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THE
STORY-WRITER
BY
WALTER
UNIVERSITY
MORRIS
CALIFORNIA
OF
BERKELEY
1918
HART
PRESS
PREFACE
In
of
the
course
Story
work
of
Rudyard
fully
rather
were
class-room
lectures.
advised
Professor
Professor
Charles
To
these
being.
Without
would
have
of
it
due
are
for
less
concerned.
gracious
illustrative
To
notes
and
College
of
little
nia.
Califor-
its
book
suggestions,
and
him,
Mr.
to
to
which
it
than
worthy
permission
with
passages
this
for
these
University
the
study
intended
notes
Harvard
writer
criticisms
their
been
is
of
this
of
of
Perry
the
ad
owes
even
whom
of
publication
Gayley
friends
good
of
results
form
and
Mills
terminus
the
The
Bliss
years
as
the
Revision
by
was
in
four
or
Kipling.
forth
set
Short-
the
three
thoroughness,
some
the
desirable,
seem
with
quern,
by
to
came
examine
to
ago,
it
English
in
of
history
the
trace
to
attempt
an
take
is
it
moreover,
of
Kipling
from
the
with
author
himself,
his
works
thanks
the
many
these
adorned.
pages
are
CONTENTS
PAGE
INTRODUCTION
ONE:
PAET
THE
INDIAN
CHAPTER
PERIOD
SETTINGS
CHAPTER
CHARACTERS
II
PSYCHOLOGY
AND
12
CHAPTER
PLOTS
AND
III
SIGNIFICANCE
THEIR
33
,
CHAPTER
GENERAL
CHARACTERISTICS
TWO:
PART
FIRST
THE
OF
TRANSITIONAL
PERIOD
PERIOD
THE
CHAPTER
THE
IV
OF
Ill
TRANSITION
TECHNIQUE
PART
THREE:
134
THE
CHAPTER
ENGLISH
PERIOD
VI
SETTINGS
160
CHAPTER
CHARACTERS
AND
PSYCHOLOGY
170
CHAPTER
PLOTS
AND
THEIR
VII
VIII
SIGNIFICANCE
192
CHAPTER
IX
CONCLUSION
217
..
THE
KIPLING
WRITER
STORY
INTRODUCTION
It
as
was
his
he
is
fame,
known
work
the
than
only
and
knows
Kim
Pook's
as
the
different
from
establish
technique
the
is
of
or
seems
more
greatest
as
of
all.
of
superiority
subtle
and
not
His
either.
more
Soldiers
of
it would
highly
scenes,
one
be
if
folly
the
polished
And
be
in
Kipling
that
must
or
Hugh
short-stories.
it
the
Three,
short-stories
work,
Yet
of
art
Sir
and
of
connected
unlikely
writer
novels
independent
the
then
's that
Maupassant
of
Richard
the
closely
Sir
writer
English
of
his
short-stories
the
than
more
tales
separate
greatest
series
Of
of
vogue
his
smaller
much
prose.
novelist
scarcely
yet
It
the
the
is
primarily
the
as
even,
so
Hill.
of
it
Company,
remembered
probably
the
popular
true,
Recessional.
the
is
is
knows
who
verse
that
it
name,
and
popular
like
art
For
than
of
be
and
indeed,
and
to
well-known
writer.
Stalky
Puck
and
anything
his
Mandalay,
lished
estab-
short-stories
everyone
verse;
Deevcr,
of
with
associates
in
the
writer
first
Kipling
that
as
well-known
less
reveals
another
of
to
of
numerous,
with
One
enjoyed
short-story
more
of
has
mainly
Danny
body
one
is
it
short-stories
utterances
body
the
of
to-day.
all
at
But
is
and
significant
some
is
writer
ably,
conceiv-
admitted,
to
attempt
Frenchman's
the
"
result
KIPLING
of
with
sharply
variety of
greater
places,
and
ideal, and
in
verdict
of
of
own
our
of
has,
the
at
birthday.
of
conclusion
has
production
when,
at
early
to
examination
of
preeminence
of
the
of
view,
present
of his
study,
skill,
it is
may
tic,
roman-
found
not
the
to
no
reason
more
than
longer
of
conceivably
to
lead
make
from
dispassionately
simply
out
to
an
clear
as
is
a
pressed
ex-
it is too
attempt
the
that
definite
be,
point
the
appreciation
some
an
purpose
is there.
measure
years
compliment
may
what
increased
in
the
his
critics
if
to
like
that
the
This
observe
looks
suppose
early
ling
Kip-
fiftieth
twenty-five
too
demands.
to
his
But
the
not
him,
what
period,
him
pay
to
out."
it is not
aims
and
first
the
about
some
was
"written
was
It
work,
to
certainty,
For,
at
one
early
like
celebrated
now,
the
which
too
sound.
yet
his
there
stories, to point
may
of
period
technique,
study.
half
not
he
is
anything
writing,
justifies and
hoped,
rank
It
astonishing facts
judgment,
objectively
as
is
precise
the
only
or
many
third
that
his
accurate
anticipate
to
attempt
with
work,
conclusion
the
final
pass
the
ceased
fear
the
these
in part
achieve.
may
unsound
there
to
predetermine
to
present
And
less
no
with
due
are
vain
always
Kipling's
astonishing
least
differences
contemporaries
the
It bears
plot.
uplifting quality,
or
the
activity.
is
from
of
memory
it combines
stimulating
and
scope
diversity of times,
greater
and
trasting
con-
year,
productivity-
greater
multiformity
time
These
in
has
greater
same
posterity,
sound
the
his
even
it
distinguish
ago
the
Kipling's
of
However,
the
at
early
the
observation
of
Maupassant.
period
It
and
powers
and
vivid,
and
certainly
thirtieth
his
in
only
Englishman's
manner.
persons,
of
evidence
the
WRITER
STORY
ended
has
work
Kipling's
yet
which
apprenticeship
an
THE
nique
tech-
Such
of his
of
the
INTRODUCTION
for
reasons
those
to
his
of
of
definition
is,
the
in
elaboration
which
it
is
traced
and
all
these
proposed
and
to
the
through
itself
in
of
which
and
manners,
some
stories
both,
combining
with
those
of
plot,
or
the
of
of
Indian
or
life,
technical
first.
Indian
and
stories
wrote
second
the
the
life
Indian
he
periods
into
period,
mainly
transition
some
English
characteristics
art
it
of
or
wrote
English
life
which
the
may
naturally
he
third
life,
it
as
which
in
point
Kipling's
English
period,
of
of
which
of
attitude
this
body
in
sible
pos-
society,
the
From
his
all
and
of
the
manners,
mark
of
place,
of
of
Short-Story
form
whole
development
kind
distinguishing
and
as
pleteness
com-
The
imply.
or
the
three
first
the
mainly
period,
motives,
the
"
stories
time,
not
relative
offer
to
narrative
of
examine
study
its
settings
reveal
to
for
and,
the
Short-Story.
concrete
the
emotions,
life
divides
having
"
short-stories,
be
of
insure
necessary
as
and
elements
characters,
view
brief
established;
to
becomes
the
ing
stimulat-
and
example.
rather
of
conceived
be
story
of
description
to
toward
it
his
arbitrarily
but
survey,
instructive
prove
by
be
must
excellence,
or
then,
the
of
view
of
standard
may
profit
would
who
point
and
success,
he
and
third
and
wrote
of
some
period
PAKT
Kipling
of
exception
six
of
years
in
charge
he
was
in
placed
in
same
the
Military
Gazette.
editorial
staff
in
the
Plain
Civil
the
collections
Pioneer,
Black
that
his
Indian
Magazine.
Handicap,
first
or
which
arrived
Indian
and
period
others,
be
of
1889
Japan
he
with
may
of
of
tales
These,
In
way
letters
wrote
in
Kipling's
Htory
of
new
life
stories
brought
the
out
Gadsbys,
shaw,
'Rick-
in
the
work.
lished
pub-
and
where
for
The
by
of
account
marking
and
appeared
sent
an
ones
published
of
Phantom
was
the
year
write
America,
and
London,
as
to
on
volume
had
he
and
same
first
years
he
India,
place
tales
giving
were
regarded
his
The
Deodars,
series
September
In
lished
by
paper
The
Winkle.
England,
to
travels.
Willie
Three,
the
Under
White,
Wee
in
Soldiers
two
Ho,
to
the
continued
next
1878
Civil
In
forty-two
He
the
during
entitled
and
and
and
the
Gazette.
Military
and
The
Pioneer
of
to
Hills,
the
left
was
Westward
Lahore
Allahabad.
at
he
return
the
promoted
was
from
Tales
of
first
In
at
his
On
1882.
he
Pioneer
The
College
subeditor
1887
1877
to
the
the
spent
Portsmouth.
near
Services
in
he
1871
"With
1865.
1868-1869
Southsea,
Twenty-eight
for
In
From
became
In
short-stories.
India.
course
he
of
published
he
his
year,
in
United
in
Bombay
England
at
the
finished
he
in
friends
of
where
to
life
his
in
born
was
visit
PERIOD
INDIAN
THE
Rudyard
ONE
he
his
repub-
Macmillan's
1891
close
as
Life's
of
the
CHAPTEB
SETTINGS
THE
From
1882
whether
newspapers,
business
about
of
him
the
and
to
stories
he
They
newspapers.
activities,
brevitj*
and
is
is
to
last
for
appeared
are,
tales
but
this
the
Stories
they
longer
are
of
composition,
of
some
the
Incarnation
Shadd,
best
of
The
Man
Life's
Handicap,
freely
and
and
the
methods
close
under
which
and
climax
and
Krishna
then,
because
of
had
this
in
tales
in
it
these
his
nalistic
jourvery
Gazette
the
stories
the
however,
Handicap
Magazine.
evidence
of
are
stories
The
"
Dinah
of
Benefit
could
of
more
material
mastered,
and
Clergy.
deal
with
this
sidered
con-
them
Courting
Kipling
Indian
more
Among
Kipling's
But
They
implies,
People,
thoroughly
period.
for
Their
Life's
circumstances
already
first
except,
Without
favorable
more
he
and
Most
of
in
must
all
world
Maupassant's
The
Mulvaney,
Was,
of
writing.
of
famous
the
them.
command
in
report
of
impulse.
give
they
careful
more
most
Who
and
to
by-product
Own
Mine
His
written
were
Macmillan's
in
of
criticise
most
The
part
and
his
We
period.
most
subtitle,
the
as
limitation.
of
volume
of
doings
same
at
space
brevity
The
similar
the
and
the
the
sense,
of
result
limited
the
to
know
time
this
at
in
were,
Pioneer.
The
due
due
wrote
the
them
upon
Indian
correspondent.
or
to
fashion
comment
which
editor,
journalist,
the
interesting
and
accurate
an
of
with
connected
was
subeditor,
as
that
was
Kipling
1889
to
the
marks
earlier
KIPLING
volumes
the
life
the
about
them,
to
of
lie
doing
the
it
that
Harte,
what
chose
equipment,
and
to
imaginative
he
and
He
he
his
And
End
of
the
hundred
one
lost
are
Inside
leads
in
and
of
to
brown
four-roomed
at
once
is the
even
at
preserve
home,
of
who
the
and
and
toil
lives
he
for
his
opening
heat
or
in
sky,
At
of
zon
hori-
and
sun,
dust.
tawny
stripped
men,
puddles
This
it is
that
an
the
; and
moving
emphatic
Civil
for
the
acteristic
char-
crossly, wrangling
strake.
he
thermometer
of
clouds
punkah
aristocracy
of
massing
The
four
tattered
assert
that
people
own
paragraphs
of
fied
identi-
passionately
by effective
outsiders;
mere
Here
vigils
haze
each
at
an
whose
bungalow,
the
the
and
drunk,
fiction,
salt
degrees
purple
gifts and
into
with
significant setting.
one
dolefully
Englishmen
India
and
returns,
air, whining
interests
squat,
thinnest
the
highly
he
and
establish
which
world
bread
whose
the
tray
por-
whose
primarily
was
to
criticism
dealt
Bret
People,
had
he
example,
Passage,
detail
marks
it
for
Read,
Own
shared, with
had
He
the
so
own
with
writer
methods
reality, but
it.
his
wine
whose
own.
wrote.
with
in
in
his
unparalleled
journalistic
of
from
short-story
the
and
living,
relief
roundings,
sur-
them
believed,
own
from
escape
for
were
he
the
his
nalist,
jour-
the
agreeable
more
distinctive
from
escape
dealt
eaten,
ease
an
of
his
over
carry
they
and
use
interpretation
Now.
had
make
to
offer, not
to
the
characteristic
was
he
knew;
of
an
reconstruct
however,
function
the
was
to
agreeable
an
Happily,
preoccupations.
to
which
found
have
might
in
land
readers
them
time;
Kipling
affairs.
his
to
transport
happier
past
gorgeous
to
of
work
Indian
offer
to
WRITER
the
as
critic of
chosen
have
STORY
regarded
and
reporter
might
He
be
all to
are
THE
the
over
the
hot
picture
answer
Service
men
to
in
them-
THE
selves, the
of
"
of
matter-of-fact, cynical
whom
their
of
the
tragic
Plot
are
and
of
is at
time
with
like
of
with
the
the
say
the
End
winter
in
of
he
his
it because
Because
the
is the
paragraphs
Time,
of
the
Place,
And
suggested.
the
ceptions,
miscon-
home
rivers
deal
in
of
with
is
the
known
natural
with
tains,
moun-
jungle,
the
clubs
and
much
too
important
an
knew.
drought
the
it is not
"
period
he
fields, with
India
made
that
flood, with
India
It
first
with
deal
open
pages.
India
others
significant
this
of
the
Passage,
the
have
to
with
and
phase
these
stories
ten
with
Without
typical.
plains;
settings is
his
spent
would
of
India
of
of
eyes;
experience,
as
its very
place accept
the
his
he
the
their
of
his
of
of
part
interesting
and
as
Indian
sympathize
the
him.
and
could
childhood
with
the
youth
He
would
failing really
who
lived
have
with
and
natives
see
remain
others.
man's
English-
an
his
to
always
necessarily
see
even
striking
and
distinguish it from
he
or
his
and
sharp
about
men
which
Kipling,
India
course,
environment
education,
in
world
of
matter
familiarity,
English
could
virtue
of
characteristics
because
childhood
be, by
intensely conscious
accept
unaware
is
the
rains,
upon
Having
England,
one
nically,
Tech-
delight.
elements:
arraignment
story
visible
emphasis
contrasts,
in
opening
powerfully
cities, with
Every
inevitable.
not
keen
West.
This
in
these
and
on
appears
been
recognition
the
written,
narrative
time
Kipling's achievement
to
the
own
the
teeming
"
in
hundred
summer
garrisons.
to
place
one
At
is
heroics
without
heroes
"
apparent.
Kipling's
heat
with
and
heroes
have
the
whole,
once
the
exception
and
the
story
life must
significant thing
significance
Many,
the
interweaving
People,
deal
whom
of
phase
the
For
for
and
own
skilful
SETTINGS
newspaper
and,
like
his
KIPLING
know
about
much
as
virtue
By
his
of
Englishman,
mere
Gazette,"
institutions
Indian
affairs.
His
conception
The
Conversion
the
the
of
Secretary
her
to
be
responsible
be
practical bearing
characteristic.
fitness
He
is
only
there
one
chief
My
further
run,
it in school.
is but
editor.
explained
not
or
definite
in
man
taught
that
and
walk,
unfitness
an
of
any
of
Kipling,
to
the
it in
one
charge
me
this
order
that
in
man
of
on
was
any
particular
an
notion
kind
Our
of
itself
Military
and
a
to
be
notions
work
for
is
system!
steamer,
he
journal,
order,
its
by
the
and
Indian
of
the
interests,
of
Civil
charge
or
If
istration
admin-
creed
newspaper,
an
the
Maker
no
solely
the
the
of
impossible."
discipline
learned
is
human
as
this
sioner,
Commis-
orders
creed
immediate
and
the
of
manifestly
of
estimate
Submission
"As
Gazette:
this
on
is
less
soul-
For
Empress.
system
been
a
' '
if there
"
in
Commissioner
the
the
to
entire
Which
with
the
under
Maker
the
"
characteristic
thoroughly
learned
to
wrong.
pragmatism,
This
her
to
System.
had
above
four,
responsible
is
who
responsible
must
all
The
there.
Assistant,
Anglo-
to
India
to
work
not
the
above
Viceroy
not
would
English
McGoggin
out
came
the
summarized
best
Lieutenant-Governor
the
State
be
Empress
there
and
is above
Deputy
Deputy,
and
He
is, perhaps,
McGoggin.
Spencer
and
with
of
aware
Military
relation
in
intensely
system
of Aurelian
The
reason.
is
this
be
in
and
deeply impressed
significance
and
above
of
their
be
"Civil
the
than
more
Educated
large.
of
"
is
Kipling
Police,
the
themselves.
at
subeditor
would
He
Comte
reading
for
with
and
knew
moreover,
inevitably
of
himself, Strickland
Anglo-Indian,
College,
would
he
WRITER
they
as
training,
or
Services
United
them
STORY
of
projection
the
creation, and
THE
so
is the
and
he
obeyed
as
the
to
at
the
young
KIPLING
10
accomplished
having
and
of
he
again
Thus
shows
Kipling,
Racial
clan.
border
And
celebrates
insists
individual
of the
of
creed
as
Kipling's
It
technique.
results,
link
as
in
goes
leads
very
deep
his
in
see,
and
typical officer,official,
in
results
peculiar
to
the
to
Like
the
of
with
class
of
the
creed
like
in
Civil
Many
good
others
or
low, whose
command,
the
of
common
the
deal
to
with
function
with
is to
whatever
soldiers.
setting; it
those
upon
in
in
his
of
"
it
experiences
common
typical plots,
it results
and
setting;
of
many
the
in
is due
whom
administration
Army
the
or
of
individuals
of
forth
set
P"assage,
English
bad, effective
that
Service, with
sacrificing Englishman
effectiveness
social
the
This
character-types
it results
and
member
phases
emotional
emphasis
ling
Kip-
machine.
social
than
the
on
or
Conversion
The
the
of
rather
in
as
celebrates
loyal
many
of
the
race
He
the
upon
group;
of
End
Indian
the
or
phases
McGoggin,
At
"
individuals, with
preaching
Aurelian
on
touch
illustrating various
of
so
system.
induced,
in the
creation
the
relatively light
members
in the
emphasis
the
institutions,
as
affects
and
Head
Anglo-Indian,
"
wheel
The
another
its
value
now
singer of
individual.
organic
chain,
of
the
to
an
and
the
the
to
shall
we
his
as
nation
of
in
as
is
opposition
inevitably,
the
for
old, is
self-consciousness
submergence
of
And
system.
individual,
balladist
race,
only
team,
the
the
ignorant action
the
ballads, by
the
the
upon
spite of
by
perhaps
so,
WRITES
effective
the
like
outlaw
or
nation.
the
how
in
national
or
STORY
things
District, is hampered
the
the
THE
one
tact
Another
down
or
stories
large
of
or
the
group
discipline
deals
with
affairs.
officers,
stupid, high
rebellion, to insure
stern
the
measure
Indian
with
deal
self-
hard-working,
group
ineffective, clever
put
these
may
be
these
peace,
or
to
needful,
soldiers;
THE
is
it
and
and
tolerance,
another
among
Indians,
these
are
to
all
Common
with
writer
story
of
of
range
Comedie
for
did
the
the
events
comic
with
or
as
with
we
places,
range
shall
and
and
tragic.
grotesquely
he
by
be
not
stories
see,
of
reason
it must
the
Chaucer's
has
of
marvelously
persons,
deepening
and
of
the
Here
first
wide
period.
extension
of
is
which
in
stops
the
wholly
one
of
short
of
seriousness.
concerned
now
stories
interest
increase
experience.
satire,
or
be
high
Later
in
sometimes
reminds
are
of
broad,
will, his
at
may
he
we
of
variation
he
again
Balzac
tears
mood
of
quality
irony,
and
slight
that
considerable
emotional
grim
lack
same
volumes
power
stories
limitation;
forgotten
his
shifting,
his
short-
what
of
his
sometimes
India
this
laughter
by
these
to
cynicism,
becomes,
and
pathos;
and
this
which
for
of
of
No
representative
power
with
or
mingling
that
or
tragedy
only
spirit,
supernatural.
that
; so
moreover,
He
sees
the
stories.
catholicity of taste,
such
measure
view.
Chaucer;
all
addition,
the
ingredients,
In
in
do
has
humor,
true
and
Kipling
sometimes
serious,
of
much
and
especially
interest.
humanity
vision,
purely
true
of
the
human
evinced
has
have
In
of
deal
with
with
English,
effective
and
the
deals
the
which
deal
range
appreciation
France.
of
point
which
Still
perhaps
another
with
stories
humor,
displayed.
Still
poetic
most
are
Chaucer
Humaine,
inclusive
relations
wide
short-stories
mere
the
since
their
the
Kipling's
Society,
all.
stories
is
that
are
them
groups
and
manifestly,
Here,
such
these
life
child
of
some
all
Anglo-Indian
with
or
of
understanding
of
reading
11
most
with
deals
pleasant
native
the
these
sympathetic
group
least
in
perhaps
SETTINGS
of
involve,
in
times,
emotional
CHAPTER
CHARACTERS
In
the
of
persons
This
is
to
limitation
of
He
pen
Irving,
to
"
to
social
organic
being
human
Certain
than
of
officer
who
of
of
all, of
ignorant
first
in
under
for
In
is
the
of
he
duties
his
father
The
life
of
is
Boy
system,"
with
him,
sticks
fitted
to
with
deal
who
or
had
career
Wick,
officer.
He
regiment
member.
out
the
white
young
and
whom
races
as
stand
subaltern,
Bobby
his
is
repetitions,
and,
the
and
man
he
and
is
with
which
he
slower
definite
on
wholly
he
must
dangerous
most
He
mingle.
must
character
by
not,
We
pleasures.
whose
successful
and
which
his
and
as
contrast
type
in
he
as
sullen
command,
must
society
Away,
"sheltered
suicide.
counsels
his
pink
silent,
the
fails, according
Thrown
the
of
Anglo-Indian
or
the
example,
England,
whom
men
training,
and
in
the
the
succeeds
from
out
comes
inexperienced,
control,
is, for
There
clearly.
very
their
of
because
types,
of
group
work.
limitation
emphasis
creased
in-
is
his
of
wrote
The
to
common
limitation
who
likely
the
the
rapidity
Harte.
less
of
type
as
these
is
he
groups;
individuals.
to
the
predecessors
character;
than
subject
though
Kipling's
of
is
he
Bret
to
creating
types
consequent
his
or
furthermore,
result,
that
writers;
of
say,
rather
are
and
those
in
succeed
than
more
amount
inferior
is
stories
short-story
the
by
Kipling
his
no
say
PSYCHOLOGY
AND
does
period
no
II
him
meet
been
brought
ends
in
with
promptly
Only
follows
up
the
altern,
Subwise
matter-of-
CHARACTERS
fact
to
and
unsentimental
handle
his
his
reclaims
and
company,
He
own.
is
self-consciousness,
of
None
it is
these
purely
the
of
about
of
what
epithet play
Kipling
the
of many
possessed
could
be
She
In
Three
attempted
Bremmil,
fool,
and
Mrs.
Clearly
pleasant.
But
in
which
stories
only
her
to
doubtful
she
own
wherein
she
Reiver
and
honest
.
woman's
and,
for
but
of
the
triple intuition
the
great
no
class
claims
of
to
reach
the
of
wicked
she
her
part
"
the
to
Mrs.
of
the
Man,
the
though
The
persons
from
virtue, yet
do
Cusackwas
no
are
other
kind,
by
wiles
of
Mrs.
Hauksbee
have
sound
in
was
been
Serpent,
the
of
not
of Pluffles,
the
is, she
good
the
not
sometimes
the
of
That
paign.
cam-
is
be
to
would
fearlessness
more
opposite.
all
"Mrs.
wisdom
who
She
equal,
Rescue
mischief,
Woman."
kind;
the
in
other,
fiancee.
love
her
Hauksbee
indeed
subaltern
his
's
order
is
was
Mrs.
it is in
story
had
the
of
"
"She
carefully planned
story"
the
is another
that
quite
was
Hauksbee
in
in
part
of
But
Mrs.
to
"She
coherence
we
most
sex.
not
youthful
him
restores
that
story;
mischievousness.
and
Cusack-Bremmil.
other
The
saves
the
Hauksbee.
beyond
impression
but
sex,
woman."
logical
make
plays
means.
says
Mr.
"other
the
Mrs.
own
Hauksbee
first
our
in
in
important
more
Extra
an
though
defeated
her
to
"
of malice
"annex"
however,
and
in
lacking
Englishman.
found
be
does
sparkling
even
and
to
is the
life sacrifices
effective
to
heroine,
devils
nice, though,
story."
who
him.
he
how
completely
and
are
knows
Dormer's
save
modest,
inexpressive
an
and
to
he
dirty soldier
end,
eminently
virtue
by
Adjective
delineation
Dormer,
in
13
Instinctively
adjectives, however,
conclusions
our
PSYCHOLOGY
devotion.
He
men.
of
butt
AND
at
the
the
Child,
and
belonged
to
heart, who
world
than
KIPLING
14
who
many
Oakhurst
heroine,
of the
descendant
For
Mulvaney,
in
worst
the
of
This
is
thus
revealing
in
so
chums,
kind
is
is thus
class
same
of
rogue-
of seventeenth
literary relative
best
says
in
Hiven,
reg'ment
of
wanst
twice,
or
has
reg'ment
have
tache
the
J. M.
that
know
not
altogether
Learoyd
are
of
'
An
from
colonel
for
the
for
I'll niver
what
the
to
be
unable
of Peter
author
admitted
ones,
altogether
just
of
as
normal
children, furthermore,
cynical portrayer
that
Anglo-Indian
he
Mother
av
that
has
not
the
cause
in
Better
ut.
I'm
only fit
mesilf."
The
Light
that
children.
Pan
be
society,
or
;
are
and
ciation
Appre-
expected
from
tates
hesi-
matter
children
soldiers.
to
Ortheris,
Mulvaney,
British
Failed,
One
such
on
Kipling's
is scarcely
to
I ?"
privit
man.
draw
to
learn
on
his
gives
am
Good
worst
of
drummer-boy,
to
soldier
best
the
av
and
do;
himself
Mary
!"
times
stories,
devotion
what
"Oh,
baste
av
me
normal
not
\.
disagree with
it is doubtless
' '
characters.
again
Mulvaney
and
able,
memor-
many
and
again
Shadd.
out
so
eloquence, his
untrustable
mesilf
Kipling
and
beer.
scores
drafts
new
to
more
Pilgrims
know
to
Barrie,
declared
to
to
but
tells
us
his
is
life, is
is best
Kipling 's
Chaucer's
wit,
of Dinah
change
he
character
own
dhrunken,
that
as
his
his
Courting
ould
an
the
cause
of
account
The
fact
of
that
He
of
any
walk
much
Atkins.
than
service, and
the
evil, of
reminding
thus
strength,
different
very
and
character
many,
to
Tommy
the
to
his
looks, his
the
the
She
vivid
more
due
perhaps
appears
to
the
characters
good
of
character
real, and
more
seen
of
picaresque
in
though
similarly compounded
his
was
Mulvaney.
Terence
good
She
She
fiction.
eighteenth century
or
WRITER
Hamlin.
Jack
or
STORY
virtuous.
reputed
are
John
as
THE
the
from
ad-
CHARACTERS
friend
miring
of
with
good
upon
the
is at
other
of
boy
gentleman,
Devlin,
inspires.
guard:
''Up
colonel's
Wick
Willie
Wee
This
of
though
even
"
is
note
sordid
point of view,
of
It
is
in
of
that
and
officer
an
in
the
duty.
which
he
calling
happened
the
as
the
countenance
terrors
saddle
just
this
thorough
devotion
the
nothing
the
the
to
of Bobby
death
happen
can
in
H-is
comparable, as
child, with La Dame
a
en
the
Ma-jesty
in
study
in
Blanc,
King,
estranged
unite
The
Drums
the
in
in
of
unconscious
Anatole
that
subtle
life from
Anglo-Indian
side of the
some
by friendship and
emphatic
more
even
prattle unconsciously
and
than
part
something
sure
dialects.
Winkie.
pathetic
the
are
we
of their
childish
empty
throat
by the
us
the
by
There's
beggars!
ye
Tods'
natives, popularity
freckled
all the
the
at
in
youthful hero,
The
is thrust
he
glancing
son," gets
does
view.
he
parents.
masterpiece
the
legs, plays
which
the
short-stories
as
effectively characterized
is most
He
into
with
variety
their
mainly significant as
experiences
yet
It
which
period
description,
permanently
scratched
permanently
a
and
unlovely
with
of
Black
Baa,
from
the
Perhaps
point
Baa
grim
intimacy
It is
child's
the
be
must
life.
child
And
manifestly drawing
years.
separated
significant
Winkie.
trying situation
to
of
WilUe
small
less
is
rather
England,
familiarity
are
tales
of
and
the
hero's
short-stories
the
largely autobiography.
very
of
small
and
them,
realization
and
in
he
early
be
in
Yet,
creation
own
account
of the
is Wee
way
his
must
spent
however,
the
their
ir"
peculiarly convincing.
are
autobiographical, too,
with
of
of
fictive
Amendment,
These,
in
example,
sister
Largely
for
PSYCHOLOGY
three.
children
memories
least
his
and
reason
for
Sheep,
soldiers
the
least, Kipling's
at
AND
the
It
parents.1
the
Fore
and
yet beneficent
France's
child's
childish
where
Livre
de
cism
criti-
play
is the
Aft,
the
influence
Mon
Ami.
KIPLING
16
of
story
the
fire
the
the
With
his
less
This
child.
taking
ways
and
child
not
unlike
is not
Wee
repetition of native
amendment
In
to
idealized, are
badness.
nature
Mrs.
as
virtues
Prioress.
heroes
Kipling's
superlatives
wonderful
in
the
the
for
But
' '
regiment
calm
of
Tommy
and
Tods
You
stories
"
Atkins,
are
the
the
' '
who
some
lovable
theory
of
human
their
defects
of
mingling
in
are
Mrs.
the
with
was
' '
the
who
only baby
like
the
subaltern,
precocious
child.
the
These
most
soldier
best
broke
ever
They
writing
character-types
the
are
vigorous, active,
are
Will
Stevenson's
all
Only
persons.
was
's
of Chaucer
' '
Kipling
evil
and
common
Hauksbee
things; they
their
make
good
saintly clergeon
imagine
the
official,
and
of
Legislative Council."
do
of
important
an
by traits
distinguished
' '
was
cannot
unconscious
precocious
same
Mulvaney
Supreme
hanger-back,
These, then,
earlier
them
India
persons
self-assertive.
about
heroines,
in
the
the
this, they
describe
can
all, moreover,
story
and
woman
holy
all
of the
this
that
mainly
Mulvaney
is through
It
finally,
his
while
children,
results
and
the
baby's
the
Amendment
through
from
law.
the
the
Winkie.
here
of
criticism, suggests
land
Hauksbee
tolerable.
Winkie,
were
Din,
sketch
Tods'
humanized,
thus
Willie
Muhammed
and
gutter,
Wee
in
fled
bad
pathos, though
but
In
and
stories
are
less
no
story,
Willie
thoroughly
They
from
death.
gossip
these
scale
it had
and
London
portrays,
proposed
of
all
his
of
some
enced
inexperi-
an
after
bold
were
from
with
view, Kipling
of
native
social
and
back"
They
sprung
the
inspired
who
"come
to
enemy.
sympathy
point
own
of
end
other
no
the
birched, and,
frequently
at
of
WE1TEE
drummer-boys
regiment
frightened
and
under
little
two
STOEY
THE
o'
the
portrayed
whole
Mill.
in
the
garrison "widow,"
do
not
by
any
KIPLING
18
wife, being
Chaplain's
in
shape of fuss
the
would
he
lied to
Lispeth
valley,
dirty,
told
her
in
the
nose-stud
woodcutter
who
and
; then
she
said
you
nothing.
went
down
out
infamously
"
In
little time
...
and
her,
his
"Then
Hill-girl
ear-rings.
beat
after
truth.
head
of
and
that
he?"
and
dress
Lispeth
months
the
her
the
tell
to
Three
little time
him
told
bowed
for
returned
without
but
married
she
and
wife
disliking anything
and
her.
marry
wife
silent,too,
was
Christian
Lispeth, "you
Chaplain's
"The
the
to
said
me,"
WRITER
scandal, had
or
Chaplain's
the
STOEY
good
back
come
departure
have
THE
her
faded
beauty
' '
soon.
The
in
of the
in
the
Government
or
glimpse
or
hint
"It
be
be,"
I
that
he
for
in
break
his
Honour
his
head
no
Dee,
his
in
back
to
harm
befall
quick
and
his Hills
Daoud
revenge
all
city going
native
of
India.
"It
monologue,
this
"
always
over
enemy
in
part
pure
Odyssey
an
dramatic
Shah
ever
kill
unwilling
see
when
is
made
him
body.
away
"And
follows
Daoud
shall
fain
I may
that
who
For
things.
view
And
minor
the
may
northward,
when
the
spring
till I
Shah
come
I would
firm
Yow
of
point
is almost
there
at
's
view
and
District.
plays
"
Wara
the
of
native
looking
concludes
will
There
warns.
Dray
find
shall
Hillman
of
native
the
merchant
of
point
of Dungara;
Head
the
or
husband
wronged
may
since
is
there
The
native
the
from
seen
where
of his way
from
Judgment
in
and
coolie, soldier
psychology
the
The
are
stories
numerous
servant
of
of
Amendment
Tods'
again
seen
pathetic farce
the
ways
is
missionary
his
I
face, and
shall
have
clean,
rind.
the
my
with
is sweetest
pomegranate
from
whole
Let
delight
accomplished
shall
return
when
it be
be
may
the
thanks
life
the
in
sticking
the
the
cloves
daytime,
crowned.
matter
unto
and
God,
my
the
CHABACTEBS
Holder
of
Scale
the
night, through
the
and
shall
dream
no
Though
inside
of
depict
has
as
by
such
latter
stories
it
is
Private
The
with
Kipling
This
revenge,
reads
Vendetta:
the
like
the
is interested
is
Only
the
of
Fear
an
and
In
expansion
dormit
The
of
bien
to
mainly
in
with
sometimes
the
just cited,
revenge,
Subaltern.
"
of
Bobby's
read
of
part
expressed
is
by
wrath
emotions
of
Miss
psychological
in obvious
ways.
should
be
completeness.
of
Drums
close
the
to
of
and
Love,
cette
captain
as
story,' they
nearest
the
strained
re-
climax
the
the
and
swiftly shifting
not
and
In
dignified
more
such
perhaps,
mind.
"Elle
the
and
variety
power
sufficiently illustrated
is
that, in
the
Grief
for
"
scene
much
so
stories
of
also
deals
pression
ex-
gift of seeing
the
sorrow
obvious
is
sleep;
of
situation
approaches,
in
conditions
mirth
are
shall
Odyssey
how
see
intense
significant thing
manner
to
he
and
grotesque
emotions
represented
Hate.
Away
Such
the
outward
Sais.
The
the
has
He
The
Thrown
an
accompany
study.
well.
For
From
sleep.
with
he
minds;
emotions.
motive,
Dormer.
Yaughal's
of
somewhat
with
contrasted
of
feelings, but
as
as
mainly
has, nevertheless,
interesting
yet
that
ones
shall
night again
the
is concerned
elemental
19
me."3
variety
its central
and
into
trouble
variety
great
PSYCHOLOGY
Law,
and
day,
great
complex
more
the
feeling,4 he
simpler,
the
of
Kipling
of
AND
the
of
nuit-la.
psychological
certain
Fore
Maupassant
diseased
and
's
he
Aft
of
story
"
in
in
From
found
Sea
is to be
of this
a
Interesting evidence
passage
terrified
storm
at
is
Sea
to
by a
describing a woman
Kipling
(I, 427).
the
the
restless
of
heave
the
of
the
working
labouring bust,
sea:
"By
uncontrollable
that
turned
the
the
tablecloth, and
always to
fingers on
eyes
the
her
of
fear.
I
able
the
to
was
extremity
judge
stairhead,
companion
of
her
the
strained
and
between
the
The
contrast
speech
flowing triviality
know
behold.
I
hand
to
of
and
now
intentness
was
a
quaint
thing
eye
be
Fear
how
should
painted.
*
'
'
KIPLING
20
loses
sight, for
with
care
the
the
stories
such
is
he
by
no
reader
the
means
giving
that
without
Again,
if
is, as
Andrew
of
most
awful
well
might
is
be
impartial
which
in
had
vain
agitation
for
few
the
sand-slope.
minutes,
praying
and
ride
by
river-front, only
dread
nervous
me
for
"
hideous
the
which
No
makes
Contrast
Maupassant
by
dared
crowd
well.
to
with
"
not
and
face
one
had
me
blush
this
's Lui
taken
Poe's
or
his
hotly
The
La
Peur.
which
and
that
emotion
of
demand
short-story
himself
finds
nameless
terror
overmastered
with
and
violent
the
verily believe
of the
of
the
and
cut
mad
the
The
of
the
Pendulum;
latter
that
story
curb
of
exhibition
an
think
of
round
among
at
the
agony
sand
dog
raving,
an
the
up
slightest notice
when
against
sedges of
in
time
that,
crater, blaspheming
among
which
and
myself
I hurled
each
even
Pit
"
nightmare
find
narrator
out
death
the
Jukes
fancy,"
you
"
the
base
fell, spent
so
of
against,
back
the
example.
dreadful
most
action
rifle bullets
the
into
warning
strive
crawled
driven
be
is
convince
to
sent
of other
of Marrowbie
mad.
the
turns.
be
not
me,
one
around
ran
primarily
combined
.
as
is
of
to
exhausted
I acted
the
sensation
fast
long
exclusion
to
The
attempted
had
psychology
of fear
"The
in
is not
realms
more.
and
country,
interest
story
satisfy
to
no
My
of the
the
for
Even
Ride
study
sand-pit.
the
completely.
me
in
Bunker
fire
enemy.
said, "the
Lang
trace
the
should
his
to
under
hostile
business
Strange
just enough
in
regiment
history
and
The
elaboration,
trapped
his
primarily
emphasized
of
with
regiment
green
which
the
soul
us
instance
read
you
fear
little heroes,
two
his main
of veterans
leaven
his
first encounter
this,however,
this
WE1TEE
slowly through
as
In
matters.
mob
or
the
of
part,
marching
flight in
to
put
most
common
first time,
the
STOKY
THE
of
or
it now."
contrast
begins with
CHARACTERS
discussion
even"nare
The
by
and
death,
abnormal
under
the
It is
matter
"We
must,
kind.
of
for
fair
of
Mark
and
again, always
with
and
months
is
always
the
dead
forgive
me,
course,
hears
through
the
in
the
in the
the
and
it, horses,
same
case
let's
or
be
sees
The
the
She
her
the
left
the
("A
lover,
again
back
shaw,
'rick-
I'm
again!'
'rickshaw.
lacks
livery, wearing
in
right
her
eight
woman
narrator),
Keith-Wessington
ghost
Keith-
Mrs.
comes
white
mistake,
friends
and
yellow-panelled
and
the
portant
im-
most
faithless
in
deal
of Imray,
tiny handkerchief
in
with
which
stories
haunt
the
horror.
significant
or
'Rickshaw
exclaims
coolies, Mrs.
fashion.
black
hideous
some
voice
in
way,
stories
mainly
Return
to
vague
spectre
frightful
supernatural,
experiences.
card-case!"
'It's
the
fourteen
dead
only
terrors.
saw
effective
The
of
or
is felt
Kipling's
to
as
is not
supernatural.
the
Phantom
the
card
same
Jack,
conventional
The
same
coolies
four
saying:
the
his
of
story
with
of
from
dress, carrying
same
hand,
the
or
In
back
writes
told
It
he
its
all
theory,
attack,
an
ancestral
themselves
'Rickshaw,
Beast.
who
in
emotion.
influences,
that
turn
twelve
another
Phantom
comes
the
they
the
or
the
fear
concern
are
Of
The
Wessington
the
or
of
thought
comparison,
these
of
mysterious
and
tives
narra-
this story,
peril.
inspired by
terror
of
any
phase
are
ghosts
of
known
two
that
upon
face
the
the
Maupassant's
to
reminiscence
experience
merely?
one
The
in
inspired,
stories
of
then
Do
emotion
with
kind
wholly
in
of
in
narrator
man
form
any
would
night
this
is
believed
who
man
the
circumstances,
It
dangers.
of
that
21
fear, and,
Fear, according
to
of
of
attention
the
energetic
or
PSYCHOLOGY
nature
nothing.
brave
certain
in
real
least, according
at
felt
the
follow, focuses
that
or
of
AND
and
Please
sure.
Jack, of
Only
Others
and
dignity,
she
comes
ride
all,
in
too
KIPLING
22
often,
Scott's
of
unaware
this
and
openly,
too
talks
in the
effective; its
more
's bungalow
Imray
Club
the
into
the
if
as
creaked
quitted
them.
Kipling's
at
celebration
like
of
of
The
leopard.
that
it is
know
what
than
more
it
is, in
leopard's
"
"lots
the
chairs
enough
this
of
body
in
Eve,
and
of
order
'em,
on
and
to
Fleete
; we
there
that
weight
with
Beast,
was
had
just
understand
can
and
tenant;
strange
is discovered
Imray
worked
which
and
the
a
him
held
course,
's
underdone
the
body,
"
riotous
temple,
of
forehead
the
with
the
I
nature
am
not
but
it is necessary
gradual
approach
his
and
red,
back;
anywhere;
follow
native
original
along
out
Fleete, after
enters
endows
suggested
spot
of
through;
Thereupon
is,
glaring
rooms
Hanuman.
point
was
the
cigar-butt into
him
dog
between
his
of
otter, touches
an
chops
the
The
upon
curtains
carefully
Year's
New
ashes
image
The
of
Mark
himself
murderer.
the
effective,more
lines, is The
stone
the
detects
once
more
the
when
ling,
Kip-
erect";
under
interfere
And
hair
is effective
to
surprised
Strickland
Still
not
had
rented
sais, had
interesting by
just passed
sprung
this
All
desire
not
are
grinds
bamboos
ishment,
aston-
Strickland
same
windows.
more
the
And
Imray
quartered
the
by
every
had
the
was
of Imray
's servants.
full, had
Return
Youghal's
Imray
stood
night
at
someone
the
as
Miss
with
rooms
The
Police,
twilight
the
footsteps
quivered
we
"made
the
over
being
figure
darkened
of
sound
dim
A
she
"
taken
quarters
Strickland.
uneasy
and
ghost.
conventional.
less
of
as
"chatty"
terror.
are
himself
Kipling
disgust, irritamjn,
rather
pure
methods
disguised
later
who
than
evidently
the
against
Strickland
and
disappeared,
WRITER
much
too
victim
bewilderment,
is
STORY
warning
provokes
one
THE
insatiable
bloody
ones
with
desire
of
sure
to
to
it.
for
gristle,"
CHABACTEBS
offensive
his
the
green
light
spirit
in
of
wolfish
the
at
present
are
traced
"
his
falls
he
The
own
outside,
other
do
not
he
coinic
do
Merimee's
and
The
poetic
of
the
convincing
and
no
an
werewolf
realism
can
with
which
we
both
the
of
admirable
motif
is combined
find
the
lack
phrases
horses.
such
of
of
told
phrases
in
the
moment,
of
tone.
like
consistently
S. Carleton's
successful
the
dignity
less
ing
mew-
they
modern
with
and
horrors,
And
the
that
he
unity
similar
example
and
says
these
illustrate
result
and
inherent
at
theme.
in
feelings
something
really
with
the
their
Fleete
when
readers
OlaUa,
of
Pinafore,
reminded,
deal
which
out
through-
example,
watching,
by
are
witnesses
frightened
And
in
by
compelled,
pany
accom-
for
dignity
be
is
climax
the
its grotesqueness
some
disturbed
are
treatment
is
one
to
to
words
in
man
To
Stevenson's
or
Priest
Lame
style,
they
the
the
to
up
depict
To
the
cat.
like
not
stories
Lokis,
frankly
handling
Here
opera,
famous
Certain
the
was
appropriate
seem
situation, they
a
it
that
of
silence
nicely graded
bewitching
gurgled."
that, like
says
the
Kipling,
and
human
which
cold, sickness,
manner.
hear, in the
in
characteristic
gasped
and
"laughed
each
of
the
it is apparent
Yet
conventional
less
or
of
states
the
ground,
of
emotions
matter
which
the
lead
horror.
running
blood
jocosity
Strickland
of
more
upon
the
"
interested
more
of
the
care.
he
for
Strickland's
or
back
occasional
of
is
the
on
dying-out
some
with
terror
leper priest
mental
considerable
rising,
hair
the
As
the
"
mad
which
which
work.
concerned
Kipling
in
than
his
with
that
in
23
rolling
are
transformation
terrifying incidents
these
in
these
"
the
final
the
eyes,
snarls
scene
undo
to
torture,
bolting them,
his
Fleete's
horror,
PSYCHOLOGY
behind
his
of
details
of
manner
inspires
he
AND
short-story.
and
effective
beauty
as
tale
KIPLING
24
of
terror
S.
Carleton
The
than
ventures
nicely
should
perhaps
call
of
son
much
that
was
"We
finest
passages
in
storm
scenes,
remind
We
"I
"fine
of
writing,"
the
boy
writing:"
perhaps,
emotions,
heightened
heightened
language,
of
poetry.
at
one's
slang,
be
To
moods
in
commonplace,
In
this sense,
Kipling
of
which
characters,
life
as
his
well,
are
is sometimes
often
and
guilty.
There
is the
Strong
in
that
to
language
when
moments
It is
of
affectation.
an
affectation
in
prototypes
Kipling
cere,
sin-
be
such
height
their
Perhaps
fits
themselves
has
are
affected.
doubtless
"coarse
"
approximates
one
ror
ter-
sometimes
express
if
otherwise,
wit,
in
phrases.
which
the
groan.
it must
course;
in
Beowulf,
extreme
threadbare
insincere.
is
breezy
of
language
of
done,
stand
writing
naturally
them
express
command,
when
well
the
of
and
we
other
fine
But
form
Pan
of
purpose.
with
And
the
to
go
slang.
or
succession
mere
lived."
ever
We
It must
subject.
not
that
Peter
some
other
lowest
enjoyment
with
say
Ho
at
timid,
become
speeches
for
is the
pun
askance
yet
great
we
modern,
more
have
written
what
looks
"ranting,"
human
to
We
Lear's
"
the
and
venture
finest
the
am
of
were
"
that
real
our
longer
no
example
is
of
use
in
indulge
Kipling
sharp.
made
to
prose,
enjoyed.
is
contrast
sophistication
its
afraid
ourselves
disguise
and
in
are
The
to
writing.
Shakespeare
for
Beast.
words,
frankly
once
self-conscious.
We
fine
WEITEE
rhythmic
chosen
which
age
an
write
to
and
STOEY
of the
Mark
sonorous
the
THE
learned
real
it from
them.
After
all
Anglo-Saxon's
form
of
Beowulf.
it
it is at
deep
appears
Chaucer
nothing
bottom
is
the
well-bred
rooted
in
than
more
the
aware
familiar
of
it when
in
understatements
he
permits
the
A
the
lower
KIPLING
26
howwid
of
exaggerating,
not
is
There
given
of
a
to
Reiver,
Mrs.
will
And
he
Mrs.
Reiver
is married
than
of
fond
is another
saying,
Mrs.
it would
have
involved
and
new,
ideal
heroines
have
their
and
One
phase
of the
or
she
the
of
the
the
corpse
is confronted
with
that
times
the
she
eighth
novel
may
the
dies
be
fabliaux
of the
and
fourth
to
unbroken
of
in
"men
Commandment."
called
be
in the
there
suspected of
deal
and
delights
tradition
Seventh
lover
heroes
He
the
may
The
these, it is mainly
is
tradition
what
love
or
His
Kipling.
the
's
part
old, unworthy
'Rickshaw
it
and
corpse,
important
Shadd.
the
is
:
thirteenth-century
of the
it.
kept
it, Moriarity
an
the
Maupassant,
with
tradition
incriminating
basis
and
is monotonously
told
Phantom
interest
to
he
played
Dinah
of
tennis
that
The
pasts,
fabliau
this
betray herself, or
of
made
thousand
ten
between
"triangle,"
ancient
playing
women
and
protesting
Kipling
as
have
like
one,
loves, that
the
from
France,
her
worlds.
woman
Had
conflict
inconvenient
unworthy
perpetuate
would
Courting
The
that,
story.
Reiver
with
or
but
Reiver,"
Mrs.
Gadsbys
power
himself
was
the
to
and
ing
becom-
into
oath
both
am
...
relations
the
drawn
of
in
"
engineer,
front
to
now
those
Reiver's
civil
the
vowing
ruin
from
about
girl."
in
grave
give
smashed,
Mrs.
was
big
his
to
he
down
swore
him
saved
Moriarity
better
He
little
Moriarty,
when
all
broken,
was
notorious
the
fell
he
down
go
in
it.
it.'
frivolous
good.
and
It's
book!
Office
one
secretly,
of her.
goddess
' '
for
drinking
this
irony
less
no
influence
an
by
"
little of
understand
Foreign
the
read
your
didn't
Wajahs.
"Wressley
'Oh,
"
WE1TEE
She
Venner.
verbatim
review
her
Miss
it to
presented
STOKY
THE
with
day
the
story
lady 's
presence,
danger
lest
is
murder.
this
Several
theme.
in the
she
It
Decanifron,
is
CHARACTERS
of
Maupassant's
Schweigen,
Mouth
and
way
Wife
of
Man's
Wife
and
eyes
Medusa."
into
brought
Simla
dead,
pouring
off his
Kipling
finds
screaming
Other
Man's
would
Madame
Lelievre
is
to
Kipling,
moreover,
with
venture,
aspect
the
same.
For
an
in
end,
the
It
at
To
is
of
be
both
bitter
best,
or
army,
Filed
that
it
in
Nevertheless
love.
is
love
advisers
of
tales
or
have
as
for
the
day
with
seems,
Man's
he
face.
does
dwell
to
disease,
not
upon
is much
a
or
source
ironical
Gadsby's
for
example
police.
unions
the
On
to
"
in the
stories
for Reference,
him
warn
career
to
comes
which
of
the
the
conception
kind
by
preserves
general
his
face.
Maupassant's
object of cynical
an
promising
such
in
wet
his
as
Other
the
on
is
mud
of Maupassant,
frankness
Strickland's
to
grin
square
praying
fabliaux,
the
Maupassant
details; and
Wick's
to
and
and
the
.
on
the
too."
of
tonga
honest
as
soul
own
the
unhappiness,
the
course,
in
in
head
grin
began
been
not
of
authors,
in
only
Englishmen
Not,
of
she
honest,
tone
with
seat, very
kneeling
her
so
only
Bobby
comment.
not
Gallic
the
animal
evil, of
for
avoids
the
of
she
lighter
survive
Kipling,
and
Man's
awning-stanchion,
"Then
"
back
gives
The
the
in
dies
Pit's
edge
woman,
like
the
moustache,"
Had
prayed
the
the
on
the
the
insane
head
in
At
precipice.
lover
"sitting
hideously
soul.
of
the
Schreiderling
have
something
her
Man
and
Mrs.
tonga,
she
hat
the
Todten
riding together
are
suddenly
over
Die
In
Quid
when
and
hand
one
stories.
temporarily
open,
Other
firm, with
and
' '
27
Schnitzler's
Tertium
the
vanish
The
In
Arthur
Road,
later,
mouth
PSYCHOLOGY
Kipling's
and
horse
is discovered
her
of
two
and
man
of
Ruse,
Himalayan-Thibet
the
on
Une
and
the
AND
ideal
an
Yoked
the
native
of
or
with
City Wall;
women
with
poetic quality.
an
yet
Unbeliever,
even
these
KIPLING
28
again
be
may
stories
beauty
of
for
Gallic
The
Marie
France.
de
tradition,
fairy
carries
he
unconsciously, of
Benefit of Clergy
be
I
of
regarded
all the
Two
"
these
soldier.
