Академический Документы
Профессиональный Документы
Культура Документы
Galina Burdeniuc
Chiinu 2009
Contents
I.
Introduction.
II.
III.
IV.
V.
VI.
VII.
VIII.
Conclusion.
IX.
Supplement
Course Design
This book attempts to investigate and sharpen our definition of communicative
to consider the implications this has for the classroom and, finally, to suggest ways of
exploiting the creative potential of learners to give them a clearer notion of what it is to
communicate with a speaker of another language.
In the 1960s it was often stated that the objective of any FL Course was to make
the stt use that language with the proficiency and fluency of a native.
Mary Finnochiaro says: A well designed curriculum should reflect realistic
objectives starting from the knowledge and skills the learners for whom the
curriculum is intended need in their immediate future, and how much one can
reasonably hope to accomplish in the time available.
3
Introduction
We will speak about methodological competence of university teachers which is
an indispensable ingredient of a professional. A professional knows that teaching,
irrespective of the subject or discipline taught, is done not in the manner of an effective
in-put followed up by checking and assessment, but by focusing on the development of
the cognitive interest to research, personal finding. In other words, every teacher
must teach students how to learn.
The UNESCO materials state that a University should become a laboratory whose
mission is to analyze the past, check the present and prepare the alternatives for the
future. The first concern of a humanitarian education is the students active cognitive
outlook. No factual knowledge can substitute it.
We have entered the new era when the fate of our planet fully depends on the
level of our consciousness which is the source of all our ideas, actions, desires and
thoughts.
Speaking about changing instruction methods educationists mention only two
strategies:
1.
2.
But these are the outwardly means to perfect the teaching process. The
consciousness of the student remains intact when the teacher provides him with
communicative opportunities only. The students inner world is responding when his
brain has a relevant problem, when he discusses options, makes life-true decisions and
establishes accountability and bears responsibility for what he does while working in a
team.
Not denying the importance of the two strategies mentioned above we must
accentuate the indispensability of the Creative Performance Approach discussed
further. Look at the scheme 1 and give your ideas about it to your partner.
Speech Communication
7
Speech
Communication
Purpose- filling into
gaps
Nature
Giving info
Information
Something
New
Purpose
Necessity
Usefulness
Interest
Communication
Giving
Information
Search for sth new
Necessary
Unknown
Interesting
Useful
Asking for
Now let us contemplate a bit. What is communication? What is information? Is
any utterance information?
Conversation
Scheme 2
What to teach?
Topic
Modality
Function
as well. Creative Performance Approach (CPA) developed by the staff of the Institute
of Continuing Education represents new insights into learning as an individualized
process, into basic of teaching oral communication springing from the socio-cultural
aspect of authentic information exchange into the nature of teaching-learning goals
and tactics of authentic communication simulation.
As education of today focuses on professionalism- show not what you know but
what you can do- CPA gives a possibility to get in-depth knowledge about the way it is
done in the country whose language they learn. So, what is CPA?
1.
2.
Personal creativity helps reveal natural capacities, the ability to find ones
mission in this life, to set tangible goals and achieve them.
3.
4.
10
Scheme 3.
11
CPA
Individualized
Learning
Socio-cultural
Aspect of
Information
Exchange
Authentic
Communication
Simulation
12
1.
A
development
tal
process
8. making
interest
variety
predominant
7. acquiring
the language
incidentally
while actually
thinking
2.Organizatio
n of
information
into a
meaningful
network
LEAR
NING
6. valuing
attitude as
much as
aptitude and
ability
3.
A decision
making
process
4. not just a
matter of
linguistic
knowledge
5. An
emotional
experience
(emphasis on
the process)
To
up to
into
on
till
Intellectual
Act
Program
Matching the
Result in the
Brain
Actualization
Native
prepositions
Foreign
prepositions
Tool for selfmanagement
14
Is it asking for trouble if you ask students for feedback? One of the possibilities to
integrate the process of successful learning is CPA.
CPA gives a possibility to integrate the content based instruction, collaborative
learning and communicative interaction techniques to involve the learner into hear +
see+ do+ speak+ create+ bear+ responsibility activity.
CPA
Content based
instruction
Collaborative learning
Communicative,
interactive technologies
Hear+see+comprehend
+bring home
Do +speak +create
Individualized learning
Socio-cultural aspect of
information exchange
Authentic
communication
simulation
Lets see how you can come to grips with the unknown. I will teach you some
unknown lexis.
Lehom a Luxor shede ne rut. Luxor i Lemen or e lehom plumor a rose. Rose ut
ra i bor plu. Luxor hov motor. Lemen hava dou diti. Diti gra plumor. Luxor far e
motor na rut. Diti no far e motor a Luxor. Si shed e lehom. Luxor i lemen or lux.
Diti gra cu Pal, zver a Luxor, lux.
A. After you have deciphered text you may use the following key:
- lehom
-rut
- diti
-zver
-si
-or
, - shede
-hov, hava
-far
-bor
- gra
- ne
15
-ha
- e
- i
-lux
-plumor
- ra
- dou.
B. Using the text translate the following:
. .
. . .
C. Now with a partial use of the text write your own text about anyone or
anything.
D. Checking.
As you see:
1. Had a problem;
2. No pre-teaching;
3. Creative performance used;
4. Double objectives: a) teaching vocabulary; b) deciphering an unknown text- a
communicative task for vocabulary.
16
would tend to give offence as too brusque and direct an all but the most close of social
relationships or situations of urgency. Dissatisfaction with this state of affairs made
teachers and course designers eager to follow applied linguistics in finding a new way
of thinking about language in use.
In traditional approach meaningful communication is rather limited while in
Communicative approach it is a central feature. Grammar rules are often explained in
the former and explained only when necessary in the latter. The first requires native
like pronunciation, the second- comprehensible pronunciation because it follows
learners needs and not linguistic complexity.
The target language in the classroom, English in our case, is vehicle for
communication, not just an object to be studied. Activities are done in it and directions
for activities are given in the target language. Operating rules for class are not to speak
the mother tongue and to resort translation only when it is absolutely.
Whenever possible, authentic language (language as it is used in a real context,
by native speakers) is introduced to give students an opportunity to develop survival
strategies. Authentic verbal materials films, videos, TV, audio tapes and cassettes,
and etc. help a non-native speaking teacher. Non-traditional texts advertisements,
operating instructions, etc. find their application as teaching materials. Authentic nonverbal materials, all kinds of artifacts and realia, are brought to class at large. Nonverbal behaviour is used, e.g. body language. All this introduces learners into the
culture of the people who use the language natively.
Traditionally, listening, speaking and accuracy were emphasized while
communicative teaching considers errors and mistakes as a part of learning process
and skills are taught according to learners needs.
Fluency is more important than accuracy errors are tolerated as a part of
learning process, still fluency should not be encouraged at the expense of clear
communication. Teachers control of the classroom involves assistance given while the
instructor circulates watching group work. Correction of mistakes is postponed;
repeated and typical ones are taken care of later.
In the communicative classroom, students have to use the language productively
and receptively, in unrehearsed contexts. When working in pairs, for example, they are
not supposed first to prepare something and then to perform it, they should start
communicating at once.
The ultimate criterion for communicative success is conveying a message the
transmission and receiving of intended meaning. Communicative intent (Morrow)
implies three elements: a) information gap; b) choice; and c) feedback.
