Академический Документы
Профессиональный Документы
Культура Документы
Abberancy - 1998.
Adriator - 1999.
An alphabet extrapolated from a single letter: the T found on a radiator logo in Ireland. Small caps.
Airmole - 2000.
Inspired by a sample in an old Speedball pen catalogue. Art Deco; it comes in four styles: Regular, antique, stripe and
shaded.
Almonte - 1999.
Almonte is the name of a small Ontario town. Its in the style of a Nineteenth Century wood type but a modern
interpretation, not based on any particular model. It comes in regular, snow capped and wood texture. Each font has a
cute alternate s character.
Anklepants - 1998.
An all caps Sans-serif font. Inspired by the lettering used for Westinghouse radio stations in the Seventies.
Arnprior - 1997.
An all caps oblique Serif font with unique, crossover cross-strokes. Alternate A.
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Inspired by the lettering on a rare 1980s arcade game called Astron Belt, it comes in four styles: Regular, italic, wonder
and video. Astron Boy Wonder is an outline version with a drop shadow. Astron Boy Video has thin, horizontal stripes.
Axaxax - 1997.
One of the first Larabie Fonts created. Fits with the Mid-Nineties, Techno-style with a neon-light feel.
Barbatrick - 1999.
Baltar - 1996.
Baveuse - 2000.
A Unicase font with a funny 1960s feel. Also comes with a 3D shaded version.
A Horror font. Letters drawn on strips of flesh, a towel, a ham . . . whatever you want it to be. The font has capitals and
lower case.
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Berylium - 2000.
A Serif font with a cut paper effect. Available in regular, italic, bold and bold italic.
Computer keyboard keys in upper and lowercase. Includes Betsy Flanagan 2 with function keys, alt, control, etc.
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An angular and high tech type face. All caps. Includes outline version.
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Borg9 - 1998.
Based on the logo for the 1980s television program Airwolf. All caps.
Boron - 1998.
Inspired by 1960s magnetic ink computer fonts and decorated with printed circuit leads.
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A mechanical, all caps stencil font; available in regular and with a thick outline.
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Budmo - 1998.
Block capital letters with lights; it comes in two styles: Jiggler and Jigglish. Jiggler is for light backgrounds and Jigglish is
for dark backgrounds.
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Bullpen - 2001.
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A square-ish Slab-serif, closely resembling the font used in 1970s Harley Davidson print advertisements. Includes
regular, italic and shaded versions.
Butterbelly - 1998.
Capacitor - 1998.
Carbon - 1999.
A condensed, all caps display font. Two styles: Phyber and Block. Phyber has a fine hexagonal mesh texture.
Alternate T.
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Colourbars - 2001.
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Extrapolated from the 1970s RCA logo. All caps. Alternate A, E M, V and W. All caps.
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Coolvetica - 1999.
An interpretation of a tightly set distortion of Helvetica used in the 1960s and 1970s.
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Counterscraps - 2000.
A set of kitchen-related dingbats in a lino-cut style. All drawings were created on a handheld computer.
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Crackman - 1998.
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Art Deco lettering inspired by the lettering on Pac Man arcade games. Alternate C and O.
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Credit - 2000.
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A squarish serif font. Includes Credit Valley and Credit River. Credit Valley comes in regular, italic, bold and bold italic.
Credit River is a heavier variation, with several different letterforms available in regular only.
Cretino - 2000.
Cretino is a freehand calligraphic font, drawn on a tablet. Its detailed but informal. The curves look flighty and unplanned
accidental. Good for when you want a look that seems homemade as opposed to created by a professional calligrapher.
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Cuomotype - 1998.
A distressed, 1970s, manual typewriter font. Based on the same typewriter font as Larabiefont from Typodermic.
A structured script inspired by the Harley Davidson logo, Raybestos and other motor-related scripts.
Degrassi - 2001.
A bold, Sans-serif display font. Inspired by lettering in Electric Town, Japan. All caps, with alternates for every letter.
Experiment with cap/lower alternates to find interesting letter combinations.
A heavy display font based on the Kiss band logo. All caps. Alternates for A, R and W.
An all caps font inspired by magnetic ink fonts of the 1960s.Alternates for all letters.
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A nibbed Sans-serif font. Based on Effloresce. Available in regular, bold, italic and bold italic.
Droid - 1997.
Compressed Unicase and Sans-serif. Inspired by an early 1970s sign on a Montreal clothing store.
Duality - 2000.
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Dyspepsia - 1999.
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Based on the letterforms of Deftone Stylus, Dyspepsia is designed to look like hand-painted, amateur sign lettering.
