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Andrea Pacelli
Department of Electrical and Computer Engineering
SUNY at Stony Brook
pacelli@ece.sunysb.edu
First edition, February 2001
Copyright c 2001 Andrea Pacelli
All Rights Reserved
!
"!#
$ are called zeros and the !#$ are the poles of the transfer function.
where
the
quantities
% is called the low-frequency or dc gain.
For simplicity, we will consider only real poles and zeros. Poles of stable systems are
always negative. Only unstable systems (e.g., oscillators) have positive poles (or more
precisely, complex poles with a positive real part). Zeros can be positive or negative. Zeros in passive structures (e.g., connections of resistors and capacitors) are always negative,
however active circuits (e.g., with transistors) can have positive zeros.
The Bode plot can be quickly found if one remembers the following golden rules:
1. A negative pole contributes a slope of
%)*(+ .
of
'&(
&(
&(
2. A negative
zero contributes a slope of ,
*
)
(
+
of ,
.
3. A positive
zero contributes a slope of ,
%
*
)
(
+
of
.
We will illustrate the above rules by a number of& - examples. In all cases we express
frequencies in radians per second, to get rid of the
and thus save a lot of printer ink.
2.1
Examples
A single negative pole
./0
4
(5
,213
Magnitude [dB]
10
-10
-10
-20
-30
-20
-40
-30
-50
-40
-60
-50
-60
-70
101
Phase [degrees]
-70
Magnitude
Phase
102
6 ( 5
-80
103
104
Frequency [rad/s]
105
-90
106
'&(
The pole at 3
causes the magnitude
plot to point downward at
dB/decade. The
%
*
)
(
+
phase starts out at zero, then shifts to
the pole frequency. Note how the transition
( + )( + takes about three decades ofat frequency.
from to
./06 ,213 4 ( 5
70
90
60
80
50
70
60
40
50
30
40
20
30
10
20
0
-10
101
7 ( 5
Phase [degrees]
Magnitude [dB]
2.2
Magnitude
Phase
102
103
104
Frequency [rad/s]
105
10
0
106
&(
The zero at 3
causes the magnitude plot to climb upward at ,
dB/decade. The
)*(*+ at the zero frequency. The transfer
phase starts out at zero, then shifts to ,
function
tends to infinity at high frequency, which is very unusual. In practice, there will always
be some pole somewhere up there in the high frequency range to catch the magnitude
and bring it down to reasonable values (as in example 2.5).
./0
2
, 13 44
((85
,213
Magnitude [dB]
10
-10
-10
-20
-30
-20
-40
-30
-50
-40
-60
-50
-60
-70
101
Phase [degrees]
2.3
-70
Magnitude
Phase
102
6 ( 5
-80
107
-90
108
'&(
The pole at 3
causes the magnitude plot to point downward at
dB/decade. The
8
9
(
zero at 3
catches the curve and restores the magnitude to
( zero
5 6:( Between
8 4
( slope.
the pole and the zero
the
curve
has
suffered
a
total
attenuation
of
dB. The
(
+
%
*
)
(
+
*
(
+
phase starts out at , shifts to
at the pole frequency, then goes back to at the zero
frequency.
Two negative poles
./ 6
( 8
, 13 4
( 5 ;
2
2
, 13 4
( 8
140
0
Magnitude
Phase
120
-20
-40
Magnitude [dB]
100
-60
80
-80
60
-100
40
-120
20
-140
-160
-20
102
103
104
105
106
Frequency [rad/s]
107
Phase [degrees]
2.4
-180
108
(<8=> &(
70
90
60
80
50
70
60
40
50
30
40
20
30
10
20
0
-10
101
Phase [degrees]
./0
2
, 13 44
(( 58
,213
Magnitude [dB]
2.5
Magnitude
Phase
102
10
107
0
108
Like in example 2.3, but with the pole and the zero interchanged. The positive slope
imparted by the zero is canceled by the later pole. Same
(<for
the
phase.
