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Incan Vitrified Stones: Evidence of Vitrified Stonework in the Inca Vestiges of Peru
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Vitrified stones are simply stones that have been melted to a point where they
form a glass or glaze. There is much debate in archaeological circles over the ancient examples
under study for two reasons. Firstly, few cases are known to have been tested and even if they have
been, there are many questions over how they were made.
Glassy rocks form naturally under conditions of high temperature and pressures found in and around
volcanoes. Glass or glazes are traditionally created using a furnace. Furnace or kiln examples are
found on everyday objects such as glassware and ceramics. Ceramic glazes are created by pasting
certain finely crushed stones, sometimes with tinctures, onto fired pots and plates. The whole is then
fired to temperatures usually in excess of 1000 degrees centigrade. Many of the ancient vitrified
examples are found on objects so large that they cannot be placed in a furnace.
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Previous analysis concluded that the temperatures needed to produce the vitrification were up to
1,100C. There are confirmed cases from Scotland, Ireland, France and Germany.
These are mostly forts and buildings with vitrified ramparts. This fusion is often uneven throughout the
various forts and even on a single wall. Some stones are only partially melted, whilst in others their
adjoining edges are fused firmly together. In many instances, pieces of rock are enveloped in a
glassy enamel-like coating, which binds them into a whole. At times, the entire length of the wall
presents one solid mass of vitreous substance.
There are many more examples from Malta, Egypt, Iraq, Sudan, South East Asia and others that are
speculated to fall into the grouping. However, these have not all been subjected to scientific testing
like the European cases. They simply appear to be glazed finishes on equally large objects or on
walls that are impossible to fire conventionally.
There has been much discussion about the Inca vestiges in the Peruvian Andes. It mostly revolves
around whether the stones are vitrified or not. This article focuses on these Peruvian cases where
there are indications of heat treatment.
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In Sacsayhuaman, there are many other indications of the use of heat. Strange marks on the stones
like the one pictured can be found; shiny, completely smooth and with another color to the rest of the
rock:
Vitrification appears on different kinds of stones and structures, as the photos show. It is found on
the perfectly fitted walls with irregular blocks. It is also observed on walls made with regular oblong
blocks. It has been spotted on mountainsides, caves and rocks in situ. The location arrangements
vary as well. Some sites are surrounded or overbuilt by walls whilst others have single exposed
isolated stones. There seems to have been some very adaptable ancient technology at work.
A list of vestiges where stonework seems to have been treated with this technology include; In Cusco,
the walls of Koricancha, Loreto Street, Sacsayhuaman, Kenko, Tetecaca, Templo de la Luna (or
Amaru Machay), Zona X, Tambo Machay, Puca Pucara, Pisac, Ollantaytambo, Chinchero, Machu
Picchu, Raqchi and in Bolivia in Tiahuanaco.
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Archaeologists assume that the perfect fitting stones are the most developed style of the Incas.
Regardless, there is no explanation of the shiny surfaces that can be observed. These often appear
on the borders where the stones join perfectly. It is normally assumed that these parts were simply
polished by the Incas.
During many visits to the vestiges mentioned, Jesus Gamarra and Jan Peter de Jong have examined
these stones with highly reflective surfaces. They have captured many of them on video. Through
personal observations and analysis of the video material, they have concluded that something other
than polishing has occurred.
Many cases display some or all of the qualities mentioned below. The vitrified spots show
discoloration and smoothness around the particular areas. They clearly look like the stone has been
melted just in those spots. A simple flashlight test was developed, to help identify the layers of glaze or
glass.
Filming was carried out at night with a flashlight beam passing through the glaze. This shows the
reflection and diffraction of the light as it passes through the surface. Sacsayhuaman, Kenko and
Loreto Street were all filmed at night using a flashlight or the nocturnal illumination to capture the
effect.
The following traits help to identify vitrified stones:
Reflection is high
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The DVD The Cosmogony of the 3 Worlds shows an overview of this phenomenon in the chapter on
Vitrified Stones. This is available on youtube here http://www.youtube.com/watch?v=x81-5SWVtUQ
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Microscope Photos
The microscope photograph of the sample shows two distinct regions, the surface layer and the body
stone. There is a less distinct intermediate area between the two that seems to transition from stone
body to surface layer. Samples from all three regions were subjected to detailed analysis.
