive
power over individuals) a place for individuals to establish a sense of self which then precipitates their belonging
as a group. Thuss, through self-realisation, by forming forming rooted relationships with others and developing
familial bonds, individuals are able to reshape their understanding of belonging individuals are able to reshape
their understanding of belonging..
Belonging then is something we must choose, something that requires courage on the part of the individual as much
as acceptance on the part of others; it is a state of mind as much as a state of being.
People who are unable to reconcile with both new and old cultures are unable to establish a cultural identity while
those who embrace both cultures are able to belong and integrate into both. The poem Feliks Skrzynecki suggests
shows how the sons failure to completely accept his Polish heritage leads to a loss of connection to place and lack
of cultural identity; while his fatherthat , Feliks appreciation courage in accepting of both his Australia and
Polish homes identities results in his contentment. Peter Skrzyneckis admiration for his strength is highlighted
through the reverent tone in never once heard Him complain of work Or pain. The hyperbole in His
garden Walking its perimeters He swept its paths Ten times around the world establishes that Feliks has
shaped his own world in Australia and created a place where he belongs. The nostalgic tone and gentle rhythm in
Polish friends reminisced About farms where paddocks flowered with corn and wheat highlights demonstrates
that although Feliks lives in Australia, he still maintains a strong connection to his homeland. This is juxtaposed
with Peters critical commentary that Feliks friends Always shook hands too violently and their formal address
I never got used to, suggesting that unlike his father, Peter is forever an observer and is disengaged from Polish
culture and customs, similar to Daniel when he stands apart from the musicians while conducting or watches from
afar as the choir practices. The indecisive tone in I often wondered I thought shows that Peter is uncertain
of his attachment to his homeland however, Skrzynecki asserts that Polish remains as the metaphoric assertion
that he is Remnants of a language I forgot my first Polish word pegging [his] tents Further and further south
of Hadrians Wall indicatinges that hePeter feels a connection to Australian society and is leaving his Polish
origins behind; an adolescent journey away from family which is echoed in Post Card, though here with greater
ambivalence. In a similarly way to D Thus, an acceptance and established relationship with different cultures
must be reconciled and balanced in order to truly feel integrated into either society.aniel, who has returned to his
origins to embrace his bullied, child self and discover his identity, Peter Skrzynecki have to go to the margins,
metaphorically pegging [their] tents Further and further south of Hadrians Wall in order to find their selfhood
and their connection with others. Belonging then is about making sacrifices, facing new environments with
courage and acceptance.

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Feeling a strong sense of connection to others gives people the strength and security to be who they are which in
turn allows them to truly belong. Skrzyneckis Post Card and Feliks Skrzynecki as well as Kay Pollaks As It Is
In Heaven all highlight how lack of relationships with place, people or culture results in isolation and alienation
but Feliks Skrzynecki and As It Is in Heaven also show the transforming power of positive relationships for selfrealisation.
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