The
seen
of,
In
who
deal
for
It
nearly
man
mad
point of structure,
is
one
even
omniscient
successfully
detail, this
of
with
pursues
of
the
in
haps
per-
period,
and
type
or
stories
Ortheris
friend
his
Kipling
drink
the
same
of
the
knows
remembers
significant
the
of
no
having
being made
with
sort.
private
Mulvaney
in
any
diseased
"
story
method
short-stories
at
the
by
and
states
of this
are
is
who
cured
abnormal
mental
pathological
to
enough
psychologize
to
of
course
its
in
special aberrations
concentration
best
it may
is smooth
rather
dozen
of Private
which
is the
reference
the
Without
ordinary
us,
himself
Half
with
Madness
homesickness
remedy.
with
conditions.
the
of his interest
permitted
usually
was
well-
as
of summary
assures
this is true
he
in
interested
was
of
manner.
Crothers
He
When
abnormal
of
Mr.
those
fabliau
view
Indian
an
pages
the
Indeed
the
of
the
on
point of
kind
interested
not
as
as
in
tradition
lai
of
masterpiece
and
that
to
carries
this
sordid
another
one
special study.
earlier
was
And
general.
length, it
or
of the
then,
manifestations.
From
such
uation.
sit-
akin
the
in
But
ennobles
elude
sense,
examination
fiction.
in
except
in
for
love, which,
true
course.
the
as
aspects
Kipling,
in
ern
North-
the
of
Kipling
in
Benefit of Clergy,
charm
French
passion.
and
who
if
the
women
with
deserves
reserving it
am
these
that
on,
of
Without
other-world
So
reticence, restraint, or
and
dignifies
them
the
narratives
and
endows
TEE
Anglo-Saxon
Pale
of
beings of
both
the
mystery
race
WEI
frankness
tragic devotion
inscrutable
STORY
Maupassant's
Beyond
as
for
contrasted,
coldness, with
Africa,
THE
fool
Ortheris.
concrete
volume.
In
CHARACTERS
this respect
is
begun
result
by
hot
of
hysterics
' '
said
it
and
Simmons
"But
not
Simmons'
to
the
of
Others
overwork.
in In
the
army,
similar
very
to
It recounts
Losson,
Private
break
out-
an
it
was
of
of
thought
it
six
in
ment.
regi-
the
Colonel
the
Devil;
the
was
't know
and
beautiful
leading
Army.'
the
the
comparing
gaping
and
didn
he
wrote
Crime
sure
both, but
was
defied
Simmons
Chaplain
the
Private
how
and
squawking,
stories
these
Pride
of
it
leads
to
The
Conversion
with
loss
of
'bloody-minded
schoolgirl
concentrated
with
which
powerfully
scene,
unrecognizable
by
regimental
asks
plate,
of
the
of
for
the
old
regimental
to
the
Queen,
snapping
this
in
the
ancient
fashion.
his
secret
picture
band,
and
shank
of
his
is
of his
Gradually,
the
the
identity
in
highly
In
single
and
strange
regiment,
:
White
the
recognizes
he
piece of
silver
drum-horse,
correctly
the
Lim-
most
the
to
glass between
with
afflicted
Lieutenant
piebald
responds
in
memory
Similarly
spring
the
insanity
impracticable
period.
old
against
to
and
suggestive,
to
leads
an
perhaps
Indian
and
the
the
with
speech
is
reestablishes
finds
tune,
the
returns
he
of
This
dramatic
bit
infidelity it
personality,
Was.
being
Bit
Hussars.
of
warnings
as
McGoggin.
even
short-story
's
loss
Aurelian
Who
regarded
Combined
temporary
of
Man
wife
Youth.
memory,
The
mason,
His
be
may
with
Combined
the
creed
king
and
soul
the
opens."
story
the
Private
Prevalence
a
Private, which
in
hysteria
on
'intelligent publicists'
'The
on
slew
fancied
of
Matter
illustration.
an
they hanged
dozen
articles
the
29
girls' school.
as
Drink;
was
in
amuck,
And
In
to
overfeeding,
and
follows
ran
PSYCHOLOGY
disquisition
weather
story
Simmons
superior
long
of
The
half
it is far
AND
help of
his
a
the
toast
fingers
Cossack
KIPLING
30
White
officer,the
been
explain
how
of what
he
The
is At
the
suffered
of
the
heat
the
are
the
mil
said
The
of
the
If
it walks
he
table.
cast
At
The
no
it
shadow
living
the
end
terror
necked
which
of
beyond
by
the
hunting
it
of
and
the
side.
to
standing
saw
his
that
'If
eyes.
the
ghost, I shall
out
are
of
order.
real.
week
body
pen";
any
sleep
prevent
for
held
staring
the
Except
the
at
it
that
' '
"The
In
sitting
hastily.
out
that
of
himself
found
he
...
spur,
echoing
'
him.
expression
stomach
what
found
the
in
lay
eyes
the
because
of
on
was
bed
Hummil.
its
back,
written
a
long-
the
terrors
permits
himself
brought.
then,
psychologize
study
it they
he
piece, like
one
all respects
knows
thing
Hum-
sleep.
face
to
child,
himself.
walked
and
in
was
first
dinner
to
rose
man
clinched
These,
to
vision
No
hands
in
came
heel
cholia,
melan-
terrified
said, rubbing
going.
is
of
he
eyes
my
head
my
"
"When
only
his
again,
overwork
man
of
summer.
insomnia,
are
the
finally,
account
Indian
the
of artificial
the
all in
me
of
on
figure
from
results
hours
and
already,'
"
away
it is
that
few
the
Solitude,
make
"turned
the
was
is bad,
thing slides
bungalow,
verandah
'This
know
his
him
and
good-bye
desolation
in
gives
doctor
with
of
heat
and
nothing.
opens
the
not
again;
mess
remembered
protagonist.
that
could
He
old
had
pathological psychology,
in
causes.
Limmason
1854.
his
to
he
in
whist
irritability,dreams
when
in
Passage, which
the
host, is the
the
Lieutenant
way
seen
study
playing
men
that
his
or
WRITER
Russians
the
found
complete
STOSY
learn
by
had
had
End
Hummil,
and
he
most
four
the
Hussars
prisoner
made
THE
are
at
the
stories
greatest
pathological
wherein
length;
conditions
Kipling
but
for
even
their
these
main
have
purpose.
not
the
The
PLOTS
Private
of
Madness
deserting
to
AND
THEIB
Ortheris
and
how
in
his
he
the
British
soldier.
In
of
daring
capture
story
the
who
risked
and
dislike
life
of
of His
Aurflian
Youth
is
is
attack
the
largely
Passage
of
place,
yet
man
to
Horla
theme
focused
It
on
so
and
cared
is in
the
the
little
and
of
form
for
Rouen
more
to
in
nothing
a
the
nowhere
or
of
Mont
emphatically
the
the
St. Michel.
he
ask
for
speaks
of
the
with
related
attention
writer;
Again
sant's
Maupas-
is not
Middle
leave,
married
deals
does
and
utterly
sick
story
that
of
friends.
was
reader's
else
of
enchantments
the
an
End
and
three
It
story
of
Who
tions
hallucina-
his
place
and
and
the
the
this
the
journal;
poetic
peril
contrast.
experiences
is
to
With
of
Man
hopeless,
his
take
young
picture time
to
and
end.
own
of
emotional
style
have
suggestive
is
there
The
eloquently
more
his
offers
and
ill-defined.
who
would
foresaw
Hummil
it.
who
the
mainly
The
beside
refusal
Hummil's
in
climax
Hummil
of
self-sacrifice
is
finally, At
unassuming,
In
's creed
Russian
is, primarily,
heroic,
the
it
India.
things
many
four
have
Conversion
McGoggin
And
Slane,
modesty
text,
The
the
of
really the
wedding.
ancient
the
in
against
aim
Its
show
to
the
single
warning
is
might
he
his
at
also
work
with
Lc
won't
was
loyalty
deep
exception;
an
expounds
is concerned
reaches
because
it
creed
Hummil.
and
perhaps
desertion
characteristic
that
on
came
by Corporal
marred.
man
character.
unappreciated
This
is
order
disquisition
the
murderer
carriage
Russian
the
on
the
But
that
in
"
of
Private
explains with
young
aphasia.
explains why
Was
McGoggin
in
study
he
of
of
Ortheris
near
thought
Matter
the
31
how
proof
"
of
pose
draw
is
the
as
"
to
married
man
show
the
right mind
heroic
horses
battery
Pride
his
is to
revolting
when
was
SIGNIFICANCE
all
is
is
else
Maupassant,
write
Age,
and
again,
mystery
of
KIPLING
32
the
world
unseen
it
digress,
this
being,
the
it
controls
victim.
actions
invisible,
of
in
against
is
of
his
in
reality
that
his
horse
will
for
subject,
he
or
analogy
even
just
so
the
with
been
slaved
en-
material
his
Incidentally
dog.
cousin
posthypnotic
to
subjected
narrator's
the
has
yet
soul,
very
moment
connected
impalpable,
hypnotism,
her
for
seems
clear
masters
man
presently,
appears
the
as
he
is
becomes
possession
experiment
much
which
the
taken
him,
an
out
This,
it
WRITES
If
us.
matter
Horla,
has
who
is
there
on
STOEY
about
Gradually
mastered
will,
all
only
theme.
by
his
is
THE
rying
car-
suggestion.
as
the
hypnotist
Horla
controls
KIPLING
34
his
present,
in
Thus
he
absence,
journalist
' '
is
It
for
know
drinking
plate
under
clothes
help
"
The
Boy's
to
Kipling
you
lie ?
from
of leaves, and
begins
the
it
and
the
times
some-
cals,
Politi-
and
sometimes
get
from
water,
and
in
the
day's
the
great
"all
was
the
reporter
who
could
he
'
that
paper
is, in part, by
slept
of this
means
to
tale, that
the
It
of
the
silver,and
running
the
learn
we
Princes
what
servant.
ends;
so
from
devoured
pressroom
and
with
eating
that
Pioneer),
The
'
profession.'
my
Kipling
King,
drank
his
the
realistic,vivid, and,
telling of
'It's
consorted
and
as
rug
is in
It
be
crystal and
ground
same
'
answered.
and
made
adventure
the
of
said, Can
and
(manifestly
the
the
Would
upon
work."
for
journalist, again,
the
Who
Man
dress
wore
best,'
Backwoodsman
out
eyewitness.
mere
learns
Major
Kipling
minute,
Kipling
The
The
lay
for
thought
'You
of
the
to
of
that
through
story
when
appeals
once
WRITER
than
more
Away,
at
He
"
is
function
Thrown
STOXY
THE
the
of
story
the
wanderer
is made
credible.
"I"
The
the
of
journalist,
not
He
he
which
disastrous
comic
possession of
native
who
He
confesses
and
Musketeers;
correspondent
who
exchanges.
with
writes
results;
of
corner
dies;
to
in
The
the
The
the
his
he
amusing
entertains
He
or
Friend's
seller
sweetmeat
garden;
finds
himself, Kipling
projection of
little adventures,
copy.
and
baby,
idealized
mere
has
makes
stories
these
he
becomes
terrible
hidden
's notebook
author
reporter 's or
he
is on
Courting
Shadd,
of Dinah
Army
Track
of
the
of
South.
Lie.
It
He
his
own
sonality.1
per-
otherwise, of
with
Friend
gradual
takes
attached
well,
in
The
to
a
trap
Three
duty as special
is clearly Kipling
the journalist
follows
it through
all the
PLOTS
for
of
City
Mouse
Dreadful
present
false
under
in
Kipling
because
is
true,"
'
in
his
serving
a
it."
sais
the
'
that
himself
in
will
he
of
the
In
and
part,
"open
money
privy
be
presently
the
to
obtaining
Youghal's
to
while
Simla
trifle faded
clever
very
Strickland,
in
this
and
woman
to
woman
in
And
of
trace
with
Mall
silliest
it,the
or
concludes:
supper."
"all
groom,
the
it all
saw
Extra
an
for
it needs
in
"
stories.
these
and
looked
word
went
of
there
and
impressively
but
number
was
she
"
my
Sais,
on
me
but
we
briefly
a
Three
Take
man;
me
important
lays
"The
magic,
sham
seal-cutter
end
to
"
Youghal's
met
he
person,
Thus
Then
Miss
as
more
own
Hauksbee
clever
of Miss
course
more
implies, "for
fool.'
manage
of
visits
he
of Suddhoo.2
at
lamplight
manage
story
fears
and
in
Mrs.
in the
jaded
until
'
House
he
part
said
"Then
can
the
the
the
35
jungle-grass;
In
abetting
appears
took
of
observer,
unexpectedly,
"This
even
and
SIGNIFICANCE
maze
plays
mere
pretences
murder
he
as
aiding
of
charge
THEIR
Night."
of Suddhoo,
though
to
beast, in
and
man
AND
the
disguise,
him
was
lost,
was
extraordinary
note:
old
Dear
1
reappear
Man,
but
Please
"
at
bearer
give
I 'm
present
out
box
of
of
I '11 repay
cheroots
when
society.
Yours,
Strickland.
E.
That
sais
Strickland.
was
The
.
English
an
hold
across,
2
a
the
tongue
my
At
the
on
In
similar
same
smoke,
end
and
Wressley
From
Sea
to
entanglement
manner.
's
Sea,
in
of the
record
Chinatown,
of
was
Foreign
for
I should
happened,
Office Kipling
only existing
actual
San
suffering
over."
was
shelves, the
a
fellow
that, whatever
business
Wressley
poor
knew
till the
of
events,
Francisco,
copy
Kipling
is written
of
comes
Native
's account
in
of
precisely
KIPLING
36
in
Rule
of
end."
At
the
the
keep
it,"
penny-farthing
yarns
business
whole
of
end
by the
it
Man,
lamps,
of the
reveals
the
Perhaps
ordained
arrived
newly
"
that
to
who
Kipling
was
Schreiderling
Mrs.
seat
back
been
not
"Write
Wressley.
its birth.
have
may
could
Venner
said
about
Other
The
Office
Tonga
road
wet
Miss
it and
the
the
WS1TEE
that
the
"
STOEY
copy
"Take
your
perhaps
under
India,
Central
understand.
any
THE
saw,
in
kneeling
tonga,
ing
scream-
hideously.
by
Sometimes
Kipling
expressing
an
When
The
Worm
acting, ..."
that
in
as
used
we
has
He
happen
know
the
kindly
in
where
the
The
he
Major
if
for
in
sonating
imper-
by
The
"no
's display
Worm
Besides
taste.
native
on
action.
the
Divorce
man
present
deserted,
in bad
was
Bronckhorst
murder
of
Pooree
the
from
Return
the
"no
Case,
in
evidence
for
at
all.
in
of
his
'
'
of Imray
the
of
grave,
a
it,"
and
White
the
he
and
in
old
In
concealing
facts
story.
by
He
Dr.
Away
of
"I
I
The
land
Strick-
the
Beast,
Watson
he
pared
pretake
not
friend
of
Mark
of
back.
did
the
who
"because
assists his
Thrown
the
his
says,
part
the
drum-horse,
on
The
Pack,
Hussars
resurrection.
Kipling
of
the
Kipling
that
out
events
skeleton
relatively passive
Holmes.
the
of
one
'Grubby'
"
it turns
part
about
And
"Pack
was
shot, with
Sherlock
disguising
charge."
Rout
the
something
skeleton
plays
Strickland's
and
for
account
it
of
subaltern
married
Sometimes
Drum-Horse
to
had
been
has
phase
senior
I think
important
supposedly
to
he
some
the
could
convict
Bisara
more
as
been
'
The
call him."
appearance,
'
buy
can
responsible
was
had
In
The
to
played
latter
that
...
you
characters
the
Personally,
would
knew,
where
with
Kipling,
says
night.
we
concerning
even
whom
dangerous."
jury,
land
got
wife
being
opinion
fact
to
aids
Boy's
the
death.
AND
PLOTS
In
False
In
Madness
effects
the
the
Irish-Indian,
virtue
Kipling
army.
in
the
fort
English
On
the
where
the
but
aged
who
knew
It is
friend
to
prominent
These
that
his
the
peculiarly
unconsciously
oral
composed
the
no
oral
into
woman
ing
assist-
from
importance
the
the
in
the
as
doubt,
his
which
the
Soldiers
Ballad
and
very
folk
presentation.
old
themselves.
method
be
and
mate
intibe
story.
are
particularly
because
And
they
tradition,
Chaucer's
the
and
the
Three.
to
Strickland,
confidences,
elaborate,
very
guide,
stories,
knew
frames
is
he
to
different
is
He
his
India;
him,
saw
often
in
natives
follows
situation
glimpses
him.
society;
people
receive
of
the
world
saw
best
the
woman
he
in
us,
the
as
best
story,
stories
presents
interesting, historically,
tale.
for
of
twenty-two,
in
when
frame-situations,
of
clever
narrator,
in
figure
by
natives
the
for
of
characteristic
the
of
narrator
the
cleverest
then, that
friend
of
moves
much
as
natural,
creates
are
club, he
the
Kipling
Kipling,
Hauksbee,
to
over
won
the
for
as
and
ernment"
gov-
of
Kipling
nor
philosopher,
the
is confined.
material
the
is
the
Namgay
commander-in-chief
prisoner
Kipling,
of
Mrs.
less
to
suggests
but
and
suggests
recalcitrant
the
blood,
made
real
Kipling
member
is
however,
with
Celtic
native
he
whole,
himself,
not
of
who
when
Copleigh.
constitutionally ''agin
is tricked
he
escape
is
his
Miss
wrong
it is he
dealing with
he
plays
wherein
City Wall,
"
when
loyalty
things right
who
of
the
to
Ortheris
of
37
set
to
manages
it is
method
by
SIGNIFICANCE
dust-storm
And
proper
devoted
who
Private
of
cure.
the
Doola,
of
in
proposes
The
King
it is he
Dawn
Saumarez
THEIR
the
carry
they
on,
tradition
fabliau,
Canterbury
were
Tales
KIPLING
38
indeed,
was,
THE
each
the
characters
in
tale
these
their
of
of
one
; and
the
We
nature.
to
Room
' '
Kipling
Privates
of
of
broken
In
low
in
men
from
company
taken
no
their
of
personal
for
the
freshment
Re-
Umballa
the
"
for
but
an
complete
follows
Sea
to
drew
Chaucer,
"
of
Sea
the
in the
who
troops
Kipling says
Englishman
of
...
is
"
told
himself
up
side
nevertheless,
for
the
are
low
on
by
that
"friends
medieval
of
liking
are
friends
they
phrase
had,
impersonality
betray
Learoyd
certain,
genial blackguardism
as
personal note,
in
and
at
Chaucer,
personal
not
am
far
so
like
Kipling,
and
..."
cheap
was
Ortheris,
but
leste
us
tale
Regiment,
think,
is the
the
review
The
beginning
Line
drink
to
beer.
the
authors, however,
that
wel
regiment
inconceivable
From
be
pilgrimage,
on
go
stories
and
Inn
"Mulvaney,
the
again,
Here,
to
tells
company
intimate
may
Tabard
and
at
Collectively
story
And
of
demanded
for
' '
Company
away
not
the
in B
Both
The
supplied
half.
mine,"
the
wyn,
characters:
worst
goes."
the
was
his
mine.
the
waiting,
"I
describes
for
what
the
Chaucer's
Strong
has
extremely
an
himself
tell
was
But
heterogeneous
in
and
group.
friends,
first, in
them
"
For
gallon and
of
usually
to
tales
himself
He
four; Kipling
to
the
another,
one
similar
but
by chance,
equivalent
up-train.
of
one
thirty
to
described
motived
and
Canterbury.
not
meet
Indian
East
to
others, speaking,
adventures,
own
road
for
than
Chaucer
audience,
relations
from
together
brought
audience.
their
is
reading
situation, providing
old
the
an
and
Kipling
is reduced
stories
in
the
along
them.
number
and
narrators
characters,
actions
private
it dramatized
narrator
WRITEE
for
rather
composed
STOEY
company.3
Duke
Mulvaney
'
'
street.
perverse
' '
ture.
litera-
who
and
liking
PLOTS
Ortheris
together;
with
notebook.
his
told
are
much
by
Of
the
the
three
that
sometimes
simple
and
the
Daughter
of
The
first three
of these
soldier
only other
Ortheris,
the
Ortheris, Mulvaney,
for
fool
of
situation,
elaborate
told
story
which
might
Mulvaney,"
Here,
as
of
pages
the
story
opens,
introduction
the
proper.
story
elaborate
element,
from
type
to
The
and
rest
involve
quite distinct
the
the
Machine,
from
"the
result
is
Mulvaney
off his
walk
of
subtitle
for
are
Three
to
and
anger
of these
similar
the
Kipling
Ortheris, with
Black
of
Private
such
combination.
before
shame,
all of
are
his
they
three
his
how
narrative
story
finds
The
Regiment.
show
stories
an
"
required
for
that
methods
Madness
of
uniform
his
Musketeers,
the
it
In
by being
then,
two
as
denly
is sud-
length
say,
the
The
Daughter
exactly
be
him
in
as
described
story.
of Private
Madness
The
have
would
persuade
God
soldier,
of Lungtungpen,
Taking
Jack,
by
The
of Private
change
might
The
Ortheris
at
to
combines
Kipling
in
as
is cured
One
Story.
Hills.
be
enclosed
persuaded
dress.
stories
later
the
is, being
that
civilian
Kipling's
most
of,
Musketeers
Madness
shooting;
go
and
by homesickness,
attacked
made
Kipling
and
the
are
variously
and
the
from
point of view,
without
frame-
Learoyd's
collection, The
so
of Lungtungpen,
Private
Tales
not
These
Three
Taking
and
present
frame-situation
elaborate
an
The
Plain
of this
story
The
are
is
the
revealed.
often, highly
type
in
are
it
and
through
are
more
Regiment,
from
may,
characters
just quoted),
The
stories, two
soldiers-three
as
Kipling
and
Learoyd
Mulvaney;
by
simpler
I have
which
of
themselves
brief,
the
Of
consists
rest
stories
39
SIGNIFICANCE
remaining
the
the
situations
elaborated.
THEIR
audience
the
Learoyd,
through
(from
AND
or
enclose.
friends
seven
friends
he
begins
this
more
plot
even
In
The
enjoying
KIPLING
40
refreshment
begged
Mulvaney
Dinah
Ortheris
and
is
of
resemblance
out
shoot
to
all
more
Ortheris,
in
leaning
are
distinct
move
so
along
on
with
of
fires.
camp
into
the
lowing
folin
of
hands
of
account
the
practical jokes,
men,
tells
Mulvaney
last, the
at
been
engaged
An
and
ling
Kip-
Courting
had
army
Learoyd.
come
he, and
was
The
"
he
fallen
had
officers
of
story
Dinah
in
of
his
rifle at
not
Incarnation
view, with
the
action,
vultures
of
The
that
picket, lonely
what
complex
the
how
he
Shadd.
to
result
follow
it
that
as
his
liver."
of
work
frameThe
Mulvaney.
to
comes
Prometheus
as
relation
Krishna
one
be
the
his
gemming
tearing
all, is the
of
story
the
night-dew
the
Mulvaney,
most
intertwined
points
the
saw
I know
More"complex,
story
pursuing
has
nonsense.
rock, with
and
story
it
the
Yorkshire
lass."
but
morning;
and
Dublin, and,
I woke
moustache,
two
doings
the
"
camp
"When
of
evening
the
stories, about
Hamlet
played
his
in
of
sake
love
his
Ortheris
special correspondent
fortunes
and
follows
and
Then,
the
whom
the
tell his
Mulvaney
Mulvaney,
evening
that
party
As
day
battle,
Privates
on
heard
"for
's love
inspired by
to
spur
in
night
hot
is
Learoyd
native
the
deserted
the
Shadd.
of Dinah
songs
of
one
alone, who
sham
have
that
Theatre"
Hill, Learoyd
sub-Himalayan
notion
the
tells
"blandandher"
to
of
Greenhow
duces
intro-
Mulvaney
"Silver's
"
reveals
coolies, and
horrors
itself.
in
bare
Kipling
the
for
story
the
may
not
was
he
by
and
moors,
frame
The
in
Solid
The
Draf
Guard
regiment
through
dance.
of
gang
Main
all
'
Drunk
Big
the
in
fight
complete
With
officers
The
of
Tyrone
Learoyd
Amara.
story,
Black
best
the
"perhaps
Fort
the
In
WRITER
an
dog-fight.
Shadd.
of
story
from
civilian, foreman
as
STORY
stolen
or
begins with
Muldoon
the
THE
told
reader
follows
from
four
seems
the
events
to
KIPLING
42
of
less
and
comic
of
that
of
point
windy
in
knows
the
sergeant
so
the
to
come
know,
and
to
rather
there
well
how
to
put
that
he
Irish
than
me
more
's
him
no
"
And
of
And
of
is
at
have
vaney,
Mul-
says
touch
as
you
pathos,
humorous,
positive side,
the
on
phrasing
take
to
just
bein',
me
qualities, he
readiness
pathos
it appears,
this
to
him.
adore
"That,"
wonderful
the
to
care
like
lads
come,
Thanks
figure.
wit,
his
cleverness,
I'd
sorry
comic
merely
as
pathy
sym-
soldiers.
queens,
children.
lovable
takes
young
touch
The
for
man."4
's many
Mulvaney
his
pray
childless
Mulvaney
are
to
on
of
eye
more
London
by
situation.
comic
made
the
sympathy
few
sonating
imperposing
or
the
of
out
couple of non-commissioned
and
State,
the
possible
are
Kipling
polish
from
seen
Mulvaney
with
good
own
legs wavin'
Indian
had
is worth
draft,
our
temple
the
is
he
his
"
reason.
he
his
contrasts
moreover,
of
eye
wishes
the
"That
well
the
wins
height of
the
is seen,
of
Praying,
Central
colonel
an
he
Moreover,
palanquin
The
adds
with
officers
ludicrous
Queens'
of
He
than
this.
one
at
But
army.
more
royal
Maharanee
rather
insure
the
Krishna.
god
No
WRITER
soldier, careless
English
Mulvaney
"
the
the
the
view.
Mulvaney
the
STOET
discipline, a disobedient
name
than
THE
his
of
of
advantage
rative,
nar-
every
situation.
For
plot,
have
we
here,
as
in
the
best
fabliaux, intriguer
Dearsley,
deprived
palanquin, thinks
Mulvaney
are
as
the
god
all
fabliaux,
the
Decameron.
See
The
poetic justice is
his, and
Krishna,
the
outwit
to
or,
is
Mulvaney
And
there
of Dinah
Shadd
for
the
account
profitable
ments
disappointparading
figure suggestive of
specifically,of Boccaccio's
more
Courting
done.
his
comic
the
supernatural
sham
but
of
St. Michael
fabliau delight
of
the
child
in
in
's death.
AND
PLOTS
of
pain
as
and
Mulvaney's
source
does
heads
sometimes,
the
'
an
The
wint
we
been
troubled
with
serious
of
ground
in
This
into
for
the
There
group.
far-travelled
the
Bimi.
and
Reingelder
and
Of
Men
Lang
Those
is
the
German
In
of
and
his
the
But
of
the
in
none
make
be
to
of
none
Soldiers
are
his
own
Three
dialect,
Bertran
the
and
Visigoth,
Gate
of
with
From
style.
the
this
early stories.
Wara
Tow
Dee, At
Dramatic
implied
are
; we
tales
These
throughout.
Howli
are,
somewhat
Monologues,
Browning.
these
framed
other
Three.
the
as
narrator
opium-eater,
an
turies
cen-
depicts.
The
sea.
the
Dray
"
interlocutor
regarded
of
manner
of
and
Time,
as
presence
best
the
German
of
whining
and
monologues
Flood
of
monologue
of the
one
other
In
therefore,
after
it is
certain
Thana
feel
view
at
the
on
Breitman,
Wreck
'.
dealing
Soldiers
Hans
Flag
told
are
in
of
the
to
ran
laughin
for
mouth
like
critics have
he
tells, in
who
wid
through
the
he
as
"they
'
whom
confined
down
and
nothing
accounted
Called, The
o' Larut
Sorrows
Hundred
be
can
through
the
and
is
lightness
characters
naturalist,
here,
Kipling's
or
persisting
"
not
where
story-tellers, like
other
are
These
The
hardness
it
coolies
butt, shriekin
of
Dearsley,
the
There
Some
is not
"
German
of
tales
'
dead."
narration
purpose
death.
an
essentially fabliau
of
does
of Lungtungpen,
tradition
fabliau
the
of
perhaps
matters;
fifty of
or
of
handling
Kipling
length
peculiar
43
rough
ten
thim, baynit
by
method
created
the
seventy-five
counted
the
"
some
Taking
...
We
effect
SIGNIFICANCE
together.
to
go
in
passage
comic
seizing
their
knocking
THEIE
narrators
presence
For
so
so
none
tales
are
are
so
interesting,
distinctly
as
effective
highly
and
felt.
in
For
as
those
personalized;
none
this
does
ling
Kip-
intrusion
KIPLING
44
of
into
author
the
Kipling,
as
THE
his
work
In
spite
flattering self-portraiture,
the
reader
or
of
and
the
worse,
summarizing
fashion
the
stories
of
with
dealing
thing
happened;
story
told
was
involving
emotion,
he
had
making
of
another's
them
the
record
was
as
in
The
as
in
Thrown
'
'
he
And
in
reader
emotion,
follow
particularly
however,
is
mainly
of
stories.
No
reader
his
amusement,
Mulvaney,
or
he
as
the
Wressley
of
this
sympathy
with
of
many
the
narrator
sides
in
passantian
told
with
spite
manner.
of
in
Lispeth
the
He
his
Foreign
the
himself
Kipling
nor
takes
enough,
stories
The
as
third
is
with
his
less
no
of
continually
with
Private
in
evident
neither
That
ling
Kip-
is evident
somewhat
the
listens
Doola.
where
and
the
ment,
astonish-
missionaries
briskly impersonal
sides
Kipling's
intervenes.
the
sorrow,
Namgay
or
person,
openly
or
Madness
Office,
fear,
be
Kipling
as
of
"line
to
sympathy
sorrow,
stories
own
Beast,
share
graph
phono-
many
Din.
as
heroine
against
the
fail to
can
or
in
yet
Muhammad
stories
hero
his
happens
of
evident
anxiety,
tells such
Ortheris,
And
Story of
emotion,
his
emotion
Mark
The
or
that
recorder
hand,
other
the
or
suffered
closely Kipling's
that
The
his
he
the
conditions
mechanical
mere
the
on
rather
when
of Imray
Aiwy
part;
receptivity of
the
never
though,
hearing
seems
when
under
introspective psychology,
can
Return
in
elegant
contrary,
active
an
occasion,
than
or
persons
to
more
their
and
present
was
played
stress
something
the
on
he
definite
emotional
studies
of
own
on
words.
never
are
him
to
between
of Boccaccio
manner
cool, correct,
fact
himself
he
or
certain
of
stand
visibly manufacturing
Kipling,
matters
for
eagerness
to
the
with
regarded,
youthful
has
in
others.
be
to
seems
be
to
seem
or
be
his
never
stories,
to
of
never
He
story.
who
Addison,
he
WRITES
is not
own
defect.
STORY
Mau-
commonly
PLOTS
misunderstood
with
civilian
doubtful
in
Watches
as
in
he
At
of the
Baa
Black
takes
sides
there
are
that
so
of effect of
so
of
in
morals
these
even
due
as
they
as
in
with
his
as
have
to
he
also
of Aurelian
of
none
of
preachers,
external
yet
him.
Kipling
is
believes
kind.
not
for
Thus
of the
secret
his
own
life in
of
The
even
didactic
Kipling
and
of
Kipling
it has
tract,
tion
inten-
endows
sides
all the
believes
personal
consequently,
version
Con-
Methodist
two
thoroughly
effectiveness
though
story,
manifest
the
Baa
sides,
taking
phase
is
black
as
styles it
Kipling,
stories
Baa
Kipling
Though
Kipling
because
This
not
the
prove
in
as
story
realities, and
is the
painfully
to
told,
character,
his
to
his
immediacy
stories
are
that
grandfathers,
own
McGoggin
The
Here, perhaps,
though
literary
his
boys
that
in
man,
human
quality,
fact
Kipling
quality.
merely
the
or
Hills,
same
participant.
dullness, the
with
of
significant
McGoggin,
wearisome
that
McGoggin
against
the
phase
eral,
gen-
it is true
even
the
In
commonplace
and
from
the
not
to
active
an
child
as
children,
always
And
small
that
it is due
it is due
is himself
of
much
proves
that
vividness
the
some
the
people
King.
heroes
as
autobiographical
an
the
while
narrative.
establish
painted;
are
for
Tales
the
with
and
Majesty
himself,
Plain
have
with
exaggeration, still
an
with
respectable hypocrites,
Kipling's
these, too,
to
of Dungara;
Private;
Fraud,
His
make
in
the
hero;
illustrative, is mainly
which
and
of
Passage;
Bank
of
which
"
Lispeth;
merely
has
45
Judgment
the
of
projections
exempla,
Sheep
Black
and
The
Matter
against
as
would
or
merely
not
End
Sheep
those
in
the
highly personalized
many
point
In
the
regarded
many
stories;
like
be
must
SIGNIFICANCE
natives,
Night
criticism, which
himself,
the
reputation
Baa
THEIR
soldier, in
officials,in
of
of
with
"
British
the
AND
as
he
it.
tive
narra-
writes,
KIPLING
46
he
emotions
the
shares
with
laughs
fear, their
wrath,
believe
too
There
other
are
the
way,
who
from
alone, without
contrives
of five
weeks
is
discuss
rich,
But
the
he
The
is
of
likely
to
to
do
to
tell
it.
solemnized.
of
tell
forget.
And
.
over
With
Garden
wife
think
I
over
shall
am
Eden
that
want
her
to
earth"
of
Herriott.
Mrs.
life.
know
is the
he, aside
member
you
he
do
Because
every
one
wish
"never,
her
to
member
re-
can't
woman
.
of
is
first
and
Gadsby,
not
ages
man-
wedding
honeymoon
Mrs.
says
is
Gadsby
says
the
is
marries.
he
"
shop,
Gadsby
However,
Amazement,
"Never,"
all
with
us?"
between
anything
when
at
men
respectable, engaged
Any
interval
full
Captain
on
Three-
an
Captain
retire
"How
of
confidences.
your
and
that
In
The
exchange
never
her
it's all
and
society
Herriott.
Mrs.
Dear
Without,
that
dinner-party.
which
Mrs.
after
and
difficultyin breaking
is
drama
Poor
to
World
will
he
In
conversation
appears
that
is not
attentive
The
realistic
and
have
to
In
experiment
dialogue
"
parts.
been
dialogue
resulting situations
and
daughter,
her.
to
of
Gadsbys
eight
her
quite distinct
means
dialogue
personal
im-
dramatists,
Kipling's
The
has
It
Kcdar
of
next
"am
who
predicted
by
us
wholly
are
engagement.
Tents
seated
it is
Threegan,
it is
and
too
we
is the
great
reality, yet
character, emotion,
engaged
their
dread,
There
the
explanation.
but
desultory
and
before
them
Gadsby,
Minnie
club, in
the
surpassing
or
them,
Inevitably
effective.
of
There
Captain
meets
being
Shakespeare
set
moment.
great
gan,
acted
imply
to
Mamma,
"
be
not
triumph.
interesting study.
an
with
grieves
anxiety, their
of
comment
is
way
it could
of
and
themselves,
in this
of
characters
create
of
he
emotions.
ways
way
their
sense
their
WRITER
characters
shares
their
suffer
STORY
his
of
he
them;
; we
THE
your
secrets
PLOTS
share
to
"
tell
everything
!"
me
Gadsby,
In
Valley
of
"good-bye"
The
for
Mafflin,
"be
marriage
ruffian
has
Gadsby
the
lost
back
my
I've
months,
every
time
selfish, and
and
being.
air of the
The
.
the
he
begins
husband's
to
included.
was
neither.
cripples
his
notions
of
duty!"
got
wife
and
all up
the
back.
you've
the
in
squadron
in
large
health
of
equally
His
an
the
"a
three
of
small
withers
"In
of
is
comfortable
so
happiness
and
first
duty
he
would
is to
asleep,
and
you
his
heroism;
speak
on
his
shared
and
years
now
that
else
family,'
Twenty
may
happy
have
vintages
moral
wildings
everything
to
parent.
or
and
slack
his
fine
all the
out
riage,"
mar-
becomes
man
fatty degeneration
invaluable
is
I 'm
.
past
Puerisquef
Virginibus
capable of crime
soul
of
led."
by laying down
measure
roar
that, for
I tell you
Yesterday
'his
shilling; to-day
the
it
cold
He
heart.
work,
the
the
an
good
as
how
fireside
prefer comfort
fulfilled
even
of
last
undergoes
I'm
marry.
"
the
up
Captain
know
of
and
man's
twenty-five,
at
friend
you'll
I've
Stevenson
you
says
give
to
his
to
with
you
The
recovers,
then
reading
been
In
till
hoof
that
there
"Wait
but
and
tears.
decided
Mrs.
she
marriage
Hell
turns
you
felt
wrote
but
conflict.
pathos, Gadsby
before
hampers
and
own,
I know
Kipling
says
"
nerve.
cur,
every
Had
his
behind
like
talking
he
oh, it plays
your
squadron
has
this,
been
with
not
must
Herriott,
up,
Gadsby
yourself
say
has
and
of
youngster
to
mine
sword-arm,
of
Mrs.
However,
"Jack,"
sure
into
moving
wife.
dying
sake.
very
as
of
You
you
from
scene
47
come
making
work
letter
of Jordan,
her
ungrateful
man
his
to
Swelling
service
his
Shadow,
with
and
and
out
SIGNIFICANCE
know
wife
reads
falling
the
THEIB
3-011
Fatima,
moreover,
follows
in
AND
he
and
is
ing
husbandago
this
is fit for
without
con-
KIPLING
48
straint
will
; you
TEE
Virginibus
Puerisque?
Stevenson,
merely
the
"to
As
by
of
Kipling
he
does
calls
in
free
G.
H.
; Mrs.
if
Shakespeare
to
be ? "
carry
their
makes
Miss
Nearly
T.
of
By
and
much
haven't
is
Jove!
silent
produced
then
passed
he
play.
had
had
didn't
for forty
aside.
it
(feebly)
speeches
of
And
Mrs.
so
Captain
As
on.
not
or
dramatist
Kipling,
Captain
ening)
(soft-
be
real
makes
H.
"To
(sadly),
uation.
sit-
transpires
and
talk
his
' '
state
herself up)
When
the
"
yet
and
-revealing
implications.
the
ride
you
know
the
how
club
enough,
mental
"Hamlet
once
the
Kipling, again,
indicate
G.
That
explanation,
Gadsby
others.
(drawing
written:
of
to
to
rule.
finally,
Gadsby
meets
I 've
?
him
more
never
seen
than
you
fifty
on
times.
the
Mall.
(Aloud)
day.
G.
moustache
of
H.
at
self
completely
to
at
men
expounding
character
(Aside)
every
Capt.
Mrs.
use
Do
mony
matri-
successful.5
or
naturally
shop
of
emotional
own
G.
the
(fiercely) ; Capt.
Threegan
Capt.
Thus
direction
sees
reckless
Minnie
do
so.
and
wholly
comment
comments
had
One
rails at
plot
is not
utter
is not
stage
of
himself
purpose
(insolently)";
development,
man
young
after
years
his
strictly according
their
talk
the
of the
use
Gadsbys
game
to
story
through
part
in
stage
same
development
The
not
"
the
The
the
the
characters
for
obviously
in
does
without"
"world
in
play
if he
say,
fifteen
reading
parts"?
dialogue
not
the
been
Kipling
born
he,
Honeycomb,
experiment
an
means
is to
his
show
Had
had
reached
like Will
when,
age
Or
WE1TEE
' '
him.
wake
not
STORY
know
that.
Ha-Hmmm.
(Pulls
at
his
seconds.)
fellow-craftsman
a
significant from
He
in
The
does
character
Gadsbys.
by dialogue
It
dramatic
is
not
interesting
means.
by purely
And
he has
some
experience in acting.
recently
's
praise
"
"
KIPLING
50
The
is
peculiar vividness,
then,
due
in
It is due
to
the
the
other
the
dramatic
on
to
the
draw
to
or
grave
character,
we
apply
effect,we
will
he
predict of
Mrs.
stories
does
that
not
he
''she
The
his
childlessness.
story
6
One
journal
'Rickshaw
' '
his
more
In
child's
method
written
by
and
The
moods,
adventures
of
complexity
as
and
cause
friends
our
as
what
in
though
Hauksbee
Mrs.
tell
The
The
death.
also
but
story
so
on
others
's first
to
is The
and
Dinah
"
her
own
it is not
first he
only
all the
which
sex.
Rescue
Shadd
the
he
appearance
But
of Pluffles.
Mulvaney
Mulvaney,
of
not
many
even
Courting
And
mind
Hauksbee
nice
other
in
have
Mrs.
be
From
persons.
to
of Krishna
Incarnation
of
these
On
could
story.
In
to
tell.
that
of
them,
going
to
is another
that
is
choose
it is said
lives
the
all about
know
to
seems
time
well.
of
the
By
this is true,
And
is the
Subconsciously
of
as
Ortheris, of
and
Learoyd
as
foreknowledge
accurately
as
This
different
of him
conceive
external
different
friend.
old
an
all circumstances.
under
Reiver,
him
in
Gads-
measure
of
reality.
feeling of the
we
trick
dozen
engaged
The
large
stories.
a
overhear
to
in
as
in
another
half
as
reality :
can
degree, of
less
of
test
and,
of
is due
opposite quality,
the
numerous
in
of him
think
we
the
do
in
have
to
come
narrative; it
permitted
impression
persons
structure.6
permitted
are
are
circumstances,
we
gay,
external
the
characters,
Mulvaney
seen
his
We
Yet
the
to
of
stories,to just
of the
same
different
under
other
conclusions.
own
have
we
peculiarities
of Illusion, we
of the
recurrence
that
in
contributes
structure
air of
impersonality.
Hill
our
WRITEE
personalized quality of
conversation
The
or
STORY
the
the
to
part
hand,
natural
bys
THE
refers
is told
to
the
necessary
be added
for completeness,
of presentation must
in two
stories
Phantom
only, The
protagonist, found
Parrenness.
Dream
of Duncan
the
to
the
PLOTS
instances.
multiply
of
it is
as
is like
stories
it
unifying;
well
that
Kipling's
part,
then,
part,
also,
of
these
One
does
from
carefully
He
worked
in
he
had
of
naturalness.
stories
early
the
other
the
to
he
affectation,
like
of
Probably
demand
to
of the
day
own
"
to
the
Civil
the
same
the
prosaic,
of the
structure
the
after-dinner
not
appear
get
these
his stories
in
have
been
that
anything
that
in
which
oral
informal,
story
"
Gazette
held
down
the
in
mind
from
The
down
now
may
to
the
or
him
to
seem
tion
approxima-
an
"good
in
If
different
very
stories
the
its form.
to
avoid
which
him
did.
about
feeling
Military
impulse
the
ters.
mat-
Stevenson
it must
look
not
planned
as
to
and
the
which
of
artificiality,anything,
should
least, which
at
in
instinctively, spontaneously;
that
wished
is due
story,
to
and
plan
judge
that
commonplace,
us
does
strong
definite
mind,
judge
columns
Pioneer.
than
in
I
like
look
might
rather
with
he
Poe
as
in
I mean,
the
thought
imagine,
artlessly;
principle
would
one
sense,
hand
end,
to
is due
material
one
that
action
structure
the
much
impression
beginning
rather,
in
story
get the
not
sees
of
novel;
life.7
It
internal
parts,
group
makes
structure.
general,
very
of
he
architecture
In
whole
plot of
what
see
into
gave
whole
transcript
By
its division
of
closely; it
external
the
"
the
us
structure.
Kipling
that
impression
of
51
grasp
more
making
Design
this
like
constructed.
are
of
web
is called
what
SIGNIFICANCE
grasp
more
of
whole,
parts
the
the
internal
to
the
effect
seem
practically, Plot,
plan
The
weaves
power
to
THEIR
of
character
as
AND
story"
architecture
of
our
of
his
of
the
tales.
It
many
Guard
does
The
of
of
recurrence
tales
the
and
On
that
the
of
places has
Anglo-Indian
City
Wall.
he
had
the
same
society;
effect
Fort
definition
Simla
Amara,
is
of
the
With
of
scene
the
Main
KIPLING
52
Short-Story,
plot,
upon
one
that
the
or
Baldwin's
table
Condensed
Long-Stories,
find
like
something
the
with
I
The
place
but
kind
Who
no
epic
in
of
me
of
story
that
the
Man
The
part,
He
has
made
his
given
amusing
of
Muslim
an
Military
ease
is not
our
of
useful,
and
born
my
to
side, approved
culture.
and
perpetual strife
advertisements
were
of
account
the
He
sacrificed.
of
them
say:
and
enough,
It
is due
in
for
potery
be
were
ing
extend-
his
Rukn-Din,
The
can
manager
for
wrote.
verses
my
immensely,
'Your
believe
Kipling
therefore
be
would
"Nothing
fighting
of
story
publication,
the
the
results.
the
verse:
seems
essential
Kipling's
which
between
chief
it
surprising.
under
that
off the
They
matter.
conditions
the
to
tains
con-
is less
It
is correct
is not
anecdotes
to
beautiful
to
of
and
However,
as
it is
it the
part.
then.
agree
Yet
in
than
general agreement
doubtless,
and
wholly
be
number
large
in
Civil
would
King
classification
my
time
Hill.
for
These
For
and
takes
doubt,
that
short-stories,
there.
Greenhow
Be
be
must
speaking,
that, roughly
there
Would
and
classification.
the
among
space
Kipling
that
would
own
my
typical short-story,
Who
There
to
as
wider
On
which
critic
it belongs
covers
than
in
scene
story.
that
little; it
anecdotes,
short-stories.
King
that
sure
nearly
more
is the
thing
means
Be
probably
long-stories,
other
in doubt
would
mere
No
Would
adventures
larger
to
Man
often
am
Professor
Anecdotes,
as
one
true
own.
my
them
if
Thus,
stories, like
were
were
brevity
elaboration.
condensed
were
are
by
am
one-half
of
demand
Short-Stories,
one-third
And
them.
the
Kipling's
and
one-fifth
course,
of
all-around
of
like
remaining
results, of
WEITEE
Boccaccio's, classifying
something
that
only
of
of
table
STORY
conscious
was
demand
make
to
were
he
THE
readingthe
he
very
man
forewas
good,
PLOTS
is
'In
training.
suckers,'
style
is
by
an
of
without
like
a
this
prose,
not
the
of
recasting
"
the
"
been
of
less
in
elements
of
the
material.
of
time,
nor,
already
creating
should
for
example,
not
the
individual
in
his
how
but
stories
the
in
his
light
the
of
for
particularly
lay
strength
and
memory.
and
painstaking
He
had
way.
them.
neither
We
is his
touch
on
type;
and
how
and
terror,
mystery
the
processes,
and
His
for
be,
thoughtful
These
man,
"
would
narrative,
the
as
subeditor
there
contemplation
inclination
judge,
seen,
ordinarily makes,
not
were
the
for
stories,
pressure,
imagination
in
intellect, than
material
of
is
...
under
temperament.
to
higher forms
the
plotting,
repugnant
vitalized
moreover,
toil
the
highest
Gazette
Consequently
Kipling's
its
Military
haste, and
like
Kipling's
at
for
off
nothing
Mr.
as
itself
and
from
of
literary
genius, journalism
Doubtless,
careful
various
have
man,
lies
for
remolding
only
young
and
time
is
journalism
Civil
subedit.
brevity
shoot, break
and
reserves
in
as
There
suckers,
of
escape
to
was
or
too, could
an
leading
Landor's.
man
written
as
business
elaboration
the
The
to
were
and
no
train
significance."
verses,
ordinarily,
journalism
usually
reference
its
diversion
whose
to
which
imagination
comprehensive
of
one,
kept
thousand
two
credit
the
dently,"
"Evi-
conditions
some
'
page.'
published.
off
soon?
more
third
on
on
of
of
of
average
journalistic
journalism
the
power,
the
dictum
take
can
early stories
insistence
breaking
essentially
an
poem,
for
journalism
to
to
every
runs
giving
Gallienne, "journalistic
that
something
the
53
You
Always
were
down
and
apiece;
to-day.
proper.
Le
Tales]
always
the
just
Mr.
SIGNIFICANCE
length
conditions
says
[the Plain
THEIR
proper
column
similar
words
AND
have
character,
little
of
he
the
KIPLING
54
of
accessories
concerned.
time
THE
rapidity
of
then,
tendency
WEITEE
of
of
the
persons
necessity of
brevity, of
because
Kipling's
and
write
to
emotions
the
the
composition,
of
the
temperament,
and
place
and
Because,
inevitable
STOBY
of
anecdotes
the
own
with
strong
was
him.
differs
Anecdote
Some
of
for
example,
that
he
is too
to
or
of
anecdote
the
so-called
must
be
lead
point.
and
technically,
general
on
story."
the
oral
his
art.
he
wrote:
all
sorts
the
carver,
"These
of
trains
round
point
that
so
finish
with
And,
by
tale, serious
the
tales
Singh
own
or
as
been
priests
the
world,
in
the
carpenter,
women
by
is
the
of
of
word
single hearing,
not
may
omit
the
of
it appears
have
must
collected
it
development
account,
comic,
tale,
it comes,
must
so
regarded, historically
interesting preface
have
from
his
be
to
when
point,
the
was
conditions
tale, told
on
mind,
produced
But
point,
elaboration,
an
the
the
he
an
insignificant,
the
effective
is indeed
anecdote
In
comic
the
"
anecdote.
admirably
immediately
must
people,
Jiwun
fulfils
It
be
as
but
in
Such
slight, too
of
story
were
beaten.
too
quality
such
But
who
men
himself
owned
story"
the
Kipling's
"funny
and
genius.
unmistakable,
three
anything
become
to
the
propensity
name
Island.
the
on
oration.
elab-
incapable
or
is the
his
of
are
Of
It
having
essentially brief,
must
up
man
of
he
"funny
which
mouth,
longest
that
short-stories.
who,
lack
leisure
no
o' Larut.
Longer,
of
however,
length,
Men
height
him
overtop
be
B.
the
by
of
Lang
the
was
manifestly,
to
The
anecdotes,
of them
make
Esdras
impressed
to
increase,
could
cogitation
virtue
short-story by
Kipling's
; no
American,
bet
of
elaboration
is, for
from
from
all
an
in
ence
influ-
places,
from
Chubara,
spinning
that
Life's Handicap
to
nameless
had
the
men
outside
on
Ala
and
Yar
steamers
their
cot-
PLOTS
in the
tages
and
Thus
twilight,
but
few,
influence
folk
oral
and
like
Kipling,
of
friends,
and
we
made
are
The
are
remain
stories, and
failure
is
work
to
Little
was
who
had
left
Tobrah
had
in
his
his
slain
sight,
how
they had,
his
his
and
story
father
elder
how,
found
and
the
when
he
and
anecdotes
of
tales
which
body
of
the
a
the
grain
and
his
him
wife
destroyed
away
sister
with
of
in
his
the
begged
by
lishman,
Enga
horse
Little
home.
how
Little
half-mile
that
"
class
well, and
An
acquitted."
the
short-
this
fallen
have
took
his
rators,
nar-
debt
of
within
and
run
as
elaboration, of
dead
might
and
of
of
lack
bottom
was
groom
and
essentially
are
being
him
had
class
Typical
eating
mother
stories, but
the
the
Tobrah
pitied
brother
that
child
the
hungrily
to
of
human
only
oral
the
Mulvaney
as
there.
at
of
Kipling's
group
because
Little
nose-bag,
of
typical
true
how
tale.
oral
really
part
seen
ever-recurring
the
the
is
but
him
saw
told
of
was
the
Therefore
accident.
of
is
been
time;
the
at
In
Another
what
had
Tobrah
radius
telling.
Larnt
"It
sister
Little
the
more
have
characters
in
gift
situation
old
the
anecdotes
out
Tobrah.