Photo 1: The Vitrified Surface of the Stone
(The line at bottom is 21 micrometer)
Spectral analysis
Composition of the Surface Layer
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Spectral
Analysis of Surface Layer
Note: The full set of photos, spectra, tables and text can be found in the full article
The body of the stone is limestone, which is not surprising. However, The Vitrified Surface of the
stone shows a different spectrum of elements. (See spectra above) The glaring difference is that
Silicon is present with much higher concentrations. The trace elements of Aluminum and Magnesium
are also significantly higher than the body. Oxygen is also present in double the quantities. The
Calcium and Carbon are much lower than the body sample.
The intermediate regions show a gradation between the surface and body of the stone. This implies
either the surface layer was somehow ground and mixed with the stone body. The body limestone
somehow merged/melted with the surface layer. Alternatively, the limestone constituents could have
been a part of the added surface layer.
The surface shows some similarity to Wollastonite, which forms when impure limestone is subjected
to high temperatures and pressures. However, the impurities in the surface are not present in the
stone body. This indicates that the compounds in the surface layer were added. It appears they were
applied and then treated with heat. This option does have some merits, but it is moving towards the
techniques of the ceramist.
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Whilst the spectra do not show explicitly that the surface is vitrified, the layer does have the
composition, sheen, hardness and glassy texture of a glaze. It is very likely that the glaze was made
from a ceramic paste applied to the limestone surface. This is reinforced with a comparison to
ancient glazed ceramic pottery shards. If an antique ceramic is compared to the spectra of the glaze
above there is little to separate the two. In the Paper X-Ray Techniques Applied to Surface Paintings
of Ceramic Pottery Pieces From Aguada Culture (Catamarca, Argentina) there are several
comparable results. Ignoring the gold leaf and colorants, the key constituents Silicon, Aluminum,
Magnesium, Carbon and Oxygen are present in the same ratios.
The glazed results strongly indicate that heat was used to produce the finish. This raises several
questions. Even if a layer of a ceramic paste was applied, how was it heated to the requisite
temperatures without cracking the limestone? How was the heat produced to treat these structures?
Whilst this sample is from a cave, there are similar structures that are outside with the same kind of
glaze. The same conclusion may not necessarily be applied to these other cases.
Analysis is needed, but the similarities with the investigated sample and other photographed cases,
are clear. It is likely that these other cases are also vitrified. The amount of heat needed to fire the
huge stones on which these glazes are found is enormous. In furnaces, the whole body has to be
raised to the temperature of the surface glaze.
DISCUSSION
The stones pictured above provoke much debate. Explanations on how they were produced vary from
the use of advanced machines, simple metal/stone tools, molded stonework, concentrated sunlight
and fire methods. Whilst the analysis above says little about the way the shapes were made, it does
eliminate some ideas on the means of producing these exquisite finishes.
Heat is used to form glazes. How the heat was applied is not clear. To create ceramics on this scale,
the heat production would have been greater than the normal ceramic methods.
Protzen has looked at these effects and suggested it could be achieved with polishing. To date, only
Andesite has been attempted with very limited success. After the analysis of the surface layer above,
it is clear that polishing alone will not produce the heat needed to produce a ceramic glaze. This
eliminates polishing as a means of creation.
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Peruvian Alfredo Gamarra has identified vitrification on many stones and has argued that the
ancients had a technology to treat stone with heat and that the stone was soft at the moment of
construction. The comparison at the spectrum level with clay and ceramic pastes is interesting.
Ceramic pastes and clay are soft prior to being treated with heat.
Conventional geological understanding is not compatible with this idea. However, the impression from
the vitrified stonework is that the stone was once soft. In many of the stones, there are places where
it looks as if objects or molds were pressed into the stone. The perfect fitting stones in the walls of
Cusco and the other Inca vestiges could have been obtained more easily this way.
Another option is the use of sun dishes and concentrated sunlight by the ancients. This is discussed
by Prof. Watkins in his 1990 paper on fine Inca stonework. In this seminal paper, his chief concern
was the methods of cutting the stone. Since he was proposing intense heat to cut the stones, it was
not a great step to consider the stones melted. His conclusions have been much maligned since there
had been no analyses performed.
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The analysis does support this, but the location of the sample was on a wall in a cave. The ceramic
paste had to be heated whilst on the stone vestige. This means light would have to be reflected deep
into the cave. Whilst it is possible that the ancients were capable of producing flat mirrors for the
task, it does seem complicated. This method could work for stones on the surface, but is clearly
limited in this case.
