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July 2014
01
July 2014
Editorial di Silvia Botti
Instant is part
of the editorial
system of
Reportage In the Labyrinth
of Modernity
Editor in chief
Silvia Botti
32
curated by Roberto Ricci
Scientific Editor
Luca Molinari
36
Art director
curated by Chiara Maranzana
Eugenio Schinelli
Design
Fabio Grazioli
Central office
Chiara Maranzana
Managing editor
60
/ 2 Concentrated Modernity
70
/ 3 After Colonialism
78
86
Monica Guala
text by Simona Galateo
Editorial secretary
Abitare is back. And one step at a time it is revealing its multimedia system.
After Abitare Instant, devoted to the Biennale, to download and keep,
more new features are on their way. Register at www.abitare.it
to receive a preview of the new magazine, which has been completely
revamped and redesigned. The print edition will be on newsstands
on 19 September. In the meantime follow us
on Facebook and Twitter, we will keep you up to date.
Correspondents
text by Alessandro Benetti
Sara Banti
Alessandro Benetti
Italian Pavilion Continual Metamorphoses
Rossella Ferorelli
text by Luca Molinari
Simona Galateo
Luca Galofaro
Emilia Giorgi Monditalia / 1 Research on the Frontier
Roberto Ricci
text by Rossella Ferorelli
Filippo Romano
/ 2 Photographic Investigations
of the Sacred
96
110
116
122
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SpA
RCS MediaGroup
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152
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Ed i t o r i a l
What you are browsing through is the first free digital edition
of Abitare. It is not the digital version of the magazine.
Rather it is a service that the technology allows us to offer you.
We have called it Instant, as it lets us do what our nature
as a monthly publication prevents us from doing: participating
in events while they are still underway. And in fact the first issue
is devoted to the 14th Venice Biennale of Architecture,
that will remain open until 23 November.
We reported to you on the Biennale live on the web and through
the social networks in the days of its opening at the beginning
of June. Now we are offering you some reflections and some
itineraries that, we hope, will help you choose what to visit,
enrich your understanding and deepen your judgement.
Abitare Instant Biennale is supported by a microsite devoted
entirely to the exhibition in Venice (biennale.abitare.it), which
will give all the basic information. It is an account of what is
going on at the Arsenale, in the Giardini and in the city.
It is a concentration of the most interesting productions, lines
of research and reactions to a complex event that places Italy
at the heart of the international scene and continues to stir debate.
Silvia Botti
4|5
Reportage
In the Labyrinth
of Modernity
The 14th Venice Biennale of Architecture
is an account of a world undergoing profound
metamorphosis, a workshop to be explored
without necessarily finding answers
#01
6|7
R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
#01
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R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
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R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
#01
14 | 15
R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
#01
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R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
#01
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R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
#01