Tobrah's
the
the
istic
journal-
and
his
we
within
anecdotes.
essentially
And
true,
regarded
oral
developed
actors
for
o'
the
the
on
Harte
of
follow
may
always
oral
by
curious
the
; Bret
tales.
technique
Men
Lang
Poe
to
such
as
once
the
to
based
dramatized
audience
aware
short-story
tale
Maupassant
merely
as
me."
gave
conditioned
was
"
buried,
and
father
my
Chaucer
not
tale
development
telling
Chaucer,
presentation
his
Boccaccio
hearing
The
dead
now
best,
very
before
as
55
gentlemen
literary folk
short-story
"
and
itself.
from
"
SIGNIFICANCE
the
are
time
the
of the
tale
American
by
these
in
THEIR
officers
history repeats
presentation
the
AND
smallpox
little sister's
little money
food
in
the
KIPLING
56
village, there
was
STORY
THE
give, for
to
none
WE1TEE
there
was
famine
in
the
land.
'
'
And
well,
could
she
thrown
in
the
and
but
"Was
thou,
'
'
who
the
sleep
The
of
better
dust.
death
sister
of
this
the
how
called
have
to
from
me
there
were
no
'
wife.
colt,
Little
could
'
Groom's
him
what
"But
who
thou?"
art
Tobrah,
while
self
him-
stretching
Little
to
Tobrah
slept
Little
the
Tobrah,
always
impossible.
to
be
and
is
plot of
drawn
his
had
he
it is
of
slowly
do
when
and
from
of
the
the
House
have
made
short-
so,
to
the
degree,
arbitrarily,
starves
narrative.
impossible
in
passant's
Mau-
notion
of
might
to
of
mistress,
the
Fall
the
short-story,
difference
of
brother
chosen
the
heart-rending
And
the
it
worthy
penurious
Kipling
elements
is necessary
elaboration,
that
terrified
then, how
by elaborating the
of
with
short-story.
her
is
something
dog
pit calling
of
anecdote
has
is
or
"
close,
dealing
theme,
calling
see,
the
's story
length
idea
cynicism
at
"
of
dead,
as
of
is capable
is
of
elaboration
has
truth,
would
She, furthermore,
childish
similar
central
between
line
But
.
child.
day-old
over
Tobrah
full
up
difference
The
in
in, for,
and
ran.
Head
said
manner
bottom
anecdote
much
to
came
sleep."
of
Little
It is easy
story, simply
'
hopelessness?
made
of Usher.
cloth
revelation
the
given
depths, is
the
as
full,
spread
roughly
Maupassant
we
starve.
starve.
little
would
and
to
echoed
"And
And
at
than
but
now
matter-of-fact
to
was
'
childish
Of
to
dead
not
was
afraid
small
and
am
wife
Maupassant.
facts.
thrust
than
food,
her
just.
the
of
she
was
child,"
empty
sudden
pathos
die
to
die
to
fowl
and
little
groom's
that
and
well,
as
was
the
upon
The
but
eyes,
weak
kerb,
better
for
calling
and
...
is
her
the
is
and
weeping
upon
it
also,
it
with
sit
and
of
see
art
see
she
night,
her
myself
witnesses,
not
bade
not
bottom
the
hot
upon
and
not
Just
say;
the
anecdote
in
general
kind.
ment
agree-
58
KIPLING
of
single
in
incident
to
the
as
regard
the
story
his
cause,
also, the
for
scenes,
into
terms,
intention
people savagely,
who
her
soon.
.
is
Lispeth
much
so
are,
must,
fact
for
impossible
of
the
chief
upbringing
her
love
affair
disappointment,
the
of
And
Lispeth
The
Men
o' Larut
anecdotes,
even
long-stories
of
so
should
anecdotes
condensed
genius, by
no
in
is the
should
the
his
this
all
means
be
be
the
'
There
there
events
that
Lispeth
As
biography
of her
general
also
to
her
later
trace
method,
of
But
genius, by
long-stories
in
are
her
riage
mar-
complete
hundred
it is
and
long-story,
anecdote.
life,
waiting,
seventeen
some
parents,
way
of
people,
practically
are
months
lacking
'
died.
death
had
faded
beauty
complete
her
only
she
woodcutter
over,
condensed
of
life
the
that
own
it attempts
summary
that
are
her
her
to
death
character.
anecdotes
it attempts
Englishman,
unclean
own
long-story.
things
two
her
concrete
condensed
reversion
her
what
chaplain's wife,
the
inevitable
Lang
as
had
she
swiftly passed
so
Englishman
her
when
woman
that
of
and
rapid
found
married
she
was,
his
she
to
arrears
paharis,
sort, and
with
when
took
whatever
which
way,
the
convey
characters,
For
frankly
' '
the
her
Obviously,
words.
old
attempts
"
with
the
of
short-story
by
her,
to
the
nearer
that
narrative
wished
he
group,
out
little time
very
Lispeth
the
and
up
regarded
life,and
and
into
significance.
marry
of this
be
social
the
her
manner
character
her
change
was
to
lightly touched,
think,
of
matter
the
summary
so
are
after
all that
come
to
make
in
of; and,
out
beat
if to
as
of
Lispeth: Lispeth,
lied
returning
translation
catch
to
and
in
had
WRITER
its moral
way,
Thus
wife
of
place,
and
natural
more
stepped
the
is rather
tendency
chaplain's
no
dialogue,
and
whole,
STORY
ingenious
the
time,
generalizations.
the
THE
even
as
means
no
the
admirably
as
as
that
ling's
Kipmere
condensed
effective
PLOTS
concrete
detail.
she
seventeen
was
She
back
came
into
in
husband.
matrimonial
know
In
the
social
intentions,
here
even
Lispeth
Road."
of
words
with
canons."
He
well,
came
peth
Lis-
burden.
'This
is
husband
your
my
himself.
hurt
has
shall
In
this
description of
Night
Then
first, clearer
he
as
three
the
faint
...
was
the
story
still
proceeds:
insensible
Bagi
method
vigorous
in
uses
the
seven
ally
begins convention-
"It
had
lingered
heroine,
tive
narra-
the
his
Kipling
He
But
summed
or
leisurely
lying
creeping
the
on
Ridge,
Burnt
landscape:
the
of
him
more
pages.
glow
trasting
con-
story.
omitted,
found
Where
already
introduces
is
dusk,
at
accident.
an
requires
Ridge.
of
the
rapidity
the
sentence
found,
of
of
extreme
Chatelaine
The
heroine
road.
moment"
"I
the
to
Englishman
the
with
contrasting
the
"
her
needs
one
country,
English
Chaplain's
is the
shrieked
all
the
of
made
ever
wife
of
and
"exciting
with
had
compressed
nature
single sentence,
Harte
a
the
the
the
the
victim
Burnt
valley
at
in
Bret
Lispeth
simply,
Road.
is
native
"
finding of
Harte.
the
road,
on
's
masterful
and
said
is
when
her
lain's
Chap-
The
with
Chaplain's
passage
and
and
Contrast
Bret
descent
arms.
her
Lispeth
the
striking thing
the
rather
up
he
time,
groups
Lispeth
"
when
and
brief
this
concerning
and
and
views,
characters
Bagi
first mention
the
was
horror."
in
breakneck
the
exhausted
the
walk.
sofa, and
on
for
me.'
to
"This
him
him,
nurse
him
marry
the
after
months
out
drawing-room
very
few
went
down
heavy
the
and
on
I found
will
in
59
day,
stepping
something
down
"One
old, Lispeth
full dusk,
heavily
it
SIGNIFICANCE
example:
dozing
was
put
THE1E
years
with
breathing
We
For
at
Kotgarh
wife
AND
up
dim
dusk
grown
the
over
out
and
of
red
remote
mysterious
KIPLING
60
At
its
slow
winding
cantering
'
'
back
into
the
is
girl?
the
American
What
At
point,
least
simply
Just
now
' '
is
she
leaned
she
that
light
her
to
trotted
it
after
and
There
the
then
was
again,
she
Harte's
the
with
no
silk
fashion
of
of
is
short-story
"
shoulder,
before
and
more
the
an
'
married.
never
she
could
'
see
he
by
the
ing
breath-
was
locality alarming
the
stopped
him
forward,
reflectively,
accelerated
information
quick
safe
and
feminine
handsome
and
heavy
pace.
but
in
position by
unknown
loosely slung
was
rather
thick
to
young,
was
gave
leisurely art,
full
he
she
and
which
class, she
at
which
her
the
that
on
story, when
impatiently
she
dragging
his
own
possible
moved.
face,
in
of
cantered
she
Lispeth,
of
motionless,
accident
an
"
was
that, though
handkerchief
alcohol
forward
rode
in
his
approached
odor
not
Ridge
horse's
what
silent
the
he
though
and
remains
she
road.
how
"
even
idea
horse
the
Unlike
of
With
here
in
method
road?
her.
lying
the
ently
apparthrown
But
moment,
matters
was
frightened
Who
the
the
with
object
some
to
man
Harte's
Burnt
other
yards
had
discovered
girl
horse,
have
object.
sentence
of
her
succeeded
she
act
last
although
He
of
gallantly
doubt!
no
the
at
conceive
once
and
hundred
again.
The
the
might
incidents.
Harte
miner,
But
proceeded
Wiping
at
over
Drunk,
Dismounting,
her
horse.
back
bank.
not
she
her
to
in
But
wheeled
moment
Chatelaine
was
her
at
moment
Bret
object
thinking of
stertorously.
not
dark
forward
he
in
young
shied
little
body
of
minor
Bret
The
she
the
art
indeed, until
even,
says
As
the
of
directly
was
from
girl does
husband.
neck
it
the
only
rode
little suspense
that
which
seemed
him
careful
more
gesture
for
her.
mischance
the
rider
suddenly
unseated
nearly
for
slightly recoiled,
creates
had
and
and
track,
real
so
difficulty in guiding
animal
the
determined
and
the
Note
dim
sunset
timid
more
hand
herself
he
or
become
had
mountainside
the
upon
fires.
precautions,
her
WE1TEE
encroach
to
found
terrace
horsewoman,
practical
strong
the
began
darkness
the
roadway,
good
road
rising
by
of
obscured
the
less
a
the
along
spite
In
the
ascent
still dazzled
eyes
in
where
point
STOBT
THE
to
around
glance
face
his
around
his
near
respiration.
the
her.
lips.
Mounting
it is the
regard
typical
to
the
art
time,
of
the
PLOTS
the
AND
THEIR
persons,
the
ingeniously
into
narrative
only direct
revelation
place,
hesitation
later
narrative,
the
by point,
of
the
story
short-story
Rose
and
Lispeth
though
it deals
plot
and
be
to
of
rather
organic
Harte
in
woman
short-stories, or
of
owed
his
Harte
his
of
this
the
resemblances,
the
resembles
in
or
unconscious,
in
situation,
or
each
or
of
of
the
perhaps
more
his
case,
Or
for
the
are
to
in
the
of
temperament,
same
of
real
the
more
much
to
digression
bringing
which
whether
predecessor;
result
in
course,
and
for
rather
of
doubtless,
owed
striking characteristics
American
of
higher
say,
place
of
writer
Kipling,
a
an
similarity
consistent
achieved
debt.
that
similarity
exposure
is not,
It
of
than
life.
best
of
religious whites,
the
and
adventures
revealing
Kipling,
art.
with
Bob
understanding
has
he
true
parallel
incidents
Kipling.
than
long-story.
unhappy
more
better
but
of
than
his
nature
of
some
Englishman
is
toward
was
had
master,
development
concerning
he
short-story
to
master:
together
that
that
the
much
varied
attitude
the
of the
Princess
unconnected
as
tery
mys-
of
cause
condensed
narrowly
mainly
in
Kipling
understood
nature
of
is valuable
and
with
contact
series
the
larger
manner
contrasts.
with
of
point
back
the
also, is roughly
same
her
only
composition
the
the
of
conduct
holding
careful
of
Tuolumne,
the
careful
and
in
is the
opinion
cleared, the
man
more
manner
illustrates
Friends,
Indian
is in the
of
the
it is, it is yet
as
Lispeth
Harte's
consists
requires
Unhurried
Lispeth.
an
this
of
identity
her
the
the
gradually
translated
learn
"We
of
"focussing,"
all
doubt,"
no
revision
typical is
less
mysteries
the
"
All
final
the
gradual
little
the
accident.
Her
the
heroine,
the
girl's thought.
the
No
61
"Drunk,
terms.
of
actions.
her
through
of
character
of
and
SIGNIFICANCE
the
these
imitation, conscious
or
of
similarity
literary influences
"
as
KIPLING
62
for
example
impossible
to
relation
with
it
writing
Harte.
his
character
of
familiarity
who
American
it is Mr.
the
lady
travelled
the
There
road
the
timber
felled
in
pines
been
Hamblin
and
but
leisure
washed
used
was
and
sweating
heated
the
was
to
six
his
stop
the
the
stage
Get
to
tongue,
left
in
Kipling
the
the
the
there
;
his
came
that
in
card-play;
sunshine
for
of
ing
morn-
the
eye
rejoiced.
miners
earth
dry gulch,
in
roll
Glaus
; the
superior
resin
the
country,
red
than
Harte
Francisco
hills
madrone-clad
San
objected
seeing with
own
had
fatherland.
"At
's
Harte
Bret
had
her
San
Leaving
earlier,
and
Bret
is, under
Mr.
ling
Kip-
world
He
Santa
California.
and
there
gold had
elegant
' '
"if
declared
had
peculiar
much
original.
was
among;
where
his
the
fought
how
exotic
years
through
'How
you
and
Harte
ruined
they
his
Harte,
outside
the
distinctly unpleasant,
that
were
whence
see
to
through
was
flesh
the
and
northward
heat
read
two
He
"catching
of
Bret
Harte."
ground.
because
cadence
to
of the
beauty
it hallowed
"chose
admitted,
Bret
work.
to
of
and
who
novel
some
of
1891, mentioned
in
Bret
for
less
himself
the
Bar,'
deal
largely
found
he
prose
Simpson's
of
Lang
his
with
made
voices
rhythmical
and
doubt,"
admiration
great
had
American
of
No
subjects.
worth
man
an
the
his
his
case
sort
some
review,"
from
mainly
literary progenitor,
him, because
of
popularity
seen
imitator
an
freely expressed
Francisco
the
little but
as
visiting California
revealed
the
writing French,
Parisian
himself, however,
had
of
nature
have
gentleman,
well, in
Kipling
his
has
Kipling
the
writing
Lang,
Scotch
young
late,
and
Andrew
' '
Mr.
deriving
it is in
"
early
wonderfully
regard
to
to
Kipling,
opinion of
the
Dickens
WEITEB
say.
of
Critics
of
that
to
STORY
THE
lived
showed
red, dusty
intervals
was
and, above
the
all,
PLOTS
there
the
was
into
stopped
of
at
town,
of
of
town
'hotel,'
next
the
to
opposite
tree
red-shirted
miner
shirted
for
drink.
shading
and
train.
the
from
while
her
swung
Harte;
his
he
for
author
additional
all
the
Harte
dull
brain,"
stood
strings.
a
one
occasion;
the
additional
's style
which
his
on
he
of
one
the
his partner
a
The
head,
few
yards
train
went
M'liss
and
lively recollection
writes
who
has
mis-spelling
evidence
himself
fair,
' '
"driving
as
master,
school-
always
River,
downy
known
the
was
true.
were
one,
panting
had
"
claimed
Sacramento
as
if
He
but
the
and
too.
indoors
house
at
of
blue-
went
her
young
the
dust-haze,
married
never
and
hotel,
two
knew
and
stump
the
the
other
Tennessee
things
the
to
stared
She
retained
write
virtue
hand
cinnamon-bear
in
the
only
but
The
the
by
evidence,
remembered
brown
when
these
Sylvester
not
the
me,
oak,
dozed
and
Red-Shirt
back
evidently
does
of
Law.
sun-bonnet
Kipling
out
knew
the
that
Baby
corner,
the
supported
the
was
chimney,
tied
was
worthy
the
was
"
stayed, always
stood
of
hands
shouted
away,
on
who
hat
M'liss.
all, but
men
the
came
was
fur
pack-mule
recognise
pines.
fountain
hillside.
the
slouch
with
She
the
pine,
name
place
the
fountain
to
we
the
cast-iron
the
"
very
; a
round
didn't
after
bearded
of
the
eyes
years.
among
in
girl
her
She
for
her
in
swung
of
high including
forest
the
fountain
miner
When
pen.
name
drives
Harte
dignified by
Next
feet
was
the
thousand.
Sylvester
his
The
it owned
Bret
undergrowth
Baby
"
of
cases
complete.
63
that
magic
packing
seventeen
hotel
untrammelled
cub
thirty
least
at
of
but
offensive,
heat
the
felicity was
my
SIGNIFICANCE
pungent
with
brain
collection
something
THEIR
quivering
dull
your
AND
an
had
of
is
of
Bret
"gotten
up"
"Hamblin"
He
necessary.
impression
sought
and
is
into
your
achieved
KIPLING
64
"
nail
Andrew
as
even,
earlier
these
Lang
head."
the
on
On
be
could
"You
butcher
will
says
Mclntosh
Kipling;
and
the
Harte.
Yet
have
the
same
He
degree.
with
they
in
it
However,
that
landscapes
indeed,
mind,
American
are
can
"
the
road,
imagine
necessary
the
stylist than
Harte
to
of
direct
Harte
also
of
the
furnishing
the
writes
East
far
and
led
of
prose.
him
Indian
the
to
expect.
of
dry
the
upon
gulch,
dust-haze.
landscape,
them
of
the
's
Harte
themselves
in
of
enough,
him
heat, the
energy
ness-like
busi-
as
features
those
through
more
portrayer
to
dozing
creative
he
Naturally
pungent
pack-mule
same
was
the
as
impress
naturally
gerations,
exag-
's.
had
just
own
the
levels
recalled
scene
's
Spencerian
it
Harte
Harte.
selected
in
not
lower
of Bret
quivering
characteristic
the
temporary
con-
same
old-fashioned
model
would
the
to
from
Harte
commonplace
as
in it what
had
that
be
thought
saw
moreover,
dusty
as
of
different:
always
California
of it ; he
Anglo-Indian
These
the
Kipling
stories
red
to
of
kind
own
little pompous,
of the
to
his
allusions, the
very
notes
Bret
quotations
exaggeration
an
jerky
style of
after
each
pretended
was
it aimed
less
actual
the
descriptions
one
flourish
upon
was
and
the
to
reader.
description
rough
applied
little formal,
like the
formed
as
of
his
hands
he
beauty
own
your
the
in
alien
an
into
when
be
of
of
seem,
not
rhythmic
stiffness, though
na'ive
carve
classical
same
possible, to keep
not
was
the
like
read
the
movement
as
an
's
Kipling's journalese
rapid
His
not
Harte
always
something
hand.
It
is
to
journalists,
newspapers
manner
the
knocking
does
voice
by
serve
may
it could
"journalese."
wrote
style
he
that
at
Jellaludin
were
obtrusive
hand
aimed
have
phrase
both
other
destroyed
jargon,"
WRITER
it,a "too
the
the
manner;
STORY
put
stories, to
style which
Kipling's
THE
and
pulse
little im-
Kipling
to
the
KIPLING
66
Bar
Simpson's
to
situation
Din.
which
revealed
he
exerted
of
elopement
a
hint
for
to
connect
born
the
child
and
in
Kentuck
chance
over
the
in
his weather-beaten
for
'
cuss!'
closed
And
feebly
his
on
Conceivably,
kind
of
Kipling,
discloses
he
with
acquainted
had
"recently
traits
narrates
the
the
are,
recurrence
Bill, Colonel
at
pleasure
And
characters
furthermore,
same
Starbottle, and
his
in
finger,' he
d
little
"
hand
that
his
through
ran
found
as
he
characters
others.
"
of
"
times
Some-
himself
her
was
adorns
events
made
Hamlin,
quite
he
career;
Wiesbaden"
he
The
Kipling,
like
Harte,
he
tendency
remembered
at
Kipling
Harte
person.
that
period
stories.
with
For
own
meeting
like
his
in
story
one
of
his
in
natural
own
fact
the
of the
persons
Tretherick
of the
itself
assert
little
clutch
have
stories
own
Streichholzen.
Baroness
foolish
'the
helpless
for
unexpectedly
the
curiously,
looked
my
member,
ments.
move-
groping
with
self-portraiture.
and
his
the
Mrs.
distinctly"
own
in
appears
Luck,
his
at
rastled
may
countenance
self-assertion
toward
half
to
the
The
instinctive
tried
one
again, Kipling
or
and
his heart."
about
authority
Tota
venture
of Roaring
blush
the
up
And
finger.
Luck
found
"Holden
till it settled
body
holding
Tipton,
hardly
candle-box
furnished
have
may
pain, caught
'He
.
the
prevented
Kentuck
like
cheek.
and
same
moment.
to
of
spasm
Muhammad
consciously
un-
The
the
the
of Fiddletown,
should
that
by
Something
embarrassed.
remarked
lover,
I
charm
bent
it fast
held
her
good
King.
pure
wedlock,
turned, and,
finger, and
the
be
not
of
"As
Episode
for
with
moving
less
no
An
possibilitiesof
the
may
out
wife
Majesty
Without
yet it
Camp,
both
His
the
influence
faithless
in
who, in
an
WE1TEE
Kipling
to
forth
sets
child
the
Carry,
STOBY
THE
more
the
with
his
which
he
real
Oakhurst,
by
Yuba
PLOTS
is,finally,a
There
life.
first
Harte's
Yet
scandale.
he
though
her
against
her
shawled
wonder
that
Josephine
others.
Leyton
['a married
and
good
men."
emphasizes
Harte
in
I have
abstained
his
of
thereof
comparative
to
the
reverence,
mixed
portray
did
might
with
the
of
not
to
care
evil
exert
view
trust,"
following
might
yet
beneficent
even
the
the
and
arise
to
But
their
entitled
Harte
do."
painted
inals
orig-
thus
the
templation
con-
I should
have
creation, which,
to
no
particular
does, however,
these
influence.
them
have
in
of
glow
impossible for
qualities.
of
wrote
sketches
have
with
action,
is apt
and
persons;
complementary
them
responsibility
romance
very
the
generous
which
and
to
"I
it
to
some
made
have
or
ready
so
"
human
exaggerated
common
moral.
contemplated
motives
really
Kipling, sometimes
dye,
in
that
What
but
those
vicious.
the
I trust
confusion
writer
I
of
virtuous
moral
humble
vice
is the
there
clasped
"inexperienced
the
with
be
"to
particularly
fired
positive
blackest
virtue.
myself
' '
any
have
of
from
would
that
burdened
virtues
preface,
performed
have
avoided
as
the
Kipling
make
moment."
are
deacon']
The
to
held
she
everything
of
occurrence
and
with
first
villains
my
harmless
lighted
de-
bigoted,
appears
same
credulity regarding
As
which
tolerant
He
only
mother
the
perfect people
man
intense
'
is
live
to
seem
at
moralizing,
to
worthless,
are
de
succes
respectable people.
Her
bosom
These
suspect
ideas
and
toward
morality.
Ridge
Burnt
and
resentment
perfection!"
of
life unbearable.
daughter's
nursing
of
complaining,
irritable, always
given
was
viciousness
the
attitude
Kipling's,
unconventional
an
Chatelaine
the
Kipling
67
in the
like
was,
like
preached
SIGNIFICANCE
resemblance
success
emphasize
of
parents
THEIR
marked
Harte
too
to
their
AND
may,
Thanks
times
some-
with
as
to
the
68
of
effect
Oakhurst
the
fast
his
suit
assumed
the
of clothes
exactly fit
Moriarity
he
you
is led
to
Even
through
Mrs.
influence
the
sold
that
Kipling's
in
so,
he
ordered
even
something
"
Decker,
long walks,
He
respectable
know."
reform
took
church."
to
"something
"
me,
then,
These,
stories
his
than
rather
for
of
the
never
he
new
doesn't
In
Error,
of the
notorious
which
Kipling's
Had
take
anecdote
motive
too
selection
of
limits,
and
written
or
discussion
have
away
which
seen
leads
his
that
from
the
too
results
large
the
of
work
sometimes
which
inevitably
to
which
adequate
an
to
and
now
be
in
leads
worked
the
ing
strik-
more
in
even
first
the
seem
impulse
there
and
found
genius
still
would
same.
the
reveals
the
of
structure
short-story
insignificant, and
tendency,
characters,
It would
his
which
the
and
motive
the
more
long-story
condensed
lived
sufficiently even
elaborate
to
for
precisely
make
slight
Harte.
in
work
never
of
not
we
tendency,
the
him
general
Kipling,
Kipling
once
up
which
story
stories:
Kipling's
of
Harte
but
Kipling,
To
form
his
scription
deHarte
where
intervenes
in
are
imitator
to
Harte's
is
Certainly
indebted
in
evil
is, of
there
so;
Harte
where
them
example,
more
with
good
contrasts
mere
was
general
expression.
a
the
course,
for
still
are
of
of
many
where,
resemblances.
was
that
degree,
stories, Kipling
the
beginning,
In
emphatic
more
own
And,
on.
of
in
points
many
Harte's.
to
admixture
the
is still
in
then
of the
vivid, Kipling's
are
emphasizes
few
difference
Kipling
are
similar
are
course,
be
went
he
more;
infamous
the
Reiver.
Mrs.
so
"read
gambler
horses;
of
personality
two
dencies
ten-
the
manner:
selection
of
to
the
ure
fail-
motive;
and
the
leads
sometimes
out
writing
to
within
of
the
short-
summary.
AND
PLOTS
But
tendencies
these
to
result
of
Kipling's
tales
no
69
condensed
structure
for
short-stories.
true
of
even
and
as
many
And
present
the
far
so
long-story;
nearly always
or
carried
always
means
course,
always
the
SIGNIFICANCE
or
of
are,
are
extent
some
by
are
anecdote
actual
tendencies
these
to
in
THEIB
yet
modify
short-stories
true
themselves.
dealing with
In
and
this
condensed
It
Clergy.
and
climax,
first
period.
at
Pioneer.
of
all
It is
Kipling's
manifestly
is
used
not
from
exemption
civil
gather
Excepting,
easy
than
passage
always,
marriage
fifty shillings,
the
insure
always
from
declarations
for
and
of
is
felony
had
in
In
the
off
the
remarkably
residence
"
have
like
been
the
Pride
Registrar.
is
there
The
in,
Without
of
to
into
of
that
of
the
the
riage
mar-
Kipling's
view,
formality,
tie, one
and
may
Youth:
nothing
is
claimed
or
rather
more
costs
ceremony
four
Clergy"
"privilege
marriage
of His
walking
put
empty
and
popular
most
sanction
in
same
Gazette
the
implies
an
magazine,
by the
of
the
ten
Writ-
length.
allowed
That,
of
of
necessary.
the
not
horse,
close
the
sense
it
sanctity of
the
the
way,
"Benefit
court,
something
falling
before
is
religious.
or
and
proper
secular
be
might
ceremony
the
Ameera
and
ceremony,
not
by
known
of
of
for
yet written
title.
For
Magazine
for
but
summary
in
here
trial
Holden
no
best
in
offices
the
punning
arraigned
by clergymen
did
words
newspaper
in
the
perhaps
stories;
Benefit of Clergy
this
trained
Kipling
the
the
of
for
dote
anec-
Benefit
characteristics
the
thousand
ten
leisure, not
of
Kipling,
union
nearly
in
marking,
as
with
as
Without
Maemillan's
most
up
be,
typical example.
than
in
regarded
summing
It is
take
to
published
be
may
will
method
suited
better
first
and
greater
bound
not
is
was
1890, and
best
our
long-story,
none
purpose
June,
these
fatally
less
After
pawn-shop.
minutes
will
than
cover
the
KIPLING
70
of
rest
slides
into
the
blotting-pad
his
teeth, "Now
the
that
thoroughly
with
the
Eden
'
'
all
than
his
favorite
or
so
Without
in
the
hero
is the
something
of
the
elusiveness
of
the
Arthur's
of
her
story
is removed
From
this
interesting
union, The
to
point
last
the
fairies
of
like
the
Tyolet
or
from
view
"
which
as
far.
so
the
the
and
the
from
with
is told
lais
all
points
primarily
for
relations
in
and
no
mystery,
the
of
beloved
of
Guinga-
de
France,
of
of
tale
the
motif;
has
judgments
Stevenson's
had,
Ameera
Marie
of
"
perfection
her
adventures
indeed
story
final
story,
; he
this
other-world,
amorous
reality
Kipling's
compare
Beach
of Falesa,
Celtic
his
ling
Kip-
sort
of
and
carried
in
this
of
strangeness,
the
Fraud.
the
such
of
Mulvaney
as
treatment
in
in
Addison
non-respectable
of
word,
tell
to
phase
Bank
heroine,
the
success
beauty,
of
the
idealization
is the
Guigemar,
to
as
not
as
characters
unions
with
is his
the
Anglo-
story, is thus
is
It
of
such
in
of
way
knights, and
mor,
action.
stories
Idealization
kind.
life.8
stories
such
experiments
previous attempt
in
earlier
made
in
of
marriages
the
lasting,
more
definitely
excellence
Benefit of Clergy
its
with
in
dealt
of
dispensed,
is, primarily,
as
as
o'er
breathed
had
of
just
kidnapped.
pure,
theme
purpose
incarnation
and
more
out
altar-rails,
the
that
Ameera
regular
central
essential
finds
Hauksbee
speak,
to
the
criticism
the
"
that
had
half
the
and
walk
undoing
Hatt
Dicky
tween
be-
pen
somewhere.
from
Voice
was
sweet,
more
Kipling's
utter
theme
Mrs.
manner
his
curse
"The
to
theme
This,
live"
his
couple
the
to
man
and
Holden
with
horribly illegal
shall
this
and
Registrar
the
grimly
wife";
drag
behind,
In
or
and
or
essays,
the
Hatt's,
concept;
pathetic
off.
Then
all.
says
were
can
both
ye
proved
society.
moral
as
ceremony
union
and
something
and
and
and
names,
man
giggling
roof
the
Dicky
Indian
as
"long
such
their
if
holds
bridesmaids
lifting
With
and
the
as
the
you're
ceremony
WRITER
fees, attestation,
"
over
feeling
street
But
proceedings
the
STORY
THE
reality.
view
of
romance
it
"
is
similar
of
the
PLOTS
AND
THEIR
Ameera
Ameera
herself,
of
dwelling, counting
their
of another
world.
the
oriental
the
shop
of
the
it is
the
"Let
the
"Their
Since
".
.
to
husbands
but
have
desire
of my
soul
thou
if evil
befall
thee
borne
to
been
by
should
thee
the
be
lord
and
breadth
of
of
aware
Where
away.
thou
echoes
unconsciously
wife
and
of
accord"
own
my
that
theory
love
and
further; being
goes
But
with
was
know
their
Ages
paradox
could
find
in
fairyland
as
impossible
"
much
so
no
as
is
do
to
less
wife
she
than
last.
cannot
and
saw
to
bury
by wedlock
to
man
of
their
in
Holden
India
going
Ameera
were
man
I do
what
the
now
medieval
Only
Ameera
carried
queen
no
and
more;
Arveragus
for
became
But
nail.
finger-
more.
and
and
lovers.
himself
him
Dorigen
Chaucer's
be
fairy
The
men
for
will
we
of
version, simply,
that
of
Thus
If
the
paradise.
talk
enough."
bound
was
in
"...
all
only
littlest
foolish
what
me
I know
my
were
more
tell
when
incompatible.
solution
such
no
depart
were
married
"
refuses,
art
's heroine
that
union
She
Thou
marriage
Guigemar.
perpetuate
It
am.
another
"
Avalon
to
away
be
Harte
Bret
unions
such
Lanval
to
'd both
we
art, I
conies,
to
it though
my
cholera
husband
son.
shall
...
My
because
greater
beloved."
my
How
me.
all the
to
devotion
mutual
When
them,
do?
alien
says.
sending
hast
dignity,
the
mountains.
the
creature
utterly
The
vows.
the
have
language
lovers,
to
go
she
are
when
words
be
roof
the
upon
well
Anglo-Indians.
run,"
mem-log
of
by marriage
Ameera
urges
her
speaks,
of medieval
free, unconstrained
Holden
stars, might
rhythm
the
that
with
sat
the
she
slang of
is,like
two
who
When
imagery,
and
Holden
to
the
71
SIGNIFICANCE
Holden
To
with
native
's temperament
as
Middle
Ameera
lose
problem.
it
so
sought
the
and
Sir
himself
wife
"
return
was
to
KIPLING
72
her
with
England
off
mother
Pir
Khan
the
burning-ghaut
this
the
end,
the
in
her
of
traits
no
about
sentimentalist,
this
union,
he
regular
story
of
English,
the
with
is
too,
Kipling
in
the
had
as
of
recorded
man
from
may
is
in
and
by
set
of
has
say
and
in
of
of
stories
and
the
but
there
little
child,
the
by
mentalists,
senti-
and
example;
tale
the
win
to
tragedy,
the
for
simple
employ
for
hope,
earlier
overworked
Harte,
of
childhood.
the
death
dread
many
in his
deeper
the
somewhat
theme
against
everywhere
There
them.
one
System
the
its
ideal
of
it
is
Chaucer's
everyday.
two
to
that
its
whole
The
phases
of
Kipling
the
life, the
other.
celebrates,
Indian
Once
the
with
the
native
ignorance
prosaic,
indeed,
story,
and
more
is
the
it is
organization,
of
aspect
transitoriness, its
it with
contrast
against the
over
sympathetic
and
strangeness,
said,
I have
The
contrasts.
in
"and
Dass,
Prioress.
marriages
orders,
stroyed.
de-
was
Ameera's
son
Din,
children
beauty,
means,
are
no
pathos
her
and
Muhammad
emphasizes
its
English
its
the
Kipling
pathos,
hoping
characteristically enough,
involved,
If
her
child;
Dickens
by
of
but
which
it is
though
even
that
lies in
more
and
they desire,
as
across,
so
house
Durga
story
yearning,
which
of those
the
pathos,
is
methods
hearts
is
vain
children, notably
obvious
road
carried
and
vanished,
the
said
city wall,
of
pathos
herself
endearing
Even
down,"
the
to
The
Ameera
mother
but
out
way
stood."
of
permanence.
make
no
cholera,
Ameera's
pulled
shall
house
Much
be
was
the
pilgrimage.
shall
Municipality
There
came
And
upon
the
WE1TEE
been.
months
child.
went
STOBT
have
few
and
"It
where
would
in
And
death.
THE
obedience
and
panic.
astonished
in
in
bowled
but
he's
of
cholera
by
you
is the
And
Indians.
The
' '
adds,
be
which
as
the
There
of
deal
have
we
meant
his
ship
man
so
question
him
next
needn't
You
"
laugh,
about
angry
it;
his
enlightened
self
no
adjectives
are
take
to
a
a
dined
"
awfully
is
going
saw
ask
to
hours.
Tooting
and
they
are
they
are
suffer
both
because
she
elemental.
the
as
in
sorrow
in
that
"
and
But
a
largely
because
of
one
joy
as
because
it is the
well
of
sisters
"
which
this universal
result
of
Anglo-
dread,
and
because
Holden
Ameera
will
in
band
hus-
it is true
inevitably
vicissitudes
are
in
are
every
unknown;
social
these
ity.
human-
an
though
types
white
her
as
sorrow,
to
elemental
like
Holden,
is not
they
or
not
type,
remain
must
if
normal
are
prose,
confined
lack
they
Ameera;
they
Ameera
end.
of
this
types,
are
that
it is with
because
part
as
ought
story.
more,
it is not
and
cynicism,
and
level
individuals,
the
there
but
the
Angloon,
is, however,
so
that
the
It is
emotion,
to
this
rest
simply,
man
And
knows
Holden
the
all
are,
Certainly
with
connection
down
of
goes
lightness
writing
world
and
father, suffers
that
Kipling
highly complex
not
official,but
grief.
This
fine
Kipling's
this year,
leave
personified abstractions,
Indian
poignant
much
Ameera
beings.
and
cholera
impending
real
peculiar, they
way
of
the
matters,
grave
of
like
the
of
talk
light
characteristic
holds
seen,
side,
Tooting;
Lower
promotion."
anything
Holden
that
for
't be
won
human
of
in
eighteen
he's
discussion
English
If
win
think
member
prevents
If
his
in
Lower
thoroughly
great
which,
no
for
he
thought
so
say
died
Never
more.
any
Fellow-passenger
and
scared.
cynicism,
to
WEITEE
India.
needed.
to
one
any
Jove,
Member
The
more
There
one
By
it.
about
over
fellows.
bother
life.
my
House
the
out
won't
Tooting]
Lower
STOBT
THE
KIPLING
74
only
crease
in-
themselves
human
experience
quality
common
PLOTS
humanity,
all
to
regarded
as
almost
reader
should
of
no
lack
of
emphasis
of
of
emotion
his
quality.
There
in
which
the
In
general
in
of
expression
of
full
that
gate
[This
as
the
if
it
Pir
There
Khan's
between
pillars of
had
was
lodge
the
throughout,
grass
Tota
had
lived
leading
mud."
to
were
the
kind
of
and
's
and
room
the
from
close
rains
had
in
wooden
hinge.
one
significance,
shut
the
the
heavy
the
out
the
sodden
the
dramatic
at
symbolic
high
or
"
involuntary
by
the
which
inches
three
Ameera
beams.
lazily
fairyland
empty,
was
hung
a
of the
that
and
of
study
study
setting
found
grief,
themselves.
is
word,
the
of
largely
It
gateway,
life
of
of
the
description
is
study.
"He
the
his
barrier
the
were
world.]
suggestion:
for
whole
bits
moving
climaxes
presentation
description
guarded
has
gate
as
one
of
their
of
direct
action, gesture,
by
The
mud
had
story
all, but
at
emotion,
emotional
down
torn
study
the
end.
clutch
stand
little
psychological
reaction.
physical
is
Though
analysis,
to
emotional
the
the
crises, two
to
the
introducing
because
allowed
are
little
it is not
it is not
rather
is
states.
emotion,
emotional
situations
there
like
finger, simply
two
are
continually
and
perhaps,
or,
sight of
incidents
it,
beginning
complete;
loses
element.
to
from
state
is
he
little
Holden's
on
reference
never
For
action,
and
hand
emotional
Kipling
widely
so
emotional
the
some
singularly
material.
dialogue
baby's
that
is
of Clergy
upon
mental
are
75
stories.
is
there
Holden's
rather
say
value
Kipling's
page
SIGNIFICANCE
Benefit
of
follow
can
Without
best
every
lines
The
that
IE
THE
the
is
There
On
AND
real
courtyard;
thatch
other
one
sagged
where
heavy
roof
was
with
mildew;
streaked
and
and
stained
the
narrow
with
case
stairrain-borne
KIPLING
76
descents
to
in
grief
for
wild
fled
not
cold."
they
he
still
was
of the
instead
the
In
Hills.
still
are
for
Member
motif
of
Tota's
must
history
indeed,
treatment,
manner
from
walks
is
the
and
capable
but
and
calls
to
write
from
wholly
condensed
in
makes
in
some
must
until
the
This
of
of
is
the
of
the
elapse
moment
material,
short-story
it is not
general terms,
long-story.
the
pronounced.
has
capable
short-
and
account
more
man.
the
confessed,
time
birth
the
anecdote
the
is
Without
from
from
be
concentrated;
narrative
of
Tales
must
considerable
concentration,
and
who
speech.
Plain
journalist
phrase
away
himself
are
the
make
his
sort
that, though
author
second
from
traced
of
the
this
of
Benefit of Clergy
long-story
talks
of
only
the
of
"He
Kipling's pathetic
or
first, it
perhaps
it is not
of
made
of
the
also,
tendency
Without
summary,
typical
mensely."
im-
fear."
show
of everyday
which
The
be
word
Kipling
the
Tooting;
of
characteristics
he
coin
appears
Lower
manner
Structure,
present,
itself
the
perfect
one
tendencies
scarcely felt; it
of
her
tale
with
They
height
the
after
summarize.
to
"A
Passages
story.
marks
is still
two
common
delighted
...
sick
' '
mouth.
the
mar
the
of
matter
The
tendency
free
do
well-worn
Benefit of Clergy
when
his
writing
find
to
stop
cannot
"A
expression
terror."
"Holden,
Benefit of Clergy
prose,
The
in
heart
but
many,
story
with
Without
use
Englishman's
"
...
run
his
with
.
delight.
[Kipling's
gift
uations
sit-
Occasionally
with
choke."
"Holden's
feeling.]
blood
wild
sudden
emotional
free.
"Ameera,
Holden's
him
those
of
dignity
was
self-repressed
the
tender
or
from
wholly
not
Ameera
made
formula
but
"
' '
phrases
tenderness
vast
the
destroy
stories
other
banal
are
which
prose
WRITER
largely free
is
Benefit of Clergy
Without
there
STORY
THE
wholly
from
the
AND
all, as
one
after
But,
is
PLOTS
scarcely conscious
summaries
the
scenes,
material, with
Youth,
of
marriage
or
of
summarized
matters
the
feelings of
bits
owing
of
tells
in
squatting
rapid
for
them,
dying.
and
come,
death
"
time, it
mind
main
automatically
of
strength lies in
native, and
so
on,
it is
and
but
summary,
generalized about
generalization
is pure
the
and
it is the
of
special type
his
intellectual
nature
given
of the
us
some
the
but,
of
genius:
disease,
and
and
the
of
the
rains
did
escape
instance
at
the
not
for
the
of
he
same
way
the
It
genius.
one
would
whose
have
of the
character
figures by
is
pictures.
concrete
summary
powers,
"The
picturesque;
immensely
supplies
dead
single
"
passage
should
man
no
also
followed
The
grass.
individual,
the
horses
the
lest
and
cholera
the
and
the
iron
to
No
her."
narrative;
summary
in
corpses
incidents,
footboards
the
out
roadside,
turned
passage
reader
writes
dragged
they
the
and
all
"
cholera:
the
to
on
in
the
and
tion
introduc-
the
childhood,
of
spread
carriages,
the
earth
in
is pure
of the
Kipling
is the
the
the
of the
by
at
by hiding
mentioned
of the
moreover,
little
as
His
cholera
to
of
or
Tota's
of
trains, hanging
died
shied
Englishmen
there,
of
narrative,
the
the
owing
cussion
dis-
no
women
summaries,
The
and
account
station
each
They
here
of
course
story.
of
parts
concreteness,
summary
roofs
the
at
of
the
the
on
the
is
native
peculiar picturesqueness,
own
crowded
people
not
adorn
their
to
connective
of the
dialogue,
with
organic
Pride
the
of
narrative
There
is in In
Englishmen
with
deal
one
or
of
part
not
story.
there
as
persons,
effect
which
those
that
chief
remarkable
of
like
the
concentration
are
the
to
the
"
strictly parts
are
have
of
of
explanations,
the
general,
unions
the
that
germane
in
either
passages
and
matter
the
these
the
Benefit of Clergy,
Without
lack
any
77
SIGNIFICANCE
reads
of
For
concreteness.
THEIB
of
pallid
KIPLING
78
illustration.
in
Not
for
the
such
of
plot
the
his
story
reader,
so
Kipling
does
him,
of
back
can
grasp
of the
by
how
the
time
emotional
such
and
Tota's
five
illness
are
pages
should,
but
most
even
The
of
death
devoted
course,
Ameera
excellence
's with
of
the
joy
of
his
passed
the
less
the
scene
space
all the
structure
unfolding
on
and
the
his
inevitable
ominous
hints
in
place
English
not
his
longest.
in
roof.
emphasis
Without
of
and
worlds,
sorrow.
preliminaries,
of
of
reveals
of the
does
the
ing
hold-
that
author
author
and
fast
the
and
the
over
brought
scene,
Of
story.
things
in too
contrasts,
and
Kipling
these
are
to
have
Indian
is,indeed,
important
and
is the
these
crowd
is the
on
should
long
the
the
suspense;
memory,
the
as
them
between
as
orate.
elab-
what
But
by
of
or
to
consciousness
of
the
parts
it.
And
other
contrasts
the
proportion
third
the
touches
upon
well
as
one
come;
space
enfolding
way.
society, between
Beyond
not
one
methods:
two
is to
end
the
knows
only
most
elaboration
and
possible effect
by mystery
recalled
of memory
organize
moreover,
greatest
give
only
and
and
in
end
story
the
gradual
the
reader
would,
powers,
few
scenes,
by imagination,
slow
the
point,
The
mystery.
end
permit
to
product
longest
combinations
new
the
facts
The
see.
material,
to
as
fact, who
intellectual
attention
dwell
and
do.
not
together into
so
of
sense
us
strength
his
he
his
makes
whose
lies in
produce
hold
to
vivid
constructed
that
to
as
impressive
most
upon
likely
so
as
his
carefully
his narrative
proportion
be
in
genius
the
and
strength
group
it is
And
of
summarizes,
would
one
WRITES
marvelously
whose
imagination,
and
in
he
genius
STOBY
summary
memory,
when
even
sees,
is the
It
lies rather
THE
He
go.
three
parts
in Part
But
few
words
Tota's
than
has
does
only
the
II,
and
death
Ameera's,
one
page.
Benefit of Clergy
PLOTS
lies, then,
AND
in
rather
THEIE
elaborated
of
weight
the
sufficient
elaboration
regarded
not
in
of
of
all
the
in
than
this
elements
of
ling,
hand-
of
and
theme,
narrative
of
and
carefully planned
concreteness
its
condensed
or
79
vivid, picturesque,
significance of
and
anecdote
as
incident,
virtue
By
scenes.
of
crowding
the
SIGNIFICANCE
the
be
it is to
but
long-story,
true
as
short-story.
To
sum
is
Clergy
for
irregular
celebration
the
It is the
with
best
of the
of
of
The
characters
Englishmen
of stories
Kipling's
if
elemental,
ingly represented.
So
concerned
Benefit
Without
admirable
We
less
and
still to
here,
thoroughly
narrative,
with
yet
of Clergy
vivid
analyze
shall
we
typical.
the
incident,
the
brevity of
can
Without
be
of
be
of
the
own
Stevenson, whose
practice illustrated
in
insisted
value
of
the
mere
yet,
theory,
upon
'
than
action
realize
of
to
or
complexity
plot,
of
fear."
provoke the sympathy
System.
simple
and
and
affect-
technique
regarded
the
are
as
early
tales
Benefit of Clergy
though
units,
paralleled elsewhere,
'
the
of
an
manner.
its structural
"
points
the
are
its summary
For, while
It is the
official of
may
which
hood.
pathos of child-
the
matters
his
able.
respect-
women.
convincingly
structure
find,
the
this
of
of stories
emotions
all these
as
with
adopting
general,
far
with
English
studied,
deeply
not
deal
their
and
types
are
Indian
in
of
phase
"
group
and
skill
native, the
child, the
the
which
it has
that
superiority
the
the
in
period
compared
as
Benefit of
Without
marriages
representative of
best
illustrates
view
show
to
non-respectable
group
It
of this
work
regular
many
union
the
analysis:
our
desire
the
over
of
of
Kipling's
impulse
union
deal
of
typical
initial
results
the
up
the
perfection
concrete
the
sense
its
of
in
is
esque
pictur-
crowding
preference
scenic
ture,
struc-
incident, rather
of
and
danger
KIPLING
80
situations
of
tragedy
in
to
to
dialogue
It is difficult
structure,
his
work.
attack
to
when
He
their
material
architectural
simply
because
hundred
and
ten
classes.
One
the
methods
be
of
stand
is the
limits
he
"To
rear
this
and
of
manner
of
text
the
Very
fashioned
according
patterns,
or
therefore,
than
of
the
hundred
note
and
of
few
story, which
seem
elaborate
and
life
'sheltered
a
is confined
begin
in
page
to
this
Kipling
Irving
began
for
Away,
the
or
so
breed.
.
the
beyond
earlier
the
' '
not
safe
Or
safe,"
disquisition.
; the
This
majority
way.
begin
Rip
in
Van
the
formal
Winkle,
or
begins:
example,
stories
before
text
system' is
of
may
should,
man
by
text
and
race
wilfully stepped
Thrown
.the
does
caste,
speak,
to
This
"A
is to
story
so
sermon,
Pale:
the
own
expound
is followed
as
his
the
preachers.
Beyond
Sometimes
ways.
which
for
text
society, and
under
.
different
doctrine
who
story.
Talcs
out
to
man
the
seldom
way,
of
plans of
or
schemes
one
dozen
in
to
opening
Plain
plan
be
Methodist
the
pause
boy
of
matter
classified
to
parts
the
single period
be
would
of the
everyday
to
on
to
regular
so
various
in
keep
of
story
may
goes
to
cannot
more,
the
it does
as
of decent
Kipling
exposition
phase of Kipling's
any
regard
no
there
no
statement
happens,
whatever
This
do
can
grandfathers,
alone,
in
numerous,
illustrate,giving
or
his
like
so
enforce
to
oneself
stories
stories
ten
of
characteristic.
begins with
he
are
handling
roughly
He
regard
had
have
his
opening
the
designs, according
these
one
to
in
confines
one
to
hints
these, the
occurrence.
common
seems
his
on
and
particularly difficult
even
of
number
large
generalize
to
and
technique,
of
WRITES
tragic irony,
the
not
are
the
scenes,
come,
STOEY
THE
and
old-
Poe,
The
KIPLING
82
But
of
while,
I have
as
begin with
action
of Illusion
Hill
dialogue
and
they
of
and
other
not
normally
In
this
integral part
of
plot.
The
in
way,
Woman
exceptions
there
respect
Without
he
begins
to
this
must
so
Otis
of
because
way,
the
through
versations
con-
For
good
reasons
begin
with
these
is,then,
it
dialogue
is
Benefit of Clergy
of
wholly
Mallowe.
are
Kipling
of
way
in
wholly
Mrs.
and
Education
The
begin
and
the
consist
these
almost
Hauksbee
this
since
And
reader
the
Mrs.
the
and
begin
this
account
an
way;
Gadsbys,
Rate
to
apparent
action.
an
begin with
dramatic
directions.
Second
conveyed
are
is
course
The
stage
and
Yeere
of
in
begin
which
of
WRITER
stories
said, many
must
eight stories
the
STORT
relatively few
character,
few
THE
and
distinctly
exceptional.
Not
uncommonly
or
summaries
as
well
it be
be
dull.
right
or
He
once.
Kipling
and
"
of
catches
"the
willing
to
shocks
"
read
few
The
of
dull
This
into
to
sentences
' '
Russian
the
reader
Who
character
but
shirt."
with
Dirkovitch
Russian
"that
such
Man
of
account
anything
the
But
Let,
is
epigram
attention
"
at
find
out
what
of
the
story
means.
Now
come
is
his
in
tion
explana-
adorned
are
detail.
begins,
tucks
facts
to
as
wrong
it
makes
he
till he
person
They
discussion
Kipling
elaborate
situation.
or
general
Abstract
clearly understood,"
delightful
be
begins with
example,
fairly
suggestive
and
typical Russian.
might
to
interesting.
picturesque,
for
action
antecedent
always
are
concrete,
Was,
of
summary
with
after
this
the
it is by
then
the
reader's
of
by
or
eye
a
man
preliminary
of
manner
story,
story
and
who
daity
the
hint
mind.
as
to
summary
press
or
"
its nature,
Bey
and
the
wilfully stepped
by
that
Pale
beyond
tion
descripKipling
is said
the
to
safe
PLOTS
limits
knew
the
of
decent
too
much
will
never
do
"give
not
begin
with
Place
again.
incident,
simplicity,
For
been
say
begin
to
that
flung
last
his
he
elaborate
with
The
the
the
dozen
certain
with
the
from
with
other
introduction,
is
incoherence
when
the
and
Mulvaney
Machine
and
or
his
were
plan
with
and
"
at
and
this
others
or
and
he
was
tacked
trying
about
to
always
all
when
the
to
up
may
present.
the
more
sympathizes
one
tell
and
sat
helter-
element
of
again
pression
im-
general
all
that
are
of
immediately
them
kept
best
hint
when
he
not
can
rapidity,
once;
cern
con-
did
he
I
stories.
no
that
rather
this
make
to
is such
characteristic
now
crete
con-
scarcely exaggerate
while
words,
and
tremendous
I
air,
or
method,
beginning
imagine,
definite
the
Time
scientific
character,
pen.
do
as
summary,
Manifestly
story
everything
in
introductions,
Ortheris,
God
his
In
of
oranges
in
not
came
began
with
with
"
affairs; they
of this
story
end
of
fiction.
in
had,
"
of
categories
methods
or
He
paragraph.
these
nature
story
write,
predominate
Thus
The
come."
to
skelter, from
say
' '
artist
again,"
come.
academic
place-setting,
of
down
the
so
begin,
general
interests
the
purely
Kipling
with
is
what
devise
are
himself,
to
to
in
does
tales, naturally,
frameworks
Plot,
is to
classify Kipling's
categories
of
in
he
ness.
unexpected-
do
never
possible fashion
of what
life ; but
of
framed
the
or
and
pains
at
to
attempt
But
hint
or
and
Character
or
in
much
too
saw
story
will
The
suspense.
every
He
heavily.
native
in
the
"he
why
framework;
Society
deprive
or
he
it
introduction, manifestly,
an
know
in
and
interest
an
Such
83
paid for
instance;
deep
' '
to
against
the
first
point,
the
SIGNIFICANCE
society, and
too
themselves,
or
have
took
so
not
tales
the
the
eagerness
for,
tells
in
away"
Our
THEIR
everyday
He
second.