Students work with language at a discourse (conversation) or supra-segmental
level (above the sentence), they learn how the sentences are bound together and are not
confined to the word or even sentence level. It reflects real life situation which is not
limited to naming things and stating facts.
Function and not form is the primary framework for organizing and sequencing
lessons; forms are taught through it. One function can have many different forms, and
a variety of linguistic forms are introduced for each function, simpler ones being
presented before more complicated.
18
19
motivation/ interest teacher sets goals concrete teaching goals algorithm of the
teaching process to develop speaking skills.
Speaking operations sounds/ words automatism phonetic/ lexical/ grammar
language exercises Form. How to say? level of words/sounds performative
Speaking actions
Speaking operations
utterance
to say?
20
Speaking activity
utterance
Speaking actions
sentence
Traditional
Approach
Sounds,
Words
Utterance
Communicative
Approach
Sounds,
Words
Utterance
Let us see how it is done. It is done on the basis of algorithm of the students
activity.
What is algorithm?
21
Algorithm is a list of instructions which are carried out in a fixed order to find
the answer to a question, to solve a problem, to achieve a desired result etc.
(Longman dictionary of English, p.27)
Algorithm
1.
2.
3.
4.
5.
6.
7.
8.
9.
22
Brainstor
ming
Economic
Collapse
(ruin)
Population
Impoverishm
ent
Moral
Damage
Occult aftereffects
24
Moral damage it is terrible. But what is it? How does it manifest? (stress,
disparity, aggression, nervous diseases)
Further the teacher gives the Behaviour Model.
Behavioral
Model
What to do?
How to do?
The checking up stage should be based and focused on the result of the activity.
Teacher asks each group (team) to give the result of their discussion. So:
What did you include in your list which needs money first?
What are your suggestions for helping impoverished people?
What do you consider the most dangerous for the society moral damage?
Further, the most significant features of communicative lesson are given.
A communicative lesson should:
1. be presented as a scenario of the development of a definite topic;
2. be based on a general problem to be solved by the students;
3. have a double objective pedagogical and students creative performance
activity;
4. have concrete goals achieved by the students and not ready-made recipe
(method, way, practice) proposed by the teachers;
5. have a teaching and educative value;
6. be effective (TA, Video, Computer);
7. enlarge the students speaking time;
8. contain new information in abundance;
9. be done on any material and develop all sorts of skills and speech activities;
10. be focused on developing communicative skills, elimination of mistakes;
11. give students an ample opportunity to materialize their creative intentions and
to express their individuality.
To precede with the topic Living and Leaving let us design a lesson plan to
teach speaking.
Lesson 1
Teachers objective:
25
Language Model: you will need some formulas to use in the agency.
What can I do for you?
We need some information about
going for a trip, arranging a trip, some places we can go for a vacation
Where can we go?
You may go .Romania, Turkey, England, Italy.
We cannot go to .because.It is.expensive, far
We cannot take children..no transport..
Can you go to.because it is much cheapernearer, interesting..
Yes, we can. No, we cant/ cannot.
Do we need to book a trip right away? No, we neednt.
I think I must discuss it withmy parents/ my roommate/ my friend/ my
teacher..
Excuse me, what can you recommend usto taketo buyto prepare?
While dealing with vocabulary the teacher may introduce many other formulas
(like apologizing), gestures, facial expressions, body language.
Small Group Formation:
Students discuss in pairs and in groups of three.
Requisite:
The students are introduces a list of sightseeing, places, a price list, leafletsetc.
For example: Romania -200 dollars; three hour drive, mineral water; Turkey 300
dollars, six hours drive, warm sea, excellent service; England 2,500 dollars, three
hours flght, interesting sightseeing, attending a Parliament Session; Italy 1,500
Euros, three hours flight, interesting sights, visiting Vatican, swimming in the
Mediterranean Sea.
Students Communication 3 minute talk.
Checking up:
Did the agent convince you?
Where can you go? Why?
Concrete Goal II.
The best advice is usually given by the parents.
Conflict: we plan some interesting trip, but we need some more money for it.
Behavioral Model: What to do?
Speak to your parents for advice what to choose.
How to do? Put down your parents decisions about the lacking money.
Language Model:
Mum, I need your help.
I may go to because it is.
But I need some more money to go to.
Why should you go to ?
Why not to go to .it is much?
You must earn the money you need
You can borrow it from the bank/ friend/ neighbour
You see father I, thought about going to.It is muchmoreless..
30
Pre-communicative
Activity
Quasicommunicative
activities
Structural
Activities
32
Communicative
activities
Functional
communication
activities
Social interaction
activities
35
Language
competence
Speech
competence
Etc.
Sociolinguistic
competence
Communicat
ive
competence
Intercultural
competence
Socio-cultural
competence
Strategic
competence
Pedagogical
competence
36
37
Talk to colleagues.
Talk to students that in real life we
do not shout.
up.
Classroom management
You want to employ pair and group work successfully?
Basic guidelines:
1. Praise any student who actually speaks English.
2. Dont correct mistakes made in English during the activity (you can deal with
them later)
3. Make the task interesting.
4. Show the students they can do the task in English. ( Much of what students
say in L1 can be expressed in English even in a restricted way.)
5. Explain why you want them to talk to each other in English.
6. In the middle of activity get the class to listen to one pair or group. Do not
say in advance which group it will be.
What does teacher do during pair and group work?
1. When activity begins, go first to the laziest students and get them working.
2. Go to the weakest students, encourage and help them.
3. Dont remain in front of the classroom. Get in the middle where you can hear
most students.
4. Monitor the activity with your eyes and ears.
5. Keep one eye and one ear on the lazy and the unruly. They will work as long
as you watch them.
6. Keep notes of what you hear (not only mistakes, good things as well).
2. Communicative functions
Any communicative act contains at least one communicative function: either to
ask about something or to give some information; to agree or disagree; to thank or
apologize; to request or to refuse; etc.
This means that to teach somebody to communicate inevitably leads to teaching
communicative functions irrespective of the topic discussed. So, the traditional
topical approach to teaching speech should be viewed as a strategy but functional
approach is tactics, means to achieve the goal to be able to communicate.
Communication, as it has been stated earlier, is not just asking and answering
questions. Besides, not every question is a communicative one. The latter is a
question that gives rise to a discussion, difference of opinions, argumentation. By
asking a general or special question we usually expect a precise or concrete answer.
Pay attention to the list of functions below. They can be used for Language
Model in the algorithm.
Language
1. Starting a conversation:
Oh, hello, how are you?
Fine, thanks. And you?
Very well, thank you.
Lovely day, isnt it?
Yes, beautiful, isnt.
39
Appendix B
Common American English Rejoinders
Reassurance that the speaker is being listened to: yes, yeah, uh-huh, hmmm.
Politeness
Thank you.
Youre welcome; Not at all; Dont mention it; Think nothing of it.
Excuse me.
Surely; Certainly; Of course.
Would you like a piece of candy?
Yes, thank you; Yes, thanks; No, thank you; No, thanks; Thanks, I would; Yes,
please; No, thanks. I wouldnt.
May I have a piece of candy?
Certainly; Surely; Yes, of course; Go right away; Help yourself.
Interest
Im going to buy a new car.
Really?; How nice!; Oh, how nice!; You dont say!
Enthusiasm
Im writing a book.
Great!; Thats great!; Wonderful!; Fantastic!; Marvelous!; Terrific.