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Echelon - 1999.
A Serif font. Developed on a Palm Pilot. Delicate lines, slightly silly it comes with an italic version.
It comes in regular, bold and italic. Some letters are square and some are round in a completely illogical way. Its a sansserif font with the occasional spike
Edmunds - 2000.
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Effloresce - 1999.
A delicate serif font with a hand drawn appearance, reminiscent of hand painted store signs. Nave lettering inspired by
lettering on a small-town tea shop near Guelph. Comes in regular, italic, bold, bold-italic and an artificially aged antique
look.
Electroharmonix - 1999.
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Engebrechtre - 2000.
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A small caps early 20th century-style condensed display font. It comes in regular, italic, bold, bold italic, expanded regular,
expanded italic, expanded bold and expanded bold italic.
Paw prints with letters in them. Lowercase is an alternate version of the caps, slanted at different angles. Alternate caps
and lowercase to avoid repetition.
Ethnocentric - 1999.
Wide, Sans-serif display type. Inspired by hand lettering on a small-town hair salon. All caps.
Euphorigenic - 1999.
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Fabian - 2000.
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Fadgod - 1999.
An all caps, distressed dot matrix font; the type often seen on cash register receipts.
Extra wide Sans-serif all caps font. Most capitals have wing tips.
Foo - 1996.
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Loosely based on 1960s Dodge/Plymouth fonts. A Sansserif60s idea of high-teach-In comes in regular, bold, italic,
bold italic and shaded versions. Shaded version has a thin outline and a drop shadow.
Frak - 1996.
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Frozdotre - 1998.
A wide Tokyo-style Techno font. All caps, but all letters have variations.
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Ghostmeat - 1999.
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Glazkrak - 1996.
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Goodfish - 2000.
An all caps Sans-serif display font based on lettering on late 1980s to mid-1990s Pontiac cars.
An all caps font inspired by the logo from the band The Cramps.
Guanine - 2001.
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Gumtuckey - 1999.
Gunplay - 2000.
A Sans-serif stencil font inspired by the poster for the movie The Getaway. Regular and 3D versions (outline with a drop
shadow). Seen often of Spike TV.
Based on a sixties font called Anonymous; famous for its use in the Jeopardy logo. All caps.
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Hammamammajamma - 1998.
A 1970s-style font.
Hawkeye - 1997.
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A completely destroyed, distressed version of standard [North American] highway lettering. See Expressway.
Horsepower - 1996.
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Similar in letter form to Larabie Fonts Induction. Stark futurism, narrow vertical stems for a squeezed look.
Hurry Up - 1998.
1960s-style cartoon lettering with a clean lino-cut look. All caps. All letters have alternates. Try swapping uppercase and
lowercase letters for visual interest and to prevent obvious repeating letters.
Huxtable - 2001.
A Unicase font inspired by 1960s magnetic ink lettering. Capsule shaped. Alternates for A, D, E and T.
Induction - 1996.
Induction is a high tech, wide, angular font. Unicase. Alternate characters for A, B, E, R, S, T and X.
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A condensed, Unicase Sans-serif font with diagonal corners. Similar letter forms to Droid.
A distressed grotesque stencil font. The effect was intended to look like flaking paint, but it also works as a rubber stamp
effect.
Iomanoid - 2000.
Based on the lettering on the 1980s arcade game Arkanoid. All caps with an alternate Q and O (with and without grille)
Jandles - 2001.
A curly-wurly-girly font.
An all caps 1980s high-tech sans serif font. Most letters have swash variations.
Joystix - 1996.
Based on lettering found in early arcade video games. Includes a heart symbol. All caps.
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Karma - 1998.
Two styles: Karma Suture and Karma Future; a shaded, outline version with filled counters.
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Comes is regular, italic, bold and bold italic. A condensed Sans-serif font inspired by Compacta.
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Kimberley - 2002.
A blocky early 1970s style stovepipe font. Capitals and lower case.
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Based on late Sixties lettering on Dodge & Plymouth cars. It comes in italic and regular, with subtle flares in place of
serifs.
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Kirsty - 2000.
A boxy display font similar to the type used around the turn of the century on large painted advertisements. Small caps. In
regular, bold, italic, bold italic and distressed ink version.
Kleptocracy - 1999.
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A sort of cursive font.
Kredit - 1996.
One of the first of Larabie Fonts. Chrome embossed OCR lettering like that seen on credit cards. All caps.
An all caps Futuristic font inspired by the Scorpions band logo. Alternate A.
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A font with semi-cursive forms, drawn with a nib; in regular and shaded versions.