AND
the
about
story
without
of
KIPLING
84
'an'
we're
Here
"
forward
moving
no
of
of the
hint
India),
then
character
does
might
cited
as
fact,
like
If
possible
If
his
first
is to
he
of
for
he
character,
his
incident
or
as
have
story
scenes
of
to
proposal
wherein
"
the
see,
in
follows
thing
the
If
passage
all, it is the
imagination
at
next.
This
ence
incoherand
And
sense
somehow
sufficient
itself, a
of
heroine.
to
on
of
the
seems
wherein
certain
dust-storm,
second
in
standing
under-
the
in
see
happens,
the
False
action
Dawn,
the
or
no
definite
its
own
Kipling
over
for
hint
or
explanation,
or
itself,after
to
fashion.
same
text,
habit,
settled
sometimes
ways,
be
may
plot,
preference
in
possible
proceeds
tell
something
narrative
also,
no
to
one
all
of the
said,
seems
general, however,
sections
seems
is
come,
attack, each
In
setting;
then
one
metaphors.
in
once,
at
ways
step
has,
about
after
story
all
what
mixed
and
incoherent.
be
and
situation.
Kipling
in
hero,
hero, preliminary
of the
goes
over-plus
the
hero
habits
But,
from
begin
you
of the
the
one
will
example.
comes
the
the
ting,
set-
setting, character
write
before
Shakespeare's
have, when
you
of
must
writing
an
genius, it
of
social
more,
one
that
one's
not,
be
with
of
place-setting, social
character-revealing
finish
and
ning
begin-
the
at
character
of
'
beginnin'.'
heroine, social
the
character
history
that
Ortheris,
once
and
knows
Everybody
of
heroine,
the
reveals,
of the
account
of
of
dialogue
time,
story, social
said
discusses
Kipling
character
Wall:
',
the
at
was
heroine, place-setting,
character
heroine,
one
we
that
'
's risin
dawn
social
an
the
WR1TEE
the
than
matters
City
the
history of
the
'ome
of the
On
Mulvaney,
nearer
some
are
'
STOUT
THE
single
the
ment;
com-
plan
fashion.
preference
situations
stands
of
"
cross-
still.
scene
repulse
One
"
of
the
the
AND
PLOTS
in
rioters
Suddhoo,
riot
in
like
the
of
the
the
in
Black
Handicap,
in
free
It
of
of the
and
happy
the
the
however,
India.
English
The
patriot,
Far
than
White
game
anything
and
but
is
nearly
not
in
The
of
Hussars;
the
"But
if
is not
the
officers,that
we
speech
by
the
polo
will
of
will
game,
play it
Hira
of
then
God
be
side
to
in
into
translated
of
by
interests
traditional
assured,
in
the
rite
native
arises
sciousness
con-
the
stirring
more
the
the
Kipling
Russia,
in
nificant
sig-
more
Ortheris:
by
come
its life
long,
of
there
vaney
Mul-
represent,
of
as
Singh,
is
is enacted
incidents
health,
out
river
who
work
of Private
Queen's
while
the
English
dramatic
Madness
the
and
nostalgia,
the
whole
hatred
from
dress, which
persons,
is the
of Russian
of
by
twice
The
free
completely
so
Life's
almost
vicissitudes
the
in
elaborated
suspense
The
and
It
certain
has
drinking
which
Was
conflict
It
East.
concluding,
alone
imperialist, inspired by
of the
of
three
Ortheris,
highly
on
uation
sit-
single
Was,
civilian
hours
by
narrative.
concrete
the
army
dramatic,
or
conclusion.
hours,
Who
Man
more
of
few
free
into
Only
concentration.
and
Ortheris
for
Who
Man
of
scenes,
shooting
Private
of
the
two
of
of
House
rule.
mainly
coming
the
have
is the
single
change
cure,
wait
gradual
attack, the
place, within
The
The
attempted
Madness
and
the
few
the
pieces
summary,
Twenty-Two,
At
scene
The
is
in
consist
to
Ortheris
Kipling
himself,
said
in
one
scene.
traces
the
But
magic
and
noteworthy
beginning
the
and
terms
Wall.
Tales, and
from
explanation.
climax
both
of Private
situation,
one
of
Plain
are
Madness
to
coal-mine
City
be
can
than
example,
also
the
Jack.
stories
the
rather
the
On
sham
of
for
in
the
the
85
SIGNIFICANCE
Life,
from
escape
city
O'Hara
few
in
Chance
His
THEIB
any
Colonel
side, though
monial
cere-
of
the
officer,
other
Sahib
they,"
KIPLING
86
again his
ponies
of
to
of
heap
had
been
Dirkovitch,
of the
of
across
incident
of
the
Through
fifteen
in
river.
is
of escape.
his
activity
his
and
stories
of
And
in
rescue,
of
than
more
Who
Would
first
meetings,
told
in
situation
one
Man
two
end,
single situation
in
great
adventure;
frame
story
than
Sunday
Hummil's
to
gatherings
death.
distinguish
as
also, then,
of
In
The
many
Without
as
the
the
friends,
Education
four
single
the
distinct
time,
nothing
to
These
of
the
are
stories
and
of
The
Kipling's
before,
is
example
Teere
is
bility
possi-
all the
these
situations.
Benefit of Clergy
sand
is
adventurers,
Passage,
of Otis
the
story
two
before,
one
of
situation.
no
best
the
Ride
seems
it leads
of
ner,
din-
at
by
in
office,one
The
history,
suggestive
the
incidents
second
of
End
hosts
The
the
by
proper.
the
the
fewer.
newspaper
but
story
is At
story
still
the
his
numerous
of
account
an
without.
not
are
trains, with
railway
situations
two-situation
they
are
after, the
for
from
comes
nificant
sig-
prefaced
his
there
that
and
Strange
of
cage
fact
it is
intensely active
in the
King, prefaced
be
on
is
he
squirrel
the
the
imprisoned
and
gradual
regiment
The
is
he
his
and
by
instance
certain
though
of the
is that
Dirkovitch.
living dead;
the
the
it is concluded
however,
pages,
village of
the
less
Hussars,
from
entrance
stirring
more
character
White
And
of
of
and
of Ortheris, but
carbines
departure
Jukes
is
the
soldiers;
identity,
It
and
fifty
have
say,
explanation, giving
the
of
outside
three
by
officer,his
of
they, I
though
heard
of
and
theft
the
Marrowbic
pit,
shot
WRITER
Madness
Russian
the
Pathans
the
character
general
and
than
the
'
prisoner.
of summary
pages
'
upheld
rags
Russian
situation
by four
the
self -revelation
unconscious
and
'
'
horse
one
limp
the
he
our
STOKY
Dirkovitch,
sought
eye
THE
with
other
it is
In
one
rather
of
the
its two
after,
possible
this
exceptional.
spect,
re-
PLOTS
think
do
not
of
summary
be
can
However,
of
is
of
one
and
individual
can
not
bits
of
action,
in
Kipling's
companion
On
Greenhow
thai
we
great
are
read
much
observes.
is
It
of the
noted
would
be
who
man
the
incidents
must
construct
instances
of
Kipling
However,
alone.
in
possible doubt;
explanation.
In
In
His
To
Be
ran
In
here
one
and
so
in
common
that
Carnehan,
in
Learoyd,
does
this
Majesty
into
not
his
the
King
Filed
of
the
suggestive
real
to
was
the
the
King,
he
for Reference,
inserts
the
there
which
let these
title clears
later
where
incidents
to
story,
do
early period
venture
Kidnapped
Majesty
the
those
in
hero
of
Kipling
but
is His
child
the
Bert
floating loose,
king,
not
ourselves.
one
from
little,detached
"
means
instance
an
are
method,
it;
than
more
stand
narrated
this
the
tales.
as
for
but
extremely
this
ful
doubt-
elaboration.
but
largely by
drawn,
In
elaboration,
are
"
as
or
is often
story.
of
scenes,
summary
Kidnapped
things with
few
of
stream
into
and
incidents,
incidents
general,
have
method:
In
minor
lack
is little
be
to
one,
situation,
or
have
of the
of
brief
clearly enough,
to
matter
of
situations
as
useful
action
organized
not
stories.
the
of
mainly
scene
Kidnapped,
too, there
certain.
so
thread
is, too
that
and
confined
consist
which
general
main
the
simply
Pale,
be
speak,
infer
to
the
Beyond
on
short-stories
true
either
lines
In
cases.
it is
Bimi
in
intentionally
are
strung
do
incident
arbitrary
in
stories
regarded
between
distinction,though
we
the
happenings,
be
to
many
is
from
these
little
the
which
to
of
line
the
the
narrative
and
of
elaborated
But
situations
seven
paralleled
number
incidents,
scenes.
of
87
SIGNIFICANCE
work.
slightly
too
THEIR
its series
that
Kipling's early
series
AND
away
a
we
he
gestions
sugany
needless
powerful
sug-
KIPLING
88
gestion of
once
Oxford
an
allowed
lest
told
words
man
stand
to
adds,
last
the
the
Mclntosh
what
of
had
The
earlier
of
sometimes
own,
triumphant
plea
for
Q.
Matrons,
Awful
an
wrong,
chained
it
apparent
to
prevent
that
and
story:
story
"no
one
vaney,
Mrs.
"
events
in
as
somewhat
in
At
weakly,
should
for
as
his
have
escape:
Rate
taken
"It
"
it
how
place.
seems
that
was
Thus
how
erly
prop-
other
cases
the
on
rather
story
unpleasant
known
to
every
and
stone
are
is
is
comment
framework
justly
entrusted
"
to
of the Regiment,
Sometimes
Twenty-Two.
gone
six weeks
otherwise
Woman,
or
the
to
Marrowbie
my
the
close
possible
[Dunoo,
and
making
by
In
heathen
of the
or
Daughter
The
"a
them
critical
story
Second
indeed
the
with
this
saved
it is well
of
has
just think
..."
says,
and
deal
to
in
as
he
of
Jury
for
comment
mere
gods
of the
example,
Hauksbee,
onlookers,
is
Occasionally
persons
been
have
Department.
the
attempt
any
might
Beast],
the
that
man
of the
for
of
Mark
condemned.'
to
jocose
After
kidnapped
be
"But
believe,"
will
one
right-minded
brass, and
with
that
courtyard."
to
with
text
Chaplain,
love-match
concludes:
remark
concluding
[The
Matrimonial
conducted
as
it
expense
the
Senior
the
comment
"with
Bureau,
of
had
Peythroppe
life
than
with
begins
Court,
in
various
opening
Kidnapped
trees
in
sentence
close
to
his
to
shape
mesalliance
Kipling's
the
the
to
trouble
much
in
"Warning,
likely
are
Chief
the
Kipling
here
last
was
is, however,
"
even
less
not
Matrimonial
of
Judge
his
are
recurring
Governmental
Lord!"
my
who
through."
stories
Thus
loafer
and
alone; for
gone
ones
D.
E.
almost
once
beginnings.
his
drunkard
point: "Perhaps
Kipling's
ends
WRITER
guilty,
or
of
The
the
"Not
"
alone,
miss
we
STORY
THE
Mulor
to
English
explains
that
certain
Jukes
dog-boy]
counts
ac-
had
KIPLING
90
Pit's
His
the
Majesty
But
Imray.
Binvi, the
of
"I
jealous.
One
wife's
of
thatch
der
floor.
on
der
at
dese
down
table
was
I
der
upon
soft
laugh,
to
pegan
was
tremely
ex-
wife, and,
answered
orang-outang
his
in
der
low,
und
dot
und
und
cards
und
liddle
in
thank
upon
whist
at
seen
looked
hole
der
knew
be
in
came
sun
or
could
Bertran
but
walls,
der
waste-basket
wife
no
sick;
und
der
"und
Breitmann,
said
und
hole,
great
was
very
floor
and
scientist,
his
with
shoulder,"
my
paper
Dere
was
Bertran
beast
The
of
Return
German
the
it alone
nor
into
seen
und
mit
torn
ever
you
in
King,
locked.
door
was
scattered
things
what
roof
der
Haf
wife
was
der
left
be
The
occurs
orang-outang.
-he
day
door
one
Breitmann,
pet
and
Was,
telling
Would
Who
Man
Who
Hans
neither
returned,
broke
der
he
had
Man
most
by
who
His
call.
the
told
story
he
The
King,
WRITER
The
Subaltern,
perhaps
friend
the
when
at
Only
Mouth,
STORY
THE
looked
longer
der
thatch.
Gott
dot
Den
he
was
mad.
.
After
until
sangaree
' '
It
Bertran
Bertran
und
he
killed?"
should
live
Bertran,
This,
it is the
to
his
In
each
borne
case
upon
world
said
haf
her
if you
ruined
in
'
was
same
When
abofe
I go
und
hands,
for
walk
der
still he
but
him;
him
gave
then
and
back
come
Bertran
der
upon
he
ape
laughed
beach.
dead,
was
liddle
und
low
content."
the
after
he
stupid,
and
his
and
didn't
help
you
Bertran
instead
of
letting
him
asked.
friend, '
My
mit
dying
was
in
I
drunk
back
came
ape,
piziness.
own
quite
why
the
was
kill him
's
he
was
"But
' '
he
he
Bertran
was
und
be
days Bimi,
ten
Hans,
dot
seen
that
home
us
the
full emotional
the
us
by
not
was
mit
room
nice
der
even
hole
the
crude
somewhat
gave
at
it
in
to
mineself
der
thatch.
dot
Und
' '
husband.
will, is
art
..."
the
far
of
end
value
closing
subtle
more
Without
of
sensationalism.
the
incident.
visit of Holden
Benefit
story
But
is
of Clergy.
impressively
PLOTS
remains
What
be
AND
summed
by
up
is not
methods.
generalization
effective
As
he
of
of
one
it
beginning
in
in
possession of
the
On
drama.
dull
indeed,
less
as
that
an
illustration
or
Without
the
other
The
Hill
wholly
and
of
Benefit of Clergy
there
extreme,
are
by dialogue
closely approximates
however,
and
stage
that
that, in
of
in
brief
of
The
his
On
City
told
drama
Gadsbys
be
with
he
admitted,
of
Wall.
The
this
Gadsbys
is, where
With
as
or
But,
that
least,
than
events
characters
at
fashion
conversations
and
itself.
of
discourse,
instances
the
version
completely
of
are
uses
Again,
narrative,
summary
direction,
the
means
he
the
which
us
cedent
ante-
adorned
are
dialogue
are
it,by
after
eight stories of
tales
of Illusion, where
of
indirect
uses
There
the
action
his
must
in
puts
to
"
to
person
and
touches
some
and
own
he
summary;
summaries
part
character.
regard
It
necessary
confined
his
well.
as
uses
enforcement
history of
some
often
Kipling
organic
dialogue
eyewitness
not
in
it, or
saw
an
are
discourse
if he
And
of
by
speeches themselves
his
he
as
characterization.
indirect
picturesque
and
use
of
upon
is, normally,
early part
of
hand,
barrenness.
liberal
makes
other
dramatic
concrete,
destroy
of the
the
in the
purposes
against
speeches, instead
in
method
for
also
it
can
Furthermore,
information
occurring
or
prejudice
no
sides.
take
to
undramatic
freely
has
the
of
story,
narrative
on
ling
Kip-
impersonal
and
continually entering
necessary
hightly
summary
he
to
the
is
author, he
it is told
comments
while
that
himself,
story
whom
his
explain,
admonish,
of
He
his
perhaps
can
effect
dramatic
seen,
the
to
it; and
end.
or
to
to
audience
an
actor
or
tells
structure
the
to
the
already
to
91
dramatic
or
of
use
have
we
highly personalized;
makes
regard
severely impersonal
make
occasion
in
said
be
to
SIGNIFICANCE
THEIB
of
in
for
and
revealed
the
form
this
tation,
limi-
comment
and
KIPLING
92
explanation
of
the
"
to
of
means
happen,
friend
her
for
time
and
his
for
that
example,
primarily
of
best
their
and
Mulvaney's
Kipling
his
ee's
not
was
what
the
obviously
in
soldiers
dialect
do
dialect
Kipling
knew
Breitmann,
glance
that
no
do
no
for
and
these
German
of
loved
than
them
is enough
ever
the
he
again
and
now
than
spoke
to
calls
he
Hans
his
convince
English,
of
is
or
no
Ballads;
of
most
of
more
scientist
some
of
one
Writers
There
the
Kipling
accomplish
speech
German
all
turn
But
Breitmann
quotes
shire
York-
Kipling
not
others.
this.
in
errors
that
does
"
content
Learoyd's
the
the
always
mistake
of
one
further
go
and
does
logue
dia-
It is thus,
quanes.
he
; and
can
of
found
reader
are
fication
modi-
means
by
have
example,
queens
one
that
literature
and
at
his
all
often
not
for
you
differentiated
are
any
events
for
"
accomplished.
to
Mulvaney,
phoneticians
to
three
famous
that
largely by
cockney,
it is obvious
for
out
sets
Ortheris's
of
endless
without
critics
pressed
too
yet
by dialect, though
Careful
well.
And
musketeers"
"three
not
"
writing
he
the
a's
translation
is
brogue,
into
subtle
characterization
ing
interest-
stories, generally,
other
technique
of Otis
extremely
gestures.
's
going
and
Education
impatient,
it is
as
consistent,
and
"
dialect; indeed
is not
and
is
Hauksbee
too
yet
most
speeches
the
pose.
pur-
comment,
what
Mrs.
are
the
being
out
words
exception
and
that
work
to
about
nothing
say
can
In
Kipling
into
characters
Both
other
running
The
"
mouths
the
no
and
which
concerned
method.
space,
in
for
of
sort
happened
Woman.
Rate
in
has
into
put
exist
who
"
similar
are
less common,
and
WRITES
being
stories
two
Mallowe
experiments
dialogue is
the
Second
club
what
about
told
Mrs.
and
Yeere
of
means
talk
are
the
at
men
by
Largely
by
STOKY
freely introduced,
are
characters
THE
the
Hans
verses.
unobservant
American,
in
this
PLOTS
fashion;
thus
and
mann
much
is
the
Yorkshiremarr,
sometimes
Learoyd!"
the
basis
of
which
he
Dinah
Shadd.
of
sun"
"
cockney
in
And
there
for
Hill
folk
but
could
he
country.
bespeaks
private.
on
remains
the
Like
rather
But
the
the
for
basis
much
that
And
grate
when
observant
all
well
literary allusions
Courting
man
and
's
fire's
of
of
tion
misquota-
common-school
can
not
blue
account
cheeks
put
letters
"Sort
"
out
an'
driven
eyes,
's simile
matter,
tell
could
o' their
Ortheris
of
Dublin,
"You
say,
their
this, style
in
his
you
the
for
Lotharius
av
Ortheris
colour
speeches.
account
The
of
is
there
these
can
in
for
add, "and
wind."
that
Theatre
the
red-apple
hardly
Silver's
and
ney.
cynical Cock-
in
's
the
reveal
solemn
a-moors
Mulvaney
might
example,
by
The
rather
that
say
the
You
account
can
you
break
object
description
Horatius
pin-points by
o' mad
experience
amusing
Learoyd,
nose-tips";
for
an
But
Greenhow
into
gives
Macaulay's
education.
for.
his
Ortheris
and
critics
Juan!
account
can
you
"
and
they
enough.
Don
when
little soldier
too
sound
"Discourse,
's
Mulvaney
is
example,
Irishman,
the
however,
does
manner
as
dialect, it is
what
to
for
matter-of-fact
the
Kipling,
objection
the
on
much
too
of
well
as
Hill,
tender-hearted
again,
matter
it is not
coloring
brogue,
said, Kipling
Mulvaney
and
story
comments,
and
Here
alone;
and
comic,
Irish
I have
as
Greenhow
emotional
the
humorous
And
love
characteristic
sentimental
On
In
his
tells
and
sense
But,
types.
is not
there
are
and
Cockney,
original,
the
Leland,
effective, both
Breit-
Hans
of
Dutch
Godfrey
are
pronunciation
on
characteristic.
with
Charles
Yorkshire,
character
depend
Learoyd
in
the
Kipling's
of
language
both
93
SIGNIFICANCE
Pennsylvania
of
Yet
like
differentiate
not
pretended
choose.
serve,
THEIR
the
Breitmann
to
both
between
the
Hans
the
AND
by
than
the
the
like dialect,
KIPLING
94
differentiate
to
serve
academic
action
and
in
his
clear
the
there
was
sighted
rifle
have
type,
Mulvaney
his
(without
words
cartridge
hot
with
out
with
my
the
block.
put
from
gone
was
teeth
'twas
go
music
the
stuck
falling
reader
can
his
search
word,
the
slang
further
when
and
in
much
all, and
and
in
than
make
for
or
block
the
that
dab
and
rolled
out
on
In
what
become
the
class
he
wholly
falling-
the
floor.
holes
general
and
exact
is
boot
my
the
Mulvaney
technically
the
of
was
bullet
the
took
on
of dirt
back."
jargon of
this
pin
In
rifle.
my
worried
pin
the
pering
tam-
so
true, there
Then
out
and
murderer.
snug
could.
knocked
and
pouch
plate, putting
Kipling,
as
O'Hara
...
my
any
them
acteristic
char-
In
and
lying
the
fact
'
the
intelligible.
would-be
"Sure
and
pouch
fast
as
the
dialect)
against
rage
Oh,
course,
injures
the
my
cleaning-rod
it into
it
rifle that
'
business.
to
cartridge
the
he
as
that
plot against
from
cheek
of
the
by
wholly
valley
establish
charm
lessened
the
bullet
the
own,
to
stock, and
his
on
which
gestures
always
counters
the
engaged
was
their
not
are
by removing
own
and
they
the
the
rose
the
across
right
they,
for
suddenly
the
Mul-
said
Again,
cuddled
of
is not
specific,which
with
his
of
charm
fool!'
peered
chin
the
gestures,
certain
and
of
home
fists."
muscles
Ortheris
Stanley
welcome
"Ortheris
His
the
the
Words
purpose.
damned
type:
shoulder,
of
Jack
himself
his
twitching
uninitiated
Black
the
light.
and
the
of
same
their
critical
the
count.
not
the
'You
with
him
at
professional
These
"
afternoon
Private
in
Only
types.
does
serve
incarnation:
characteristic
knees, his
his
he
incident
severally pounded
gestures
and
WE1TEE
the
exactly equivalent
are
after
vaney
offended,
minor
and
STOUT
establish
and
is
reader
Gesture
and
THE
in
the
of
way,
did.
the
But
esque
pictur-
depicting,
may
unintelligible
to
AND
PLOTS
the
normal
the
Solon
reader.
it
Evidently
dip,
and
color
them.
We
in
these
it is
he
ought
instead
of
juggling
in
hogged
manes,
get
and
because
nothing
she
world
the
kind
the
same
of
of
impression
unintelligible
"
of
human
This
stories
is
that
perhaps
Words
and
conversations
are
the
in
would
you
in
overheard
and
reality
"
the
which
by
means
and
habit
wholly,
are
overheard,
be
mere
called
mare
all
race-track
you
and
reputable
dismuch
"
Here,
contrives
to
and
dramatic
the
real
is
the
convey
is often
guage
differencing lanof
the
or
on
then,
remembered,
in
this
conversation
jargon
of
with
trades
later
or
objective
words,
so
fessions.
pro-
period,
wholly, unintelligible.
of the
given:
from
leads
and
rikin;
lar-
ekka-ponies
of the
it
your
brace
unfamiliar
an
specific
the
almost
or
final outcome
gestures
Kipling
classes, the
grows,
four
smoking-car.
reality,
of
means
types
boy;
From
get
wants
Australian
an
flag."
world
the
apparently
"
But
subscription-list,
of
of
that
unintelligible
man
demirep
sense
fact
French.
the
as
or
her
faint
impression
of the
three
kink
with
breed
there
(since Kipling
the
an
be
round
country,
much
as
than
subject
another
the
of
to
send
switch-tailed
has
more
it, or
Solon
understand
India
of
sounds
will
the
not
realization
assumes
caps;
in
intelligible: "If
about
gold-laced
the
do
' '
tonga
Moreover,
we
being
one
for
ask
with
'brumby,'
chumars
Arab
to
as
by
less
even
money,
just
which
one,
be
can
India)
of
sense
the
down
know.
though
even
is increased
about
Kipling
words,
that
down
Hauksbee.
Mrs.
as
bucket
to
to
buckets
tonga
fact
need
we
95
genius
centuries,
or
pleasant
as
well-known
is all
that
Paris
language
such
years,
have
is in
there
be
long
many
that
says
one
doubtless
is local
so
is,somewhere,
for
continue
SIGNIFICANCE
"Never,
will
dip
THEIR
to
unintelligible fragments
to
This
method.
speak, of
of
con-
KIPLING
96
versations,
real
and
from
the
the
who
watches
but
knows
little
involved.
of
the
methods
all
discourse,
the
behind
author
methods
the
"
it
of
to
take
no
his
suit
the
purpose,
the
Handicap,
stories
hints
in
the
the
Bimi.
At
in
the
The
of
story
the
in
destruction
Yet
there
the
last
volume
the
later
Mark
of
name.
Bertran's
of
is
no
great
wife
ture
ges-
may
by
for
the
the
add
the
in
the
for
for
his
the
ape
sciousness
con-
happened
mood
this
period,
of
way
write
to
to
in
way
examples
already
the
subtlety
other
and
the
in
but
stories
Beast,
We
an
anticipate with
this
have
it
in
be
touches
Passage,
the
is
intense
when
to
of
We
the
non-
the
habit
an
Mouth;
prepare
of
his
foreshadow,
Pit's
terror.
End
that
At
the
there
speech
"
happened
effective
some
customs
indirect
employ
with
occasion
upon
he
which
suggestions
in
Fleete
in
and
mystery
and
of
in
and
stories
prepare,
are
particularly
of
"Hummil
There
his
could
could
he
mainly
of
when
or
"
Pale
found
be
end, he
skill.
Beyond
to
the
trouble
mean
middle
and
beginning
the
he
point of unintelligibly.
ordinarily
not
was
where
city
that
would,
the
to
even
"
position of
comment,
you
kind
any
employed
objective, unexplaiued
incident
Similarly, though
if he
could,
"
dramatic,
minor
and
story
commonly
remind
that
the
of
nothing
explanation,
methods
the
in
nor
inferences,
own
foreign
and
he
summary,
"
in
language
dramatic
the
incident
his
is thus
He
words
help of
draw
to
terms;
technical
game,
Neither
Without
has
himself.
street
the
or
uninitiated.
reader
for
story
shop
explained.
or
the
author,
construct
one
selected
are
the
the
to
WE1TEE
of
gestures
meaningless
gestures
in
conversations
or
gestures,
gestures,
STORY
THE
in
are
Life's
volume,
the
studied
the
the
death
of
transformation
return
of
Imray,
preparation
in
method.
Bertran
for
and
It cannot
KIPLING
98
or
often
than
no
more
of
certain
point
of
it
view
however,
or
of
phases
readers;
some
pathos
Chaucer
lack
of
period
false
strange
to
have
we
belittle
would
for
officials in
without
but
there
effect
the
the
such
"And
proposed
in
nice
colonel
to
that
and
it does
passages
indeed
neatly
some
herself
she
could
majors
with
absolutely nothing
not
matter
in
the
to
least
do
whether
Sir
conditions,
this
that
the
year,
And
the
is for
Was
John
put
of
the
be
mired.
ad-
to
Durgan,
time
she
them
The
with
English
regiment
had
the
they
been
public
all
were
all, including
married,
hussar."
the
description
late
mess,
marry
contrives
leave
short
the
Member
Who
explained
already
one
at
she
when
were
early
the
Indian
Man
the
or
prose,
promotion."
of the
man
of
much
in
after
and
single
every
unless
they
widow
Durgan,
of
The
as
the
to
of
talk
be
of
deal
story
station,
by
very
content
have
their
to
sentiment
so
Lady
won't
tone
Benefit of Clergy
anecdote
ignorance
peramentally
tem-
was
Kipling
Without
terror
or
of
returns
turn,
we
of
stories
bitter
the
great
by
level
which
the
"There
destroyed
When
tells it.
home
admirable
Hussars:
arrived
be
to
an
moment
White
the
to
proper
these
of
means
without
Kipling
comic
the
of mystery
curious
the
without
cynical,
ought
of
he
story
regard
and
noted
while
Tooting,
Lower
the
shock
may
that
appears
is
tradition
When
impression.
holding
connotations, by
better
of
It
of
this
the
persistence of
dealing with
already
his story
be
In
Fielding.
of
stories, stories
of
mingling
the
of Lungtungpen,
rather
unity
love, it
style.
or
like
fabliau tradition,
and
serious
more
incapable
impression
Taking
of the
on
romantic
or
The
WRITER
cruelty,
or
implies, however,
than
the
to
in
carrying
STORY
brutality
slaughter
and
laughter
of
note
"
THE
she
affairs
Man
she
was
of
Who
married
the
not
going
Lady
gan
Dur-
Was,
into
and
his
AND
PLOTS
regiment
this
as
clever
has
The
of
Who
the
the
be
in
defect
in
is
officers
are
his
to
way
For
he
is
always
as
moral
whether
always
at
Harte,
far
be
can
Mr.
speak;
"
"
ne
II
faut
le moindre
or
of Mr.
nor
the
bien
the
a
Bret
dire
grain
English
of
out
life.
on
moralizing.
rise
Quarterly
knife
the
by
Budyard
moral
dans
of
qu
"Of
writings
the
his
be
nearly
knows
his
narrative
Kipling,
ce
ling
Kip-
on
it would
of
way
Review:
from
body
early
an
story-teller who
from
que
de
settle
to
comment
Harte,
is any
soul
Queen's
goes
sense
gave
best
the
with
as
jarring
effect, by
Failed,
in
ments.
com-
work.
know,
separated
likely to divide
met
the
comment
in this
contrary
that
article
an
Kipling
to
as
his
the
Light
It is
absurd
all
to
The
is, so
moralist.
lofientzon:
Bret
statement
what
of
of
have
say,
thus
introduce
to
we
the
to
as
Kipling
life,always
characteristic
more
that
of
and
drank
much
as
underpaid.
critic
as
falsely supposed
suppose,
phase
characteristic
^hey
were
opportunity
critic10 of
to
answer
they
is,I
That
an
general
French
art
create
story,
same
pay
shamefully
is
Nothing
' '
mess-bills.
this
as
personality, his
own
admonitions,
the
It is
technique.
's
results,
his
whose
health, "upon
of
word
jarring
part,
of
are
is marred.
in
which
work,
thrusting-in
is, in
which
sentence
his
kind
Kipling
but
wholly
taking sides,
the
of
of
pathos
this
the
to
story
range
for, not
than
newspaper,
and
of
confined
whole
in
American
an
serious
every
in the
accounted
There
their
way
continual
the
views,
own
this
of
are
graph
para-
cheaply
the
manner,
Kipling's sins
of them
against plot-unity
dignity, mystery,
of
personal tendency
seen,
column
such
reading
This
tone.
the
Few
; most
in
serious
most
It may
of
Was.
but
phrase;
of
story
length
paragraph
or
in
place
Man
of
99
in
offence
the
to
society
the
SIGNIFICANCE
discomfort
against unity
manner
no
one's
is less due
offence
the
to
But
not.
or
THEIR
pas
'il 6crit.
plus
'
'
que
KIPLING
100
this
in
fashion.
clumsy
be
cannot
is not
the
moral
his
among
is
who
J. M.
which
his
traditional
in
Kipling.
of
us...."
the
India
with
so;
to
is not
of
books.
to
have
he
this
was
is in
"Mr.
not
ling,"
KipIn
ill-informed
the
of
all
explains, is
assumption.
assures
most
He
it is.
as
'
he
that
says:
that
foot.
far)
or
attracted
ground
a
ling
Kip-
immoral
with
when
further
against
us
power
received
on
far
seem
on
life
Anglo-Indian
of his
too
so
the
as
that
Barrie
Mr.
entirely inhabited
Seventh
he
was
that
Barrie
by
stories
the
that
'
all
of
Nor,
of
matter
playing tennis
women
might
one
fact
us"
his
only
hero
to
up
nor
1891
venture
it appear
make
attracted
is in
as
and
men
Commandment.'
Kipling's
do
nor
was
"
the
"the
date
's review.
certain
has, of
aim,
think
to
adventure
hero
church),
the
to
preoccupation
they
in
things
attack
goes
is received
' '
seems
dancing
(his only
"warns
one
his
wrong
...
add,
before
at
devil
the
says,
the
devil
of
long
which
these
to
it
would
the
they sit
his
to
Barrie
by
enforce
to
element
howsoever
is indifferent
not
to
moral
plausible
while
risky subjects
began
representation
preface
least
the
Kipling's
he
to
He
look
search
at
only
there
sense
and
morality
the
review,
if
the
More
.
disposed
events
earlier
an
clearly Mr.
first
shade,
annihilating.
at
first success,
But
the
novelists
aims
morality,
situations.
"From
in
as
barracks
up
he
which
little indifferent
as
sound
only
in
to
or
against
(at all
blows
Barrie,
owed
Mr.
sides
takes
consequently
State
the
is often
he
the
indignation.
or
countrymen
anarchist
of
he
; that
and
that
charge
light
as
WEITEE
in
listening
whether
present,
STOET
But
worth
story
THE
course,
harshness
to
be
or
bitterness
admitted.
It
of
tone,
is,perhaps,
certain
cynicism,
merely
the
cyni-
PLOTS
of
cism
this
case,
youthful
too, that
admitted,
is not
He
for
basis
is, indeed,
only
conduct
with
amateurs
in
bee
In
of
none
flashes
of
of
his
the
seen
kind
the
of
art
of
In
things.
conduct.
sound
there
opinions,
that
he
with
common
made
had
in
painting
liars, in Lispeth,
in
The
as
Judgment
passing,
ancient
and
them
he
carries
tradition
morals.
in
on
of
the
Lispeth
the
nai've
herself
Marana's
Turkish
Voltaire's
Ingenu,
von
Anatole
France's
cousin
of
Dooley.
which
that
may
find
are
for
good
literary
American
of
and
at
many
delight
ignorant,
note
of
in
very
of
Kings,
a
widespread
or
in
manners
descendant
and
had
somewhat
Townsend's
the
example,
so
Indian
Hiddigeigei,
rediscovers
Balzac
non-respectable people
he
employs,
critic
man
rather
that
should
he
is
boyish
we
of his
of
stupidly
as
as
thus
Riquet,
moreover,
in
or
outsider
Scheffel's
took
which
method
held
men.
none
about
he
Lispeth,
Addison's
Spy,
Lispeth,
one
In
is
fact
mind
and
missionaries,
of Dungara.
in
thing
by
Hauks-
are,
boy
of
Mrs.
reach
of
life
on
often
his
unflattering opinion
moralizing
effective
small
physical
meta-
discussion
the
be
depth.
and
flashes, the
up
many
of his
astonishing
these
like
must
busy
beyond
The
Kipling's
great
very
creatures
of
faults,
It
comments
own
anything
experience.
in
gossip,
these
as
that
Much
talk
shop
correct
philosopher,
stories, shrewd
the
to
experiences
no
set
persons
Sheep.
has
of
the
by
Black
generalized
these
much,
so
Baa
manner
of
of
opinions,
and
years
be
or
insight, is
it may
moralizing
the
illustrative
his
number
's
science
Mulvaney,
or
after
seeking,
been
sharpened
was
Baa
Kipling
it has
And
in
outlines
he
that
discovery
business
cynicism
101
SIGNIFICANCE
the
faultless.
not
which
those
in
whose
authority,
themselves
are
THEIE
delighting
youth,
it in
over
AND
Bret
literary
Mr.
idea,
Harte,
102
evil.
is
It
of
phase
they
At
any
the
worst
be
is
This
that
does
from
the
early
"the
that
or
remember
we
did,
her
should
we
is
of
Kipling,
the
sexes
man
bys;
inevitably,
marred.
it is
the
incidentally,
Cotton
of
reconciles
smoke"
is
for
to
'
'
putting
type
of good
Colonel
and
But
the
has
for
text
of
him,
In
text
the
Youghal's
with
this
recent
than
the
his
of
male."
the
Rosalind
difficult
heroines;
that
to
if
and
Even
them.
best
declaration
Portia,
change,
is only
is, indeed,
any
Mrs.
said
be
can
' '
qualities.
regard
young
of
the
of
any
in
views
woman
view
women,
"a
or
It
and
redeeming
is the
one
haps
Per-
material
deadly
more
meet
person,
This
Miss
course
in
type.
of
view
Viola
to
yearn
course,
of
and
The
that
that
personalities,
has
deeply
converted
certain
undergo
not
she
effect
species
dangerous
is that
is
vain
definite
as
Hauksbee
for
in
Cordelia,
in
Kipling's
the
to
cigar
look
we
are
became
of
admitted,
be
of the
female
Naturally,
of
verse
good
Night:
worst."
the
it must
not,
the
purposes,
others.
"were
and
Unregenerate.
they
all
surpass
characteristic
but
woman,
to
of
things evil,
of
Kipling,
was
the
things innocent,
on
trusted
Wife
Colonel's
than
before
bad
Sheep;
religious people
purely religious
imputation
the
Watches
of the
and
Black
Baa
in
illustrating.
Hauksbee
Baa
many
iniquity
continues
Wife,"
for
"
construction
may
that
specially
in
in
of
weary
Mrs.
clearly formulated
seem
were
never
of
Fraud,
about
rate,
people
stories
the
noticed
more
is
Kipling
Bank
They
know
his
of
have
may
to
most
it is
suspicious.
"
that
three, in A
soldiers
"You
idea
in
implied
It is
one
an
the
Pride
relations
the
married
man
eight stories
of His
Sais, though
union.
to
And
is
of
Youth,
the
two
of
young
The
Gads-
and
even,
later
Deal
stories
in
show
PLOTS
that, though
for
wicked
good, it is
the
men
in
notes
as
In
for
substitution
death
that
benefit
of
unreal
and
and
of
In
of
impossibility
of
Education
The
"platonic
which
of
the
love
of Otis
friendships,"
advocates
and,
parents,
Matrimonial
the
illustrates
he
used
they
as
only
nature,
matches,
Yeere
evitable
in-
without
and
Governmental
used
an
"
very
by
the
The
pale
arranged
regards
traces
dies
their
by
ling
Kip-
abuse,
love
as
is
badly
"
he
he
terms
it
Extra
an
Case
beyond
marriages
establishment
worse
or
passionately.
and
distrusts
He
system
the
of
However,
marred
"
marriage,
however,
are,
influence
an
are
and
Divorce
those
are
transitory.
Department.
after
Three
endearment
clergy, which
humorously,
In
seriously
idealizes
he
they
ironically, then,
quite
"
If
usually fragile
are
with.
of
exert
intention.11
or
Bronckhorst
terms
continental
the
The
103
may
light.
reaction
affectionately
unions
begin
certain
inevitable.
first
they
to
"
woman
knowledge
better
no
because
fact
SIGNIFICANCE
stupid
her
in
clearly enough
THEIR
or
without
appear
damaged
AND
be
to
called.
of
Many
stories, it
the
with
of
games
the
However,
tennis
of
number
statistician
reports
twenty-five
per
fifteen
cent
in
the
game
thanks
the
intervention
to
bee, perhaps
of Death
11
in
In
Error
Life, where
not
that
and
the
in
is
the
tends
in
's
Life
begun,
yet
perhaps
of
Others
of
the
inspired by
Handicap
of
prevented
the
the
for
Office.
an
ugly
Mrs.
Cf.
the
"
against
many
even,
Hanks-
embarrassing
last
represented
Foreign
as
stories
or
represent
game
love
decrease
to
Mulvaney
tragic ending
the
commandment.
wholly
as
selves
them-
concern
of these
And
Tales.
do
seventh
stories
cent
per
is
none
Wressley
hero
such
itself.
others, the
consequences;
significant
as
with
Plain
represent
admitted,
be
must
set.
as
also
half-breed.
It
is
agreeable.
His
Chance
104
The
players
ease
and
gaiety
of
is true
It
novelists,
feared
did
the
naturalness
cynics.
other
lack
He
venture
not
Kipling
Barrie
tread.
to
Maupassant's
that
as
touched
He
of
with
the
the
Hindoo
burst
of
son
spade
ancient
was
more
his
wife
in
his
he
Tolstoi)
the
His
seems
as
Barrie
was
of
sort
that
he
If
have
that
can
his
like
insidious
like
lost
first
no
longer
theirs
was
French
have
was,
de
succes
shock
or
profession
thus
very
man
tant
hesi-
attractive;
novelists
phrase
he
like
surprise
of the
about
knows
Harte's,
scandale,
;
nor
wishes
who
youth
he
troubled.
senses
illusions, that
triumph
in
Lalun,
naturalists,
their
of the
an
was
of
vice
call
House
story
Arnold's
that
his
American
to
rather
believe, a
us
the
who
has
is
make
not
Matthew
been
the
ancient
most
to
in In
and
City,
of
sons
venture
wrote
the
Himself
eyes.
not
Kipling
(in
of those
man.
would
certain
have
he
Mouth
did
animalistic,
trouble
to
did
of the
Pit's
he
while
profession."
Quid.
And
like
to
you
the
Tertium
senses
persuade
is
At
And
aim,
ever
he
the
member
daring.
day,
that
' '
was
frankly
aim
of
critic puts
apparel,
their
any
soldiers
they, worthy
Kipling
honourable
less
or
and
present
to
Ladies
he
Englishmen
the
French
our
of
' '
from
English
the
and
Azizun,
and
differed
too-simple
...
City Wall,
never
did
Janoo
are
world."
the
Albion,
"
and
the
and
' '
as
whites
the
feet;
hasty
not, like
like
laughter,
to
modest
spade
of Suddhoo,
in
into
where
not
did
who,
unmoral
novelists, had
and
ground
was
their
upon
Albion, blushed
worthy
On
rise
sun
women
modest
He
through.
light
the
; he
and
English
natural
taking of Lungtungpen,
the
it, saw
ice
unconscious
ground,
on
other
that
thin
over
break
today,
after
skated
danced
it with
spirits, the
light-hearted
but
says,
walk
to
animal
and
life,
and
its scandal
the
liqueurs,
KIPLING
106
We
aren't
But
single
And
if
them
sit in
to
their
are
should
attitude
the
Baa
' '
Mother
would
Judy,
says
pagal,
'
"Then
clear
voice
of
Punch,
well
from
out
whatever
have
of
people
for
who
ask
thus
stops
Dickens,
One
the
His
or
that
type.
who
do
far
a
Bret
function
say,
of
the
respectable people;
good
in the
hearts
ditch,
only
heroes
'
'
as
of
the
be
be!
"
little
Kipling
than
the
or
is
tion
limita-
the
views
He
an
with
exceptional children, of
alike
effective
succeed,
help
who
are,
they
of
as
we
all of
are,
advance;
people
Kipling
themselves.
of tolerance
'breadth
Mother's
pagal!"
himself,
humor.
heroines
who
Mother,
"
pos-sife-lycan!
you
don't
and
who
little
' '
knees.
the
to
pos-*ib-ly
can
Superlatively
want
'You're
say,
therefore, suggests
passage,
things,
they
short
might
less
no
just
himself
"And
house.
sympathy
or
what
that
'
quality of Kipling's
growth.
seen,
them;
The
the
tolerance
amused
the
as
quickly
as
being
course,
as
end
the
at
through
"She'd
'
mires
and
dirty
as
clothes
exceptional child.
as
them
children,
exemplified
walked
you
Punch.
ditch
just
your
rings
that
toward
toward
assume
and
I '11 show.
but
the
"I'm
change
attitude
we
if
cross
says
nice,
through
shouts,
which
remember
at
conversation.
's not
walks
he
dear,"
awfully
angry,"
never
that
and
Punch
be
continuing
"Mother's
and
laugh
to
are
we
saints.
Sheep:
Black
Baa,
Our
paints
plaster
them,
upon
defined
charmingly
so
into
too,
you;
fancy
your
them;
enemies.
attitude
the
like
grow
upon
tear
blackguards
no
remarkable
don't
judgment
worst
be
aren't
\ve
barricks
WRITER
most
conduck
shed
own
perhaps
barricks,
in
men
STORY
'eroes, nor
our
good-naturedly,
they
of
sometimes
not
are
red
in
men
single
Why,
We
thin
no
THE
Chaucer,
Harte.
perhaps
with
satirist
is to
the
of
function
certain
reveal
of
the
the
degree
evil in
humorist,
non-respectable people.
of
the
to
Kipling
truth, that
hearts
reveal
of
the
performs
PLOTS
now
function,
one
stories
there
satirical
THEIR
is often
there
of
in
pointed
and
race
of the
his
the
out
that
the
the
officials and
is
views
of The
one
is the
of
satire
think,
none,
and
tolerance;
In
all
his
in
the
in
the
he
can
from
Whether
phase
in
to
and
The
of
Aurelian
and
the
the
understand
as
Kipling's
appreciate
for
appreciation,
system
ever,
How-
chiefly criticizes
he
or
army,
generalize.
to
the
McGoggin,
Concerning
what
is, as
humorist
or
System,
usual,
that
men's
other
of
India.
He
satirist
as
conduct
clan, of
the
administration,
the
assert
part
one
singer of
the
the
to
relations.
personal
difficult,as
to
understanding
seeing things
and
work
it is
venture
of
restricted
Conversion
will
System,
failure
it is for
in
For
and
means
every
The
that
may
no
officers.
over
range
creed
by
empire,
the
outlined, in
only
humor
satire.
beginning,
of the
nation,
he
both.
humorous
intimate
more
at
comments
107
immoral.
as
Kipling's moralizing
involved
of
both
stories, shafts
regarded
SIGNIFICANCE
other, often
the
now
touches
are
stories
humorous
be
AND
necessity of
the
points of view,
another;
that
he
chiefly
pleads.
is essential
It
for
the
matter
dominant
as
this
Policeman
as
and
the
natives
idol
of
his
character
by
Bronckhorst
murdered
its
subjects.
the
It
themselves."
of
because
and
Biel
easily purchased
Case.
he
But
had
he
patted
from
not
the
the
natives
consequences
the
destruction
evidence
in
Imray,
save
head
that
Strickland,
the
native
could
on
theory
about
from
Strickland,
is therefore
Fleete
save
Hanuman,
the
Divorce
can
much
as
obvious
So
emphasis.
extraordinary
try to know
alone, who
the
Indian
continual
"held
point of view,
native
understand
should
knew
Strickland
defiling
was
India
the
demand
to
ironically,
in
of
to
race
seems
Kipling
says
understand
to
native
The
who
child
KIPLING
108
later, died
who,
Tods,
of
independence
construed
villages
native
the
Russia,
the
know
that
and
is
be
can
know
these
Head
of
known
things,
District
result.
Even
all
clemency
and
of
event
Tods'
as
that, if such
and
will
stricted
re-
natives,
to
dangerous;12
the
with
conflict
is
to
on
the
be
governed,
murder
counted
with
to
native
Yet, in the
weakness.''13
as
came
it is necessary
appointed, confusion
is
one
what
bill which
popular
not
respect of the
the
command
cannot
that
aware
was
but
Strickland, however,
not
was
introduced
to
WRITER
was
who
years
it is necessary
as
STOEY
It
Manifestly
Amendment.
five
to
unwittingly
so
just
fever.
six-year-old boy,
leases
and
of
THE
English.14
Incidentally
native
the
point of view,
elephant
(Moti
his master
tells
the
further
the
Among
of
and
the
generous
by
courage
forward
step
preserve
at
of
12
Marrowbie
On
The
the
Man
the
who
home,
is
of
In
English
Jukes.
City
Who
Wall.
Was.
in
point of view
the
main
stories
such
The
and
devotion
same
to
time
denounce
of the
fill the
gaps
aristocracy,
or
Indian
who,
as
jealousy
ing
anticipatBooks.
Jungle
civilian
At
-as
the
in
made
like
of
the
celebrates
who
officials,
English
Civil
officials
End
Kipling
bitterly satirizes
the
long
as
object of Kipling's
affairs, of
Indian
the
orang-outang,
significant as
are
of
murderous
to
unhesitatingly
he
death,
at
alike.
Without
stories
just
of the
and
subject
themselves
ignorance
army
and
Passage
the
English
is home
attack
of
variation
and
work
of
knowledge
points of view
will
longer
no
These
Bimi).
and
(Bertran
and
to
plea for
the
who
Mutineer)
"
him
include
to
only of snakes,
is afraid
who
Guj
this
extend
might
one
their
those
men"
"vestry-
Service
the
ranks
Member
as
the
for
PLOTS
Lower
There
exists, or
of
tion
Atkins.
'
kebmen,
has
Kipling
better
known
countrymen.
essential
studies
One
is in
develop
in
kind
of
of
the
necessity
how
of
to
These
of
the
or,
more
the
few
in
of
and
views
few
army
first
ranks
to
and
India.
may
soldier
The
other
idleness, and
feeding
over-
' '
is
sheer
in
part
time,
teach
how
the
makes
to
when
talk
nonsense.
as
to
study
the
prove
' '
the
play
military information
other
of
rookies
the
of
'
'
game
great
men.
"
relativelj-a
often, explicitly
short-stories
desert.
amuck,
the
night
at
fellow-
in
good
so
to
written
for
his
by
soldier
which
as
the
in the
snug
much
in
running
was
fire
old soldiers
concerning
is
Aft
under
officers and
in
crime
Atkins
of homesickness
attacks
' '
less
Doubt-
Thomas
the
heat, enforced
's
greasy
illustration
of
of his mind
man
o'
loyalty, Kipling
and
how
how
Fore
convey
making
of
out
full
appreciated
insanity,
out
themselves
are
discussion
of
of
battle, and
value
far
shows
regiment
make
to
so
prevalence
green
shows
climax
and
's uniform.
continual
the
to
temporary
and
of
and
of courage
and
result
Drums
in
that
"turned
way,
peculiar psychology
be
may
may
The
addition
the
hysteria,
about
In
nostalgia,
Ortheris
is in
better
been
Queen
the
liked
and
had
cholera.
found
final act
the
as
the
inapprecia-
had
Mulvaney
service
real
curious
Lambeth
wearing
was
soldierly virtues
two
as
down
pub
done
and
of
approach
England
Ortheris
And
he
because
the
enlistment
held
'arf -license
'
in
India, talking of
about
at
Learoyd
crime.
of
measly
fly
existed, also,
Thomas
career
and
rule,
109
SIGNIFICANCE
ignorantly
prevalent opinion
the
in
British
of
THEIE
wander
Tooting,
benefits
AND
the
impossible.
profounder
of
conduct
in
stated
There
few
very
"
life
of the
which
moralists,
vast
are
number
implied,
Exhaustive
been
among
the
who
have
held
writers
higher
KIPLING
110
who
ideals,
have
thought
thoroughgoing
and
such
another
opinions
interest
his
of
the
the
dragon
of
number
whom
jumbling
have
his
have
and
of
lost
evidence,"
already
staggers
him;
characters,
the
all
their
clue
to
is still
the
says
quoted,
in
no
"The
the
meaning."
moral
part
of
opera
ling
Kip-
person,
manner
for
all
discuss
to
of
evidence
with
is,
He
reviewer,
of
of
the
imagination,
Quarterly
of
the
system.
genius
the
through
editorial
able
hurly-burly
disappointments
the
assurance,
himself
said,
have
he
this
all
conceives
he
thinker,
"The
for
spoke
own
the
the
manner,
in
his
that
Gazette
sings
mouth
in
be
the
as
air
an
may
editorial
megaphone,
But
the
writing
megaphone
stories,
the
as
the
but
may
with
It
as
journalist
which
speak
to
He
dragon's
the
aside
develops,
fact.
of
with
basso
it is
simply
subjects
the
number
knowledge,
question.