43
Surprise
John, just won a thousand dollars!
Oh, really!; He did? He won a thousand dollars?
John won a thousand dollars?
What do you know about that!
Disbelief
Hes nearly eighty years old.
No kidding!; I dont believe it!; Impossible!; Incredible!; Thats terrible!; I dont
believe a word you say!; You must be joking!; Nonsense!
Regret
I wont be able to come to the party Saturday night.
Im sorry to hear that!; Thats too bad!
Sympathy
My sister broke her leg yesterday.
Oh, thats too bad!; What a shame!; Thats a shame!; Im sorry to hear that!
Horror
Richard had a heart attack.
Oh, how awful!; Thats terrible!; Thats dreadful!; How terrible!
Agreement
This is a good meal.
Right; Youre right; It is; Yes, it is; It certainly is; It surely is.
You remember Mary, dont you?
Yes, of course; Of course, I do; Why, of course; Certainly; Surely.
Concurrence
I want ice cream.
I do too; So do I.
Shall we go swimming?
Yes, lets; Yes, lets go; Why not; Sure, why not.
I dont like that painting.
Nether do I; I dont either.
Lack of concurrence
Shall we leave now?
No, lets not.
Disagreement
I like the movie.
I didnt!
You didnt see the movie, did you?
Oh, yes, I did.
e) listening matter
2. Retelling
a) Close to the text
b) in ones own words
c) gist, summary, main idea
d) text extension
e) text contraction
f) supplying the end/ beginning
3.Making up a story
a) on key words
b) on visual aids
c) audio material
d) according to a plan
e) creating situations on
f) jumbled sentences
g) different ideas on the same structure
h) opinions and evaluation
k) advice on the letters on the editor
4. Speech games.
5. Giving information
a) tickets
b) schedules
c) tables
d) graphs
e) weather forecast
f) theatre programs
g) museum leaflets
h) travelling agency information
k) telephone directory
6. Speaking on a sequence of pictures
a) describing
b) rearrangement of miscellaneous set of pictures telling the whole story
c) a common story by the whole group(each logically follows the previous
speaker describing his picture)
d) supplying the middle of the story when only the first and the last pictures
were shown
e) making up a film
f) giving character sketches
j) a picture, an object is described and everyone guesses or draws it
45
Communicating Abilities
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
46
11.
12.
13.
Skill the ability to generalize facts and tell them in a short form and
make conclusions;
Give clear instructions and explain how something is done;
Skill the ability to detect and correct ones own mistakes.
1.8.Check Up
2.1.Conrete goal 2
2.2.Conflict
2.3.Behaviour
model
2.4. Language
model
Well-trained
well-organized
Able to render medical assistance disciplined
Good sense of direction
strong
Knowing how to use a compass
vigorous
Trained to survive without food
composed
Rational
trustworthy
Communicable
responsible
Good sense of humor
inert
Fearless
lacking self reliance
2.5.
Organizing Form the small groups of 3-4 students.
small groups
2.6. Activity
Discussion:
a) to go on your own or to invite a guide;
b) a dialogue between a student and a guide;
c) a list of 10 necessary qualities for a guide.
2.7. Check up
1. What have you decided?
2. Have you invited a guide? Have you done it?
3. What are the most important qualities of a guide? (This
question may lead to further discussion; the list of priorities
of the small groups may be different).
48
3.1.Concrete goal 3 Let us discuss the necessary things you should take with you on
Equipment,
mountain trip.
Clothes and Food.
3.2.Conflict
You want to go light because it is one day trip, but the guide insists
that you should take the equipment, warm clothes and food.
3.3.Behaviour
In the groups of 3-4 discuss and choose the things you cant do
model
without on a mountain trip. Remember, they should not be heavy.
Make a list. Why have you chosen those things?
3.4.Language
I think/ I firmly believe that/ It is absolutely necessary/
model
I agree with you/ I dont agree with you/ I cant agree with
you/ You are absolutely right/ I couldnt agree more/ Thats
what I meant/ Just in case/ To be on the safe side/ Id
rather/
Plan, compass, survival blanket, survival bag, torch or flashlight,
matches, umbrella, rucksack knife, cellular phone;
Sandals, trainers, proper walking boots, water proof jacket,
sweater, leather jacket, cap, 2 T-shirts, French perfume;
Rations, chocolate, raisins, sandwiches, boiled eggs, 1 kg of
tomatoes, grilled chicken, mineral water, orange juice, spirits,
chewing gum.
3.5.Organizing
Form the and small groups of 3-4.
small groups
3.6.Requisity
Pictures and photos of the tourists equipment, food and clothes.
Plastic toy-models of various kinds of food.
3.7.Activity
Discussion: a. What things are absolutely indispensable?
b. List of things.
3.8.Check Up
What things do you consider indispensable on one day trip?
Why have you chosen those things?
Compare the lists of indispensable things made by groups and
discuss them.
Generalizing
Summing Up:
What should bear in mind setting out for a mountain trip?
Has it been hard to invite the guide? How have you done it?
Have we taken into account all we need on a trip? What about the
weather forecast?
What precautions should be observed when we set out for a
mountain trip?
Home task
Home task:
1.Learn the phrase of suggestions, asking a favor, agreement,
Post-conversation
disagreement.
activity
2.Write a later to your future son/daughter, suggesting him/her
indispensable things that should be taken to mountain trip and the
precautions he/she should take.
49
Read why?
Read what?
Pleasure
Study
Work
50
Survival
Pleasure
Magazines
Holiday brochures
Letters from friends
Literature
Novels
Plays, poetry
Headlines
Newspapers
Photographs
Captions
Study
Literature
Novels
Plays
poetry
Glossaries
Bibliographies
Catalogues
Abstracts
Dictionaries
Text books
Indexes
Charts
Diagrams
Reference works
Graphs
Work
Charts
Diagrams
Reference works
Graphs
Reports articles
Catalogues
Notice boards
Professional journals
Advertisements
Business letters
Workshop manuals
51
Job adverts
Instructions for use
Contracts
Phone directories
Survival
Job adverts
Instructions for use
Contracts
Phone directories
Headlines
Newspapers
Photographs
Captions
What do we read?
Here are the main text-types one usually comes across:
1.
Novels, short stories, tales, other literary texts and passages (e.g.: essays,
diaries, anecdotes, biographies);
2.
Plays;
3.
Poems, limericks, nursery rhymes;
4.
letters, postcards, telegrams, notes;
5.
Newspapers and magazines (headlines, articles, editorials, letters to the
editor, stop press, classified ads, weather forecast, radio/TV theatre
programs);
6.
Specialized articles, reports, reviews, essays, business letters,
summaries, prcis, accounts, pamphlets (political and other);
7.
Handbooks, textbooks, guidebooks;
8.
Recipes;
9.
Advertisements, travel brochures, catalogues;
10.
Puzzles, problems, rules for games;
11.
Instructions, warnings, directions, notices, rules and regulations, posters,
signs (road signs), forms (application forms, landing cards), graffiti,
menus, price lists, tickets;
12.
Comic strips, cartoons and caricatures, legends of maps and pictures;
13.
Statistics, diagrams, flow/pie charts, timetables, maps;
14.
Telephone directories, dictionaries, phrasebooks.
Reading Strategies
1.
Overview (title, page, name, date, edition, contents, page, preface,
forward, purpose, summary, author, photos, plates, maps, diagrams,
tables, graphs, index, appendices, bibliography, references, glossary);
2.