20 | 21
R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
#01
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R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
#01
24 | 25
R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
#01
26 | 27
R e p o r ta g e | I n t h e L a b y r i n t h o f M o d e r n i t y
#01
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Ferrovia
EVENTS/EXHIBITIONS
Piazzale Roma
Rialto
Arsenale
Ca Giustinian
Accademia
Zattere
Isola di S. Giorgio
Giardini
Isola della Giudecca
Isola di S. Servolo
PARTECIPATING COUNTRIES
Armenia
ca Zenobio, Collegio
Armeno Moorat Raphael
Dorsoduro 2596 [4]
Cipro
palazzo Malipiero
S. Marco 3198 [6]
Costa dAvorio
chiesa S. Francesco della Vigna
Castello 2786 [3]
#01
Kenya
isola di S. Servolo [9]
Lussemburgo
ca del Duca, S. Marco 3052 [7]
Montenegro
palazzo Malipiero
S. Marco 3079 [6]
Nuova Zelanda
palazzo Pisani, Cannaregio 6104
(calle delle Erbe, S. Marina) [2]
Paraguay
liceo artistico statale
M. Guggenheim
Dorsoduro 2613 [5]
Romania
palazzo Correr, Cannaregio 2214
(Campo S. Fosca) [1]
Ucraina
riva dei Sette Martiri
Castello [8]
Giardini
The Biennale and Venice
Isola di S. Servolo
ARSENALE
GIARDINI
Fundamentals
Elements of Architecture
Central Pavilion [16]
Absorbing Modernity
1914-2014
Monditalia
Corderie [15]
Arsenale
Albania [10]
Argentina [11]
Bahrain [12]
Cile [12]
Cina [14]
Costa Rica [10]
Croazia [12]
Emirati Arabi Uniti [11]
Estonia [12]
Indonesia [12]
Iran [10]
Irlanda [12]
Italia [13]
#01
Kosovo [12]
Kuwait [12]
Lettonia [12]
Macedonia [10]
Malesia [12]
Marocco [12]
Messico [11]
Mozambico [12]
Per [10]
Portogallo [12]
Repubblica Dominicana [12]
Slovenia [12]
Sudafrica [10]
Thailandia [12]
Turchia [10]
Giardini
Australia [22]
Austria [17]
Belgio [30]
Brasile [20]
Canada [44]
Corea [42]
Danimarca [34]
Egitto [19]
Finlandia [27]
Francia [37]
Germania [43]
Giappone [40]
Gran Bretagna [41]
Grecia [25]
Israele [29]
Olanda [26]
Padiglione Venezia [21]
Paesi Nordici [35]
Polonia [23]
Rep. Ceca e Slovacchia [36]
Romania [24]
Russia [39]
Serbia [18]
Spagna [33]
Stati Uniti dAmerica [31]
Svizzera [38]
Ungheria [28]
Uruguay [32]
34 | 35
[16]
Elements of architecture
Primary characters
#01
36 | 37
#01
38 | 39
#01
40 | 41
#01
42 | 43
#01
44 | 45
#01
46 | 47
#01
48 | 49
#01
50 | 51
#01
52 | 53
#01
54 | 55
#01
56 | 57
Absorbing
Modernity/1
In Search
of a Continuity
A look at the last 100 years of history going
beyond differences of time and politics:
an approach that characterizes the research
of countries which differ greatly from one
another, from Croatia to Paraguay, from Bahrain
to Brazil, from Austria to the United States
Bahrain [12]
#01
60 | 61
A bs o r b i n g M o d e r n i t y | 1 . I n S e a r c h o f a C o n t i n u i t y
#01
Ireland [12]
photo by Andrea Avezz. Courtesy la Biennale di Venezia
USA [31]
62 | 63
A bs o r b i n g M o d e r n i t y | 1 . I n S e a r c h o f a C o n t i n u i t y
Brazil [20]
Paraguay [5]
Peru [10]
#01
66 | 67
photo by Andrea Avezz. Courtesy la Biennale di Venezia
Thailand [12]
Photo by Photo by Relja Ivanic
Denmark [34]
A bs o r b i n g M o d e r n i t y | 1 . I n S e a r c h o f a C o n t i n u i t y
Serbia [18]
Kosovo [12]
#01
photo by Andreas Balon
Croatia [12]
photo by Andrea Avezz. Courtesy la Biennale di Venezia
A bs o r b i n g M o d e r n i t y | 1 . I n S e a r c h o f a C o n t i n u i t y
Uruguay [32]
Austria [17]
68 | 69
Absorbing
Modernity/2
Concentrated
Modernity
Great Britain, Japan, Chile, the Netherlands,
France and the other countries that have chosen