Pioneer,
maze
the
of
ready
more
Perhaps
pronouncement.
in
subjects
not
sense
bewilders
to
he
more,
from
lay
the
developed
assurance.
authority,
of
Kipling
the
all
any
the
or
through
to
confident
on
such
For
kinds
mighty
the
moralist
the
all
be
must
made
conduct.
journalist.
on
finality
Appearing
forgets
once
He
as
with
dealt
human
the
ex-cathedra
much
paper
has
Kipling
judgments
Pioneer,
the
of
command
at
Gazette
the
of
and
meaning
the
none
Kipling
and
Siegfried.
vast
regard
readers.
for
manner
of
to
and
authority
writing
of
phases
have
only
not
also
the
of
of
phase
must
or
But
enlightening
most
of
them.
variety
find
to
WRITER
systematically
more
attempt
confronted
which
STORY
THE
his
senses
the
events,
fortune,
he
seems
CHAPTER
GENERAL
IV
CHARACTERISTICS
Kipling
his
senses
of
Kipling,
found
and
orderly
based
of
reasonable
an
analysis
on
himself.
These
if
in
up
And
The
had,
of
causes
by
nature,
desire
to
long
too
Atkins
's
early
be
An
all
the
of
Kipling
characteristics
I
can,
think,
is
technique
be
developed
have
an
properly
training
to
pressed
im-
give
to
very
and
is
profusion
attempt
may
shown
Kipling's
with
richness,
prevailing
the
He
position.
same
it
of
technique
personality
urally,
nat-
his
of
be
summed
realistic, romantic,
all
the
and
he
of
pages
of
one
of
clearness
them,
vision
had
an
seek.
to
had
rather
insatiable
of
instinct
an
he
book
the
far
not
are
He
velous
mar-
curiosity,
life, dwelling
like
his
own
not
Tommy
It
to
these
terms
an'
admire
to
be
done
never
But
As
certain
any
For
realism
Kipling's
observation
turn
upon
For
Poetry.
of
powers
of
his
the
intense.1
and
critic
characteristics
these
adjectives:
three
it all, the
of
think,
inevitably,
not
technique.
the
can,
of
the
account
of
meaning
methods.
Kipling's
and
the
the
with
of
by
of
much
variety,
the
confusion
in
evidence
staggered
the
to
analysis
an
himself
with
and
clew
no
after
stories, finds
and
bewildered
was
THE
PERIOD
FIRST
If
OF
can't
are
for
'old
this
no
good
drop
denned
to
see,
world
to
it
in
if
so
wide
"
me,
I
tried.
Professor
W.
A.
Neilson
's
The
Essentials
KIPLING
112
qualities of Kipling's
These
much
too
not
is
Kim
at
outside.
is
Sheep
of
It is not
life.
He
of
later
stories
Suspicion,
Hate,
of
is
tales;
in
the
is not
He
dislikes, the
kind
College;
makes
much
was
but
to
Army
or
students
interest
clear,
The
its aim
Navy
or
were
scholars;
Balliol
training
in
ignorant
not
was
Civil
of
pure
wit
of
and
of
the
the
middle
as
classes
but
"I."
give
but
did
It
not
Kipling
master
There
presently,
see
the
readin'
the
practical
for
out
Beetle
sarcastic
the
' '
an
solely
for
to
make
had
"
no
Latin,
and
book.
'
crass
its
of
cent
taught
of
in
fact
per
or
who
and
preparation
set
"
us
Services
Who.
of
sense
"villain"
"
is
Seventy-five
concerning
these
does
shall
we
scholar, inexcusably
boys, is the
same
of
United
the
general culture,
scholarship
the
the
to
officers.
was,
in
he
he
keen
already
Service.
King,
whatever.
man,
the
in
speak, Why
to
imagination,
the
college
sons
and
so
read
Beetle,
but
bitter
received
he
narrow
Beetle
longer
no
an
period
the
may
Company,
spectacled
his
nature,
cultivate
realist.
purpose
of
We
as
"
of
deep
autobiography;
own
cultivate
to
more
future
in
he
his
and
the
Black
this
nature
"drank
is, indeed,
accurate
to
as
he
human
Despair."
and
manifestly
one
writing
clews
many
last
of
he
life, Stalky
school
Kipling
way.
jealousy;
Baa,
of
impression
side
unfriendly
safely regarded
be
own
seamy
and
all of Baa
that
it may
Kipling's
religiosity, hypocrisy,
waters
assumed
real
the
of
found
Kipling
parents
with
and
's illustrations
latter
his
haps
per-
artist
the
father,
of the
face
but
the
saw
his
from
to
be
to
of
summary
his
face
age
literally true;
accurate
detail
inherited, it is
were
from
assume,
Separated
early
an
WRITER
character
accurate
significant.
himself
world
to
The
antiquarian.
STORY
THE
lessly
hopeHe
is
materialized
marks.
Not
KIPLING
114
patriotism,
about
coining,
his
volunteer
time
Beetle's
him
the
Master
gave
scented
library without
mentions
list
classical
of
writers
Shakespeare
failed
or
of
vision
alike.
"
Beetle
"side"
of
of
suggestion
the
ignorance
of the
Indian
an
Beetle
face
to
had
wide
to
face
observe
what
the
the
contrast
of his
and
observation,
He
vivid
more
the
familiarity with
long
and
because
English
them
and
ago,
they
life of his
in
childhood.
bullies,
friends
the
the
brought
his
was
with
in
the
its vivid
strange,
were
school
It
days,
was
of
him
side.
profession,
but
the
pounds
seamy
it
left
subeditor
hundred
and
immersed
was
of
become
dealt, by
to
gullibility of
the
three
with
more
Oxford
susceptibility
activities
"
justice
pets.
to
paid
Kipling's
for
He
the
course
seventeen,
"
and
cowardice
'
clear
and
sarcasm,
peculiar
the
to
precision
clever
masters
passage
his
away
him.
with
of
report.
far
about
all the
the
facts, more
to
nature
school-fellows
and
masters
the
and
of
his
opportunities
and
in
life
actual
house-master;
own
age
again
happened
details
the
at
with
in
and
scholars
end
and
Browning
of human
side
seamy
than
Browning
Neither
unerring
historian;
good
Here
with
their
newspaper,
year.
friends,
weakness
natural
before
year
college,
the
Prout,
Hartopp,
examinations.
King;
of
talk
ling's
Kip-
romantic
rather
is much
itself
character
self-satisfied
tobacco-
face.
the
his
to
Head
recommendation.
or
the
The
brown-bound,
part
there
for
previous
reading.
to
own
most
revealed
and
read
They
the
in
fact
side
seamy
his
ignorant of
was
look
to
The
the
elsewhere
given
prohibition
for
which,
corps
school.
the
of
run
WRITER
cadet
was
Shakespeare
cramming
nor
in
flourished
had
of
Much
to
STOEY
THE
He
business
not
with
world
mediately
im-
details, in
because
and
of
because
combination
AL
GENES
CHARACTERISTICS
peculiarly fitted
of
observation
with
the
this
sharp
which
and
all
The
which
is
expressing
of
collects
never
geographer,
the
that
working
that
are
upon
this
he
takes
queer
or
advice.
no
the
It
is
of
his
an
Kipling's
Yet
is not
in
the
the
Kipling
fied
seeking classi-
meteorologist,
for
by
oneself
work,
people.
is not
he
realism
he
for
things
of
romancer,
or
joy of
pure
the
to
as
sought
he
it for
sees
schoolboy
as
humanly
God
the
'em
Twain
He
interest
much
as
limits
in
under
of
Things
as
the
problematic.
once
as
you
himself
told
of
to
"...
He
superlative
representative
to
give
life.
him,
ones,
bearing
some
human
please."
commonplace
His
have
or
facts
journalist,
as
obligation
no
picture
accurate
Mark
and
interesting
feels
He
precisely
first,
distort
can
you
had
' '
facts
your
does
as
Maupassant,
seeing
and
place
the
advocated
sort
young
This
of
realism
' '
possible plot.
or
character
essentially original.
the
character
scientist
delights
in themselves
complete
strange,
are.
he
as
and
Thing
in
sees.
ethnologist.
the
they
seeks,
really
time
as
the
wholly
knowledge
an
"draw
He
of
he
of
originality
is of
to
representative
details
or
the
powers
civilizations,under
realism
his
"
advice
one
classifiable
or
in
Realism,
was
not
"
matter
consists
details
the
realities
out
Kipling,
realist
as
famous
what
in
is reflected
training
different
originality which
wealth
this
all
his
in
different
utterly
practised by
quite
familiar
113
aside.
originality
Flaubert
and
of
PERIOD
stimulate
to
the
inevitably brought
of
peculiar type
of
FIRST
THE
attention,
recognition
shams
result
His
the
contrast
conditions
swept
grip
to
"
OF
nor
' '
and
seems
us
Get
then
to
low
fol-
characters;
yet
quality
in
the
is thus
KIPLING
116
limited
and
with
field
scientific
his
Private
Life, Scenes
from
conceiving
in
superlative
his
Hence
social
Kipling's
ideals
of
yet
the
is too
their
in
his
of
for
always
animal
the
and
follow
to
all
nature,
motives
human
pictures
relentless
all, but
are
Anglo-Saxon,
the
well.
as
human
characters
have
they
much
its
chief
difficult
motives.
and
analysis
In
minor
be
or
gathered
point
of
the
of
the
Zola
aspect
of
this
which
crowd
in
too
may
incoherence.
be
classed
is rather
does
peculiar
deal
not
unusual
or
of
is not
emotion
the
result
of observation.
but
organized
present,
purpose
method
ested
inter-
never
expression
external
result
and
with
is
always
He
whole.
the
up
Its
story.
again his
introspection
certain
view,
him, though
problems,
Here
gesture.
incidents
is
of
emphasizes
he
Structure,
result
the
psychological
And
word
intensity
the
in
element
Kipling
characters
It is with
sake.
own
the
increase
with
of these
psychology
never
to
to
animals,
ones
Yet
of
his
hence
copy;
satire, after
side
scale,
journalist-
the
scandal?
scandalous
Kipling
large
evil
Life,
man.
for
of
Kipling
and
artistic
naturalism;
than
on
picturesquely
from
Country
rather
is social
cannot
Scenes
as
interesting
what
the
never
more
Maupassant
In
by
for
"
with
is
art
something
or
satire
preoccupation
his
his
his
cover
imagine
it out
has
make
glorified gossip, of
of
kind
will
to
You
from
cannot
working
and
characters,
Life,
He
what
out
system.
You
on.
and
set
novels, classified
manner.
for
desire
so
plan
thoroughgoing
novelist's
large
and
not
and
Parisian
from
Life,
Military
did
thoroughness
stories,like Balzac's
imagine
WRITER
He
of accident.
matter
STORY
THE
observation
rapidly
into
For
with
great
to
permit
scenes.
Kipling,
those
is
from
realists
of
wealth
themselves
A
the
who
further
present
do
not
GENEBAL
impress
CHARACTERISTICS
themselves
prefer
who
life.
does
because
of
examples
of
his
him
in
the
various
for
not
his
in
talk.
to
special
walks
or
to
often
is
word
continually
turn
you
to
of
and
polish
echo
this
of
urged
technical"
for
protest;
achieves,
plicity,
sim-
not
realists.
the
dictionary,
your
correct
friends
"filthy
he
or
particular
so
or
habit
"
crete.
con-
dramatist
a
up
Beetle's
unintelligible;
precision of style
other
slang
More
get
to
sometimes
readers
the
"
life.
Company
and
the
admirably
are
than
purpose,
Kipling
significant detail,
in
rather
real
distinguished
fulfil
speech
beastly professional"
so
Zola
given
's Moral
to
the
fact
to
that
respectable people
reminded
of
less
enough
in
nations
of
with
of
Comte
aware
When
and
often
It is well
and
to
Aurelian
a
order
honestly
administration
the
weak,
McGoggin's
Spencer.
with
as
for
the
is
he
delights
are
bad
that
they
that
(as
should
they
wicked.
of
wholly
general questions
or
in
He
duties.
new
shortcomings
openly
facts
the
it is concerned
reference
to
respectable people
many
English
the
such
condemns
ethics
the
discovering
are
own
case
any
with
not
their
harshly
criticism
close
Interpretations keep
speculation,
emphasize
judge
his
that
Stalky
of
characteristic
delighted
or
they
wealth
that
not
they
in
events
stories
are
stories,
vain.
many
be
of
Kipling's
Kipling
not
In
"
be
to
read
them
he
this
style.
own
they
117
their
of
his
coherence,
professions
grammarian,
but
you
in
gesture,
vocabulary
of
short-story structure,
is
characteristic
and
of
waywardness
If
PERIOD
structure
brevity
far.
very
There
of
the
proportion
requirement
than
of
the
FIRST
THE
the
upon
follow
to
wander
not
jargon
much
rather
is
It
OF
may
Doubtless
India
is sound
practical problems,
duties
example;
of
and
preoccupation
powerful
he
with
pressly
ex-
the
KIPLING
118
So
though
direction
the
of
the
realist.
his
training
seems
to
child
he
misunderstood
Black
Obliged
to
he
refuge
took
of
happy
left
"Then
dreaming
dreams
curtains
and
went
bushes
the
into
McTurk
and
charm
books.
in
smoke
by
pure
Beetle's
doors
feared
and
from
; and
Travels
read
venture,
ad-
pure
He
was
much
he
as
of
nothing,
and
up
creaking
down
of
window-
of
shutters.
shadows
rustling
the
And
"
as
armies
the
perfectly
view.
of
the
and
it
of
laurel-
the
the
places
of
reading
of
But
again
in
the
he
activities
their
masters,
Black
than
The
three
except
there
Head's
are
the
hours
library
Stalky
read
to
and
Head
and
loaf
stood
under-
not
are
was
has
which
places
of
is
that
"
Sheep,
and
often
own,
landscape.
or
here
school
Beetle
that
appears
respected.
or
beauty
of
nature,
absolutely
fortunate
more
school-fellows
chaplain
doing
human
..."
"
secret
could
resources.
Andersen.
point
afraid
grew
Hans
and
outcast
like
indeed
imaginary
Company
withdraw
by
school
is
of
garden,
him.
Kipling
schoolboy
and
the
and
he
marching
flapping of
the
out
that
so
because
own
of
Gulliver's
child's
perfectly
not
his
side
and
literature,
Thus,
on
seamy
and
days
later, he
Stalky
friends
direction
the
unhappy
place.
much
Tales
the
alone,
and
frightened
In
from
him,
reading
poems
came
But,
in
is
about
of
the
Fairy
early
pleased.
stairs.
in
mainly
romantic
that
thrown
of
in
person
out
was
reading,
in
course,
be
to
be
something
see
Tennyson's
He
he
was,
men
to
child, Grimm's
normal
also
felt
he
as
of
world
and
Sheep
in
somewhat
beloved
type
character,
the
to
of
was
"problematic"
adjusted
romancer.
him
pushed
have
him
realism, it pushed
is also
He
well.
as
As
WRITER
Kipling
of
romance
STOET
for
much
And
THE
and
solitude
the
with
largely
in
GENERAL
CHARACTERISTICS
imaginative
authors
dramatists;
there
of
little tales
unusual
of
and
of
Donne
only
for
phase
career
on
not
the
age,
less
and
As
to
of
stimulated
read
in the
of
the
Arabian
and
powerful,
Sea
and
of
Rossetti
that
this is
indeed,
there
of
accounts
that
he
was
his
is
nificant
sigare
one
romantic
putting
he
its mark
was
saw,
in
journeys
actual
to
fair
It is clear,
existed
sensitive
to
"
of
are
The
The
authors
many
of
tion
prepara-
It
school.
capable
yet
letters.
and
type,
all these
Dryden,
impulse
work.
show
of
man
'
and
doubt
to
and
Ossian
and
definitely romantic
The
of
romantic
this
in
romance
he
now
'
its
its
beauty,
its mystery.
than
was
hundreds
were
Fletcher
Calydon';
reason
realistic
the
romance.
result
element
the
author's
young
Sea
no
lation
trans-
[curiously enough]
Faust
sentimental
or
of
beside
without
From
is
was
Sigourney;
in
exception
the
another
impulse,
's
journalist
as
imaginative
then, that
Marlowe
'
be
his
or
Lydia
There
that, with
the
L. ;
there
to
there
.
Lermontoff;
name;
purporting
.
lations
trans-
interspersed with
writer's
Dryden
'Atalanta
' '
few.
of
account
of
Paradise';
Earthly
E.
and
nature,
ancient
French
Pushkin
Rubaiyat
119
of
scores
voyages;
theme,
Crashaw;
"
L.
Smith;
island
called
PERIOD
and
his
that
odd
FIRST
scores
called
was
an
verse
THE
bewildering
Peacock
"
something,
Alexander
name
heady
were
Hakluyt,
authors
volumes
purple
There
were
'Lavengro';
of
of
'
Muscovite
songs
Sorrow's
'
OF
by
Head
the
's
imaginative
There
library.
Nights
then, in such
element.
in
the
stories
as
It
or
is, inevitably,
there
but
work;
Kipling's
realistic
the
impulse
does
it is much
not
romantic
is very
India
which
The
Strange
less
appear
authors
little of the
he
Ride
depicts.
of
an
nounced
pro-
that
he
whom
quality
Only
Marrowbie
KIPLING
120
in
The
Man
of Clergy
and
stories
Jukes,
"
manifestly
His
THE
Who
of its
the
character-types which
the
and
relation
same
have
Company
Colonel
understands
groups
are
characters
they
upon
conveyed
soul, be
native,
the
the
man
or
journalist
perception
and
interesting.
combined
with
the
an
to
stand
Stalky
the
Only
Both
other.
social
tions
func-
"queer"
not
are
superstructure
of
fact
is
largely
kind
of
something
of
images, by
of
other
is
there
represented
power
the
accompanies
of
the
his
tempering
officer
English
romantic
principle is
same
Structure, it is manifest
and
The
writer
of
results
in
does
the
but
to
of
this
has
such
own
mind
or
official
permit
not
of
the
mood
his
of
emotional
that
the
been
at
facts
as
imaginative
spontaneity,
way
an
fiction
facts, of
of
imaginative
writer, reflecting
intellectual
the
memory.
extension
selection
naturalness, which
form
of
to
or
volved
in-
enter
child,
woman.
of
matter
to
mental
up
justment
ad-
have
that
their
basis
of
Company
the
they
This
uncommonly
that
certain
and
Yet
escape
fact.
school-fellows.
of fact.
or
phase
in
individualized;
races
not
Kipling's
another's
of
of
which
A
in
In
basis
is close
variety
the
tendency.
or
solid
an
early lack
superlative, idealized
merely
are
which
exotism
that
by vividly conjured
imagination
In
group
easily classified.
not
from
"
fellow-soldiers
and
masters
one
escape
Benefit
offer
to
seem
Mulvaney
officers and
to
Without
him, is reflected
creates.
to
he
in
or
personality, his
irregular, highly
are
resting
he
King,
"e
agreeable
an
about
world
WRITER
class, does
"problematic"
own
to
much
Would
always
not
STORY
the
with
an
reader's
story,
appeal.
in
work
are
are
unconsidered
perception
of
feeling with
answering
And
the
humanly
observation
seeing, hearing,
the
imagination
while,
not
in
to
the
KIPLING
122
training, Kipling
itself in
of the
scorn
of
is
he
action
every
be
must
the
such
vital, not
milder
the
finished
Blcwk
and
put
Sheep
childhood,
criminal
but
of
vital
energy.2
in
is, it
to
indignation
the
of
and
new
past,
any
or
is
what
is in Baa
Baa,
memories
in
the
time
be
there
aroused
high
determine
The
sentiment,
no
quality
so
contemplate
significant that
to
romantic
is the
must
for
flow
over-
appeal
or
narration.
we
certain
degree
and
regret
which
regret,
no
is realistic
situation
the
tender
It is
of
's
Rosa
by Aunty
and
selection
too
and
life, or
less
able
to
of
At
impression
one
of
feels, at
the
of
the
the
sympathy
choosing
endure
to
and
with
lead
End
of
hardship
time,
same
characteristic
his
shares
this
intensely visualized.
are
beginning
ineradicable
his
the
the
Passage
of the
hot
author's
suggestive detail.
the
it rather
persons
than
like
Paragraphs
produce
delight
One
condemned
give
way
in
season
feels
to
to
in
lead
others
its terrors.
Kipling's intensity
expresses
itself
in the
'
choice
of characters
'
"It
is
said
Stevenson.
living devil in Kipling,
Even
a
position very much
apart.
quick beating pulse that gives him
it all.
his love of journalistic effect, there
is a tide of life through
his
English
spontaneous
elaboration
elements
only present
scenes
the
at
India;
the
vigorous
the
romance
the
with
the
That
and
up
one
religiosity.
Present
those
call
delight,
no
romantic.
the
away.
in
Kipling
compel
emotions
in
form,
present, for
to
as
in
feel his
you
story,
realism
of
one
wrote
the
or
that
so
intense.
When
to
seems
work,
short-stories
all
of
by
raises
that
his
the
sympathy.
that
of
nature
with
he
intensely realistic
intensity
an
that
evoked
feelings
intensity
of
most
conventionalities
reader's
the
of
the
are
WEITEE
project into
to
that
paragraph
every
It reveals
of
affirm
Kipling's
language
In
able
was
quite safely
may
STOUT
THE
' '
There
is
lot
of
'
'
GENERAL
OF
CHAEACTEEISTICS
THE
FIEST
"
is
again,
in
even
conscious
defiance
of
discovery
jargon.
of
here,
delights
sentimental;
require
in
defect.
These
due
emotion,
are
to
sentiment,
which
of emotion
for
feel
He
force.
of
pronoun
when
the
itself in
story
the
realization
and
The
in
his
are
of the
chief
reality
like
against anything
inducing
the
or
as
in
The
and
narrators
in
believes
his
by frequent
in
in
as
Hill
audience;
characters,
are
the
de
use
of
the
in
or
Illusion.
of
tour
personality
Gadsbys,
The
; and
comment
form,
stories,
own
the
by
phase
every
performing
or
presence
dramatic
quality,
Kipling
he
you
own
and
purely
by recurring
story
author's
as,
of
his
asserts
emotional
of
that
with
playing
first person,
is
takes
belittling of
or
conviction
enjoyment
personality
convinced
are
merely
the
clearly,
out
which
mood
prejudice
the
comic
or
sake.
interpretation,
moral
or
through
intensity often
repression
intense
an
permit
intense
openly
to
stand
his
in
personal
own
You
is not
he
also
would
the
of
breaks
those
strong
its
of structure.
that
his
with
clashes
tragic
"
which
Here
form
Anglo-Saxon
resulting
You
in
slang
clearly
too
emotion
emotions,
hair-splitting analysis.
no
emotion,
of
intense
depict
to
elemental
peculiarly
the
shines
personality
own
their
intensity
one
persons,
delight
and
gestures
times,
at
these
his
of
reader,
creatures.
Kipling
or
and
morals;
The
with
sympathy
characteristic
their
Kipling's
of his
Kipling's
accepted
Though,
another:
that
of
123
PEEIOD
asserts
implied
intense
The
of
connection
further
even
story
assertion
of
the
personality.
internal
part,
on
the
the
structure
result
one
of
of the
side,
and
Kipling's
conflict
his
stories
of the
intense
be
may
author's
sense
of
described
intense
fact
on
sonality
perthe
KIPLING
124
other,
of
use
dramatic
the
contrary,
stories
not
only
as
explain,
to
to
put
highly undramatie
of
method
the
to
possession of
of
take
to
He
after
themselves,
tive
narra-
in
sides,
of
means
has,
his version
"
general,
but
information,
action, by
discourse
speeches
in
intervenes
necessary
summary.
the
effective
His
He
comment,
antecedent
or
against indirect
prejudice
instead
in
us
is,
severely impersonal.
nor
with
will, make
he
methods,
admonish,
character
regards
at
can,
highly personalized.
to
self
objective, of
and
impersonal
and
is, on
also
WRITER
Kipling
though
severely dramatic
neither
his
For
outside.
world
subjective
of
conflict
STORY
THE
no
moreover,
of the
speeches
fashion
the
the
of
the
drama.
There
of form.
sense
so
minor
of
subject
or
the
in
incoherence
condensed
than
concrete
detail,
presence
of
to
translate
and
For
it
ing
crowd-
ence
prefer-
immobility
of
nearest
has
implies
and
is
mary,
sum-
into
event
evidence
of
necessarily
the
one
anecdote
which
character
summary
from
write
way,
all
situation,
about
to
speed
and
the
destroying
requires and
the
in
tendency
the
rhythm,
events,
skipping
painfully
withdraw,
workman.
quality, since
take
to
in
sentences
the
the
general
rapid personal
short
method,
the
long-story;
the
to
scene
of
in
another,
to
in
and
intensity
is reflected
brevity of
the
of
the
character,
is to say
that
"
movement
rather
the
intense
between
conflict
impatience,
the
incidents,
certain
For
narrative
of
traces
speak, of this
to
of the
in
again,
are,
the
sonal
per-
intervention
of
author.
is intense
There
offences
against
considered.
words
when
Thus
unity
of
Kipling
Mulvaney
or
tone
which
sometimes
Ortheris
we
asserts
should
have
his
be
some
now
own
of
so
those
often
choice
speaking.
of
He
GENERAL
CHARACTERISTICS
his
asserts
prosaic
level.
concerning
leads
It
is
this
the
ness
whether
right
intense
Thomas
in
the
the
there
with
spite
to
be
of
does
meaning.
If
is
formed
as
and
in
the
and
widely
His
cocksure-
His
M.
is
P.
satire
's,and
marked
by
junior subaltern,
the
is felt
which
contradictions;
self-assertion
of
The
or
rather
it is not
of
advocate
basis
of
not
of
Stalky
the
prising
sur-
System,
individual
the
life,but
of
his
thought,
truth
in
he
the
clue
no
This
intellect.
story
it
is
of
how
not
his
"
verses
of
significance.
found
has
found
we
strength
moral
of
conception
bad
stupidity, ignorance, and
M.P.
concerning "Pagett,
incident
moralize,
to
to
his
He
its
not
Company,
main
the
lie in the
of
bent
and
tendency
strong
Kipling's work,
deal
vast
this
upon
incarnations
Foxes,
corps
stories.
the
means,
natural
The
there
cadet
of
similarly,
as
story.
science.
not
of tone
guishes
chiefly distin-
observed
philosophy
the
the
missionaries,
Atkins,
spite of
and
of
intensity,
the
in
not, by any
transcribed
has
of
that
has
ing
Toot-
bitterness
comments
to
as
India, that
Lower
carefully.
appear
glorify
variety
the
characteristics
stories
and
naturally
should
that
mood
humor,
of
it.
Manifestly, then,
in
to
prejudice,
In
are
time
same
conflict
world.
Kipling
that
at
is
wrong
of
of
and
the
to
convictions
own
for
conviction
antipathies,
as
Member
reasoned
His
reasoned,
and
or
has
hypocrites.
tolerance,
woman
than
he
by intense
respectable
the
that
not
his
the
125
descents
ignorance
Kipling
that
PERIOD
sudden
dominant
the
interpretations
impression
the
deeply,
of
intensity of
same
moral
felt
with
the
English
presence
keeping
of
FIRST
intensity of
the
as
THE
in
Benefit of Clergy*
out
is marked
it is the
matters
Without
get
sentiment
obnoxious
quite
You
of
And
such
the
to
in
fear
own
OF
the
is not,
M.
P.
inconceivable
members
taste.
of
destroyed
ling
Kipparliament
that
of
See
also
Little
KIPLING
126
to
course,
a
to
of
novelist
or
Emerson,
reasoning
to
abstract
of
intellect
and
judgment,
his
special strength
for
style, an
Poe
or
forces
which,
made
for
school
the
training
of
abstract
It
than
significant
is
that
he
scorned
did
' '
I don
believe
that
for
mean
and
as
some
once
the
even
own,
of
man
the
who
of
had
daughter
legacy
but
human
setting
a
as
agent-general
into
Plymouth
an
to
experience
lawyers;
the
at
with
ambition
and
Nor
school
lain,
chap-
in
what
Head,
risk
He
with
blood
pastry-cook's
into
come
halting
"was
Young
of
rather
boys
ethics.
.
who
great
old
't
they
' '
devotion
all.
had
I don
of
deeds
very
mediately
im-
not
him.
' '
who
more
emotions.
the
the
the
them
entanglement
primarily
are
realises
by
idealist
an
against
science
beloved
the
talked
made
codes, because
animal
boy's life
training,
to
said
example
an
and
interest
not
moral
And
Head
than
and
mistrusted
'
come.
beloved
stumbled
at
the
saving
world
father-confessor
and
'
to
years
courage,
ethics
of
young
did
same
mathematics
in
know,"
"You
about
quite capable
was
his
the
life
that
The
aim
high degree
run
is not
he
studies
some
an
technique,
obviously
Manifestly
history.
human
that
mean
failure
not
simply
structural
but
merely
expression
mean
Intensity,
must
was
other
his education
for
in
does
Maupassant.
in
appeal
conduct.
't talk
or
intellect;
to
for
is
Carlyle,
genius
form;
is not
education
natural
of
questions
and
Beetle
applicable
of form.
he
some
that
that
Romance,
the
others,
to
run
Merimee
for
Any
it
lie in
his character
in
Realism,
Reason.
at
or
His
sense
not
that
Stevenson
to
does
Addison
Eliot.
does
; nor
is not
he
poet
as
This
type.
that
even
or
is
He
powers.
thinker,
as
fact
George
intellectual
in
intellectual
primarily
Goethe,
WEITEE
genius
sufficiently obvious
the
state
the
STORY
lacking
is not
he
But
genius.
is
he
that
say
THE
at
small
cross-roads,
GENERAL
anxious
CHARACTERISTICS
take
to
the
regimental
Chiron
merely
of
another
the
boys
of
innocent
provide
that
came
kind
of
friends
stopped
the
In
the
Indian
questionable
true,
sense
beginnings
the
they
of
to
estimate
at
the
same
and
Kipling's
vigorous action
in
causes,
time
of
"
of
for
these
people
by
boy
the
and
laudable
same
and
Stalky
was
means
any
his
desirable
highly
"
do
to
encouraged
that
did
reason
the
of
punished
he
thing
end
moral
technically
and
law
manifestly
illegal
now
an
officer of
results
by
similarly
book, Stalky,
stories
in
as
life
school
interesting
assertion
in
are
of
accounts
of
the
to
have
made
rather
than
for
for
thought,
any
the
individual
System.
The
early training
deeds
the
ming
sham-
dealings with
end, the
doubtful
the
seemingly
for
is
it in
were
if
little
characteristic
that
this
of
entangled
never
reach
exceedingly
are
If
his
connivance
accomplishes
tactics.
in
chaplain
his
bullies
story
army,
Head
good
school
bullying
last
found
that
and
with
the
ideals; it
in
kind
he
Company
was
reason
was
boys,
Manifestly
the
of
and
Head;
little
essentially guilty,
for
The
It
for
when
was
and
yet
means
hand.
end, by torturing
means.
He
notion
and
thing.
the
Stalky
His
law
to
expose
minds.
adequate
outside
step
to
thick
wrong-doing,
of
the
to
respectability, to just
to
when
and
trouble
gance
extrava-
the
principles of conduct,
discarded
small
in
under."
or
127
farthest;
quite unfit
Furthermore,
vigorously.
not
in
him
PERIOD
arrogance
his
out,
delighted
frankly
hesitations;
to
guide
type.
shibboleths
them
ethics,
Kipling
that
lead
language
round,
in
safe
in
way
instruction
not
carried
FIRST
THE
money-lender;
each
him,
safe
and
the
"
showed
quiet
is
row
would
that
one
by
pursued
OF
good
seems
cause
rather
development
than
of
creative
for
power
it made
rather
than
KIPLING
128
of
critical
editor
of
and
widely
taste
there
quoted
in
loose
his
perfection of form,
the
were
compelled
to
study
show
that
were
or
they
desired
restricted, with
However,
narrative
Orrin,
telling
it's
he
the
hauled
let
added
produce
true
it.
as
is the
to
sensation
the
in
autobiography,
in
beds
it
awful
of
and
the
device
whisper,
of
the
end
is the
saving
the
of
and
audience.
an
account
is
with
"
'
'
have
Here
fact,
familiar
for
the
'em
part.
boys,
All
know
best
plained
ex-
dead
None
imagination
place
of
you
up
city
dormitory.
at
And
Oliphant's
of
ghosts
in
ter
mas-
Beetle
Mrs.
little bit.
one
just
door, "Shut
"instead
the
use.
whisper.
from
on,
King's
in
afterward,
besieged by
combination
obvious
this,
went
tell it in
It gets
quite real,"
are
he
sional"
profes-
practice
by
the
opened
notion
the
't like
didn
he
as
in
twilight
the
Questioned
You
typical Kipling
names
audience.
on
been
future
his
just
their
delighted
he
to
style
have
"beastly
effect
in
of
his
adjectives for
up
nothing
to
seems
boys
and
art
story
fog"
real.
finish
me
Here
And
out
Orrin
names.
is the
the
chaps
and
with
the
form
his
the
while
developing
by
got
in
form
by
already
primarily
is
as
read
to
list
the
of
words,
talk;
"Only,"
College
quite
are
ever
had
City.
it the
in
him
there
beauties
of
delight
Beetle
letters
for
And
Virgil,
Sense
beastly."
too
Beleaguered
names
their
school-mate, said
that
who
find
controlled
him
Beetle;
made
of
invective, storing
do
we
him
In
Dryden.
and
to
efforts
associated
Horace
them.
Beetle,
of
vocabulary
heard
of
name
Beetle's
stimulating
and
name
"filthy technical"
or
oral
one
aware
imitate
to
trained
critically.
than
but
occurs
and
library
rather
WRITER
encouraged
college magazine
the
him
turning
Head
The
powers.
STORY
TEE
"all
tory.
dormithe
end.
desire
to
substantially
If
this
of
early practice, it is
KIPLING
130
habits
Inevitably
on
of
interpretation
is
he
seventh
those
virtues
but,
which,
as
have
we
questioning
He
of
in
same
way,
opposed
distrust
of
let
him
unintelligently
law
write,
of
attitude
the
aims
the
old-fashioned
thoughtful
the
and
Irving,
that
and
critic
and
which
Workshop,
him
Let
of
theory
the
critics
the
art
of
clearly expressed
himself.
leave
of
live
to
any
of
is
activities
of
and
no
enforces";
discussion
all
unto
system,
be.
Conundrum
is
with
nobly
condemns
may
to
"
the
istration
admin-
duty,
the
are
he
riage;
mar-
conflict
one's
' '
up
with
moral
no
do
says,
of their
The
man
every
paint,
eternal
the
is
His
that
let him
its
produce,
talk
to
history
vainly
its
and
laws.
It
characteristic
was
of
should
there
him,
as
the
have
is
esthetic
like
an
the
descriptive
of
technique
nothing
scarcely
you
left
have
can
from
to
say
critical
He
powers
of
and
these
work
and
cannot
obiter
He
their
that
ling
Kipall
his
construct
dicta, anything
indeed, with
Poe.
of
In
matters.
You
passage.
mentions,
Zola
the
critical
and
it is characteristic
on
Stevenson,
that
Poe,
theoretical
Chaucer's
even
creed.
us
fiction
contemporaries;
and
predecessors
that
should
Maupassant,
discussions
for
duty
in
"ballad"
the
that
one's
He
theorist.
and
what
moral
women,
English
"To
expressly
he
his
English
the
develops
Gallienne
Le
the
cheerfully,
seen,
condemns,
implies
work
to
as
technique.
the
Mr.
as
live
to
mark
tennis
play
with
with
their
summed
hypocrites,
have
we
as
who
he
leave
Inevitably
up
is concerned
he
Russia.
with
or
summed
with
in
will
subeditor
as
respectable
concerned
commandment,
natives
the
be
can
satirizes
of India
WRITES
short-story writer.
the
life
He
Kipling's.
STORY
acquired
of
technique
the
THE
admiration
writes
of
his
GENERAL
CHARACTERISTICS
enthusiasm
for
Harte's
Sea
Sea
which
"who
says,
methods
of
library."
practice
their
Yet
of
Those
has
that
was
that
he
already
called,
excellence
is with
Kipling
of
planning,
excellences
the
'
not
the
attack
the
special problems
as
and
journalist
and
inferences.
On
them
down,
effects, he
not
he
the
descents
of
means
tells
it.
all the
translation
to
so,
these
of
tone
the
prose,
And
of
while
of
elements
into
the
ing
Writ-
belittle
and
Kipling
concrete
an
for
ing
drawknocks
temporary
things
that
are
familiar
ure
fail-
style, the
or
connotations,
impressive
impartial
and
of
hard,
admirably
falls
comments
trouble
the
false
fulfils
sufficient
narration,
special
persistent
direct
impression
or
to
he
effort, of
His
them
Hence
strange
contrives
the
with
no
attention
any
Writing
himself
level
proper
is
fitness, coherence,
hits
he
the
Formal
whole.
readers
elements
of
his
element.
sustained
utters
emotion.
concern
short-story requirement
of
with
of
short-story technique.
contrary,
them
Kipling
which
of
of
methods,
which
in his work
is there
spares
the
not
in
hold
curious
as
does
noticed
to
chokes
so
the
subtleties,he
avoids
he
explanations
Nor
of
"proportion,
not
of
essential
an
new
there
enough.
of
and
And
natural
architecture
and
thinking
to
matter
others
shelves
of form,
then
are
harmony,
on
like.
matter
'
stored
as
From
that
comfort
been
form
in
dolls
and
Bret
writing-man,"
contemplation
to
of
sentence
"A
the
131
rhythm
himself.
given
precisely,
are,
from
than
the
been
large
help
regarded
in
shortcomings
PERIOD
dresses
here, have
other
he
the
of form:
draws
even
writing-men
praises
and
ideas
may,
FIRST
significant
shadows
old
THE
study
antics,
he
whatever
none
imply
working
evidence
other
and
does
at
He
is, indeed,
plays with
laugh
may
Twain.
There
prose.
to
he
Mark
OF
short
enough
by
story
the
elaboration
of
complete
suggestive terms,
KIPLING
132
falls
mainly
of
of
time
of
unity
defects
Sense
Judgment.
and
of
of
tone
genius
Fact,
or
impression.
whose
Imagination,
the
story
natural
he
as
bent,
Intensity,
fails
are
the
accentuated
rather
perhaps
unities
the
in
the
matter
qualities
by
than
in
and
thanks
enough
sometimes
These
whole,
while,
well
preserves
action,
and
WRITER
And
scenes.
he
place
of
of
great
temperament,
to
STOUT
construction
the
construction
the
is
in
short
THE
and
training,
Reason
and
PAKT
THE
In
New
Australia,
in
parents
to
Balestier
Mrs.
Kipling
where
they
1890,
was
arrival
in
York.
After
New
lived
parents,
was
published
their
from
August,
Kipling
years
who
had
in
left
1894,
1892,
made
India.
The
Second
thence
record
visit
visits
three
1893;
Jungle
and
Vermont,
1896.
to
The
Book
to
Mr.
to
in
begun
Jungle
in
ing
Dur-
England
Inventions,
Many
in
Japan,
September,
to
return
married
was
to
his
visit
other
Brattleboro,
at
Africa,
to
no
he
England
a
South
to
voyage
and
home
published
and
completed
biographers
established
four
these
his
of
for
Ceylon,
and
His
his
TRANSITION
England
Zealand,
After
Miss
OF
Jefk
Lahore.
India.
see
PERIOD
Kipling^
1891
TWO
1895.
Book
CHAPTER
TRANSITIONAL
THE
imply
All
the
second
period
that
the
others,
as
chronological
the
that
some
or
Plain
as
Life's
when
we
as
the
last,
the
Hills.
It
be
visible
when
should
Handicap
going
under-
was
in
volumes
the
Life's
Handicap,
is
surprising
not
remember
we
published,
was
to
not
transition.
art
place
we
compare
from
Tales
development
narrative
evident
is
of
periods
not
were
Kipling's
become
order,
first,
well,
transition
of
period
period
which
changes
with
first
the
through
that,
TECHNIQUE
call
To
Kipling
but
was
twenty-six.
On
but
the
whole
after
the
leaving
of
others,
and
Without
its
a
two
and
stories
understanding
of
Clergy,
aspects,
offers
which
in
reaches
Life's
to
the
of
habit
and
the
with
an
to
and
the
in
his
of
use
is
the
opened
later
from
life,
"They."
elephant,
to
thus
of
the
by
bination
com-
's
Pook
of
story
side
as
with
beginning
thus
Again,
Kipling's
memory
Puck
side
with
immediate
the
romantic,
extend
Handicap
those
of
some
dealing
such
in
that
so
Similarly,
escape
people
own
of
door
its
climax
his
to
habit
the
to
peculiar
its
ape
the
than
Fairies.
and
Benefit
tendency
this
and
reminiscence,
of
rather
present
Rewards
India
to
beginning
memory,
past
realistic,
force
people,
Extend
national
to
loyal
by
the
and
vision.
of
Hill
mark
land
remembered
field
India,
stories
later
remains
he
the
last
sympathetic
preparing
the
TRANSITIONAL
THE
way
for
the
does
the
scene
In
Books.
Jungle
shift
from
135
TECHNIQUE
India
significant story,
no
with
deal
or
however,
than
other
persons
Anglo-Indians.
is
There
types,
of
depict
to
or
greater
of
There
is, however,
subtly;
and
included
best
There
stories
Plain
King
contain
(in The
Without
regard
by
the
themes
nothing
Courting
in
The
Mark
Beast,
general
And
stories,
in
advance
we
can
comparison
of
bring
later
must
narrative
home
with
Without
and
Under
the
Who
Would
be
Willie
Winkie
The
and
earlier
Who
Man
art
the
that
treatments
Benefit of Clergy
End
hold
may
Life's
beyond
illustrate
Was,
of
of Imray
Return
we
(in
of Krishna
Hill, At
admit
the
that
The
views
Whatever
we
which
to
Incarnation
and
volumes.
stated
Wee
Shadd,
whole
roughly
Man
Greenhow
On
of the
individual
a
The
to
stories
the
on
as
other
an-
steadily
later
White,
The
to
and
and
is
grow
the
be
and
Dinah
of
more
stories, the
in
can
to
or
Life's Handicap.
to
it
equal
name),
tales
agreement
'Ricksliaw),
that
The
specimens,
Black
Three,
and
"That
marked;
found
general
Benefit of Clergy,
marks
volumes.
of
The
Passage,
all
"
in
Phantom
collection
Mulvaney,
the
But
are.
of
general
no
personal quality
the
memorable
be
to
.are
course,
Tales, Soldiers
Deod-ars
the
be, of
less
altogether.
The
in
increase
frequently
less
and
collections
short-stories,
can
best
frequent
in
evidence
no
at
elaborate.
and
visible
no
in
decrease
appears
attempt
disappears
more
commonly
certain
is
character-
new
motive.
and
author
less
grow
story"
the
The
There
emotion
is less
there
mannerisms
longer
of
develop
to
personalities,
complex
character.
study
narrative.
tendency
more
of
grasp
profundity
of the
observable
no
the
that
of
with
in
cap
Handiearlier
advance
similar
Beyond
KIPLING
136
the
Pale,
cruelty
more
of
And
later.
the
is, one
it
of
sentiment
the
with
deals
of
ideal
the
in
anecdote
less
much
state
of
of
the
of
has
story
quality, nothing
self-sacrifice,and
has
union
the
earlier
The
less
pathos,
earlier
say,
WEITEE
woman.
heroism,
the
might
native
less
and
STOEY
Tales, which
Plain
with
Englishman
an
in
story
THE
of
domesticity,
technique
complex
transition
short-
to
story.
We
noted
have
the
story,"
dialogue
story
and
Willie
trick
in
is not
later
Be
To
These
reader
further
in
these
is
of
action
expected
Examples
His
Tales),
Majesty
struct
con-
The
Hill
King
and
the
it is to
should
early experiments
and
napped,
Kid-
the
but
Life's Handicap;
to
were
beginnings;
.mere
short-
suggested
(Plain
and
are
'
'
details
itself.
Deodars),
the
and
the
for Reference
Winkle).
periods,
certain
situation
Filed
carried
which
which
the
or
(Under
Illusion
(Wee
in
tale
given, from
are
the
of
of
type
beginnings
the
be
be
kept
in
slang
in
mind.
The
thing
same
jargon, which
to
in
it does
with
The
in
and
does.
does
tennis
for
Humor,
later
The
is less
There
less
makes
are
cession
con-
decreases, then,
periods
itself
asserts
vigor.
comment
text.
tendency
later
the
clearly
or
gible
unintelli-
be
to
as
striking examples
most
Life's Handicap
interpretation, finally, is
Moral
moral
The
audience.
out,
telling stories
highly specialized
so
Tales;
die
not
renewed
passing
Plain
of
habit
reader.
English
an
of the
times
uninitiated
the
to
but
is at
found
be
to
is true
with
the
with
not
stories
do
the
formulated
not
begin, like
with
preoccupation
seventh
its
cease,
more
commandment.
human
While
subtly managed.
more
and
detachable
and
the
earlier, with
Anglo-Indian
There
kindly
is
Society,
tendency
attitude,
to
dis-
138
KIPLING
last,
The
of
story
Lord
the
stories
Mulvaney
STORY
is, except
that
My
THE
Books.
in
or
the
London.
life in
army
of
Northbrook
of
London,
in
Jamal-ud-Din
their
English
and
English
from
to
Turkish
Spy,
Voltaire's
Kings.
In
later
Kipling
outsider's
Of
to
be
stories
had
It
Rewards
monster
Sahib's
criticizes
stories.
the
War
of
studies
in
the
of
by
the
Indian
Four
(Traffics
the
and
Lispeth,
represented
English
the
friend
his
defects
Addison's
and
stories
from
to
the
out
continues
L'Ingenu,
their
letter, written
Khan
with
Kipling's
in
subaltern
view, begun
of
time, laid
wholly
by
earlier
Ullah
It
more
and
Inventions
Many
in
later
been
oarsman.
and
novelist
original tradition
the
on
The
"
as
successively
thus
and
an
which
motifs, characters,
reincarnation,
the
who
in
experiments
developed
with
meet
the
eries),
Discov-
and
affairs
from
an
point of view.
the
first
"
Shafiz
by
point
story,
once
officers
Double
In
first
the
more
Jungle
Janus-faced.
deals
India, pointing
native
closer
is
the
elephant,
Powers
the
to
government.
the
much
comes
back
Question
the
the
English
veteran
harking
the
neer
Muti-
its
by
way,
is, for
scene
of
Guj,
elephant, for
calls
various
to
Moti
the
the
of young
group
Club,
the
sort
Mulvaney
back
of
story
metaphor,
Conference
thus
View
One
Kazi
of the
India;
adventure,
And
classical
astonish
and
rooms
of
amusing
harks
prepares
Mulvaney
as
more
But
yet
psychology
is,
stories
other
in
the
it
Thus
Ends,
two
of
study
which
elephant
the
to
intensely
the
Elephant,
and
WRITER
London
American
Greek
the
prepares
Fairies.
Finest
way
Matter
reporter,
in
Story
the
for
slave
Puck
of Fact,
is
and
of
the
Kipling's
were
deals
World
clerk, of
banker's
galley
which
methods,
or
forward
mainly
look
man
Viking
Pook's
tale
first
Hill
of
sea-
definite
THE
in
attack
like
fiction
On
in
The
in
studies
of
stories
personify
little
studies
fortunately,
was
is
chief
engineer of
Waters
the
historical
for
the
later
has
He
convolvulus
borne,
the
warden
silence
of
foot,
that
he
of
would
life
is the
first
looks
back
of Traffic
and
there
first of
in
further.
tells
of
Mowgli,
and
the
the
like
story
wreath
of
creeper."
He
of
the
his
and
of what
tell
rhythm,
2
Lang
Unless
Men
he
o'
note
in
in
uncommon
is
Larut
the
the
unnamed
(Life's
naked
the
"his
prose
the
to
do
than
chief
engineer
Handicap).
at
same
self,
him-
Faunus
god,
blossoms
of
himself
the
Gis-
to
fleetness,and
was
the
doing
stories.
who
told
animals,
the
childlike
in
the
style, a suggestion
earlier
with
Books.
the
more
ume,
vol-
him
Jungle
strength,
salutations,
game
has
over
tassel led
open
the
the
the
commended
Forest, by
ever-ready
or
"
Upon
in
It
power
same
the
tale
introducing
in
same
ever,
how-
is,finally, from
Rukh
appears
the
which,
of Bread
story
thus
to
of McPhee,
stories.
Jungle
the
Badalia
vein
interesting
the
he
the
the
most
as
Brugglesmith,
character
In
the
habits,
virtues,
the
the
and
and
in
are
to
mechanical
the
Empire
London,
ment
experi-
devices
Brugglesmith
who
which
at
ceremony
is
mechanical
are,
King,
forward
mainly
the
...
Again,
but
Work.
Day's
and
Zodiac
no
Breslau,
with
white
of the
introducing2
enters
"crowned
forms
worked
same
natural
all
be
that
the
charm.
low
marriage
and
be
and
point of view,
than
same
of
as
The
Would
elaborate.
the
it is the
age
he
the
"
in
wooing
But
to
interesting
the
Judson
these
Who
with
deal
Both
Man
psychology,
more
Herodsfoot,
The
Disturber
to
In
ships.
character.
Children
pathological
the
is
and
The
allegory.
139
TECHNIQUE
American
Hill
of stories.
part
the
on
Greenhow
stories
first
TRANSITIONAL
For
the
of
of
tales
rukh."
beauty
example:
story
of
The
"Then
in
out
the
fetch
after
drummed
was
noise
where
of
behind
the
loose
and
washed
newly
descends
Even
the
' '
it,
of
old
Gisborne
himself, although
sin
there
Gisborne,
kill
to
Passage,
solitude, hardships
in
to
work
wheels
Woods
public
there
is
and
is all
on
the
Mowgli
is
and
must
and
coward
because
of
his
prepared
to
carry
the
official,
follows.
But
and
lack
on
of
the
tradition
ment,
Govern-
in
their
And
:
girl whom
and
the
of
regard
to
wisdom,
Kipling, according
murderer,
caste
"Of
Department
and
respectable hypocrite
would-be
the
expounded
Indian
explain.
of the
of
interested
is
information,
its members,
unless
End
itself
ing
hold-
hero,
deeply
succeeding
father
and
the
too
Service.
jungle
than
comment
the
At
and
system
devoted
the
even
Forest
important
that
And
the
under
turn
life of
story
his villain
make
thief
himself
in
The
of
way
's butler
Gisborne
is
and
habit,
old
usual,
' '
System
It
jerky emphasis.
the
else
the
to
level.
disquisition, beginning,
that
more
Forests.
implied
his
to
none
this
the
of
in
friends
The
opening
service
all
smoking
Kipling
animals
broke
sun
English
unusual
an
patterns
the
grin."
of
there
crackling
wove
the
privation,
and
luxuries.
the
of
activities
the
of
in
praised
and
as
think
his
stuff
hold
great
leaves
and
drops;
not
before
and
broad
green
and
the
wild
the
flanks
member
is
he
course,
Hummil
like
enduring
paid
the
even
need, is, of
was
does
jargon
in
was
lightning
hot
blotted
rukh
foliage till
style
up
under
juicy
speaks "with
becomes,
it
big
with
and
is swallowed
godlike Mowgli
the
the
the
godlike Mowgli
the
and
the
stood
shop
to
and
of
But
mist,
of
and
the
and
roar,
under
water,
rukh
WE1TEE
warm
matting
sky.
as
of
struck
dense
again
through
running
wind
the
with
fetch
night
the
Bains
came
STOEY
THE
KIPLING
140
he
must,
Abdul
Gaf ur,
Mowgli
who
looks
down
Mowgli
manners.
of the
weds,
alien
critic.
THE
comment
to
civilization
on
Observing
man.
"So
much
recalls
Of
have
further
foreknowledge.
the
tiger,
bade
jungle
me
was
with
night
four
paid
devils,
and
drove
village
to
village
but
there
was
no
became
The
and
of
of
youth
for
but
there
in
are
Mowgli
and
arranged
technique
of
the
from
dared
is,
and
fifteen
in
that
In
necessary
individual
cattle,
for
deal
stories.
with
and
eight
not,
An
proper
in
'
the
ups"
grown-
childhood
for
ups
grown-
Books
Jungle
them
deal
earlier
attempt
considering.
not
of
'
for
the
second
afterward
story
been
of
buffaloes,
twice.