Preview (headlines, subheadings, order of authors ideas, last chapter,
summary, note taking, chapters beginning, summary);
52
3.
4.
6. Ignoring unknown words/ phrases that are redundant, i.e. contribute nothing
to interpretation;
7. Understanding the meaning and implications of grammatical structures
(reference in time, cause, result, purpose);
8. Recognizing discourse markers (therefore, above, all, finally, more over,
however);
9. Recognizing the function of sentences even when not introduced by discourse
markers (example, definition, paraphrase, conclusion, warning);
10. Understanding relations within the sentences and the text (who, which,
pronouns, it, they, these);
11. Extracting specific information for summary or noting taking;
12. Understand signals of syntax, read punctuation, capitalization;
13. Understand vocabulary in context;
14. Skimming to obtain the gist and recognize the organization of ideas within
the text;
15. Understanding implied information and attitudes;
16. Knowing how to use an index, a table of contents, etc. Understanding layout,
use of headings, etc.
17. Develop a good orientation in resource books;
18. Discussing / informing.
II. Interpretive Comprehension Skills
19.Identifying main ideas;
20. Find the facts/ details/ sequence of events;
21. Make generalizations;
22. Make analogies;
23. Make assumptions;
24. Make inferences;
25. Understanding implicit information;
III. Evaluative Comprehension Skills
26. Determine the authenticy of a message;
27. Determine the relevance and validity of an argument;
28. Distinguish facts and opinions, attitudes;
29. Identify persuasive techniques;
30. Assess logic and strength of arguments;
31. Identify style (tone, structure, intent);
32. Predicting /guessing/ inferring/ evaluating.
Improving Reading Ability
The mechanics of reading
Skillful reading requires these four things of the student:
1. A minimum number of fixations to the line of the selection;
2. Wide eye spans which encompass phrases and thought sequences rather than
isolated words;
54
24.Stating the main idea of a sentence, paragraph or passage; knowing what the
author is expressing about the topic;
25.Recognizing patterns of relationships; identifying the relationships between
ideas; the overall structure of the text;
26.Identifying and using words which signal the patterns of relationships; Being
able to see connections between ideas by the use of words such as first, then,
later;
27.Inferring the main idea, using patters and other clues;
28.Recognizing and using pronouns, referents, and other lexical equivalents as
clues to cohesion;
29.Guess the meaning of unknown words from the context; using such clues as
knowledge of word parts, syntax, and relationship patterns;
30.Skimming; quickly getting the gist or overview of a passage or book;
31.Paraphrasing; re-stating texts in the readers own words in order to monitor
ones own comprehension;
32.Summarizing; shortening material by retaining and re-stating main ideas and
leaving out details;
33.Drawing conclusions; putting together information from several parts of the
text and inducing new or additional ideas;
34.Drawing inferences and using evidence; reading between the lines; using
evidence in the text to know things that are unstated;
35.Visualizing; picturing, or actually drawing a picture or diagram, of what is
described in the text;
36.Reading critically; Judging the accuracy of a passage with respect to what the
reader already knows; distinguishing fact from opinion;
37.Reading faster; reading fast enough to allow the brain to process the input;
38.Adjusting reading rate according to materials and purpose; being able to
choose speed and strategies needed for the level of comprehension desired.
Reading Styles (Types)
1.
Analogical Reading paying attention to the smallest details of
significance in the text, overcoming all the difficulties of grammar, lexis,
phonetics, style etc., volume limited.
2.
Extensive Reading big volumes of the text read quickly for
information, paying no attention to unknown phenomena in the text.
3.
Receptive Reading rapid, automatic reading that one does when
reading narratives, willing to consider new ideas.
4.
Intensive reading a volume limited text meant for a scrupulous study.
5.
Critical Reading finding answer or faults, judging severely.
6.
Response Reading willing to find an answer.
7.
Skimming Reading to read quickly to get the main ideas.
8.
Gist Reading to get the gist of the text, global ideas.
9.
Surveying Reading paying attention to the whole text omitting details.
10.
Scanning Reading to examine closely often looking for a particular
thing.
56
11.
12.
Analytical
Critical
Response
Intensive
Extensive
Receptive
Global
Skipping
Surveying
Scanning
Searching
Skimming
Gisting
C.
D.
E.
F.
G.
H.
I.
J.
target list from phonetics into recognizable form, and cross reference
between a dictionary and the text.
Text and Dictionary Skills. A text is presented with words deleted.
Below it is a list of dictionary type definitions in random order, plus
one or two destructors. The destructors are definitions of words which
could fit the deletions if structure changes were made to the text or
they could be words similar in meaning to the target words.
Text and Multiple Choice. Instead of a deletion each space is
replaced with four alternative words one of which is correct.
Learners have to identify the correct alternative. Instead of words the
word form can be given e.g. a) preposition b) adverb c) quantifier
etc. Learners have to identify the form and think of a suitable
alternative.
Text and Wrong Words. A text with no deletions but an incorrect
word instead. Learners have to decide which word is incorrect and
what it should be. Some help can be given as which lines contain
incorrect words. It is very useful for group work exercises and
discussion of perennial problems like the differences between
make/do, since/for, raise/rise, during/while, a/the/an, verb tenses,
structure changes, and etc.
Texts and Spelling. As E expect that instead of an incorrect word, the
correct word is given but mis-spelled. Useful for checking recognition
of common orthographical groupings, spelling of often confused words
etc.
Texts and Anagrams. Instead of deletions learners are given a list of
target words as anagrams. Solve the anagrams, match the words into a
place in the text.
Texts And Crosswords. A crossed grid is given but no clues. Each
square of the grid contains a letter between 1-26. Each number
correlates to a letter of the alphabet. Below the crossword is a grid for
matching numbers to letters. Instead of a deletion in the text the learner
is given a combination of numbers say 11, 15, 3, 9, 25. The next step
is to deduce the missing word say AFTER deduced, numbers can be
decoded and other squares on the grid completed appropriately. (See
Reading Recourses Section 6.)
Texts and Stress. Instead of deletion a stress/ syllable diagram is
given. Below the text is a list of the target words with distracters.
Learners have to match the information in the text to one of the words
given, distinguishing between similar words from context. For
example, comfortable./beautiful./wonderful.
Text Connectors and Modifiers. The main connectors/ modifiers in
English are and, but, or. Each has its own synonyms and
variations. Each connector can be illustrated with a diagram: and
; but ; or . Practice in the use of connectors and
modifiers can be achieved by deleting words/phrases functioning as
60
one of the three above. For example, the enumerating uses of AND
(first, second, next, then, after that, finally). The deletions in a text can
be in the form of the diagrams above.
K. Text Find the Deletion. A text with no apparent deletions. Learners
have to identify where the missing words are and supply them. Help
can be given in the form of target words and distracters. For example,
Getting up early and//// to be late isnt good for ones health.
(going) Learners mark where the missing word should be with a / and
write it at the end of the line.
L. Text and Inverted Forms. All target words are given in their correct
place in the text. The rest of the text is missing. The text is given below
in a jumbled form either line order or word sometimes both.
Learners have to un-jumble the lines and fit them around the target
words, deciding where the target words fit on each line.
M. Text and Punctuation. No missing words but gaps where punctuation
should be. Punctuate accordingly.
N. Text and Pair Work. Each learner is given the same text but with
different words/ information given. They have to question each other
to obtain the missing information.