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If the stones were fired in a kiln, the glaze could be a result of the extremely high temperatures. The
knowledge of ceramics in ancient Peru suggests this is a distinct possibility. This prospect however,
only arises with the stones that can be placed in a kiln or stonework that is part of a kiln. The
examples laid onto the sides of huge natural rocks cannot have been produced by standard fire
techniques. As European studies of vitrified forts and experimental work have shown.
There is the possibility is that the cave itself was a kiln. Pots or vases may have been fired in the cave
and the ceramic pastes may have been applied to protect the stone structure. There is much
discoloration within the cave and innumerable glazed areas. The comparison to vitrified vestiges in
the open air or in places without a smoke escape, leaves many questions.
On balance, it has to be admitted that a method is difficult to define. Further analysis of samples from
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new illuminati: Incan Vitrified Stones: Evidence of Vitrified Stonework in the Inca Vestiges of Peru
the other sites needs to be undertaken to confirm the use of heat in all of the sites. However, the
sample tested shows that the similarity to ceramic pastes is near certain. It is easy to conclude that
heat was used. The treatment method may have been similar to the technology used for ceramic
pastes, but on a much larger scale.
ACKNOWLEDGEMENTS
-Jess Gamarra Farfan especially, for showing, explaining and filming these stones.
The following persons we want to thank for their cooperation and feedback:
-Prof. Schuiling, Tilly Bouten and Anita van Leeuwen, Geology department University of Utrecht.
-prof. Kars, Institute for Geo and Bioarchaeology, IGBA, Faculty of Earth and Life Sciences, Vrije
Universiteit, Amsterdam
-David Campbell, http://www.anarchaeology.com
-Paul D. Burley, http://www.pauldburley.com
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maximum
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Greenhouse Mafia
Human/Animal Hybrid Monsters Are Being Created By Scientists All Over The
Planet
Did a rocket, HAARP or ET/UFOs cause the June 5, 2010 Australian spiral
light?
Divine Cosmos
Life on this Earth Just Changed: The North Atlantic Current is Gone
FREE ENERGY Home Generator: Zero Point Energy Off the Grid
FREE ENERGY Home Generator: Zero Point Energy Off the Grid
Free Energy: How to Burn Salt Water With the Kanzius Radio Wave Generator
Free Energy: Magnetic N-Machines and Government Conspiracy
Free Energy: The Sabous Magnetic Motor
Free EnergyThe Race to Zero Point
More than enough dirt under his fingernails - Seeing the forest for the trees
Perils of Plastic
Large Mystery 'Ball' Hits the Second WTC Tower - There Was No Plane!
Loose Change 2nd Ed. (Full): Some Truths About 9/11 & the State of the World
State
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Radioactive Tobacco
Mystery scars on Obama's head prompt question: has the (p)resident had
brain surgery? (PLUS Obama's Fake Birth Certificate)
Parallel Universes
Secret Weather Weapons can kill millions, warns top Russian politician
Shock study reveals influenza vaccines only prevent flu in 1.5% of adults
POLISH PLANE CRASH TRUTH VIDEO: One of the Most Brazen Mass
Assassinations in History
The coming famine: risks and solutions for global food security
Stan Deyo: Anti-Gravity, Free Energy & the Technology of the New World
Order
The new PCB: Monsanto's Toxic Roundup weed killer turning up in air, rain and
rivers
The "4" Flights of 9/11: What about the Passengers? What happened to them?
The top 20 things more dangerous to children (& adults) than lead in toys
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Totally Green Clean Transport: air powered vehicles that can refuel themselves
'Quicksand'
'UFO' Spiral in the sky seen and heard across Western Canada
The Yeti, a severed finger spirited from Nepal, and a famous film star
Zap your brain into the zone: Fast track to pure focus
Anonymous Fame
Death By Doctoring
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The Rife Ray Scope and the Cure for All Disease
Does the Past Exist Yet? Evidence Suggests Your Past Isn't Set in Stone
Time Travel
Earth facing a mini-Ice Age 'within ten years' due to rare drop in sunspot activity
Does the Past Exist Yet? Evidence Suggests Your Past Isn't Set in Stone
Secret DARPA time travel program may hold key to understanding the deep
politics of 9/11
A History of Money and Banking Secrets That Banks Don't Want Published
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Archeological Coverups?