"years
by
From
stones.
primarily
Only
order.
language.
possessed
of
me
bade
playing
me
was
and
just
then,
are
saw
the
brother.
their
tender
is
that
first
They
their
was
that
Tiger!
written
the
sticks
have
we
of
Tiger!
stories.
jungle.
said
with
But
were
chronological
the
woman
finger against
Books,
Jungle
children.
all
of
lift
married.
Mowgli
village
...
and
the
They
herder
that
life:
jungle
the
learned
having
men,
crops.
that
that
because
me
till
of
beasts
are
his
Those
Kipling
is
arrangement
my
says
the
in
among
went,
of
they
of
when
hatred
And
came
The
man.
followed
brothers
in
man
story,
stories
is
he
have
to
special
daughter
time
wooing
civilization
utterance.
cattle
to
me
man
the
"
was
[wolves]
toll
"Mowgli,"
of
brethren
my
till
.
of
that
Gafur's
herder
herds
Abdul
for
gives
wolves
his
of
lie
to
stories.
account
here
trouble
characteristically,
seems,
tells
because
go
critic
Book
to
much
so
natural
arrangements,
directness
Jungle
Mowgli
among
these
I
The
.
me
but
go,
Then
.
wolf
The
As
are
he
"and
says,
of the
household
Ingenu.
the
They
what
was
he
141
point of view
simple
Kipling
which
to
elaborate
to
in
stories
these
the
eaten!"
of Voltaire's
much
go
from
eat,"
to
you
that
TECHNIQUE
Gisborne's
trouble
after
down
to
TRANSITIONAL
at
understanding
with
editions,
such
of
an
the
KIPLING
142
first story,
The
Shere
Kahn
Mowgli's
tiger,
the
and
accepted by them,
of two
stories
later
relates
Hunting
by his friends
the
python,
Fear
Came
when
drouth
and
the
whom
for
all
of
years
his
friends
claimed
thread
by
knew
of
the
his
village,
wolf-pack
the
help
of
and
half
down
claimed
the
to
death.
to
in
son
his
divided
ravine
where
Buldeo,
for
came
herd,
Shere
the
pack
takes
that
the
hunter
set
was
of
brothers
him, Mowgli
Kahn
was
found
Mowgli's
aid.
up
adopted
showed
sent
how
Kahn
the
Tiger!
and
the
by
Shere
He
hunter,
to
by
tells
Buldeo,
faithful
the
jungle
with
enemy.
hunting
was
of
which
Jungle,
than
his
events
village, was
the
animals
from
Kahn
deep
went
him
made
so
wolves
a
wild
Learning
the
him
lost
the
Shere
that
trampling
had
and
cattle.
Mowgli
Tiger!
was
ment
punish-
the
broke
Hathi
tiger
as
deposed,
in
great
followed
are
Brothers,
fire.
How
river,
main
of
lore
Mowgli
and
Kaa,
story,
the
the
are
was
and
of
the
how
They
with
point.
by
the
splendid fight
creepers
the
Mowgli's
prey,
enemies
about
in
wolf-pack,
the
his
which
more
herding
of
this
at
family
he
and
first story,
as
These
Bandar-log,
because
and
events
Kaa's
"Why"
told
plants
Bagheera.
and
leader
frightened
the
The
was
predicament.
or
Jungle,
education
Mowgli's
Mowgli
the
the
wolves,
panther,
his
gathered
first buck.
the
of the
the
Akela,
of
of
proclaimed
were
stripes by
Baloo
conclusion
and
his
the
escaped
Brothers:
in
saved
"How"
animals
master
and
told
been
had
the
killing
the
had
the
the
by
bear, Bagheera,
"Pourquoi,"
peace
with
Lairs,
Kite
the
elephant,
marked
the
Baloo,
is
which,
Cold
of
Mowgli's
stolen
was
Mowgli
wolf-pack.
the
of
end
how
cave
to
the
Mowgli
to
tells
the
to
came
introduced
how
WRITES
Brothers,
precede
folk, taken
monkey
STOSY
THE
to
the
with
half
up
sleeping,
the
body
Where-
TEANSITIONAL
THE
fore
Mowgli
off.
He
him
in
Jungle
avenged
himself
bound
and
and
friends
had
episodes which
The
King's
Mowgli
took
death,
since
it to
of the
Red
leaping
of the
Most
rest
knife
and
Akela,
fate
the
old
the
finally,is
a
kind
spring,
of
The
of
the
stories
for
some
some
of the
two
years
his
the
fancy
way
of
romance
stories
are
In
Red
the
contain
by
slain.
the
turned
re-
story
gestion
sug-
he
awaited
him.
the
bees
the
with
Spring
his
battle
ning,
Run-
psychological study,
Jungle,
showing
episode,
thoughts
was
bees,
splendid
The
which
Kaa's
Mowgli
this
of
of
when
his
how
Mowgli
one
was
kind.
own
It
Rukh.
may
the
then
The
natural
some
more,
organic parts
Kaa
two
story
is the
the
where
In
his
said,
At
among
rather
Dog
to
Mowgli.
follow
not
the
turned
stories
Mowgli
does
for
all but
of
jungle.
river
also
Mowgli
episode
destroyed
was
cobra
before
where
them.
Veneris
after
river
the
pack,
at
story
is the
the
men
him,
were
down
and
follow
Then
One
as
him
persuading
by
other
all the
the
awaited
Pervigilium
seventeen,
prepares
not
The
Dog,
further
leader
six
pursuing
Red
wolves
which,
killing of
cliff into
or
him,
how
stoned
jewelled elephant-goad
and
by
tells
had
village.
the
the
Lairs,
feared
Dhole,
their
met
of
them,
over
kill
to
definitely placed.
tale
who
alone.
hunt
foster-parents,
be
the
led
and
destroy
beasts
Dog,
Mowgli
himself
out
treasure-vault.
the
episode,
to
Cold
it caused
to
his
death
and
tiger's skin,
the
villagers,
driven
and
preferred
this
the
to
the
from
he
continues
cannot
Ankus,
-pack with
But
on
stoned
village, was
them.
gone
elephants
the
wolf
condemned
who
Buldeo,
on
lead
to
the
to
the
to
the
Letting
Mowgli
return
back
went
wished
they
his
on
143
TECHNIQUE
of
the
be
regarded
division
of
divisions
the
of
less, than
whole,
the
as
while
chapters
whole
the
into
narrative
single episode,
others
are
con-
KIPLING
144
the
only by
nected
from
nothing
Some
of the
between
the
surpassing
Tiger!
And
Red
has
Dog
out
with
"
telling
informational
lack
this
has
be
be
between
How
Fear
regarded
Neither
better
of
fairly typical
King's
of
the
Anktis.
of
motif.
the
and
same
tradition
again
whole
more
is
folk
beginning
the
Kipling, by
spinning
doubt
into
he
got
the
flowing steadily
on,
of
Mowgli
one
their
from
stream
of
stories,
because
which
sight
of
and
the
got
some
cottages
oral
for
in
source,
tradition
the
as
most
and
is
The
certain
it offers
handling
carrying
crops
of
end
such
can
others,
masterly
account,
own
outside
this
great
out
his
the
can
Running
the
tales, and
Chaucer's
to
ample,
ex-
tales
it illustrates
because
marchen,
or
stories
for
two
peculiarly interesting
tale
ductory
intro-
Jungle
Spring
than
with
long
Brothers,
structure
these
architecture.
all.
at
significant also
It
the
wherein
The
group
comparison
from
"women
Beyond
once
the
Tiger!
managed
of
Lairs,
stories.
well
scenes
in
worse
Cold
at
the
effective
somewhat
Mowgli's
and
by
though
most
short-stories
nor
of the
short-story.
from
Came
literary relationships of
for
the
But
its two
as
It is
opportunity
and
structure.
gap
placed.
scarcely
of
"
ized
character-
and
short-story
battle
suspense,
action
earlier
the
Kaa's
scenes,
monkeys
piece of
incident.
excellence
of
the
pieces of
excellent
an
organic
and
and
admirable
an
together, is
details
python
battle
best
is
too,
drawn
the
constructed
requirements.
short-story
admirable
with
follows.
that
nothing
to
indeed, admirably
distinct,
springing
characters,
same
excellently put
elaborated,
stirring battle,
suspense,
is
the
are,
respect,
example,
WRITER
leading
stories
this
well
by
of
precedes,
individual
for
Hunting,
STORY
presence
that
fulfil, in
and
THE
out
again
history of
of his
the
thus
which
part
on
the
stories
twilight."
dipping
had
been
forgotten,
KIPLING
146
Intimate
animals,
association,
is
again,
situation
is
animals
THE
reversed.
of
For
permitted
are
WEITEE
on
habit
STOET
folk-tale
where
to
society.
in
the
human
enter
But
guiding
Baloo
the
Kaa,
him
saved
Lairs
in
of
influence
all
of
the
struggle with
he 'of the
by
which
real
is
to
and
with
the
is
to
his
No
of
the
of
swift
observation
air
an
of
ning
win-
the
the
knows
ankus
was
of
worst
charm,
as
its
in
sentiment
the
to
mutual
comprehension,
is
to
in
the
wrestles
self-conscious
in
head,
of
such
each
the
werewolf
tale.
swims
esthetic
waiting
old
folk
as:
for
of
is
It
in
sense,
"They
his
usual
as
immediacy
an
and
sentence
themselves
assert
reality,
Mowgli
whom
suggestion
wolves.
the
appeal
and
surely
the
part, of the
this
on
Cold
Bagheera
what
learning
small
instances
marchen,
head
him
to
forbearance.
there
fro,
There
relation
upon
these
settings
And
to
course
insists
characteristically lacking
python
pool.
tells
man.
powers
the
men,
had
trail, who
self-
who
After
friend
following
of
him
aid
and
tion.
educa-
art
Kaa,
his
to
his
of
stories, depends
give
of
art
is
Cobra.
to
the
tales,
Mowgli's
leads
now
conies
turns
the
ways
wicked
Jungle
Kipling's
in
gently
upon
friendship
and
Mowgli
human
other
"manly
It
White
the
of
the
who
and
treasure,
Ankus,
in
swimming.
and
the
and
him
two
or
society of
from
learn
we
one
the
teaching, helping,
supervision
Bandar-log,
specialist
for,
made
is, as
instructs
the
of
here
here
the
share
to
powers
general
hidden
than
more
has
the
the
panther,
old
It
wrestling,
from
and
swiftly
who
however,
in
defense,"
the
hero.
young
bear
the
have
they
tale
society,
Only
folk
lower
the
the
very
forest
foreign
would
chance,
superstition
effect,
in
of
rock
till the
Mowgli
's
THE
beautiful, statue-like
coils and
And
of
knowledge
and
beside
of
the
that
it
mean
and
light
chamber
from
"long
for
like
"innocent,"
like
what
King?"
wishes
He
of the
find
money
has
is but
offers
sunlight,
his
or
yellow.
feed
The
the
Yet
beauty
Mowgli
and
for
the
the
folk
that
turret-
only
son's
Tennyeffect
asks
the
cobra,
on
with
the
of
or
has,
bunch
is endowed
the
of the
"der
reine
For
men,
does
the
ankus
Man
it
when
of
with
new
to
For
Pack,
seek
him
because
in
glistens
positive
the
ently
indiffer-
him
flowers
simple
living, "to
pleases
not
is
of
doubt.
or
care
of
as
"What
content
joy
than
type
closely allied
man
in
tale
France.
of
jewelled
of
poet's
world
by
they play
satisfactory grip,
almost
hair.
stuff
canvas
Parsifal
de
content,
feast," untroubled
the
high
pale
the
broken
the
dark
the
of
natural
to
of
like
Marie
of
innocent's
formed
in
or
special popular
Beowulf,
the
the
typical
Mowgli
is, so
' '
led
that
however,
say,
lakes,"
very
ignorance
the
forests
and
brown
in
in
up
touches
trail
from
the
upon
more
dragged
are
the
ning,
run-
water.
lai
the
easily gratified, of
beasts
and
in
knight
hero
youthful
the
Tyolet,
Tyolet, brought
know
is
's
the
of
is,indeed, of
He
in
Anglo-Saxon
across
surface
he
There
should
Poe
to
the
to
shakes
ruffled
Mowgli,
Kipling.
Thor,"
is inferior
fast
moonlight,"
the
Mowgli's
in
signify
darkness"
the
again."
and
something
and
bow.
of
Here
even
or
light
the
on
his
light dripped
the
overhead,"
As
into
treasure-vault.
where
sunlight
down
specific verb
's
Kipling
checkers
again
spread
description again,
the
black-and-yellow
erudition
foot
with
hunter
through
the
widely
small
of
rise up
Kipling's
toes
of
mark
"dropped
that
of
147
whirl
to
arms,
that
Gond
out
of
roof
it
fact
the
artistic,non-popular,
"in
of
and
bits
typical
are
in
melted
group
struggling legs
there
TECHNIQUE
TRANSITIONAL
to
and
the
stick
ideal
KIPLING
148
qualities.
he
when
with
and
courtesy
knife,
his
he
has
and
moral
He
kill
riot
Mowgli,
Like
when
point
at
In
"only
of
speeches of
the
Treasure.
Kurrun
when
came
my
skin
to
steal.
and
stone,
Here,
indeed,
the
White
dark,
was
Then
of Little
ape
would
the
rhythm,
from
Snow
let
rhythmic
Warden
of the
the
stone
above
down
the
l '
the
Once
and
upon
to
my
time
days
who
the
masters."
a
music
in
the
King's
those
dignity, of
simple
in
through
treasure
to
prose,
in the
me,
death
Brahmins
all, of
homely
:
to
the
teach
and
concessions
am
might
he
they do."
as
"I
yet, after
White
shout
mainly
of
song
and
is heard
that
tendency
's
folk,"
men
with
tale
In
animal
the
It
builded
the
behave
we
"
tradition.
tale.
oral
they
heard
is
stare
' '
evil.
all
from
man
villagers
is the
more
society.
critic"
the
Cobra.
Raja
quite distinct
opening
old
of
these
There
man
desire
men
"alien
is folk
virtues.
"civilized"
root
all he
natural
own
with
manners,
Ankus
versa.
trait
regular
grey
King's
vice
or
the
the
their
Kaa,
in
All
as
what
the
the
no
Tiger!
wrestling with
of
criticises
he
have
with
in
desire
more
Riquet,
manners
contrast
wealth,
once
his
animals
not
for
meet
Tiger!
The
form,
do
the
virtues
laughter.
his
in
courage
is conceived
he
himself
savage
in
and
geance
ven-
special
carried
arraignment
We
"They
in
him,
Kipling,
' '
and
Hiddigeigei
says,
his
is, we
that
point of view.
in
'
lies in
thus
another
one
'
brother
by
story
Bagheera
to
says
shall
the
"he
ideal;
taught
civilized, lies
less
or
of
for
He
calm
the
ankus,
its fearful
cobra.
the
fall with
hard
Rousseau
the
has
the
away
at
shows
he
left him
a
fling
is shocked
He
temper:
take
him
it to
and
never
to
animal
an
The
that
learned
approaches
man,
good
he
food.
cobra;
WHITES
bids
heart
returns
for
the
STORY
use;
and
men,
kill, save
encounter
of
its cruel
learns
never
of
tenderness
upon
will
THE
the
ness
seriousof
the
middle
THE
of
winter,
from
the
when
sky,
window
the
and
TRANSITIONAL
the
flakes
sat
queen
made
was
looking
of
out
needle,
And
the
red
red
as
blood,
as
"the
old
burden
broken
while
hums"
this
rhythmically,
and
admirable
From
of
part
and
is
in
with
desired
the
the
mdrchen
And
events.
killing
of
one
of
possession
we
can
man
see
how
matter.
it
Mowgli's
up
treasure
it has
To
story, the
to
the
the
it
motion
moment
he
as
does
snow,
'
ancient
her
and
turns
it in
caught
Lang
'
catch
not
in
the
of
the
the
and
and
the
been
whole
of
the
subjected
in
the
is
mysterious
Lairs.
The
meeting
quite different
together
independent
of
the
story
companions
kernel
an
Jungle
early part
Mowgli's
to
to
is
his
the
was
relations
transitional
kernel
of
ductory
intro-
The
Cold
This
more
end, and
of the
at
the
poisoning
place it
distinct
news
vault
King's
it is
Mowgli's
stringing
this
The
mdrchen:
and
tracking.
of
of
special function.
by
regard
"
white
she
window-frame.
structure
settings
of the
and
the
and
snow,
as
Andrew
as
that
has
men,
we
child
her
fell upon
spinning-wheel
beginning
habit
yet, if
white
of the
the
view
the
scene
the
ing
sew-
pricked
she
blood
the
was
tradition, mumbling
upon
in
by
vault
Bagheera,
from
of
distinct
story
she
of
manner.
reveal
the
whilst
manifestly
it, or
narrative
the
set
something,
scene
its
point
incidents
these,
of
frame
of
wood
rocks, and
improvement
an
there
organic;
each
echo
I had
but
of
caught
another
is
Ankus
cradle
Perrault
as
"
the
voice
upon
the
the
snow,
drops
that
as
the
at
pretty
black
as
And
feathers
and
sewing,
ebony.
three
looked
and
writes
Kipling
and
149
falling like
were
window
herself, 'Would
to
snow
window
black
the
the
thought
of
at
of
finger with
snow.
TECHNIQUE
that
away
the
the
story
overlaying
added,
throwing
for
of the
Books,
as
of
"
traneous
ex-
make
to
of
is, everything
the
ankus.
KIPLING
150
From
point
that
and
reconstructed,
of
Voltaire's
oriental
read
But
know
we
Voltaire
inconceivable
united
this
new
new
material.
version
the
with
this
He
and
course,
old
that
part
that
following
version
the
of
all
and
ruffians,
or
in
Kipling's
intervene
there
Thus
new
and
addition
the
for
unnecessary
Kipling,
it outside,
of
be
in
who
man,
original motif.
inside, three
ling's
Kip-
approached
robbers,
hunter,
to
before
of
by
three
Kipling's
adds
India
all
speak,
to
so
dealing
unnecessary
acters,
char-
in
which
they
story.
But
action
concerned.
deals
in
it in
characters
and
differentiates
the
their
exactly
of
the
action,
subtly
characters
point
Pardoner's
The
with
methods
from
the
in
it may
is
tale
is modified
Gond
the
it is not
and
tale.
old
the
an
In
and
old
versions
old
material,
matter,
Chaucer,
new
itself
cobra.
of
out
ancient
Mowgli
of the
that
disposal of Mowgli
the
at
that
tale
villager,
know
methods
the
or
reminiscence.
probable,
of
something
all the
the
We
poison story
all most
that
Dupin,
lingered
story
and
treasure
directly from
with, of
he
is after
In
becomes
working
are
what
The
treasure
the
the
the
only, however,
way.
Mowgli,
with
reconstruction
the
follow
oriental;
was
is not
the
source
early detective
first-hand
for
Bagheera
get
this
knew
trail and
It
that
Or,
day.
Kipling
Voltaire's
method
the
that
there
him.
follows
suggested,
Poe's
than
closely
more
Holmes
but
Mowgli
and
Bagheera
far
Sherlock
Doyle's
Kipling
For
Zadig.
directly told,
interesting method,
most
WRITER
is not
story
by
philosopher
Conan
and
old
the
STOBY
THE
he
and
of
the
opposite
elaborates
by
purely
three
view, studying
way:
those
instead
of
already
objective
revellers;
their
same
he
motives.
adding
present.
dramatic
and
tells
In
the
story
Kipling
characters
they
have
no
view
does
not
bad
study
in
senile
the
Mowgli,
as
If, then, it
the
rather
than
rogues
of
Chaucer.
is
that
to
Moreover,
in
has
to
be
story
jest by
the
Chaucer's
higher
sense,
expectation with
as
on
fulfilment
well
the
;
much
so
lower,
tragic:
as
psychological
just
as
he
the
narrative,
drunken
three
It
the
aims
greater
he
well.
achieves
ception
con-
than
lower
the
by
mands
de-
admirably
higher,
is
and
Chaucer.
is, his
That
achieves
element,
be
may
general
Tales, and
as
in
implication
conditioned
the
to
intensity,
aimed
he
if Chaucer
aims
Chaucer
comic
emphasis
aim,
was
by
Canterbury
And
demands.
that
or
story
of the
conception
the
it fulfil those
loyal
Books,
in
"
toes.
fulfils that
Kipling's.
to
conditioned
was
of
of
but
men
superior
story
Jungle
Well,
of
does
the
implication
even
short-story
who
weight,
in
civilized
is
the
it is Cha.ucer
of moral
all
of
the
or
his
of
spread
the
significant section
but
Moreover,
tale
Kipling's
that
urged
of
or
vintner's,
the
to
tavern
stile ;
the
ualize
vis-
remember
and
the
at
what
not
may
in
function
its length,
of
We
man
apothecary's
small
not
Chaucer's
old
with
deals
he
as
revelers
the
distinguishing
in soundness
criticism
"
with
far
far
thermore,
if, fur-
And
Pardoner.
Kipling's
Chaucer's
vigorously
more
three
the
Kipling.
not
so
for
have
we
not
Chaucer's
to
and
realistic.
more
grasp
face
increase
to
unity of tone,
a
of
most
function,
of
the
the
point of
's
cobra, though
man;
story,
grossly ignorant
was
be
we
from
Chaucer
though
is the.
to
running
poisoner
make
face
stand
they
old
vivid,
Mowgli
comparable
way
narrator,
Chaucer's
tenaciously
more
no
the
more
distinctly, but
so
Kipling's
of
Chaucer
saw,
And
mysterious
is the
Kipling
Mowgli
the
subtle
and
psychology;
is in
reconstructor
complex
more
that.
decay,
figure of
marvelous
no
and
permit
151
TECHNIQUE
TRANSITIONAL
IRE
his
grim
contrasting
tragedy,
in
part,
KIPLING
152
by his emphasis
well
apply,
to
best.
charms
written
the
after
examine
Ankus
from
seven
In
and
of
at
the
of
Island
Fernandez;
where
St.
no
and
men
He
went
where
to
he
Islands,
and
all
the
Orkneys,
Goilgh's Island,
*
Tale,
See
The
for
further
Atlantic
seals
take
miles,
extend
to
the
through
' '
vol.
Island,
of
we
of the
with
Mowgli
King's
The
of the
other
The
84,
p.
them
to
he
things happened
Point,
Sea."
Bering
Pacific,
the
across
the
only by
East
the
Island
of
of
search
an
Juan
island
of
Islet, northeast
and
dry place
Pacific.
the
Equator,
Georgia
the
to
Nightingale
Cressets,
Anlcus
South
on
went
Little
King's
714.
these
in
relents
knew
North
or
North
death
to
he
All
in
Island, the
comparison
that
one
that
which
Walrus
horrid
Emerald
Monthly,
it is
still further
away
wanderings
Bouvet's
it
Pardoner's
as
deal
course,
fact
begins
and
the
baked
the
departures
of
lands
away
Gallapagos,
nearly
was
the
came,
right
rank
Book
Novastoshnah,
hero's
ever
of
sense
thousand
the
the
narrative.*
of the
Seal
Paul,
seven
Novastoshnah,
' '
White
of
noting.
with
place called
take
Jungle
Some
it is
Yet
because
is
It
it with
to
brief
in the
worth
deal
The
southward,
or
the
excellences:
part
day.
own
of
Kipling's
to
in
comparing
art
ordinary migrations of
The
has
touchstone
manifest
merely of these, of
are
the
part;
deserve
type.
them
...
our
not
stories
type
Thus
hearsay.
on
as
him
permits
of
the
It is
this
two
of
of the
stand
can
that
again
evitably
in-
lead
comparison.
and
in
justly,
it does
friends.
his
and
tale
did,
real
closely, and
that
Only eight
has
us,
masterpieces
great
which
character
this
over
Arnold
fashion
it
discover
Tale
long
too
Ankus
delights and
should
of
Chaucer's
Matthew
as
King's
The
WRITES
elements
It is thus
lingered
have
STORY
interest.
human
greater
those
on
ruin.
to
THE
and
and
The
even
Island,
to
Pardoner's
KIPLING
154
to
but
man,
imperfections.
human
as
at
little
here."
busy
"all
the
seas,
and
And
the
of
satire
humored
of
obvious
rather
satire
the
member
of his
seal, the
only
only
tiot
in
one
set
order
had
to
down
that
the
high
moored
are
bit
of
of
with
Compared
it;
the
proud
very
're
We
wanderings
admirable
an
subtlety.
it,"
good-
the
it looks
versation
con-
little
significant thing
The
bitterness
is
is
earlier
Kipling's
of
the
his
village
general,
the
of
tales
an
of the
and
friends
his
whole
only
Purun
hermit,
warned
him
Jungle
by
one
one,
Rikki-
that
slew
that
befriended
so
in
three
being
human
was
holy
time
who
great
that
to
the
save
landslip.
Books
reveal
'
find
to
men,
Bhagat
and
impending
slain, the
discovery.
family
the
was
to
one
white
companions,
by
is
are
of the
part
but
And
beggar
friends
from
his
distinguished
Kotick
inaccessible
mongoose,
dance.
a
' '
as
benefit
Elephants
became
his
commonplace
type,
deeds.
when
of
to
lives
elephants
became
Himalayan
them
the
of
of great
thousand
in
interest
superlative
island
an
ordinary
no
who
statesman
fight
saved
the
seen
of
persuade
to
the
slaughter
accept the
search
in
growth
questions
ask
to
in
Toomai
In
and
up
grow
in
clan, doer
or
one
to
and
animals
them,
his
scallops
and
is
in
Pertelote, however,
is still of
race
out
Tikki-Tavi
him.
of
scarcely
hero
then
snakes
the
of
met
loaf
that
relations.
and
humor
is
people;
it, and
Seal,
would
' '
vanished.
there
to
marital
lacking
good
has
Yet
of
seems
the
White
seal
gentlemen
one
says
's parents
Chanteeler
and
away,
of years,
Kotick
old
drowsy
white
the
at
' '
Run
hundreds
Pertelote, amusing
looked
heavy
talk
of
ruffians
untrustworthy
the
full
the
Kotick,
place for
one
but
boy.
"
and
walruses
club
"
WRITER
Chantecler
The
"a
imagine
can
you
look
in
like
repeating,
as
STOEY
THE
better
grasp
'
TBANSITIONAL
THE
of
structure
the
first
limits
and
period.
of
the
few
of
them,
The
short-story.
insertion,
the
fact
that
its two
between
has, perhaps,
The
Miracle
the
search
of
of
of
unity
is told.
snatching
of
days
now
grown
of
piece
conscious
regarded
two
of
the
tales
must
be
thoroughly
Tiger!
Tiger!,
and
of
latter,
finishes
of
like
orthodox
Red
as
may,
has
the
we
reconstruction
the
rejected
the
in
the
of
Tooniai
he
came
in
air
of
being
I'Hommc
"
former
Only
Spring
the
a
be
seen,
story.
the
baby,
just
organization
in
study
of the
Indian
tj'pical short-stories
structure:
the
of
takers.
Under-
same
have
of
story
river
Combe
short-stories
as
Servants;
type
Dog,
that
Nodier's
the
tale,
story
the
near
the
tales
The
how
down
his
This
study
tells
floating
boat
Majesty's
Her
Six
Empire.
and
of
the
psychology,
the
story
and
Running
Came,
Ankus,
the
as
which
compression,
King's
The
in
crocodile
he
Other
situation
Fear
of
partakes
men,
the
him.
shoots
man,
and
Mort;
As
Mutiny.
to
type.
the
a
inaccessible
of
much
story
Odyssey
of
story
the
Seal,
the
long.
too
too
the
How
from
baby
the
of
latter
the
of
emphasis
is true
White
The
in
Letting
essentially
is
mits
per-
independent
two
structure.
island
an
Brothers
partakes, perhaps,
as
epic
an
by
This
In
for
years
nature
achieve
Bhagat
of
of
natural
the
over-run
scenes,
stories
the
Mowgli's
events,
many
biography,
through
the
to
Purun
of
nature
too
than
tone
perhaps,
of
perfect unity
more
155
TECHNIQUE
Kaa's
of
Hunting,
Quiquem,
Elephants,
Rikki-Tikki-Tavi.
All
of-fact
fifteen
methods,
crowding
distinct
in
scenes.
show
results
the
than
of concrete
The
the
of
of the
tales
incident
stories
are
imaginative,
more
early period.
there
is
longer,
more
and
less
matter-
There
is less
organization
being
at
the
into
same
136
time
less
It is
as
suit
KIPLING
THE
with
detail, the
packed
if
the
Kipling
short
had
absolutely uniform,
descents
to
shifts
from
as
the
It
is rather
of
explanation
as
well
have
at
Jungle
be
In
from
advance
is
of
with
man
side
earlier
is, with
which
emphasizes
in
ordinarily
are
word,
The
in
the
his
courtesy,
to
treatment
stories
reveal
to
is
animal
so
temper,
distinct
the
ideal
possession of
"hunger,
fixity of
as
purpose
in
the
he
qualities which
heroes, he
greed,"
ties,
quali-
stories
these
of
the
qualities
those
in
parison
com-
on
If,
extent
much
there
mainly
endowed.
peculiar
of
delicacy, in
unflattering
presence
the
these
concerned,
always
animals,
be
not
the
certain
the
in
in
ship,
workman-
show
falls, on
are
lower
sloth, predacity,
good
it is
beasts
animals
lower
supposed
cruelty, vanity,
courage,
the
insists,
them.
in
emphasis
the
with
the
stories
Interpretation
emphasizes
share
men
that
we
is willing
in
of
style,
Jungle
beasts, yet
which
stories, he
and
cynical realism
the
he
insistent
carefulness
preceded
Moral
old
the
agreeable
that
In
of
as
that
as
is necessary;
is less
evident
the
Yet,
Although
bit
improve
to
children.
explanation
tone
stories.
unintelligible, he
be
note
of
unity
work
far
so
something
more
in
anxiety
not
great
so
insert
to
to
marked
earlier
then
's.
is
tone
tone
the
an
of
no
in
general,
all the
Although,
in
and
to
personal
mannerism,
over
satire
Kipling
as
where
the
Books,
of
technical
so
restraint,
freedom
habit
explaining
explanations.
in
fixed
in
rapid.
pace
such
not
change
no
audience
an
his
are
now
pauses
entertain
to
is
less
headlong
though
instruction, betraying
this is
times
old
manner
bitter
to
Kipling
or
to
others, in
the
pathos
that
as
seen,
at
levels; there
prose
his
And
in
breaks
is much
movement
child.
the
WRITER
modified
here
of
steps
STORY
is not
men.
istic.
animal-
thirst, lust,
wisdom,
loyalty,
(as contrasted
THE
TRANSITIONAL
157
TECHNIQUE
.
with
Bandar-log),
the
in
is;
jungle,
that
in
Majesty's
Her
driver
his
on,
to
up
outlined
in
the
is the
of
whole
Now
But
and
The
adherence
Rukh,
with
the
his
which
real
heart
him
and
the
hump
relations
of
are,
and
of
prosaic
Jungle,
Seal
the
world
disposed,
It
be
obeys
the
creed
the
rhyme
be
to
ling's
Kip-
from
drawn
the
his
story,
creations
moreover,
in
and
of
Obey!
"
transition
or
from
whereas
from
that
the
have
of
animals,
under
Thus
mysterious
of
Quiquern,
of
places
to
the
The
world
less
that
the
In
relations
Jungle
him
conditions
in
place of
Baloo
of the
and
White
further
are
real
the
romantic
and
Kipling
personae.
on
freer
reveal
Esquimau,
dramatis
the
the
Anglo-Indians,
the
from
his
and
wolf-pack.
and
in
world
the
and
example,
stories
imaginary.
may
of
and
Mowgli
the
period
realism
romance
reveals
place of
the
is
away
friends
we
Law
significant, for
is
world;
India,
Kaa
imaginative
so
Jungle,
second
drift
necessity, wholly
the
and
The
seems
to
the
direction
Jungle
with
and
and
of the
completely
Bagheera
is
of
the
Anglo-Indian
detach
Books
in
first
the
Book
the
they;
are
hoof
general
the
the
imagination.
the
the
in
as
of
mighty
and
haunch
fact,
to
of
play
and
head
the
up
in
McGoggin.
moral
and
lieutenant,"
as
do.
men
as
general, who
Jungle
Laws
general tendencies
summed
involved,
man
driver,
Empress,"
Aurelian
principal
the
are
many
the
his
the
Second
the
his
the
these
and
of
of
his
obeys
obeys
of
the
he
law
of
law
said, "obey
sergeant
servant
of
summary
as
the
Conversion
The
beginning
work
and
brigadier, "who
who
it is
who,
the
To
is the
bullock,
or
law.
to
story
one
Servants;
sergeant,
the
Viceroy,
be
only
horse, elephant,
Mule,
at
obedience
or
natural
KIPLING
158
of
qualities
that
still
speak,
his
of
the
time,
the
in
past,
ventures
in
Again,
upon
he
significant
to
so
machinery,
departs
now
imaginative
an
extremely
the
descends,
romance
ships.
so
more,
tion
reconstruc-
Story
Finest
in
World.
evidence,
is
There
of
imagination
Zodiac,
and
marked
by
And
tales,
obvious
this
way
goes
personal
in
the
in
addition
interest
new
effort
new
in
too,
marchen,
manner.
Jungle
in
novelties
two
or
and
He
finds
of
and
more
play.
beasts,
personification
the
own
the
them
free
has
than
WEITEE
idealize
to
imagination
lower
begins
from
characters,
also
here
and
his
STORY
THE
tale
hit
to
general,
note,
in
the
and
hold
with
the
slower
the
There
Children
are
children,
of
level
style
of
movement
and
the
of
for
restraint,
refinement
greater
form.
certain
of
play
told
greater
freer
The
marvelous
to
artistry,
greater
of
matters
allegory,
of
this
to
the
less
far
of
delicacy
treatment.
Realism,
the
and
of
permit
Form.
then,
intervention
the
insistence
of
corresponding
the
on
author
growth
fact,
observed
the
in
his
in
own
person,
Imagination
and
sity,
Inten-
diminish,
and
Sense
PAET
ENGLISH
THE
with
Kipling
South
he
his
Africa.
took
of
sailed
his
with
attacked
by
feared
that
fallen
six,
terminated
June.
In
family
which
cold
the
He
continues
has
published
to
The
live
Actions
(1901-1904),
and
Reactions
at
Day's
(1897-1900),
Discoveries
in
work
Just
the
the
field
of
So
Stories
of
Puck
(1909),
and
Pook's
Rewards
in
period
Stalky
and
he
pany
Com-
and
and
Traffics
Hill
the
tendency."
this
(1897-1903),
aged
''for
idealistic
(1894-1898),
Work
was
England
Prize
During
Rottingdean.
elder,
to
Nobel
was
daughters
two
the
returned
awarded
was
he
It
his
for
he
1899,
pneumonia.
which
family
The
tion
inten-
York
New
1898,
the
January,
Meantime
disease,
fatally.
distinguished
most
into
recover.
same
Kipling
In
developed
not
with
1907
America.
of
with
In
home.
in
1897-1898
spring
the
Brighton,
near
to
of
in
England
to
permanent
might
he
ill
had
his
it
winter
the
spent
Rottingdean,
at
making
PERIOD
family
Returning
house
THREE
(1905-1906),
Fairies
(1910).
CHAPTER
VI
SETTINGS
THE
In
with
third
the
1910
Yet
it
achievement,
been
back
empire
I
when
half
to
think,
to
India.
the
sea;
is
geography
is
again
all
the
and
of
all
by
accuracy
to
'
him
'
bubbling
follow
next
two
green
two
examining
must
ruined
up
line
faint
houses
field
the
fringed
;
then
brook
the
through
closes
of
with
by
of
deal
the
old
wild
Lost
or
then,
is
vision,
as
tinguishing
dis-
the
with
His
feeds
like
Orchard,
that
did
test
where
their
clicking,
where
shallow
running
mark
in
familiar
the
bush,
not
tions
descrip-
landscape
county-road
rose
it
may
that
you
does
as
Books.
sugar
round
an
all,
far,
imagination
American
An
by
three,
of
scene
England
Jungle
which
down
go
hollows
of
those
undergrowth
the
Seal
his
extends
So
of
His
vividness.
old
water-ram;
maple
young
of
You
White
own
we
work.
observation.
his
final
period
Only
England.
latest
this
Africa.
The
discovery
Kipling's
outside
the
in
of
Kipling
dozen
South
to
laid
is
of
which
stories
background.
the
on
The
six,
as
concerned,
him
have
third
time
tinues.
con-
culmination.
half
another
others,
based
carry
Quiquern
In
as
seventy-four
the
still
characteristics
and
of
naturally
development
"
primarily
kind
of
in
mark
It
reach
closes
present
year
tendencies
America
all, of
the
regarded
the
dozen
have
nearly
be
to
studying
Only
hark
is
for
forty-fifth
Kipling's
"
have
which
period,
the
nobody
the
sea;
past
cellars
ever
KIPLING
162
is in
It
of
The
that
like
"Not
England
dinner
sat
down
to
the
lawn
below
paddock
of
in
Again,
to
his
It
The
the
was
alive
bring
and
sense
of
could
afford.
home
And
it scattered
as
bloom
in
as
of
sense
over
of
fresh
the
earlier
upon
approaches
inalienable
right
an
in
and
the
air
golden
expression
was
hours
of
any
eternal
this
me
more
cities
foreign
groomed
"
tasselled
spinney,
that
of
wind
faint
the
sea
fatted,
with
light puff
gave
"
knew
love
to
field
of
be
to
intervening
open
rails
the
[injalienably
tree.
of
it was,
serried
cottage,
and
of
buildings
all mine
coming
and
.
face
the
content
Fate,
Eden
in
its
of
well
miles
May-day.
setting
peace
and
camp
English
an
was
thousand
gleaming
It is the
as
round-bosomed
"
whiff
golden
gorse
sight.
bring devotion
England
Time
is characteristic,
what
by
the
was
descriptions of India,
of differences.
that
it
cocoanut,
of
out
day.
well-grown
the
garden
greystone
may
upon
home
direct
nature
the
stateliest
the
and
of
'
long, long
of
that
was
of
heart
all
"
three
man
decent
somewhere
the
could
than
been
seizing
sea
own
joy
knew
what
security
the
flakes
have
might
in
Here,
of
And
apple-bellied hawthorn,
copse,
was
and
that
land!
spotless road,
hedgrow,
it
flower.
washen
out
the
ponds
gives
towards
drift
the
to
the
and
of
yet
devotion
the
in
turned,
ending
myself
fullest
to
clipped,
to
with
country
my
had
hours
the
crept
sounds.
horse-chestnuts
were
"
abandon
to
"
there
the
the
them
perfection
air
the
of
twilight
English
of
shadows
But
night.
of
point
very
tides
no
of
three
rabbits
ranged
were
the
when
were
Kipling
Home,
at
period.
"there's
that
'
.Beyond
and
scents
personal feeling
own
the
sacred
in
boxes
pheasant
Sunday
My
unseen
with
white
the
trout
big
"
meal.
evening
hundred
the
while
final
the
sense
work."
your
contentedly,
sunlight,
and
in
play
done
that
landscape
India, finds
sighed
late
full
was
their
the
where
.
he
the
freest
you've
cedars,
the
for
rose
woods
in
WRITES
English
from
when
"
this
have
back
thing changed,"
just
sentiment,
subaltern,
young
place
of
.description
beauty,
STORY
THE
the
to
three
of
is
largely
thousand
miles
fullest
flower.
outsider; his
landscape
power
very
tion,
observa-
the
of
insistence
of
vening
inter-
Kipling
Thus
is evidence
result
that
on
his
atti-
THE
His
tude.
Americans
of
of
point
whom
SETTINGS
163
is pretty
view, indeed,
he
it is the
cordially hates;
so
nearly
of
that
colonial
the
point
view.
It
is
furnishes
motif
the
for
of
view,
An
rather, this
or
Habitation
Enforced,
that
tale
of
millionaire
rest
and
American
young
quiet, after
They
and
Chapin,
the
with, buys
takes
Chapin
belongs
compresses
the
am
will
the
In
bring
of
of
hours,
Order
make
Of
all
in
the
my
runs.
sons.
as
evening,
the
in
days
night,
the
and
souls
plain
fill their
While
in
grasses
strangers,
as
rain
the
poem
children,
remain
their
the
stays;
my
return
smoke
Smell
We
days.
feet
shall
it.
the
seasons
aright;
the
meaning
thousand
years
hearts
fill their
with
eyes
"
knowledge,
with
tears.
their
belong
at
house.
farm-
to
play
wife, is
to
land;
it, and
'em."
the
seeks
it ; and
owned
call
is the
nearby,
something
once
fathers,
clinging magic
shall
They
Till
virtue
certain
My
Scent
their
back
their
They
of
the
After
Till
it all in
house
that
most
wife,
Sophie, his
that
people, they
our
land
me
Under
for
It
English
an
it is not
But
only paid
spirit of
the
them.
of the
his
manor
who
family
of
"
in
stronger,
transpires
Lashmar
people
empty
grows
It
"We've
The
he
as
possession
says,
to
the
the
by
estate.
from
descended
place
desiring,
with
who,
prostration,
charmed
are
one
written.
has
Kipling
nervous
sentiment,
close
the
as
it
Kipling
:
KIPLING
164
It
is
time
he
had
been
his
home
at
the
point
He
had
reflect
them
this
primarily
fact
The
that
of attitude
Still
in the
beauty, this
sense
American
of
in
Europe,
The
it in
what
his
sketches
which
of
knowledge
American
conservatism
in
reputations.
this
publisher.
his
of
change
has
no
past
of
Old
Home.
Our
places which
than
other
any
its
to
for
look
must
American's
Crothers
visits
he
progressive
The
Mr.
of
magic
atmosphere,
most
his own,
itself," as
its ordered
the
English
the
Kipling's
constitutes, for
that
ways
tenaciously
of
adds
he
the
of
phase
sense
magic
many
more
asserts
the
later
security,
charm
calls
that
were
sunshine.
significant of
to
is this
It
who
Hawthorne
own
which,
and
past.
yet clung
insistence
their
in
home
American,
"natural
colonial, is
or
which, though
has
the
our
an
is
them
traveller, the
country
past.
of
to
fog.
period.
of
the
edition
owe
gloom,
London,
and
felt
he
in
go
articles
we
disowned
England,
with
steamers
the
of
only
born"
but
home;
Docks,
England;
pirated
later
England
earlier
"native
other
Albert
in the
that
conscious
was
The
of
American,
of
association
the
to
appreciation
the
view
Kipling
more
; he
republish
to
gloomy
Like
British-India
the
desire
period with
tude
atti-
whole
Kipling's
contrast
call
to
people.
whence
no
India
there
narrow-minded
and
WR1TEE
first return.
in
taught
but
anything
of
to
in this later
England
time, the
STOEY
instructive
extremely
toward
THE
shall
"in
says,
be
true
to
modesty
of
' '
.
After
.
Time
expectation.
laws.
At
another
the
through
that
something
attempt
enough
to
and
Space
of
but
safe
slight
steamship
to
neighborhood
memorable
realize
different
are
has
it
to
flavor
ticket
is
of
exclusion
one
is
the
historicity.
not
If
the
has
its
present
is
if
one
wise
scene.
to
A
guaranteed.
one
own
transported
pleasanter
there.
of
each
be
may
age
all
certain
and
elements,
another
happened
the
have
to
comes
one
passage
pleasant
to
have
[however]
price
country,
walk
not
time
...
knows
he
will
It
is
SETTINGS
IRE
It is
flavor
the
Kipling
and
of
accomplishes
would
had
he
"What
safe
Dan
been
felt
have
not
for
do
with
present
in
Una
Puck
satisfying
of
like
anything
thej- know
of
the
Hill
his
of
own
he
keenness:
same
who
England
Pook's
Englishman,
stay-at-home
mere
that
age,
craving
with
scene
another
to
passage
and
of the
charm
Fairies, thus
and
which,
the
historicity, this
Rewards
soul
of
165
England
only
know?"
And
so
it is that
used
to
set
was
his
dish
Chanctonbury
Mythology
"I
[him]
storm,
'
'
heard
Why,
often.
that
Dan
'
that
this
and
familiar
objects
trough
their
's
Willingf
learn
countrj-
is the
own
ord
"on
children,
of
Germanic
Beowulf.
November
afternoon
"
mean?"
those
Dan
called
thatch
it
and
Horsebridge
to
up
then
Brunanburgh
when
"
"...
makes.
I
south.
pointed
days, right
they
"
back
came
Pook
to
's Hill
here,
...
about
's Ford
Weland
their
'
Bridge,
kingfisher
is in the
have
burnie
of
under
just beyond
Bog
'
's
Una
Dewpond
Smith,
ancient
friends
Stonehenge
when
the
Weland
Conquest
talking
nights
made
his
that
"
burning
the
Hobden
old
in
Hill
o'
Men
the
Level
hill, you
before
two
There
All
of
on
him
the
tells
he
Beacon
flame
or
yonder.
' '
knew
all marsh
Wood
He
forged
the
was
was
pale
year
and
it
the
saw
Flint
Pevensey
on
Over
but
Hydeneye.
I
who
first,"
"Pevensey?
"Yes;
the
children
the
to
for
cream
Ring.
fame,
met
sleet
of
Yes, before
new.
in
explains
Puck
'
there.
taste
about
said
the
them.
In
village, for
which
each
one
"flavor
The
'
We
go
of
those
had
exchange
of
for
there
of
least
walks
placed
food
and
at
the
follow
in
the
significant
chickens'
very
been
that
historicity"
smallest,
the
associations;
plague-stone
'
Una.
'
first story.
to
'
drinkingboundary
money,
when
KIPLING
166
people
dared
come
STORY
THE
no
for
nearer
WRITER
the
plague,
two
before.
See
hollow
that
So
She
has
you
And
that
On
See
dread
where
the
day
the
where
was
see
guard
and
Trackway
Salt
Old
"Wars,
And
She
is not
Water
But
Merlin's
Where
Isle
you
and
Men
City lost,
is corn;
now
old
Arts
born!
Earth,
or
of
I
made,
towns.
and
common
wood
fade,
and
Flint
the
wondrous
England
any
or
Downs?
Peace,
was
so
by.
the
where
old
fled,
came
show
Camp
Marsh
spread
that
lines
their
died.
Eye?
ships
on
the
are
broke,
Northmen
the
shadows
they
To
of
marks
you
Like
O
levels
Alfred's
oak,
Harold
gates
tax
beside?
Saxons
the
windy
the
of
ditch
that
her
paid
Book.
Domesday
was
guns
clacks,
and
corn
stilly woods
When
And
that
the
you
that
fleet.
our
About
O
Philip's
brook?
her
ground
since
the
mill
the
busily by
Ever
See
little
our
runs,
wheat?
hauled
they
King
that
the
through
smote
you
track
where
was
That
See
dimpled
the
you
All
air,
Gramarye,
will
fare.
that
cease,
hundred
years
THE
All
earlier
the
of
stories
Kipling
refuse
manifestly,
not
regularly
which
they
altogether
Africa;
of
adds
of
the
in
another
one
as
railway,
opposed
he
appointed
of
absurdity
is
It
the
perhaps
stories.
engineer
It
To
work,
of
Ye
in
primarily
skylight-lift
An'
singin'
like
and
the
team
in
tilt
which
Mornin'
Stars
the
by
and
work
chance
reduced
the
to
rights,
plays
everyone
he
citizen
team
not
an
ing
gather-
to
tragic
Hive.
final
the
an'
as
or
South
in
play
individual
and
perfection
of
order,
so
largely
in
Kipling's
his
engines
that
figure
of
the
Hymn:
foreseen, ordained,
any
in
locomotive
game,
Andrew's
at
studies
does
England;
ponies preach
the
furnace-bars,
he
army
in
of
in
to
which
army
Roman
conception
absolute,
as
English
the
is this
Me
in
individuals.
to
comes
organization
than
Mother
as
He
stories.
the
team
pasture
The
sponding
corre-
of the
condemned
Vermont
bees
of
by
effective
Polo
vigorously
'11 note,
Fra
is,
system,
society
accompanied
are
government,
of
intervals
celebrates
Interdependence
He
interesting fact.
of
the
speak.
machinery
that
system,
later
by
is still writer
parts
functions
the
to
are
in
horses
all, should
at
the
adds
now
in
the
part,
past, he
the
with
machinery
or
so
and
navy;
those
to
He
personae
as
army
the
ship,
present.
place
members
as
personifies inanimate
parts
past
characters
them
sees
forsake,
he
the
as
the
dramatis
his
connects
serve,
and
the
Anglo-Indian
the
the
for
eager
in
non-effective, rather
To
it
treat
with
deal
to
It is characteristic
time.
present
now
into
of time
extension
still
the
historian.
an
extensions
These
to
it forward
fiction, journalist,
167
with
deal
that, coming
instinctively
should
SETTINGS
rate
every
backed,
for
decreed,
o'
bolted,
joy
that
speed.
braced
they
are
an'
stayed,
made,
of
old
KIPLING
168
While,
'
'
Not
unto
a'
Now,
'
'
is
that
o'
touch
'
Duty
and
007.2
'
'
Romance
He
'
'
never
But
The
left
local
the
His
brought
hand
His
His
was
whistle
'
of
valuable
mentary
com-
back
as
at
shops
man
tilt their
themselves
trick
mad
of
us
made.
La
cranks,
Banks;
mill
he
his
wove
spell,
curled,
hearth-smoke
or
of
his
Bete
say:
'
'
field, the
and
today
had
world;
to
yesterday
"
celebration
is
tomorrow,
Ships, locomotives,
period.
Kipling
he
Jamalpur
his
"
still.
bard
in
mind
observed
They
contemptuously,
with
red
lead, and
of communicating
in
horn
'
grade,
and
beat
with
1889
ever
noses
last
worrying
reeking
chosen
extension
his
of
'
unseen
backward-gazing
was
machinery
development
goes
King
this
Certainly
the
Ship
miracle,
his
taught
The
all
throned,
and
in
again
laboured
heart-blood
Hedged
Then
too, had
The
as
laid,
mine
reckless
unconsidered
With
'
and
deep
and
snowbound
the
cut
crowned
Where
adorn
'
nine-fifteen.
the
the
waked
and
Robed,
they
'
lever
soothed
Boy-god
The
the
fog-horn
dock
In
that
mourn,
And
.
the
up
on
oil-can
His
things
stories
contains
guard
late
"
"
.
far
mine:
an'
train,
and
coach
Romance
Romance
the
' '
Discipline
such
King
his
catch
to
ran
Confound
As
of
Season-tickets
the
with
passed
And
Obedience,
others.
upon
romance
theirs
"
says:
praise
the
us
lesson
interpretation
Herself
Found
thrust-block
unto
Eestraint,
an
excellent
an
not
"
lift their
them
hear
together,
man
or
WRITER
sweatin'
the
vanity,
praise,
the
us
Orrder,
Law,
This
o'
out
STORY
THE
glare
leer
Humaine.
main
like
things
their
motor
cars
iting
Vis-
.007.
the
are
their
the
marked
of
idea
"Engines
through
when
and
to
the
that
of
'livest'
spectacle-plates,
insides
are
gone
beauties."
decayed
a
mysterious
life:
they
Zola,
motive
loco-
CHAPTER
VII
CHARACTERS
As
whether
indeed,
police,
and
is
his
understand
famine
(in
William
who
performed
The
subaltern,
Subaltern,
he
persists;
again
again
the
handling
the
centurion
of
usual
the
natives
of
and
tact
time,
he
is
because
The
of
the
displays
and
he
"There's
with
never
them
harm
John
(as
in
Pict,"
he
duty.
to
himself
Chinn
usual
is
out
goes
says,
good
"if
you
of
Thus
to
fail
not
who
The
those
of
Clergy.
of
Only
Brushwood
tors.
