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Prathakprathaktattriyam Sukshmamityabhishabdyate |
Sanjam Karomi Madhuram Vadayami Bruve Vacha ||
The matrikas and (hence) the vowels and consonants were generated from the
manifestation of the omnipresent, eternal sound (Nadabrahm). The different forms of
voice - namely the pashyanti (voice of the inner self) madhyama (mental voice or the
voice that one hears while thinking) and baikhari (usual voice used in speech) - also
originated from the same Nada; each of them was further divided into the perceivable and
subtle forms. Thus the six-fold manifestation of the Nadabrahm came into existence. The
six line-segments of the swastika symbolize this occult knowledge. In this
context, swastika is further regarded as a sign depicting the secret facets of the origin of
Nature.
The vocal sound (baikhari vani), as we perceive it, consists of both -- the vowels and the
consonants. Of this, the vowels are fundamental; they exist as natural expressions of
sound, namely the swaras; the consonants cant be perceived without the suffix of
swaras. There are six basic swaras of musical notes. These are like the six major
components of the spectrum of light that is referred in the scriptures as "Yadevatatmakam suryarashmiktwam", and the ensemble of these six suryarashmi
(sunrays) is called "swastika".
Apart from the scriptural descriptions, the archeological findings, especially inscriptions in
the ancient caves indicate the popularity of swastika design in ancient times. The
paintings and stone carvings found at Singhanpur area in Raigardh, Baniya Beri in
Pachmari and several caves in the Chambal and Sagar-Bhopal regions are among the
authentic proofs available today in this regard in India. Many of the designs depict both
the dakshiavarta (clockwise) and the vamavarta (counterclockwise) swastikas. Both the
types are found engraved on the coins of the Age of Indus-civilization as well. However,
only the clockwise swastika, which we have referred so far, is found in the pictures or
inscriptions showing signs of religious rituals; it is indeed this type - the
(vedic) swastika that is used and worshipped in the Hindu religious sacraments.
The counterclockwise swastika is supposed to be used in some tantrika practices;
incidentally, the swastika symbol adopted by the Nazis is also of counterclockwise type.
As per renowned scholars like Prof. Maxmuller, this anti-clockwise design of swastika was
also favored in some orthodox Christian churches and was popular several hundred years
ago in England, and then in some varied forms in Denmark, Norway and Sweden. For
example, the related symbol in Sweden had the arms of the
counterclockwise swastika design expanded and connected to each other along a circular
contour; which appears like a cross embedded in a circle. It should be noted that in this
article the main focus of our discussion is only the vedic symbol (the clockwise swastika).
Another scholar Mrs. Murray remarks in the volume entitled "Symbolism of the East and
West" that the vedic symbols encompass deep and important meanings. It is mostly these
symbols, which were propagated in different parts of the globe; some changes and
diversions occurred and got adopted with the flow of time. These variations are reflected
in several symbols used in different religions of the world. Swastika is a vedic symbol
which has acquired a rich global tradition and significance.
According to Indian Philosophy, the four arms of swastika symbolize the four Vedas, four
Varnas, four Ashrams, four Lokas and the four deities - Brahma, Vishnu, Mahesh (Shiva)
and Ganesha. Eminent vedic scholar Pt. Ramchandra Shastri further cites that the design
ofswastika resembles a four-petalled lotus (chaturdala kamal) which symbolizes the abode
of Lord Ganapati and is therefore worshiped in religious ceremonies and also enshrined at
the places of worship. Several savants also regard swastika as the symbol of the Kaustubh
Mani present on the chest of the embodied-manifestations of God Vishnu.
Many more aspects of knowledge, deeper meanings and philosophical teachings and
feelings and effects might have been folded in the distinctive and comprehensive design of
swastika. But at the core of it lies the spirit of auspiciousness and well-being of every
individual, every family, society, nation, and the whole creation. It therefore continues to
be of universal significance and reverence. What is required is that we grasp its
implications and adapt them in all walks of life. Let the auspicious sentiments and
teachings encoded in theswastika be expressed in our aspirations, thoughts and deeds.
Let swastika not only be worshipped in our shrines, let it also be enshrined in our hearts
and minds as the spirit and light of saintly sentiments, knowledge and wisdom.
Atomic theory is an ancient science. The earliest record of it can be found in Vedic texts from india which are
many thousands of years old.
Legend has it that the Vedic civilisation was highly advanced. The sages that oversaw its development,
through their mystic insight and deep meditation, discovered the ancient symbols of spirituality: Aumkara
and Swastika. They also discovered many scientific principles that they applied to develop a highly advanced
technology. They gave the atom its sanskrit name "Anu".
While the technical achievements of this ancient civilisation have been forgotten the archetypal symbols of
spirituality have maintained their eminence in our consciousness. Now, thanks to advances in modern
atomic theory, the atomic basis of these divine symbols can be appreciated.
Western theories of the atom took shape in the 18th and 19th century. At the beginning of the 19th century,
John Dalton theorised that an atom was an indivisible particle of an element. However, after the electron
was discovered in 1897, and then the proton several years later, the atom model was revised. In 1909,
Ernest Rutherford showed that atoms were mostly empty space, revising the model of an atom to a tight
positive nucleus containing the protons and neutrons with electrons around it; by 1913, Danish physicist
Neils Bohr envisioned a planetary arrangement in which the electrons orbited the nucleus at different energy
levels.
