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arranged by
H. T. Burleigh
SATB with Accompaniment
First Sunday of Advent
Both Marian Anderson (1897-1993) and Paul Robeson (18981976) performed this
traditional spiritual in a 1918 arrangement for solo voice and piano composed by Harry T.
Burleigh (1866-1949). Burleigh subsequently made a cappella arrangements of My Lord,
What a Mornin' for SSA and SAATTBB choruses. In preparing this adaptation for
accompanied SATB choir I have retained, with two minor changes, Burleigh's keyboard
accompaniment for his original solo-voice version.
In a footnote to his original version Burleigh writes: "In one of the earliest editions of the
Jubilee songs this word [mornin'] was mournin'." He refers here to the published repertory
of the Jubilee Singers of Fisk University, who in the 1870s first introduced the performance
of African American spirituals into concert halls.
My Lord, What a Mornin' [or Mournin'] is particularly fitting for the First Sunday of
Advent, Year B, when the Revised Common Lectionary readings reiterate apocalyptic
themes, as in Mark 13:24: "Jesus said, 'But in those days, after that suffering, the sun will be
darkened, and the moon will not give its light, and the stars will be falling from heaven....'"
In the edition of 1918 Burleigh specifies the scriptural source as Revelation 8:10a text
that is not included in the Revised Common Lectionary.
I dedicate this adaptation to Archie C. Epps III (1937-2003) who over many years sang a
thrilling rendition of My Lord, What a Mornin' accompanied by the Harvard Glee Club. He
was an award-winning alumnus of Harvard Divinity School, and from 1971 to 1999 was
Dean of Students at Harvard University. I was lucky to have numbered him among my most
admired friends.
Albert Blackwell
August 1, 2012
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