Rhetoric is planned: this is obvious; a film is a planned art.

Rhetoric is adapted to audience/ This means attending to an audiences values,

experiences, belief etc.: for us, as college student, the movie offers us a picture of
Harvard, student life that is familiar to us, or close to our imagination. As young
adult, I can also understand the emotion of character through my own life
experience (upset or even angry after dumped by girlfriends; jealous when
friend gets stolen away from another person)
Rhetoric reveal human motive/ human motives have a moral quality: in the
movie when director describes the upset and depress of Saverin at the time he
figure out Mark has been under the spell of Sean Parker, and find out he has
been tricked for his deserved share in the company, I can totally understand his
emotion. Those emotions are natural and understandable to me. I begin to have
sympathy for him.
Rhetoric is responsive: I think it is not only an action as responsive; even the
deep-thinking pondering on success, personal value, and friendship can be called
responsive. The movie let me think a lot on those things while watching. I even
tie them back to my lifes experience, or put myself in their position.
Appeal, pathos: the experience of Winklevoss brothers and Saverin. I feel really
sorry for them, for the way Winklevoss is treated by the president of school. And
the unfair treatment Saverin goes through. Even for Mark, for his unresolved
tangling with Erica. Sympathy emerged.
Rhetorical Virtues: the creativity, ambition in Mark can be named after the
intellectual courage. The movie overall try to sell us a way to actively turn our
idea into action, and dream something big. Work and fight for the thing we enjoy,
love, and good at. So does intellectual knowledge valued in there. Also the
gentleness in Winklevosss mind, the sense of community depicted through their
images.
The Slow camera movement also gives viewers time to contemplate the image and
to question its significance / in other words, prolonged pans and tilts encourage
viewer to engage with visual images on both a cognitive and an emotional level: in
the movie when director takes a distance, long, and slow shot for Mark walking
from the bar back to his dorm, the movement is really slow, and with the

background music, we can experience the depress. We begin to think what is

going to happen next, and what this end of relationship might bring him. Will he
become upset for a long period time, or will he do something else?
In order to create a sense of presence, virtual reality should come as close as
possible to our daily visual experience.: in the movie, college students life is
everyday life: dorm, parties, and friends.
Hypermediacy, combination of random access with multiple media/: When they
put background music to set up the tone for that part of the movie, the mix media
meets the presentation even better.
In the logic of hypermediacy, the artist (or multimedia programmer or web
designer) strives to make the viewer acknowledge the medium as a medium and to
delight in that acknowledgment.: the repeat and rapid change of party, writing
code scenes in the movie, corresponding with the tense background music, I
acknowledge the multimedia. It offers me a really good experience. I experiences
two different lifestyle both for college students in the movie.