The current way of describing an electron is a model called the charge cloud model/quantum mechanical
model/orbital model. This model based on the idea of Heisenberg's Uncertainty Principle, which states that
we do not know the precise location or the velocity of any given electron. The model uses indistinct and
overlapping "probability clouds" to approximate the position of an electron.
Where a cloud is dense, the probability of finding an electron in that vicinity is low. In this model, each
electron energy level is denoted by numbers that take concentric shells as suggested by the Bohr model
because there are overlaps in the ordering of the energy levels.
In the case of the carbon atom the electrons occupy four tear drop shaped clouds in a tetrahedron-like
arrangement. These clouds represent the areas in which the electrons spend most of their time. They move
so rapidly in this zone that they form a cloud rather than a specific flight path
Recently a number of researchers have suggested that within these clouds exist specific zones that the
electrons favour. These zones form a spiral around the surface of each of the tear drop shaped clouds.
This new development came into the attention of a great Indian saint and mystic. Disciples were encouraged
to develop the principle as it related to the carbon atom.In deep meditation one of those disciples, who was
a chemist,spontaneously realised the true significance of this theory:
The electron's high probability zone formed spiral standing waves around the carbon atom's nucleus. When
this configuration was viewed from certain angles the physicist was surprised to find that the spirals formed
recognisable symbols.
In the first view a 3dimensional Aumkara could be seen. From a different angle that Aumkara became a
flat, 2-dimensional Swastika. The Swastika, he concluded, was actually 2-D representation of the 3-D
aumkara.
Rotating the model to another angle shows those symbols change into the Greek Alpha and Omega. At a
cosmic level the symbols of Eastern spirituality (Aumkara and Swastika) are literally and only different
aspects of the same spiritual truth that is also represented by the symbols of Western spirituality (Alpha and
Omega).
All people, objects and even energy itself are expressions of the same divinity that so many religions,
cultures and philosophies have tried to claim exclusively as their own.
The Carbon atom, by containing within it these universal symbols, demonstrates that matter is a
manifestation of the same Divine consciousness experienced by the saints and sages of all history. Matter is
innately spiritual.
The Universe does not exist separately from the Universal Consciousness; it is a direct expression of it.
Living matter, which is carbon based, must have a unique role in this expression. A saint is one who lives in
eternal experience of this all pervading divine purpose.
All people, objects and even energy itself are expressions of the same divinity
The alpha and omega are traditionally ascribed to Christ. In india the Deity called Ganesha presides over
the Swastika and Aumkara.
There are some remarkable similarities between the two:
Both deities demonstrate the value of childlike innocence; Ganesha is himself an eternal child famous for his
simple wisdom ;while Christ, son of god, often exhorted his disciples to "be as little children";
They both are divine children; both conceived immaculately;, both divine sons of a holy trinity (Christ is the
son of Yahweh and The Holy Spirit/Mary and Ganesha son of Lord Shiva and Mother Parvati).
Are Ganesha and Christ the one and the same deity?
Each, like their symbols that exist as different aspects of the carbon atom, represent different aspects of the
archetypal cosmic child.
Thus the distinction between Eastern and Western spirituality, like any division based on race,culture or
belief, is no more than ignorance of the true spiritual nature of the universe and all that exists within it.
Swastika is a symbol (shown in the first image) dating back to thousands of years used in eastern
religions like Hinduism. Swastik or Swastika is a Sanskrit word, meaning goodness and wellness.
This is considered as a symbol for well being and is used for auspicious occasions.
Unfortunately it's meaning got misled later when during last century, Nazis used a similar symbol for
their party. (Our Saints did not believe in patenting the symbol :-)). Later on Germany banned it for
political party use.
Now coming to the interpretation I got, I will use the second diagram below to explain the point.
It all started with a thought about the purpose of meditation. One of the ways of explaining the
purpose of meditation is spiritual progress, by taking energy inside and upwards. Now consider the
above diagram, the energy is at point 6, we take the energy inwards to 7, raise to 8, further rise to 9
and take it inwards further to 10 in order to get a higher understanding. Once we get the higher
understanding, and we are in the inward plane (axis 5, 4, 10), we use the lower end of the energy
from 5 to 4, bring it outwards (4, 3 , 2) and use it in the external world with a higher consciousness
(point 1).
In summary, Swastika / Swastik symbol represents rising of spiritual consciousness and then
using it for external use.
Interestingly after getting this insight, I was searching for the traditional meanings and I read that one
interpretation is - a forward Swastika represents involution and reverse evolution of the universe.
See the diagram below.
I did not know this interpretation earlier but I find that this is also inline with my present insight or
understanding. Pravritti in Sanskrit means a characteristic external trait or outward action, this is
required for any being in order to live and progress in the external universe. On the other hand,
Nivritti means going inwards, renunciation - this is required for the soul progress.
Back to Issue 11
OBJECT..................ENERGY LEVEL
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1.
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