Ances-
of His
of
the
fight
like
hero
to
under
appear
Conquest,
the
Kipling's
again
"
hunting
time
once
Rome)
will
Tomb
the
courage
transformed
Thirtieth,
this
in
Chinn
Norman
natives;
(which,
the
to
in
Cottar
there
allusions
Benefit
the
and
Kim.
uncommonly
Wick,
Georgie
as
in
Without
Bobby
John
as
Transformed
displays
System
too,
in
functions
the
shadowy,
officials
look
of
Garm
more
again,
the
Old
Youghal)
public
and
retained,
once
literary
make
friends,
Conqueror}
similar
yet
Old
builders,
the
appears
and
Boy,
bridge
still
well-read
appreciate.
the
names;
that
added.
In
reappear
classic,
are
Cotton.
and,
Strickland
and
are
Miss
was
in
Deal
old
Strickland,
(who
Ortheris,
confident
and
new
name
wife
in
himself
now
works,
own
his
of
and
by
appear
Lispeth
Kipling,
new
with
glimpse
Mulvaney.
does
all
Stalky,
shadowy
mentioned
are
the
characters;
transformed,
or
retired,
now
with
so
unchanged
friends,
son,
settings,
with
PSYCHOLOGY
AND
to
Parnesius,
devotion
He,
take
to
and
the
the
The
stands
under-
too,
fellow
with
in
heroes
goes
Bhils).
trouble
CHARACTEES
to
find
in
appear
be
may
what
out
while
the
they
the
as
earlier
as
character-types,
the
And
of
Stories
there
are
is the
which
it is that
Black
Sussex,
associations
the
is
of
it wasn't
too
brother
its
Latin.
it
supposed
for
"
labors
history from
the
lips
the
days
happy
own
marking-ink,
bit
hold
the
when
Maximus
independence
of
fenced
"Grown-ups
Roman
of
wood
not
One
and
was
cheek,
Parnesius.
Wall
was
their
Miss
by
bears
the
allowed
in
the
sign
the
bit
and
of
men
Norse-
and
Una
big willow
in
was
idealist
Dan
elders:
he
so
he
young
emperor.
the
said
and
hearing
against Picts
Dan's
Blake
But
the
Puck
''said
he
know."
tic
roman-
of
'backgammon,'
you
of
by
worst
day
free
care-
Downs
sister
when
enlivened
of
is
filled with
The
past.
(in
Rewards
the
and
haps
per-
Judy
and
on
be
so
and
Puck
or
the
period.
may
Theirs
Weald
for
his
to
the
'dominoes,'
twice
(in
Una
Gramarye
have
to
helped
in
their
it out
type,
greater
And
Punch
of
with
was
he
of
Isle
figures of
struggle
said
late
had
in
in
have
children
compensation.
peopled
'dominus'
he
Roman
live
the
write
not
who
and
Reiver
suffered.
have
and
vicarious
glorious
troubles
to
Dan
of Merlin's
corner
society
earlier
the
their
that
childhood
open-air existence,
and
fined
de-
clearly
The
they
of
those
themselves
Sheep}
Fairies} receive
of children
than
grim
ment
senti-
the
so
Mrs.
or
But,
continue.
fathers
all
means
Hauksbee
charm
the
and
had
Mrs.
no
three.
lack
they
who
men
Hinchcliffe,
and
interesting.
so
stories
of
for
Baa,
plural
the
and
by
are
the
soldiers
the
humor,
human,
so
they
BOM
with
they
numerous
pious wish
that
and
of animals
delicacy,
sweetness,
spared
group
woman
disappears.
wit
of
some
Pyecroft
of
successors
the
171
Similarly,
without
not
are
PSYCHOLOGY
stories, notably
navy
of
woman,
It
wants."
he
regarded
AND
calico
Kingdom
in
and
unless
KIPLING
172
'
brought.
'
But
their
choose
the
Hobden,
is
do
hedger
and
quite
not
' '
Kidbrooke,
Mr.
Here
become
the
from
of
writer
Hills
Spy
(Bonds
must
seem
at
The
and
contrives
English
children
brought
These
achieve
out
know
that
have
taken
we
place.
old
'
Mr.
teamster.
Dan
Plain
no
'
Downs,
If
had
Tales
better
had
unite
have
dead
passing
time
they
They
are
seem,
they
and
aware
in
Dan
out
somehow
through
nature.
express
deposited
of
some
thought,
no
in
Puck
ours.
of
the
hover
of
have
seen,
and
Una,
with
of
persons
the
long-
contrived
They
surprise
in
to
become
to
we
have
they
as
Puck
because
of
that
face
to
In
whatever.
present;
friend
day
Sun-
countrymen
our
Here,
face
listen
deaths
own
and
past
time
had
is
however,
of My
"
doubtless
quarrel
no
it
naturally
"
of
portrayal
by their
not
yet
Fairies.
today,
own
not
French
the
Dimension.
off rather
can
have
we
Fourth
and
are
ours,
been
the
the
eternity without
it is
the
the
justly portrayed
in
we
benefit
their
"who
Boy,
on
Americans
the
extension,
to
persons
of
have
"
gardener,
village
personae
not
come
with
of
speak of their
lifted
we
and
their
for
would
Error
Rewards
Kipling
not
An
notable
Hill
the
"Cattiwow,"
and
are
Revolution
;
flint
dramatis
Enforced
most
Pook's
to
the
Square-Toes
the
Bee
agreeable aspect.
there
they
and
Habitation
ago.
of
that
us
American
very
its most
the
"
hands
sanitary engineer,
and
and
love
their
with
Phillips,
the
children
that
son
children
them.
among
Home
just after
of
of Discipline},
to
Brother
in
stories
extensions
For
head,"
carpenter,
nature
class
his
poacher,
the
friendly, and
interesting things
shepherd
the
is human
the
builder, contractor,
old
the
Dudeney,
all
from
his
in
right
Springett,
Mr.
An
who
men
WBITEB
are
grown-ups
companions
own
kindly
the
the
STOEY
THE
do
at
being
Yet
they
changes
that
continually
CHABACTEBS
between
man,"
and
the
surprised
that
Hal
more.
his
passed
spaniel,
mixed
and
"and
all the
love
it?
?
for
regret
'
'
it would
celebrate
his
their
ness,
than
people
at
least,
To
turn
for
of
from
example,
eyes;
a
realizations
narrower
the
of
historian's
to
Kipling's, is
field
the
of
figure
vision.
special short-story
"
of
One
is that
to
And
art
leap
there
of
tradition.
for
their
datelesseffective
more
Some
most
from
the
toward
is
no
telling of
in
one,
rendering
of
these
Gloriana.
J. R.
better
of
Napoleon,
like
is to
purpose
Elizabeth
Queen
housen
different
Washington,
the
that
passionate
be
far
are
of
by
would
characterization,
seems
marvel
reincarnations.
or
personages
an
instantly
they
baking,
suggestions
nature
glorious
time;
Drake.
subtle
interesting
ghosts
historical
are
by
more
of
commonplace
all the
are
transcendence
mere
them,
enriched
after
characteristic
whose
old
the
exquisite picture
the
Hill
and
dairy-window
bread
; colored
so
Pook's
Kipling,
time
present
And
be
not
of
know
no
ancient
the
and
the
all the
are
farm
only, "DVou
it is better
of
bees
this
None
that
at
is
aware
days.
gazing
at
and
Tyr,
Lindens
rain,
good
seem
days
by
gaze
"god"
own
the
with
folk
town
Puck
past
can
whisper
odors, and
can
and
after
of home,
Manifestly
the
; he
Dan
yet both
Little
box-tree
earth
smoke"
What
land
or
book
of the
the
question
the
stand
pigeons
is
their
at
can
emperor
the
regret
born
of
associations
gone
to
He
the
smell
familiar
subtle
"
the
are
seems
was
smell
the
like
He,
wolves
there.
with
the
without
accepts
past
173
Theodosius
elapsed since
Draft
the
tickle of wood
the
have
childhood
with
with
of
o'
farmhouse,
red
that
figures of the
these
PSYCHOLOGY
England.
centuries
many
yet
changed
learn
to
"
present.
Parnesius,
says
Una
of
and
past
AND
Green's,
to
one's
though
in
illustration
description
KIPLING
174
in
narrative
' '
in
'em
stomachs
his
to
cloak
slowly,
and
with
pearls
master."
the
She
trees.
stateliest
aside,
the
might
one
elaboratest
and
does
contrive
Una;
author
of
Henry
one
of
the
day;
laws
and
people's sheep
knife
the
seen
famous
from
Thus
each
eralization
gen-
of
Gloriana,
character
of
In
the
forced
in
the
Oil
the
man,
stories
Tyr,
his
gave
so
won
his
kindly
of
the
Spanish
"god"
wolves,
and
o'
signing
the
the
or
may
Hal
Kadmiel,
Downs,
Seneca
time.
circles."
and
many
who
hand:
centurian;
the
on
how
persons
freer
's
the
many-sided
her
turnings
and
Kipling.
interesting; for
more
with
VII
Parnesius,
obscurer
still
works
of
whole
of
dance
traits
her
to
she
express.
the
are
the
over
running
majestical
gravest
from
off her
the
exposition, matching
it is marvelous
yet
to
of
Some
the
in
her
report
took
wheelings
interlacing steps
illustration
an
reveal
cannot
Dan
haughtiest
Green's
through
go
with
course,
the
dignified sinkings,
the
bassador,
am-
satin, worked
water
into
French
the
"She
Kipling:
swam
graceful dancer,"
that
running
if I'd
She
whipped.
"A
balancings,
most
together by
Latin
quantities,
been
dove-colored
like
trembled
that
in
she
pages
curtain, might
And
forth
stood
false
coranto
behind
plished
accom-
...
have
an
with
her
whose
should
"dance
the
dextrously
sprightliness
for
was
us,
Kipling's
scholarship."
her
to
would
she
of
in
herself
parson,
girlhood,
hidden
shadows
the
affront
Green;
says
by
my
the
tells
spoken
made
WRITES
Green
for
speaking
Norgem
oration
STOSY
Elizabeth,
terms.
scholar;
says
THE
Hugh
their
evocation
Jew,
right
who
dictated
to
eye
godhead
Charta;
protect
for
Saxon
the
Tobias
Philadelphian
the
the
architect
Magna
who,
torical,
his-
an
Draft,
of
be
not
may
and
his
first
Hirte,
of
ington's
Wash-
Richard
CHABACTEBS
the
Kipling
Norman,
but
those
qualities
and
these
of
infusing
days, and
the
from
not
Sir
Richard
The
Yellow
blue
bowl
said
Man
from
brought
night
to
his
his
reddish
hair.
his
lips.
his breast
When
with
the
bank
gnashed
his
to
recognize mariner's
he
his
great
Devil
Spirit
well
at
compass
all
us."
and
his
regarded
Dan,
like
of
gorilla.
marvel.
the
box
bowl,
this
iron,
Man
had
three
lay
and
day
iron
the
Down
man,
was
the
you,
of
' '
devil.
strove
out
his
and
the
on
forest.
the
moistened
and
body
was
that
look
come
than
yellow
was
In
South."
had
by-gone
...
country
hand,
of
Yellow
the
own
the
succeeds
who
within
therefore,
Taller
.
In
and
rim,
toward
his
he
box.
swinging
teeth
and
country,
not
or
is another
here
Evil
The
with
brows
his
carries
honey,
as
piece of iron.
of
out
"saw
But
Spirit which
continually
they
between
was
Evil
an
to
coast
tongue
and
thread,
sentiment
who
"He
thought
the
upon
scene
seeing eleventh-century
brown
southward.
pointed
shaded
fine
Magic
return
African
him
with
marks
Art
by
' '
Chinaman.
red
abode
journey
needle
came
We
.
of
events
Yellow
nature.
his head.
had
Witta,
years'
saw
with
hanging
on
by
in
the
point of view.
So
He
but
in
into
and
accurate
lightly,
more
successful
eleventh-century
endwise
stood
eyes
the
just
vividness
Kipling
(whether
humanity
more
sickness,
lore
in
chivalric
it is
in
delight
realization
and
writers
case)
in
charm:
emulation
Ivanhoe
surpass
complete
historical
either
is the
in
two
life and
more
who
life from
"
in
signify
not
the
and
archaeological
does
in
of
to
its
detail,
field.
chosen
me
owes
knightly
And
loyalty.
his
it
picturesque
in
to
seem
which
to
character,
and
tales
175
PSYCHOLOGY
Scott's
enters
four
Scott,
fullness
AND
his
pink
with
covered
he
beat
rolling drums,
and
our
between
course,
ship,
his
long
is not
arms
slow
to
KIPLING
176
Of
different
very
figures of
minor
of
episode
the
' '
in
patches
of
end
It
will
her,
sentences,
cough,"
she
disappear
in
and
is
so
inventor
of
does
"If
would
have
is not
for
presided
dinner,
given
known
she
when
heart
my
man."
to
'
'
I 've
flower"
against
it ought
but
know,
you
voice
of
last
the
'I
Though
Though
And
"Isn't
harp,
and
dear
took
that
leave
to
be
deep
as
low
breath:
my
as
her
to
is
the
Dr.
to
are,
you
remarks
Una
how
she
after
triumph
London
difficult
very
hears
over-
she
your
tell
great
from
"I
"
have
fingering,
but
stronger,
is
it will
to
mourn
sweet?
my
size, '
'
sunset:-
heart
throat.
her
and
age
it
know
me
of
"not
"
pink
know
touchingly
goes
"
my
given
have
on
song
cleared
for
soft
the
goes
and
you
of
with
' '
and
coughed
deep
new
r-r-ravishing sentiment.
Philadelphia
She
table, and
sang
subject
the
Her
parole,
saying
which
ignorant
the
winter.
on
that
Laennec's
that
ago
father's
her
at
long
living
any
the
not
pink
love
know,
understanding
nificanc
sig-
"...
is in
not
of
at
last
prisoner
does
understand
were
you
she
its
pretty
was
Break
French
But
of
running.
it
the
Una
little gasps
than
Dr.
two
been
better
without
she
had
air."
stethoscope.
Nor
Break:
"is
Laerinec,
quarreling
subject.
she
though
London
with
talked
these
tells
ignorance
for
of
Bucksteed,
who
ago,
child's
she
says,
Rene
the
them
and
as
Philadelphia
pale except
were
engaging
least
years
life, with
middle,
the
not
hundred
cheeks
WRITES
is little
past
own
Her
the
her
"stupid
her
and
age,
sixteen-year-old girl of
an
STOEY
THE
to
'
began,
'
Contralto,
face
her
all
dark
"
flower,
live
its
register
'
explained.
she
she
and
fading
Then
'
away;
but
hour
an
decay !
the
will
'
last
reach.
verse^-I
'
'
She
wish
drew
I
in
had
her
my
chin
KIPLING
178
All
the
mentalism
for
its
for
Kipling
sake
own
this
"
age,
the
age
when
the
age
of
that
is
"There
and
The
This
story
five
in
sixteen
that
and
embellish
all."
1806,
These,
Kipling's
clear
as
dramatic
Pook's
word
as
lost
none
another's
the
additions
some
have
the
feels
and
there
great
no
emotions
and
as
his
soul.
necessity of
the
for
extension
of
He
is
as
of
power
aware
of
third
the
elemental
old
benefit
the
of
not
only
the
the
the
year
the
third
instances
of
the
the
of
the
his
to
and
the
1910.
period
it is
and
in
Puck
to
already
in
Yet
the
as
of
of
Puck
to
put
in
children.
psychological
are
power
themselves
comment,
tempering
of
was
explanation.
period
those
red
of Nodier
Fairies, permits
and
is of
cheeks
there
has
and
mental
senti-
Suzanne
saw
revealing
author's
no
of the
"There
these
of
power
they require
here
of
From
personae.
prisoner
Philadelphia,
bed.
creature
of
are
Rewards
simple
typically
as
twentya
her
which
expression
was
But
one
Wife
Seigneur.
was
haggard,
features;
Kipling
and
and
her
The
du
also
was
her
upon
of
Hill
is
eyes
beginning,
"
song.
who
"
Philadelphia
they
way,
There
motives
is
dramatis
old, Kipling
in
impassioned
then,
that
passive
is
he
emotion
interesting,
Laennec
contemporaries.
Her
and
Irving 's
when
moment
heroine
type.
She
Rene
senti-
sentimental
Filleule
Philadelphia's
were
"
pleasing
was
the
of
of
"
La
1806, when
at
lies
she
touching
year
in
decay"
in
delight
and
Consumption
to
Nodier's
Nodier's
Suzanne,
burning,
much
of
over
utterly different
and
Ode
in
experiment
fashionable
was
woman's
written
weeping
age,
in
old, perhaps
then, and
is this
reconstruction
momentary
Heart,
was
years
WRITES
induce
here
American
Broken
England,
an
does
tuberculosis
beauty
STOBT
interesting, then,
more
"
THE
for
first.
own
the
field;
most
part
Kipling
mind
god's passionate
to
the
has
enter
regret
for
AND
CHARACTERS
lost
huniaii
is usual
love
with
and
him,
it is in
as
friendship, joy
The
deal
with
isolated
few7
is
"They"
as
line
the
in
of
which
confronted
for
the
in
His
by
is
An
of
of
of
them,
the
for
rich
his
four
wife.
as
Friars
in,
as
the
work
effective
from
is
he
which
a
of
he
feels
finds
himself
place
remedy
contemplated
and
'
an
working
dollars'
people
for
the
the
make
hours
of
upon
sane,
Time
drawing-room,
is
no
and
the
ment
treat-
most
pelling
com-
American
George,
happy
not
merely
to
add
to
of
his
respect
has
object
no
idle
"
of
owner
day, putting
his
time
him.
fulfil
to
But
it
is
quiet, wholesome,
prostration
nervous
game.
view
ten
finds
the
the
itself,it
worth
work,
be
the
situation.
firmest
work,
of
with
drawn.
to
in
end
even
one
of
retain
to
point
unselfish
American
for
'
million
purpose,
the
simply
but
elusive
and
contrast
must
man
child,
yet
humor
events
mature
that
American
he
follow
to
obvious
admirably
so
that
American
is the
an
the
half
says,
with
much
principle,
from
Pardon,
he
"
view
is
and
delicate
most
Kipling.
the
and
he
the
among
with
is
both
as
calling.
invited
intricate
subtlest
else
of
point
millions,
is
"
the
as
are
however,
the
far
these
completely
so
divine
he
King
Enforced,
son;
five
or
claims
the
an
man's
the
logical,
psycho-
comparable
their
are
as
is
understand
not
is
upon
Nowhere
is too
Work
but
child
we
"They"
which
Majesty
well
as
English
example,
as
in
emotions,
sentiment.
with
But
in
unusual
King
part.
Habitation
variety
greatest
the
does
and
here,
is not
which
by
complexity
who
His
story
Chalk
kind
one
situation
in
reader;
in
simple reactions
It
and
Majesty
of
plays
the
stories, however,
subtlety
of
Naked
their
Yet
sorrow.
Bapteme,
the
from
late
emotion
he
and
Knife
these
there
best,
In
of
's Le
179
and
interest
Maupassant
Kipling's
In
main
the
with
men
PSYCHOLOGY
which
object
oak
is
had
new
put
sulted
re-
floor
by
to
KIPLING
180
' '
for
season
seven
of
This
the
to
the
needs
them.
And
eyes
child
influence
In
Like
evoke
the
emotion
and
Philadelphia's
King's
knighting
figurehead
him
of
against
ship
and
passage
its
but
Iggulden's
death
place
's maiden
name
Pew,
tears."
with
she
The
it would
the
coming
tenants',
the
idealized
and
the
just why,
"
jected
sub-
are
which
mother's,
the
from
the
they
word.
by
not
for
and
the
through
methods
reveal
in
for
of
are
The
him
execution, excites
earlier
case
beautiful
mainly
tendency
the
upon
Wrong
his
saving
there
the
the
marked.
more
mind
themselves
emphasis
lovers
of
states
Perhaps
somewhat
Hal,
they
like
connected
motives
sympathy
is
there
laughter,
example
and
these
spoken
father
felt
after
them
Pardons'
the
the
to
of
mother
of
obvious
its traditions.
of
become
has
her
characters,
reader's
the
says
Lash-
Pardon
feel that
they
that
emotions
the
and
place
action
through
floor
the
follow
significant departure
no
'
recurrent
landscape,
Old
her
burning
and
they.
subtly modified
are
"
house
discovers
in
Friars
beginning
leading
father's
descriptions
stories.
of
All
the
"
of the
the
is the
possession of
very
than
she
to
say.
Conant's
Lady
is
to
of
says,
against
is constrained
the
the
aware
flagstone
reader
of
it takes
At
when
her
difficult
'
the
relatively
of
appeal
that
Sophie
"shut
be
and
them;
is
however,
the
way
less
no
blue
on
is
owners.
is, as
there
of
years
awhyle,"
Wayte
"
exquisite charm
is
alone
carved
the
its
an
reader
awhyle
hundred
seventy-eight
seen
subtle
and
become
's
What
contrast,
More
Chapmans
WHITES
story.
national
matter.
they
has
STORY
Lord
"Wayte
motto,
refrain
years
who
Whybarne,
mar's
THE
expression
The
in
tears
point.
Thing
where
design
thirty pounds
uncontrollable
to
for
of
For
the
the
ing
by advismirth
;. or
CHAEACTEES
Kipling's
This
robust
reality.
With
tears
earlier
The
art
"new
thus
this
in
in
the
of
of
I'Homme
but
whole
the
the
of
attempts
to
continually shifts
India,
Biscay,
downs
groups:
to
near
an
to
steamer
English
by.
housekeeper,
For
nurse
Brushwood
his
seen,
English
his
old
light
de-
in
its
period
of
twenty
La
Combe
or
and
an
Nodier,
unplaced
public school,
park,
places
policeman;
to
are
actors
of
or
again,
nursery
hurst,
Sand-
to
and
and
there
limits
period, merely,
Mediterranean
and
the
upon
strict
such
from
the
all these
Boy
the
Irving
to
house
of
end
Oxford
and
Kipling's
Moreover,
Winkle
scene,
in
only
Boy,
of the
officer.
cover
and
the
of
already
beyond
Unlike
time.
the
Brushwood
The
it illustrates
Van
Rip
beginning
the
The
it goes
Oxford-on-a-visit, from
to
of
the
by
like
period,
the
point of view.
is that
not,
years,
Mort,
Kipling
to
It
Love
characteristically charming
some
made
impression
wholly,
unscathed.
associations
home;
child's
the
technique
are
Conqueror.
almost
or
than
it is in Mark-
as
have
we
English
least, there
short-story.
twenty-five
of
young
from
as
sacred
and
the
culmination
the
as
its sentiment
at
in
of Clergy,
illustrates,
of
story
less
even
Manor
passes
love
only
beauty
the
life
main
student
It
its
shake,
never
Wittiam
wholly,
has
commandment
regarded
effective
the
early portion
The
be
to
in
at the
cynicism
the
of
guarantee
is concerned
part
Men
Benefit
with
landscape
glimpses
in
of
Puzzler.
The
sentimentalist
Kipling
plays
seventh
way.
delight
in
the
kind
in
and
laughter.
Young
old
Without
is
which
ideally
after
one
in
only
Witches.
is treated
It
is
your
love
periods.
disappeared
emotion
with
or
181
Home,
at
of
passion of
the
It is incidental
lake
of
shoulders
with
PSYCHOLOGY
Sunday
My
expression
The
whether
in the
in
own,
AND
the
Bassett
and
special
at
the
Bay
social
panto-
KIPLING
182
mime,
the
with
THE
who
person
grown
in
the
sleep
Georgie
's
school-fellows,
games,
the
at
go
wise
and
Corporal
Mrs.
the
mother;
the
his
at
men
lived
in
trout
ponds,
Here
are
cheap
these
the
of
Policeman
Day;
the
follow;
approached
therefore,
girl
in
is
she
dramatis
Add
the
vast
"It,"
and
of
the
at
those
theatre,
tales
heroine
dream
the
to
and
vague
princess
seen
the
mother.
of
Ameera,
of
and
difficulty
through
like
the
the
fairy princess
the
her
novel.
"Them,"
little
into
fell
of
peril;
and
fairies
who
officers
and
dreams,
add
the
as
that
land,
descendant,
of
years
's seniors
under-keeper
the
cricket
's father
who
of
canvas
"Amueanlxmise,"
Miriam,
dreams
mysterious
folk
large
Georgie
number
scene,
"
colonel's
friends,
Miriam
the
the
people
of
dream-world;
of
and
young
don't
the
men;
Zuleika;
's
him
Oriel
Georgie
his
groom,
breadth
the
add
place
the
in
for
watched
India;
tennised
and
time,
the
For
dreams.
and
the
parallel-running
geography
usurps
the
picnicked,
of
who
Mrs.
of
Provost
as
club; Georgie
lodgings
suitable
in
Morrison;
coachman,
extent
persotwe
officers
father's
same
bored
and
despair, "Why
head-master;
temperate
fellow
his
Sandhurst;
wife;
and
in
public
the
Georgie
asked
he
afternoons,
to
you
WRITER
behind
sat
until
explanations
futile
STORY
of
lai
the
and
tale.
of
Many
these
agents,
types
mother
illustrate
husband
schemes
bee
or
has
not
at
of
the
Mrs.
half
least
"
other.
Mallowe.
the
if
the
the
one
Mrs.
And
something
individuals.
not
of
some
wife
and
are
personages
differences
blunderingly
unconscious
is
Miriam,
of
Miss
sister
own
dimly
seen
human
's father
Georgie
characteristic
Zuleika
individuality
than
more
to
as
Philadelphia
and
between
of
Mrs.
she
the
Hanksis
"
Bucksteed
she
AND
CHAEACTEES
of Marklake
Witches
himself
Georgie
Wick
and
the
fine
much
Aurelius
Unlike
his
school.
like
Ouless
upon
the
wins
their
practical,
his
self-consciousness,
organically
and
less
than
of
It
the
is
scene,
Yet
the
topsy-turvy
world,
mere
dreamer
story
of
full
of
and
emphasis
the
be
of
lack
all
is
regiment,
verisimilitude
would
the
is
the
the
and
less
trast.
con-
interesting
unusually
of the
earlier
short-comings
is sound
melting
taking
takes
of
up
and
impassioned,
of
Kipling
alongside
from
in
of
here
he
takes
the
one
final
exchange
finds
refuge
of
the
in
of
real
the
because
however,
Just
:
movement.
shifting outlines
form
but
inconsequence,
Inevitably,
familiar
meetings.
the
suggestions
rendered.
the
the
should
motives,
or
running
story
of
life
vigorous
and
Boy
history
inner
passions
or
psychology
the
Brushwood
this
that
another
simply
The
psychological
horse-exercise
faithfully
love-making
reminiscence,
strangeness
of
nature,
all
are
Kipling's
moods
mere
dream
places,
and
with
of
not
narrative
real.
persons
with
characteristic, however,
events,
dream
the
of
tone
men,
This
his
preoccupation
interests
concerned
succession,
concrete
The
great
the
his
boxing.
upon
the
other
any
is, necessarily,
in
know
soundness,
in
of
dreams
is
he
significant.
More
hero.
his
friends,
to
of
way
Chaucer's
of
mental
necessary
The
by
learns
matter-of-fact
upon
his
worth
ness
practical effective-
the
and
Bobbj-
to
character
charm
with
he
affection
and
physical
with
fellows, interested
Wick
Bobby
hero, brother
social
"
his
among
Like
the
pride
heroine.
dream
of
equipment
an
person,
Stalky
183
has
subaltern
sentimentalism
leader
usual
combines
he
his
for
superlative
Arveragus.
cricketer,
upon
rest,
not
"
of
is the
gold;
herself
sufficient
accomplishments
and
be
Miriam
"
PSYCHOLOGY
of
the
acteristic
char-
stating
KIPLING
184
that
Georgie
that
up
One
fiction."
God,"
in
breaks
as
had
him
taught
mask.
And
of the
no
tone
ideal
live
about
the
distrust
love
this is the
happily
to
whole
indicate
to
after.
have
come
world
cynicism,
Miriam
did
way
from
Pale, and
out
With-
long
the
the
no
and
of Illusion, Beyond
Hill
is
Georgie
that
We
in
There
which
public-school
remain
does
pace
these
training,
the
wear
significant matter.
ever
The
as
and
's
"Good
regard
to
of
works
their
quickening
Georgie
things
said
not
hypercritical
emotion
story
printed
had
horses
remember
must
in
only
Miriam
it is
Perhaps
to
Gadsbys,
The
jest
side, nothing
seamy
not
that
; one
the
existed
wish
omitted.2
been
had
the
lips,1saying
parched
but
can't
that
and
believed
he
WEITEE
with
himself
"found
till then
STOET
THE
Benefit of Clergy.
plot involving
A
and
such
task
for
the
complete
of
matter
of the
into
fact, the
the
more,
The
repetition, and
also
"
beating
were
etc. ;
similar
on
See
also
'
the
to
'
one
He
not
Mrs.
impossible
an
consists
story
genius
with
continually
it is
of
the
is driven
that
aware
of
to
it. '
his
is
incident
Fairies.
; the
was
tunes
fact; it is
versation
con-
with
and
far
it is
must
be
good
deal
of
to
the
of
conduct
unknown
true
mitted,
ad-
pulses
'
'
alistic"
natur-
reactions.
of
himself
that
is, once
and
rule
dry
treatment
Kipling
that
'
'
"Rewards
mouth
most
concerned
never
so
Kipling remains
forget the purely physical
Zuleika
of
does, it
remember
As
by illustrative
There
to
It
it is summary;
dreams
this
inevitably
sense
adorned
Yet
sort.
difficult
action.
and
one;
keen
translate
of summary.
abstract,
never
to
easy
speech
concrete
characters,
many
life, presents
be
monotonous.
was
'
in
is
any
roof
as
the
creamy
Una's
porridge,"
of
account
in the
method
2
terms
somewhat
grow
See
not
of
general questions
It will
is
incident
long.
art.
of
always interesting; it
very
inner
the
summary
and
of the
task
of
early part
settings, so
extended
account
narrative
of material
mass
such
suggest
to
her
"treacle
186
KIPLING
scene
with
situation
or
"
the
which
reveal
not
the
of
Georgie's
second
from
had,
manifest
real
world
which
of
intimacy
familiar
thoroughly
full force
of the
private
"those
avoiding
of
matter
than
is
nothing
Georgie's
phrase
is rather
Hedda
kills herself
and
right
to
say
in
monopoly
of
the
high-born.
Here
again
which
the
ballad
In
his
of
these
identity.
criticism
mouth
are
the
It
dream
reader
feels
at
of
in
so
once
' '
cases
the
notion
for
in
the
"
that
has
variation
ballad
and
wealth,
of
where
Fair
like
such
Tale, has
gentilesse
him
an
when
't do
don
imagine
of
says
Georgie's
to
recognition
example, in the
knows,
noblesse
learned
the
is less
For
of Bath's
cannot
you
people
his
judgment,
Gabler,
Wife
the
with
hero
moral
possessor.
But
in
which
do,"
Hedda
Georgie
occurs,
Horn,
the
lacking.
mainly
hereditary
The
of
Odyssey
Hind
is not
lies
can
like
and
shut;
dealing
than
return."
le Frene.
disclose
we
is older
"wanderer's
Horn,
woman
his
and
acter
char-
his
the
he
independent
too, in
something
motif,
fellow
exclaims,
someone
The
open
the
of
action
and
virtue
things!"
pores
that
of the
events
make
to
common.
establish
excellence
neatly ridiculed
old
the
have
they
in
respectable living.
morality,
essential
the
to
and
character
of
hereditary
as
of
development
to
that
learn
scenes.
no
the
is to
duration
matters
things which
incentive
an
oblige
morality,
is to
long
it;
these
final
interpretation
Moral
For
with
of
summary
the
to
constancy
Miriam
interest
the
experience
scenes
emphasize
to
his
and
these
precedes
Georgie,
long
purpose
from
with
care
has
both,
even
page
the
to
take
not
dream
every
moreover,
life, and
dream
of the
purpose
is due
scene,3 wherein
beginning,
the
The
her
than
more
brevity,
it must
much,
recognition
in
WHITES
effectiveness
Its
too
part
STOSY
brief, scarcely
it is foreshadowed.
of
is
"
its extreme
song;
it must
the
THE
Annie,
raising
folk-lore
follows
of
Romance
Odysseus,
his
keep
ancient
which
is
and
has
the
King
in
only
Lai
to
AND
CHARACTERS
question
any
he
plays
of
The
he
learns
such
but
no
of
of
conduct;
child
himself
was
of
stories
illustrated
in
from
of
of
alludes
in
Grimm
to
window
When
that
her
the
and
son
he
solitude
"The
human
as
of
more
is in
this
Yet
commonly
there
accepted
vicious
the
princess
"he
Oxford-on-a-visit,
removed
of
has
in her
wished
to
had
she
enter
old
the
finest
two
the
nounced
prolittle
tale,
new
edition, and
' '
Kipling
by
to
placed
all,
obviously
enchantress
an
door, but
nor
hair
Rapunzel's
top.
tales
Rapunzel-Rapunzel-let-
place.
stairs
his
met
made
girl imprisoned
the
telling
Louise,
he
Grimm
crown,
neither
had
the
the
and
night after
The
gold
her
Annie
"
of
from
came
gave
of
habit
the
(she
life
his
'
'
at
story
witch
the
king's
the
bed.
in
shamelessly
which
at
window
All
stories.
in
was
...).... He
AnnieawLouise
new
tower
machine.
virtues
beauty
heard
ever
he
in
lay
wonderful
theatre
which
else, part
superiors;
profit
may
against
Cottar
George
he
of
had
the
put
his
to
earlier
the
all
which
soldiers, revolve
the
the
celebration
down-your-hair-princess,
and
of
protest
'AnnieanLouise.
girl
in
notions
six
edition
he
obedience
better
youthful
as
person
names
wheels
is, above
they
in
campaign
ceased.
altogether
As
the
be
may
as
he
that
not
too
moral
the
more
rules
they
by
187
Border
For
respect
men,
powerfully
with
keeping
is
that
and
surely
his
the
role.
wins
He
know
to
of
morality
effective
an
System.
beings,
the
to
as
PSYCHOLOGY
only
serve
as
herself
little
ladder.
beneath
the
cried,
passing
stood
Rapunzel,
Rapuiizel,
Let
down
thy
tower
heard
the
still and
passed
her
listened.
time
in
hair.'
a
which
song
This
letting
her
was
was
so
Rapunzel,
sweet
voice
ing
charmwho
resound.
in
KIPLING
188
prince, overhearing
The
of
entrance,
and
carried
of
story
got
his
Household
in
found
as
Tales.
Yet
it is not
Of
Of
kiss
Prince
came
enough,
and
Kipling,
more
real
the
but
the
that
he
Another
have
served
in
The
refrain,
recurrent
Morris's
of
foreknowledge
another
one
sings from
nificant
sig-
her
tower
trance,
God
this
give
very
should
one
fire
the
face,
if
spire
the
in
song
me
grace,
place.
dreamy
the
find
day
harper
maid
of
sang
yore
in
clothed
her
hair.
if
it
to
came
Kipling
For
subconsciously.
medievalized
With
of
Morris,
hair."
Rapunzel
on
mainly
valuable
modernized
trace
he
impulse,
doubtless
Morris
recalls
that
yellow rippled
in
assume
fairy
one
Boy.
same
your
happy
behold
me
to
love,
countenance
crimson
sometime,
May
The
all
sunset,
Which
that
Michael,
golden
Glowing
foretelling
in
down
blessed
the
mind
William
is the
which
song
often
Beside
of
method
writing
conceivably
may
lovers'
the
are
of the
words
the
Let
in
Brushwood
Rapunzel
There
Rapunzel,
Yea,
And
the
link,
additions
the
The
in
that
had
the
Rapunzel's
won
necessary
the
''Rapunzel,
have
for
hint
the
tower,
surprising
should
of Guenevere.
Defence
and
It is not
observing
and
the
Kipling
conecting
the
of
top
own
Rapunzel
of
version
off.
her
WRITER
formula
the
the
to
STORY
THE
the
as
story
and
it and
laid
the
too, the
story
more
development
dramatic
of
the
scene
the
laid
scene
the
the
in
this
in
India
only
It
which
is
the
source,
is
contrast
in
scene
not
well.
from
resemblance
pointing
becomes
as
all
at
France,
and
more
slight
where
ling
Kip-
England.
vivid
and
enlightening
hero
overhears
to
CHAEACTEES
heroine's
the
the
of
lyrical elaboration
The
Brushwood
There
like
Peter
order
the
"
hardly
be
as
in
of
dreams
a
his
girl
certain
arranged
falls
sick,
the
lady
of the
but
dreams,
once,
and
For
and
climax
nine
of
peasant
then
for
and
after
only
vision
when
him,
herself
he
that
of
habit
that
as
have
already
French
way.
it is to
that
affianced.
been
the
hero,
identifies
he
learns
has
maiden
or
friend
parents
recovery,
in
before
Nodier's
old-fashioned
the
that
to
his
that
his
the
it will
recognizes
he
Through
it appears
then, according
which
dress
for
prayer
Maxim,
husband.
in
and
can
analogue
an
austerity, youth
learns
he
Oxford,
title means,
The
proper
or
is
the
(Georgie's
at
there
life
of
acquaintance),
an
Du
dream
ending
theatre
fasting
of France.
the
days'
wife
in
read
reversal
the
He,
story.
the
life
real
Chandeleur*
la
marriage
He
meet
in
bride
relation.
child
result
district
destined
however,
world,
future
see
dramatic
doubtless
There,
dream
the
a
nineties,
of
de
As
to
the
to
tale, through
Kipling's
to
beginning
the
Neuvaine
hope
German
version,
early
the
as
remembered,
may
the
earlier
an
Miriam
Candlemas.
189
the
parallels
beginning
started
Nodier's
in
's
Ibbetson.
on
count
relation
in
dream
of
glimpse
rough
else
everyone
carries
hint
in Morris
other
merely
the
PSYCHOLOGY
Boy.
are
Maurier's
of
from
song,
AND
They
him
seen
Nodier's
in
her
heroines,
dies.
she
If The
Brushwood
story, the
things.
Neuvaine
Nodier's
dream-
one
real
world.
Another
Boy
meeting,
Yet
analogue
is
and
the
things
many
too
there
Dream
is but
one
is half
of
Maxen
but
many,
essentially shorter;
Neuvaine
is The
only
not
attempts
story
too
attempts
brief
again
Wledig
there
for
unsuitable
is but
meeting
as
in
short-
long
the
in
as
the
the
The
Mabinogion.
KIPLING
190
Brushwood
but
life
imaginable
of
men
in
the
The
in
which,
friendship
of
to
of
As
the
on
Nodier
blasted
on
result,
dramatic
the
in
in
of
solid
upon
every
world.
but
method
it is clear
failure
here
hero,
real
earth, which
that
than
that
that
any
make
him
asserts
has
of
his
a
come
at
story
listen
to
hear
to
Kipling's,
didactic.
mainly
able
admir-
an
lovers, with
itself
has
all
none
is not
one
ested
inter-
sentimentalist,
all.
The
or
contrast
of
peculiar effectiveness
of
both
with
the
characterization
the
the
with
Georgie's
Kipling
to
and
story
has
the
because
in
man,
endows
activity
said
have
climax
say,
for
is
But
should
the
unlike
of
wisdom
of
consolation,
meeting
weakling
and
introduces
is, indeed,
positive qualities
no
realistic
an
of
the
the
frank
then
Maxim
Thus,
Kipling's,
and
the
beginning
way
of
superstition of
the
There
the
childish
one
sort,
I
of
Kipling's
the
Nodier
man.
delay.
Or, perhaps
plants
by
to
for
death,
suffers.
and
has
and
climax,
mere
clear
Kipling's
which
of
who
very
hero.
Cecile's
all
has
one
country
make
the
to
which
essay
representative
the
partly narrative; it
quality
Maxim,
Cecile,
makes
his
the
to
and
in
discuss
way
God
narrative
preparation
proper
of
of
is only
the
approach
the
hopes,
ways
's purpose
life
narrative,
associations
bourse,
the
girls.
who
an
ironically,
phrenology,
and
for
preparation
sermon
another
leading
with
says
opera,
boys
people
thus
chandeleur,
he
of
overplus
to
provincial society,
of
young
not
contrasts
essay
innocent
way
the
"
WEITEE
begins
letters, homeopathy,
conditions
by
length
city, where,
amusements
government.
group
STOKY
Nodier
For
exposition.
satirizes
its
owing
Boy,
to
THE
this
feet
sort,
resting firmly
for
capacity
itself
dreams
nearer
predecessors.
even
grow
method
in
activity
the
dream
monotonous;
escaping
inevitable
Nodier,
sufficientlydeep impression
with
;
his
George
CHARACTERS
Maurier
du
makes
the
domesticated
and
Kipling's
then,
comparison.
If
it
it
approaches
is
deleur.
It
it
much
as
makes
story
of
lacking
The
far
highly
more
more
pure
both
romantic
technique
closely
than
unified,
more
of
the
love,
well
is
Le
more
stand
de
holds
la
Chan-
dramatic
more
of
of
test
short-story,
Neuvaine
and
than
the
typical
not
vigorous,
realities
On
progression.
and
can
Boy
middle-aged,
commonplace,
movement
Brushwood
more
191
PSYCHOLOGY
life
dream
affair,
whole,
the
AND
dreams,
the
its
own.
and
CHAPTER
PLOTS
Here
or
the
again
augmented
remains
he
least
of
stories
as
and
in
part
the
"
personality
even
Bread
in
he
approved,
of
paint
upon
the
says,
"of
of
owners
the
gave
me
finished,
and
and
wrote
dinner
line.
with
wrote
his
dramatic
trifle
the
of
extent
for
Holdock,
ture
ven-
let
pamph-
one
to
is
engineer,
Steiner
me
less
There
literary
friend
the
before,
as
now
early
an
invited
Holdock
.
his
and
house,
the
the
plans
pamphlet
that
placed
the
that
not
less
or
is,
"
in
appears
more
self-portrait.
of
to
is,
that
or
ing
remain-
the
It
is
He
McPhee,
writings
my
and
Kipling
account
Waters.
pages
of
flattering
his
in
humility
itself.
occasion.
a
Half
sure
Dan,
as
takes
or
is
Stories;
sometimes
Kipling,
his
one
So
Just
story
idea
nevertheless
Fairies.
person;
the
the
the
pectedly,
unex-
person,
impossible
Puck,
listener,
of
for
twenty-four
Chase,
first
the
is
Although
in
feels
in
and
Kipling's
or
to
certain
Rewards
events
created
however,
eager,
as
sympathetic
himself
Kipling
sometimes
intensity
narrative.
one
as
modified,
or
personal
appearing
this
if
tale,
in
of
the
story,
the
and
told
are
of
Or
telling
Hill
interested
active
is
Pook's
the
actors.
disguised
appears
Puck
the
of
unchanged,
quality
of
habit
the
end
he
that
The
ones.
up
the
beside
presence
persist,
characteristic
given
at
methods
new
general
has
SIGNIFICANCE
THEIR
old
by
Kipling
at
AND
VIII
governess
and
same
when
specifications
afternoon.
the
others
in
It
my
was
had
hand,
called
194
KIPLING
of
all
THE
short-stories, in
Kipling's
sometimes
compared
eminently
fitting; for
is
not
the
to
from
intimately
special correspondent,
but
self-portrait, yet
not
that
it must
that
in
1899, four
his
during
then
studied.
be
in
own
her
beginning
five years
or
sixth
Neither
the
races
harps
EETURN
the
nor
forlornly
hands
the
Plucking
Begging
OF
the
or
It
man.
self-expression;
this
point of view
remember
must
published, Kipling,
death
his
read
eldest
the
daughter
the
at
verses
CHILDREN
THE
amused,
crowns
Children
the
robes
radiant
Princes
what
dove-winged
cherubs'
the
nor
of
wandered
the
refused:
Kneeled
and
along
the
and
by,
passers
Powers
and
'the
beneath
'Ah,
"
Dome;
faces
pitiful
with
please
will
let
you
home?'
go
the
Yea
author
"
Holding
Over
sonal,
per-
THE
us
Kipling
was
must
one
the
sincere
it
is
case
sacredly
it, one
before
And
year.
and
is from
It
illness,lost by
severe
of
understand
To
in this
Kipling
piece of
short-story is
comparison
of
or
is
heart,
The
"They."
lyric ; the
"They"
the
WE1TEE
not
cry
journalist
STORY
and
caressed
the
to
gateway
all-iron
made
ran
Mary
the
kisses,
and
them
to
promise
with
which
Peter
Mother,
drew
them
"
Door
unbribable
guard
must
and
none
other.
She
Straightway
freed
So
them
through
Looking
the
took
the
from
keys
his
opened
and
keeping,
and
straightway.
Void
neither
to
the
left
Children
nor
ran
right
merrily
homeward
when
the
hand
in
hand,
Heavens
breathless
stood
still;
And
Guards
the
the
'Shall
of
the
Void
resheathed
their
swords,
for
they
heard
me
hold
them
Command:
I
that
against
have
their
suffered
will?'
the
children
to
come
to
PLOTS
virtue, then,
By
have
turned
do
AND
fortunate
this
again
home.
what
their
know
not
of
Miracle
Yet
of
do
we
is
state
this
have
beings
SIGNIFICANCE
THEIR
195
Our
not
see
where
or
hear
or
they
them;
only
are;
with
and
knowledge
children
the
Lady
them
we
few
the
story
is concerned.
This
is
story,
even
of
one
it has
real
for
of
sake
own
of
house
windows
in
with
with
work.
of fact
sense
narrative
reference
than
more
It
marks
In
it
of
and
exquisitely
is
all
this,
mination
cul-
the
intensity of
form,
that
so
elaborated,
its function
to
of
the
disappears
of rose-red
in
the
not
story
of
an
Rip
soundless
the
or
day
in
oppressively
low
horseback,
at
through
length found
Poe
the
in
a
of
The
' '
During
of
autumn
the
heavens,
singularly
myself,
as
the
that
mullioned
its
chance,
or
rather
like
crumpled
hills, just
ghostly bowling
the
approach
and
the
the
of
tract
of
when
been
dreary
the
party
scene
steadier
whole
I had
shades
to
the
year,
the
it, it disappears
leave
the
careful
more
of
age
guidance,
or
you
scene
Winkle.
Van
indeed
Irving
the
to
it by
leading
interlacing of
the
with
English
inaccessible, mysterious,
find
you
old
lovely
It is
When
lai.
and
leading
has
story
tale
the
of
beauty
pure
stone
tile.
forest, where
behind
in
the
weather-worn
supernatural
some
ravine
in
before,
and
roofs
mysteriously
and
significance.
exquisite finish, in
its
palaces of fairy
on
of
never
as
deep in the
because
hung
Kipling's
the
lichened
and
hidden
and
lines
and,
fulfils
It
language.
technique,
and
but
delight,
landscape,
the
English
the
best; it
opinion Kipling's
my
whole.
We
as
in
interest
imagination
element
its
in
short-story
many
fuses
every
as
of
human
of
emotion
best
the
requirements
the
said, is
I have
as
ment
move-
dull, dark,
the
clouds
passing
of
evening
of
alone,
country;
drew
on,
KIPLING
196
within
view
intense
and
but
fact,
of
form
which
may
well,
as
WRITES
of
House
melancholy
the
and
Usher."
stimulates
Kipling
that
imagination
back
comes
here
is, as
which
sincere
right and
the
as
is because
It
merely
not
artificial,but
seem
inevitable
as
STORY
persistent emotion
sense
manner
of
THE
to
of
matter
of
perfection
sonnet.
As
the
story,
the
in the
Beautiful
of
even
of the
the
which
and
hills,from
the
blue
inland
forth
between
unfilled
not
we
activities
The
Nor
and
"two
months
and
the
story
not
bidden
we
it
concerned
is there,
as
motor
agreeable
for
is
of
the
sea,
in
the
air,
time
the
second
appropriately
those
of
right
the
mainly
between
admire
it is
flight of
that
days"
The
the
Georgie
like
brilliant
between
so
and
the
journey
world
or
bolic
sym-
was
the
autumn
visit.
all and
with
the
us
at
follow
we
four
follow
to
as
final
month
that
pewter
of
smell
House
fleeting joy of
from
dingy
the
the
the
that
first
and
left
intervening
Cottar
in
Boy.
are
that
know
third
visits, the
Kipling
Brushwood
the
concern
are
of
fog with
the
these
second, the
to
to
parting
of
sympathy,
last, the
at
grief of
poignant
its
ment
fulfill-
charm
second,
still in
subtle
Poe's
to
rich
the
pure
of the
understanding
the
by
the
heavy
third, does
More
and
spring
the
shadows
elapses
mystery
fitting prelude
spirit from
wind-swept
and
deepening
clear
meeting, followed
that
accompany
Forest.
the
of
properly
summer
is the
autumn
joyful promise
the
so
even
of
of
melancholy
is
shadowy,
contrast,
come
that
we
world
in
the
search
for
it still exists.
But
just those
somewhat
into
it is the
of dreams
the
it
the
story
; and
"
is the
the
the
gives
nurse
of
members
We
men.
should:
the
except
of
world
into
car
that
assurance
outside
real
it, who,
doctor,
PLOTS
the
trembling
and
Jenny,
is to
SIGNIFICANCE
the
show
lawful
the
THEIR
Turpin
nun,
who
place beside
AND
tenant-farmer,
that
us
born
197
who
for
even
come
back
the
shadow
the
child
her
the
to
cottagers,
poor
is
there
in
House
the
Forest.
And
shadows
'They,'
are
not
in
part
shades
mere
childish
the
peacocks,
they
utterly
to
feet
cling
as
hurried
to
away,
dolls
such
touch
came
because
them
come.
toys
see";
and
They
came
only
those
phrase
who
the
thing
that
did
in
looked
his
infinite
because
or
lost
waved
tremendously
being
there
was
only
could
many
made
them,
Our
they
"
Lady
pathos of expectation,
door
always
the
she
could
matter
his
and
it
that
a
in
he
not
for
as
wife, Kipling
was
did
of
fire
wood"
the
for
friendly hand,
;
she
hearth.
them:
see
had
toes, you
brick
not
"walk
butler
cold
broad
near
the
open,
with
in
interested
a
guns
children
who
needed
children
first understand
window
just
toy
no
how
only
inspired fear
woman,
might
the
Madden
at
or
some
nearer
had
blind
comes
on
drew
having
she
yew
seemed
that
she
not
is
of small
tread
who
the
garden
iron
borne
the
for
anyone
perhaps
not
as
in
tables, their
knew
because
absorbed
the
as
They
so,
the
case
she
"
the
them,
Jenny,
ran"
He
little maid
With
had
himself.
little
well
as
;'in
her
to
came
them
unpassable
no
floor.
the
children
and
childless
the
they
her
burning,
always
To
for
the
among
child
leafage
grossly material,
the
miracle.
ready
child
doves,
chairs
the
upon
loved
For
the
low
leaves;
felt that
their
them,
she
her
wrought
the
saw
into
laugh
they
are,
elusiveness
very
the
dead
one
understand.
and
had
one
Turpin,
not
hear
room
be
might
swerved
of
they
as
their
heard
chuckle
across
flung hastily
as
could
that
skirt
entered
one
and
her
to
One
happy
stealing
children
are
shyness.
within
not
favor
him
that
that
the
stand
underbut
of
KIPLING
198
right;
and
he
heard
beyond;
when
as
of
gift
of
with
deal
view, with
the
the
Baa
King,
children,
between
Mrs.
her
happy,
Dumoise
"
They
It
"
of
shadowy
too
the
story,
who
stand
and
her
the
blind
death,
The
they
the
The
Phantom
however,
mother, the
as
butler
Kipling
and
individual
'
'
from
back
came
to
They
like
real
elusively
the
not
are
the
the
warn
Keith-Wessington,
for
characters;
drawn.
and
the
The
his
She
is best
"Men
real
wife,
and
says,
yet
different
living
sufficiently individualized
Them
herself.
woman
For,
are
within
hover
dream,
only
say
"They"
Boy.
subtly
too
' '
between
of
for
of all
shadows
'Rickshaw.
creatures
Brushwood
and
Mrs.
can
are
very
of Mouth,
Majesty
subtle
most
they
are
from
and
not, of course,
are
are
house.
are
Word
By
of
ghost
nor
the
in
They
His
dreams,
mischievous;
of
point
Muhammad
One
of
or
stories
preparation
the
they
rest
fancy
the
unreality.
of his
loquacious
and
and
the
their
were
supernatural.
playful,
who,
husband
ghosts;
of
creatures
all
"
close
long line of
Winkie,
is,furthermore,
for
to
pathos.