Between the zero
5
8
B
(
*
:
(
and the pole, the transfer function climbs by a factor of
dB.
Two negative poles, one negative zero
2
./ 6
( 8
,4
( 5 1;3
4
(*C 4
( 8
, 13
2
,213
140
0
Magnitude
Phase
Magnitude [dB]
120
-20
100
-40
80
-60
60
-80
40
-100
20
-120
-140
-20
102
103
D ( C
108
Phase [degrees]
2.6
-160
109
140
200
120
150
100
100
80
50
60
40
-50
20
-100
0
-20
102
-150
Magnitude
Phase
103
Phase [degrees]
13 4
( C
./ 6
( 8
, 13 4
(5";
,213 4
( 8
2
Magnitude [dB]
2.7
108
-200
109
As in example 2.6, but the positive zero shifts the phase even further, all the way to
&*G( +H , )*( + .
One negative pole, one positive zero
Magnitude [dB]
10
-20
-10
-40
-60
-20
-80
-30
-100
-40
-120
-50
-60
-70
101
Phase [degrees]
2.8
-140
Magnitude
Phase
102
-160
107
-180
108
Another example of positive zero. Positive zeros are typically associated with changes in
the sign of the transfer function. Note how the gain starts out as real and positive, and
@
A*( + phase). Real examples are typically of the opposite
ends up as real and negative (
kind, with the transfer function starting out as negative (as in an inverting amplifier) and
ending up as positive, due to an input-output capacitive coupling.
0
1 3
5
4
(
, 13
2
, 13 4
( 8
2
80
100
70
80
60
Magnitude [dB]
60
40
50
20
40
30
-20
-40
20
10
0
101
Phase [degrees]
2.9
-60
Magnitude
Phase
102
-80
107
-100
108
The zero in the origin makes the transfer function vanish at low frequencies. One can
imagine the zero being located&(somewhere off the left edge of the plot. The magnidB/decade, then flattens out at the first pole frequency
tude starts
by climbing at ,
( 5 . out
J
(*8 , the magnitude dives again and decreases at
3 &I
At
the
second
pole
at
3
( dB/decade. This is a typical bandpass function. The important feature of the transfer
function is the plateau between the two poles, where the phase is close to zero and the
input is simply transmitted to the output. The value of the transfer function at the plateau
can be found as follows. On the plateau,
higher than the first pole, but
4
( 5LK the
, 3 frequency
4
(8NM
.isTherefore,
lower than the second pole: i.e., 3
./0
1 3
*1
3 ( 5 ;
D
( 5 Q:*(
5
4
(
B
(
P
B
8
, 13
O
, 1*3
O
1*3
dB R
The above can be more directly seen if one writes the transfer function as
./ 6
( 5
( 5
,
1 3 2
, 13 4
( 8
Note that even though the two poles are spaced by three decades of frequency, the phase
is not very flat on the plateau. This could cause serious problems if phase accuracy is
desired, e.g., in a digital communication system.
2.10 One pole in the origin, one negative zero, one negative pole
./0S
( 8
2
, 13 4
4(
T ( 8
13 ,213
100
-10
Magnitude [dB]
-30
-40
60
-50
40
-60
-70
20
-80
Magnitude
Phase
0
101
Phase [degrees]
-20
80
102
107
-90
108
Like the zero in the previous example, the pole in the origin can be seen as sitting some&( dB/decade
where off the left edge %
of)*(the
plot.
The
magnitude
starts
with
a
slope
of
+ . At the zero frequency of
( T , there is a compensation, the
and the phase starts at
(*+
slope becomes flat and the phase gets closer to . However, a second pole restores both
the slope and the phase to their
initial
values, leaving only a small plateau
of
the
magni
(
T
(
8
E
(
8
4
(
H
T
U
?E( dB.
tude in the frequency range
to
. The magnitude at the plateau is