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Shiny letters that look like theyre made out of spilled liquid. The capitals can pass for raised 1950s diner sign lettering.
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Includes 3 fonts, A B & Accreted from photos of ceramic home movie letters. Letterset A is has a grungy shadow. Letterset
B has a sketchy outline. Letterset C is soaking in pools of liquid. The font is capitals-only.
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Lewinsky - 1998.
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This is a condensed Sans-serif. Not a direct copy, but it took some of its inspiration from the Westinghouse font.
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A pixel font based on lettering from an old Nintendo game called Earthbound.
A jagged cartoon font with sharp Latin-style serifs. A jagged version of Styrofoam Feelings.
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Lockergnome - 1997.
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An all caps display font that looks like a fruit machine/one armed bandit/slot machine
Lunasol - 1996.
Comes in three styles, regular, Aurora and Sequent. Regular is a sleek, twin-line font. Aurora has an extra outline and
Sequent is plain and wide.
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An animated casual Sans-serif inspired by the logo for the band Menudo.
A small caps font made of Cheerios, washers or donuts . . . whatever you want them to be.
An oblique display font created from crescent shapes. All caps. Alternates for A and R
An all caps twin-line font - inspired by a neon sign on Queen Street in Toronto.
A pseudo-Sixties font; with a mix of Art Nouveau and Seventies Funk. All caps.
Based on the lettering on a poster for the David Bowie film, The Man Who Fell to Earth and the heavy metal band Iron
Maiden. New 2005 version features improved spacing, kerning, accents punctuation and an alternate set of capitals.
Mexcellent - 2000.
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An all caps tri-line font based on the lettering used for the 1968 Olympic Games in Mexico. Includes regular and 3D
version with an outline and drop shadow.
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Minisystem - 1997.
A segmented LED font based on the pseudo-dot-matrix display of an early 1990s Technics stereo system.
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Misirlou - 2000.
Mlurmlry - 1997.
A distressed font that appears to have been scratched into painted metal. All caps.
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Monofonto - 1999.
Motorcade - 1997.
A high contrast beveled 3D rendering of the Inflammable Age font. Caps only.
Naftalene - 1998.
Neurochrome - 2000.
Neuropolitical - 1999.
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A wise Sans-serif Techno font. Caps only, its inspired by the logo for a Heavy Metal band called Disneyland After Dark.
Nightporter - 1997.
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A 1980s style font reminiscent of Ska record covers by UK bands like The English Beat, The Specials, etc. Includes a
blank character so the checkered stripe neednt break between words.
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No Clocks - 1997.
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Numberpile - 2002.
Circled numerals from zero to eighty. Includes a reversed (light-on-dark) version. The light-on-dark version includes a solid
circle which can you use as a layer where transparency is not desired.
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Octoville - 1999.
A dingbat font consisting of 1970s cars. Two fonts: Oil Crisis A and Oil Crisis B.
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A pixel font adapted from an old Nintendo game, Earthbound.
Outright - 1998.
A pseudo-Sixties font and a mix of Art Nouveau and Seventies Funk. All caps. Uppercase has leading flares. Formerly
called Outright Televism, but was changed in 2005.
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Overload - 1998.
A bold, super-elliptical all caps font with rounded ends. Alternates for A and Irregular and outline versions.
ParaAminobenzoic - 1997.
A 1960s-style Techno font, reminiscent of classic fonts like Countdown and Data 70.All caps.
A Heavy Metal font inspired by the old Metallica band logo. It works best when the first and last letters in words are
capitals. Includes Pastor of Muppets Flipped; with a reverse set of capitals for use at the end of words.
Pirulen - 2004.
A plain, square sans-serif font similar to those used in late 20th century consumer electronics and sports cars. All caps.
Inspired by early 1970s graffiti. All caps with outline and drop shadow.
Plasmatic - 1999.
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Po Beef -1998.
Poke - 1999.
A square, Slab-serif all caps font with ornate pin stripe details.
Three-dimensional renderings of Jack-in-the-Box images containing letters. The letters are an angular version of the
Lockergnome font.
Pricedown - 1998.
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Based on a late-Sixties font called Pinto Flare; famous for its use in the titles for the TV program The Price is Right.
The 2003 version added alternate characters with/without tails
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A cartoon font inspired by a 1960s childrens book. All caps. Alternates for all letters.
Primer - 1999.
A font similar to those used in teaching aids. Includes Primer Print Regular, Primer Print Bold and Primer Apples - a
dashed version in a more cursive style.
A hand drawn organic font. Reminiscent of tree roots with letter shapes repeated in the details.
