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Camerawork:
Mise-en-scene:
Our music video replicated the original as much as possible with the
locations and equipment available to us.
Our decision to have the actors wear tartan shirts came from our
market research and music video analyses in particular. We found
that a large number of band members wear that type of clothing
and we wanted to conform to that aspect of real media texts out
there.
Our lead singer wore black nail varnish to indulge herself further
into the stereotypes of the rock genre. She also performed many of
the same actions as Hayley Williams did in the official video. By
having this close relation and mimic of the official Crushcrushcrush
video, we fully used the forms of the real media product as much to
our ability.
It is very typical in all music genres that the video is cut on the beat
of the music. We conformed to this convention as it built up the
rhythm of the video and aided the attitude of the rock genre.
We did not include any special effects in the music video as it is very
uncommon for artists to do so and we wished to conform to this.
Also, the facilities to do so were unavailable to us and there would
have been a time restriction.
We did however turn the performance aspects of the video into
black and white. This is a common convention in all music genres.
Paramore have done this themselves on a few occasions.
Lighting:
Mise-en-scene:
The top right Paramore poster has blocks of black, which is echoed
in our magazine advertisement. We used the black not only because
Paramore have also used it but also so do a number of other rock
bands such as Green Day. This is because the dark colour is an
embodiment in the attitude of the genre and its listeners. It reflects
rebellion and free spirit. This is represented by the simple and basic
look of our advert.
However, after researching into Paramores existing products even
more closely we realised that the band does often use colour. To
conform to this aspect we decided to add a few social media details
in bright orange which is a visual representation of Hayley Williams
hair creating an underlying synergy between the brand and band.
Both existing advertisements I have included above feature Hayley
Williams as the main focus in the image. She is either in front of the
rest of the band or closer to the camera making her bigger and
more eye-catching. This is very common in the music industry as
record labels comply with Laura Mulveys theory of the male gaze,
which is when there is a large focus on the female often with the
intention to treat them in a voyeuristic manner. We however did not
wish to do this and that is why we chose to feature the guitar amp.
Moreover, we included the record label logo at the bottom of the
image as a way of officialising the advert and so audiences have the
knowledge.
Layout:
Images:
The Digipak
Mise-en-scene:
Layout:
The
layout of the digipak cover is purposefully very similar to the
magazine advertisement. We did this to create synergy across our
promotional package. This is a very common occurrence between
not only the rock music genre and other genres such as pop as well.
This is as it is an extremely effective method of marketing the
promotional package as a whole because it is very easy to relate the
products together.
However, if we were to design the digipak again we would make the
digipak and magazine advertisement less similar. Even though it
would lose a lot of the obvious connection between the two it would
symbolise the uncertainty attitude of the rock genre and perhaps
stand out from the other products in the genre.
Once the digipak is opened, the audience is faced with an image of
the band as if they were taking a selfie. This is an effective link
between the band and the fanbase. There are many pictures of the
band inside the digipak in the Paramore bars symbol. This is