to look back at the events of the period between
the 1950s and the 1970s in order to make their
own contribution to contemporary architecture
Chile [12]
#01
70 | 71
A bs o r b i n g M o d e r n i t y | 2 . C o n c e n t r at e d M o d e r n i t y
#01
72 | 73
A bs o r b i n g M o d e r n i t y | 2 . C o n c e n t r at e d M o d e r n i t y
Germany [43]
Belgium [30]
#01
74 | 75
A bs o r b i n g M o d e r n i t y | 2 . C o n c e n t r at e d M o d e r n i t y
Japan [40]
Switzerland [38]
Absorbing
Modernity/3
After
Colonialism
Cyprus [6]
#01
78 | 79
A bs o r b i n g M o d e r n i t y | 3 . Aft e r C o l o n i a l i s m
#01
Cyprus [6]
Romania [24]
80 | 81
A bs o r b i n g M o d e r n i t y | 3 . Aft e r C o l o n i a l i s m
Mozambique [12]
photo by Andrea Avezz. Courtesy la Biennale di Venezia
#01
A bs o r b i n g M o d e r n i t y | 3 . Aft e r C o l o n i a l i s m
84 | 85
Absorbing
Modernity/4
The Future
Has Begun
Modernity is seen as a process that is by now
complete and leaves room for new visions
in the pavilions of Korea, winner of the Golden
Lion at this Biennale, and countries like Morocco,
Turkey, Canada, Spain or Kuwait
#01
Russia [39]
86 | 87
A bs o r b i n g M o d e r n i t y | 4 . T h e F u t u r e H a s B e g u n
#01
Korea [42]
Photo by Photo By Andrea AvezzCourtesy la Biennale di Venezia
Albania [10]
88 | 89
A bs o r b i n g M o d e r n i t y | 4 .T h e F u t u r e H a s B e g u n
Morocco [12]
#01
Israel [29]
Canada [44]
Portugal [12]
Photo by Photo By Andrea Avezz Courtesy la Biennale di Venezia
Spain [33]
Photo by Photo By Andrea Avezz Courtesy la Biennale di Venezia
A bs o r b i n g M o d e r n i t y | 4 . T h e F u t u r e H a s B e g u n
#01
Turkey [10]
Kuwait [12]
92 | 93
Italian Pavilion
Continual Metamorphoses
[13]
#01
96 | 97
I ta l i a n Pav i l i o n | C o n t i n u a l M e ta m o r p h o s e s
98 | 99
I ta l i a n Pav i l i o n | C o n t i n u a l M e ta m o r p h o s e s
#01
100 | 101
I ta l i a n Pav i l i o n | C o n t i n u a l M e ta m o r p h o s e s
#01
102 | 103
I ta l i a n Pav i l i o n | C o n t i n u a l M e ta m o r p h o s e s
Pad i g l i o n e I ta l i a
#01
104 | 105
I ta l i a n Pav i l i o n | C o n t i n u a l M e ta m o r p h o s e s
Monditalia/1
Research
on the Frontier
[15]
Italian Limes
#01
110 | 111
M ON D ITA LI A | 1 . R e s e a r c h o n t h e F r o n t i e r
Italian Limes
#01
112 | 113
M ON D ITA LI A | 1 . R e s e a r c h o n t h e F r o n t i e r
Post-Frontier
152 Mediterranea
114 | 115
Monditalia/2
Photographic
Investigations
[15]
116 | 117
M ON D ITA LI A | 2 . P h o t o g r a p h i c I n v e s t i g at i o n s
#01
118 | 119
M ON D ITA LI A | 2 . P h o t o g r a p h i c I n v e s t i g at i o n s
Nightswimming
Monditalia/3
The Many Paths
of the Sacred
[15]
122 | 123
M ON D ITA LI A | 3 . T h e M a n y Pat h s o f t h e S a c r e d
Countryside Worship
124 | 125
M ON D ITA LI A | 3 . T h e M a n y Pat h s o f t h e S a c r e d
Business of People
#01
126 | 127
M ON D ITA LI A | 3 . T h e M a n y Pat h s o f t h e S a c r e d
Urbs Oblivionalis
#01
Monditalia/4
The Remains
of the Boom
[15]
130 | 131
M ON D ITA LI A | 4 . T h e R e m a i n s o f t h e B o o m
132 | 133
M ON D ITA LI A | 4 . T h e R e m a i n s o f t h e B o o m
#01
134 | 135
M ON D ITA LI A | 4 . T h e R e m a i n s o f t h e B o o m
Monditalia/5
The Tradition
of the Avant-garde
[15]
Space Electronic
#01
138 | 139
M ON D ITA LI A | 5 . T h e T r a d i t i o n o f t h e Ava n t- g a r d e
Space Electronic
Radical Pedagogies
140 | 141
M ON D ITA LI A | 5 . T h e T r a d i t i o n o f t h e Ava n t- g a r d e