O. Text and Information Gap. A text with lots of information missing.
Another group has the information needed in the form of an authentic
text a train timetable or such-like. Transfer the information.
P. Texts and American English. This can be done in two ways. The text
is in American English but contains target words /phrases in British
English. Learners have to recognize and change accordingly.
Alternatively, British text containing Americanisms.
Q. Text and Modified Multiple Choice. Similar to D except that in 25%
of the cases no correct alternative is given. Learners have to recognize
and correct accordingly.
R. Text and Word Boundaries. all the text is given but all the spaces are
removed. Learners have to identify word boundaries, orthographical
groupings,
and
etc.
For
example:
NationalWestminsterInsuranceServicesLimited,a
whollyownedsubsidiaryofNatwestBankandmemberoftheBrithishInsura
nceBrokersAssociation,providesacompletebrokingserviceofferingfreei
mpartialadviceandguidancetocostomersonallaspectsofinsurance,inclu
dinglifeinsuranceandpencions.Ifyouwouldlikefurtherdetailsofanyofthef
ollowing,pleaseindicatebytickingtheappropriatebox.
S. Text and Register. A text is given containing deletions with a list of
target phrases below. The target phrases are a mixture of formal/
informal phrases of the same meaning. Learners have to decide from
context the degree of formality required (if any) and select the correct
phrase to match. Another form is to substitute formal phrases with
informal or vice versa, and learners have to recognize and correct
accordingly. Very useful with business letters, etc.
61
1. Find in the text phrases or sentences which mean the same as the following.
2. Find examples of adverbs that are used to intensify adjectives in order to
strengthen the writers opinion (that introduce; that specify)
3. Look at the following sets of words each of which has a similar meaning. The
underlined word in each set has been used in the text. Try to substitute it by
the similar words given and see whether they are appropriate.
Supplies
Providing
Provision
Furnishing
Decided
Resolve
Chosen
Conclude
4. Choose suitable headings out of the given ones.
5. Underline the phrases which: point out; describe; show
6. The text states that How does the author combine these ideas? Which
words are used for the purpose of?
7. Cross out words (phrases, sentences) not mentioned in the text.
8. Express in one word a heavy metal device attached to a metal chain or a
rope.
9. Find phrases which: - introduce the subject of the text; - link together
phrases; - order ideas; - introduce and describe characters.
10.Describe on the correct options
11.Put down proverbs which help to define the message of the text.
12.Single out the words from the given list which may serve as key-words to the
text.
13.Pick out adjectives that prove that the text is not a dry account of events but
that the writer brings some light to the story.
14.Correct the spelling mistakes and compare the meanings of the words.
15.Choose the correct options (multiple choice).
16.Find words and phrases which mean the same.
Some Reading Tasks:
1. text completion;
2. sequencing;
3. prediction
4. table completion;
5. skimming;
6. inferring;
7. evaluating;
8. identifying figurative language;
9. identifying a style and purpose;
62
10.text marking;
11.labeling;
12.segmenting;
13.table construction;
14.scanning;
15.identifying genders;
16.reading to present paragraphs;
17.identifying structures;
18.integrating information;
19.diagram construction;
20.summaries;
21.pro-writing;
22.unknown vocabulary;
23. role playing.
A Difficult Text? Help students by:
more background information;
pre-teach key words the day before;
divide text into short chunks;
sign-post questions for main points;
add discourse markers where helpful;
ask easy questions;
paraphrase difficult ideas;
set easy tasks like matching questions and answers;
praise and encouragement.
After the Early Stages:
1. arrange jumbled sentences into a paragraph;
2. answer the questions;
3. complete the sentences;
4. is the information true, false, or not stated?
5. choose the correct answer from a, b, c, or d.
6. note taking for summary;
7. jumbled key points;
8. complete a table or chart of information;
9. label a diagram;
10.fill in missing information;
11.find a sentence which tells.;
12.find a word which shows;
13.close passages, words given below;
14.fill in the blanks;
15.match questions and answers, jumbled sentences halves;
16.match words to pictures;
17.sort words into lexical sets;
63
The pre-reading stage serves to develop a habit to infer and predict the
plot of the text judging only by the title and the picture (if any).
64
2.
The extensive reading stage is done after the students first reading of the
text. It presupposes the general overview of the text and the ability to do
exercises connected with the most conspicuous facts in the text.
3.
The intensive reading stage is aimed at deciphering all the difficult
places in the text: new words, unknown structures, difficult phenomena,
reading in between lines, understanding the implied information.
4.
The final reading stage is focused on training the students to be able to
retell the text.
5.
The post reading stage is a task performed mainly at home in writing or
done in class in the form of a discussion on a topic or problem related to
the text read.
Study the examples given below. The first text Conversation at breakfast
includes exercises on the text as an example of how to make tasks communicative.
CONVERSATION AT BREAKFAST
My mother shouted up the stairs: Billy? Billy! Are you getting up? the third
call in a fairly well-established series of street-cries that graduated from: Are you
awake, Billy? to Its a quarter past nice and you can stay in bed all I care, meaning
twenty to nice and time to get up. I waited until she called If I come up there youll
know about it (a variant of number five, usually If I come up there I shall tip you
out) and then I got up.
I put on the old raincoat I used for a dressing gown, and went downstairs. I was
greeted by the usual breathing noises.
You decided to get up, then, my mother said, slipping easily into the second
series of conversations of the day. My stock replies were Yes, No, Im still in bed,
and snarled to What does it look like? according to my mood. Today I chose Yes
and set down to my boiled egg, stone cold as threatened. This made it a quarter to
nine.
The old man looked up from some invoices and said: And you can start getting
bloody well dressed before you come down in the morning. So far the dialogue was
taking a fairly conventional route and I was tempted to throw in one of the old standbys. Why do you always begin your sentences with an And? Gran another dress
fanatic who always seemed to be fully and even elaborately attired even at two in the
morning when she slunk downstairs after the soda-water, chipped in: He wants to
burn that raincoat, then hell have to get dressed of a morning. One of Grans
peculiarities and she had many, was that she would never address anyone directly but
always went through an intermediary, if necessary some static object such as a
cupboard. Doing the usual decoding I gathered that she was addressing my mother
and that he who should burn the raincoat was the old man, and he who would have to
get dressed a morning was me. I gather, I began, that he who should burn the
raincoat but the old man interrupted:
And what bloody time did you get in night? If you can call it last night. This
bloody morning, more like
65
1. tip verb.
Immediately, the child started examining them one by one. (7) Then, he started
banging the pots and boxes with the spoons. The different sounds fascinated him. (8)
But mama-nurse didnt like the noise or the mess.
I. Pre-reading Stage.
1. Read the title of the text Back-nestling and answer the following questions:
a) What do you think the text may be about?
b) What do you expect to hear?
c) Does back-nestling refer to:
- people in general
- wild animals
- domestic animals
- children
d) What words is back-nestling formed of?
e) What ways of carrying a baby do you know?
2. Read the following words and say what the text may be about:
a) baby
b) nestle
c) mother
d) freedom e) safe
3. Give the definition of back-nestling judging by the following words:
a) baby ____________________
b) back ____________________
c) mother - ____________________
d) a way of carrying - __________________________
4.What mothers carry their babies on their backs?
a) all African mothers
b) some African mothers
c) many African mothers.
