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In this exercise we will examine how a rhythm can be be modulated from one implied feel while
in reality it is something very different. Lets begin by playing the first two patterns individually
and compare how each one sounds in relation to one another, strangely you will find they both
sound identical:
1.
2. R L
R L
c ..
.. .. ..
Lets add the feet playing in unison with the hands from example two:
3.
3
3
..
..
4.
.. 3 3 ..
3
5. Lets place the hands back over top but this time playing a quarter note based backbeat:
y
y
y
y
y
y
y
y
..
..
3
3
by Neal Busby
c ..
3
3
y
y
y
y
y
y
y
y
3 3
3
y
y
y
y
y
y
..
y
y
3
3
3
y
y
y
y
3
3