Pupcat - 2001.
Pyrite - 1998.
An angular all caps font inspired by the logo for the band Def Leppard.
Quadaptor - 1999.
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Inspired by the Dynaco logo. Dynaco was a maker of Quadrophonic stereo equipment. It is a Unicase font.
Quadrangle- 1997.
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Quixotic - 1997.
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A Morse code font. The regular version displays the corresponding character below the dots and dashes. The characters
are taken from Larabiefont from Typodermic. Radios in Motion Hard is identical, but with no characters displayed . . .
just dots and dashes.
Rafika - 2002.
An all caps distressed stencil font. Looks like a thickly painted damaged stencil.
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A bold, chunky techno-font with lots of 45 degree angles. Features an uppercase in-line with the x-height.
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Rina - 2000.
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The original Riot Act was created in 1997.All caps, and made out of monster guts.
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Rothwell - 1997.
A modular style, condensed all caps font. Round tops and bottom. Alternates for A and E. Several other alternates in the
character map. Includes Rothwell and Rothwell Army, an angular alternative to Rothwell.
Heavy, wide futuristic all caps font inspired by the logo for the DeLorean automobile. Alternates for A, B, E, R.
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A tall, oblique font. Rebuilt in 2004.One of the earliest Larabie Fonts designs.
Sandoval - 2000.
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A futuristic font based on late 1990s Pontiac car lettering in two styles - regular and the extra-wide Sandoval Speed.
A futuristic font inspired by the lettering used on Bob Gucciones Omni magazine, circa 1980.All caps, but includes
alternates for A, B, D, E and Y.
A pixel font with rounded pixels. Narrow lowercase and wide caps.
Screengem - 2000.
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A squarish, animated Unicase font. Alternates for all letters. Mix upper and lower case for a more natural effect.
Scritzy X - 1996.
A wide stark - minimalist Techno font. Rounded corners suggest a glow effect. This font is best used as light on dark.
Because it'
s highly stylized, its more suited to logos and short headlines. Alternates for A, B, D, E.
Sexsmith - 1999.
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Shlop - 1997.
A dripping, bloody horror type font, based on Alternate Gothic letterforms. All caps.
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Santa Fe inspired, available in both regular and shaded versions.Updated in 2005 with improved spacing, an alternate Q
and U and improved numerals and accents.
A fat, dot matrix font, reminiscent of fonts used in computer games in the Mid-Eighties.
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Snidely - 1996.
An all caps, cartoon Serif font with curls. Lowercase set is identical to the uppercase except for a slight change of angle
which can be alternated to make repeated letters less noticeable.
Sofachrome - 1999.
An all caps font inspired by lettering on 1990s Pontiac cars, in regular and italic. Famously used for the Access
Hollywood logo.
A grungy type of horror font. Drawn on newsprint with ink and a broken twig. Its all caps with an alternate O [with horns
and an inverted pentagram].
Spongy - 1996.
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Squealer - 1997.
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Based on the logo from the band AC/DC. In regular and embossed styles.
Steelfish - 2001.
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A compact Sans-serif font in regular, bold and outline.
Stentiga - 2001.
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Stereofidelic -1999.
Based on the lettering found on a Sixties lounge record. An all caps font, but characters can be alternated (caps & lower)
to create a more natural look. New version contains extra arrow-less characters.
Inspired by the movie poster and soundtrack album for Princes Purple Rain. Razor sharp edged. Its very Eighties.
Strasua - 1999.
A twin-line, curvy Seventies all caps font. Alternates for many characters.
Strenuous - 2001.
A funky Seventies Unicase font featuring hidden, secret Seventies dingbats. It also comes in 3D style.
Stupefaction - 1998.
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A strange font originally created as bitmaps and processed to look rounded. All caps with alternate letters for A, B, D & E.
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Subpear - 2001.
Designed to mimic the look of a Seventies daisy-wheel print font but with original shapes. Loosely based on Pakenham
from Typodermic. Unusual serif suggests a mono-spaced font but its proportionally spaced. Eerie, yet corporate in look
and feel.
An octagonal Unicase font based on the logo for Inco, the nickel company in Sudbury, Ontario. Include heavy-duty 3D
[shaded] version.
Superglue - 1996.
One of the first Larabie Fonts. An all caps Techno font inspired by Chinese electronics. Alternate A, M, N, V, W and Y.
Superheterodyne- 1997.
A heavy octagonal all caps font. Uppercase has lightning bolt flares.