5.Make a sentence from these words:
The baby, in, contact, with feels, and, mother, warm, close, safe, stays, his.
6. All these words appear in the text. Mark the stressed syllables:
- environment
- immediately
- meanwhile
- disadvantage
- insecure
- therefore
7. In pairs, discuss the advantages and the disadvantages of back-nestling. Try
to use some of the adjectives given below:
+
Safe
Close contact
Warm
No mess
Freedom
They must use their limbs
Over-protected
69
7.
-
8. Go back through the text and underline any words and expressions to do with
mothers, babies. Some of them may be of use in the writing task for this
section. Look at how the words carry and nestle are used in the text. Can you
supply the right word to complete the following sentences:
a) He ____________________ the baby in his arms.
b) The injured were ______________ away on stretches.
c) He hugged her and she ___________ against his chest.
d) He was _______________ a suitcase.
e) I never ________________ much money on me.
III. The Intensive Stage.
1. Read the text for the second time and choose the best answer:
a) environment: surroundings
situation
habitat
atmosphere
b) moreover:
also
to boot
besides
what is more
c) therefore:
consequently
however
accordingly
for that reason
then
d) grown-up:
man
woman
adult
2. The text states that:
1) many mothers carry their babies on their back;
2) children need to be able to observe and explore the environment;
3) mama-nurse does not like the noise or the mess.
How does the writer combine these pieces of information?
Which words are used to introduce contrasting information?
3. Find words or phrases which mean the same as the following:
a) to take care of; to keep an eye on;
71
b)
c)
d)
e)
f)
to set down;
instantly; at once; promptly;
surroundings; medium;
alone; without anyone else, without help;
captivated; charmed; attracted.
9. Vocabulary choice can also influence the style in a piece of writing, because
some words are only appropriate in a certain register.
Look at the following sets of words, each of which has a similar meaning. The
underlined word in each set has been used in the text. Find it and try to
substitute the other words. Do you seem inappropriate for the text?
1
2
3
4
5
Working
Protected
Free
Near
Vulnerable
Waged
Safe
Available
Loving
Exposed
Employed
Guarded
Empty
Close
Unprotected
Operating
Defended
Unoccupied
Inseparable
Insecure
8) then
h) at once
- carry in a pram.
5.
-
The hour - long television program The Plutonium Connection makes its point
by showing how a twenty year old student of the Massachusetts Institute of
Technology in five weeks designed an atomic bomb composed of plutonium and
parts from a hardware store.
The young man, whose identity is being kept secret for fear he may be
kidnapped by terrorists, is quoted as saying: I was pretty surprised about how easy it
is to design a bomb. When I was working on my design, I kept thinking theres got to
be more to it than this, but actually there isnt. Its simple.
The student worked alone, using information he obtained from science libraries
open to the public. The television program, produced for non-commercial stations
across the country by a Boston educational station, shows how quantities of other
secret information are available to anyone.
The Atomic Energy Commissions public reading room in Washington is
described by the narrator as the first place a bomb designer would visit when he
was planning this plutonium theft. On file there and freely available are the plans of
every civilian nuclear installation in the country.
The program seems certain to create enormous controversy not only over the
lack of nuclear safeguards, but also over the morality of commissioning the student to
design a bomb and the wisdom of drawing attention to the ways that a nuclear thief
can work.
Even an official of Public Broadcasting System, which is distributing the TV
program, confessed to qualms: Its a terribly important subject, and people should
know about the dangers, but I cant help wondering if the program wont give
someone idea.
The Plutonium Connection explains, for example, that the security system of
nuclear plants were all designed to prevent sabotage by perhaps one or two agents of
some foreign Power. But now this appears less of a hazard than the possibility of an
attack by an armed band of terrorists with dedicated disregard for their own lives.
The program discusses two major plutonium reprocessing plants in the US one
already operating in Oklahoma, one being completed in South Carolina neither of
which has more than a handful of armed guards to supplement the alarms, fences and
gun-detectors that Government security requires. Both are in such remote areas that it
would take at least 45 minutes for a sizeable police force to be assembled, if there
were an attack.
An official of the South Carolina plant a joint operation of Allied Chemical,
Gulf Oil and Royal Dutch Shell admits to television viewers that the system weve
designed would probably not prevent a band of about 12 armed terrorists from
entering.
Pilfering plutonium is even easier, the program suggests. Despite constant
inventories, there are inevitably particles of plutonium unaccounted for about 11b a
month at the Oklahoma plant, owned by the Kerr-McGee oil company, which in a
year adds up to enough to make an atomic bomb. It is suggested that pilfering would
be even easier if instrument technicians were unscrupulous enough to alter their
measuring devices.
76
The television film also shows radioactive fuel being transported to nuclear
processing plants in commercial armoured cars. As a safety measure, US drivers of
such cars are ordered to contact headquarters by radio telephone every two hours. But
the equipment is cumbersome and unreliable and in difficult terrain there are radio
blackout areas.
The program ends with a warning from Dr. Theodore Taylor, a former Atomic
Energy Commission officer who has long contended that any person of modest
technical ability could make an atomic bomb: If we dont get this problem under
international control within(the next five or six years, there is a good chance that it
will be permanently out of control.
Text 2
Barbaras Father
At nine that evening I rolled into the club, and bumped into Barbaras father,
who gave a startled cry.
Hello, I said, trying not to laugh. I was looking for Bertie Bentall.
He looked round helpfully. I dont believe I
Howre things, Mr. Hutchinson? I said.
As Barbaras old man he had get me into this club rather against my will about a
minute before our engagement came to an untidy and he found himself with Gobbo
for a son-in-law; this was the first time hed spoken to me since, but he was the best
of the Hutchinson bunch, even now Barbara had improved as a result of marriage. It
was a severe shock for him when I first declared for Barbara and his only solace at
the time had been that at least shed been spared Gobbo, so that that year had been
one of the ones hed remember.
Theyre very well, John, very well. I hear you are doing very well for yourself.
Ive ground to a stop at present, but I had some breaks, I agreed. Oh, well-
We have a long standing intention to dine together, John, he said suddenly.
So we have, I smiled. What a memory. What a sense of duty. Hows your
wife? I couldnt stand her.
Very well. It turned out a little while later that he couldnt stand her himself,
and they parted, but while they were presumably drifting away from one another he
was always ready with an eager expression of good-will if anybody mentioned her. I
didnt hold this against him.
He went on: Lets dine out rather than at home, shall we?
Eat with me, I said. Ive a girl who cooks terribly well.
Oh.
Or, out, I dont mind.
Yes, lets.
Excellent.
Ill phone you at home. Whats your number, John?
I told him and we parted. The best performance I ever saw Hutchinson put up
was the pleased speech he made at Barbaras wedding. In a thousand years youd
never have guessed what he was thinking.
77
8) Stress, rhythm, and intonation (significant not used for interpreting such
straightforward elements as questions, statements,, but more subtle messages
like sarcasm, insult, praise..)
9) Interaction. (Good listeners are good responders. One should be ready to give
feedback, to ask for clarification, to maintain a topic).
4.
1)
a)
b)
2)
a)
Listening Objectives.
Surface Level Comprehension
recognizing information ( main ideas, details, multiple choice)
recalling information (main ideas, details, wh-questions)
Higher Order Thinking Skills
recognizing information (summarizing, paraphrasing, classifying, comparing,
contrasting)
b) inferring information (predicting, guessing)
c) evaluating information (judgments of importance, opinions)
d) appreciating information (emotional response)
5. Types of Classroom Listening Performance.
1) Reactive: Listen and repeat. Little or no meaningful processing of the
message.