Archeological Coverups?
Archeological Coverups?
Bailed out Banks and Americas Wealthiest Cheat IRS Out of Billions
Holographic Internet
Holographic Multiverse
Holographic Paradigm
How vaccines are made: Monkey kidneys, spinal material, animal pus and more
Electro-Gravitic Propulsion
Immortalism
Immortality Techniques
False Flag Operations: The Crisis Route to the New World Order
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Mystery scars on Obama's head prompt question: has the (p)resident had
brain surgery? (PLUS Obama's Fake Birth Certificate)
POLISH PLANE CRASH TRUTH VIDEO: One of the Most Brazen Mass
Assassinations in History
Pan-Dimensional Reality
Perception
Sunken Ice Age City Off Indian Coast: Carbon Dating Says 7,500 B.C.
The "4" Flights of 9/11: What about the Passengers? What happened to them?
Radioactive Tobacco
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The Overseers
Self Reflection
The Secret History of the American Empire: Economic Hit Men, Jackals, and the
Truth About Global Corruption
The Serpent at the End of Precession: the Sky of the New Aeon
The Story of Obama: Another Intelligence Dynasty in the Making
The War Games of September 11th
The Way of Typhon
They Lived
Top Construction Firm: WTC Destroyed By Controlled Demolition
Truly MAD: Mutually Assured Destruction
Truth Behind Terror: The Great Satan & CIA Drug Trafficking
Truth Statement : We STILL Want Real Answers About 9/11
Two 9/11 Airliners Flight 93 and 175 Were Only Recently Taken Off The FAA
'Active' List
US Alliance responsible for 9-11 million excess deaths in Iraq & Afghan Wars
Statement of His Holiness the Fourteenth Dalai Lama, Tenzin Gyatso, on the
Issue of His Reincarnation
Who Killed Bob Marley? Chanting Down Babylon: The CIA & the Death of Bob
Marley
The Electric Glow of the Sun: The Sun is not a nuclear furnace
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The Triumph of Wilhelm Reich: Orgone Environment
The Truth About Hair and why Native/Indians would keep their hair long
The War on Drugs is a War on Human Rights
The Wave Structure of Matter
There is a space-time vortex around Earth: NASA
They Aint Makin Jews Like Jesus Anymore
This Crystal Planet: Worldwide Bronze Age Communications Network
Thousand Year Zeitgeist: The Utopian Millennium?
Time: An Extraterrestrial Musical
To be Human is to be more human than human
Tomorrow Never Knows
Top scientist asks: is life all just a dream?
Transcendental Meditation Experiment Arrests Crime
Transfinite Consciousness
Transplanted Personalities: Can Transplanted Organs Carry Remembered
Traits?
Triumph of the Trivial Life
Truth outs: CCTV doesn't cut crime
Tummo: The Power of Warming the Body
U.S. Economy Grinds To Halt As Nation Realizes Money Is an Illusion
U.S. global climate change weapon called HAARP
U.S. prison population dwarfs that of other nations
UN Backs Drug Decriminalization In World Drug Report: Recreational Freedoms
Understanding P.T., UFOs and Psi Phenomena
Universal Soldier
US Schools are More Segregated Today than in the 1950s
Violent Seismic Activity Tearing Africa in Two
Vote for These Horny Beasts?
Warriors of the Rainbow: Indigenous American Prophecies
WATCH THE LIGHT-GREEN GLOW: Irradiated Feet
Watching the Wheels
Water Has Memory: Scientiic Proof
We Have Learned Nothing from the Genome
What Happens When Anonymous Gets a Bank?
What Is Enlightenment?
What is the Origin of Spin? Grand Unification of the Cosmic Fractal
What the bleep do we know? Down the rabbit hole
What's wrong with the sun?
Where Are You Really? What It Means To Be
Who Are The Anunnaki?
Who Wrote the Reptilian Agenda?
Why Our Great-Grandparents were Happier Than We Are...
Widow's Sons: Warriors Create Wars
Wills Writ on Waves: Psychedelic Water
Wisdom of the Ancients: Secrets of Levitation
Work, Consume, Reproduce, Die:The world is run by self-hypnosis
Worlds in Collision: Suppressed Works of Velikovsky
You Are God and The Egg
YOU are GOD(DESS)!
You will never be alone
Your Brain is Not a Computer!
God Helmet Inventor Discovers Telepathy Link in Lab Experiments
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