Willie
palm
my
ago.
from
and
only
' '
long
world
joy
of
expected
of all the
the
said, 'No,
understood
centre
very
room
she
He
the
cautiously,
through
when
once,
Wee
the
happy;
are
reality
were,
and
It
with
dealings
shadow,
in
Benefit of Clergy,
Without
"They"
fell
show
Sheep,
writing of "They."
that
spoke
flower
distortion
Black
Baa,
Kipling's
the
its
creaked
feet
quick
"
devised
and
crown
children,
all
kiss
code
door
evening.'
fingers
mute
is the
"They"
Din,
the
feet
this
brushing
the
WRITER
Madden
either
which
on
fragment
that
Mrs.
her
little
"the
of
patter
whom
seen
STOBY
failing light,
the
the
nor
haven't
in
why,
nor
THE
world
and
in
"
women
the
all, of
above
they
group
Jenny
course,
through
may
of
persons
Turpin,
characterized
and
that
the
sometimes,
AND
PLOTS
after
is their
temple,
lived
have
in
'
can
subtle
and
thought
and
masculine
is
utterly
"They"
is not
and
motives
moods
children,
Madden
which
to
another,
been,
took
blind
woman
to
of
in
terror
it
of
is, in
greets
him
It is in
presence
of
sense,
as
her
the
at
shyness
final
yearning,
her
always
view
first,one
the
on
long
As
impulse
than
drew
third
from
the
delight
sense
for
wistfulness,
the
that
in
his
him
have
visit
you
fundamental
feel
her
sadness
before
time
the
only
and
it may
car,
the
to
discreet
other
later, the
parting.
the
something
should
study, yet
heroines.
The
with
children,
the
Turpin.
keeping
Kipling
their
at
regret
"What
of
of
volition;
own
with,
that
all, grief,
a
'
her
queror.
ConBut
more
and
At
ing
reveal-
the
grief of Jenny
was
and
women.
vigor
its
to
story
the
the
charm,
last
of
house
mood
mask
terror
calling.
external
again.
here
come
mad
from
Turpin,
relation
violent
' '
aura,
William
other
in
mind,
emanate
psychological
servant's
the
to
road
the
his
the
"
the
hilltop
one
of
any
the
every
of
her
dren
chil-
ties
quali-
or
egg
Kipling's
with
sense
the
Kipling
volition, some
of
of
to
of
that
its characters,
both, with
brought
combines
with
contrasted
mother,
like
for
' '
of the
Kipling's
and
other
eyes
supposed
family
the
forgotten
not
are
of
has
who
influence
has
she
is conscious
power,
any
good
flimsy scheming
than
in
of
preparedness
she
body
of those
truth
But
follows
the
and
charm
feminine
purely
own
She
is of
good;
its
individual
the
she
the
She
executive
Clearly
of
of
pierces
she
in
house, which
the
the
place
wistfulness.
soul.
of
save
mainly
eyes
naked
essence
was
her
living things.
the
she
one
expressing
the
see
anything
' '
This
199
lie; but
creditable
say
these; for
than
all
it.
'
yearning
her
the
cannot
peace,"
great
she
effort, achieve
great
SIGNIFICANCE
THEIR
the
had
ception
con-
first
their
no
sive
elu-
of mystery
blind
woman,
motives
the
KIPLING
200
the
story;
and
THE
children,
as
she
Perhaps
we
are
need.
peculiar sensitiveness
permits
feel
her
their
who
three
brief
small
social
It
plot.
only
of Clergy
and
The
in
the
real
events
does
line of
one
attention
as
almost
love
part
that
blind, that
hear
to
them,
Brushwood
of
Boy
fact,
to
the
tration
concen-
story,
one
Without
trace
Benefit
of
series
in
stories
the
to
the
upon
only
as
to
parallel
of
like
tell
attempt,
running
and
space,
attempting,
not
time
short
inevitably,
matter
action,
world
the
upon
circumscribed
involves,
group,
great
moods.
the
visits, upon
of
follow
of
the
to
lost,
nor
her
it is in
that
compensation
borne
their
concentration
The
in
of
because
understand
to
neither
and
WEITEE
come
says,
granted
has
presence
STOBY
the
'
of
world
dreams.
proportioned
and
of
intensity
three
are
earlier
narrative
and
the
by
its
reader:
is
reader
it offers
obliged
succeed,
if
think,
phase
produce.
the
series
concrete
work
of
the
stimulates
culmination
only
upon
by
out
of
the
of
for
mystery
impression
to
the
subtle
of
It
tions
func-
unattached,
into
in
as
concrete
thus
comes
if he
the
does
of
the
wholly
not
is, I
is intended
thus
"They"
short-stories.
method
owe
which
mystery
very
story
to
activities
suggestions
incidents
appointed
mental
still,that
such
in
equal
the
whole
the
which
The
story is unencumbered
the
himself
''suggested"
use
the
readings.
many
All
or
explanation.
its demands
a
to
about
are
their
loose
of
complete
or
remains
part
It
translation
comment
to
float
dialogue
or
admirably
charm
perform
to
that
of form.
sense
little longer.
of
because
suggested,
first two
the
be,
parts
The
is
terms
of
these
stories.
unmarred
part
in
up
constructed
admirably
itself in
expresses
it should
as
bits of action
; no
the
third,
gathered
I have
as
which
is
moreover,
clearly defined
are
length, the
perhaps
"
emotion
parts
plot,
The
It
as
this
to
marks
is
festly
manithat
it
KIPLING
202
But
Image.
Chaucer's
of
genius
the
revelers,
is indeed
of all.
their
lacks
we
Kipling's
More
with
Tale.
Both
wrought
the
authors
at
through
her
both
by
is
Kipling
and
shall
no
and
weaving
into
Prioress
does
not
order
return
not
to
as
effects
his
of
here;
to
the
repel
us
to
children
by
notion
miracles
from
of
works
These
the
contrasts,
and
the
their
but
word
It
them
this
so
"Where
Chaucer
"
who
tells
desire
credible
as
carefully
on
heaven
the
upon
manifestly
is
that
clear, straightforward;
realistic
as
as
acteristic
char-
exactly what
tale
her
and
is all
know
the
Prioress
the
by
blances,
resem-
modern.
believe, literally,in
to
Prioresses
return
little child.
Kipling
causes.
readers
we
make
completely
and
he
belief.
elements, making
them
expect
complete
same:
"They"
of
her
seeks
The
other
he
though
of
Lady,
lyrical, in
"
ness,
vivid-
delicacy of treatment,
a
It is not
outlines
melting
of
web
her
share
of
effect
conclusions.
own
with
Our
from
medieval
the
our
both, children
sharpen
to
between
all its
the
but
inspired by
The
as
death
dramatic.
It is
in
the
and
comparison
of
and
subjective, personal
impersonal
tale.
stories
the
serve
draw
evil
itself.
is the
method
comparison
tenderness
in
the
the
distinguished
involved
contrasts
others
than
has
impressive
more
the
as
force
more
not
Death
as
and
more,
cases
mother-love;
are
however,
is
left to
and
bottom
peculiar
pathos
the
both
Tale, is the
are
dead;
the
in
glimpse
Pardoner's
and
these,
suggestive, however,
the
Jew,
in
man
does
interpreted
But
given the
are
been
old
Chaucer
Kipling,
children; he
charm.
mysterious
Wandering
the
as
more
appears
is the
has
man
of all
something
He
than
old
WRITER
Like
Tale.
his
himself;
STOEY
example
great
Pardoner's
commit
He
the
THE
by
phasizing
em-
possible,
as
she
other
such
pened.
hap-
can
hand,
a
thing
earth.
In
incredible,
he
AND
PLOTS
stating
avoids
used;
he
makes
subtle
while
Prioress
tries
it would
us;
believes
in
culmination
of
just
of
the
lect
intel-
whether
our
imaginatively,
course,
in
his
story
own
it would
Otherwise
hers.
of
matter
not
that,
effects, the
way
absolutely
as
So
affect
not
cold.
us
significant
"They,"
it does
outlines,
the
emotional
partly by
just
have
statements.
at
Though,
not.
believes
leave
him
softens
precise
aim
both
with
or
of
those
as
and
emotions
the
Kipling
Prioress
the
and
reach
to
convinced
are
emotionally,
as
miracles
are
dims
instead
203
crude
so
mystery,
suggestions
Kipling, directly
minds
terms
any
it in
shrouds
both
in
it
SIGNIFICANCE
THEIR
in
many
is then
ways,
mainly
so
in
as
the
Kipling's
work.
This
of
certain
this
personal
same
third
though
the
the
They
tale, that
is
feels
reader
parents
hears
and
real
vocabulary
naturally
Mrs.
whom,
which
the
children.
or
cab.
than
than
some
always
intelligible to
long
the
It is the
indeed,
his
it
had
that
technical
dialect
in
words
have,
Kipling
which
and
auditors.
of
they
us,
of
manner
listening children
once
and
childish
of
more,
learned
of
talk
of
Just
were
oral
the
ventures,
ad-
real
more
Atkins
engine
though
or
room
there
whether
So
of
special
perhaps
Tommy
wonders
The
the
conversations
children,
one
of
bits
edifying
They
audience
the
informs
background
the
of
echoes
of
and
subtitle
the
Stories, which,
So
skilfully the
of
of
characteristic
Just
writer
very
in
the
stories, in
other
are
personal
the
as
spontaneously
and
in
the
conscious
dialect
or
Hauksbee,
locomotive
of
continually
or
forms
or
reproduce
always
in
intimate
no
certain
is struck
present
presence
children, for
written.
is
It
recount
throughout
little
types
new
period.
they
note
Stories
he
or
are,
was
have,
KIPLING
204
THE
too, that
special trick
phrase
refrain.
Thus
sentence:
"I
or
rhythmic
all
places
are
alike
the
story
are
marked
Cow
become
formulae.
The
and
Wife
into
seizes
the
Dog
holds
So
Just
quoi,"
the
How
Second
Jungle
his
stripes,
is
learn
the
was
course,
may
not
be
that
incidental
the
from
spring
The
the
Just
like the
ability
and
folk
are
because
tale,
the
and
in
began
moral
strike
and
tale
told
Rewards
the
stories
and
Books,
hold
certain
on
the
children
by
for
Fairies.
volume,
his
These
though
there
is much
of
older
children
For
style
ancient
in
their
the
sort.
and
tradition
of
it
they do
historically
of
of
though
mouth.
cause,
be-
ling's
Kip-
demonstrate
note
because
hump,
first letter
"
And
word
one
accounts,
way.
they
(in
tiger got
the
interesting
are
Pour-
Came
and
Jungle
for
camel
Or
' '
the
the
the
this
much
mdrchen;
Fear
how
thus
Grimm.
this
on.
purpose,
light
of the
so
of
seriously instructive
than
with
and
the
friends
old
the
tale, of
same
Kipling
from
his spots
the
make
of how
throat,
of
tricking
to
How
Thus
made,
interesting, furthermore,
connection
Hill
to
which
his
in
by
parody
of folk
sort
leopard
the
serious
stories
of
and
Horse,
Dog,
Man
then
its account
Stories, then,
So
"Wild
style of
the
kind
got
alphabet
of
and
the
incidents
formulae.
same
example.
rather
moralizing
the
with
has
by
by himself,
fire
the
repeated
always
symmetrical
by
story, of
alphabet
walks
of Wild
and
special
whale
skin,
jocular
are
of
earlier
his
written,
like
Why
the
rhinoceros
in
Book),
an
how
praise;
read
or
the
may
of
parody
the
place
technique
Stories
himself
who
servants
always
the
narrative, the
parallel phrasing:
wins
"
Cat
And
and
words
and
and
me."
oral
identifies
the
am
by
Cat
Cat
the
to
WRITER
effective
friends
three
Man
with
of
STORY
ner,
man-
of
the
They
forward-looking
in
Just
Puck
So
of
Pook's
Stories
of
AND
PLOTS
primitive
of
the
English
of The
end
is the
there
man
First
runs
hour
Above
The
the
river
dark
and
in
faithful
the
as
Taffy
lead
To
brows
eyes
free
Comes
The
she
far
cannot
Tegumai
daughter
above.
cloak,
she
flits,
smoke
damp-wood
fair
where
Daddy
oh, very
"
skies
and
little
her
diamonds
deer-skin
and
show
as
the
than
Uiifearing,
lights her
far
to
braken-fronds,
fly above;
with
bound
are
moccasins
far
seem
return
years
alone
that
she
flits.
behind,
to him,
call
to
was
find
all
to
look
stands.i
sing again,
fern
the
dancing through
the
Surrey spring again.
bluer
To
stands;
and
come
father
her
golden
are
bright
And
it.
on
Bramley
Shamley
elf-locks
And
home
unwounded
hearts
Comes
it)
on
climb
would
where
about
Taffy and
anticipating "They":
And
roam
time
Broadstonebrook
Shere
verses
ring,
rode
Eoad.
that
where
swamp
Taffimai
For
So
the
bring
their
had
built
from
bears
to
Daddy
and
made
and
Western
before
her
and
beavers
And
the
used
down,
And
For
at
"
horse-bells
the
Phoenicians
long
bison
Taffy
Then
And
verses
"
dressed
along
goods
That
In
the
town,
heard
Britons
the
(When
Her
"historicity"
it is.
Wey
they
long
Did
to-day
of
watch
But
Her
in
Down
is
it
Guildford
Gut
ancient
Their
But
the
on
up
Merrow
by
track
when
Here,
Other
insistence
it is summed
road
grassy
An
note, perhaps
20o
Letter:
To
SIGNIFICANCE
same
landscape;
There
THEIR
him.
strike
the
personal
KIPLING
206
This
and
brings
once
Fairies, the
the
the
special
the
framework.
excellence
the
Kipling
often
life
by
the
children
her
to
the
study of Latin
of
appearance
rechristen
Dalyngridge
century
voyage
Africa.
Unlike
of
little
Chaucer's
but
they
For,
and
out
not
lays far
hand
as
we
And
have
historicity of
them
Puck,
even
or
of the
seen,
Kipling's
English
soldier;
set
garden,
out
and
his
the
in
are
when
Cape,
the
element
in
character
of
Bath.
their
places,
than
very
to
vitality
the
Sir
eleventhof
coast
of
for
plot.
narrators,
Kipling
Chaucer
revive
the
the
on
the
on
is to
purpose
and
reality of
or
The
Dan
autobiographical
framework.
emphasis
greater
of
ally,
Kipling's, characteristic-
in
lack
Wife
clearly enough
parts
Roman
of
of.
Francis
semblance
along
story
's interest
Miller, Prioress
are
tells
framework,
Chaucer
Hobden,
stand
North
reveal
course,
the
cerning
con-
connects
Sir
Serpent,
southward
discovery
does
or
and
With
activities
of
young
of
acters
char-
they find
forest
into
the
of
the
from
the
the
Lang
bottom
appears
itself,a story.
Knight
the
Discoverer
It is not,
Una,
the
at
with
galvanized
boat
tales with
Pilgrims.
anecdotes
the
Kipling
from
tree
Parnesius,
their
brook
is
and
continued
way
and
ship building
Richard
not
sometimes
handling
in which
of the
in
period
spring from
situation
some
the
of the
connection
out
Rewards
admirable
Canterbury
up
in
of
and
Chaucer
tales
other
come
Hill
most
both
the
hauling of
Longfellow's
has
the
to
The
explore the
reading
from
connected
ancient
Dan's
Drake;
the
adventures,
day.
with
Chaucer
who
own
story, and
itself
close
and
persons
present
lies in the
relation
their
the
With
narrators
in
themselves
the
Chaucer.
With
of the
and
structure,
since
tales
of Pook's
achievement
important
most
WRITER
Puck
to
more
of external
way
of framed
to
us
STOSY
THE
tales
other
settings.
emphasize
past
of
within
the
the
PLOTS
and
reveal
to
present,
Una
acted
times
three
Puck
Old
England."
the
are
two
Thorn
are
shall
show
and
As
of
free
best
or
to
three
Doubt
Fear.
taking
thousand
'
lai the
the
attention,
reader,
and
Beside
the
Cat, of the
that
of
horses
in
in
The
bees
these
The
the
necessity of cooperation, of
2
see
Lamp
For
Mrs.
single
Part
Browning's
from
11
in
The
several
past
Una
and
no
have
shall
neither
know
Fear
and
skilfully
are
into
and
of their
memory
entrances
in
fairies
suddenly
appear
see
and
interest
are
Deal
Stalky "
and
Ring
narrators.
older
didactic
of the
Hive,
locomotives
man
forms
in
work":
Delegate
of the
in
be
must
and
parts
'the
The
of
least
at
purpose.
"day's
Walking
every
framed
group
sation
conver-
Maltese
The
.007, emphasizes
performing
his
Ship
the
allotted
framed
Three,
tales, like those in Soldiers
Slaves
of the
of Discipline, and
Cotton, Bonds
in Balzac's
Grande
Breteche, or in
as
Co., where
tions
is
constructed
the
by contribuBool', the story
independent
and
Bathurst,
shall
tradition; like
and
in
Mother
Herself, of
Found
folk
doctrine
the
preach
of
of
experiments
other
Most
of Fables
It
where
of Doubt
absence
the
exits
shall
you
least, is astonished
at
revivals
these
enumerated.
you
and
captivated.2
so
tales, certain
What
hear, though
Dan
mysterious
These
presence.
see
old
figures from
suddenly
managed
the
Oak, Ash,
know
this
Technically
of
Now
England,'
and
and
'
Old
look
shall
in
went
' '
all
and
You
year;
They
right
shall
of
of
ring,
hills
oldest
possession.
or
Dream
of
'By
go
you
march
as
seizin
middle
appeared.
' '
possessed
and
"What
preservation
and
and
please.
is admirable
en
himself
' '
Night's
of my
one
Dan
landscape.
in the
under
Puck
come
you
hear
happened
nor
result
English
eve,
right
"
207
Midsummer
the
sing-song voice.
shall
you
under
a
of
the
midsummer
on
lawfully seized
you
of
beauty
ceremony
in
SIGNIFICANCE
THEIR
fairy part-
says,
through
Puck
the
' '
as
began
the
running,
and
you
AND
in
KIPLING
208
task.
simply
It is
Builders, which
Mill
the
makes
back
of
use
similar
English
the
relations
of the
the
point of view
the
to
friend
at
the
Indian
from
A
the
on
and
with
saved
he
they
were
Bishop
one
of
chaplain,
God
to
tion
Tradi-
of the
involve
white
from
and
example,
The
One
period
be
will
It
which
criticism
is
officer of
in
gentleman
View
London
of the
English
said
his
the
brought
and
he
his
it
hall
was
and
fair
likely
to
Presently
in
fish
said
for
fishers
his
' '
Two
.
man
the
to
of
being
circumstances
same
Meon's
then
returned
himself
and
ploughmen
days
ago
his
seal,
pet
offered
desert
favor
curry
hope
mouth,
Meon
all
and
thus
help,
perish of starvation
Padda,
his
wrecked
were
pagan
in
the
in
of St. Wilfrid.
"Wotan
under
reclothed
called
moment,
that
with
sea
and
last
God.
Meon
renounce
is revived
Kipling,
Conversion
The
were
the
to
new
and
not
at
Wilfrid
Then
whether
Indian
wholly
would
rested
into
Indian
transition
an
harking
Critic
period
criticism
ling
Kip-
There
Africa.
first
the
from
it seemed
as
of
mainland
baptized.
herdsmen
his
desert
out
up
the
St.
not
in
devoted
Meon
and
would
came
to
And
Exemplum
"
Christian
the
South
the
thus
Alien
Lispeth, for
"
tradition, and
and
exposure.
in
defence
essay.
native
modern
of
Dream,
the
Below
point of view.
Devot
island,
by
of
black
letter
Wilfrid, Eddi
an
the
home,
still older
Conte
St.
is
the
of
imply
races
of Dungara.
Question
of
affairs
stories
two
march
of national
scheme
Bridye
part, and
onward
criticism
The
System.
second
the
recurrence
those
The
eighteenth-century
of
of
in
ideal
"
conduct
of
inevitable
the
War
that
of
fable
in
remembered
Judgment
into
WRITES
convention
and
Sahib's
doctrine
an
the
reminiscence
in
old
the
forth
set
Addison
to
the
reveal
To
progress.
the
turns
Dam
STORY
IRE
When
to
I asked
fathers'
be
and
our
Gods
In
certain
the
first
the
Deep
what
stories
The
period.
Sea
Kipling
returns
the
words
reads
the
of
from
reader,
to
new
in
of
way
careful
climactic
choose
for
are,
highly
rather
direction
the
have
in
seen,
Puck
series
of
those
of
to
another.
constitutes
has
an
amount
has
the
of
been
same
but
almost
to
in
of their
number
and
Pyecroft
Their
Lawful
Brugglesmith
and
which
in
the
of
the
Bread
Upon
and
great
stories
than
reveal
Joyous
dency
ten-
stories
of
appear
Steam
the
in
Waters.
Mrs.
Richard,
Parnesius
charming
the
stories
on
carry
Bathurst,
Tactics;
it
though
and
Rewards
is
series
same
Hugh
with
also,
which
Venture,
three
and
the
the
always
not
Rewards
on
carry
Puck
Occasions,
in
of
tendency
hero, beginning
Hinchcliffe
wood
Brush-
powers,
thus
the lives of
and
epic breadth;
discussed.
action.
Boy,
The
single chapter
biography
Discipline,
engineer,
one
tales
The
does
or
reason
long-story, manifest
Brushwood
in
from
one
reminiscences
They
condensed
especially apparent
events
for
of the
ing
noth-
whole,
the
he
them.
narrates
elaboration
scattered
wholes.
of the
The
not
Witches,
and
details
hand, is hidden,
have,
however,
of the
unified
and
organized
in
we
Many
little
the
is, on
we
ling's
Kip-
mean
can
who
foreshadowing,
which,
powers
example,
other
gested
sug-
significance of
character
which
the
biographical
The
there
know
"They,"
Kipling's architectural
reveal
exercise.
Thus
detail, Marklake
preparation,
scenes;
to
stories
some
Boy, "They,"
the
Structure
The
analyzed
another,
the
and
not
conditions
certain
on
Devil
does
method,
beginning.
only from
Internal
this
mind
Witches,
but
note.
in
the
at
Marklake
Concerning
of
The
he
because
some
of
jargon
gible
largely unintelli-
are
unintelligible.
keeps
verses
They
under
application
one
incidents
the
be
may
and
Herself
simply
For
technical
the
to
examples.
mean.
unless
nothing
WRITER
Found
that
reader
subtle
most
and
Ship
normal
short-story
as
STORY
extreme
are
the
to
or
THE
KIPLING
210
McPhee,
Bonds
the
PLOTS
picture
vivid
of
his boyhood
of
account
On
the
other
form,
first
the
timber
can
often
running
them
putting
think
it
paused
admirably
to
of
listen
in tone
breaks
though
from
many
than
them.
'
do
Joyous
stories, such
as
recur,
attention
in
as
Habitation
them,
of
power
scribing
de-
example,
emphasizes
the
concludes,
"I
of
to
The
every
incidents,
Kipling
noises
home
effective
An
' '
forest, and
comfortable
then
for
Venture,
And
his
minor
his
Richard,
feared."
we
and
now
'
of
Many
African
of all this
spite, however,
in
passages
astonishing
was
slipped through
they
less
no
thick
silly head
details, of vivifying
the
the
to
but
Indian
through
My
me!
and
American
tall
great
canter
Hugh
in the
similar
suggestive.
silence
the
of
creates
re-
ize
visual-
to
imagining
of their
mystery
was
of
beats
Kipling
eyes
at
find
may
action, is
horrors
the
terrifying
One
power
"How
branches,
assimilating
are
moreover,
feather
low
the
the
already
is able
he
of
end
have
We
Indians
the
war-bonnet
a
by
elks."
and
observing
In
enough
in
with
the
quirements,
re-
it in
publish
to
realization
through
seen
short-story
at
own.
the
Wall.
Roman
of
least
completely
Square-Toes,
brushing
Kipling's
story;
its
holds
home
his
the
short
at
or
with
ending
on
fall
to
how
as
at
carry
without
banged
less
no
career
imaginative
and
life
Brother
says
a-horseback
like
is
He
woods:
of
Elizabeth,
and
Life's Handicap
detail
eleventh-century
Richard.
with
wealth
Queen
his
211
Wight
anecdote,
mere
Concrete
what
of
tendency
disappears
with
SIGNIFICANCE
Isle of
the
climax
write
period.
seen
THEIR
on
the
hand
to
book
AND
"He
adds,
the
brook."
detail, the
Brushwood
Enforced,
old
Boy;
are
free
them.
No
more
in
his
moral
philosopher
moral
problems
or
third
he
with
period
is not
moral
in
the
in
than
least
codes.
his
first
concerned
But
he
is, as
is
with
Kipling
abstract
always,
dis-
KIPLING
212
posed
to
preach
noted
Pook's
Hill
lay
and
stress
fashion,
salutary
action, it
therefore,
of
Saxon
They
flies from
his
Saxons
is his
as
ashore
leaps
For
of
the
that
to
ideals
best
follows
life.
And
Hugh's
manor
hostage
are
the
shame's
Beowulf's
of
Germanic
suggests
loyalty
in
rescue
in
tradition
and
when
his
the
specifically Beowulf's
is
faithful,
Africa, Hugh
of
for
so
of
"I
devils.
tells the
fight with
combat
Richard
men-at-arms.
take
and
clump
Richard
remains
Even
friendship
;
even
sword
that
out
Richard
followed."
sake
his
Then
coast
marrow,"
bones'
in
ing
recogniz-
slips and
cries
they
whom
The
friendship.
Richard's
the
in
typical
are
strike.
among
deeds
fellow-students
Hugh
exploring
gorillas
four
my
for
came
these
they
men
to
"but
Wiglaf
of
among
afraid
was
his
voluntary
old
as
Hugh
saves
possession
sleeping
and
them
terms
the
and, neither
to
ceedingly
ex-
an
in
into
Hugh
foot
forbears
Richard
upon
and
prisoner
When
out
run
in
put
hand
stirring and
there
need
been
Hugh's
discover
portable, likely
splendid
Hastings,
combat.
have
after
again
meet
other, begin
the
Norman
and
of
naturally
volumes
very
at
Just
Puck
not
two
and
Richard
history of
the
the
and
youth
France.
of
form
in
expressed
translated
of
stories
The
They
way.
Already
spontaneously
life.
actual
this
be
does
ones
these
is
to
is in
there
in
again
comes
He
old
the
morality.
effective
of
that
so
he
of the
people
young
We
notions.
purpose
right action.
upon
celebrates
he
but
duties;
new
for
Fairies
and
Rewards
special
half-didactic
primarily
conventional,
more
English
accepted
disposed
is still
he
become
now
with
tender,
Writing
Stories.
So
the
WRITES
conduct
as
has
preaching
keeping
in
already
have
to
his
and
nearly
more
specific action
regard
to
STORY
THE
dren,
chil-
the
faithful
the
dragon.
emulation
with
several
the
are
gorillas
encounters
PLOTS
with
hostile
with
Grendel's
shirt.
like
Sword
the
speech
Sir
sword,
like
of
had
they
After
Beowulf.
the
Thorkild's
homeward
tied
to
Saxon
in
the
an
me,
passed
dust
of
old
wedge
over
the
bracelets
following
the
Hoe
So
Dan
"
all
you
gods
Send
us
With
close-cropped
of
Anglo-Saxon
of
friends, of
gale,
enter
ideals
the
of
would
the
on
dying
during
than
go
Anglofind
oath;
no
man,
the
and
to
sea,
he
upon
take
As
more.
no
off
stripped
he
left"
Hugh's
Germanic
finally, sounds
song,
that
three-reef
us
Una
all
the
swore
flung into
farewell
us
which
might
armless
an
gold
"
chieftain
like
an
his
thus
or
echo
Seafarer:
Send
and
we
them
custom
Thorkild's
Anglo-Saxon
packet
bid
put
he
have
when
to
and
familiar
"ring-giver.''
the
wedge,
rail
promise;
Hugh,
could
only ceased
from
stooped
no
to
he
upon
and
gold,
but
Witta
of
Hugh
bit of the
and
and
of hand
with
parting
own
anxiety
out
mail-
power
to
general
suggests
"
the
treasure
drowned
'
made
"He
whom
cripple
right-arm
of
The
thanks;
no
'
them
the
the
be
yellow dust
Beowulf:
for
looked
he
of
poet's moralizing.
place
exhibits
"Better
"
Richard
shows
them,
fight
is Weland's
it has
ballad
which
the
his
by
personality of its
in
on
only
Beowulf,
Danish
battle
comfort
the
comment
voyage
deckload
has
Wiglaf
as
in
in
hero
is saved
those
in
213
Anglo-Saxon
Richard
the
to
just
won,
the
Vengeance
song.
or
SIGNIFICANCE
and
runes,
crippled, Witta,
are
he
mother,
with
marked
THEIR
Like
monsters.
Hugh's
work,
AND
moral
love
brave
gale again
watch
and
home!
possession of their
of conduct.
value
come,
slashing
canvas
into
us
men,
They
learn
of sport, of the
splendid heritage
of the
duties
significance
of
gratitude,
KIPLING
214
of
faith,
keep
We
after
even
St.
of
this
Thus
order.
of
and
friends.
Tactics
They
them
in
other,
the
clever
of
crew
in
boyish
existing
's
instinctively side
with
Occasions
children
of
in
of
half
admirable
still
persists,though
of
laws;
fleet
English
Bread
the
kidnapping
the
upon
by
And
destroyer.
the
their
reveal
speed-limit
the
ing
poach-
larger growth.
the
discredited
old
the
the
the
Waters
are
part
out
with-
precisely legal.
not
vein
The
learn
Bonds
Indian
men
in
of
Upon
present
the
a
and
of
the
affairs,in
Little
Waters.
vein
of
The
In
pure
serious-minded
the
the
In
Home,
and
of
in
Their
of the
Foxes;
Puzzler;
all these
comedy,
men
of
South
M.
stingy ship
of
play
the
the
one
French,
Africa,
Occasions;
P.'s
in
in
of
knowledge
difficulty of approaching
satirical
or
Captive,
lawful
Tactics; of the
Steam
in
Error
The
in
army
most
An
Americans;
British
navy,
in
in
of
for
stories.
at
opinion
constable,
power,
earlier
Sunday
My
Kipling's
Copper;
rural
grave
the
of Discipline;
Private
the
of
Dimension,
Fourth
may
of satire
bitterness
the
of
forth
set
of
its work.
the
to
the
System,
of Hobden
secrets
defiance
the
to
version
Conof
The
persists the
Lawful
of
The
does
opposed
delight
outwitting
gaily irresponsible
methods
Their
in
for
wheel
still
and
healthy
in
and
knightly
doctrine
plea
every
the
stories
old
those
in
are
and
are
reflects
policeman
rural
with
Una
the
there
gipsies' thefts,
the
Steam
of
One
and
of
which
sympathy
Dan
attitude.
same
in
is
implied
antisocialistic
the
doctrine, however,
recalcitrance, the
tolerance
phase
Machine
The
Team,
Beside
simply
is
fables, which
The
and
Wilfrid,
"It
word,
years."
the
noted
WHITER
given
thousand
already
have
STOEY
one's
fidelity to
of
courtesy,
THE
in
owners,
tales, however,
farce,
tricks
of
or
on
Bread
there
is
practical joke
one
another
in
AND
PLOTS
style of Mulvaney
the
general,
and
prejudices, and
System
the
In
and
of
with
together
the
fathers
the
thousand,
we
regard
unspeakable
death.
"War,"
black
"her
all
But
.
it
is
of
remains
Practically,
our
tolerant, humorous,
the
whole
the
burden
the
of
traffic
air
somewhere
that
ceased
have
life
the
as
of
only
are
we
"War,
to
to
beyond
paying
London
pressly
ex-
of
this
B.
that
from
that
breaking
of
administration
this
national
is
old
'
the
we
traffic
its last
too
on
Kipling:
distinctions
do
what
all
all international
ready
the
few
and
report,
its
trol.
Con-
tion
Transporta-
annuls
or
word
of
of
Theoretically,
judge
with
slings
Board
planet.
odd
body
C. confirms
implies."
ever-ready
with
long
so
midocean,
Aerial
the
interfere
to
and
war
that
in
semi-nominated
runs.
A.
all
and
planet
controls
scarcely believe
down
By
appeared.
shall
We
the
the
not
and,
arrangements
can
do
we
it
learned
2000,
year
right of waging
responsible only
as
the
Mail, the
correspondents,
Convention
the
to
motto
long
which
conning-tower,
Civilization,' our
so
in
informed,
is
the
sexes,
implies.
war,
in
in
very
with
both
please
One
Night
possibility of
semi-elected,
that
of persons
is
we
that
She
authority.
score
as
the
to
earth.
nation
every
hull, double
represent
regard
and
new
answers
The
interfere
not
in
views
wholly
With
have
the
upon
boat, hanging
mark
shall
1967.
to
enthusiasms
old
the
Atlantic
magazine
it does
is
the
correspondent
in
ceased
some
notes,
torment
reserves
as
This
life.
of
reenlarged
concern,
is
there
reviews,
the
two
year
our
of
advertisements
and
has
In
Company.
contradictory
an
and
Individual.
the
criticism
surprising
213
Stalky
or
old
the
however,
story,
one
account
Ortheris
and
can
old
the
to
one
SIGNIFICANCE
THEIR
to
finds
shift
shoulders."
cessation
implying
of
the
KIPLING
216
of
disappearance
admission
of
believes
The
them,
his
these
things
he
shall
is
for
is
not
he
as
the
the
for
even
whole
fact
whole,
male
in
to
be
that
he
place
population
of
that
he
that
advocates
is
an
of
ideal
English
the
he
them.
thinking
an
is
tions
condi-
the
supposed
of
moment,
fears
under
seriously
the
when
taste
2000
year
that
is
us
dreaming,
society
include
less
One
his
to
the
It
still
prejudices,
government.
thing
significant
that
in
planet
national
little
very
imagining.
own
of
in
part
WRITER
and
find
this
on
of
which
to
will
"re-enlarged"
of
patriotism
women
himself
Kipling
STORY
THE
island.
about
struction
recon-
army
KIPLING
218
of
the
from
charming
Witches.
The
latter
Nodier
talisrn, as
with
of
similar
suffering
the
last
period
jokes
we
the
is
or
of
The
Brushwood
ness," offers
and
is the
Like
tales
escape
as
the
only
from
sharp, almost,
in
of
as
the
earlier
of
"
with
contrast
tical
prac;
more
delicacy
has
commandment
medieval
indeed
wholly
is concerned
quality
the
and
however;
the
in
tales
cynicism
old
seventh
which
ideal
life, a
evidence
no
coarseness,
uncommon,
one
itself
age
is increased
manner
The
the
definite
that
increase
love.
not
sentimen-
farces
is less
same
of
are
more
has
Boy
an
stories
Love
theme.
is the
timental
sen-
does
yet
gives
some
of
there
fabliau;
disappeared
wholly
are
subtlety
passion
the
Boy
this
love-stories
other-worldi-
the
comic
contrast
and
of
lai
fabliau.
For
still
in
of
Brushwood
realistic
the
the
There
peril.
with
But
there
nowhere
seen,
mirth-provoking
many
first,and
humor.
almost
in
never
The
from
treatment
wholly
the
in
dealing
finer
Marklake
and
of humor
sense
as
have
we
sentiment
did, in
are
them.
among
refinement
of
in
as
further
are
There
and
character,
between
Kipling's
loss.
as
away
of
earlier,
the
Enforced
sentimental
Irving
themes.
of
that
carries
one
impression
the
reconstructs,
boundary
and
whole,
Habitation
An
with
the
over
pass
than
story
deals
the
stories
later
sentiment
in
WBITEE
On
story.
these
than
age,
itself
of
delicate
more
more
the
reading
the
and
of
persons
STORY
THE
which
oral
for
this
quality reaches
in
quality
personal
their
tale, with
light didactic
technique
its
lends
is manifest
carry
on
the
special vocabulary,
touch.
The
Kipling's
Structure,
External
the
This
Form,
most
in
it its
the
ancient
rhythmic
important
is
narrative
its culmination
peculiar charm.
Just
So
tradition
Stories,
of
repetitions,
achievement
of
the
and
the
219
CONCLUSION
in
period
the
of Puck
admirable
device
evidence
by
no
careful
much
careful
of
of
than
Kipling's
in
form
in
tendency
the
to
few
the
overstep
with
to
architecture.
"They,"
in
alone.
this
period
While
Plain
Kipling
Tales
from
grandfathers,
stories
With
of
are
the
future
no
the
the
didactic.
Night
example,
is
free
could
his
Gothic
from
them.
necessitating
action
forth
universal
loyal
goodly
the
on
its
peace
old
admirable
produced
text,
to
number
themes.
astonishing
and
logue.
dia-
and
been
with
still remains
limits
academic,
have
story
old
long-story,
exceptional, with
society enjoying
quite
least, the
preachers:
holds
of
gargoyles
acteristic
char-
The
short-stories, of
true
Hills, yet he
end.
the
to
illustrative
and
grasp
of
vividness
still
at
or
longer begins
He
of
proportions,
are
condensed
many
Wesleyan
suggestive
pressive
im-
dimensions,
stories
natural,
for
some
Gothic, less
the
there
of
presence
than
grotesque
but
ever,
is, how-
of
Concreteness,
the
and
Greek
the
write
are
of
sense,
occasional
only
there
Yet
of
all
special virtues
disappeared
has
short-story,
summary
his
of
spite
less
remains
detail.
persist, like
though
anecdote
of
of
In
There
note.
which
power,
scenes,
larger
remain
tone
cathedral;
The
the
excellence
detail
breaks
art
to
new
foreshadowing
and
detective
the
story.
nothing
exercised.
allegory, the
or
devot,
architectural
elaborated
highly
whole,
suggested
an
preparation
and
of the
of
fable
the
most
Other
Tales.
Canterbury
are
is
Fairies, the
and
exemplum-conte
there
always
means
the
period
the
Structure
Rewards
since
critic,the
Internal
is abundant
and
of the
forms
or
technical, and
the
For
Hill
work
frame-
the
is, however,
structure
its kind
of
alien
the
dream,
external
of Pook's
special types
story,
of
way
universal
as
his
in
two
of
his
Only
picture
suf-
KIPLING
220
f rage
In
without
The
joke
his
holds
"
tendencies,
third
the
satire
WRITER
of
things
bitterness,
its
and
from
the
first
of
the
on,
in
delight
in
delight
life
observation
narrative
the
The
art.
unintelligible
largely
Imagination
from
escape
While,
force
the
of
transformation.
and
still
greatness
interpretation
in
rather
fact
in
most
his
in
in
an
vital
lies,
or
of
of
emotional
powerful
the
him
in
not
has
at
his
of
life,
imagination
With
the
personality
short-story.
of
in
not
all
appeal
who
of
have
of
sense
effect
to
training
His
his
moral
form,
but
ing;
interest-
humanly
true
career.
in
has
crease
in-
also
his
his
not
related
exception
those
his
is
what
of
and
concrete,
it
the
tion;
self-asser-
sufficient
powers,
closely
single
end
beginning
sensational
even
the
to
the
been
not
sort,
holds:
in
Fact;
of
does
as
bitter
decrease
of
of
climax,
the
pathetic
sym-
subtlety
formula
reasoning
fact, vivid,
or
Form
remains
criticism
sense
power
energy.
in
made
of
same
Sense
tendencies
Kipling
personality
his
of
overpowering
these
the
then,
of
delicacy
its
still
alongside
runs
the
and
least
at
Sense
and
in
reaches
story
is
widening
excellence
Satire,
story.
further
increase
general
suggested
disappeared.
in
that
in
intervention,
still
in
active
reminiscence
life
still
is
continued
farce
"
still
are
to
from
escape
There
psychology;
personal
an
itself.
remains
are,
comedy
pure
period
"
going
they
as
own.
of
then,
shift
the
STOBT
without)
almost
practical
or
meantime
the
(or
THE
to
this
and
in
sense
of
intensity,
-Chaucer,
expressed
he
is the
selves
them-
The
of
name
the
collection.
New
Willie
The
Just
HOWLI
AT
THE
OP
all
used
Black
and
PASSAGE
THE
PIT'S
THE
AT
TWENTY-TWO
BAA
112,
BANK
(In
BLACK
BAA,
122, 171,
FRAUD,
BATHURST,
BELOW
AND
THE
DRUNK
BISARA
OF
BLACK
JACK
BONDS
OF
BREAD
UPON
BRIDGE
198,
POOREE,
THE
(Soldiers
DISCIPLINE,
THE
BUILDERS,
THE
HANDICAP,
BRONCKHORST
DIVORCE
SQUARE-TOES
the
later
and
pany,
Com1901
Kim,
of Pook's
and
Tales,
1910.
104.
88.
2).
106,
(Plain
Three,
Day's
THE
CASE,
THE
(Rewards
and
184.
36.
94.
Discoveries,
Work,
Tales,
Fairies,
172, 210n.,
192, 210n.,
208.
169,
24).
2).
139,
9).
1).
Tales,
(Plain
and
108.
40.
32).
Work,
(Plain
4).
39, 85,
Day's
(The
208.
11).
Tales,
(Traffics
(The
13).
Three,
4).
210n.
10).
Discoveries,
22).
(Soldiers
THE
Hill,
Handicap,
WATERS
BROKEN-LINK
BROTHER
For
85,
Winkie,
Discoveries,
and
(Life's
THE
Book,
7).
2).
5).
White,
(Traffics
(Plain
DRAF',
Handicap,
Willie
Tales, 24).
DAM
PALE
of
201.
(Traffics
BIMI
and
(Wee
(Plain
MILL
THE
BEYOND
MRS.
BERTRAN
BIG
SHEEP
Wee
Mine
43.
3).
Deodars,
the
Black
Fairies,
and
161.
(Under
MOUTH
White,
(Life's
and
Rewards
1909;
Black
Page
Puck
1904;
Tales
Jungle
1900
Company,
Discoveries,
Kipling,
Tales,
Sea.
Doubleday,
by
and
in
Stories
The
to
tale
Plain
Other
being
Sea
in
the
In
Gadsbys,
and
From
given
Eudyard
Inventions,
Work,
Stalky
and
Traffics
the
Handicap,
Many
published
:
of
Rickshaw
Life's
of
position
1899, containing
of
Phantom
Day's
been
(In
THANA
END
The
the
is
appears
Works
The
Story
Failed,
Reactions,
and
Actions
1906;
of
The
Stories,
tale
each
Company,
The
tMt
221
indicates
made
editions,
Stories, 1903;
So
which
follows
Three,
have
York,
in
McClure
Book,
following
New
TITLES
been
Light
Jungle
the
OF
and
Other
The
Second
stories
has
and
People,
INDEX
Deodars,
the
Winkie
Own
AT
Use
Under
White,
TITLES
that
Hills, Soldiers
the
from
number
Doubleday
York,
OF
collection
the
the
parentheses;
INDEX
95.
30).
6).
161,
172,
211.
214.
214.
"BRUGGLESMITH"
BOY,
WORD
THE
CHILDREN
(Plain
OF
OF
COURTING
AURELIAN
OF
ST.
198.
214.
1).
Inventions,
(Many
COPPER
POWERS,
THE
OF
14).
and
(Traffics
THE
158.
139,
Discoveries,
Inventions,
(Many
McGoGGiN,
214.
5).
138.
2).
(Plain
Tales,
14).
and
Fairies,
8).
OF
COTTON,
IN
AND
DREAM
Yow
OF
EDUCATION
OTIS
OF
IN
FOURTH
THE
5).
102,
Work,
5).
Day's
Inventions,
White,
THE
AFT
5, 14,
214.
26, 34n,
169,
the
AN
27).
109.
1).
Day's
50n.
16, 19f.,
4).
Deodars,
(The
210.
43.
(Life's Handicap,
(Under
DIMENSION,
170.
18f.,
Winkie,
88.
39,
139.
1).
1).
Willie
(Wee
THE
YEERE,
Reactions,
and
PARRENNESS,
AND
"6).
(Many
Slack
(In
FORE
THE
2).
Tales,
(The
THE
DEE
DUNCAN
OF
DRUMS
and
THE
SEA,
TRAFFIC,
OF
WAHA
Handicap,
(Plain
THE
(Actions
DEEP
THE
DISTURBER
(Life's
208f.,
135.
KEGIMENT,
THE
(Rewards
THE
SHADD,
THE
WILFRID,
DINAH
OF
ERROR
200,
157.
107,
CONVERSION
DRAY
THE
PRIVATE
OF
CONFERENCE
DEVIL
162, 170,
IS).
39).
Discoveries,
ZODIAC,
THE
COMPREHENSION
DEAL
210n.
139,
Work,
Tales,
(Traffics and
CONVERSION
10).
Day's
(The
MOUTH
OF
CAPTIVE,
THE
WRITER
218.
210, 211,
BY
Inventions,
(Many
BRUSHWOOD
STORY
THE
KIPLING
222
Work,
10).
5).
138,
172, 195,
214.
FALSE
DAWN
FATIMA
(The
FRIEND'S
SEA
GARDEN
TO
GATE
OF
GLORIANA
(Rewards
FROM
211,
HILL
(Actions
THE
OF
ENFORCED,
184.
158.
of
Gadsbys,
the
2).
THE
(Plain
2).
173.
(Soldiers
AN
(Actions
THE
(Life's
and
Three,
5).
46.
170.
Tales,
34).
1).
39f.,
Reactions,
1).
43.
83f.
163,
172,
179f.,
218.
THE
MAJESTY'S
OF
MACHINE,
33).
Reactions,
Fairies,
THE
Inventions,
34.
131.
Story
SORROWS,
and
47.
(Many
Tales,
and
84.
6).
THE
38n, 62f.,
(The
HUNDRED
THE
HABITATION
HER
THE
HOSTAGE
37,
Gadsbys,
(Plain
19n,
EDEN,
OF
GARM-A
HEAD
SEA.
6).
WORLD,
THE
IN
the
of
FRIEND,
FROM
Tales,
Story
STORY
FINEST
GOD
(Plain
DISTRICT,
SERVANTS
ILLUSION,
THE
(The
(Under
Handicap,
Jungle
the
Book,
Deodars,
5).
10.
7).
155,
4).
157.
INDEX
His
CHANCE
His
MAJESTY
How
CAME
ERROR
(Plain
IN
FLOOD
TIME
IN
THE
MATTER
IN
THE
PRIDE
IN
THE
BUKH
JUDGMENT
JUDSON
JUST
So
OF
THE
155.
205.
Stories, 8).
Handicap,
1).
5, 9,
43.
Three,
8).
Tales, 21).
45.
29, 31,
102.
Black
2).
White,
Inventions,
(Many
208.
139.
13).
218.
Book,
2).
155.
142, 144,
Tales, 17).
177.
170.
(Second
NAKED
THE
Book,
Jungle
CHALK,
JOYOUS
THE
OF
(Life's
6).
9).
(In
Jungle
THE
ANKUS,
KNIGHTS
Inventions,
(The
17n., 112,
AND
THE
(Soldiers
203ff., 212,
(Plain
KNIFE
(Just
Talcs, 19).
(Plain
EMPIRE
THE
White,
(Plain
DUNGARA,
STORIES.
KING'S
and
YOUTH
(Many
KIDNAPPED
142, 144,
So
103n.
68,
PRIVATE
His
OF
HUNTING
KIM.
Black
SUDDHOO
OF
AND
KAA'S
MULVANEY,
Tales, 23).
(In
OF
Boole, 1).
WRITTEN
193.
8).
135.
HOUSE
137.
6).
Reactions,
Jungle
WAS
KRISHNA
IN
THE
3).
Winkle,
and
Second
(The
OF
IN
103n.
85,
Inventions,
(Actions
LETTER
FIRST
INCARNATION
(Many
THE
SURGEON,
THE
10).
Willie
(Wee
HONOUR
FEAR
How
Tales,
223
TITLES
198.
PRIVATE
HOUSE
(Plain
KING
THE
177, 179,
His
LIFE
IN
OF
THE
5).
THE
Fairies, 5).
and
(Rewards
VENTURE,
(Puck
of
Pook's
179.
Sill, 3).
210,
211ff.
LANG
o'
MEN
LETTING
LIGHT
FAILED,
(Plain
LISPETH
LITTLE
FOXES
LITTLE
TOBKAH
LOST
MADNESS
OF
85,
and
(Many
7).
Reactions,
"1).
Inventions,
Inventions,
ORTHERIS,
PRIVATE
3).
143,
139n.
155.
99.
Handicap,
(Many
Book,
Jungle
1).
(Life's
THE
14,
12).
Handicap,
214.
55.
8).
11).
THE
125n.,
208.
137.
137.
(Plain
Tales, 35).
86.
MALTESE
MAN
THE.
Tales,
'-WOMEN
LOVE-O
(Second
(Actions
LEGION,
(Life's
JUNGLE
THE
IN
THAT
THE
LARUT,
CAT,
WHO
THE
(The
WAS,
THE
WOULD
BE
Day's
Work,
(Life's Handicap,
8).
207.
4).
135.
MAN
WHO
139.
KING,
THE
(The
Phantom
'Rickshaw,
4).
KIPLING
224
WITCHES
MARLAKE
MARK
OF
MATTER
GUJ
MOTI
LORD
MY
SUNDAY
.007
Day's
THOSE
GREENHOW
ON
THE
WALL
GREAT
THE
WALL
VIEW
OF
SUBALTERN
OTHER
(Plain
MAMMA
LEAROYD'S
EECORD
(The
Story
214.
DOG
Jungle
AND
EEWARDS
EIKKI-TIKKI-TAVI
SAHIB'S
WAR,
EATE
SECOND
THAT
(Traffics
WOMAN,
FOUND
MULDOON,
EUNNING,
and
HERSELF,
THE
THE
Three,
6).
6).
153,
THE
(Second
214.
198.
Tales,
160.
155,
Inventions,
(Life's
12).
139.
155.
Handicap,
7).
13,
10).
14).
43.
50.
219.
5).
the
Three,
Jungle
Tales,
3).
Deodars,
(The
155.
154,
(Plain
Discoveries,
(Soldiers
181,
46, 48.
1).
39.
143, 144,
Handicap,
THE
THE
1).
3).
(Many
Book,
(Under
177.
219.
(Plain
Jungle
Gadsbys,
the
208.
138,
Rickshaw,
FLAG
HUSSARS,
4).
36.
27,
7).
206ff.,
(The
WHITE
THE
Book,
(Life's
FAIRIES.
AND
OF
THE
IMRAY,
OF
of
Book,
THE
6).
Reactions,
GERMAN
THE
PLIIFFLES,
OF
EETURN
12).
HERODSFOOT,
(Second
EEINGELDER
Inventions,
Phantom
206ff.,
and
170f.
Hill, 6).
(Soldiers
Jungle
BADALIA
OF
EESCUE
SPRING
(The
(Actions
(Second
QUIQUERN
SOLID
138.
3).
8).
Deodars,
Tales,
THE
HILL.
THE
the
STORY
POOR'S
OF
PUZZLER,
SHIP
155.
144,
43.
White,
(Many
(Under
KICKSHAW,
PRIVATE
EOUT
138.
108,
142,
3).
of Pook's
QUESTION
THE
DEAR
PUCK
2).
and
(Puck
THE
MAN,
PHANTOM
POOR
155.
104.
91,
ONLY
154,
44.
Handicap,
(In Black
2).
207.
3).
11).
11).
Three,
(Life's
Book,
102.
22).
WorTc,
135.
207.
168,
(Soldiers
HILL
CITY
7).
Jungle
Inventions,
Day's
19, 35,
Boole, 1).
(Life's Handicap,
CALLED
OF
ON
(The
Work,
DOOLA
Handicap,
(Many
HOME
AT
(The
BED
ELEPHANT
THE
NAMGAY
ONE
(Life's
4).
Reactions,
(Tlie Jungle
218.
138.
(Second
and
9).
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Tales,
(Actions
BROTHERS
MY
THE
(Plain
MUTINEER
"
MOWGLI'S
ON
THE
HIVE,
MOTHER
Handicap,
Inventions,
BHAGAT,
SAIS
YOUGHAL'S
WRITER
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FACT,
OF
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THE
STORY
and
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THE
Day's
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Book).
29).
138,
5).
Work,
36.
208.
82, 88,
3).
92.
40.
143, 144,
155.
135.