#01
142 | 143
M ON D ITA LI A | 5 . T h e T r a d i t i o n o f t h e Ava n t- g a r d e
Press Review
curated by Chiara Maranzana
I think its
very important
to have lived
in the time of Rem,
like to have lived
in the time
of Corbusier
Peter Eisenman interviewed by Dezeen Magazine, 9.6.2014
148 | 149
P r e ss R e v i e w
#01
150 | 151
Booklist
text by Luca Galofaro
Chilean Pavilion
Monolith
Hatje Cantz 2014
An exhibition of architecture like
the Venice Biennale is an
opportunity to start up debates
again and to exchange more
or less coherent and interesting
views. It is a starting point.
Usually the comments die down
just a few days after the
opening, ending with an I like
it or not, and with a collection
of more or less new picture
cards to take home. This time,
however, it is different.
The debates that have taken
place have exceeded all
expectations. We have begun
to talk about architecture again.
We are doing this by following
another track, that of books,
which this time are the
protagonists of many interesting
stories. We should not forget
that a book stays with us longer
than an exhibition. We are able
to visit it again and again,
looking for its meaning.
Here is my list, more or less
in order of preference.
#01
152 | 153
Booklist
A Clockwork Jerusalem
Italian Pavilion
Innesti/Grafting
Marsilio 2014
Here we have not just one book but three
which aim to describe what Italian
architecture is in the mind of the curator
of this pavilion Cino Zucchi, and also
attempt to look at it from a completely
new point of view. Works from different
periods are re-examined in original ways
to reveal their capacity to unite
interpretation and innovation, existing
material and future form. Over three
volumes, with a long essay by the curator
around the theme of the exhibition,
accompanied by a lavish set of
illustrations, this catalogue also contains
around twenty short, illustrated texts
(postcards) by foreign architects
of international standing centred
on the theme of modernity in Italy.
Kingdom of Bahrain Pavilion
Fundamentalists
and Other Arab Modernisms
George Arbid (ed.) 2014
The book gives the space of this
installation its shape: 40,000 copies
of the catalogue line a wooden circular
space with a table at the centre that
suggests to visitors that they stop to read
what can be considered as the only book
on the history of modern architecture
Arctic Adaptation
The ability to adapt to changing climatic
conditions is the metaphor through which
a contrast is made between the rapid
colonization of the Arctic and the longterm view of the Inuit people, who have
lived there for millennia. This is a strange
book, in which this contrast between
different realities and times shows us how
modernity is in fact nothing but a fleeting
moment of adaptation and resistance.
Awards
The Lions
of Architecture
#01
158 | 159
P
rem
a z i o n i | I L e o n i d e l la r c h i t e tt u r a
Awa
rids
#01
Fuori Biennale
Experiences between
Art and Architecture
Between Palazzo Grassi and Punta della Dogana, an interesting
journey through the city in search of the exhibitions
and installations that accompany this years Biennale
1) Black and White Vogue Cover (Jean Patchett), New York, 1950 Cond Nast Publications. 2) Deep-Sea Diver (C), New York, 1951 Cond Nast Publications. 3) Cuzco Children, 1948
Cond Nast Publications. 4) Lion (Front View), Prague, 1986 The Irving Penn Foundation. 5) Poppy: Showgirl, London, 1968 Cond Nast Publications. 6)Truman Capote, New York, 1965
Cond Nast Publications.