2) Intensive: Listen to focus on a phonological or grammatical element.
3) Responsive: Listen to teacher prompt in order to give a short reply.
4) Selective: Listen to a passage for certain information.
5) Extensive: Listen to a passage or a lecture for the main idea and general
information.
6) Interactive: Listen to participate in discussion, debate, or pair work.
6.
1)
2)
-
Strategies in Listening.
Bottom-up Strategies (for decoding the message)
micro-skills;
systemic knowledge;
linguistic knowledge.(troublesome consonants and vowels; essential features
of stress, rhythm, and intonation)
Top-down Strategies (for interpreting the message)
macro skills;
schematic knowledge;
non-linguistic knowledge.
7. Listening Activities.
1). Listening for:
- topics;
- time references;
- key words;
- attitudes;
- description;
79
- specific information;
- preferences;
- opinions;
- suggestions;
- sequences; etc.
2). Listening to:
- questions and responding;
-description and reacting;
- invitation and responding;
- statements and responding.
Listening Comprehension
Literal Comprehension Skills.
1. Phoneme discrimination.
2. Word recognition / structure discrimination.
3. Identification of stress / intonation syntactic patterns.
4. Prediction and inference of message development.
5. Creative / active perception.
6. General information recognition.
7. Specific information recognition.
8. Cultural interest information recognition.
9. Peoples attitudes and opinions differentiation.
10.Functional items differentiation (gratitude, doubt, refusal)
11.Organization of ideas comprehension.
12. Sequence of events observation.
13.Noise / movement discerning.
14.Predicting what people are going to talk about.
15.Understanding different intonation patterns and uses of stressetc. which
give clues to meaning and social setting.
16.Understanding inferred information, e.g. speakers attitude, or intentions.
17.Guessing at unknown words without panicking.
18.Using ones own knowledge of the subject to help one understand.
19.Identifying relevant points / rejecting irrelevant information.
20.Retaining relevant points (note taking, summering).
21.Recognizing discourse markers.(well, oh, another thing is, now, finally,
moreover).
22.Recognizing cohesive devices. (e.g.: such as, which, it, link words, pronouns,
references, etc.)
23.Discrimination between American and British English.
24.Discerning different registers / styles.
25.Understanding vowel reduction, assimilation / elision.
26.Regional accents differentiation.
27.Understanding cultural references.
28.Understanding contextual meanings of words and word combinations.
29.Natural English / American (normal speed) comprehension.
80
1.
To
What ?
5.
Learners
Difficulties
2.
Why?
Listening
Skills
3.
Implications
And
Questions
4.
Skills
Involved
1. To What?
- stories / jokes;
- conversations / discussions / debates;
- instructions / directions / announcements;
- lectures / talks / seminars;
- media radio- news / plays / weather forecasts;
- media TV- films/ interviews / adverts/ news;
- music song / opera / concert;
- sounds hooter / siren / knock / footstep / scream/ laughter;
- telephone talking;
- timetable;
- directory enquires.
2. Why?
- for information (general, main idea / specific, for details);
81
3.
-
for pleasure;
for feedback;
for attitudes / topic / turn-taking / testing;
testing.
Implications and Questions.
materials ( spoken text; scripted dialogue; simulated; authentic);
task purposive (graded);
tape recordings, video;
language laboratory.
4. Skills Involved.
- phoneme discrimination;
- word recognition;
- identification of stress/ intonation syntactic patterns;
- predict and infer development of message;
- process / challenge ongoing message;
- creative / active perception + linguistic knowledge.
5. Learners difficulties, infamiliarity with:
- natural English (normal speed);
- phoneme description (hat/ heart; hut/ hurt);
- vowel reduction/ assimilation/ elision;
- stress / rhythm;
- cultural references;
- contextual / structural clues;
- registers / styles;
- regional accents;
- American and British English.
Listening Comprehension
Materials.
1. Conversation / discussion / debate.
2. Instructions / directions / announcements.
3. Lectures / talks / seminars.
4. News / plays by radio.
5. Films / interviews / advertisements by TV.
6. Songs / opera/ concerts.
7. Sounds (hooters, siren, knock, footsteps, scream, laughter, etc.)
8. Telephone talks.
9. Talking timetable.
10.Talking directory enquires.
11.Stories, jokes.
12.Spoken text.
13.Scripted dialogues / monologues.
82
83
Listen
+
Discuss
Listen
+
predict
Listen
+
Compare
Listen
+
Reply
Listen
+
Take notes
Listen
+
Infer
Listen
+
Describe
Listening
exercises
Listen
+
Select
Listen
+
Draw
Listen
+
Fill in
Listen
+
Do
Listen
+
Transcribe
There are several colours and types of rats. Sarah saved the Cinnamon Pearl
(Solo is a fine example) when it nearly went extinct. Now there ere several hundred
all descended from the original pear.
All her rats have lovely characters except for Orlando, who lives alone, because
he is so unfriendly. He was always miserable, says Sarah. I bought him , because I
felt sorry for him.
Although Solo is everybodys favourite, the others come down to play in the
living room every day. They are perfect pets, says Sarah. People are so silly about
them. They come up to me at shops and say Ooh, what is it? Is it a hamster? Or a
ferret? Or a gerbil? Then you say No, its a rat and they fall backwards. People are
really ignorant about rats.
I. Pre- Listening Stage.
1. Look at the title and try to guess that the text is about. Write down your ideas.
2. Look at the title and name the possible genre of the text (fairy tale, scientific
report, and interview). Write down your ideas.
3. Judging by the following phrases, tell what the text is about:
a) They are dirty.
b) They steal eggs from chicken.
c) They are perfect pets.
d) People protest when they are used in laboratory experiments.
4. Look at the picture and tell about the relationships between the woman and
her rat.
5. Read the gist of the story and fill in the gaps with the suitable words:
Sarah is trying to ___________ peoples opinion of rats. She shares her house
with many ______________. Her favourite ___________ is a world champion. He
sleeps with ____________ and her husband in his own cage in their bedroom. She
first ________________ them at pets, then she started to _____________ the at
shows. Sarah saved the Cinnamon Pearl when it nearly _____________ extinct.
6. Answer the questions:
a) What pets do people usually keep?
b)Can you name unusual or exotic pets?
c) What are the reasons for keeping pets?
d) Are rats usually kept for pets?
7. Put down 10 adjectives you associate with rats.
II. Extensive Listening Stage.
1. Listen to the tape for the first time. Were your predictions correct? Cross the
wrong answers.
86
6. Put the sentences from the previous exercise in the order they are given in the
text.
7. Make the gist of the text and compare it with that of your partner.
III. Intensive Listening Stage.
1.Listen for the second time and complete the sentences:
a) If you call someone a rat it means you _______________________.
b) Someone in ratty mood is _________________________________.
c) The rat race is something we _______________________________.
d) Solo carefully removes the skin from the peas and he only eats _____.
e) Sarahs brother kept rats as __________________________________.
2.Cross the items of Solos diet mentioned in the text:
Coffee, cabbage, sunflower seeds, rice, buckwheat, sweet-corn, semolina, peas,
cucumbers, nuts, radish, raisins, tea, wine, coke, beer, chicken eggs.