Inspired by the titles from the Peter Sellers movie The Party. Its not an exact replica of the font [as it was drawn from
memory] but its very close. This font is at its best when displayed in festive colors. A cut paper look.
Teen - 2000.
A collaborative font designed by Martin Archer and Ray Larabie. A hand drawn font based on super-elliptical forms
reminiscent of Microgramma. High x-height in regular, italic, bold, bold italic, light and light italic.
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Terylene -1999.
Thiamine - 1999.
A lowercase-only, Sans-serif geometric font with extremely high ascenders. Inspired by the Dunhill logo.
Tinsnips- 1997.
A font that looks like metal stencils. All caps, but lowercase is slanted at a different angle. Eliminate obvious repeated
letters by alternating caps and lowercase.
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Tork - 2000.
Designed in wide, low capitals and narrow lowercase. Subtle kinks instead of serifs. It comes in regular, italic, bold and
bold italic. Approved by Peter Tork of the Monkees.
A square Sans-serif display font with exaggerated waistlines. Similar to Yonder Recoil. All caps with alternates for A, E
and V.
Triac 71 -1997.
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A condensed Unicase font with flares. A strange mixture of Industrial Age forms and 1960s forms.
A small caps font in the 1970s computer style. Inspired by the logo for the mid -seventies Altair home computer.
Typodermic - 2000.
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Unispace - 2000.
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A decorative, squarish monospaced font. Available in regular, italic, bold and bold italic.
Univox - 1996.
A high-tech, minimalist lowercase font with light-on-dark capitals. Inspired by lettering on the sleeve of a record by the
band America.
Urkelian - 1998.
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High x-height, Squarish, compressed.Circa-1990 industrial style.
Vademecum - 2001.
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Sixties-style lino-cut look. Works great for Mexican food, schlock horror, Beatniks, Caribbean. Note groovy flower asterisk!
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Vahika - 2000.
A semi-serif font created for a font creation tutorial. Includes regular, italic, bold and bold italic.
A fictitious Cowboy font. Lowercase has horizontal bars. Looks best when you use a capital at the beginning and end of a
word.
V-Dub - 1996.
Vectroid - 2000.
The idea of 1960s magnetic ink fonts taken to silly new heights.
Velvenda - 2000.
Ultra-heavy condensed display type. 1960s style, and inspired by a Sixties font called Stark. Comes in two types,
Megablack and Cooler. Velvenda Megablack has extremely thin counters. Velvenda Cooler was created in 2002
and has thicker counters for use in smaller print. All caps with alternates for A, B, D, E, F, G, H, I, J, R and T.
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A square, Sans-serif type font, similar to those seen on consumer electronics in the Seventies and Eighties. All caps.
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Vibrocentric - 1999.
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A squarish Sans-serif. Based on the Dodge/Plymouth fonts but with flares. Comes in regular, italic, bold, bold italic.
Vinque - 2002.
A commissioned design resembling a William Morris font, and the basis of the Typodermic font, Snowgoose.
Vipnagorgialla -1998.
Waker - 2000.
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Walshes - 1999.
Inspired by the logo for the Minnesota Timberwolves, it works best with a capital at the beginning and end of a word.
An interlocking bulldozer tread with letters which fit in the hexagonal gaps.
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An all caps Sans-serif font with a shiny, wet effect. Based on Franklin Gothic letter shapes.
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Wintermute - 2000.
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Xirod - 2004.
A wide, mid-1990s style Techno font. All caps with alternate A, C, D, E, M, U and Z. Additional alternates are included.
Xolto - 1996.
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A high-tech square Sans-serif all caps font with a horizontal split. Inspired by L.A. Gear running shoes. Alternates for A,
E and V.
A futuristic rounded font. All caps in regular and italic versions. Similar to the logo for the video store chain Movie
Gallery.
!Y2Kbug - 1998.
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Yytrium - 1997.
An all caps font based on late 1990s Toronto graffiti. Drop shadow effect.
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Zeroes - 1999.
Zeroes comes in three styles: One, two and three. Zero One is a Sans-serif, geometric unicase font. A seemingly random
mix of square and round shapes; the Liz Claiborne logo was the initial launching point. Zeroes Two is identical to Zero
One except all round shapes have been replaces by square. Zeroes Three is Zeroes Two with an uppercase extrapolated
from the unicase letters.
An all caps Futuristic font square, with rounded upper left and lower right corners.
Zodillin - 1997.
Zorque - 2002.
A rounded all caps font inspired by the 1980s logo for Infocom games.
Zrnic - 1999.
Extrapolated from the Sony Playstation logo. Includes the Playstation button symbols: square, triangle etc.
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