162 | 163
F u o r i B i e n n a l e | E x p e r i e n c e s b e tw e e n a r t a n d a r c h i t e c t u r e
Hiroshi Sugimoto,
Modern Times [23]
1) Latifa Echakhch, Fantme (Jasmin), 2012 / A chaque stencil une rvolution, 2007. Courtesy the artist and Kamel Mennour, Paris. 2) Robert Whitman, Untitled (Light Bulb), 1994-1995. 3)
Vidya Gastaldon, Escalator (Rainbow Rain), 2007. Courtesy the artist and Art : Concept, Paris. 4) Julio Le Parc, Continuel Lumire Cylindre, 1962-2012. Courtesy the artist and Bugada &
Cargnel, Paris Julio Le Parc by SIAE 2014. 5) Dan Flavin, Monument for V. Tatlin, 1964 2014 Stephen Flavin/Artists Rights Society (ARS), New York. Courtesy of David Zwirner, New York/
London. Photos: ORCH orsenigo_chemollo Palazzo Grassi. Opposite page, photos by Hiroshi Sugimoto: 1) MoMA, Bauhaus Stairway, 2013. 2) Serpentine Pavillon (Triptych), 2012.
3) Rotary Demisphere, Marcel Duchamp2013.
#01
164 | 165
F u o r i B i e n n a l e | E x p e r i e n c e s b e tw e e n a r t a n d a r c h i t e c t u r e
2
1) Daniel Buren, 4 colour at 3 meters high, 2014. 2) Shirazeh Houshiary, Sylph, 2014. 3) Daniel Buren, A white triangle for a mirror, 2007 the artist. Courtesy, Lisson Gallery, London.
4) Ai Weiwei, Forever, 2014. 5) Tony Cragg, Hedge, 2010 the artist. Courtesy, Lisson Gallery, London. 6) Spencer Finch, Night Sky, Over the Painted Desert, Arizona, 1/9/04, 2004 the
artist. Courtesy, Lisson Gallery, London. Opposite page: 1) Gustave Dor, Cupid with a Pistol on Top of a Mountain of Skulls (private collection). 2) Austrian master, XVIII century, Vanity
Portrait of a Lady (private collection); 3) Ren Magritte, The Ready Made Bouquet, 1956 (private collection) C.H./ADAGP, Paris 2014, by SIAE 2014. 4) Andy Warhol, Skull, 1976/77 (private
collection) The Andy Warhol Foundation for the Visual Arts Inc., by SIAE 2014.
166 | 167
F u o r i B i e n n a l e | E x p e r i e n c e s b e tw e e n a r t a n d a r c h i t e c t u r e
1) Artworks by Edward Kienholz, Milan Knk, Tom Wesselmann and Stephan von Heune. 2) Riccardo Beretta,Donnerwetter, 201112.Performer: Gabriele Rendina.3) Exhibition view.4)
Ken ButlerK-Board, 1983.Performer: Ken Butler. 5) From the back: Amelotti,Orchestrion Accordeo Jazz, around 1920andPierre Jaquet-DrozSinging Bird Cage With Clock, around 1785.6)
Arman,The Spirit of Yamaha, 1997. Photos: Attilio Maranzano.Courtesy Fondazione Prada. Opposite page: 1) Left: Mario Merz, Se la forma scompare, la sua radice eterna, 1982. Courtesy
Archivio Merz, Torino M. Merz by SIAE 2013. Right: Alighiero Boetti, Catasta, 1967, Fondazione Alighiero e Boetti, Roma A. Boetti by SIAE 2013. Photos ORCH orsenigo_chemollo
Palazzo Grassi. 2) Thomas Schtte, Fratelli, 2012 (detail). Courtesy of the artist T. Schtte by SIAE 2013. 3) Llyn Foulkes, The Rape of the Angels, 1991 Llyn Foulkes.
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