3. Make a list of things which prove that Sarahs family and Solo spend much
time together.
4. Make notes of what is said about the characters of Orlando and Solo and
compare them.
6.
a)
b)
c)
d)
e)
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Some people believe that there is a hole in our space/time dimension and that
ships and planes pass through the hole to another world in a different time and space.
Others believe that extra- terrestrials take the ships, crews and planes, in a form of
kidnapping space-napping.
All these mysteries happened in or near the so-called Bermuda Triangle. But
such events also occur at the opposite side of the world, not far from Japan, in an area
called the Devil Sea.
There are many other strange vents associated with these two areas. When will
we know the answer?
I. Pre- Listening Stage.
1. Look at the following pictures and answer the questions. (There are two
pictures: a ship and a pirate.)
a) What is your opinion about these pictures?
b) What atmosphere is created by them?
c) Read the title. What do you think the text may be about?
d) What is meant by strange disappearance?
e) What do you think this article may be:
- a scientific report;
- a science fiction;
- an interview;
- a fairly tale;
- others.
2. Listen to the following exercises and define the message of the text. Here are
some clues;
- mysteries in Bermuda Triangle;
- kidnapping;
- no survivors, no wreckage;
- strange events.
3. Choose two synonyms that fit best the word mystery.
a) enigma;
b) terra incognita;
c) unexplored ground;
d) secret;
e) conundrum.
4. Discuss the following questions in groups:
a) Have you ever travelled by sea?
b) If you have, did you like it?
c) What were its attractions?
d) Was it safe?
e) If you were not, would you like to?
f) Would you like to travel by sea?
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5. Make a table and write the advantages and disadvantages when travelling by
sea:
Example:
Advantages
Disadvantages
Comfortable
Not stressful
..
Expensive
Sometimes crowded
Dangerous
..
- an interview;
- others.
1. Form groups of two and discuss other possible solutions to the mysteries of the
disappearing ships.
2. Answer the questions:
a) Which of these possible solutions you regard as the most serious and true?
b) What do you know about Bermuda Triangle?
3. Write an essay with the following title: Travelling by sea is/ is not dangerous.
----------------------------------------------------------Make a critical analysis of the following two developments of the text
Mystery of the Disappearing Ships.
Development 1
I. Pre Listening Stage.
1. Try to guess what the text may be about judging the title.
II. Extensive Listening:
1. Comprehensive questions:
a) Are the mysteries of the Rosalie and Rubicon still mysteries today?
b) What happened to Rosalie and Rubicon?
c) Who was Marie Celestine?
d) What happened in 1931?
e) In what date the people radioed for help?
f) Was the disappearance of five American military aircraft one of the most
famous cases?
g) Was the first case recorded in the 15th century?
h) Are pirates the solution to these mysteries?
k) Did all these mysteries happen in or near the so-called Bermuda Triangle?
2. Multiple choice. Tick off the right answer.
a) But many other ships disappeared completely: nothing has left no survivors,
- no ships;
- no wreckage;
- no clothes.
b) In 1932 disappeared.
- an aircraft;
- a ship;
- a cargoes.
c) A very great number of these occurred in the
- 1959s and 1980s;
- 1920s and 1930s;
- 1960s and 1970s.
d) Pirates can take small .. repaint them and use them for smuggling.
- helicopters;
- speedboats;
- aircrafts.
e) All these mysteries happened in or near the so called ..
- Australia;
- New Zealand;
- Bermuda Triangle.
III. Intensive Listening.
1. Paraphrase the following sentences using the new words and word
combinations.
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on,
of,
for,
for,
at,
of,
from,
in.
a) The mysteries . The Rosalie and Rubicon are still mysteries today.
b) They radioed for help.. December 5th 1945.
c) Storms, heavy seas, high winds and waterfalls can all destroy ships and planes, but
usually something is found later.. some wreckage, bits.. wood, oil, lifejackets.
d) Today they can take small speed boats, repaint them and use them .smuggling.
e) But such events also occur .. the opposite side .. the world, not far. Japan,
.. an area called Devils Sea.
3. Put the sentences in a right order:
1) The possible solutions to these mysteries are difficult to believe.
2) All these mysteries happened in or near the so called Bermuda Triangle.
3) Nobody knows what happened to their crews.
4) In 1931 an aircraft disappeared.
5) There are many other strange events associated with these two areas.
4. Complete the following sentences while listening to the text.
a) They just..
b) One of the most famous cases was the disappearance of five American
military.. .
c) They for help on December 5th 1945.
d) A very great number of these ..
e) All these .happened in or near the so- called Bermuda Triangle.
(radioed, aircraft, occurred, disappeared, mysteries)
5. Listen to the text and decide what is true or false:
a) Everybody knows what happened to their crews.
b) In 1935 an aircraft disappeared.
c) They radioed for help on December 5th 1945.
d) Today pirates can take big helicopters, repaint them and use them for smuggling.
e) But such events also occur at the opposite side of the world, not far from Japan, in
an area called Devils Sea.
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sunglasses, because his eyes, after 46 days at sea, got badly burned by glare of the
sun on water.
Most of the people who knew him in Littlehampton, Sussex, thought he was
nuts. He spent two years on the dole making his beer-barrel waterproof and
unsinkable. Asked why he decided to do it. Eric explained: Because I wanted to
prove it was possible.
He asked the top 50 companies for help with his strange voyage; they all said
no or ignored him. But someone gave him a small sail and someone else gave him
a supply of peanuts and vitamins and this was his basic diet along with some bran
and olive oil. He, in fact, lived on half a litre water a day. The recommended
minimum is a litre and a half. This was recommended when he contacted Surgeon
Commander Frank Golden, a survival expert at the Institute of Naval Medicine in
Southampton.
At first I thought Mr. Peters was joking. Then when he was serious I thought he
was crackers, Commander Golden says, adding, I tried to discourage him and to
persuade him to try something safer like crossing the Thames.
Eric hitched a lift on a ship to the Canary Islands, and on Christmas Eve he set
off. He took no books and his only luxury, a tape recorder to record his daily log, got
wet and refused to work.
Forty- six days later Commander Golden got a postcard from Guadeloupe in the
French West Indies. Eric was safely across the Atlantic.
Eric was back in England this month because he wants to do it again, only this
time from West to East and this time without a sail.
So, far he has had little success in trying to find sponsors for a rerun. But he is
now making last-minute preparations for his epic, perhaps final voyage. There will be
no tearful farewell; nothing more than a pint or two of beer-barrel at his send-offwithout a sail.
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References:
1. Listening. Anne Anderson and Tony Lynch, OUP, 1996;
2. Listening to Spoken English. Gilliam Brown, Longman, 1977;
3. Teaching Language as Communication, Henry Widdowson OUP, 1978;
4. Teaching Listening Comprehension, Penny Ur, CUP, 1979;
5. Linking Links, Marion Geddes, Hienemann Educational Books, 1979;
6. Damatic Monologues for Listening Comprehension, Colin Motimer, CUP,
1978;
7. Listen to This, Mary Underwood, OUP, 1975;
8. Have You Heard?, Mary Underwood, OUP, 1975;
9. Handshake, Peter Viney and Karen Viney, OUP, 1997;
10.First Certificate Practice Tests, Mark Harrison and Rosalia Kerr, OUP, 1997;
11.Headway (from elementary to advanced), John Soars and Liz Soars, 1997.
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